61 3 x 73 8 cm hi-res stock photography and images

Lovers, Indian Love Song, Eanger Irving Couse, American, 1866-1936, Oil on canvas, 1905, 24 1/8 x 29 1/16 in., 61.3 x 73.8 cm, couple, courtship, depressing, earring, flute, loincloth, music, painting, seated, trees Stock Photo

RM2HB1HNE–Lovers, Indian Love Song, Eanger Irving Couse, American, 1866-1936, Oil on canvas, 1905, 24 1/8 x 29 1/16 in., 61.3 x 73.8 cm, couple, courtship, depressing, earring, flute, loincloth, music, painting, seated, trees

Inspired by Lovers, Indian Love Song, Eanger Irving Couse, American, 1866-1936, Oil on canvas, 1905, 24 1/8 x 29 1/16 in., 61.3 x 73.8 cm, couple, courtship, depressing, earring, flute, loincloth, music, painting, seated, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK49XN–Inspired by Lovers, Indian Love Song, Eanger Irving Couse, American, 1866-1936, Oil on canvas, 1905, 24 1/8 x 29 1/16 in., 61.3 x 73.8 cm, couple, courtship, depressing, earring, flute, loincloth, music, painting, seated, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Lovers (Indian Love Song) Eanger Irving Couse (American, 1866-1936). Lovers (Indian Love Song), 1905. Oil on canvas, 24 1/8 x 29 1/16 in. (61.3 x 73.8 cm). Although inspired by Native American music that he experience firsthand in the American Southwest, Eanger Irving Couse's numerous representations of Indian musician were highly generalized, as was his use of native details. (These figures are dressed in clothing broadly typical of Plains peoples.) His paintings this offered a romanticized, antimodern notion of Native Americans—a perspective that appealed to turn-of-the-century white audien Stock Photo

RM2M92CY1–Lovers (Indian Love Song) Eanger Irving Couse (American, 1866-1936). Lovers (Indian Love Song), 1905. Oil on canvas, 24 1/8 x 29 1/16 in. (61.3 x 73.8 cm). Although inspired by Native American music that he experience firsthand in the American Southwest, Eanger Irving Couse's numerous representations of Indian musician were highly generalized, as was his use of native details. (These figures are dressed in clothing broadly typical of Plains peoples.) His paintings this offered a romanticized, antimodern notion of Native Americans—a perspective that appealed to turn-of-the-century white audien

Bottle, Crab Demon. Culture: Moche. Dimensions: Overall: 7 3/8 x 5 3/4 in. (18.73 x 14.61 cm) Other: 5 3/4 in. (14.61 cm). Date: 4th-7th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA9ACP–Bottle, Crab Demon. Culture: Moche. Dimensions: Overall: 7 3/8 x 5 3/4 in. (18.73 x 14.61 cm) Other: 5 3/4 in. (14.61 cm). Date: 4th-7th century. Museum: Metropolitan Museum of Art, New York, USA.

. Portrait of a Man, 1804. By John Ritto Penniman. Oil on canvas. 29 x 24 1/8 in. (73.7 x 61.3 cm). Worcester Art Museum 1804 PortraitOfAMan byJRPenniman WorcesterArtMuseum Stock Photo

RMMMRK2R–. Portrait of a Man, 1804. By John Ritto Penniman. Oil on canvas. 29 x 24 1/8 in. (73.7 x 61.3 cm). Worcester Art Museum 1804 PortraitOfAMan byJRPenniman WorcesterArtMuseum

Dai Xi, Prunus Branch, 1836, ink on silk, 73 3/4 in. x 13 5/8 in. (187.33 cm x 34.61 cm Stock Photo

RM2B0BY8F–Dai Xi, Prunus Branch, 1836, ink on silk, 73 3/4 in. x 13 5/8 in. (187.33 cm x 34.61 cm

Art inspired by Lovers, Indian Love Song, Eanger Irving Couse, American, 1866-1936, Oil on canvas, 1905, 24 1/8 x 29 1/16 in., 61.3 x 73.8 cm, couple, courtship, depressing, earring, flute, loincloth, music, painting, seated, trees, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKJRGM–Art inspired by Lovers, Indian Love Song, Eanger Irving Couse, American, 1866-1936, Oil on canvas, 1905, 24 1/8 x 29 1/16 in., 61.3 x 73.8 cm, couple, courtship, depressing, earring, flute, loincloth, music, painting, seated, trees, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2M92CWC–Lovers (Indian Love Song) Eanger Irving Couse (American, 1866-1936). Lovers (Indian Love Song), 1905. Oil on canvas, 24 1/8 x 29 1/16 in. (61.3 x 73.8 cm). Although inspired by Native American music that he experience firsthand in the American Southwest, Eanger Irving Couse's numerous representations of Indian musician were highly generalized, as was his use of native details. (These figures are dressed in clothing broadly typical of Plains peoples.) His paintings this offered a romanticized, antimodern notion of Native Americans—a perspective that appealed to turn-of-the-century white audien

Art inspired by Bottle, Crab Demon, 4th–7th century, Peru, Moche, Ceramic, slip, Overall: 7 3/8 x 5 3/4 in. (18.73 x 14.61 cm), Ceramics-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX34G–Art inspired by Bottle, Crab Demon, 4th–7th century, Peru, Moche, Ceramic, slip, Overall: 7 3/8 x 5 3/4 in. (18.73 x 14.61 cm), Ceramics-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Virgin and Child with the Pietà and Saints. Artist: Spanish (Castilian) Painter (late 15th century). Dimensions: (a) 49 1/4 x 24 1/4 in. (125.1 x 61.5 cm); (b) 49 x 24 3/4 in. (124.5 x 62.9 cm); (c) 57 x 29 in. (144.8 x 73.7 cm); (d) 49 x 24 3/4 in. (124.5 x 62.9 cm); (e) 49 x 24 1/2 in. (124.5 x 62.2 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0C73–Virgin and Child with the Pietà and Saints. Artist: Spanish (Castilian) Painter (late 15th century). Dimensions: (a) 49 1/4 x 24 1/4 in. (125.1 x 61.5 cm); (b) 49 x 24 3/4 in. (124.5 x 62.9 cm); (c) 57 x 29 in. (144.8 x 73.7 cm); (d) 49 x 24 3/4 in. (124.5 x 62.9 cm); (e) 49 x 24 1/2 in. (124.5 x 62.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 61 x 73 1/2 x 3 1/4 in. (154.9 x 186.7 x 8.3 cm), Stone-Reliefs-Inscribed, The beardless male figure depicted on this panel from the Northwest Palace at Nimrud, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX8PR–Art inspired by Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 61 x 73 1/2 x 3 1/4 in. (154.9 x 186.7 x 8.3 cm), Stone-Reliefs-Inscribed, The beardless male figure depicted on this panel from the Northwest Palace at Nimrud, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on canvas; overall: 73.7 x 61 cm (29 x 24 in.) framed: 97.5 x 84.5 x 10.8 cm (38 3/8 x 33 1/4 x 4 1/4 in.); 12 John Adams A18236 Stock Photo

RMP01JC1–Painting; oil on canvas; overall: 73.7 x 61 cm (29 x 24 in.) framed: 97.5 x 84.5 x 10.8 cm (38 3/8 x 33 1/4 x 4 1/4 in.); 12 John Adams A18236

Art inspired by Virgin and Child with the Pietà and Saints, Tempera and gold on wood, (a) 49 1/4 x 24 1/4 in. (125.1 x 61.5 cm); (b) 49 x 24 3/4 in. (124.5 x 62.9 cm); (c) 57 x 29 in. (144.8 x 73.7 cm); (d) 49 x 24 3/4 in. (124.5 x 62.9 cm); (e) 49 x 24 1/2 in. (124.5 x 62.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8JND–Art inspired by Virgin and Child with the Pietà and Saints, Tempera and gold on wood, (a) 49 1/4 x 24 1/4 in. (125.1 x 61.5 cm); (b) 49 x 24 3/4 in. (124.5 x 62.9 cm); (c) 57 x 29 in. (144.8 x 73.7 cm); (d) 49 x 24 3/4 in. (124.5 x 62.9 cm); (e) 49 x 24 1/2 in. (124.5 x 62.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Frick, Friedrich, Marienburg Castle in Prussia. (Tafel 3 from: Marienburg Castle in Prussia. Showed according to his most excellent Aesuers and interior views. HRSG (1799): General floor plan of the old, medium and new castle along with the city. Stitch on paper, 61.6 x 73.8 cm (incl. Scan edges) Frick, Friedrich : Schloss Marienburg in Preußen. (Aus: Schloss Marienburg in Preussen. Nach seinen vorzüglichsten aeußern und innern Ansichten dargestellt. Hrsg. von F. Frick, Berlin 1799) Stock Photo

RM2JMP0NE–Frick, Friedrich, Marienburg Castle in Prussia. (Tafel 3 from: Marienburg Castle in Prussia. Showed according to his most excellent Aesuers and interior views. HRSG (1799): General floor plan of the old, medium and new castle along with the city. Stitch on paper, 61.6 x 73.8 cm (incl. Scan edges) Frick, Friedrich : Schloss Marienburg in Preußen. (Aus: Schloss Marienburg in Preussen. Nach seinen vorzüglichsten aeußern und innern Ansichten dargestellt. Hrsg. von F. Frick, Berlin 1799)

Art inspired by Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories, 1855, Hartford, Connecticut, American, Hartford, Connecticut, Steel, wood (oak), L. 7 7/8 in. (19.99 cm); L. of barrel 3 1/2 in. (8.89 cm); Cal. .28 in. (7 mm); case 9 3/8 x 5 3/4 x, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9K7X–Art inspired by Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories, 1855, Hartford, Connecticut, American, Hartford, Connecticut, Steel, wood (oak), L. 7 7/8 in. (19.99 cm); L. of barrel 3 1/2 in. (8.89 cm); Cal. .28 in. (7 mm); case 9 3/8 x 5 3/4 x, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Sally Avery Olds, 1837. Jeptha Homer Wade (American, 1811-1890). Oil on canvas; unframed: 73.3 x 61 cm (28 7/8 x 24 in.). Stock Photo

RM2H12BRX–Sally Avery Olds, 1837. Jeptha Homer Wade (American, 1811-1890). Oil on canvas; unframed: 73.3 x 61 cm (28 7/8 x 24 in.).

Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (2 Stock Photo

RF2B95ANY–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (2

RM2A2W21K–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (

Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories. Culture: American, Hartford, Connecticut. Dimensions: L. 7 7/8 in. (19.99 cm); L. of barrel 3 1/2 in. (8.89 cm); Cal. .28 in. (7 mm); case 9 3/8 x 5 3/4 x 1 7/8 in. (23.8 x 14.61 x 4.75 cm); L. of spanner-screwdriver 3 1/4 in. (8.26 cm); greatest W. of spanner-screwdriver 1 3/8 in. (3.48 cm); L. of primer 4 5/8 in. (11.73 cm); greatest W. of primer 2 in. (5.08 cm); L. of bullet mould 4 3/8 in. (11.1 cm). Manufacturer: Samuel Colt (American, Hartford, Connecticut 1814-1862). Date: 1855. This revolver was pr Stock Photo

RMPAP10J–Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories. Culture: American, Hartford, Connecticut. Dimensions: L. 7 7/8 in. (19.99 cm); L. of barrel 3 1/2 in. (8.89 cm); Cal. .28 in. (7 mm); case 9 3/8 x 5 3/4 x 1 7/8 in. (23.8 x 14.61 x 4.75 cm); L. of spanner-screwdriver 3 1/4 in. (8.26 cm); greatest W. of spanner-screwdriver 1 3/8 in. (3.48 cm); L. of primer 4 5/8 in. (11.73 cm); greatest W. of primer 2 in. (5.08 cm); L. of bullet mould 4 3/8 in. (11.1 cm). Manufacturer: Samuel Colt (American, Hartford, Connecticut 1814-1862). Date: 1855. This revolver was pr

Painting; oil on canvas; overall: 73.8 x 61.1 cm (29 1/16 x 24 1/16 in.) framed: 92.7 x 80 x 9.5 cm (36 1/2 x 31 1/2 x 3 3/4 in.); 10 George Washington (Vaughan-Sinclair portrait) A18269 Stock Photo

RMP01J2T–Painting; oil on canvas; overall: 73.8 x 61.1 cm (29 1/16 x 24 1/16 in.) framed: 92.7 x 80 x 9.5 cm (36 1/2 x 31 1/2 x 3 3/4 in.); 10 George Washington (Vaughan-Sinclair portrait) A18269

Oedipus at Colonus, 1798. Fulchran Jean Harriet (French, 1778-1805). Oil on canvas; framed: 187.5 x 164.5 x 8.5 cm (73 13/16 x 64 3/4 x 3 3/8 in.); unframed: 157 x 134 cm (61 13/16 x 52 3/4 in.). Stock Photo

RM2H10E50–Oedipus at Colonus, 1798. Fulchran Jean Harriet (French, 1778-1805). Oil on canvas; framed: 187.5 x 164.5 x 8.5 cm (73 13/16 x 64 3/4 x 3 3/8 in.); unframed: 157 x 134 cm (61 13/16 x 52 3/4 in.).

RF2B95ANP–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (2

RM2A2W21J–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (

George Biddle Playing the Flute. Artist: Jules Pascin (American (born Bulgaria), Vidin 1885-1930 Paris). Dimensions: H. 24-3/8, W. 28-3/4 inches (61.9 x 73 cm.). Date: ca. 1927. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAEDN–George Biddle Playing the Flute. Artist: Jules Pascin (American (born Bulgaria), Vidin 1885-1930 Paris). Dimensions: H. 24-3/8, W. 28-3/4 inches (61.9 x 73 cm.). Date: ca. 1927. Museum: Metropolitan Museum of Art, New York, USA.

Painting; oil on canvas; overall: 73.2 x 61.9 cm (28 13/16 x 24 3/8 in.) framed: 89.9 x 77.8 x 10.6 cm (35 3/8 x 30 5/8 x 4 3/16 in.); William Thornton 1804. 1268 William Thornton A17464 Stock Photo

RMMNYCRE–Painting; oil on canvas; overall: 73.2 x 61.9 cm (28 13/16 x 24 3/8 in.) framed: 89.9 x 77.8 x 10.6 cm (35 3/8 x 30 5/8 x 4 3/16 in.); William Thornton 1804. 1268 William Thornton A17464

RF2B95AP3–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (2

RM2A2W21E–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (

John Randolph. Dated: 1804/1805. Dimensions: overall: 73.6 x 61 cm (29 x 24 in.) framed: 89.5 x 76.8 x 7 cm (35 1/4 x 30 1/4 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART. Stock Photo

RMRFG7P3–John Randolph. Dated: 1804/1805. Dimensions: overall: 73.6 x 61 cm (29 x 24 in.) framed: 89.5 x 76.8 x 7 cm (35 1/4 x 30 1/4 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART.

. English: Childe Hassam's painting Poppies, Isles of Shoals, from 1891. Hanging at the National Gallery of Art in Washington D.C. Svenska: Childe Hassams målning Poppies, Isles of Shoals, från 1891. Painting; oil on canvas; overall: 50.2 x 61 cm (19 3/4 x 24 in.) framed: 73.5 x 83.8 x 6.7 cm (28 15/16 x 33 x 2 5/8 in.); Childe Hassam, Poppies, Isles of Shoals, 1891 Stock Photo

RMMMW1RT–. English: Childe Hassam's painting Poppies, Isles of Shoals, from 1891. Hanging at the National Gallery of Art in Washington D.C. Svenska: Childe Hassams målning Poppies, Isles of Shoals, från 1891. Painting; oil on canvas; overall: 50.2 x 61 cm (19 3/4 x 24 in.) framed: 73.5 x 83.8 x 6.7 cm (28 15/16 x 33 x 2 5/8 in.); Childe Hassam, Poppies, Isles of Shoals, 1891

RF2B95ANX–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (2

RM2A2W21M–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (

Robert Liston. Dated: 1800. Dimensions: overall: 73.8 x 61 cm (29 1/16 x 24 in.) framed: 90.5 x 78.1 x 6 cm (35 5/8 x 30 3/4 x 2 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART. Stock Photo

RMRFF2M4–Robert Liston. Dated: 1800. Dimensions: overall: 73.8 x 61 cm (29 1/16 x 24 in.) framed: 90.5 x 78.1 x 6 cm (35 5/8 x 30 3/4 x 2 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART.

. English: Mrs. Thornton (?-1865). Dr. Wm Thornton was the 1st Architect of the Capitol in Washington DC. Mrs. Thornton was a well known socialite and was involved in a strange case involving a slave threatening her with an axe. Painting exhibited in 1922 in the Union League in NYC. Painting; oil on canvas; overall: 73.2 x 61.3 cm (28 13/16 x 24 1/8 in.) framed: 90.2 x 77.5 x 10.6 cm (35 1/2 x 30 1/2 x 4 3/16 in.); Anna MB Thornton by G Stuart Stock Photo

RMMMPHB5–. English: Mrs. Thornton (?-1865). Dr. Wm Thornton was the 1st Architect of the Capitol in Washington DC. Mrs. Thornton was a well known socialite and was involved in a strange case involving a slave threatening her with an axe. Painting exhibited in 1922 in the Union League in NYC. Painting; oil on canvas; overall: 73.2 x 61.3 cm (28 13/16 x 24 1/8 in.) framed: 90.2 x 77.5 x 10.6 cm (35 1/2 x 30 1/2 x 4 3/16 in.); Anna MB Thornton by G Stuart

RF2B95ANE–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (2

RM2A2W21P–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (

Poppies, Isles of Shoals. Dated: 1891. Dimensions: overall: 50.2 x 61 cm (19 3/4 x 24 in.) framed: 73.5 x 83.8 x 6.7 cm (28 15/16 x 33 x 2 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam. Stock Photo

RMPKY692–Poppies, Isles of Shoals. Dated: 1891. Dimensions: overall: 50.2 x 61 cm (19 3/4 x 24 in.) framed: 73.5 x 83.8 x 6.7 cm (28 15/16 x 33 x 2 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

RF2B95ANG–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (2

RM2A2W21G–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (

John Adams. Dated: c. 1800/1815. Dimensions: overall: 73.7 x 61 cm (29 x 24 in.) framed: 97.5 x 84.5 x 10.8 cm (38 3/8 x 33 1/4 x 4 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART. Stock Photo

RMRFF3TC–John Adams. Dated: c. 1800/1815. Dimensions: overall: 73.7 x 61 cm (29 x 24 in.) framed: 97.5 x 84.5 x 10.8 cm (38 3/8 x 33 1/4 x 4 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART.

RF2B95ANR–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (2

RM2A2W21F–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (

General William Smallwood. Dated: 1785/1788. Dimensions: overall: 73.8 x 61.1 cm (29 1/16 x 24 1/16 in.) framed: 93 x 80.7 x 10.2 cm (36 5/8 x 31 3/4 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: ROBERT EDGE PINE. Stock Photo

RMPKR280–General William Smallwood. Dated: 1785/1788. Dimensions: overall: 73.8 x 61.1 cm (29 1/16 x 24 1/16 in.) framed: 93 x 80.7 x 10.2 cm (36 5/8 x 31 3/4 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: ROBERT EDGE PINE.

RF2B95ANK–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (2

RM2A2W21X–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (

William Thornton. Dated: 1804. Dimensions: overall: 73.2 x 61.9 cm (28 13/16 x 24 3/8 in.) framed: 89.9 x 77.8 x 10.6 cm (35 3/8 x 30 5/8 x 4 3/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART. Stock Photo

RMRFF8X5–William Thornton. Dated: 1804. Dimensions: overall: 73.2 x 61.9 cm (28 13/16 x 24 3/8 in.) framed: 89.9 x 77.8 x 10.6 cm (35 3/8 x 30 5/8 x 4 3/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART.

RF2B95AP0–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (2

RM2A2W21R–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (

George Washington (Vaughan-Sinclair portrait). Dated: 1795. Dimensions: overall: 73.8 x 61.1 cm (29 1/16 x 24 1/16 in.) framed: 92.7 x 80 x 9.5 cm (36 1/2 x 31 1/2 x 3 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART. Stock Photo

RMRFF3AP–George Washington (Vaughan-Sinclair portrait). Dated: 1795. Dimensions: overall: 73.8 x 61.1 cm (29 1/16 x 24 1/16 in.) framed: 92.7 x 80 x 9.5 cm (36 1/2 x 31 1/2 x 3 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART.

RF2B95AP4–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (2

RM2A2W21T–Above the Sea, Paul Gauguin (French, 1848-1903), 1889, oil on canvas, 29 x 36-5/8 in. (canvas) 36-7/8 x 44-5/16 x 2-1/2 in. (framed, glazed), Signed and dated, lower right: P. Gauguin 89 Frame label, verso, ink on adhesive paper, left near lower corner: Z14534 Josefo CUT DOWN SPANISH 0.00FT £320, SUBJECT ARTIST GAILGIN, COMMENTS PEND JD ORDER/, DUE BACK 30-10-92 Backing board label, verso, ink on adhesive paper, upper left: VAN GOGH AND GAUGUIN: THE STUDIO OF THE SOUTH, Cat: 96 Crate: 61 {handwritten], Paul Gauguin, FLAGEOLET (FLUTE?) PLAYER ON THE CLIFF, 1889, Oil on canvas, 73 x 92 x cm., (

Bottle, Crab Demon, 4th–7th century, Peru, Moche, Ceramic, slip, Overall: 7 3/8 x 5 3/4 in. (18.73 x 14.61 cm), Ceramics Stock Photo

RMKC5552–Bottle, Crab Demon, 4th–7th century, Peru, Moche, Ceramic, slip, Overall: 7 3/8 x 5 3/4 in. (18.73 x 14.61 cm), Ceramics

Anna Maria Brodeau Thornton (Mrs. William Thornton). Dated: 1804. Dimensions: overall: 73.2 x 61.3 cm (28 13/16 x 24 1/8 in.) framed: 90.2 x 77.5 x 10.6 cm (35 1/2 x 30 1/2 x 4 3/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART. Stock Photo

RMRFF4HD–Anna Maria Brodeau Thornton (Mrs. William Thornton). Dated: 1804. Dimensions: overall: 73.2 x 61.3 cm (28 13/16 x 24 1/8 in.) framed: 90.2 x 77.5 x 10.6 cm (35 1/2 x 30 1/2 x 4 3/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART.

The Third Denial of Peter. Jesus' Look of Reproach, Le troisième reniement de Saint Pierre. Le regard de reproche de Jésus., The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 3/16 x 7 13/16 in., 23.3 x 19.8 cm, Bible, Biblical, Catholicism, Christ, Christianity, coward, French, French artist, glow, God, hiding, Jesus, John 18:26-27, lighting, Luke 22:59-61, Mark 14:70-72, Matthew 26:73-75, mob, New Testament, Peter, Religion, religious, Saint Peter, terror Stock Photo

RM2HB1FXK–The Third Denial of Peter. Jesus' Look of Reproach, Le troisième reniement de Saint Pierre. Le regard de reproche de Jésus., The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 3/16 x 7 13/16 in., 23.3 x 19.8 cm, Bible, Biblical, Catholicism, Christ, Christianity, coward, French, French artist, glow, God, hiding, Jesus, John 18:26-27, lighting, Luke 22:59-61, Mark 14:70-72, Matthew 26:73-75, mob, New Testament, Peter, Religion, religious, Saint Peter, terror

Holy Family, 1613, Luis Tristán, Spanish, 1586–1640, 56 x 43 in. (142.24 x 109.22 cm) (canvas)73 1/2 x 61 1/4 x 3 3/8 in. (186.69 x 155.58 x 8.57 cm) (outer frame), Oil on canvas, Spain, 17th century, With intense realism, and not-so-subtle symbolism, the Holy Family (Mary, Joseph, and Jesus) is caught in a very intimate moment. The young parents are cuddling their child, who for a moment stops suckling and stares at the beholder, heedless of the dove the father is showing him, which alludes to the Holy Spirit. The figures’ grave expressions anticipate the tragedy to come. Stock Photo

RM2T90WXN–Holy Family, 1613, Luis Tristán, Spanish, 1586–1640, 56 x 43 in. (142.24 x 109.22 cm) (canvas)73 1/2 x 61 1/4 x 3 3/8 in. (186.69 x 155.58 x 8.57 cm) (outer frame), Oil on canvas, Spain, 17th century, With intense realism, and not-so-subtle symbolism, the Holy Family (Mary, Joseph, and Jesus) is caught in a very intimate moment. The young parents are cuddling their child, who for a moment stops suckling and stares at the beholder, heedless of the dove the father is showing him, which alludes to the Holy Spirit. The figures’ grave expressions anticipate the tragedy to come.

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 61 x 73 1/2 x 3 1 Stock Photo

RMKC7YE3–Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 61 x 73 1/2 x 3 1

RMRY6HCW–Sally Avery Olds, 1837. Jeptha Homer Wade (American, 1811-1890). Oil on canvas; unframed: 73.3 x 61 cm (28 7/8 x 24 in

Elizabeth Beltzhoover Mason, c. 1803-1805. Gilbert Stuart (American, 1755-1828). Oil on canvas; framed: 90 x 78 x 8 cm (35 7/16 x 30 11/16 x 3 1/8 in.); unframed: 73.8 x 61 cm (29 1/16 x 24 in Stock Photo

RMRY26X7–Elizabeth Beltzhoover Mason, c. 1803-1805. Gilbert Stuart (American, 1755-1828). Oil on canvas; framed: 90 x 78 x 8 cm (35 7/16 x 30 11/16 x 3 1/8 in.); unframed: 73.8 x 61 cm (29 1/16 x 24 in

Gilbert Stuart, (painter), American, 1755 - 1828, John Randolph, 1804/1805, oil on canvas, overall: 73.6 x 61 cm (29 x 24 in.), framed: 89.5 x 76.8 x 7 cm (35 1/4 x 30 1/4 x 2 3/4 in Stock Photo

RM2DC9XK2–Gilbert Stuart, (painter), American, 1755 - 1828, John Randolph, 1804/1805, oil on canvas, overall: 73.6 x 61 cm (29 x 24 in.), framed: 89.5 x 76.8 x 7 cm (35 1/4 x 30 1/4 x 2 3/4 in

Street Fight [recto]. Dated: 1907. Dimensions: image: 54.61 × 61.91 cm (21 1/2 × 24 3/8 in.) framed: 73 x 82.5 x 4.5 cm (28 3/4 x 32 1/2 x 1 3/4 in.). Medium: conté crayon, pastel, graphite, and brush and black ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: George Bellows. Stock Photo

RMPKR41F–Street Fight [recto]. Dated: 1907. Dimensions: image: 54.61 × 61.91 cm (21 1/2 × 24 3/8 in.) framed: 73 x 82.5 x 4.5 cm (28 3/4 x 32 1/2 x 1 3/4 in.). Medium: conté crayon, pastel, graphite, and brush and black ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: George Bellows.

Gilbert Stuart, (painter), American, 1755 - 1828, Robert Liston, 1800, oil on canvas, overall: 73.8 x 61 cm (29 1/16 x 24 in.), framed: 90.5 x 78.1 x 6 cm (35 5/8 x 30 3/4 x 2 3/8 in Stock Photo

RM2DCCWHN–Gilbert Stuart, (painter), American, 1755 - 1828, Robert Liston, 1800, oil on canvas, overall: 73.8 x 61 cm (29 1/16 x 24 in.), framed: 90.5 x 78.1 x 6 cm (35 5/8 x 30 3/4 x 2 3/8 in

Oedipus at Colonus, 1798. Fulchran Jean Harriet (French, 1778-1805). Oil on canvas; framed: 187.5 x 164.5 x 8.5 cm (73 13/16 x 64 3/4 x 3 3/8 in.); overall: 157 x 134 cm (61 13/16 x 52 3/4 in Stock Photo

RMRY6KGY–Oedipus at Colonus, 1798. Fulchran Jean Harriet (French, 1778-1805). Oil on canvas; framed: 187.5 x 164.5 x 8.5 cm (73 13/16 x 64 3/4 x 3 3/8 in.); overall: 157 x 134 cm (61 13/16 x 52 3/4 in

Gilbert Stuart, (painter), American, 1755 - 1828, John Adams, c. 1800/1815, oil on canvas, overall: 73.7 x 61 cm (29 x 24 in.), framed: 97.5 x 84.5 x 10.8 cm (38 3/8 x 33 1/4 x 4 1/4 in Stock Photo

RM2DC9XDJ–Gilbert Stuart, (painter), American, 1755 - 1828, John Adams, c. 1800/1815, oil on canvas, overall: 73.7 x 61 cm (29 x 24 in.), framed: 97.5 x 84.5 x 10.8 cm (38 3/8 x 33 1/4 x 4 1/4 in

Portrait of a Young Girl. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: 29 x 24 1/8 in. (73.7 x 61.3 cm). Date: 1899. In 'Portrait of a Young Girl,' Cassatt posed her young model outdoors, probably at or near Château Beaufresne, the home the artist had purchased in the Oise River valley, about fifty miles northwest of Paris, in 1894. As in contemporary images of women and girls by William Merritt Chase, Frank W. Benson, and others, the girl appears immersed in nature and isolated from the outside world. The high vantage point, flatte Stock Photo

RMRFHKHF–Portrait of a Young Girl. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: 29 x 24 1/8 in. (73.7 x 61.3 cm). Date: 1899. In 'Portrait of a Young Girl,' Cassatt posed her young model outdoors, probably at or near Château Beaufresne, the home the artist had purchased in the Oise River valley, about fifty miles northwest of Paris, in 1894. As in contemporary images of women and girls by William Merritt Chase, Frank W. Benson, and others, the girl appears immersed in nature and isolated from the outside world. The high vantage point, flatte

Robert Edge Pine, (painter), American, 1730 - 1788, General William Smallwood, 1785/1788, oil on canvas, overall: 73.8 x 61.1 cm (29 1/16 x 24 1/16 in.), framed: 93 x 80.7 x 10.2 cm (36 5/8 x 31 3/4 x 4 in Stock Photo

RM2DC8MTE–Robert Edge Pine, (painter), American, 1730 - 1788, General William Smallwood, 1785/1788, oil on canvas, overall: 73.8 x 61.1 cm (29 1/16 x 24 1/16 in.), framed: 93 x 80.7 x 10.2 cm (36 5/8 x 31 3/4 x 4 in

Retable of Saints Athanasius, Blaise, and Agatha. Master of Riglos; Spanish (Aragon), active c. 1435-60. Date: 1400-1500. Dimensions: Christ on the Cross: 69.8 x 81.2 cm (27 1/2 x 32 in.) Painted surface: 61 x 73 cm (24 1/2 x 28 3/4 in.) Coronation of the Virgin: 87.4 x 80.3 cm (34 3/8 x 31 5/8 in.) Painted surface: 87.3 x 73 cm (34 x 28 3/4 in.) Scenes from the Life of Saint Blaise: 154.3 x 69.8 cm (60 3/4 x 27 1/2 in.) Painted surface: 125.7 x 66 cm (49 1/2 x 26 in.) Saint Athanasius: 128.6 x 82 cm (50 5/8 x 32 1/4 in.) Painted surface: 124.7 x 73.7 cm (49 1/8 x 29 in.) Scenes from t Stock Photo

RMRX77YK–Retable of Saints Athanasius, Blaise, and Agatha. Master of Riglos; Spanish (Aragon), active c. 1435-60. Date: 1400-1500. Dimensions: Christ on the Cross: 69.8 x 81.2 cm (27 1/2 x 32 in.) Painted surface: 61 x 73 cm (24 1/2 x 28 3/4 in.) Coronation of the Virgin: 87.4 x 80.3 cm (34 3/8 x 31 5/8 in.) Painted surface: 87.3 x 73 cm (34 x 28 3/4 in.) Scenes from the Life of Saint Blaise: 154.3 x 69.8 cm (60 3/4 x 27 1/2 in.) Painted surface: 125.7 x 66 cm (49 1/2 x 26 in.) Saint Athanasius: 128.6 x 82 cm (50 5/8 x 32 1/4 in.) Painted surface: 124.7 x 73.7 cm (49 1/8 x 29 in.) Scenes from t

Gilbert Stuart, (painter), American, 1755 - 1828, William Thornton, 1804, oil on canvas, overall: 73.2 x 61.9 cm (28 13/16 x 24 3/8 in.), framed: 89.9 x 77.8 x 10.6 cm (35 3/8 x 30 5/8 x 4 3/16 in Stock Photo

RM2DCFHWC–Gilbert Stuart, (painter), American, 1755 - 1828, William Thornton, 1804, oil on canvas, overall: 73.2 x 61.9 cm (28 13/16 x 24 3/8 in.), framed: 89.9 x 77.8 x 10.6 cm (35 3/8 x 30 5/8 x 4 3/16 in

Gilbert Stuart, (painter), American, 1755 - 1828, George Washington (Vaughan-Sinclair portrait), 1795, oil on canvas, overall: 73.8 x 61.1 cm (29 1/16 x 24 1/16 in.), framed: 92.7 x 80 x 9.5 cm (36 1/2 x 31 1/2 x 3 3/4 in Stock Photo

RM2DCAB5K–Gilbert Stuart, (painter), American, 1755 - 1828, George Washington (Vaughan-Sinclair portrait), 1795, oil on canvas, overall: 73.8 x 61.1 cm (29 1/16 x 24 1/16 in.), framed: 92.7 x 80 x 9.5 cm (36 1/2 x 31 1/2 x 3 3/4 in

Sally Avery Olds; Nathaniel Olds, 1837. Jeptha Homer Wade (American, 1811-1890). Oil on canvas; unframed: 73.3 x 61 cm (28 7/8 x 24 in.); part 2: 87 x 71.8 x 5.7 cm (34 1/4 x 28 1/4 x 2 1/4 in.); part 3: 76.5 x 61.2 cm (30 1/8 x 24 1/8 in Stock Photo

RMRY6HD4–Sally Avery Olds; Nathaniel Olds, 1837. Jeptha Homer Wade (American, 1811-1890). Oil on canvas; unframed: 73.3 x 61 cm (28 7/8 x 24 in.); part 2: 87 x 71.8 x 5.7 cm (34 1/4 x 28 1/4 x 2 1/4 in.); part 3: 76.5 x 61.2 cm (30 1/8 x 24 1/8 in

When I Was a Boy, 19th century, Sarah J. Eddy, American, 1851 - 1945, 7 3/8 x 5 3/4 in. (18.73 x 14.61 cm) (image)14 x 12 in. (35.56 x 30.48 cm) (mount), platinum print, United States, 19th century Stock Photo

RM2T90BFM–When I Was a Boy, 19th century, Sarah J. Eddy, American, 1851 - 1945, 7 3/8 x 5 3/4 in. (18.73 x 14.61 cm) (image)14 x 12 in. (35.56 x 30.48 cm) (mount), platinum print, United States, 19th century

1869-1874, Jeremiah Gurney, American, 1812 - 1895, 3 1/4 x 5 3/4 in. (8.26 x 14.61 cm) (image)3 7/16 x 6 15/16 in. (8.73 x 17.62 cm) (mount), Albumen print (stereocard), United States, 19th century Stock Photo

RM2T9140H–1869-1874, Jeremiah Gurney, American, 1812 - 1895, 3 1/4 x 5 3/4 in. (8.26 x 14.61 cm) (image)3 7/16 x 6 15/16 in. (8.73 x 17.62 cm) (mount), Albumen print (stereocard), United States, 19th century

Alfred, Lord Tennyson, 1888, Henry Herschel Hay Cameron, British, 1856 - 1911, 9 11/16 x 7 3/8 in. (24.61 x 18.73 cm) (image)17 13/16 x 14 3/4 in. (45.24 x 37.47 cm) (sheet), Photogravure, England, 19th century Stock Photo

RM2T91P63–Alfred, Lord Tennyson, 1888, Henry Herschel Hay Cameron, British, 1856 - 1911, 9 11/16 x 7 3/8 in. (24.61 x 18.73 cm) (image)17 13/16 x 14 3/4 in. (45.24 x 37.47 cm) (sheet), Photogravure, England, 19th century

1869-1874, Jeremiah Gurney, American, 1812 - 1895, 3 5/16 x 5 3/4 in. (8.41 x 14.61 cm) (image)3 7/16 x 6 7/8 in. (8.73 x 17.46 cm) (mount), Albumen print (stereocard), United States, 19th century Stock Photo

RM2T913YR–1869-1874, Jeremiah Gurney, American, 1812 - 1895, 3 5/16 x 5 3/4 in. (8.41 x 14.61 cm) (image)3 7/16 x 6 7/8 in. (8.73 x 17.46 cm) (mount), Albumen print (stereocard), United States, 19th century

Alexandrine, 1869-1874, Jeremiah Gurney, American, 1812 - 1895, 3 5/16 x 5 3/4 in. (8.41 x 14.61 cm) (image)3 7/16 x 6 15/16 in. (8.73 x 17.62 cm) (mount), Albumen print (stereocard), United States, 19th century Stock Photo

RM2T913XB–Alexandrine, 1869-1874, Jeremiah Gurney, American, 1812 - 1895, 3 5/16 x 5 3/4 in. (8.41 x 14.61 cm) (image)3 7/16 x 6 15/16 in. (8.73 x 17.62 cm) (mount), Albumen print (stereocard), United States, 19th century

portrait of an unidentified actress, 1869-1874, Jeremiah Gurney, American, 1812 - 1895, 3 5/16 x 5 3/4 in. (8.41 x 14.61 cm) (image)3 7/16 x 6 7/8 in. (8.73 x 17.46 cm) (mount), Albumen print (stereocard), United States, 19th century Stock Photo

RM2T9140B–portrait of an unidentified actress, 1869-1874, Jeremiah Gurney, American, 1812 - 1895, 3 5/16 x 5 3/4 in. (8.41 x 14.61 cm) (image)3 7/16 x 6 7/8 in. (8.73 x 17.46 cm) (mount), Albumen print (stereocard), United States, 19th century

In the Wheatfield, c. 1889, Henri-Charles Guérard, French, Paris 1846–Paris 1897, 4 3/8 x 6 in. (11.11 x 15.24 cm) (plate)5 3/4 x 7 3/8 in. (14.61 x 18.73 cm) (sheet), Color drypoint and roulette, France, 19th century Stock Photo

RM2T91CP7–In the Wheatfield, c. 1889, Henri-Charles Guérard, French, Paris 1846–Paris 1897, 4 3/8 x 6 in. (11.11 x 15.24 cm) (plate)5 3/4 x 7 3/8 in. (14.61 x 18.73 cm) (sheet), Color drypoint and roulette, France, 19th century

Study of a Statue of Pan, 1520s, Attributed to Polidoro da Caravaggio, Italian, c. 1500-1543, 5 3/4 x 3 9/16 in. (14.61 x 9.05 cm) (sheet)9 7/8 x 7 3/8 in. (25.08 x 18.73 cm) (mount), Red chalk on cream paper, Italy, 16th century Stock Photo

RM2T909TG–Study of a Statue of Pan, 1520s, Attributed to Polidoro da Caravaggio, Italian, c. 1500-1543, 5 3/4 x 3 9/16 in. (14.61 x 9.05 cm) (sheet)9 7/8 x 7 3/8 in. (25.08 x 18.73 cm) (mount), Red chalk on cream paper, Italy, 16th century

Spring, 1767, Jean-Baptiste Le Prince, French, 1734 - 1781, 7 3/8 x 5 3/8 in. (18.73 x 13.65 cm) (image)8 5/8 x 5 3/4 in. (21.91 x 14.61 cm) (plate)9 3/4 x 6 7/8 in. (24.77 x 17.46 cm) (sheet), Etching and lavis, France, 18th century Stock Photo

RM2T91JPG–Spring, 1767, Jean-Baptiste Le Prince, French, 1734 - 1781, 7 3/8 x 5 3/8 in. (18.73 x 13.65 cm) (image)8 5/8 x 5 3/4 in. (21.91 x 14.61 cm) (plate)9 3/4 x 6 7/8 in. (24.77 x 17.46 cm) (sheet), Etching and lavis, France, 18th century

Chancellery Writer from the Streltsi Militia, c. 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 3/4 x 4 3/4 in. (17.15 x 12.07 cm) (image)8 7/8 x 5 3/4 in. (22.54 x 14.61 cm) (plate)10 1/2 x 7 3/8 in. (26.67 x 18.73 cm) (sheet), Etching, France, 18th century Stock Photo

RM2T91JPE–Chancellery Writer from the Streltsi Militia, c. 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 3/4 x 4 3/4 in. (17.15 x 12.07 cm) (image)8 7/8 x 5 3/4 in. (22.54 x 14.61 cm) (plate)10 1/2 x 7 3/8 in. (26.67 x 18.73 cm) (sheet), Etching, France, 18th century

View of Tangier, 1852-1853, Eugène Delacroix, French, 1798–1863, 17 3/4 x 21 1/2 in. (45.09 x 54.61 cm) (sight)25 x 28 3/4 x 4 in. (63.5 x 73.03 x 10.16 cm) (outer frame)18 1/2 x 22 1/8 in. (46.99 x 56.2 cm) (canvas), Oil on canvas, France, 19th century Stock Photo

RM2T91CGG–View of Tangier, 1852-1853, Eugène Delacroix, French, 1798–1863, 17 3/4 x 21 1/2 in. (45.09 x 54.61 cm) (sight)25 x 28 3/4 x 4 in. (63.5 x 73.03 x 10.16 cm) (outer frame)18 1/2 x 22 1/8 in. (46.99 x 56.2 cm) (canvas), Oil on canvas, France, 19th century

Grave Stele, 5th century BCE, 33 3/4 x 13 5/8 x 4 7/8 in. (85.73 x 34.61 x 12.38 cm), Pentellic marble, Greece, 5th century BCE, This gravestone, or stele, came from a street of tombs known as the Kerameikos, which lies immediately outside the walls of Athens. The inscription identifies the man as Philomelos and the woman as Plathane. Unlike the funereal art of many other civilizations, Greek monuments emphasized life rather than death—the memory of the dead in the minds of the living. Carved in low relief, the couple is shown either in the act of departing from one another in this world Stock Photo

RM2T91C78–Grave Stele, 5th century BCE, 33 3/4 x 13 5/8 x 4 7/8 in. (85.73 x 34.61 x 12.38 cm), Pentellic marble, Greece, 5th century BCE, This gravestone, or stele, came from a street of tombs known as the Kerameikos, which lies immediately outside the walls of Athens. The inscription identifies the man as Philomelos and the woman as Plathane. Unlike the funereal art of many other civilizations, Greek monuments emphasized life rather than death—the memory of the dead in the minds of the living. Carved in low relief, the couple is shown either in the act of departing from one another in this world

Still Life with Fruit, c. 1860, Severin Roesen, American, (born Germany), 1815 - 1872, 21 1/2 x 26 1/4 in. (54.61 x 66.68 cm) (canvas)29 x 34 1/8 x 3 1/2 in. (73.66 x 86.68 x 8.89 cm) (outer frame), Oil on canvas, United States, 19th century, In 19th-century America, a growing wealthy class desired artworks that reflected a life of leisure and abundance. Still lifes and genre paintings filled the bill, simultaneously mirroring and augmenting the material richness of American homes. Trained as a porcelain painter in his native Germany, Severin Roesen became a renowned painter of still lifes Stock Photo

RM2T90RRC–Still Life with Fruit, c. 1860, Severin Roesen, American, (born Germany), 1815 - 1872, 21 1/2 x 26 1/4 in. (54.61 x 66.68 cm) (canvas)29 x 34 1/8 x 3 1/2 in. (73.66 x 86.68 x 8.89 cm) (outer frame), Oil on canvas, United States, 19th century, In 19th-century America, a growing wealthy class desired artworks that reflected a life of leisure and abundance. Still lifes and genre paintings filled the bill, simultaneously mirroring and augmenting the material richness of American homes. Trained as a porcelain painter in his native Germany, Severin Roesen became a renowned painter of still lifes

Virgin and Child with the Pietà and Saints, Spanish Stock Photo

RMKCC683–Virgin and Child with the Pietà and Saints, Spanish

Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories, 1855 Stock Photo

RMKC417H–Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories, 1855

61 3 x 73 8 cm Stock Photos and Images

61 3 x 73 8 cm Stock Photos and Images

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