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60 x 11 x 35 cm Stock Photos and Images
Egypt, papyrus quiver, wood, gold leaf, 60 x 11 x 35 cm, Greco-Roman Period, Ptolemy Period, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-papyrus-quiver-wood-gold-leaf-60-x-11-x-35-cm-greco-roman-period-ptolemy-period-egypt-image344514322.htmlRM2B0DYEX–Egypt, papyrus quiver, wood, gold leaf, 60 x 11 x 35 cm, Greco-Roman Period, Ptolemy Period, Egypt
'The Khaqan Captive Before Bahram Gur', Folio 578r from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Qasim ibn 'Ali (active ca. 1525-60). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 7 11/16 x W. 6 11/16 in. (H. 19.5 x W. 17 cm) Entire Page: H. 18 5/8 x W. 12 1/2 in. (H. 47.3 x W. 31.8 cm). Workshop director: Mir Musavvir (active 1525-60). Date: ca. 1530-35. According to his spies the Khaqan of Chin, Iran's enemy, and his army were camped in a field near Merv. Bahram Gur and his soldiers marched across the breadth of Iran and caught the Kh Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-khaqan-captive-before-bahram-gur-folio-578r-from-the-shahnama-book-of-kings-of-shah-tahmasp-artist-painting-attributed-to-qasim-ibn-ali-active-ca-1525-60-author-abul-qasim-firdausi-935-1020-dimensions-painting-h-7-1116-x-w-6-1116-in-h-195-x-w-17-cm-entire-page-h-18-58-x-w-12-12-in-h-473-x-w-318-cm-workshop-director-mir-musavvir-active-1525-60-date-ca-1530-35-according-to-his-spies-the-khaqan-of-chin-irans-enemy-and-his-army-were-camped-in-a-field-near-merv-bahram-gur-and-his-soldiers-marched-across-the-breadth-of-iran-and-caught-the-kh-image212910655.htmlRMPAAWKY–'The Khaqan Captive Before Bahram Gur', Folio 578r from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Qasim ibn 'Ali (active ca. 1525-60). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 7 11/16 x W. 6 11/16 in. (H. 19.5 x W. 17 cm) Entire Page: H. 18 5/8 x W. 12 1/2 in. (H. 47.3 x W. 31.8 cm). Workshop director: Mir Musavvir (active 1525-60). Date: ca. 1530-35. According to his spies the Khaqan of Chin, Iran's enemy, and his army were camped in a field near Merv. Bahram Gur and his soldiers marched across the breadth of Iran and caught the Kh
Inspired by The Last Supper, Ultima Cena, Pseudo-Jacopino di Francesco, Italian, Bolognese School, ca. 1325-1350/60, Tempera and tooled gold on poplar panel, Italy, ca. 1325-1330, 7 11/16 x 14 in., 19.5 x 35.5 cm, apostles, bread, ca. 1325-1330, christ, Christianity, gold, halos, Italian, Jesus, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-last-supper-ultima-cena-pseudo-jacopino-di-francesco-italian-bolognese-school-ca-1325-135060-tempera-and-tooled-gold-on-poplar-panel-italy-ca-1325-1330-7-1116-x-14-in-195-x-355-cm-apostles-bread-ca-1325-1330-christ-christianity-gold-halos-italian-jesus-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459244283.htmlRF2HK4ANF–Inspired by The Last Supper, Ultima Cena, Pseudo-Jacopino di Francesco, Italian, Bolognese School, ca. 1325-1350/60, Tempera and tooled gold on poplar panel, Italy, ca. 1325-1330, 7 11/16 x 14 in., 19.5 x 35.5 cm, apostles, bread, ca. 1325-1330, christ, Christianity, gold, halos, Italian, Jesus, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![COLLEGIUM STÆ. TRINITATIS Author Williams, William 35.11.b. Place of publication: [Oxford] Publisher: [William Williams] Date of publication: [1733] Item type: 1 print Medium: etching Dimensions: platemark 44.7 x 60.0 cm (trimmed below platemark along the bottom edge) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HN1W/collegium-st-trinitatis-author-williams-william-3511b-place-of-publication-oxford-publisher-william-williams-date-of-publication-1733-item-type-1-print-medium-etching-dimensions-platemark-447-x-600-cm-trimmed-below-platemark-along-the-bottom-edge-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HN1W.jpg "COLLEGIUM STÆ. TRINITATIS Author Williams, William 35.11.b. Place of publication: [Oxford] Publisher: [William Williams] Date of publication: [1733] Item type: 1 print Medium: etching Dimensions: platemark 44.7 x 60.0 cm (trimmed below platemark along the bottom edge) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
COLLEGIUM ST√Ü. TRINITATIS Author Williams, William 35.11.b. Place of publication: [Oxford] Publisher: [William Williams] Date of publication: [1733] Item type: 1 print Medium: etching Dimensions: platemark 44.7 x 60.0 cm (trimmed below platemark along the bottom edge) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/collegium-st-trinitatis-author-williams-william-3511b-place-of-publication-oxford-publisher-william-williams-date-of-publication-1733-item-type-1-print-medium-etching-dimensions-platemark-447-x-600-cm-trimmed-below-platemark-along-the-bottom-edge-former-owner-george-iii-king-of-great-britain-1738-1820-image401760069.htmlRM2E9HN1W–COLLEGIUM ST√Ü. TRINITATIS Author Williams, William 35.11.b. Place of publication: [Oxford] Publisher: [William Williams] Date of publication: [1733] Item type: 1 print Medium: etching Dimensions: platemark 44.7 x 60.0 cm (trimmed below platemark along the bottom edge) Former owner: George III, King of Great Britain, 1738-1820
Drawing, Design for a Cup or Saucer; Made for Noritake; Japan; brush and watercolor, pen and ink, graphite on cream paper; 28.8 x 15.3 cm (11 5/16 x 6 in.) Mat: 35.7 x 45.8 cm (14 1/16 x 18 1/16 in.); 1985-14-60 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-a-cup-or-saucer-made-for-noritake-japan-brush-and-watercolor-pen-and-ink-graphite-on-cream-paper-288-x-153-cm-11-516-x-6-in-mat-357-x-458-cm-14-116-x-18-116-in-1985-14-60-image546137155.htmlRM2PMEKEB–Drawing, Design for a Cup or Saucer; Made for Noritake; Japan; brush and watercolor, pen and ink, graphite on cream paper; 28.8 x 15.3 cm (11 5/16 x 6 in.) Mat: 35.7 x 45.8 cm (14 1/16 x 18 1/16 in.); 1985-14-60
Jansen Hermann (1869-1945), competition for the development of the inner rayon, Cologne. (From: Der Urbanbau, 17 (1920) Table 60.) (11.1919): Basic plan Aachener Straße, proposal 3 and 4. Printing on cardboard, 35.5 x 28.9 cm (including scan edges) Jansen Hermann (1869-1945): Wettbewerb zur Bebauung des Inneren Rayons, Köln. (Aus: Der Städtebau, 17(1920)Tafel 60) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jansen-hermann-1869-1945-competition-for-the-development-of-the-inner-rayon-cologne-from-der-urbanbau-17-1920-table-60-111919-basic-plan-aachener-strae-proposal-3-and-4-printing-on-cardboard-355-x-289-cm-including-scan-edges-jansen-hermann-1869-1945-wettbewerb-zur-bebauung-des-inneren-rayons-kln-aus-der-stdtebau-171920tafel-60-image477490627.htmlRM2JMRG4K–Jansen Hermann (1869-1945), competition for the development of the inner rayon, Cologne. (From: Der Urbanbau, 17 (1920) Table 60.) (11.1919): Basic plan Aachener Straße, proposal 3 and 4. Printing on cardboard, 35.5 x 28.9 cm (including scan edges) Jansen Hermann (1869-1945): Wettbewerb zur Bebauung des Inneren Rayons, Köln. (Aus: Der Städtebau, 17(1920)Tafel 60)
'John Pye after Joseph Mallord William Turner, Ehrenbreitstein, 1845, engraving on chine collé, image: 28.1 x 38.7 cm (11 1/16 x 15 1/4 in.) plate: 35.2 x 44 cm (13 7/8 x 17 5/16 in.) sheet: 42.7 x 52.4 cm (16 13/16 x 20 5/8 in.) mat: 55.9 x 71.1 cm (22 x 28 in.), Gift of Ruth B. Benedict, 1994.60.51' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-pye-after-joseph-mallord-william-turner-ehrenbreitstein-1845-engraving-on-chine-coll-image-281-x-387-cm-11-116-x-15-14-in-plate-352-x-44-cm-13-78-x-17-516-in-sheet-427-x-524-cm-16-1316-x-20-58-in-mat-559-x-711-cm-22-x-28-in-gift-of-ruth-b-benedict-19946051-image559837866.htmlRM2REPPWE–'John Pye after Joseph Mallord William Turner, Ehrenbreitstein, 1845, engraving on chine collé, image: 28.1 x 38.7 cm (11 1/16 x 15 1/4 in.) plate: 35.2 x 44 cm (13 7/8 x 17 5/16 in.) sheet: 42.7 x 52.4 cm (16 13/16 x 20 5/8 in.) mat: 55.9 x 71.1 cm (22 x 28 in.), Gift of Ruth B. Benedict, 1994.60.51'
The Last Supper (Ultima Cena) Pseudo-Jacopino di Francesco (Italian, Bolognese School, ca. 1325-1350/60). The Last Supper (Ultima Cena), ca. 1325-1330. Tempera and tooled gold on poplar panel, 7 11/16 x 14 in. (19.5 x 35.5 cm). European Art ca. 1325-1330 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-ultima-cena-pseudo-jacopino-di-francesco-italian-bolognese-school-ca-1325-135060-the-last-supper-ultima-cena-ca-1325-1330-tempera-and-tooled-gold-on-poplar-panel-7-1116-x-14-in-195-x-355-cm-european-art-ca-1325-1330-image504698464.htmlRM2M93014–The Last Supper (Ultima Cena) Pseudo-Jacopino di Francesco (Italian, Bolognese School, ca. 1325-1350/60). The Last Supper (Ultima Cena), ca. 1325-1330. Tempera and tooled gold on poplar panel, 7 11/16 x 14 in. (19.5 x 35.5 cm). European Art ca. 1325-1330
Collage, Fotokunst: Gewaltfrei für Demokratie - Die Friedliche Revolution 1989 - Reportage Rostock, digital reproduziert: 07.11.2023: Symbolbild: Dokumentation, deutsche Zeitgeschichte Die Friedliche Revolution 1989 / 90 Reportage Rostock Abstract aus einer Rostocker Fotoserie von über 100 Aufnahmen. Digital reproduziert: 60 x 40 cm, 07.11.2023. Rostock Neuer Markt Mecklenburg-Vorpommern Deutschland *** Collage, photo art Nonviolent for Democracy The Peaceful Revolution 1989 Reportage Rostock, digitally reproduced 07 11 2023 Symbolic image Documentation, German contemporary history The Peacefu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/collage-fotokunst-gewaltfrei-fr-demokratie-die-friedliche-revolution-1989-reportage-rostock-digital-reproduziert-07112023-symbolbild-dokumentation-deutsche-zeitgeschichte-die-friedliche-revolution-1989-90-reportage-rostock-abstract-aus-einer-rostocker-fotoserie-von-ber-100-aufnahmen-digital-reproduziert-60-x-40-cm-07112023-rostock-neuer-markt-mecklenburg-vorpommern-deutschland-collage-photo-art-nonviolent-for-democracy-the-peaceful-revolution-1989-reportage-rostock-digitally-reproduced-07-11-2023-symbolic-image-documentation-german-contemporary-history-the-peacefu-image571595655.htmlRM2T5XC2F–Collage, Fotokunst: Gewaltfrei für Demokratie - Die Friedliche Revolution 1989 - Reportage Rostock, digital reproduziert: 07.11.2023: Symbolbild: Dokumentation, deutsche Zeitgeschichte Die Friedliche Revolution 1989 / 90 Reportage Rostock Abstract aus einer Rostocker Fotoserie von über 100 Aufnahmen. Digital reproduziert: 60 x 40 cm, 07.11.2023. Rostock Neuer Markt Mecklenburg-Vorpommern Deutschland *** Collage, photo art Nonviolent for Democracy The Peaceful Revolution 1989 Reportage Rostock, digitally reproduced 07 11 2023 Symbolic image Documentation, German contemporary history The Peacefu
The Last Supper (Ultima Cena) Pseudo-Jacopino di Francesco (Italian, Bolognese School, ca. 1325-1350/60). The Last Supper (Ultima Cena), ca. 1325-1330. Tempera and tooled gold on poplar panel, 7 11/16 x 14 in. (19.5 x 35.5 cm). European Art ca. 1325-1330 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-ultima-cena-pseudo-jacopino-di-francesco-italian-bolognese-school-ca-1325-135060-the-last-supper-ultima-cena-ca-1325-1330-tempera-and-tooled-gold-on-poplar-panel-7-1116-x-14-in-195-x-355-cm-european-art-ca-1325-1330-image504698402.htmlRM2M92YXX–The Last Supper (Ultima Cena) Pseudo-Jacopino di Francesco (Italian, Bolognese School, ca. 1325-1350/60). The Last Supper (Ultima Cena), ca. 1325-1330. Tempera and tooled gold on poplar panel, 7 11/16 x 14 in. (19.5 x 35.5 cm). European Art ca. 1325-1330
The Last Supper (Ultima Cena) Pseudo-Jacopino di Francesco (Italian, Bolognese School, ca. 1325-1350/60). The Last Supper (Ultima Cena), ca. 1325-1330. Tempera and tooled gold on poplar panel, 7 11/16 x 14 in. (19.5 x 35.5 cm). European Art ca. 1325-1330 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-ultima-cena-pseudo-jacopino-di-francesco-italian-bolognese-school-ca-1325-135060-the-last-supper-ultima-cena-ca-1325-1330-tempera-and-tooled-gold-on-poplar-panel-7-1116-x-14-in-195-x-355-cm-european-art-ca-1325-1330-image504698395.htmlRM2M92YXK–The Last Supper (Ultima Cena) Pseudo-Jacopino di Francesco (Italian, Bolognese School, ca. 1325-1350/60). The Last Supper (Ultima Cena), ca. 1325-1330. Tempera and tooled gold on poplar panel, 7 11/16 x 14 in. (19.5 x 35.5 cm). European Art ca. 1325-1330
The Last Supper (Ultima Cena) Pseudo-Jacopino di Francesco (Italian, Bolognese School, ca. 1325-1350/60). The Last Supper (Ultima Cena), ca. 1325-1330. Tempera and tooled gold on poplar panel, 7 11/16 x 14 in. (19.5 x 35.5 cm). European Art ca. 1325-1330 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-ultima-cena-pseudo-jacopino-di-francesco-italian-bolognese-school-ca-1325-135060-the-last-supper-ultima-cena-ca-1325-1330-tempera-and-tooled-gold-on-poplar-panel-7-1116-x-14-in-195-x-355-cm-european-art-ca-1325-1330-image504698457.htmlRM2M9300W–The Last Supper (Ultima Cena) Pseudo-Jacopino di Francesco (Italian, Bolognese School, ca. 1325-1350/60). The Last Supper (Ultima Cena), ca. 1325-1330. Tempera and tooled gold on poplar panel, 7 11/16 x 14 in. (19.5 x 35.5 cm). European Art ca. 1325-1330
Singers, 1863-1868. Théodule Ribot (French, 1823-1891). Oil on fabric; framed: 88.9 x 75.6 x 6.8 cm (35 x 29 3/4 x 2 11/16 in.); unframed: 74 x 60.3 cm (29 1/8 x 23 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/singers-1863-1868-thodule-ribot-french-1823-1891-oil-on-fabric-framed-889-x-756-x-68-cm-35-x-29-34-x-2-1116-in-unframed-74-x-603-cm-29-18-x-23-34-in-image448099594.htmlRM2H10KGX–Singers, 1863-1868. Théodule Ribot (French, 1823-1891). Oil on fabric; framed: 88.9 x 75.6 x 6.8 cm (35 x 29 3/4 x 2 11/16 in.); unframed: 74 x 60.3 cm (29 1/8 x 23 3/4 in.).
The Netherlands Roman period, altar, stone, limestone, 57.5 x 35.5 x 11.5 cm, around 60 kg, Roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-netherlands-roman-period-altar-stone-limestone-575-x-355-x-115-cm-around-60-kg-roman-150-250-the-netherlands-zeeland-noord-beveland-colijnsplaat-oosterschelde-image344513706.htmlRM2B0DXMX–The Netherlands Roman period, altar, stone, limestone, 57.5 x 35.5 x 11.5 cm, around 60 kg, Roman 150-250, the Netherlands, Zeeland, Noord-Beveland, Colijnsplaat, Oosterschelde
'Rustam and Isfandiyar Begin Their Combat', Folio 461v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Aqa Mirak (active ca. 1525-60). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 5 7/8 x W. 7 1/4 in. (H. 14.9 x W. 18.4 cm) Entire Page: H. 18 11/16 x W. 12 5/8 in. (H. 47.5 x W. 32.1 cm). Date: ca. 1530-35. After a lengthy discussion of Gushtasp's demands of Rustam and his and Isfandiyar's obligations to the shah, they decide to resolve the disagreement through combat. Fighting first with lances, they parry and pierce each other's armor u Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rustam-and-isfandiyar-begin-their-combat-folio-461v-from-the-shahnama-book-of-kings-of-shah-tahmasp-artist-painting-attributed-to-aqa-mirak-active-ca-1525-60-author-abul-qasim-firdausi-935-1020-dimensions-painting-h-5-78-x-w-7-14-in-h-149-x-w-184-cm-entire-page-h-18-1116-x-w-12-58-in-h-475-x-w-321-cm-date-ca-1530-35-after-a-lengthy-discussion-of-gushtasps-demands-of-rustam-and-his-and-isfandiyars-obligations-to-the-shah-they-decide-to-resolve-the-disagreement-through-combat-fighting-first-with-lances-they-parry-and-pierce-each-others-armor-u-image212872810.htmlRMPA95CA–'Rustam and Isfandiyar Begin Their Combat', Folio 461v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Aqa Mirak (active ca. 1525-60). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 5 7/8 x W. 7 1/4 in. (H. 14.9 x W. 18.4 cm) Entire Page: H. 18 11/16 x W. 12 5/8 in. (H. 47.5 x W. 32.1 cm). Date: ca. 1530-35. After a lengthy discussion of Gushtasp's demands of Rustam and his and Isfandiyar's obligations to the shah, they decide to resolve the disagreement through combat. Fighting first with lances, they parry and pierce each other's armor u
The Last Supper, Ultima Cena, Pseudo-Jacopino di Francesco, Italian, Bolognese School, ca. 1325-1350/60, Tempera and tooled gold on poplar panel, Italy, ca. 1325-1330, 7 11/16 x 14 in., 19.5 x 35.5 cm, apostles, bread, ca. 1325-1330, christ, Christianity, gold, halos, Italian, Jesus, Judas, Last Supper, New Testament, painting, Renaissance, tempera, tempera and tooled gold on poplar panel, The Last Supper, wine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-ultima-cena-pseudo-jacopino-di-francesco-italian-bolognese-school-ca-1325-135060-tempera-and-tooled-gold-on-poplar-panel-italy-ca-1325-1330-7-1116-x-14-in-195-x-355-cm-apostles-bread-ca-1325-1330-christ-christianity-gold-halos-italian-jesus-judas-last-supper-new-testament-painting-renaissance-tempera-tempera-and-tooled-gold-on-poplar-panel-the-last-supper-wine-image454266984.htmlRM2HB1J4T–The Last Supper, Ultima Cena, Pseudo-Jacopino di Francesco, Italian, Bolognese School, ca. 1325-1350/60, Tempera and tooled gold on poplar panel, Italy, ca. 1325-1330, 7 11/16 x 14 in., 19.5 x 35.5 cm, apostles, bread, ca. 1325-1330, christ, Christianity, gold, halos, Italian, Jesus, Judas, Last Supper, New Testament, painting, Renaissance, tempera, tempera and tooled gold on poplar panel, The Last Supper, wine
Art inspired by The Last Supper, Ultima Cena, Pseudo-Jacopino di Francesco, Italian, Bolognese School, ca. 1325-1350/60, Tempera and tooled gold on poplar panel, Italy, ca. 1325-1330, 7 11/16 x 14 in., 19.5 x 35.5 cm, apostles, bread, ca. 1325-1330, christ, Christianity, gold, halos, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-ultima-cena-pseudo-jacopino-di-francesco-italian-bolognese-school-ca-1325-135060-tempera-and-tooled-gold-on-poplar-panel-italy-ca-1325-1330-7-1116-x-14-in-195-x-355-cm-apostles-bread-ca-1325-1330-christ-christianity-gold-halos-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459562123.htmlRF2HKJT4Y–Art inspired by The Last Supper, Ultima Cena, Pseudo-Jacopino di Francesco, Italian, Bolognese School, ca. 1325-1350/60, Tempera and tooled gold on poplar panel, Italy, ca. 1325-1330, 7 11/16 x 14 in., 19.5 x 35.5 cm, apostles, bread, ca. 1325-1330, christ, Christianity, gold, halos, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Textile (England); silk; Warp x Weft (a): 86.5 x 154 cm (34 1/16 x 60 5/8 in.) Warp x Weft (b): 89 x 33 cm (35 1/16 in. x 13 in.) Warp x Weft (c): 90.5 x 52.5 cm (35 5/8 x 20 11/16 in.); 1949-114-24-a/d Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/textile-england-silk-warp-x-weft-a-865-x-154-cm-34-116-x-60-58-in-warp-x-weft-b-89-x-33-cm-35-116-in-x-13-in-warp-x-weft-c-905-x-525-cm-35-58-x-20-1116-in-1949-114-24-ad-image546229188.htmlRM2PMJTW8–Textile (England); silk; Warp x Weft (a): 86.5 x 154 cm (34 1/16 x 60 5/8 in.) Warp x Weft (b): 89 x 33 cm (35 1/16 in. x 13 in.) Warp x Weft (c): 90.5 x 52.5 cm (35 5/8 x 20 11/16 in.); 1949-114-24-a/d
Art inspired by The Khaqan Captive Before Bahram Gur', Folio 578r from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530–35, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting: H. 7 11/16 x W. 6 11/16 in. (H. 19.5 x W. 17 cm), Codices, Painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-khaqan-captive-before-bahram-gur-folio-578r-from-the-shahnama-book-of-kings-of-shah-tahmasp-ca-153035-made-in-iran-tabriz-opaque-watercolor-ink-silver-and-gold-on-paper-painting-h-7-1116-x-w-6-1116-in-h-195-x-w-17-cm-codices-painting-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463028535.htmlRF2HW8NHB–Art inspired by The Khaqan Captive Before Bahram Gur', Folio 578r from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530–35, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting: H. 7 11/16 x W. 6 11/16 in. (H. 19.5 x W. 17 cm), Codices, Painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Scene from the 'Rokuhara Imperial Visit' Chapter of 'The Tale of The Heiji', 「六波羅行幸」 平治物語絵巻 断簡, Scene from “Imperial Visit to Rokuhara,” from The Tale of the Heiji Rebellion (Heiji monogatari), Edo period (1615–1868), 18th century, Japan, Handscroll segment mounted as a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-scene-from-the-rokuhara-imperial-visit-chapter-of-the-tale-of-the-heiji-scene-from-imperial-visit-to-rokuhara-from-the-tale-of-the-heiji-rebellion-heiji-monogatari-edo-period-16151868-18th-century-japan-handscroll-segment-mounted-as-a-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910398.htmlRF2HW3AX6–Art inspired by Scene from the 'Rokuhara Imperial Visit' Chapter of 'The Tale of The Heiji', 「六波羅行幸」 平治物語絵巻 断簡, Scene from “Imperial Visit to Rokuhara,” from The Tale of the Heiji Rebellion (Heiji monogatari), Edo period (1615–1868), 18th century, Japan, Handscroll segment mounted as a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Flowers in a Glass, 1606. Ambrosius Bosschaert (Dutch, 1573-1621). Oil on copper; framed: 60.3 x 52.8 x 6.4 cm (23 3/4 x 20 13/16 x 2 1/2 in.); unframed: 35.6 x 29.3 cm (14 x 11 9/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flowers-in-a-glass-1606-ambrosius-bosschaert-dutch-1573-1621-oil-on-copper-framed-603-x-528-x-64-cm-23-34-x-20-1316-x-2-12-in-unframed-356-x-293-cm-14-x-11-916-in-image448094955.htmlRM2H10DK7–Flowers in a Glass, 1606. Ambrosius Bosschaert (Dutch, 1573-1621). Oil on copper; framed: 60.3 x 52.8 x 6.4 cm (23 3/4 x 20 13/16 x 2 1/2 in.); unframed: 35.6 x 29.3 cm (14 x 11 9/16 in.).
Lewis Cass (The Gallery of Illustrious Americans). Artist: After Mathew B. Brady (American, born Ireland, 1823?-1896 New York); Francis d' Avignon (French, 1813-1861, active America 1840-60). Dimensions: oval image: 11 3/16 x 9 5/8 in. (28.4 x 24.4 cm) stone: 13 15/16 x 10 3/8 in. (35.4 x 26.4 cm) sheet: 18 3/4 x 13 3/8 in. (47.7 x 33.9 cm). Printer: D'Avignon's Press (New York, NY). Publisher: Brady, D'Avignon and Company (New York, NY). Sitter: Lewis Cass (American, 1782-1866). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lewis-cass-the-gallery-of-illustrious-americans-artist-after-mathew-b-brady-american-born-ireland-1823-1896-new-york-francis-d-avignon-french-1813-1861-active-america-1840-60-dimensions-oval-image-11-316-x-9-58-in-284-x-244-cm-stone-13-1516-x-10-38-in-354-x-264-cm-sheet-18-34-x-13-38-in-477-x-339-cm-printer-davignons-press-new-york-ny-publisher-brady-davignon-and-company-new-york-ny-sitter-lewis-cass-american-1782-1866-date-1850-museum-metropolitan-museum-of-art-new-york-usa-image213106675.htmlRMPAKRMK–Lewis Cass (The Gallery of Illustrious Americans). Artist: After Mathew B. Brady (American, born Ireland, 1823?-1896 New York); Francis d' Avignon (French, 1813-1861, active America 1840-60). Dimensions: oval image: 11 3/16 x 9 5/8 in. (28.4 x 24.4 cm) stone: 13 15/16 x 10 3/8 in. (35.4 x 26.4 cm) sheet: 18 3/4 x 13 3/8 in. (47.7 x 33.9 cm). Printer: D'Avignon's Press (New York, NY). Publisher: Brady, D'Avignon and Company (New York, NY). Sitter: Lewis Cass (American, 1782-1866). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA.
Aegidius Sadeler II, (artist), Flemish, c. 1570 - 1629, Federico Barocci, (artist after), Italian, probably 1535 - 1612, The Entombment, engraving and etching, image (lunette): 60.2 x 35.6 cm (23 11/16 x 14 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aegidius-sadeler-ii-artist-flemish-c-1570-1629-federico-barocci-artist-after-italian-probably-1535-1612-the-entombment-engraving-and-etching-image-lunette-602-x-356-cm-23-1116-x-14-in-image386333771.htmlRM2DCF0JK–Aegidius Sadeler II, (artist), Flemish, c. 1570 - 1629, Federico Barocci, (artist after), Italian, probably 1535 - 1612, The Entombment, engraving and etching, image (lunette): 60.2 x 35.6 cm (23 11/16 x 14 in
Singers, 1863-1868. Théodule Ribot (French, 1823-1891). Oil on fabric; framed: 88.9 x 75.6 x 6.8 cm (35 x 29 3/4 x 2 11/16 in.); unframed: 74 x 60.3 cm (29 1/8 x 23 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/singers-1863-1868-thodule-ribot-french-1823-1891-oil-on-fabric-framed-889-x-756-x-68-cm-35-x-29-34-x-2-1116-in-unframed-74-x-603-cm-29-18-x-23-34-in-image240450233.htmlRMRY5CM9–Singers, 1863-1868. Théodule Ribot (French, 1823-1891). Oil on fabric; framed: 88.9 x 75.6 x 6.8 cm (35 x 29 3/4 x 2 11/16 in.); unframed: 74 x 60.3 cm (29 1/8 x 23 3/4 in
Print, Deux diferents desseins de Tables; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723–1796); Germany; etching and engraving on off-white laid paper; Frame: 60.3 x 44.8 x 2.5 cm (23 3/4 x 17 5/8 x 1 in.) Platemark: 35.7 x 23.7 cm (14 1/16 x 9 5/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-deux-diferents-desseins-de-tables-designed-by-franois-de-cuvillis-the-elder-belgian-active-germany-1695-1768-engraved-by-karl-albert-von-lespilliez-17231796-germany-etching-and-engraving-on-off-white-laid-paper-frame-603-x-448-x-25-cm-23-34-x-17-58-x-1-in-platemark-357-x-237-cm-14-116-x-9-516-in-sheet-44-x-286-cm-17-516-x-11-14-in-image546181832.htmlRM2PMGME0–Print, Deux diferents desseins de Tables; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723–1796); Germany; etching and engraving on off-white laid paper; Frame: 60.3 x 44.8 x 2.5 cm (23 3/4 x 17 5/8 x 1 in.) Platemark: 35.7 x 23.7 cm (14 1/16 x 9 5/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)
Branch Hill Pond, Hampstead, 1828. John Constable (British, 1776-1837). Oil on canvas; framed: 89 x 105.5 x 11.5 cm (35 1/16 x 41 9/16 x 4 1/2 in.); unframed: 60.6 x 78.1 cm (23 7/8 x 30 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/branch-hill-pond-hampstead-1828-john-constable-british-1776-1837-oil-on-canvas-framed-89-x-1055-x-115-cm-35-116-x-41-916-x-4-12-in-unframed-606-x-781-cm-23-78-x-30-34-in-image448094726.htmlRM2H10DB2–Branch Hill Pond, Hampstead, 1828. John Constable (British, 1776-1837). Oil on canvas; framed: 89 x 105.5 x 11.5 cm (35 1/16 x 41 9/16 x 4 1/2 in.); unframed: 60.6 x 78.1 cm (23 7/8 x 30 3/4 in.).
published April 5, 1873: Vanity Fair: Men of the Day, No. 60, 'A Novelist', 1873. Leslie Matthew (Spy) Ward (British, 1851-1922). Color lithograph; sheet: 35.6 x 23.2 cm (14 x 9 1/8 in.); image: 30.8 x 19.5 cm (12 1/8 x 7 11/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/published-april-5-1873-vanity-fair-men-of-the-day-no-60-a-novelist-1873-leslie-matthew-spy-ward-british-1851-1922-color-lithograph-sheet-356-x-232-cm-14-x-9-18-in-image-308-x-195-cm-12-18-x-7-1116-in-image448075383.htmlRM2H0YGM7–published April 5, 1873: Vanity Fair: Men of the Day, No. 60, 'A Novelist', 1873. Leslie Matthew (Spy) Ward (British, 1851-1922). Color lithograph; sheet: 35.6 x 23.2 cm (14 x 9 1/8 in.); image: 30.8 x 19.5 cm (12 1/8 x 7 11/16 in.).
Seasonal Landscapes: Summer, mid- to late 1500s. Kano Hideyori (Japanese, active mid- to late 1500s). Hanging scroll, ink on paper; image: 63.9 x 35.7 cm (25 3/16 x 14 1/16 in.); mounted: 154.2 x 49.5 cm (60 11/16 x 19 1/2 in.); with knobs: 154.2 x 54 cm (60 11/16 x 21 1/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seasonal-landscapes-summer-mid-to-late-1500s-kano-hideyori-japanese-active-mid-to-late-1500s-hanging-scroll-ink-on-paper-image-639-x-357-cm-25-316-x-14-116-in-mounted-1542-x-495-cm-60-1116-x-19-12-in-with-knobs-1542-x-54-cm-60-1116-x-21-14-in-image448105916.htmlRM2H10YJM–Seasonal Landscapes: Summer, mid- to late 1500s. Kano Hideyori (Japanese, active mid- to late 1500s). Hanging scroll, ink on paper; image: 63.9 x 35.7 cm (25 3/16 x 14 1/16 in.); mounted: 154.2 x 49.5 cm (60 11/16 x 19 1/2 in.); with knobs: 154.2 x 54 cm (60 11/16 x 21 1/4 in.).
The Entombment. Dimensions: image (lunette): 60.2 x 35.6 cm (23 11/16 x 14 in.). Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Aegidius Sadeler II after Federico Barocci. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-entombment-dimensions-image-lunette-602-x-356-cm-23-1116-x-14-in-medium-engraving-and-etching-museum-national-gallery-of-art-washington-dc-author-aegidius-sadeler-ii-after-federico-barocci-image225663461.htmlRMR33T19–The Entombment. Dimensions: image (lunette): 60.2 x 35.6 cm (23 11/16 x 14 in.). Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Aegidius Sadeler II after Federico Barocci.
Branch Hill Pond, Hampstead, 1828. John Constable (British, 1776-1837). Oil on canvas; framed: 89 x 105.5 x 11.5 cm (35 1/16 x 41 9/16 x 4 1/2 in.); unframed: 60.6 x 78.1 cm (23 7/8 x 30 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/branch-hill-pond-hampstead-1828-john-constable-british-1776-1837-oil-on-canvas-framed-89-x-1055-x-115-cm-35-116-x-41-916-x-4-12-in-unframed-606-x-781-cm-23-78-x-30-34-in-image240484226.htmlRMRY702A–Branch Hill Pond, Hampstead, 1828. John Constable (British, 1776-1837). Oil on canvas; framed: 89 x 105.5 x 11.5 cm (35 1/16 x 41 9/16 x 4 1/2 in.); unframed: 60.6 x 78.1 cm (23 7/8 x 30 3/4 in
Egypt and Nubia, Volume I: View on the Nile Looking Towards the Pyramids of Dashour and Saccara, 1846. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 43.6 x 60.2 cm (17 3/16 x 23 11/16 in.); image: 35.5 x 51 cm (14 x 20 1/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-and-nubia-volume-i-view-on-the-nile-looking-towards-the-pyramids-of-dashour-and-saccara-1846-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-scottish-1796-1864-color-lithograph-sheet-436-x-602-cm-17-316-x-23-1116-in-image-355-x-51-cm-14-x-20-116-in-image448140956.htmlRM2H12GA4–Egypt and Nubia, Volume I: View on the Nile Looking Towards the Pyramids of Dashour and Saccara, 1846. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 43.6 x 60.2 cm (17 3/16 x 23 11/16 in.); image: 35.5 x 51 cm (14 x 20 1/16 in.).
Homespun Coverlet. Dated: c. 1937. Dimensions: overall: 35.7 x 28 cm (14 1/16 x 11 in.) Original IAD Object: 72' long; 60' wide. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Alexander Chudom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/homespun-coverlet-dated-c-1937-dimensions-overall-357-x-28-cm-14-116-x-11-in-original-iad-object-72-long-60-wide-medium-watercolor-graphite-and-gouache-on-paper-museum-national-gallery-of-art-washington-dc-author-alexander-chudom-image225502714.htmlRMR2TF0A–Homespun Coverlet. Dated: c. 1937. Dimensions: overall: 35.7 x 28 cm (14 1/16 x 11 in.) Original IAD Object: 72' long; 60' wide. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Alexander Chudom.
Flowers in a Glass, 1606. Ambrosius Bosschaert (Dutch, 1573-1621). Oil on copper; framed: 60.3 x 52.8 x 6.4 cm (23 3/4 x 20 13/16 x 2 1/2 in.); unframed: 35.6 x 29.3 cm (14 x 11 9/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flowers-in-a-glass-1606-ambrosius-bosschaert-dutch-1573-1621-oil-on-copper-framed-603-x-528-x-64-cm-23-34-x-20-1316-x-2-12-in-unframed-356-x-293-cm-14-x-11-916-in-image240434659.htmlRMRY4MT3–Flowers in a Glass, 1606. Ambrosius Bosschaert (Dutch, 1573-1621). Oil on copper; framed: 60.3 x 52.8 x 6.4 cm (23 3/4 x 20 13/16 x 2 1/2 in.); unframed: 35.6 x 29.3 cm (14 x 11 9/16 in
Bedspread. Dated: c. 1936. Dimensions: overall: 28.6 x 35.2 cm (11 1/4 x 13 7/8 in.) Original IAD Object: 50' wide; 60' long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: E. Boyd. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bedspread-dated-c-1936-dimensions-overall-286-x-352-cm-11-14-x-13-78-in-original-iad-object-50-wide-60-long-medium-watercolor-and-graphite-on-paper-museum-national-gallery-of-art-washington-dc-author-e-boyd-image225471884.htmlRMR2R3K8–Bedspread. Dated: c. 1936. Dimensions: overall: 28.6 x 35.2 cm (11 1/4 x 13 7/8 in.) Original IAD Object: 50' wide; 60' long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: E. Boyd.
Egypt and Nubia, Volume I: View on the Nile Looking Towards the Pyramids of Dashour and Saccara, 1846. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43.6 x 60.2 cm (17 3/16 x 23 11/16 in.); image: 35.5 x 51 cm (14 x 20 1/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-and-nubia-volume-i-view-on-the-nile-looking-towards-the-pyramids-of-dashour-and-saccara-1846-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-436-x-602-cm-17-316-x-23-1116-in-image-355-x-51-cm-14-x-20-116-in-image240505204.htmlRMRY7XRG–Egypt and Nubia, Volume I: View on the Nile Looking Towards the Pyramids of Dashour and Saccara, 1846. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43.6 x 60.2 cm (17 3/16 x 23 11/16 in.); image: 35.5 x 51 cm (14 x 20 1/16 in
Seasonal Landscapes: Summer, mid- to late 1500s. Kano Hideyori (Japanese, active mid- to late 1500s). Hanging scroll, ink on paper; image: 63.9 x 35.7 cm (25 3/16 x 14 1/16 in.); mounted: 154.2 x 49.5 cm (60 11/16 x 19 1/2 in.); with knobs: 154.2 x 54 cm (60 11/16 x 21 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seasonal-landscapes-summer-mid-to-late-1500s-kano-hideyori-japanese-active-mid-to-late-1500s-hanging-scroll-ink-on-paper-image-639-x-357-cm-25-316-x-14-116-in-mounted-1542-x-495-cm-60-1116-x-19-12-in-with-knobs-1542-x-54-cm-60-1116-x-21-14-in-image240473706.htmlRMRY6EJJ–Seasonal Landscapes: Summer, mid- to late 1500s. Kano Hideyori (Japanese, active mid- to late 1500s). Hanging scroll, ink on paper; image: 63.9 x 35.7 cm (25 3/16 x 14 1/16 in.); mounted: 154.2 x 49.5 cm (60 11/16 x 19 1/2 in.); with knobs: 154.2 x 54 cm (60 11/16 x 21 1/4 in
Watched by the Spirits of the Dead, 1894, Paul Gauguin; Printer: Louis Roy, French, 1848 - 1903, 8 1/16 x 13 15/16 in. (20.48 x 35.4 cm) (image)19 5/8 × 23 3/4 × 1 1/8 in. (49.85 × 60.33 × 2.86 cm) (outer frame)9 13/16 × 15 11/16 in. (24.92 × 39.85 cm) (sheet), Color woodcut on Japan paper, France, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watched-by-the-spirits-of-the-dead-1894-paul-gauguin-printer-louis-roy-french-1848-1903-8-116-x-13-1516-in-2048-x-354-cm-image19-58-23-34-1-18-in-4985-6033-286-cm-outer-frame9-1316-15-1116-in-2492-3985-cm-sheet-color-woodcut-on-japan-paper-france-19th-century-image573511106.htmlRM2T91K7E–Watched by the Spirits of the Dead, 1894, Paul Gauguin; Printer: Louis Roy, French, 1848 - 1903, 8 1/16 x 13 15/16 in. (20.48 x 35.4 cm) (image)19 5/8 × 23 3/4 × 1 1/8 in. (49.85 × 60.33 × 2.86 cm) (outer frame)9 13/16 × 15 11/16 in. (24.92 × 39.85 cm) (sheet), Color woodcut on Japan paper, France, 19th century
'The Khaqan Captive Before Bahram Gur', Folio 578r from the Shahnama (Book of Kings) of Shah Tahmasp Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-khaqan-captive-before-bahram-gur-folio-578r-from-the-shahnama-162410484.htmlRMKC6C6C–'The Khaqan Captive Before Bahram Gur', Folio 578r from the Shahnama (Book of Kings) of Shah Tahmasp
Scene from the 'Rokuhara Imperial Visit' Chapter of 'The Tale of The Heiji', 「六波羅行幸」 平治物語絵巻 断簡, Scene from Imperial Visit Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-scene-from-the-rokuhara-imperial-visit-chapter-of-the-tale-of-the-162431554.htmlRMKC7B2X–Scene from the 'Rokuhara Imperial Visit' Chapter of 'The Tale of The Heiji', 「六波羅行幸」 平治物語絵巻 断簡, Scene from Imperial Visit
Shaker Cot. Dated: c. 1937. Dimensions: overall: 27.9 x 22.9 cm (11 x 9 in.) Original IAD Object: 60' high; 35' wide; 73' long. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Alfred H. Smith. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shaker-cot-dated-c-1937-dimensions-overall-279-x-229-cm-11-x-9-in-original-iad-object-60-high-35-wide-73-long-medium-watercolor-graphite-and-pen-and-ink-on-paperboard-museum-national-gallery-of-art-washington-dc-author-alfred-h-smith-image225553675.htmlRMR2XT0B–Shaker Cot. Dated: c. 1937. Dimensions: overall: 27.9 x 22.9 cm (11 x 9 in.) Original IAD Object: 60' high; 35' wide; 73' long. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Alfred H. Smith.
Lace Scarf. Dated: c. 1937. Dimensions: overall: 35.1 x 27.9 cm (13 13/16 x 11 in.) Original IAD Object: 60' long; 6 3/4' wide. Medium: pen and ink, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Katherine Hastings. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lace-scarf-dated-c-1937-dimensions-overall-351-x-279-cm-13-1316-x-11-in-original-iad-object-60-long-6-34-wide-medium-pen-and-ink-gouache-and-graphite-on-paperboard-museum-national-gallery-of-art-washington-dc-author-katherine-hastings-image225583057.htmlRMR305DN–Lace Scarf. Dated: c. 1937. Dimensions: overall: 35.1 x 27.9 cm (13 13/16 x 11 in.) Original IAD Object: 60' long; 6 3/4' wide. Medium: pen and ink, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Katherine Hastings.
Scene from the 'Rokuhara Imperial Visit' Chapter of 'The Tale of The Heiji' Scene from 'Imperial Visit to Rokuhara,' from The Tale of the Heiji Rebellion (Heiji monogatari). Culture: Japan. Dimensions: 11 3/4 x 35 1/4 in. (29.8 x 89.6 cm). Date: 18th century. The Tale of the Heiji Rebellion tells the story of a short civil war (1159-60) fought in Kyoto between two rival clans, headed by the warriors Minamoto no Yoshitomo and Taira no Kiyomori. The 'Imperial Visit to Rokuhara' chapter deals with the escape of Emperor Nijo and his empress consort from the imperial palace, where they had been k Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-from-the-rokuhara-imperial-visit-chapter-of-the-tale-of-the-heiji-scene-from-imperial-visit-to-rokuhara-from-the-tale-of-the-heiji-rebellion-heiji-monogatari-culture-japan-dimensions-11-34-x-35-14-in-298-x-896-cm-date-18th-century-the-tale-of-the-heiji-rebellion-tells-the-story-of-a-short-civil-war-1159-60-fought-in-kyoto-between-two-rival-clans-headed-by-the-warriors-minamoto-no-yoshitomo-and-taira-no-kiyomori-the-imperial-visit-to-rokuhara-chapter-deals-with-the-escape-of-emperor-nijo-and-his-empress-consort-from-the-imperial-palace-where-they-had-been-k-image213213462.htmlRMPATKXE–Scene from the 'Rokuhara Imperial Visit' Chapter of 'The Tale of The Heiji' Scene from 'Imperial Visit to Rokuhara,' from The Tale of the Heiji Rebellion (Heiji monogatari). Culture: Japan. Dimensions: 11 3/4 x 35 1/4 in. (29.8 x 89.6 cm). Date: 18th century. The Tale of the Heiji Rebellion tells the story of a short civil war (1159-60) fought in Kyoto between two rival clans, headed by the warriors Minamoto no Yoshitomo and Taira no Kiyomori. The 'Imperial Visit to Rokuhara' chapter deals with the escape of Emperor Nijo and his empress consort from the imperial palace, where they had been k
Search Results for 60 x 11 x 35 cm Stock Photos and Images (42)
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