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53 sheets Stock Photos and Images
Notities.Rear bract from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/notitiesrear-bract-from-a-sketchbook-with-53-sheets-image414433421.htmlRM2F2721H–Notities.Rear bract from a sketchbook with 53 sheets.
Oulton Park Pit and off track area, Car 27 Arden Motosport, driver Alex Connor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oulton-park-pit-and-off-track-area-car-27-arden-motosport-driver-alex-connor-image271936472.htmlRFWPBNMT–Oulton Park Pit and off track area, Car 27 Arden Motosport, driver Alex Connor
Triumphal arch for Emperor Leopold I in Nuremberg on August 16, 1658, (1658), print, etching and four-column typed text, both on paper (2 sheets, glued together), sheet: 103 × 53.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triumphal-arch-for-emperor-leopold-i-in-nuremberg-on-august-16-1658-1658-print-etching-and-four-column-typed-text-both-on-paper-2-sheets-glued-together-sheet-103-535-cm-image573352919.htmlRM2T8PDDY–Triumphal arch for Emperor Leopold I in Nuremberg on August 16, 1658, (1658), print, etching and four-column typed text, both on paper (2 sheets, glued together), sheet: 103 × 53.5 cm
Art inspired by The Lament of the Art of Painting, 1579, Engraving; two plates printed on two sheets, Sheet (upper plate): 14 1/4 × 21 1/8 in. (36.2 × 53.7 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), after Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-lament-of-the-art-of-painting-1579-engraving-two-plates-printed-on-two-sheets-sheet-upper-plate-14-14-21-18-in-362-537-cm-prints-cornelis-cort-netherlandish-hoorn-ca-15331578-rome-after-federico-zuccaro-zuccari-italian-santangelo-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951729.htmlRF2HW57J9–Art inspired by The Lament of the Art of Painting, 1579, Engraving; two plates printed on two sheets, Sheet (upper plate): 14 1/4 × 21 1/8 in. (36.2 × 53.7 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), after Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The New Church of the Beautiful Virgin at Regensburg. Dated: c. 1520. Dimensions: image: 64.8 x 53.5 cm (25 1/2 x 21 1/16 in.) sheet: 72 x 63.2 cm (28 3/8 x 24 7/8 in.). Medium: woodcut printed from three blocks and letterpress on two sheets of laid paper. Museum: National Gallery of Art, Washington DC. Author: MICHAEL OSTENDORFER. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-new-church-of-the-beautiful-virgin-at-regensburg-dated-c-1520-dimensions-image-648-x-535-cm-25-12-x-21-116-in-sheet-72-x-632-cm-28-38-x-24-78-in-medium-woodcut-printed-from-three-blocks-and-letterpress-on-two-sheets-of-laid-paper-museum-national-gallery-of-art-washington-dc-author-michael-ostendorfer-image218674162.htmlRMPKND3E–The New Church of the Beautiful Virgin at Regensburg. Dated: c. 1520. Dimensions: image: 64.8 x 53.5 cm (25 1/2 x 21 1/16 in.) sheet: 72 x 63.2 cm (28 3/8 x 24 7/8 in.). Medium: woodcut printed from three blocks and letterpress on two sheets of laid paper. Museum: National Gallery of Art, Washington DC. Author: MICHAEL OSTENDORFER.
Agricultural bulletin of the Straits and Federated Malay StatesNew series . B. R. R. Co. Ltd.Highland Estate 3 ,, Scrap 3 Block 7 Crepe 70 „ No. 2 Block 53 „ Sheets 32 Pkgs. Crepe 3 Block 13 Cases Sheets 30 ., Crepe 1 Biscuits bought in bought in3(l| at 3|4 bought in 3|| 2 11 at 3 obought inbought in3|Jj| at 3V m. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/agricultural-bulletin-of-the-straits-and-federated-malay-statesnew-series-b-r-r-co-ltdhighland-estate-3-scrap-3-block-7-crepe-70-no-2-block-53-sheets-32-pkgs-crepe-3-block-13-cases-sheets-30-crepe-1-biscuits-bought-in-bought-in3l-at-34-bought-in-3-2-11-at-3-obought-inbought-in3jj-at-3v-m-image340172078.htmlRM2ANC4XP–Agricultural bulletin of the Straits and Federated Malay StatesNew series . B. R. R. Co. Ltd.Highland Estate 3 ,, Scrap 3 Block 7 Crepe 70 „ No. 2 Block 53 „ Sheets 32 Pkgs. Crepe 3 Block 13 Cases Sheets 30 ., Crepe 1 Biscuits bought in bought in3(l| at 3|4 bought in 3|| 2 11 at 3 obought inbought in3|Jj| at 3V m.
Fotoalbum Wehrmacht Photo album with a beige linen cover and a red leather string bindings. Closure to the front of metal, the pull-tab is broken. The volume contains 24 sheets of dark cardboard Where: in the last six, some empty. The album contains a total of 53 photographs and postcards. Cobweb paper between the pages. The album starts with photos from 1938 in Germany. In May 1940 following the invasion of the Netherlands, with pictures of Rotterdam, the Moerdijkbrug etc. then you draw by Belgium and France with photos of krijggsgevangenen from the British colonies. Some photos have written Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fotoalbum-wehrmacht-photo-album-with-a-beige-linen-cover-and-a-red-leather-string-bindings-closure-to-the-front-of-metal-the-pull-tab-is-broken-the-volume-contains-24-sheets-of-dark-cardboard-where-in-the-last-six-some-empty-the-album-contains-a-total-of-53-photographs-and-postcards-cobweb-paper-between-the-pages-the-album-starts-with-photos-from-1938-in-germany-in-may-1940-following-the-invasion-of-the-netherlands-with-pictures-of-rotterdam-the-moerdijkbrug-etc-then-you-draw-by-belgium-and-france-with-photos-of-krijggsgevangenen-from-the-british-colonies-some-photos-have-written-image348351204.htmlRM2B6MNEC–Fotoalbum Wehrmacht Photo album with a beige linen cover and a red leather string bindings. Closure to the front of metal, the pull-tab is broken. The volume contains 24 sheets of dark cardboard Where: in the last six, some empty. The album contains a total of 53 photographs and postcards. Cobweb paper between the pages. The album starts with photos from 1938 in Germany. In May 1940 following the invasion of the Netherlands, with pictures of Rotterdam, the Moerdijkbrug etc. then you draw by Belgium and France with photos of krijggsgevangenen from the British colonies. Some photos have written
'Peter De Wint, A View near Lowther, 0, brush and black ink with black and white chalks over graphite on two joined sheets of gray wove paper, overall: 17.5 x 53 cm (6 7/8 x 20 7/8 in.), Gift of William B. O'Neal, 1995.52.40' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peter-de-wint-a-view-near-lowther-0-brush-and-black-ink-with-black-and-white-chalks-over-graphite-on-two-joined-sheets-of-gray-wove-paper-overall-175-x-53-cm-6-78-x-20-78-in-gift-of-william-b-oneal-19955240-image559621347.htmlRM2RECXMK–'Peter De Wint, A View near Lowther, 0, brush and black ink with black and white chalks over graphite on two joined sheets of gray wove paper, overall: 17.5 x 53 cm (6 7/8 x 20 7/8 in.), Gift of William B. O'Neal, 1995.52.40'
Sheet's Heath, Surrey, GB, United Kingdom, England, N 51 18' 16'', S 0 38' 53'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheets-heath-surrey-gb-united-kingdom-england-n-51-18-16-s-0-38-53-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image604101912.htmlRM2X2R648–Sheet's Heath, Surrey, GB, United Kingdom, England, N 51 18' 16'', S 0 38' 53'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Stencil used for lettering hop bags, Sté Les Houblons, M.S.F. company, hop grower, Alsace, France, Europe, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-used-for-lettering-hop-bags-st-les-houblons-msf-company-hop-grower-alsace-france-europe-image220871262.htmlRMPR9FFA–Stencil used for lettering hop bags, Sté Les Houblons, M.S.F. company, hop grower, Alsace, France, Europe,
Studie.Page 89 From a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studiepage-89-from-a-sketchbook-with-53-sheets-image414387993.htmlRM2F25035–Studie.Page 89 From a sketchbook with 53 sheets.
Sheet 23 recto from a sketchbook with 53 sheets, Cityscape, Cornelis Vreedenburgh, 1890 - 1946 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-23-recto-from-a-sketchbook-with-53-sheets-cityscape-cornelis-vreedenburgh-1890-1946-image454324929.htmlRM2HB4829–Sheet 23 recto from a sketchbook with 53 sheets, Cityscape, Cornelis Vreedenburgh, 1890 - 1946
Art inspired by A Dutch Fleet Under Sail at Sea in a Light Breeze, 1665, Pencil and gray wash on two sheets of paper joined 11.5 cm. from the left., 10 9/16 x 21 in. (26.8 x 53.3 cm), Drawings, Willem van de Velde I (Dutch, Leiden 1611–1693 London), Willem van de Velde was one of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-dutch-fleet-under-sail-at-sea-in-a-light-breeze-1665-pencil-and-gray-wash-on-two-sheets-of-paper-joined-115-cm-from-the-left-10-916-x-21-in-268-x-533-cm-drawings-willem-van-de-velde-i-dutch-leiden-16111693-london-willem-van-de-velde-was-one-of-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463030288.htmlRF2HW8RT0–Art inspired by A Dutch Fleet Under Sail at Sea in a Light Breeze, 1665, Pencil and gray wash on two sheets of paper joined 11.5 cm. from the left., 10 9/16 x 21 in. (26.8 x 53.3 cm), Drawings, Willem van de Velde I (Dutch, Leiden 1611–1693 London), Willem van de Velde was one of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Overdoor. Date/Period: 1825-26. Overdoor. Block-printed on joined sheets of handmade paper. Height: 1,055 mm (41.53 in); Width: 750 mm (29.52 in). Author: UNKNOWN. ANONYMOUS. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/overdoor-dateperiod-1825-26-overdoor-block-printed-on-joined-sheets-of-handmade-paper-height-1055-mm-4153-in-width-750-mm-2952-in-author-unknown-anonymous-image219072889.htmlRMPMBHKN–Overdoor. Date/Period: 1825-26. Overdoor. Block-printed on joined sheets of handmade paper. Height: 1,055 mm (41.53 in); Width: 750 mm (29.52 in). Author: UNKNOWN. ANONYMOUS.
Sidewall (France); block-printed on handmade paper, joined sheets; 53.5 x 37 cm (21 1/16 x 14 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sidewall-france-block-printed-on-handmade-paper-joined-sheets-535-x-37-cm-21-116-x-14-916-in-image546201415.htmlRM2PMHHDB–Sidewall (France); block-printed on handmade paper, joined sheets; 53.5 x 37 cm (21 1/16 x 14 9/16 in.)
Hanger met vier stenen Ontwerpen voor hangers (serietitel) On the left is a male satyr in scroll work caught the right female. Below that depends on both sides a bird. One of five sheets with precious stones and pearls in settings of scroll work and grotesken. Manufacturer : printmaker: anonymous to design: Mathis Zündtuitgever: anonymous place manufacture: Germany (possible) Dated: 1508 - 1572 Material: paper Technique: engra (printing process) / etch dimensions: leaf : h 78 mm × 53 b mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hanger-met-vier-stenen-ontwerpen-voor-hangers-serietitel-on-the-left-is-a-male-satyr-in-scroll-work-caught-the-right-female-below-that-depends-on-both-sides-a-bird-one-of-five-sheets-with-precious-stones-and-pearls-in-settings-of-scroll-work-and-grotesken-manufacturer-printmaker-anonymous-to-design-mathis-zndtuitgever-anonymous-place-manufacture-germany-possible-dated-1508-1572-material-paper-technique-engra-printing-process-etch-dimensions-leaf-h-78-mm-53-b-mm-image348426126.htmlRM2B6T526–Hanger met vier stenen Ontwerpen voor hangers (serietitel) On the left is a male satyr in scroll work caught the right female. Below that depends on both sides a bird. One of five sheets with precious stones and pearls in settings of scroll work and grotesken. Manufacturer : printmaker: anonymous to design: Mathis Zündtuitgever: anonymous place manufacture: Germany (possible) Dated: 1508 - 1572 Material: paper Technique: engra (printing process) / etch dimensions: leaf : h 78 mm × 53 b mm
Architectuurstudie.Page 81 from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/architectuurstudiepage-81-from-a-sketchbook-with-53-sheets-image414385738.htmlRM2F24W6J–Architectuurstudie.Page 81 from a sketchbook with 53 sheets.
Sheet 13 verso from a sketchbook with 53 sheets, Trees, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-13-verso-from-a-sketchbook-with-53-sheets-trees-anton-mauve-1848-1888-image454344722.htmlRM2HB5596–Sheet 13 verso from a sketchbook with 53 sheets, Trees, Anton Mauve, 1848 - 1888
Inspired by Chamber screen, two-panel, covered with twice three sheets of raised gold leather with a symmetrical Louis XIVth pattern, Chamber screen, two-panel, covered with twice three sheets of raised gold leather with a symmetrical Louis XIVth pattern with garden vase under canopies with antique, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-chamber-screen-two-panel-covered-with-twice-three-sheets-of-raised-gold-leather-with-a-symmetrical-louis-xivth-pattern-chamber-screen-two-panel-covered-with-twice-three-sheets-of-raised-gold-leather-with-a-symmetrical-louis-xivth-pattern-with-garden-vase-under-canopies-with-antique-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459390466.htmlRF2HKB16A–Inspired by Chamber screen, two-panel, covered with twice three sheets of raised gold leather with a symmetrical Louis XIVth pattern, Chamber screen, two-panel, covered with twice three sheets of raised gold leather with a symmetrical Louis XIVth pattern with garden vase under canopies with antique, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
A View near Lowther. Dimensions: overall: 17.5 x 53 cm (6 7/8 x 20 7/8 in.). Medium: brush and black ink with black and white chalks over graphite on two joined sheets of gray wove paper. Museum: National Gallery of Art, Washington DC. Author: Peter De Wint. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-view-near-lowther-dimensions-overall-175-x-53-cm-6-78-x-20-78-in-medium-brush-and-black-ink-with-black-and-white-chalks-over-graphite-on-two-joined-sheets-of-gray-wove-paper-museum-national-gallery-of-art-washington-dc-author-peter-de-wint-image233287018.htmlRMRFF3Y6–A View near Lowther. Dimensions: overall: 17.5 x 53 cm (6 7/8 x 20 7/8 in.). Medium: brush and black ink with black and white chalks over graphite on two joined sheets of gray wove paper. Museum: National Gallery of Art, Washington DC. Author: Peter De Wint.
Dado (France); block-printed on joined sheets; a) Overall: 88 x 53 cm (34 5/8 x 20 7/8 in.) b) Overall: 17.5 x 52 cm (6 7/8 x 20 1/2 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dado-france-block-printed-on-joined-sheets-a-overall-88-x-53-cm-34-58-x-20-78-in-b-overall-175-x-52-cm-6-78-x-20-12-in-image546132608.htmlRM2PMEDM0–Dado (France); block-printed on joined sheets; a) Overall: 88 x 53 cm (34 5/8 x 20 7/8 in.) b) Overall: 17.5 x 52 cm (6 7/8 x 20 1/2 in.)
Herdenkingsalbum van rooms-katholieke geestelijken gevallen tijdens de Commune van Parijs Album (titel op object) Album Leaf with green linen cover. Plat decorated with gold colored leaf and floral motifs in relief. The album contains 23 sheets of thick paper with 53 pasted pictures Where: Four loose. Most blades come with English, French and Latin texts in red and black ink, especially spells out books of the Bible; also drawings of crosses and crowns and cut out images of awards. The pictures are mainly portraits of Roman Catholic clergy who died at the time of the Paris Commune, a revolutio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/herdenkingsalbum-van-rooms-katholieke-geestelijken-gevallen-tijdens-de-commune-van-parijs-album-titel-op-object-album-leaf-with-green-linen-cover-plat-decorated-with-gold-colored-leaf-and-floral-motifs-in-relief-the-album-contains-23-sheets-of-thick-paper-with-53-pasted-pictures-where-four-loose-most-blades-come-with-english-french-and-latin-texts-in-red-and-black-ink-especially-spells-out-books-of-the-bible-also-drawings-of-crosses-and-crowns-and-cut-out-images-of-awards-the-pictures-are-mainly-portraits-of-roman-catholic-clergy-who-died-at-the-time-of-the-paris-commune-a-revolutio-image348432666.htmlRM2B6TDBP–Herdenkingsalbum van rooms-katholieke geestelijken gevallen tijdens de Commune van Parijs Album (titel op object) Album Leaf with green linen cover. Plat decorated with gold colored leaf and floral motifs in relief. The album contains 23 sheets of thick paper with 53 pasted pictures Where: Four loose. Most blades come with English, French and Latin texts in red and black ink, especially spells out books of the Bible; also drawings of crosses and crowns and cut out images of awards. The pictures are mainly portraits of Roman Catholic clergy who died at the time of the Paris Commune, a revolutio
Figuurstudies.Page 6 From a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figuurstudiespage-6-from-a-sketchbook-with-53-sheets-image414377929.htmlRM2F24F7N–Figuurstudies.Page 6 From a sketchbook with 53 sheets.
Sheet 27 verso from a sketchbook with 53 sheets, Trees, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-27-verso-from-a-sketchbook-with-53-sheets-trees-anton-mauve-1848-1888-image454344745.htmlRM2HB55A1–Sheet 27 verso from a sketchbook with 53 sheets, Trees, Anton Mauve, 1848 - 1888
Inspired by Chamber screen, two-ply, lined with twice three sheets of raised gold leather with a symmetrical Louis XIV pattern, Chamber screen, two-ply, lined with twice three sheets of raised gold leather with a symmetrical Louis XIV pattern with garden vase under canopies with antique portrait, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-chamber-screen-two-ply-lined-with-twice-three-sheets-of-raised-gold-leather-with-a-symmetrical-louis-xiv-pattern-chamber-screen-two-ply-lined-with-twice-three-sheets-of-raised-gold-leather-with-a-symmetrical-louis-xiv-pattern-with-garden-vase-under-canopies-with-antique-portrait-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459390499.htmlRF2HKB17F–Inspired by Chamber screen, two-ply, lined with twice three sheets of raised gold leather with a symmetrical Louis XIV pattern, Chamber screen, two-ply, lined with twice three sheets of raised gold leather with a symmetrical Louis XIV pattern with garden vase under canopies with antique portrait, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Plate 53: Eight figures marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'. Artist: Cornelis Galle I (Netherlandish, Antwerp 1576-1650 Antwerp); After Jacques Francquart (French, Brussels 1577-1651 Brussels). Dimensions: Sheet: 11 1/4 × 15 3/8 in. (28.5 × 39 cm) Plate: 9 13/16 × 14 15/16 in. (25 × 38 cm). Published in: Brussels. Date: 1623. Plate from 'Pompa Funebris ... Alberti Pii', after Jacques Francquart, illustrating the funeral procession of Albert the Pious (1559-1621), Archduke of Austria, son of Emperor Maximilian II. 2 sheets Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-53-eight-figures-marching-in-the-funeral-procession-of-archduke-albert-of-austria-from-pompa-funebris-alberti-pii-artist-cornelis-galle-i-netherlandish-antwerp-1576-1650-antwerp-after-jacques-francquart-french-brussels-1577-1651-brussels-dimensions-sheet-11-14-15-38-in-285-39-cm-plate-9-1316-14-1516-in-25-38-cm-published-in-brussels-date-1623-plate-from-pompa-funebris-alberti-pii-after-jacques-francquart-illustrating-the-funeral-procession-of-albert-the-pious-1559-1621-archduke-of-austria-son-of-emperor-maximilian-ii-2-sheets-image213170908.htmlRMPAPNJM–Plate 53: Eight figures marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'. Artist: Cornelis Galle I (Netherlandish, Antwerp 1576-1650 Antwerp); After Jacques Francquart (French, Brussels 1577-1651 Brussels). Dimensions: Sheet: 11 1/4 × 15 3/8 in. (28.5 × 39 cm) Plate: 9 13/16 × 14 15/16 in. (25 × 38 cm). Published in: Brussels. Date: 1623. Plate from 'Pompa Funebris ... Alberti Pii', after Jacques Francquart, illustrating the funeral procession of Albert the Pious (1559-1621), Archduke of Austria, son of Emperor Maximilian II. 2 sheets
The Dental cosmos . ^53^** HE Examination Record is founded on the idea that the dentist should havenot merely a temporary memorandum of present work to be done but a(f^^ permanent record of conditions found, for consultation and comparison at^^^jT^r any future time. To this end a diagram showing all the surfaces of all theteeth natural size is printed on one side of a sheet and these sheets are bound* together inexpensively in oblong books of 100. The diagram has been recognized as the most complete showing of the individual teeth forexamination purposes before the profession. An operation n Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dental-cosmos-53-he-examination-record-is-founded-on-the-idea-that-the-dentist-should-havenot-merely-a-temporary-memorandum-of-present-work-to-be-done-but-af-permanent-record-of-conditions-found-for-consultation-and-comparison-atjtr-any-future-time-to-this-end-a-diagram-showing-all-the-surfaces-of-all-theteeth-natural-size-is-printed-on-one-side-of-a-sheet-and-these-sheets-are-bound-together-inexpensively-in-oblong-books-of-100-the-diagram-has-been-recognized-as-the-most-complete-showing-of-the-individual-teeth-forexamination-purposes-before-the-profession-an-operation-n-image339983416.htmlRM2AN3G8T–The Dental cosmos . ^53^** HE Examination Record is founded on the idea that the dentist should havenot merely a temporary memorandum of present work to be done but a(f^^ permanent record of conditions found, for consultation and comparison at^^^jT^r any future time. To this end a diagram showing all the surfaces of all theteeth natural size is printed on one side of a sheet and these sheets are bound* together inexpensively in oblong books of 100. The diagram has been recognized as the most complete showing of the individual teeth forexamination purposes before the profession. An operation n
Fotoalbum met opnames van het gezin en het huis van fotograaf CJL Vermeulen in Den Haag Album (titel op object) Photo album with cover in brown on the front the word 'Album' printed in green and embossed. The album contains 11 sheets that are fastened with staples to the front cover and a total of 53 pictures. Of these 14 photographs pasted on a white paper Where: by the suggestion of an edge to create the picture. These are shots of the photographer C.J.L Vermeulen (1861-1936), his wife G. Vermeulen Luitjes and their children. The photos, some taken in a studio, partly in a home environment, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fotoalbum-met-opnames-van-het-gezin-en-het-huis-van-fotograaf-cjl-vermeulen-in-den-haag-album-titel-op-object-photo-album-with-cover-in-brown-on-the-front-the-word-album-printed-in-green-and-embossed-the-album-contains-11-sheets-that-are-fastened-with-staples-to-the-front-cover-and-a-total-of-53-pictures-of-these-14-photographs-pasted-on-a-white-paper-where-by-the-suggestion-of-an-edge-to-create-the-picture-these-are-shots-of-the-photographer-cjl-vermeulen-1861-1936-his-wife-g-vermeulen-luitjes-and-their-children-the-photos-some-taken-in-a-studio-partly-in-a-home-environment-image348351302.htmlRM2B6MNHX–Fotoalbum met opnames van het gezin en het huis van fotograaf CJL Vermeulen in Den Haag Album (titel op object) Photo album with cover in brown on the front the word 'Album' printed in green and embossed. The album contains 11 sheets that are fastened with staples to the front cover and a total of 53 pictures. Of these 14 photographs pasted on a white paper Where: by the suggestion of an edge to create the picture. These are shots of the photographer C.J.L Vermeulen (1861-1936), his wife G. Vermeulen Luitjes and their children. The photos, some taken in a studio, partly in a home environment,
Studie.Page 36 from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studiepage-36-from-a-sketchbook-with-53-sheets-image414386524.htmlRM2F24X6M–Studie.Page 36 from a sketchbook with 53 sheets.
Sheet 7 recto from a sketchbook with 53 sheets, Horse and carriage, Cornelis Vreedenburgh, 1890 - 1946 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-7-recto-from-a-sketchbook-with-53-sheets-horse-and-carriage-cornelis-vreedenburgh-1890-1946-image454324887.htmlRM2HB480R–Sheet 7 recto from a sketchbook with 53 sheets, Horse and carriage, Cornelis Vreedenburgh, 1890 - 1946
Art inspired by Chamber screen, two-panel, covered with twice three sheets of raised gold leather with a symmetrical Louis XIVth pattern, Chamber screen, two-panel, covered with twice three sheets of raised gold leather with a symmetrical Louis XIVth pattern with garden vase under, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-chamber-screen-two-panel-covered-with-twice-three-sheets-of-raised-gold-leather-with-a-symmetrical-louis-xivth-pattern-chamber-screen-two-panel-covered-with-twice-three-sheets-of-raised-gold-leather-with-a-symmetrical-louis-xivth-pattern-with-garden-vase-under-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459728718.htmlRF2HKXCJP–Art inspired by Chamber screen, two-panel, covered with twice three sheets of raised gold leather with a symmetrical Louis XIVth pattern, Chamber screen, two-panel, covered with twice three sheets of raised gold leather with a symmetrical Louis XIVth pattern with garden vase under, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Lament of the Art of Painting. Artist: Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome); After Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42-1609 Ancona). Dimensions: Sheet (upper plate): 14 1/4 × 21 1/8 in. (36.2 × 53.7 cm) Sheet (lower plate): 14 11/16 × 21 1/8 in. (37.3 × 53.7 cm). Date: 1579. This most ambitious allegory of the art of painting is also a highly personal work: it is generally accepted that the print was prompted by the criticism the Italian painter Federico Zuccaro endured after he finished the decoration of the dome of the Florence Cathedral Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lament-of-the-art-of-painting-artist-cornelis-cort-netherlandish-hoorn-ca-1533-1578-rome-after-federico-zuccaro-zuccari-italian-santangelo-in-vado-154042-1609-ancona-dimensions-sheet-upper-plate-14-14-21-18-in-362-537-cm-sheet-lower-plate-14-1116-21-18-in-373-537-cm-date-1579-this-most-ambitious-allegory-of-the-art-of-painting-is-also-a-highly-personal-work-it-is-generally-accepted-that-the-print-was-prompted-by-the-criticism-the-italian-painter-federico-zuccaro-endured-after-he-finished-the-decoration-of-the-dome-of-the-florence-cathedral-image213258937.htmlRMPAXNXH–The Lament of the Art of Painting. Artist: Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome); After Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42-1609 Ancona). Dimensions: Sheet (upper plate): 14 1/4 × 21 1/8 in. (36.2 × 53.7 cm) Sheet (lower plate): 14 11/16 × 21 1/8 in. (37.3 × 53.7 cm). Date: 1579. This most ambitious allegory of the art of painting is also a highly personal work: it is generally accepted that the print was prompted by the criticism the Italian painter Federico Zuccaro endured after he finished the decoration of the dome of the Florence Cathedral
A nurse's handbook of obstetrics, for use in training-schools . Fig. 52.—Preparation of bed for labor. First stage.. Fig. 53.—Preparation of bed for labor. Second stage. not slip; over this is to be placed a white sheet pinned in thesame way, and over this a draw-sheet, also carefully pinned PREPARATION OF PATIENT. 149 (Fig. 52). This is the correct arrangement of the sheets forthe puerperium, and they must be protected for the labor bycovering them with another rubber sheet or enamel cloth andwhite sheet, both of which are to be pinned securely all around(Fig. S3)- After the labor is over the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-nurses-handbook-of-obstetrics-for-use-in-training-schools-fig-52preparation-of-bed-for-labor-first-stage-fig-53preparation-of-bed-for-labor-second-stage-not-slip-over-this-is-to-be-placed-a-white-sheet-pinned-in-thesame-way-and-over-this-a-draw-sheet-also-carefully-pinned-preparation-of-patient-149-fig-52-this-is-the-correct-arrangement-of-the-sheets-forthe-puerperium-and-they-must-be-protected-for-the-labor-bycovering-them-with-another-rubber-sheet-or-enamel-cloth-andwhite-sheet-both-of-which-are-to-be-pinned-securely-all-aroundfig-s3-after-the-labor-is-over-the-image342732794.htmlRM2AWGR4X–A nurse's handbook of obstetrics, for use in training-schools . Fig. 52.—Preparation of bed for labor. First stage.. Fig. 53.—Preparation of bed for labor. Second stage. not slip; over this is to be placed a white sheet pinned in thesame way, and over this a draw-sheet, also carefully pinned PREPARATION OF PATIENT. 149 (Fig. 52). This is the correct arrangement of the sheets forthe puerperium, and they must be protected for the labor bycovering them with another rubber sheet or enamel cloth andwhite sheet, both of which are to be pinned securely all around(Fig. S3)- After the labor is over the
Fig 53 'De Genista' in De Boodts herbarium van 1640 Fig. 53 'The gorse' in the herbarium of Boodts 1640 Object Type : Text sheet Item number: RP-T-BR-2017-1-12-59 (V) Description: Description with reference to FIG. 53 at p. 104: Anselmi Boëtii the Boot I.C. Brugensis & Rodolphi II. Imp. Novel. a medical cubiculis Florum, Herbarum, ac fructuum selectiorum icones, and vires pleraeque hactenus ignotæ. Part of the album with sheets and plates from the Boodts herbarium of 1640. The twelfth twelve albums of watercolors of animals, birds and plants are known around 1600, commissioned by Emperor Rudol Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-53-de-genista-in-de-boodts-herbarium-van-1640-fig-53-the-gorse-in-the-herbarium-of-boodts-1640-object-type-text-sheet-item-number-rp-t-br-2017-1-12-59-v-description-description-with-reference-to-fig-53-at-p-104-anselmi-botii-the-boot-ic-brugensis-rodolphi-ii-imp-novel-a-medical-cubiculis-florum-herbarum-ac-fructuum-selectiorum-icones-and-vires-pleraeque-hactenus-ignot-part-of-the-album-with-sheets-and-plates-from-the-boodts-herbarium-of-1640-the-twelfth-twelve-albums-of-watercolors-of-animals-birds-and-plants-are-known-around-1600-commissioned-by-emperor-rudol-image348344742.htmlRM2B6MD7J–Fig 53 'De Genista' in De Boodts herbarium van 1640 Fig. 53 'The gorse' in the herbarium of Boodts 1640 Object Type : Text sheet Item number: RP-T-BR-2017-1-12-59 (V) Description: Description with reference to FIG. 53 at p. 104: Anselmi Boëtii the Boot I.C. Brugensis & Rodolphi II. Imp. Novel. a medical cubiculis Florum, Herbarum, ac fructuum selectiorum icones, and vires pleraeque hactenus ignotæ. Part of the album with sheets and plates from the Boodts herbarium of 1640. The twelfth twelve albums of watercolors of animals, birds and plants are known around 1600, commissioned by Emperor Rudol
Zeegezicht.Leaf 19 Recto from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zeegezichtleaf-19-recto-from-a-sketchbook-with-53-sheets-image414500633.htmlRM2F2A3P1–Zeegezicht.Leaf 19 Recto from a sketchbook with 53 sheets.
Sheet 45 verso from a sketchbook with 53 sheets, Tree and shrubs, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-45-verso-from-a-sketchbook-with-53-sheets-tree-and-shrubs-anton-mauve-1848-1888-image454344816.htmlRM2HB55CG–Sheet 45 verso from a sketchbook with 53 sheets, Tree and shrubs, Anton Mauve, 1848 - 1888
Art inspired by Chamber screen, two-ply, lined with twice three sheets of raised gold leather with a symmetrical Louis XIV pattern, Chamber screen, two-ply, lined with twice three sheets of raised gold leather with a symmetrical Louis XIV pattern with garden vase under canopies with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-chamber-screen-two-ply-lined-with-twice-three-sheets-of-raised-gold-leather-with-a-symmetrical-louis-xiv-pattern-chamber-screen-two-ply-lined-with-twice-three-sheets-of-raised-gold-leather-with-a-symmetrical-louis-xiv-pattern-with-garden-vase-under-canopies-with-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459728722.htmlRF2HKXCJX–Art inspired by Chamber screen, two-ply, lined with twice three sheets of raised gold leather with a symmetrical Louis XIV pattern, Chamber screen, two-ply, lined with twice three sheets of raised gold leather with a symmetrical Louis XIV pattern with garden vase under canopies with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design (Full-Scale Working Drawing) for a Large Oval Silver Dish with Silver Gilt Border Showing Vulcan's Forge. Artist: Giovanni Giardini (Italian, Forlì 1646-1722 Rome). Dimensions: sheet: 20 7/8 x 30 1/2 in. (53 x 77.5 cm). Date: 1646-1722. Full-scale working drawing for a large oval gilt silver dish with a wide border. The central oval compartment shows a scene of Venus at the forge of Vulcan. the surrounding border is decorated with weapon trophies, close to the well-known designs by Polidoro da Caravaggio, and contains four plaques or insets showing Gods, among which Neptune, Diana, Ven Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-full-scale-working-drawing-for-a-large-oval-silver-dish-with-silver-gilt-border-showing-vulcans-forge-artist-giovanni-giardini-italian-forl-1646-1722-rome-dimensions-sheet-20-78-x-30-12-in-53-x-775-cm-date-1646-1722-full-scale-working-drawing-for-a-large-oval-gilt-silver-dish-with-a-wide-border-the-central-oval-compartment-shows-a-scene-of-venus-at-the-forge-of-vulcan-the-surrounding-border-is-decorated-with-weapon-trophies-close-to-the-well-known-designs-by-polidoro-da-caravaggio-and-contains-four-plaques-or-insets-showing-gods-among-which-neptune-diana-ven-image213147557.htmlRMPANKTN–Design (Full-Scale Working Drawing) for a Large Oval Silver Dish with Silver Gilt Border Showing Vulcan's Forge. Artist: Giovanni Giardini (Italian, Forlì 1646-1722 Rome). Dimensions: sheet: 20 7/8 x 30 1/2 in. (53 x 77.5 cm). Date: 1646-1722. Full-scale working drawing for a large oval gilt silver dish with a wide border. The central oval compartment shows a scene of Venus at the forge of Vulcan. the surrounding border is decorated with weapon trophies, close to the well-known designs by Polidoro da Caravaggio, and contains four plaques or insets showing Gods, among which Neptune, Diana, Ven
A nurse's handbook of obstetrics, for use in training-schools . Fig. 52.—Preparation of bed for labor. First stage.. Fig. 53.—Preparation of bed for labor. Second stage. not slip; over this is to be placed a white sheet pinned in thesame way, and over this a draw-sheet, also carefully pinned PREPARATION OF PATIENT. 149 (Fig. 52). This is the correct arrangement of the sheets forthe puerperium, and they must be protected for the labor bycovering them with another rubber sheet or enamel cloth andwhite sheet, both of which are to be pinned securely all around(Fig. 53). After the labor is over the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-nurses-handbook-of-obstetrics-for-use-in-training-schools-fig-52preparation-of-bed-for-labor-first-stage-fig-53preparation-of-bed-for-labor-second-stage-not-slip-over-this-is-to-be-placed-a-white-sheet-pinned-in-thesame-way-and-over-this-a-draw-sheet-also-carefully-pinned-preparation-of-patient-149-fig-52-this-is-the-correct-arrangement-of-the-sheets-forthe-puerperium-and-they-must-be-protected-for-the-labor-bycovering-them-with-another-rubber-sheet-or-enamel-cloth-andwhite-sheet-both-of-which-are-to-be-pinned-securely-all-aroundfig-53-after-the-labor-is-over-the-image339078348.htmlRM2AKJ9W0–A nurse's handbook of obstetrics, for use in training-schools . Fig. 52.—Preparation of bed for labor. First stage.. Fig. 53.—Preparation of bed for labor. Second stage. not slip; over this is to be placed a white sheet pinned in thesame way, and over this a draw-sheet, also carefully pinned PREPARATION OF PATIENT. 149 (Fig. 52). This is the correct arrangement of the sheets forthe puerperium, and they must be protected for the labor bycovering them with another rubber sheet or enamel cloth andwhite sheet, both of which are to be pinned securely all around(Fig. 53). After the labor is over the
Fig 46 'De Cardvo Mariae' in De Boodts herbarium van 1640 Fig. 46 'The Cardvo Mariae' in the herbarium of Boodts 1640 Object Type : Text sheet Item number: RP-T-BR-2017-1-12-53 (R) Description: Description with reference to FIG. 46 at p. 91: Anselmi Boëtii Boat I.C. Brugensis & Rodolphi II. Imp. Novel. a medical cubiculis Florum, Herbarum, ac fructuum selectiorum icones, and vires pleraeque hactenus ignotæ. Part of the album with sheets and plates from the Boodts herbarium of 1640. The twelfth twelve albums of watercolors of animals, birds and plants are known around 1600, commissioned by Empe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-46-de-cardvo-mariae-in-de-boodts-herbarium-van-1640-fig-46-the-cardvo-mariae-in-the-herbarium-of-boodts-1640-object-type-text-sheet-item-number-rp-t-br-2017-1-12-53-r-description-description-with-reference-to-fig-46-at-p-91-anselmi-botii-boat-ic-brugensis-rodolphi-ii-imp-novel-a-medical-cubiculis-florum-herbarum-ac-fructuum-selectiorum-icones-and-vires-pleraeque-hactenus-ignot-part-of-the-album-with-sheets-and-plates-from-the-boodts-herbarium-of-1640-the-twelfth-twelve-albums-of-watercolors-of-animals-birds-and-plants-are-known-around-1600-commissioned-by-empe-image348344765.htmlRM2B6MD8D–Fig 46 'De Cardvo Mariae' in De Boodts herbarium van 1640 Fig. 46 'The Cardvo Mariae' in the herbarium of Boodts 1640 Object Type : Text sheet Item number: RP-T-BR-2017-1-12-53 (R) Description: Description with reference to FIG. 46 at p. 91: Anselmi Boëtii Boat I.C. Brugensis & Rodolphi II. Imp. Novel. a medical cubiculis Florum, Herbarum, ac fructuum selectiorum icones, and vires pleraeque hactenus ignotæ. Part of the album with sheets and plates from the Boodts herbarium of 1640. The twelfth twelve albums of watercolors of animals, birds and plants are known around 1600, commissioned by Empe
Bomen.Leaf 13 Verso from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bomenleaf-13-verso-from-a-sketchbook-with-53-sheets-image414460501.htmlRM2F288GN–Bomen.Leaf 13 Verso from a sketchbook with 53 sheets.
Sheet 35 recto from a sketchbook with 53 sheets, Tree trunks, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-35-recto-from-a-sketchbook-with-53-sheets-tree-trunks-anton-mauve-1848-1888-image454344738.htmlRM2HB559P–Sheet 35 recto from a sketchbook with 53 sheets, Tree trunks, Anton Mauve, 1848 - 1888
Art inspired by Design (Full-Scale Working Drawing) for a Large Oval Silver Dish with Silver Gilt Border Showing Vulcan's Forge, 1646–1722, Pen and brown ink, brush and brown wash, yellow and blue watercolor over black chalk. Framing lines in pen and brown ink. On two glued sheets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-full-scale-working-drawing-for-a-large-oval-silver-dish-with-silver-gilt-border-showing-vulcans-forge-16461722-pen-and-brown-ink-brush-and-brown-wash-yellow-and-blue-watercolor-over-black-chalk-framing-lines-in-pen-and-brown-ink-on-two-glued-sheets-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462956986.htmlRF2HW5EA2–Art inspired by Design (Full-Scale Working Drawing) for a Large Oval Silver Dish with Silver Gilt Border Showing Vulcan's Forge, 1646–1722, Pen and brown ink, brush and brown wash, yellow and blue watercolor over black chalk. Framing lines in pen and brown ink. On two glued sheets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Dutch Fleet Under Sail at Sea in a Light Breeze. Artist: Willem van de Velde I (Dutch, Leiden 1611-1693 London). Dimensions: 10 9/16 x 21 in. (26.8 x 53.3 cm). Date: 1665. Willem van de Velde was one of the first marine artists to sail with the Dutch fleet and rely not on written or oral observation for his paintings of naval engagements but on the sketches he drew from life. He could match any shipbuilder in his knowledge of ships, their rigging and habits. This drawing may have been sketched on the spot while the artist was sailing with the Dutch fleet before the Battle of Lowestoft (S Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-dutch-fleet-under-sail-at-sea-in-a-light-breeze-artist-willem-van-de-velde-i-dutch-leiden-1611-1693-london-dimensions-10-916-x-21-in-268-x-533-cm-date-1665-willem-van-de-velde-was-one-of-the-first-marine-artists-to-sail-with-the-dutch-fleet-and-rely-not-on-written-or-oral-observation-for-his-paintings-of-naval-engagements-but-on-the-sketches-he-drew-from-life-he-could-match-any-shipbuilder-in-his-knowledge-of-ships-their-rigging-and-habits-this-drawing-may-have-been-sketched-on-the-spot-while-the-artist-was-sailing-with-the-dutch-fleet-before-the-battle-of-lowestoft-s-image213151846.htmlRMPANW9X–A Dutch Fleet Under Sail at Sea in a Light Breeze. Artist: Willem van de Velde I (Dutch, Leiden 1611-1693 London). Dimensions: 10 9/16 x 21 in. (26.8 x 53.3 cm). Date: 1665. Willem van de Velde was one of the first marine artists to sail with the Dutch fleet and rely not on written or oral observation for his paintings of naval engagements but on the sketches he drew from life. He could match any shipbuilder in his knowledge of ships, their rigging and habits. This drawing may have been sketched on the spot while the artist was sailing with the Dutch fleet before the Battle of Lowestoft (S
Catalogue of the Hampton Normal & Agricultural Institute, at Hampton, Virginia, for the academical year .. . low cases, sheets, aprons and dress-skirts, and draft and make small under-garments. In the highest grades shirt-waists are made by allowing thechildren to use the sewing machine and encouraging them to domuch of their work at home. An important feature of the work is the making of articlesneeded in the senior class-rooms. HAM iTO N I N ST I T U T E 53 First Grade.—Stories, such as Hiawatha and theHanual Mother Goose Rhymes, illustrated by the use ofTraining clay, pencil, scissors and c Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-of-the-hampton-normal-agricultural-institute-at-hampton-virginia-for-the-academical-year-low-cases-sheets-aprons-and-dress-skirts-and-draft-and-make-small-under-garments-in-the-highest-grades-shirt-waists-are-made-by-allowing-thechildren-to-use-the-sewing-machine-and-encouraging-them-to-domuch-of-their-work-at-home-an-important-feature-of-the-work-is-the-making-of-articlesneeded-in-the-senior-class-rooms-ham-ito-n-i-n-st-i-t-u-t-e-53-first-gradestories-such-as-hiawatha-and-thehanual-mother-goose-rhymes-illustrated-by-the-use-oftraining-clay-pencil-scissors-and-c-image343142677.htmlRM2AX7DYH–Catalogue of the Hampton Normal & Agricultural Institute, at Hampton, Virginia, for the academical year .. . low cases, sheets, aprons and dress-skirts, and draft and make small under-garments. In the highest grades shirt-waists are made by allowing thechildren to use the sewing machine and encouraging them to domuch of their work at home. An important feature of the work is the making of articlesneeded in the senior class-rooms. HAM iTO N I N ST I T U T E 53 First Grade.—Stories, such as Hiawatha and theHanual Mother Goose Rhymes, illustrated by the use ofTraining clay, pencil, scissors and c
Fig 47 'De Prvno Domestica' in De Boodts herbarium van 1640 Fig. 47 'The Prvno domestica' in the herbarium of Boodts 1640 Object Type : Text sheet Item number: RP-T-BR-2017-1-12-53 (V) Description: Description with reference to FIG. 47 at p. 92 in: Anselmi Boëtii the Boot I.C. Brugensis & Rodolphi II. Imp. Novel. a medical cubiculis Florum, Herbarum, ac fructuum selectiorum icones, and vires pleraeque hactenus ignotæ. Part of the album with sheets and plates from the Boodts herbarium of 1640. The twelfth twelve albums of watercolors of animals, birds and plants are known around 1600, commissio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-47-de-prvno-domestica-in-de-boodts-herbarium-van-1640-fig-47-the-prvno-domestica-in-the-herbarium-of-boodts-1640-object-type-text-sheet-item-number-rp-t-br-2017-1-12-53-v-description-description-with-reference-to-fig-47-at-p-92-in-anselmi-botii-the-boot-ic-brugensis-rodolphi-ii-imp-novel-a-medical-cubiculis-florum-herbarum-ac-fructuum-selectiorum-icones-and-vires-pleraeque-hactenus-ignot-part-of-the-album-with-sheets-and-plates-from-the-boodts-herbarium-of-1640-the-twelfth-twelve-albums-of-watercolors-of-animals-birds-and-plants-are-known-around-1600-commissio-image348344775.htmlRM2B6MD8R–Fig 47 'De Prvno Domestica' in De Boodts herbarium van 1640 Fig. 47 'The Prvno domestica' in the herbarium of Boodts 1640 Object Type : Text sheet Item number: RP-T-BR-2017-1-12-53 (V) Description: Description with reference to FIG. 47 at p. 92 in: Anselmi Boëtii the Boot I.C. Brugensis & Rodolphi II. Imp. Novel. a medical cubiculis Florum, Herbarum, ac fructuum selectiorum icones, and vires pleraeque hactenus ignotæ. Part of the album with sheets and plates from the Boodts herbarium of 1640. The twelfth twelve albums of watercolors of animals, birds and plants are known around 1600, commissio
Wolkenlucht.Leaf 48 Recto from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wolkenluchtleaf-48-recto-from-a-sketchbook-with-53-sheets-image414453096.htmlRM2F27Y48–Wolkenlucht.Leaf 48 Recto from a sketchbook with 53 sheets.
Sheet 48 recto from a sketchbook with 53 sheets, Clouds sky, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-48-recto-from-a-sketchbook-with-53-sheets-clouds-sky-anton-mauve-1848-1888-image454344788.htmlRM2HB55BG–Sheet 48 recto from a sketchbook with 53 sheets, Clouds sky, Anton Mauve, 1848 - 1888
Garden carnation (Dianthus caryophyllus) and broom (Cytisus scoparius), Garden carnation and broom. With a bird and some ornamental plants. FIGs. 53 and 54 hand-numbered 27. On: Anselmi Boetii de Boot I.C. Brugensis & Rodolphi II. Imp. Novel. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Part of the album with sheets and plates from De Boodts herbarium from 1640. The twelfth of twelve albums with watercolors of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II, flowers (with NAME), flowers: carnation birds, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/garden-carnation-dianthus-caryophyllus-and-broom-cytisus-scoparius-garden-carnation-and-broom-with-a-bird-and-some-ornamental-plants-figs-53-and-54-hand-numbered-27-on-anselmi-boetii-de-boot-ic-brugensis-rodolphi-ii-imp-novel-medici-a-cubiculis-florum-herbarum-ac-fructuum-selectiorum-icones-vires-pleraeque-hactenus-ignot-part-of-the-album-with-sheets-and-plates-from-de-boodts-herbarium-from-1640-the-twelfth-of-twelve-albums-with-watercolors-of-animals-birds-and-plants-known-around-1600-commissioned-by-emperor-rudolf-ii-flowers-with-name-flowers-carnation-birds-image350010958.htmlRF2B9CAFA–Garden carnation (Dianthus caryophyllus) and broom (Cytisus scoparius), Garden carnation and broom. With a bird and some ornamental plants. FIGs. 53 and 54 hand-numbered 27. On: Anselmi Boetii de Boot I.C. Brugensis & Rodolphi II. Imp. Novel. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Part of the album with sheets and plates from De Boodts herbarium from 1640. The twelfth of twelve albums with watercolors of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II, flowers (with NAME), flowers: carnation birds,
Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks). Artist: Pieter Coecke van Aelst (Netherlandish, Aelst 1502-1550 Brussels). Dimensions: Sheet: 14 in. × 14 ft. 11 7/16 in. (35.5 × 455.7 cm). Publisher: Mayken Verhulst (Netherlandish, 1518-1593/96). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ces-moeurs-et-fachons-de-faire-de-turcz-customs-and-fashions-of-the-turks-artist-pieter-coecke-van-aelst-netherlandish-aelst-1502-1550-brussels-dimensions-sheet-14-in-14-ft-11-716-in-355-4557-cm-publisher-mayken-verhulst-netherlandish-1518-159396-date-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image213118334.htmlRMPAMAH2–Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks). Artist: Pieter Coecke van Aelst (Netherlandish, Aelst 1502-1550 Brussels). Dimensions: Sheet: 14 in. × 14 ft. 11 7/16 in. (35.5 × 455.7 cm). Publisher: Mayken Verhulst (Netherlandish, 1518-1593/96). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
. Glacial formations and drainage features of the Erie and Ohio basins. WASHINGTON GOVERNMENT PRINTING OFFICE1902 5 3 feb^ CONTENTS Page. Lettee of tkansmittal 17 Abstract of volume 19 Chapter I.—Introduction 23 Outline of the area and subjects discussed 23 Outline of previous publications 2-1 Bibliography 28 Outline of time relations or glacial succession 49 Outline of drift sheets and intervals 50 Outline of rock formations 52 Trenton limestone and Utica shale 53 Hudson River group 54 Medina group 54 Clinton group 54 Niagara group 54 Salina and Waterlime, or the Onondaga series 55 Lower Held Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glacial-formations-and-drainage-features-of-the-erie-and-ohio-basins-washington-government-printing-office1902-5-3-feb-contents-page-lettee-of-tkansmittal-17-abstract-of-volume-19-chapter-iintroduction-23-outline-of-the-area-and-subjects-discussed-23-outline-of-previous-publications-2-1-bibliography-28-outline-of-time-relations-or-glacial-succession-49-outline-of-drift-sheets-and-intervals-50-outline-of-rock-formations-52-trenton-limestone-and-utica-shale-53-hudson-river-group-54-medina-group-54-clinton-group-54-niagara-group-54-salina-and-waterlime-or-the-onondaga-series-55-lower-held-image337150378.htmlRM2AGEEMX–. Glacial formations and drainage features of the Erie and Ohio basins. WASHINGTON GOVERNMENT PRINTING OFFICE1902 5 3 feb^ CONTENTS Page. Lettee of tkansmittal 17 Abstract of volume 19 Chapter I.—Introduction 23 Outline of the area and subjects discussed 23 Outline of previous publications 2-1 Bibliography 28 Outline of time relations or glacial succession 49 Outline of drift sheets and intervals 50 Outline of rock formations 52 Trenton limestone and Utica shale 53 Hudson River group 54 Medina group 54 Clinton group 54 Niagara group 54 Salina and Waterlime, or the Onondaga series 55 Lower Held
Fig 27 'De Pipere Rotvndo' in De Boodts herbarium van 1640 Fig. 27 'The Pipere Rotvndo' in the herbarium of Boodts 1640 Object Type : Text sheet Item number: RP-T-BR-2017-1-12-34 (R) Description: Description with reference to FIG. 27 at p. 53 in: Anselmi Boëtii the Boot I.C. Brugensis & Rodolphi II. Imp. Novel. a medical cubiculis Florum, Herbarum, ac fructuum selectiorum icones, and vires pleraeque hactenus ignotæ. Part of the album with sheets and plates from the Boodts herbarium of 1640. The twelfth twelve albums of watercolors of animals, birds and plants are known around 1600, commissione Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-27-de-pipere-rotvndo-in-de-boodts-herbarium-van-1640-fig-27-the-pipere-rotvndo-in-the-herbarium-of-boodts-1640-object-type-text-sheet-item-number-rp-t-br-2017-1-12-34-r-description-description-with-reference-to-fig-27-at-p-53-in-anselmi-botii-the-boot-ic-brugensis-rodolphi-ii-imp-novel-a-medical-cubiculis-florum-herbarum-ac-fructuum-selectiorum-icones-and-vires-pleraeque-hactenus-ignot-part-of-the-album-with-sheets-and-plates-from-the-boodts-herbarium-of-1640-the-twelfth-twelve-albums-of-watercolors-of-animals-birds-and-plants-are-known-around-1600-commissione-image348344578.htmlRM2B6MD1P–Fig 27 'De Pipere Rotvndo' in De Boodts herbarium van 1640 Fig. 27 'The Pipere Rotvndo' in the herbarium of Boodts 1640 Object Type : Text sheet Item number: RP-T-BR-2017-1-12-34 (R) Description: Description with reference to FIG. 27 at p. 53 in: Anselmi Boëtii the Boot I.C. Brugensis & Rodolphi II. Imp. Novel. a medical cubiculis Florum, Herbarum, ac fructuum selectiorum icones, and vires pleraeque hactenus ignotæ. Part of the album with sheets and plates from the Boodts herbarium of 1640. The twelfth twelve albums of watercolors of animals, birds and plants are known around 1600, commissione
Studie.Leaf 41 Recto from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studieleaf-41-recto-from-a-sketchbook-with-53-sheets-image414418054.htmlRM2F26ACP–Studie.Leaf 41 Recto from a sketchbook with 53 sheets.
Sheet 28 recto from a sketchbook with 53 sheets, Church Tower, Cornelis Vreedenburgh, 1890 - 1946 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-28-recto-from-a-sketchbook-with-53-sheets-church-tower-cornelis-vreedenburgh-1890-1946-image454324934.htmlRM2HB482E–Sheet 28 recto from a sketchbook with 53 sheets, Church Tower, Cornelis Vreedenburgh, 1890 - 1946
Inspired by Picture book by Kanrin, Kanrin gafu, Two volumes (complete), bound as one volume; light brown cover; upper left white title strip; title page; 53 sheets, numbered: four sheets, introduction; 1-21, illustrations of flowers and birds; two blank sheets; 22-45, illustrations of flowers and, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-picture-book-by-kanrin-kanrin-gafu-two-volumes-complete-bound-as-one-volume-light-brown-cover-upper-left-white-title-strip-title-page-53-sheets-numbered-four-sheets-introduction-1-21-illustrations-of-flowers-and-birds-two-blank-sheets-22-45-illustrations-of-flowers-and-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459359397.htmlRF2HK9HGN–Inspired by Picture book by Kanrin, Kanrin gafu, Two volumes (complete), bound as one volume; light brown cover; upper left white title strip; title page; 53 sheets, numbered: four sheets, introduction; 1-21, illustrations of flowers and birds; two blank sheets; 22-45, illustrations of flowers and, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Modern way in picture making : published as an aid to the amateur photographer . Wall paper rather light. Xo. 3 Flash Sheet. Sfeet distant, in 01 del- to eoverfitU figure and surroundings. Stop No. 8. Faee turned toward M, Light at J. ^Jl/A Tin -R POR TRAITi RE BY FLASHLIGHT. 53 is only necessary to obtain a strip of wood about eight feet long on whichto pin the sheet. If this strip is tied to the back of a chair in an uprightposition, it can be moved about the room and placed in any position with-out inconvenience. The sheets are best to use whenever the subject is onewho has enough self Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-modern-way-in-picture-making-published-as-an-aid-to-the-amateur-photographer-wall-paper-rather-light-xo-3-flash-sheet-sfeet-distant-in-01-del-to-eoverfitu-figure-and-surroundings-stop-no-8-faee-turned-toward-m-light-at-j-jla-tin-r-por-traiti-re-by-flashlight-53-is-only-necessary-to-obtain-a-strip-of-wood-about-eight-feet-long-on-whichto-pin-the-sheet-if-this-strip-is-tied-to-the-back-of-a-chair-in-an-uprightposition-it-can-be-moved-about-the-room-and-placed-in-any-position-with-out-inconvenience-the-sheets-are-best-to-use-whenever-the-subject-is-onewho-has-enough-self-image342715928.htmlRM2AWG1JG–The Modern way in picture making : published as an aid to the amateur photographer . Wall paper rather light. Xo. 3 Flash Sheet. Sfeet distant, in 01 del- to eoverfitU figure and surroundings. Stop No. 8. Faee turned toward M, Light at J. ^Jl/A Tin -R POR TRAITi RE BY FLASHLIGHT. 53 is only necessary to obtain a strip of wood about eight feet long on whichto pin the sheet. If this strip is tied to the back of a chair in an uprightposition, it can be moved about the room and placed in any position with-out inconvenience. The sheets are best to use whenever the subject is onewho has enough self
Described and ill. in Papenfuse's Hammond-Harwood House atlas of historical maps of Maryland, p. 48-53. Includes Plan of the city of Washington and Territory of Columbia and a dedication. National Endowment for the Humanities Grant for Access to Early Maps of the Middle Atlantic Seaboard. NYPL copy dissected, mounted on cloth, in 3 sheets, encapsulated in mylar as 1 sheet. Prime meridian: city of Washington. Citation/Reference: Phillips. Maps of America, p. 395 Registered and copy right secured agreeable to act of Congress, June 20th, 1794. Philip Moore, clk. of the District of Maryland. Relie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/described-and-ill-in-papenfuses-hammond-harwood-house-atlas-of-historical-maps-of-maryland-p-48-53-includes-plan-of-the-city-of-washington-and-territory-of-columbia-and-a-dedication-national-endowment-for-the-humanities-grant-for-access-to-early-maps-of-the-middle-atlantic-seaboard-nypl-copy-dissected-mounted-on-cloth-in-3-sheets-encapsulated-in-mylar-as-1-sheet-prime-meridian-city-of-washington-citationreference-phillips-maps-of-america-p-395-registered-and-copy-right-secured-agreeable-to-act-of-congress-june-20th-1794-philip-moore-clk-of-the-district-of-maryland-relie-image337237604.htmlRM2AGJE04–Described and ill. in Papenfuse's Hammond-Harwood House atlas of historical maps of Maryland, p. 48-53. Includes Plan of the city of Washington and Territory of Columbia and a dedication. National Endowment for the Humanities Grant for Access to Early Maps of the Middle Atlantic Seaboard. NYPL copy dissected, mounted on cloth, in 3 sheets, encapsulated in mylar as 1 sheet. Prime meridian: city of Washington. Citation/Reference: Phillips. Maps of America, p. 395 Registered and copy right secured agreeable to act of Congress, June 20th, 1794. Philip Moore, clk. of the District of Maryland. Relie
Studie.Leaf 15 Verso from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studieleaf-15-verso-from-a-sketchbook-with-53-sheets-image414502365.htmlRM2F2A5YW–Studie.Leaf 15 Verso from a sketchbook with 53 sheets.
Sheet 3 recto from a sketchbook with 53 sheets, Reclining cow, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-3-recto-from-a-sketchbook-with-53-sheets-reclining-cow-anton-mauve-1848-1888-image454344659.htmlRM2HB556Y–Sheet 3 recto from a sketchbook with 53 sheets, Reclining cow, Anton Mauve, 1848 - 1888
Art inspired by Picture book by Kanrin, Kanrin gafu, Two volumes (complete), bound as one volume; light brown cover; upper left white title strip; title page; 53 sheets, numbered: four sheets, introduction; 1-21, illustrations of flowers and birds; two blank sheets; 22-45, illustrations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-picture-book-by-kanrin-kanrin-gafu-two-volumes-complete-bound-as-one-volume-light-brown-cover-upper-left-white-title-strip-title-page-53-sheets-numbered-four-sheets-introduction-1-21-illustrations-of-flowers-and-birds-two-blank-sheets-22-45-illustrations-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459710568.htmlRF2HKWHEG–Art inspired by Picture book by Kanrin, Kanrin gafu, Two volumes (complete), bound as one volume; light brown cover; upper left white title strip; title page; 53 sheets, numbered: four sheets, introduction; 1-21, illustrations of flowers and birds; two blank sheets; 22-45, illustrations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Construction work in cardboard and paper for grades I to IV, without the use of tools; with a course in woodwork for the fifth grade . 49 S2 55 i i 53. THE CUBE- 97 THE CUBE—THIRD AND FOURTH CONSTRUO TIONS. Materials.—Same as preceding. Third and fourth construction of the cube: Take two sheets of paper in the ratio of about 3: 8inches, or any multiple of these numbers; fold them twiceon themselves in the lengthwise direction (Fig. 49). Place the two bands at right angles (Fig. 50), in orderto determine on each of them the width of the band ormuff. Bring AB to CD to form fold GH; AB to GH, tof Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/construction-work-in-cardboard-and-paper-for-grades-i-to-iv-without-the-use-of-tools-with-a-course-in-woodwork-for-the-fifth-grade-49-s2-55-i-i-53-the-cube-97-the-cubethird-and-fourth-construo-tions-materialssame-as-preceding-third-and-fourth-construction-of-the-cube-take-two-sheets-of-paper-in-the-ratio-of-about-3-8inches-or-any-multiple-of-these-numbers-fold-them-twiceon-themselves-in-the-lengthwise-direction-fig-49-place-the-two-bands-at-right-angles-fig-50-in-orderto-determine-on-each-of-them-the-width-of-the-band-ormuff-bring-ab-to-cd-to-form-fold-gh-ab-to-gh-tof-image339877943.htmlRM2AMXNNY–Construction work in cardboard and paper for grades I to IV, without the use of tools; with a course in woodwork for the fifth grade . 49 S2 55 i i 53. THE CUBE- 97 THE CUBE—THIRD AND FOURTH CONSTRUO TIONS. Materials.—Same as preceding. Third and fourth construction of the cube: Take two sheets of paper in the ratio of about 3: 8inches, or any multiple of these numbers; fold them twiceon themselves in the lengthwise direction (Fig. 49). Place the two bands at right angles (Fig. 50), in orderto determine on each of them the width of the band ormuff. Bring AB to CD to form fold GH; AB to GH, tof
Described and ill. in Papenfuse's Hammond-Harwood House atlas of historical maps of Maryland, p. 48-53. Includes Plan of the city of Washington and Territory of Columbia and a dedication. National Endowment for the Humanities Grant for Access to Early Maps of the Middle Atlantic Seaboard. NYPL copy dissected, mounted on cloth, in 3 sheets, encapsulated in mylar as 1 sheet. Prime meridian: city of Washington. Citation/Reference: Phillips. Maps of America, p. 395 Registered and copy right secured agreeable to act of Congress, June 20th, 1794. Philip Moore, clk. of the District of Maryland. Relie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/described-and-ill-in-papenfuses-hammond-harwood-house-atlas-of-historical-maps-of-maryland-p-48-53-includes-plan-of-the-city-of-washington-and-territory-of-columbia-and-a-dedication-national-endowment-for-the-humanities-grant-for-access-to-early-maps-of-the-middle-atlantic-seaboard-nypl-copy-dissected-mounted-on-cloth-in-3-sheets-encapsulated-in-mylar-as-1-sheet-prime-meridian-city-of-washington-citationreference-phillips-maps-of-america-p-395-registered-and-copy-right-secured-agreeable-to-act-of-congress-june-20th-1794-philip-moore-clk-of-the-district-of-maryland-relie-image337237584.htmlRM2AGJDYC–Described and ill. in Papenfuse's Hammond-Harwood House atlas of historical maps of Maryland, p. 48-53. Includes Plan of the city of Washington and Territory of Columbia and a dedication. National Endowment for the Humanities Grant for Access to Early Maps of the Middle Atlantic Seaboard. NYPL copy dissected, mounted on cloth, in 3 sheets, encapsulated in mylar as 1 sheet. Prime meridian: city of Washington. Citation/Reference: Phillips. Maps of America, p. 395 Registered and copy right secured agreeable to act of Congress, June 20th, 1794. Philip Moore, clk. of the District of Maryland. Relie
Bos.Leaf 44 Recto from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bosleaf-44-recto-from-a-sketchbook-with-53-sheets-image414469812.htmlRM2F28MD8–Bos.Leaf 44 Recto from a sketchbook with 53 sheets.
Sheet 46 recto from a sketchbook with 53 sheets, Street view, Cornelis Vreedenburgh, 1890 - 1946 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-46-recto-from-a-sketchbook-with-53-sheets-street-view-cornelis-vreedenburgh-1890-1946-image454324953.htmlRM2HB4835–Sheet 46 recto from a sketchbook with 53 sheets, Street view, Cornelis Vreedenburgh, 1890 - 1946
Inspired by Landscape with trees, Possibly a river or path runs between the trees. Sheet 53 recto from a sketchbook with 75 sheets, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-landscape-with-trees-possibly-a-river-or-path-runs-between-the-trees-sheet-53-recto-from-a-sketchbook-with-75-sheets-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459365814.htmlRF2HK9WNX–Inspired by Landscape with trees, Possibly a river or path runs between the trees. Sheet 53 recto from a sketchbook with 75 sheets, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Home Missionary, The (May 1890-April 1891) . Sold by all Druggists, Stationers,(Tews and Pancy Goods dealers. Dont on any account omit to niarkplainly all your sheets, pillow cases, nap-kins and towels. Mark all of yonr own per-sonal wardrobe which has to be washed.If this were invariably done, a great dealof property would be saved to owners, anda great deal of trouble would be sparedthose who sort out clean pieces KATE UPSON CLARK. REST for tired, sickat The NervineBurlington, Vt NERVES Db. A. J. Willard (Yale 53), Supt., refers by per-mission to Pres. Dwight (Yale). Pres. Buckham (U.V. M.), Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/home-missionary-the-may-1890-april-1891-sold-by-all-druggists-stationerstews-and-pancy-goods-dealers-dont-on-any-account-omit-to-niarkplainly-all-your-sheets-pillow-cases-nap-kins-and-towels-mark-all-of-yonr-own-per-sonal-wardrobe-which-has-to-be-washedif-this-were-invariably-done-a-great-dealof-property-would-be-saved-to-owners-anda-great-deal-of-trouble-would-be-sparedthose-who-sort-out-clean-pieces-kate-upson-clark-rest-for-tired-sickat-the-nervineburlington-vt-nerves-db-a-j-willard-yale-53-supt-refers-by-per-mission-to-pres-dwight-yale-pres-buckham-uv-m-image338371283.htmlRM2AJE40K–Home Missionary, The (May 1890-April 1891) . Sold by all Druggists, Stationers,(Tews and Pancy Goods dealers. Dont on any account omit to niarkplainly all your sheets, pillow cases, nap-kins and towels. Mark all of yonr own per-sonal wardrobe which has to be washed.If this were invariably done, a great dealof property would be saved to owners, anda great deal of trouble would be sparedthose who sort out clean pieces KATE UPSON CLARK. REST for tired, sickat The NervineBurlington, Vt NERVES Db. A. J. Willard (Yale 53), Supt., refers by per-mission to Pres. Dwight (Yale). Pres. Buckham (U.V. M.),
Described and ill. in Papenfuse's Hammond-Harwood House atlas of historical maps of Maryland, p. 48-53. Includes Plan of the city of Washington and Territory of Columbia and a dedication. National Endowment for the Humanities Grant for Access to Early Maps of the Middle Atlantic Seaboard. NYPL copy dissected, mounted on cloth, in 3 sheets, encapsulated in mylar as 1 sheet. Prime meridian: city of Washington. Citation/Reference: Phillips. Maps of America, p. 395 Registered and copy right secured agreeable to act of Congress, June 20th, 1794. Philip Moore, clk. of the District of Maryland. Relie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/described-and-ill-in-papenfuses-hammond-harwood-house-atlas-of-historical-maps-of-maryland-p-48-53-includes-plan-of-the-city-of-washington-and-territory-of-columbia-and-a-dedication-national-endowment-for-the-humanities-grant-for-access-to-early-maps-of-the-middle-atlantic-seaboard-nypl-copy-dissected-mounted-on-cloth-in-3-sheets-encapsulated-in-mylar-as-1-sheet-prime-meridian-city-of-washington-citationreference-phillips-maps-of-america-p-395-registered-and-copy-right-secured-agreeable-to-act-of-congress-june-20th-1794-philip-moore-clk-of-the-district-of-maryland-relie-image337237606.htmlRM2AGJE06–Described and ill. in Papenfuse's Hammond-Harwood House atlas of historical maps of Maryland, p. 48-53. Includes Plan of the city of Washington and Territory of Columbia and a dedication. National Endowment for the Humanities Grant for Access to Early Maps of the Middle Atlantic Seaboard. NYPL copy dissected, mounted on cloth, in 3 sheets, encapsulated in mylar as 1 sheet. Prime meridian: city of Washington. Citation/Reference: Phillips. Maps of America, p. 395 Registered and copy right secured agreeable to act of Congress, June 20th, 1794. Philip Moore, clk. of the District of Maryland. Relie
Bomen.Leaf 27 Verso from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bomenleaf-27-verso-from-a-sketchbook-with-53-sheets-image414464652.htmlRM2F28DW0–Bomen.Leaf 27 Verso from a sketchbook with 53 sheets.
Sheet 46 recto from a sketchbook with 53 sheets, Animal on land, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-46-recto-from-a-sketchbook-with-53-sheets-animal-on-land-anton-mauve-1848-1888-image454344809.htmlRM2HB55C9–Sheet 46 recto from a sketchbook with 53 sheets, Animal on land, Anton Mauve, 1848 - 1888
Art inspired by Landscape with trees, Possibly a river or path runs between the trees. Sheet 53 recto from a sketchbook with 75 sheets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-with-trees-possibly-a-river-or-path-runs-between-the-trees-sheet-53-recto-from-a-sketchbook-with-75-sheets-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459715006.htmlRF2HKWR52–Art inspired by Landscape with trees, Possibly a river or path runs between the trees. Sheet 53 recto from a sketchbook with 75 sheets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Building and Engineering Catalog 1921 Edition . thesedimensions the first fractional figurerepresents the thickness of thegauge, while the second fractionalfigure represents the thickness ofthe strand. Figuring on the short way ofthe mesh across the sheet, thewidths of the sheets vary from 4feet 8 inches to 8 feet. Eight feetis the arbitrary maximum madenecessary by the limitation of floorspace in railroad cars. In length sheets run from 8to 16 feet. MADE IN CANADA. -D/MENSIOM TABLE STfLt ( 5/60631608 3/6*0 3/2/1 3/2/25] 3/2/35 3/0/53/0/ 763/020 3/0215] 3/025 3/0265] 3/030 3/0324 3035 310375] Stock Photo](https://c8.alamy.com/comp/2AJ4KM8/building-and-engineering-catalog-1921-edition-thesedimensions-the-first-fractional-figurerepresents-the-thickness-of-thegauge-while-the-second-fractionalfigure-represents-the-thickness-ofthe-strand-figuring-on-the-short-way-ofthe-mesh-across-the-sheet-thewidths-of-the-sheets-vary-from-4feet-8-inches-to-8-feet-eight-feetis-the-arbitrary-maximum-madenecessary-by-the-limitation-of-floorspace-in-railroad-cars-in-length-sheets-run-from-8to-16-feet-made-in-canada-dmensiom-table-stflt-560631608-360-321-3225-3235-30530-763020-30215-3025-30265-3030-30324-3035-310375-2AJ4KM8.jpg "Building and Engineering Catalog 1921 Edition . thesedimensions the first fractional figurerepresents the thickness of thegauge, while the second fractionalfigure represents the thickness ofthe strand. Figuring on the short way ofthe mesh across the sheet, thewidths of the sheets vary from 4feet 8 inches to 8 feet. Eight feetis the arbitrary maximum madenecessary by the limitation of floorspace in railroad cars. In length sheets run from 8to 16 feet. MADE IN CANADA. -D/MENSIOM TABLE STfLt ( 5/60631608 3/6*0 3/2/1 3/2/25] 3/2/35 3/0/53/0/ 763/020 3/0215] 3/025 3/0265] 3/030 3/0324 3035 310375] Stock Photo")
Building and Engineering Catalog 1921 Edition . thesedimensions the first fractional figurerepresents the thickness of thegauge, while the second fractionalfigure represents the thickness ofthe strand. Figuring on the short way ofthe mesh across the sheet, thewidths of the sheets vary from 4feet 8 inches to 8 feet. Eight feetis the arbitrary maximum madenecessary by the limitation of floorspace in railroad cars. In length sheets run from 8to 16 feet. MADE IN CANADA. -D/MENSIOM TABLE STfLt ( 5/60631608 3/6*0 3/2/1 3/2/25] 3/2/35 3/0/53/0/ 763/020 3/0215] 3/025 3/0265] 3/030 3/0324 3035 310375] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/building-and-engineering-catalog-1921-edition-thesedimensions-the-first-fractional-figurerepresents-the-thickness-of-thegauge-while-the-second-fractionalfigure-represents-the-thickness-ofthe-strand-figuring-on-the-short-way-ofthe-mesh-across-the-sheet-thewidths-of-the-sheets-vary-from-4feet-8-inches-to-8-feet-eight-feetis-the-arbitrary-maximum-madenecessary-by-the-limitation-of-floorspace-in-railroad-cars-in-length-sheets-run-from-8to-16-feet-made-in-canada-dmensiom-table-stflt-560631608-360-321-3225-3235-30530-763020-30215-3025-30265-3030-30324-3035-310375-image338164072.htmlRM2AJ4KM8–Building and Engineering Catalog 1921 Edition . thesedimensions the first fractional figurerepresents the thickness of thegauge, while the second fractionalfigure represents the thickness ofthe strand. Figuring on the short way ofthe mesh across the sheet, thewidths of the sheets vary from 4feet 8 inches to 8 feet. Eight feetis the arbitrary maximum madenecessary by the limitation of floorspace in railroad cars. In length sheets run from 8to 16 feet. MADE IN CANADA. -D/MENSIOM TABLE STfLt ( 5/60631608 3/6*0 3/2/1 3/2/25] 3/2/35 3/0/53/0/ 763/020 3/0215] 3/025 3/0265] 3/030 3/0324 3035 310375]
Described and ill. in Papenfuse's Hammond-Harwood House atlas of historical maps of Maryland, p. 48-53. Includes Plan of the city of Washington and Territory of Columbia and a dedication. National Endowment for the Humanities Grant for Access to Early Maps of the Middle Atlantic Seaboard. NYPL copy dissected, mounted on cloth, in 3 sheets, encapsulated in mylar as 1 sheet. Prime meridian: city of Washington. Citation/Reference: Phillips. Maps of America, p. 395 Registered and copy right secured agreeable to act of Congress, June 20th, 1794. Philip Moore, clk. of the District of Maryland. Relie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/described-and-ill-in-papenfuses-hammond-harwood-house-atlas-of-historical-maps-of-maryland-p-48-53-includes-plan-of-the-city-of-washington-and-territory-of-columbia-and-a-dedication-national-endowment-for-the-humanities-grant-for-access-to-early-maps-of-the-middle-atlantic-seaboard-nypl-copy-dissected-mounted-on-cloth-in-3-sheets-encapsulated-in-mylar-as-1-sheet-prime-meridian-city-of-washington-citationreference-phillips-maps-of-america-p-395-registered-and-copy-right-secured-agreeable-to-act-of-congress-june-20th-1794-philip-moore-clk-of-the-district-of-maryland-relie-image337237560.htmlRM2AGJDXG–Described and ill. in Papenfuse's Hammond-Harwood House atlas of historical maps of Maryland, p. 48-53. Includes Plan of the city of Washington and Territory of Columbia and a dedication. National Endowment for the Humanities Grant for Access to Early Maps of the Middle Atlantic Seaboard. NYPL copy dissected, mounted on cloth, in 3 sheets, encapsulated in mylar as 1 sheet. Prime meridian: city of Washington. Citation/Reference: Phillips. Maps of America, p. 395 Registered and copy right secured agreeable to act of Congress, June 20th, 1794. Philip Moore, clk. of the District of Maryland. Relie
Landschap.Leaf 17 Recto from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landschapleaf-17-recto-from-a-sketchbook-with-53-sheets-image414438458.htmlRM2F278DE–Landschap.Leaf 17 Recto from a sketchbook with 53 sheets.
Sheet 36 recto from a sketchbook with 53 sheets, Streetlight to a road, Cornelis Vreedenburgh, 1890 - 1946 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-36-recto-from-a-sketchbook-with-53-sheets-streetlight-to-a-road-cornelis-vreedenburgh-1890-1946-image454324936.htmlRM2HB482G–Sheet 36 recto from a sketchbook with 53 sheets, Streetlight to a road, Cornelis Vreedenburgh, 1890 - 1946
Inspired by Man holding a glass in an interior, The man holds the glass in his right hand and with his left hand holds the wrist of a woman sitting next to him. Behind them is an old woman. Drawing in a frame. Sheet 53 recto from a sketchbook with 63 sheets, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-man-holding-a-glass-in-an-interior-the-man-holds-the-glass-in-his-right-hand-and-with-his-left-hand-holds-the-wrist-of-a-woman-sitting-next-to-him-behind-them-is-an-old-woman-drawing-in-a-frame-sheet-53-recto-from-a-sketchbook-with-63-sheets-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459366884.htmlRF2HK9Y44–Inspired by Man holding a glass in an interior, The man holds the glass in his right hand and with his left hand holds the wrist of a woman sitting next to him. Behind them is an old woman. Drawing in a frame. Sheet 53 recto from a sketchbook with 63 sheets, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Sheet metals and sheet metal products : no 292 . Flashing Hooks List Prices Per Hundred Sizes 1J| 2V2 Zy2 Black $ .65 $1.10 $1.70 Tinned 90 1.55 2.30 53^ $3.60 5.00 $6.008.20 45 WHEELING CORRUGATING CO., WHEELING, W. VA. Tin Roll Roofing Made from all grades of roofing plates. Ready to apply without further preparation.. Every sheet of 12 lb. coating and heavier stamped with name of plate and weightof coating — all sheets resquared, making straight rolls. Regular stock furnished paintedred on under side, seams single locked and soldered one side. Can supply Rolls not painted or painted both si Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-metals-and-sheet-metal-products-no-292-flashing-hooks-list-prices-per-hundred-sizes-1j-2v2-zy2-black-65-110-170-tinned-90-155-230-53-360-500-600820-45-wheeling-corrugating-co-wheeling-w-va-tin-roll-roofing-made-from-all-grades-of-roofing-plates-ready-to-apply-without-further-preparation-every-sheet-of-12-lb-coating-and-heavier-stamped-with-name-of-plate-and-weightof-coating-all-sheets-resquared-making-straight-rolls-regular-stock-furnished-paintedred-on-under-side-seams-single-locked-and-soldered-one-side-can-supply-rolls-not-painted-or-painted-both-si-image338282647.htmlRM2AJA2Y3–Sheet metals and sheet metal products : no 292 . Flashing Hooks List Prices Per Hundred Sizes 1J| 2V2 Zy2 Black $ .65 $1.10 $1.70 Tinned 90 1.55 2.30 53^ $3.60 5.00 $6.008.20 45 WHEELING CORRUGATING CO., WHEELING, W. VA. Tin Roll Roofing Made from all grades of roofing plates. Ready to apply without further preparation.. Every sheet of 12 lb. coating and heavier stamped with name of plate and weightof coating — all sheets resquared, making straight rolls. Regular stock furnished paintedred on under side, seams single locked and soldered one side. Can supply Rolls not painted or painted both si
Described and ill. in Papenfuse's Hammond-Harwood House atlas of historical maps of Maryland, p. 48-53. Includes Plan of the city of Washington and Territory of Columbia and a dedication. National Endowment for the Humanities Grant for Access to Early Maps of the Middle Atlantic Seaboard. NYPL copy dissected, mounted on cloth, in 3 sheets, encapsulated in mylar as 1 sheet. Prime meridian: city of Washington. Citation/Reference: Phillips. Maps of America, p. 395 Registered and copy right secured agreeable to act of Congress, June 20th, 1794. Philip Moore, clk. of the District of Maryland. Relie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/described-and-ill-in-papenfuses-hammond-harwood-house-atlas-of-historical-maps-of-maryland-p-48-53-includes-plan-of-the-city-of-washington-and-territory-of-columbia-and-a-dedication-national-endowment-for-the-humanities-grant-for-access-to-early-maps-of-the-middle-atlantic-seaboard-nypl-copy-dissected-mounted-on-cloth-in-3-sheets-encapsulated-in-mylar-as-1-sheet-prime-meridian-city-of-washington-citationreference-phillips-maps-of-america-p-395-registered-and-copy-right-secured-agreeable-to-act-of-congress-june-20th-1794-philip-moore-clk-of-the-district-of-maryland-relie-image337237557.htmlRM2AGJDXD–Described and ill. in Papenfuse's Hammond-Harwood House atlas of historical maps of Maryland, p. 48-53. Includes Plan of the city of Washington and Territory of Columbia and a dedication. National Endowment for the Humanities Grant for Access to Early Maps of the Middle Atlantic Seaboard. NYPL copy dissected, mounted on cloth, in 3 sheets, encapsulated in mylar as 1 sheet. Prime meridian: city of Washington. Citation/Reference: Phillips. Maps of America, p. 395 Registered and copy right secured agreeable to act of Congress, June 20th, 1794. Philip Moore, clk. of the District of Maryland. Relie
Bosgrond.Leaf 53 Verso from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bosgrondleaf-53-verso-from-a-sketchbook-with-53-sheets-image414471461.htmlRM2F28PG5–Bosgrond.Leaf 53 Verso from a sketchbook with 53 sheets.
Sheet 10 recto from a sketchbook with 53 sheets, Meadow with a mill, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-10-recto-from-a-sketchbook-with-53-sheets-meadow-with-a-mill-anton-mauve-1848-1888-image454344671.htmlRM2HB557B–Sheet 10 recto from a sketchbook with 53 sheets, Meadow with a mill, Anton Mauve, 1848 - 1888
Art inspired by Man holding a glass in an interior, The man holds the glass in his right hand and with his left hand holds the wrist of a woman sitting next to him. Behind them is an old woman. Drawing in a frame. Sheet 53 recto from a sketchbook with 63 sheets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-man-holding-a-glass-in-an-interior-the-man-holds-the-glass-in-his-right-hand-and-with-his-left-hand-holds-the-wrist-of-a-woman-sitting-next-to-him-behind-them-is-an-old-woman-drawing-in-a-frame-sheet-53-recto-from-a-sketchbook-with-63-sheets-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459716196.htmlRF2HKWTKG–Art inspired by Man holding a glass in an interior, The man holds the glass in his right hand and with his left hand holds the wrist of a woman sitting next to him. Behind them is an old woman. Drawing in a frame. Sheet 53 recto from a sketchbook with 63 sheets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. calcomp :: H-84-0045B vistagraphic DR11W DR11B DR11C and DR11B parallel interface users manual Nov1984 . J79c REVISION SWUS OF SHEETS RfvisioN I etA^ -^ REFERENCE DATA MICROELEMENTWIRING DIAGRAM PRbbUCTION CHANGE BY ECO ONLY SANDERS AHOCIATIS. INC uOGIC DIAGRAM,24 B/r PAI?ALLEL INTFCV/e Dl^ll-W 94117 53/00/7 53/54 (. 55/56 ( Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/calcomp-h-84-0045b-vistagraphic-dr11w-dr11b-dr11c-and-dr11b-parallel-interface-users-manual-nov1984-j79c-revision-swus-of-sheets-rfvision-i-eta-reference-data-microelementwiring-diagram-prbbuction-change-by-eco-only-sanders-ahociatis-inc-uogic-diagram24-br-paiallel-intfcve-dlll-w-94117-53007-5354-5556-image372653015.htmlRM2CJ7PM7–. calcomp :: H-84-0045B vistagraphic DR11W DR11B DR11C and DR11B parallel interface users manual Nov1984 . J79c REVISION SWUS OF SHEETS RfvisioN I etA^ -^ REFERENCE DATA MICROELEMENTWIRING DIAGRAM PRbbUCTION CHANGE BY ECO ONLY SANDERS AHOCIATIS. INC uOGIC DIAGRAM,24 B/r PAI?ALLEL INTFCV/e Dl^ll-W 94117 53/00/7 53/54 (. 55/56 (
Landschap.Leaf 40 Verso from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landschapleaf-40-verso-from-a-sketchbook-with-53-sheets-image414428361.htmlRM2F26RGW–Landschap.Leaf 40 Verso from a sketchbook with 53 sheets.
Sheet 28 verso from a sketchbook with 53 sheets, Herd lying cows, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-28-verso-from-a-sketchbook-with-53-sheets-herd-lying-cows-anton-mauve-1848-1888-image454344729.htmlRM2HB559D–Sheet 28 verso from a sketchbook with 53 sheets, Herd lying cows, Anton Mauve, 1848 - 1888
. The Street railway journal . VECAU FIBRE CO ESTABLISHED 1873. SOLE MANUFACTURERS OF HARD VULCANIZED FIBRE, In Sheets, Tubes, Rods, Sticks and Special Shapes to order. Colors, Red, Black and Gray.SEND FOR CATALOGUE AND PRICES. wilmnKW THE STANDARD ELECTRICAL INSULATING MATERIAL OF THE WORLD, u de°y™:n. y. DAVIDSON CONDENSERS FOR ELECTRICRAILWAYS AND POWERSTATIONS,M.. BRANCHES!77 Liberty St., New York50 Oliver St., Boston. T. DAVIDSON, 43-53 Keap St., BROOKLYN, N. Y. THE IMPROVED FISHKILL CORLISS ENGINE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-street-railway-journal-vecau-fibre-co-established-1873-sole-manufacturers-of-hard-vulcanized-fibre-in-sheets-tubes-rods-sticks-and-special-shapes-to-order-colors-red-black-and-graysend-for-catalogue-and-prices-wilmnkw-the-standard-electrical-insulating-material-of-the-world-u-deyn-y-davidson-condensers-for-electricrailways-and-powerstationsm-branches!77-liberty-st-new-york50-oliver-st-boston-t-davidson-43-53-keap-st-brooklyn-n-y-the-improved-fishkill-corliss-engine-image375662934.htmlRM2CR4WWA–. The Street railway journal . VECAU FIBRE CO ESTABLISHED 1873. SOLE MANUFACTURERS OF HARD VULCANIZED FIBRE, In Sheets, Tubes, Rods, Sticks and Special Shapes to order. Colors, Red, Black and Gray.SEND FOR CATALOGUE AND PRICES. wilmnKW THE STANDARD ELECTRICAL INSULATING MATERIAL OF THE WORLD, u de°y™:n. y. DAVIDSON CONDENSERS FOR ELECTRICRAILWAYS AND POWERSTATIONS,M.. BRANCHES!77 Liberty St., New York50 Oliver St., Boston. T. DAVIDSON, 43-53 Keap St., BROOKLYN, N. Y. THE IMPROVED FISHKILL CORLISS ENGINE
Studie.Leaf 35 Verso from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studieleaf-35-verso-from-a-sketchbook-with-53-sheets-image414456359.htmlRM2F2838R–Studie.Leaf 35 Verso from a sketchbook with 53 sheets.
Sheet 29 verso from a sketchbook with 53 sheets, Hill landscape with shrubs, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-29-verso-from-a-sketchbook-with-53-sheets-hill-landscape-with-shrubs-anton-mauve-1848-1888-image454344751.htmlRM2HB55A7–Sheet 29 verso from a sketchbook with 53 sheets, Hill landscape with shrubs, Anton Mauve, 1848 - 1888
. Railway and locomotive engineering : a practical journal of railway motive power and rolling stock . te.to criticise the new foremans throttle-valve sketches (page 53, January issue),as his remarks would doubtless have beenboth interesting and instructive. If Mr.Edwards tries either of his schemes, Iwould advise him to give Fig. i the prefer-ence, as Fig. 2 will give the man who High and Low Water LeveJ. In an argument to-day on the advantages of carrying the water level in theboiler as high as possible and still workdry steam, one engineer said that the firebox and crown-sheets were a great Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/railway-and-locomotive-engineering-a-practical-journal-of-railway-motive-power-and-rolling-stock-teto-criticise-the-new-foremans-throttle-valve-sketches-page-53-january-issueas-his-remarks-would-doubtless-have-beenboth-interesting-and-instructive-if-mredwards-tries-either-of-his-schemes-iwould-advise-him-to-give-fig-i-the-prefer-ence-as-fig-2-will-give-the-man-who-high-and-low-water-levej-in-an-argument-to-day-on-the-advantages-of-carrying-the-water-level-in-theboiler-as-high-as-possible-and-still-workdry-steam-one-engineer-said-that-the-firebox-and-crown-sheets-were-a-great-image371941034.htmlRM2CH3AGA–. Railway and locomotive engineering : a practical journal of railway motive power and rolling stock . te.to criticise the new foremans throttle-valve sketches (page 53, January issue),as his remarks would doubtless have beenboth interesting and instructive. If Mr.Edwards tries either of his schemes, Iwould advise him to give Fig. i the prefer-ence, as Fig. 2 will give the man who High and Low Water LeveJ. In an argument to-day on the advantages of carrying the water level in theboiler as high as possible and still workdry steam, one engineer said that the firebox and crown-sheets were a great
Landschap.Leaf 52 Verso from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landschapleaf-52-verso-from-a-sketchbook-with-53-sheets-image414462902.htmlRM2F28BJE–Landschap.Leaf 52 Verso from a sketchbook with 53 sheets.
Sheet 5 verso from a sketchbook with 53 sheets, Children at the flood line, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-5-verso-from-a-sketchbook-with-53-sheets-children-at-the-flood-line-anton-mauve-1848-1888-image454344666.htmlRM2HB5576–Sheet 5 verso from a sketchbook with 53 sheets, Children at the flood line, Anton Mauve, 1848 - 1888
. The Street railway journal . F. ORANGE. N. J. CEO. L. FOWLER, Consulting Mechanical Engineer, Room 27, No. 53 Broadway,NEW YORK. Especial attention paid to Estimates, Designs and Superintendence of Constructlon of new Electric Power and Cable Plants for Street Railways, and theresting- for efficiency of those alrendv In oiwrn.tlnn. VULCANIZED FIBRE CO. In Sheets, Tubes, Rods, Sticks and Special Shapes to order. Colors, Red, Black and Gray.SEND FOR CATALOGUE AND PRICES. wiLmNCG?oN,:DEL. THE STANDARD ELECTRICAL INSULATING MATERIAL OF THE WORLD, u deTsTn. ESTABLISHED 1873. SOLE MANUFACTURERS OF Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-street-railway-journal-f-orange-n-j-ceo-l-fowler-consulting-mechanical-engineer-room-27-no-53-broadwaynew-york-especial-attention-paid-to-estimates-designs-and-superintendence-of-constructlon-of-new-electric-power-and-cable-plants-for-street-railways-and-theresting-for-efficiency-of-those-alrendv-in-oiwrntlnn-vulcanized-fibre-co-in-sheets-tubes-rods-sticks-and-special-shapes-to-order-colors-red-black-and-graysend-for-catalogue-and-prices-wilmncgondel-the-standard-electrical-insulating-material-of-the-world-u-detstn-established-1873-sole-manufacturers-of-image375713439.htmlRM2CR7693–. The Street railway journal . F. ORANGE. N. J. CEO. L. FOWLER, Consulting Mechanical Engineer, Room 27, No. 53 Broadway,NEW YORK. Especial attention paid to Estimates, Designs and Superintendence of Constructlon of new Electric Power and Cable Plants for Street Railways, and theresting- for efficiency of those alrendv In oiwrn.tlnn. VULCANIZED FIBRE CO. In Sheets, Tubes, Rods, Sticks and Special Shapes to order. Colors, Red, Black and Gray.SEND FOR CATALOGUE AND PRICES. wiLmNCG?oN,:DEL. THE STANDARD ELECTRICAL INSULATING MATERIAL OF THE WORLD, u deTsTn. ESTABLISHED 1873. SOLE MANUFACTURERS OF
Wolken.Leaf 47 Verso from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wolkenleaf-47-verso-from-a-sketchbook-with-53-sheets-image414408430.htmlRM2F25X52–Wolken.Leaf 47 Verso from a sketchbook with 53 sheets.
Sheet 6 verso and 7 recto from a sketchbook with 53 sheets, Trees, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-6-verso-and-7-recto-from-a-sketchbook-with-53-sheets-trees-anton-mauve-1848-1888-image454344674.htmlRM2HB557E–Sheet 6 verso and 7 recto from a sketchbook with 53 sheets, Trees, Anton Mauve, 1848 - 1888
. American engineer and railroad journal . it has been taken by the thrust of the rails uponthe flanges of the wheels. The springs are I..) m. (4 ft. 11 in.) long between thehangers. Those at the front and center are formed of lljleaves of steel 100 x 12 mm. (3.937 X .47 in.), the back springsbeing composed of 17 leaves. These springs are made with-out any camber, and are usually convex when loaded. The 13 mm. (.5 in.) thick for the outer case of the firebox, and of13.5 mm. (..53 in.) for the shell-sheets, which are subjected toflanging and are of No. .5 iron. The Wilsons safety valves are use Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/american-engineer-and-railroad-journal-it-has-been-taken-by-the-thrust-of-the-rails-uponthe-flanges-of-the-wheels-the-springs-are-i-m-4-ft-11-in-long-between-thehangers-those-at-the-front-and-center-are-formed-of-lljleaves-of-steel-100-x-12-mm-3937-x-47-in-the-back-springsbeing-composed-of-17-leaves-these-springs-are-made-with-out-any-camber-and-are-usually-convex-when-loaded-the-13-mm-5-in-thick-for-the-outer-case-of-the-firebox-and-of135-mm-53-in-for-the-shell-sheets-which-are-subjected-toflanging-and-are-of-no-5-iron-the-wilsons-safety-valves-are-use-image375882240.htmlRM2CREWHM–. American engineer and railroad journal . it has been taken by the thrust of the rails uponthe flanges of the wheels. The springs are I..) m. (4 ft. 11 in.) long between thehangers. Those at the front and center are formed of lljleaves of steel 100 x 12 mm. (3.937 X .47 in.), the back springsbeing composed of 17 leaves. These springs are made with-out any camber, and are usually convex when loaded. The 13 mm. (.5 in.) thick for the outer case of the firebox, and of13.5 mm. (..53 in.) for the shell-sheets, which are subjected toflanging and are of No. .5 iron. The Wilsons safety valves are use
Landbouwgrond.Leaf 12 Recto from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landbouwgrondleaf-12-recto-from-a-sketchbook-with-53-sheets-image414449084.htmlRM2F27P10–Landbouwgrond.Leaf 12 Recto from a sketchbook with 53 sheets.
Sheet 21 recto from a sketchbook with 53 sheets, Shepherd with a flock of sheep, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-21-recto-from-a-sketchbook-with-53-sheets-shepherd-with-a-flock-of-sheep-anton-mauve-1848-1888-image454344717.htmlRM2HB5591–Sheet 21 recto from a sketchbook with 53 sheets, Shepherd with a flock of sheep, Anton Mauve, 1848 - 1888
. Sheet metal workers' manual; a complete, practical instruction book on the sheet metal industry, machinery and tools, and related subjects, including the oxy-acetylen welding and cutting process . BackGears 1 Wiring Roll Gauge Figure 53.—Heavy Turning and Wiring Machine. 4 to 1. It has a pulley for power drive, and a hand crankfitted to the pulley shaft, which permits the operation ofthe machine with a belt or by hand. The wiring and turning rolls fitted to this machinemeasure only 2y2 inches diameter, offering a very prac-tical means for the wiring of flat sheets irregular in 92 SHEET METAL Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-metal-workers-manual-a-complete-practical-instruction-book-on-the-sheet-metal-industry-machinery-and-tools-and-related-subjects-including-the-oxy-acetylen-welding-and-cutting-process-backgears-1-wiring-roll-gauge-figure-53heavy-turning-and-wiring-machine-4-to-1-it-has-a-pulley-for-power-drive-and-a-hand-crankfitted-to-the-pulley-shaft-which-permits-the-operation-ofthe-machine-with-a-belt-or-by-hand-the-wiring-and-turning-rolls-fitted-to-this-machinemeasure-only-2y2-inches-diameter-offering-a-very-prac-tical-means-for-the-wiring-of-flat-sheets-irregular-in-92-sheet-metal-image372524484.htmlRM2CJ1XNT–. Sheet metal workers' manual; a complete, practical instruction book on the sheet metal industry, machinery and tools, and related subjects, including the oxy-acetylen welding and cutting process . BackGears 1 Wiring Roll Gauge Figure 53.—Heavy Turning and Wiring Machine. 4 to 1. It has a pulley for power drive, and a hand crankfitted to the pulley shaft, which permits the operation ofthe machine with a belt or by hand. The wiring and turning rolls fitted to this machinemeasure only 2y2 inches diameter, offering a very prac-tical means for the wiring of flat sheets irregular in 92 SHEET METAL
Boomstammen.Leaf 35 Recto from a sketchbook with 53 sheets. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boomstammenleaf-35-recto-from-a-sketchbook-with-53-sheets-image414433100.htmlRM2F271J4–Boomstammen.Leaf 35 Recto from a sketchbook with 53 sheets.
Sheet 18 recto from a sketchbook with 53 sheets, seascape with a sailing ship, Anton Mauve, 1848 - 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-18-recto-from-a-sketchbook-with-53-sheets-seascape-with-a-sailing-ship-anton-mauve-1848-1888-image454344721.htmlRM2HB5595–Sheet 18 recto from a sketchbook with 53 sheets, seascape with a sailing ship, Anton Mauve, 1848 - 1888
![. The potter's craft: a practical guide for the studio and workshop . N © Fig. 6. Vase with foot piece and template. A Vase. B Spare. C Footpiece. D D Templates. N N N N Natches. These slabs or sheets of plaster are always useful andif a sheet of glass is kept handy any excess of plasterleft from a mixing may be poured on to it. This uponsetting is easily detached and will present a smooth [53] The Potters Craft face where it has rested on the glass. The pair of tem-plates must include, in their outline, both the spareand the foot piece but should not extend beyond eitherof these. The outside Stock Photo](https://c8.alamy.com/comp/2CDEMY8/the-potters-craft-a-practical-guide-for-the-studio-and-workshop-n-fig-6-vase-with-foot-piece-and-template-a-vase-b-spare-c-footpiece-d-d-templates-n-n-n-n-natches-these-slabs-or-sheets-of-plaster-are-always-useful-andif-a-sheet-of-glass-is-kept-handy-any-excess-of-plasterleft-from-a-mixing-may-be-poured-on-to-it-this-uponsetting-is-easily-detached-and-will-present-a-smooth-53-the-potters-craft-face-where-it-has-rested-on-the-glass-the-pair-of-tem-plates-must-include-in-their-outline-both-the-spareand-the-foot-piece-but-should-not-extend-beyond-eitherof-these-the-outside-2CDEMY8.jpg ". The potter's craft: a practical guide for the studio and workshop . N © Fig. 6. Vase with foot piece and template. A Vase. B Spare. C Footpiece. D D Templates. N N N N Natches. These slabs or sheets of plaster are always useful andif a sheet of glass is kept handy any excess of plasterleft from a mixing may be poured on to it. This uponsetting is easily detached and will present a smooth [53] The Potters Craft face where it has rested on the glass. The pair of tem-plates must include, in their outline, both the spareand the foot piece but should not extend beyond eitherof these. The outside Stock Photo")
. The potter's craft: a practical guide for the studio and workshop . N © Fig. 6. Vase with foot piece and template. A Vase. B Spare. C Footpiece. D D Templates. N N N N Natches. These slabs or sheets of plaster are always useful andif a sheet of glass is kept handy any excess of plasterleft from a mixing may be poured on to it. This uponsetting is easily detached and will present a smooth [53] The Potters Craft face where it has rested on the glass. The pair of tem-plates must include, in their outline, both the spareand the foot piece but should not extend beyond eitherof these. The outside Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-potters-craft-a-practical-guide-for-the-studio-and-workshop-n-fig-6-vase-with-foot-piece-and-template-a-vase-b-spare-c-footpiece-d-d-templates-n-n-n-n-natches-these-slabs-or-sheets-of-plaster-are-always-useful-andif-a-sheet-of-glass-is-kept-handy-any-excess-of-plasterleft-from-a-mixing-may-be-poured-on-to-it-this-uponsetting-is-easily-detached-and-will-present-a-smooth-53-the-potters-craft-face-where-it-has-rested-on-the-glass-the-pair-of-tem-plates-must-include-in-their-outline-both-the-spareand-the-foot-piece-but-should-not-extend-beyond-eitherof-these-the-outside-image369732028.htmlRM2CDEMY8–. The potter's craft: a practical guide for the studio and workshop . N © Fig. 6. Vase with foot piece and template. A Vase. B Spare. C Footpiece. D D Templates. N N N N Natches. These slabs or sheets of plaster are always useful andif a sheet of glass is kept handy any excess of plasterleft from a mixing may be poured on to it. This uponsetting is easily detached and will present a smooth [53] The Potters Craft face where it has rested on the glass. The pair of tem-plates must include, in their outline, both the spareand the foot piece but should not extend beyond eitherof these. The outside
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