50 8 61 cm hi-res stock photography and images

Art inspired by Victorian Interior I, 1945, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Horace Pippin (American, West Chester, Pennsylvania 1888–1946 West Chester, Pennsylvania, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0DJ8–Art inspired by Victorian Interior I, 1945, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Horace Pippin (American, West Chester, Pennsylvania 1888–1946 West Chester, Pennsylvania, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

François Boucher, French, 1703–1770, Laundresses in a Landscape, 1760, Oil on canvas, 19 7/8 x 24 in. (50.5 x 61 cm Stock Photo

RM2B0GYC4–François Boucher, French, 1703–1770, Laundresses in a Landscape, 1760, Oil on canvas, 19 7/8 x 24 in. (50.5 x 61 cm

Art inspired by Winter: Cat on a Cushion, 1909, Color lithograph, sheet: 20 x 24 in. (50.8 x 61 cm), Prints, Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859–1923 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5N93–Art inspired by Winter: Cat on a Cushion, 1909, Color lithograph, sheet: 20 x 24 in. (50.8 x 61 cm), Prints, Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859–1923 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Alexander Johnston, Portrait of Nathaniel Hawthorne, ca. 1886, oil on canvas, 24 1/8 in. x 20 in. (61.28 cm x 50.8 cm Stock Photo

RM2B0BX7D–Alexander Johnston, Portrait of Nathaniel Hawthorne, ca. 1886, oil on canvas, 24 1/8 in. x 20 in. (61.28 cm x 50.8 cm

Art inspired by The Sea, 1865 or later, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), During successive sojourns at Trouville in the mid-1860s, Courbet fully developed the pictorial vocabulary that he used for his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY0WE–Art inspired by The Sea, 1865 or later, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), During successive sojourns at Trouville in the mid-1860s, Courbet fully developed the pictorial vocabulary that he used for his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Sea. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 20 x 24 in. (50.8 x 61 cm). Date: 1865 or later. During successive sojourns at Trouville in the mid-1860s, Courbet fully developed the pictorial vocabulary that he used for his distinctive minimalist views of the sea and sky under different conditions of light and weather. This 'sea landscape' (<i>paysage de mer</i>), as he called such works, may have been painted along the Normandy coast between 1865 and 1867, or it may be a later studio repetition. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0CDK–The Sea. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 20 x 24 in. (50.8 x 61 cm). Date: 1865 or later. During successive sojourns at Trouville in the mid-1860s, Courbet fully developed the pictorial vocabulary that he used for his distinctive minimalist views of the sea and sky under different conditions of light and weather. This 'sea landscape' (<i>paysage de mer</i>), as he called such works, may have been painted along the Normandy coast between 1865 and 1867, or it may be a later studio repetition. Museum: Metropolitan Museum of Art, New York, USA.

'fine arts, Hooch, Pieter de, (1629 - 1684), painting, 'the sleeping room', 1658 - 1660, oil on canvas, 50,8 cm x 61 cm, state Stock Photo

RMAMDKWK–'fine arts, Hooch, Pieter de, (1629 - 1684), painting, 'the sleeping room', 1658 - 1660, oil on canvas, 50,8 cm x 61 cm, state

English: The Letter. Signed and dated Harold Harvey.37 Oil on canvas, 61 x 50.8 cm . 1937 29 Harold Harvey The Letter 1937 Stock Photo

RMP78YR9–English: The Letter. Signed and dated Harold Harvey.37 Oil on canvas, 61 x 50.8 cm . 1937 29 Harold Harvey The Letter 1937

MELROSE ABBEY. Author Lewis, Frederick Christian 50.92.b. Place of publication: [London] Publisher: Publish'd as the Act directs Augst 1809 by W. Wilson 53 Paddington St Baker St London., Date of publication: [August 1809] Item type: 1 print Medium: aquatint and etching Dimensions: sheet 47.8 x 61.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F53F–MELROSE ABBEY. Author Lewis, Frederick Christian 50.92.b. Place of publication: [London] Publisher: Publish'd as the Act directs Augst 1809 by W. Wilson 53 Paddington St Baker St London., Date of publication: [August 1809] Item type: 1 print Medium: aquatint and etching Dimensions: sheet 47.8 x 61.2 cm Former owner: George III, King of Great Britain, 1738-1820

A poster advertising 'Der Soldat zwischen Alpen und Donau' Farbige Darstellung eines Soldatenkopfes mit Stahlhelm, am Unterrand 'Wort- und Bildberichte aus dem VII. Armeekorps'. Gefaltet, unten beschnitten, Maße 50 x 40,5 cm. Dazu 'Der Führer sprach am 8. November 1942', Portrait Hitlers am Rednerpult, daneben Redeauszug, gefaltet, auf Hartkarton aufgezogen, Maße 40,5 x 58,5 cm. Außerdem ein Nachdruck eines französischen Propagandaplakats der Waffen-SS 'Avec tes camarades européens sous le signe SS tu vaincras!', Maße 61 x 91,5 cm. historic, historical, 20th century, Editorial-Use-Only Stock Photo

RMTAAHBA–A poster advertising 'Der Soldat zwischen Alpen und Donau' Farbige Darstellung eines Soldatenkopfes mit Stahlhelm, am Unterrand 'Wort- und Bildberichte aus dem VII. Armeekorps'. Gefaltet, unten beschnitten, Maße 50 x 40,5 cm. Dazu 'Der Führer sprach am 8. November 1942', Portrait Hitlers am Rednerpult, daneben Redeauszug, gefaltet, auf Hartkarton aufgezogen, Maße 40,5 x 58,5 cm. Außerdem ein Nachdruck eines französischen Propagandaplakats der Waffen-SS 'Avec tes camarades européens sous le signe SS tu vaincras!', Maße 61 x 91,5 cm. historic, historical, 20th century, Editorial-Use-Only

Portrait of Anthony Valabrègue; Paul Cézanne, French, 1839 - 1906; 1869 - 1871; Oil on canvas; Unframed: 60 x 50.2 cm (23 5/8 x Stock Photo

RME74J65–Portrait of Anthony Valabrègue; Paul Cézanne, French, 1839 - 1906; 1869 - 1871; Oil on canvas; Unframed: 60 x 50.2 cm (23 5/8 x

Auguste Renoir 1841-1919. Young woman with a veil. about. 1875. oil painting on canvas cm 61,3 x 50,8. Stock Photo

RM2CTGYAW–Auguste Renoir 1841-1919. Young woman with a veil. about. 1875. oil painting on canvas cm 61,3 x 50,8.

Renoir Auguste - Private Collection - L'ombrelle - 1878 - Oil on canvas 61,9 x 50,8 cm Stock Photo

RF2HGKDN8–Renoir Auguste - Private Collection - L'ombrelle - 1878 - Oil on canvas 61,9 x 50,8 cm

Frieze (USA); Manufactured by Hobbs, Benton & Heath; machine-printed paper; 156.5 x 50 cm (61 5/8 x 19 11/16 in.) Stock Photo

RM2PME0T4–Frieze (USA); Manufactured by Hobbs, Benton & Heath; machine-printed paper; 156.5 x 50 cm (61 5/8 x 19 11/16 in.)

Zandomeneghi Federico - Private Collection - Madre e figlia - 1879 - Oil on canvas 61 x 50,8 cm Stock Photo

RF2HGKDH9–Zandomeneghi Federico - Private Collection - Madre e figlia - 1879 - Oil on canvas 61 x 50,8 cm

'Henri-Charles Guérard, Fan with Poppies, c. 1890, gouache on blue silk, partially faded, with pieces of paper residue marking the edges of the fan shape, overall: 33.4 × 61 cm (13 1/8 × 24 in.), Gift of Pia Gallo in honor of Andrew Robison, 2017.50.1' Stock Photo

RM2REFBNP–'Henri-Charles Guérard, Fan with Poppies, c. 1890, gouache on blue silk, partially faded, with pieces of paper residue marking the edges of the fan shape, overall: 33.4 × 61 cm (13 1/8 × 24 in.), Gift of Pia Gallo in honor of Andrew Robison, 2017.50.1'

Peasants outside an Inn - no date - Oil on canvas 50,8 x 61 cm - Turner Joseph Mallord William Stock Photo

RF2HGM207–Peasants outside an Inn - no date - Oil on canvas 50,8 x 61 cm - Turner Joseph Mallord William

Jakarta, Jakarta, Indonesia. 7th Sep, 2016. The release of primates Javan (Presbytis comata) back to their natural habitat in the forest area of western Java. Surili returned a species endemic to West Java and some parts of Central Java is an animal that is rare and need to be protected and preserved its existence .Surili known as primates sensitive and shy has the shape and body size ranges between 42-61 cm. Proportionally tail Surili generally longer than the body length ranging from 50-85 cm. Surili adult body weight on average between 5-8 kg and have a body color of gray on the back Stock Photo

RMGRGNR8–Jakarta, Jakarta, Indonesia. 7th Sep, 2016. The release of primates Javan (Presbytis comata) back to their natural habitat in the forest area of western Java. Surili returned a species endemic to West Java and some parts of Central Java is an animal that is rare and need to be protected and preserved its existence .Surili known as primates sensitive and shy has the shape and body size ranges between 42-61 cm. Proportionally tail Surili generally longer than the body length ranging from 50-85 cm. Surili adult body weight on average between 5-8 kg and have a body color of gray on the back

Nini in the Garden - Nini Lopez - 1876 - Oil on canvas 61,9 x 50,8 cm - Renoir Auguste Stock Photo

RF2HGKCYX–Nini in the Garden - Nini Lopez - 1876 - Oil on canvas 61,9 x 50,8 cm - Renoir Auguste

an Baptist Weenix, Dutch (active Amsterdam, Rome, and Utrecht), 1621-1660/61 -- Rest on the Flight into Egypt 1647-50. 55.2 x 50.8 cm Stock Photo

RF2RB3HM3–an Baptist Weenix, Dutch (active Amsterdam, Rome, and Utrecht), 1621-1660/61 -- Rest on the Flight into Egypt 1647-50. 55.2 x 50.8 cm

Jeune femme à la voilette - 1875c. - Oil on canvas 61,3 x 50,8 cm - Renoir Auguste Stock Photo

RF2HBTJCT–Jeune femme à la voilette - 1875c. - Oil on canvas 61,3 x 50,8 cm - Renoir Auguste

Armchair MET 191549 234 Maker: Attributed to the Workshop of Duncan Phyfe, 1770?1854, Armchair, ca. 1835, Rosewood, 33 1/4 x 24 x 20 in. (84.5 x 61 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1969 (69.175) Stock Photo

RMKNDFH1–Armchair MET 191549 234 Maker: Attributed to the Workshop of Duncan Phyfe, 1770?1854, Armchair, ca. 1835, Rosewood, 33 1/4 x 24 x 20 in. (84.5 x 61 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1969 (69.175)

Charles Loring Elliott, Mathew B. Brady, American, Charles Loring Elliott (1812–1868), 1857, American, Oil on canvas, 24 x 20 in. (61 x 50.8 cm), Paintings Stock Photo

RM2B0M3D3–Charles Loring Elliott, Mathew B. Brady, American, Charles Loring Elliott (1812–1868), 1857, American, Oil on canvas, 24 x 20 in. (61 x 50.8 cm), Paintings

Art inspired by Christ Asleep during the Tempest, ca. 1853, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Delacroix painted at least six versions of this New Testament lesson in faith: when awakened by his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8GEP–Art inspired by Christ Asleep during the Tempest, ca. 1853, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Delacroix painted at least six versions of this New Testament lesson in faith: when awakened by his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Jean-Augustin Franquelin, French, 1798–1839, Reading to the Convalescent, c. 1827, Oil on canvas, 24 1/8 x 19 13/16 in. (61.3 x 50.4 cm Stock Photo

RM2B0GM8M–Jean-Augustin Franquelin, French, 1798–1839, Reading to the Convalescent, c. 1827, Oil on canvas, 24 1/8 x 19 13/16 in. (61.3 x 50.4 cm

$View of Saint-Valéry-sur-Somme. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 20 x 24 in. (50.8 x 61 cm). Date: 1896-98. Degas's provençal painting of Saint-Valéry-sur-Somme, a medieval town on the Picardy coast northwest of Paris, surveys the site from an elevated vantage point, lending a view of rooftops and façades as well as backyards and gardens. This landscape was not painted on site, but later in the artist's studio where he experimented with the structure of his many pictures of Saint-Valéry-sur-Somme. The particularly ambiguous foreground and fractured elements in Stock Photo$

RMPB0MP2–View of Saint-Valéry-sur-Somme. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 20 x 24 in. (50.8 x 61 cm). Date: 1896-98. Degas's provençal painting of Saint-Valéry-sur-Somme, a medieval town on the Picardy coast northwest of Paris, surveys the site from an elevated vantage point, lending a view of rooftops and façades as well as backyards and gardens. This landscape was not painted on site, but later in the artist's studio where he experimented with the structure of his many pictures of Saint-Valéry-sur-Somme. The particularly ambiguous foreground and fractured elements in

Chair seat covers (set of four), French, 18th century, French, Linen, wool, a: L. 20 x W. 24 inches (50.8 x 61 cm); b: L. 19 x 23-1/2 inches (48.3 x 59.7 cm); c: L. 21 x 23-3/4 inches (53.3 x 59.7 cm); d: L. 18 x 22-3/4 inches (45.7 x 57.2 cm), Textiles-Embroidered Stock Photo

RM2B0JJA2–Chair seat covers (set of four), French, 18th century, French, Linen, wool, a: L. 20 x W. 24 inches (50.8 x 61 cm); b: L. 19 x 23-1/2 inches (48.3 x 59.7 cm); c: L. 21 x 23-3/4 inches (53.3 x 59.7 cm); d: L. 18 x 22-3/4 inches (45.7 x 57.2 cm), Textiles-Embroidered

. Español: óleo sobre lienzo - 61 cm. x 50,8 cm. - City of Edinburgh Council . circa 1895. George Henry-(1858-1943) George Henry-Amapolas Stock Photo

RMMMMHMY–. Español: óleo sobre lienzo - 61 cm. x 50,8 cm. - City of Edinburgh Council . circa 1895. George Henry-(1858-1943) George Henry-Amapolas

NETLEY ABBEY, HANTS. Author Harraden, J. B. 14.83.h. Place of publication: [Cambridge] Publisher: Pubolished by R. Harraden , Son, Cambridge, Date of publication: 1814. Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 37.8 x 50.6 cm, on sheet 42.8 x 61.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9H2AK–NETLEY ABBEY, HANTS. Author Harraden, J. B. 14.83.h. Place of publication: [Cambridge] Publisher: Pubolished by R. Harraden , Son, Cambridge, Date of publication: 1814. Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 37.8 x 50.6 cm, on sheet 42.8 x 61.1 cm Former owner: George III, King of Great Britain, 1738-1820

Renoir Auguste - Private Collection - The Return of the Boating Party - 1862 - Oil on canvas 50,8 x 61,6 cm Stock Photo

RF2HGM1KP–Renoir Auguste - Private Collection - The Return of the Boating Party - 1862 - Oil on canvas 50,8 x 61,6 cm

A Roman Feast; Roberto Bompiani, Italian (Roman), 1821 - 1908; late 19th century; Oil on canvas Stock Photo

RME74J61–A Roman Feast; Roberto Bompiani, Italian (Roman), 1821 - 1908; late 19th century; Oil on canvas

Boat Building Near Flatford Mill - 1815c. - oil on canvas 50.8 x 61.6 cm - Constable John Stock Photo

RF2HGM2M3–Boat Building Near Flatford Mill - 1815c. - oil on canvas 50.8 x 61.6 cm - Constable John

Drawing, Mrs. Levicz as Peace, Study for 'Justice and Peace'; Daniel Huntington (American, 1816–1906); USA; charcoal and white chalk on grey laid paper; 48.2 × 61.3 cm (19 × 24 1/8 in.); Bequest of Erskine Hewitt; 1942-50-40 Stock Photo

RM2PMJPA3–Drawing, Mrs. Levicz as Peace, Study for 'Justice and Peace'; Daniel Huntington (American, 1816–1906); USA; charcoal and white chalk on grey laid paper; 48.2 × 61.3 cm (19 × 24 1/8 in.); Bequest of Erskine Hewitt; 1942-50-40

Kaemmerer Frederik Hendrik - Private Collection - During the directoire - no date - Oil on canvas 61,9 x 50,8 cm Stock Photo

RF2HBTGNX–Kaemmerer Frederik Hendrik - Private Collection - During the directoire - no date - Oil on canvas 61,9 x 50,8 cm

Flower Pot And Stand (Netherlands); Manufactured by Vergulde Astonnekens [de 3] (3 Golden Ash Barrels); tin-glazed earthenware; 15.2 x 13 x 13 cm (6 x 5 1/8 x 5 1/8 in.); Bequest of Walter Phelps Warren; 1986-61-50-a,b Stock Photo

RM2PMMG7T–Flower Pot And Stand (Netherlands); Manufactured by Vergulde Astonnekens [de 3] (3 Golden Ash Barrels); tin-glazed earthenware; 15.2 x 13 x 13 cm (6 x 5 1/8 x 5 1/8 in.); Bequest of Walter Phelps Warren; 1986-61-50-a,b

Hassam Childe - Private Collection - Sailing on Calm Seas - 1900 - Oil on canvas 50,8 x 61,6 cm Stock Photo

RF2HBW015–Hassam Childe - Private Collection - Sailing on Calm Seas - 1900 - Oil on canvas 50,8 x 61,6 cm

Fragment (England); Company: Shoolbreds & Co.; cotton; Warp x Weft: 10.5 x 61 cm (4 1/8 x 24 in.) H x W (arranged as a half-drop): 4 × 3 cm (1 9/16 × 1 3/16 in.); Bequest of Elinor Merrell; 1995-50-18 Stock Photo

RM2PMCK9T–Fragment (England); Company: Shoolbreds & Co.; cotton; Warp x Weft: 10.5 x 61 cm (4 1/8 x 24 in.) H x W (arranged as a half-drop): 4 × 3 cm (1 9/16 × 1 3/16 in.); Bequest of Elinor Merrell; 1995-50-18

Bowl of Fruit and Tankard before a Window - 1890c. - Oil on canvas 50,8 x 61,6 cm - Gauguin Paul Stock Photo

RF2HGM1JP–Bowl of Fruit and Tankard before a Window - 1890c. - Oil on canvas 50,8 x 61,6 cm - Gauguin Paul

RMGRGNPW–Jakarta, Jakarta, Indonesia. 7th Sep, 2016. The release of primates Javan (Presbytis comata) back to their natural habitat in the forest area of western Java. Surili returned a species endemic to West Java and some parts of Central Java is an animal that is rare and need to be protected and preserved its existence .Surili known as primates sensitive and shy has the shape and body size ranges between 42-61 cm. Proportionally tail Surili generally longer than the body length ranging from 50-85 cm. Surili adult body weight on average between 5-8 kg and have a body color of gray on the back

Archive image from page 116 of Designing an optimum protected areas. Designing an optimum protected areas system for Sri Lanka's natural forests. Volume 1 . designingoptimum01iucn Year: 1997 Natural Forests of Sri Lanka KEY â MANGROVE ?:- RIVERINE DRY FOREST CLOSED CANOPY FOREST DRY MONSOON FOREST LOWLAND RAIN FOREST â MOIST MONSOON FOREST SUB-MONTANE FOREST MONTANE FOREST DESIGNATED AREAS ' WILDLIFE SECTOR i I FOREST SECTOR 82 ftYijaction Lambert Azimulhal, CM 61 dogreee. Lat of Centre Proj 8 degrees 50 100km February 1997 Figure 6.6 Designated areas superimposed on the l:50,000-scale f Stock Photo

RMW155J2–Archive image from page 116 of Designing an optimum protected areas. Designing an optimum protected areas system for Sri Lanka's natural forests. Volume 1 . designingoptimum01iucn Year: 1997 Natural Forests of Sri Lanka KEY â MANGROVE ?:- RIVERINE DRY FOREST CLOSED CANOPY FOREST DRY MONSOON FOREST LOWLAND RAIN FOREST â MOIST MONSOON FOREST SUB-MONTANE FOREST MONTANE FOREST DESIGNATED AREAS ' WILDLIFE SECTOR i I FOREST SECTOR 82 ftYijaction Lambert Azimulhal, CM 61 dogreee. Lat of Centre Proj 8 degrees 50 100km February 1997 Figure 6.6 Designated areas superimposed on the l:50,000-scale f

. Designing an optimum protected areas system for Sri Lanka's natural forests. Volume 1. Natural Forests of Sri Lanka KEY â MANGROVE ?:- RIVERINE DRY FOREST CLOSED CANOPY FOREST DRY MONSOON FOREST ^ LOWLAND RAIN FOREST â MOIST MONSOON FOREST ^ SUB-MONTANE FOREST MONTANE FOREST DESIGNATED AREAS ' WILDLIFE SECTOR i I FOREST SECTOR. 82 ftYijaction Lambert Azimulhal, CM 61 dogreee. Lat of Centre Proj 8 degrees 50 100km February 1997 Figure 6.6 Designated areas superimposed on the l:50,000-scale forest map of Sri Lanka (Legg and Jewell, 1995). 105. Please note that these images are extracted from s Stock Photo

RMPFAK64–. Designing an optimum protected areas system for Sri Lanka's natural forests. Volume 1. Natural Forests of Sri Lanka KEY â MANGROVE ?:- RIVERINE DRY FOREST CLOSED CANOPY FOREST DRY MONSOON FOREST ^ LOWLAND RAIN FOREST â MOIST MONSOON FOREST ^ SUB-MONTANE FOREST MONTANE FOREST DESIGNATED AREAS ' WILDLIFE SECTOR i I FOREST SECTOR. 82 ftYijaction Lambert Azimulhal, CM 61 dogreee. Lat of Centre Proj 8 degrees 50 100km February 1997 Figure 6.6 Designated areas superimposed on the l:50,000-scale forest map of Sri Lanka (Legg and Jewell, 1995). 105. Please note that these images are extracted from s

Art inspired by View of Saint-Valéry-sur-Somme, 1896–98, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Edgar Degas (French, Paris 1834–1917 Paris), Degas’s provençal painting of Saint-Valéry-sur-Somme, a medieval town on the Picardy coast northwest of Paris, surveys the site, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8RA3–Art inspired by View of Saint-Valéry-sur-Somme, 1896–98, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Edgar Degas (French, Paris 1834–1917 Paris), Degas’s provençal painting of Saint-Valéry-sur-Somme, a medieval town on the Picardy coast northwest of Paris, surveys the site, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Piece, 1835–45, British or American, Cotton, L. 20 x W. 24 inches (50.8 x 61.0 cm), Textiles-Printed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWAR2–Art inspired by Piece, 1835–45, British or American, Cotton, L. 20 x W. 24 inches (50.8 x 61.0 cm), Textiles-Printed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

William Maxwell Evarts, Philip Spooner Harris, American, 1824-1884, Oil on canvas, 1875, 24 x 20 in., 61 x 50.8 cm, 1875, american, American Painting, framed, male figure, man, oil on canvas, portrait, William Maxwell Evarts Stock Photo

RM2HB29J9–William Maxwell Evarts, Philip Spooner Harris, American, 1824-1884, Oil on canvas, 1875, 24 x 20 in., 61 x 50.8 cm, 1875, american, American Painting, framed, male figure, man, oil on canvas, portrait, William Maxwell Evarts

Art inspired by Ariadne, 1894, Oil on canvas, 24 x 20 in. (61 x 50.8 cm), Paintings, George Frederic Watts (British, London 1817–1904 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY451–Art inspired by Ariadne, 1894, Oil on canvas, 24 x 20 in. (61 x 50.8 cm), Paintings, George Frederic Watts (British, London 1817–1904 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Piece. Culture: British or American. Dimensions: L. 20 x W. 24 inches (50.8 x 61.0 cm). Date: 1835-45. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANH76–Piece. Culture: British or American. Dimensions: L. 20 x W. 24 inches (50.8 x 61.0 cm). Date: 1835-45. Museum: Metropolitan Museum of Art, New York, USA.

Inspired by William Maxwell Evarts, Philip Spooner Harris, American, 1824-1884, Oil on canvas, 1875, 24 x 20 in., 61 x 50.8 cm, 1875, american, American Painting, framed, male figure, man, oil on canvas, portrait, William Maxwell Evarts, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK572K–Inspired by William Maxwell Evarts, Philip Spooner Harris, American, 1824-1884, Oil on canvas, 1875, 24 x 20 in., 61 x 50.8 cm, 1875, american, American Painting, framed, male figure, man, oil on canvas, portrait, William Maxwell Evarts, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Français : Portrait of Madame Gely oil on board Height: 50.8 cm (20 in); Width: 61 cm (24 in). circa 1907 44 Frederick Carl Frieseke, 1907c - Madame Gely Stock Photo

RMP6DF60–Français : Portrait of Madame Gely oil on board Height: 50.8 cm (20 in); Width: 61 cm (24 in). circa 1907 44 Frederick Carl Frieseke, 1907c - Madame Gely

Art inspired by Baguette molding, 1740–50, French, Pine back frame with oak upper moldings., 198.2 x 76.5, 184 x 61.9, 189 x 66.8 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYG33–Art inspired by Baguette molding, 1740–50, French, Pine back frame with oak upper moldings., 198.2 x 76.5, 184 x 61.9, 189 x 66.8 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Queens College in the University of Cambridge. Author Malton, Thomas 8.61.b. Place of publication: [Cambridge , London] Publisher: Published Jan.y 1. 1800, by D. Hood Cambridge, , S. W. Fores, No.50 Piccadilly., Date of publication: [1800] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 40.6 x 55.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FM51–Queens College in the University of Cambridge. Author Malton, Thomas 8.61.b. Place of publication: [Cambridge , London] Publisher: Published Jan.y 1. 1800, by D. Hood Cambridge, , S. W. Fores, No.50 Piccadilly., Date of publication: [1800] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 40.6 x 55.6 cm. Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Five Cows, 1919, Oil on canvas, 20 x 24 1/8 in. (50.8 x 61.3 cm), Paintings, George Bellows (American, Columbus, Ohio 1882–1925 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0EPF–Art inspired by Five Cows, 1919, Oil on canvas, 20 x 24 1/8 in. (50.8 x 61.3 cm), Paintings, George Bellows (American, Columbus, Ohio 1882–1925 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Inspired by Head of a Boy, Joseph Frank Currier, American, 1843-1909, Oil on canvas, ca. 1878, 24 1/4 × 19 7/8 in., 61.6 × 50.5 cm, blacks, boy, brushstrokes, collar, copies, demented, face, Hals, hat, laughing, oil, painting, portrait, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4M4J–Inspired by Head of a Boy, Joseph Frank Currier, American, 1843-1909, Oil on canvas, ca. 1878, 24 1/4 × 19 7/8 in., 61.6 × 50.5 cm, blacks, boy, brushstrokes, collar, copies, demented, face, Hals, hat, laughing, oil, painting, portrait, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Fragments, Le demande en marriage; Manufactured by Favre Petitpierre (France); France; cotton; Warp x Weft (a): 35 x 61 cm (13 3/4 in. x 24 in.) Warp x Weft (b): 35 x 41 cm (13 3/4 x 16 1/8 in.); Bequest of Elinor Merrell; 1995-50-344-a,b Stock Photo

RM2PMF1DR–Fragments, Le demande en marriage; Manufactured by Favre Petitpierre (France); France; cotton; Warp x Weft (a): 35 x 61 cm (13 3/4 in. x 24 in.) Warp x Weft (b): 35 x 41 cm (13 3/4 x 16 1/8 in.); Bequest of Elinor Merrell; 1995-50-344-a,b

Art inspired by A Brook in the Forest, Oil on canvas, 19 7/8 x 24 1/8 in. (50.5 x 61.3 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY0PA–Art inspired by A Brook in the Forest, Oil on canvas, 19 7/8 x 24 1/8 in. (50.5 x 61.3 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMGRGNR4–Jakarta, Jakarta, Indonesia. 7th Sep, 2016. The release of primates Javan (Presbytis comata) back to their natural habitat in the forest area of western Java. Surili returned a species endemic to West Java and some parts of Central Java is an animal that is rare and need to be protected and preserved its existence .Surili known as primates sensitive and shy has the shape and body size ranges between 42-61 cm. Proportionally tail Surili generally longer than the body length ranging from 50-85 cm. Surili adult body weight on average between 5-8 kg and have a body color of gray on the back

Head of a Boy, Joseph Frank Currier, American, 1843-1909, Oil on canvas, ca. 1878, 24 1/4 × 19 7/8 in., 61.6 × 50.5 cm, blacks, boy, brushstrokes, collar, copies, demented, face, Hals, hat, laughing, oil, painting, portrait Stock Photo

RM2HB1W6K–Head of a Boy, Joseph Frank Currier, American, 1843-1909, Oil on canvas, ca. 1878, 24 1/4 × 19 7/8 in., 61.6 × 50.5 cm, blacks, boy, brushstrokes, collar, copies, demented, face, Hals, hat, laughing, oil, painting, portrait

Baguette molding, 1740–50, French, Pine back frame with oak upper moldings., 198.2 x 76.5, 184 x 61.9, 189 x 66.8 cm., Frames Stock Photo

RMKC573P–Baguette molding, 1740–50, French, Pine back frame with oak upper moldings., 198.2 x 76.5, 184 x 61.9, 189 x 66.8 cm., Frames

Dining Table. Culture: American, Shaker. Dimensions: 24 1/8 x 50 x 27 in. (61.3 x 127 x 68.6 cm). Date: 1800-1825. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB241B–Dining Table. Culture: American, Shaker. Dimensions: 24 1/8 x 50 x 27 in. (61.3 x 127 x 68.6 cm). Date: 1800-1825. Museum: Metropolitan Museum of Art, New York, USA.

Tilt-top Tea Table, 1840–50, Made in New England, United States, American, Pine, H. 29 3/8 in. (74.6 cm); Diam. 24 in. (61 cm Stock Photo

RMKC5X5J–Tilt-top Tea Table, 1840–50, Made in New England, United States, American, Pine, H. 29 3/8 in. (74.6 cm); Diam. 24 in. (61 cm

. English: 'Landscape at Vence' signé 'J. Marchand' oil on canvas 50 x 61 cm. (19 5/8 x 24 1/8) . 1927 313 Jean Marchand, Landscape at Vence, 1927 Stock Photo

RMMXB7F0–. English: 'Landscape at Vence' signé 'J. Marchand' oil on canvas 50 x 61 cm. (19 5/8 x 24 1/8) . 1927 313 Jean Marchand, Landscape at Vence, 1927

A Brook in the Forest, Oil on canvas, 19 7/8 x 24 1/8 in. (50.5 x 61.3 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 Stock Photo

RMKC7WT2–A Brook in the Forest, Oil on canvas, 19 7/8 x 24 1/8 in. (50.5 x 61.3 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877

VEDUTA IN VICENZA PRESA ALLA PARTE DEL QUARTIERO. Author Dall'Acqua, Cristoforo 79.50.a.8 Place of publication: [Vicenza?] Publisher: [publisher not identified] Date of publication: [between 1760 and 1772] Item type: 1 print Medium: etching and engraving Dimensions: platemark 36.5 x 61.5 cm, on sheet 48.5 x 66.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FKF1–VEDUTA IN VICENZA PRESA ALLA PARTE DEL QUARTIERO. Author Dall'Acqua, Cristoforo 79.50.a.8 Place of publication: [Vicenza?] Publisher: [publisher not identified] Date of publication: [between 1760 and 1772] Item type: 1 print Medium: etching and engraving Dimensions: platemark 36.5 x 61.5 cm, on sheet 48.5 x 66.7 cm Former owner: George III, King of Great Britain, 1738-1820

Jar with Women at Leisure, China, Qing dynasty (1644–1911), Shunzhi period (1644–61), Date mid-17th century, China, Porcelain painted with colored enamels over transparent glaze (Jingdezhen ware), H. with cover 19 7/8 in. (50.5 cm); Diam. at mouth 7 5/8 in. (19.4 cm), Ceramics Stock Photo

RM2B0MW41–Jar with Women at Leisure, China, Qing dynasty (1644–1911), Shunzhi period (1644–61), Date mid-17th century, China, Porcelain painted with colored enamels over transparent glaze (Jingdezhen ware), H. with cover 19 7/8 in. (50.5 cm); Diam. at mouth 7 5/8 in. (19.4 cm), Ceramics

Textile, La Chasse de Diane; Made by Dubey et Comp. (France); France; cotton; Warp x Weft (a): 202 × 66 cm (6 ft. 7 1/2 in. × 26 in.) Warp x Weft (b): 187 × 61 cm (6 ft. 1 5/8 in. × 24 in.) Repeat H: 102 cm (40 3/16 in.); Bequest of Elinor Merrell; 1995-50-101-a,b Stock Photo

RM2PMGK9T–Textile, La Chasse de Diane; Made by Dubey et Comp. (France); France; cotton; Warp x Weft (a): 202 × 66 cm (6 ft. 7 1/2 in. × 26 in.) Warp x Weft (b): 187 × 61 cm (6 ft. 1 5/8 in. × 24 in.) Repeat H: 102 cm (40 3/16 in.); Bequest of Elinor Merrell; 1995-50-101-a,b

Art inspired by Portrait of a Military Family, ca. 1789–90, Oil on canvas, 24 1/8 x 19 3/4 in. (61.3 x 50.2 cm), Paintings, early 19th century painter, possibly Jean Jacques Hauer (French, 1751–1829, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8RA1–Art inspired by Portrait of a Military Family, ca. 1789–90, Oil on canvas, 24 1/8 x 19 3/4 in. (61.3 x 50.2 cm), Paintings, early 19th century painter, possibly Jean Jacques Hauer (French, 1751–1829, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMGRGNRP–Jakarta, Jakarta, Indonesia. 7th Sep, 2016. The release of primates Javan (Presbytis comata) back to their natural habitat in the forest area of western Java. Surili returned a species endemic to West Java and some parts of Central Java is an animal that is rare and need to be protected and preserved its existence .Surili known as primates sensitive and shy has the shape and body size ranges between 42-61 cm. Proportionally tail Surili generally longer than the body length ranging from 50-85 cm. Surili adult body weight on average between 5-8 kg and have a body color of gray on the back

Art inspired by William Maxwell Evarts, Philip Spooner Harris, American, 1824-1884, Oil on canvas, 1875, 24 x 20 in., 61 x 50.8 cm, 1875, american, American Painting, framed, male figure, man, oil on canvas, portrait, William Maxwell Evarts, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKKAA5–Art inspired by William Maxwell Evarts, Philip Spooner Harris, American, 1824-1884, Oil on canvas, 1875, 24 x 20 in., 61 x 50.8 cm, 1875, american, American Painting, framed, male figure, man, oil on canvas, portrait, William Maxwell Evarts, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by After Sir Christopher Wren, 1920, Watercolor, gouache, and graphite on cardboard, 24 x 20 in. (61 x 50.8 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), Scofield Thayer, the donor of this work, was not only an avid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0DWB–Art inspired by After Sir Christopher Wren, 1920, Watercolor, gouache, and graphite on cardboard, 24 x 20 in. (61 x 50.8 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), Scofield Thayer, the donor of this work, was not only an avid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Five Cows. Artist: George Bellows (American, Columbus, Ohio 1882-1925 New York). Dimensions: 20 x 24 1/8 in. (50.8 x 61.3 cm). Date: 1919. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAPY18–Five Cows. Artist: George Bellows (American, Columbus, Ohio 1882-1925 New York). Dimensions: 20 x 24 1/8 in. (50.8 x 61.3 cm). Date: 1919. Museum: Metropolitan Museum of Art, New York, USA.

. English: 'Landscape at Vence' signé 'J. Marchand' oil on canvas 50 x 61 cm. (19 5/8 x 24 1/8) . 1927 271 Jean Marchand, Landscape at Vence, 1927 Stock Photo

RMMYGNK7–. English: 'Landscape at Vence' signé 'J. Marchand' oil on canvas 50 x 61 cm. (19 5/8 x 24 1/8) . 1927 271 Jean Marchand, Landscape at Vence, 1927

Veduta In Vicenza del Giardino de Sig.ri Coco Valmrana Al Castello. Author Dall'Acqua, Cristoforo 79.50.a.1 Place of publication: [Vicenza?] Publisher: [publisher not identified] Date of publication: [between 1760 and 1772] Item type: 1 print Medium: etching and engraving Dimensions: platemark 35.8 x 61 cm, on sheet 48.5 x 66.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FKF0–Veduta In Vicenza del Giardino de Sig.ri Coco Valmrana Al Castello. Author Dall'Acqua, Cristoforo 79.50.a.1 Place of publication: [Vicenza?] Publisher: [publisher not identified] Date of publication: [between 1760 and 1772] Item type: 1 print Medium: etching and engraving Dimensions: platemark 35.8 x 61 cm, on sheet 48.5 x 66.7 cm Former owner: George III, King of Great Britain, 1738-1820

Side chair, Italian, Lombardy or Venice, late 16th century and later, Italian, Lombardy or Venice, Walnut, .1: 49 x 25 x 22-1/2 in. (124.5 x 63.5 x 57.1 cm), .2: 48-5/8 x 24 x 21-1/2 in. (123.5 x 61.0 x 54.6 cm), .3: 46-3/8 x 20 x 18-1/8 in. (117.8 x 50.8 x 46.0 cm), .4: 48-1/8 x 20 x 18-1/4 in. (122.2 x 50.8 x 46.4 cm), .5: 45-1/8 x 20 x 19-3/4 in. (114.6 x 50.8 x 50.2 cm), .6: 45-3/4 x 20-1/4 x 18-1/4 in. (116.2 x 51.4 x 46.4 cm), Woodwork-Furniture Stock Photo

RM2B0H96D–Side chair, Italian, Lombardy or Venice, late 16th century and later, Italian, Lombardy or Venice, Walnut, .1: 49 x 25 x 22-1/2 in. (124.5 x 63.5 x 57.1 cm), .2: 48-5/8 x 24 x 21-1/2 in. (123.5 x 61.0 x 54.6 cm), .3: 46-3/8 x 20 x 18-1/8 in. (117.8 x 50.8 x 46.0 cm), .4: 48-1/8 x 20 x 18-1/4 in. (122.2 x 50.8 x 46.4 cm), .5: 45-1/8 x 20 x 19-3/4 in. (114.6 x 50.8 x 50.2 cm), .6: 45-3/4 x 20-1/4 x 18-1/4 in. (116.2 x 51.4 x 46.4 cm), Woodwork-Furniture

Knoblauch & Wex, Ritterstraße 61-65 residential buildings, Berlin: Knoblauch No. 62: View from Ritterstraße 1:50. Ink on paper, 67.2 x 50.8 cm (including scan edges) Stock Photo

RM2JN2CW5–Knoblauch & Wex, Ritterstraße 61-65 residential buildings, Berlin: Knoblauch No. 62: View from Ritterstraße 1:50. Ink on paper, 67.2 x 50.8 cm (including scan edges)

Victorian Interior I, 1945, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Horace Pippin (American, West Chester Stock Photo

RMKCC5J3–Victorian Interior I, 1945, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Horace Pippin (American, West Chester

Unknown architect, charging point on the Stralau bridge. Monthly competition March 1889 (03.1889): floor plan, longitudinal section, cross -section 1: 100, details 1:50, 1:20; 3 scale strips. Ink on cardboard, 61.8 x 46.9 cm (including scan edges) N.N. : Ladestelle an der Stralauer Brücke. Monatskonkurrenz März 1889 Stock Photo

RM2JMWK51–Unknown architect, charging point on the Stralau bridge. Monthly competition March 1889 (03.1889): floor plan, longitudinal section, cross -section 1: 100, details 1:50, 1:20; 3 scale strips. Ink on cardboard, 61.8 x 46.9 cm (including scan edges) N.N. : Ladestelle an der Stralauer Brücke. Monatskonkurrenz März 1889

The Sea, 1865 or later, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour Stock Photo

RMKCD6F3–The Sea, 1865 or later, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour

N.N., steamboat »Hertha«: cut 1:50. Lithograph on cardboard, 43.8 x 61.6 cm (including scan edges) Stock Photo

RM2JN25CJ–N.N., steamboat »Hertha«: cut 1:50. Lithograph on cardboard, 43.8 x 61.6 cm (including scan edges)

Rocaille cartouches with flowers, ca. 1735–50, French, probably Beauvais, Wool, silk (20-22 warps per inch, 8 per cm.), Back: H Stock Photo

RMKC43D3–Rocaille cartouches with flowers, ca. 1735–50, French, probably Beauvais, Wool, silk (20-22 warps per inch, 8 per cm.), Back: H

Art inspired by Machinery, 1920, Gouache and graphite on paperboard (Beaver Board), 24 x 19 7/8 in. (61 x 50.5 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), This painting was first shown in an exhibition of Demuth's works titled, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0EFN–Art inspired by Machinery, 1920, Gouache and graphite on paperboard (Beaver Board), 24 x 19 7/8 in. (61 x 50.5 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), This painting was first shown in an exhibition of Demuth's works titled, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

N.N., double screw steamer »Duisburg-Ruhrort«: cut 1:50. Lithograph on paper, 61.7 x 84.8 cm (including scan edges) Stock Photo

RM2JN26J1–N.N., double screw steamer »Duisburg-Ruhrort«: cut 1:50. Lithograph on paper, 61.7 x 84.8 cm (including scan edges)

Art inspired by Acorn Clock, 1847–50, Made in Bristol, Connecticut, United States, American, Mahogany, laminated, 24 3/8 x 14 5/8 x 5 1/8 in. (61.9 x 37.1 x 13 cm), Furniture, Forestville Manufacturing Company (1835–1853, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9G63–Art inspired by Acorn Clock, 1847–50, Made in Bristol, Connecticut, United States, American, Mahogany, laminated, 24 3/8 x 14 5/8 x 5 1/8 in. (61.9 x 37.1 x 13 cm), Furniture, Forestville Manufacturing Company (1835–1853, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Unknown architect, government presidential building, Gdansk (03.1907): ground floor ceiling training (1:50). Lithograph, 61.4 x 79.8 cm (including scan edges) Stock Photo

RM2JMNGKH–Unknown architect, government presidential building, Gdansk (03.1907): ground floor ceiling training (1:50). Lithograph, 61.4 x 79.8 cm (including scan edges)

Art inspired by Head of a Boy, Joseph Frank Currier, American, 1843-1909, Oil on canvas, ca. 1878, 24 1/4 × 19 7/8 in., 61.6 × 50.5 cm, blacks, boy, brushstrokes, collar, copies, demented, face, Hals, hat, laughing, oil, painting, portrait, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK32E–Art inspired by Head of a Boy, Joseph Frank Currier, American, 1843-1909, Oil on canvas, ca. 1878, 24 1/4 × 19 7/8 in., 61.6 × 50.5 cm, blacks, boy, brushstrokes, collar, copies, demented, face, Hals, hat, laughing, oil, painting, portrait, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

N.N., Steampahm I and II: floor plan, cuts 1: 100, 1:50. Lithograph on cardboard, 43.8 x 61.7 cm (including scan edges) Stock Photo

RM2JN26P5–N.N., Steampahm I and II: floor plan, cuts 1: 100, 1:50. Lithograph on cardboard, 43.8 x 61.7 cm (including scan edges)

Art inspired by Dutch Girl in White, 1907, Oil on canvas, 24 x 20 in. (61 x 50.8 cm), Paintings, Robert Henri (American, Cincinnati, Ohio 1865–1929 New York), Henri championed truth and vitality in life and art. He echoed in his paintings the dark palette and gestural brushwork of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2RG6–Art inspired by Dutch Girl in White, 1907, Oil on canvas, 24 x 20 in. (61 x 50.8 cm), Paintings, Robert Henri (American, Cincinnati, Ohio 1865–1929 New York), Henri championed truth and vitality in life and art. He echoed in his paintings the dark palette and gestural brushwork of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Picture. Culture: British. Dimensions: H. 20 x W. 24 x D. 1 inches (50.8 x 61.0 x D. 2.5 cm). Date: second quarter 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0EH9–Picture. Culture: British. Dimensions: H. 20 x W. 24 x D. 1 inches (50.8 x 61.0 x D. 2.5 cm). Date: second quarter 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Summer Flowers, 1880, Oil on canvas, 20 x 24 3/8 in. (50.8 x 61.9 cm), Paintings, Henri Fantin-Latour (French, Grenoble 1836–1904 Buré), The inscription in the upper-right-hand corner indicates that Fantin completed this painting in September 1880 at the village of Buré, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY4D0–Art inspired by Summer Flowers, 1880, Oil on canvas, 20 x 24 3/8 in. (50.8 x 61.9 cm), Paintings, Henri Fantin-Latour (French, Grenoble 1836–1904 Buré), The inscription in the upper-right-hand corner indicates that Fantin completed this painting in September 1880 at the village of Buré, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. English: 'Landscape at Vence' signé 'J. Marchand' oil on canvas 50 x 61 cm. (19 5/8 x 24 1/8) . 1927 312 Jean Marchand, Landscape at Vence, 1927 Stock Photo

RMMWFCY5–. English: 'Landscape at Vence' signé 'J. Marchand' oil on canvas 50 x 61 cm. (19 5/8 x 24 1/8) . 1927 312 Jean Marchand, Landscape at Vence, 1927

Art inspired by Armchair, ca. 1835, Made in New York, New York, United States, American, Rosewood, 33 1/4 x 24 x 20 in. (84.5 x 61 x 50.8 cm), Furniture, Attributed to the Workshop of Duncan Phyfe (1770–1854), This chair has been attributed to Duncan Phyfe on the basis of its, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9FK6–Art inspired by Armchair, ca. 1835, Made in New York, New York, United States, American, Rosewood, 33 1/4 x 24 x 20 in. (84.5 x 61 x 50.8 cm), Furniture, Attributed to the Workshop of Duncan Phyfe (1770–1854), This chair has been attributed to Duncan Phyfe on the basis of its, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

English: Portrait of Carl Sprinchorn by Robert Henri, 1910, oil on canvas, 24 x 20 in. (61 x 50.8 cm), Herbert F. Johnson Museum of Art . 1910 139 Portrait of Carl Sprinchorn by Robert Henri Stock Photo

RMP71R8F–English: Portrait of Carl Sprinchorn by Robert Henri, 1910, oil on canvas, 24 x 20 in. (61 x 50.8 cm), Herbert F. Johnson Museum of Art . 1910 139 Portrait of Carl Sprinchorn by Robert Henri

Art inspired by Nini in the Garden (Nini Lopez), 1876, Oil on canvas, 24 3/8 x 20 in. (61.9 x 50.8 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), Renoir's model, Nini Lopez, sits in the large garden adjacent to the artist's studio at 12 rue Cortot, in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8K4W–Art inspired by Nini in the Garden (Nini Lopez), 1876, Oil on canvas, 24 3/8 x 20 in. (61.9 x 50.8 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), Renoir's model, Nini Lopez, sits in the large garden adjacent to the artist's studio at 12 rue Cortot, in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. English: Robert Fulton, holding a watch fob in his right hand oil on canvas 61 x 50.8 cm. . 19th century. Circle of Thomas Sully (American, 1783-1872) 200 Robert Fulton - Circle of Thomas Sully Stock Photo

RMMY59D3–. English: Robert Fulton, holding a watch fob in his right hand oil on canvas 61 x 50.8 cm. . 19th century. Circle of Thomas Sully (American, 1783-1872) 200 Robert Fulton - Circle of Thomas Sully

Art inspired by Tilt-top Tea Table, 1840–50, Made in New England, United States, American, Pine, H. 29 3/8 in. (74.6 cm); Diam. 24 in. (61 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2H80–Art inspired by Tilt-top Tea Table, 1840–50, Made in New England, United States, American, Pine, H. 29 3/8 in. (74.6 cm); Diam. 24 in. (61 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Knoblauch Gustav (1833-1916), Corpshaus Guestphalia, Marburg: floor plan 2nd floor 1:50. Ink on transparent, 52.8 x 61.2 cm (including scan edges) Stock Photo

RM2JN2AHX–Knoblauch Gustav (1833-1916), Corpshaus Guestphalia, Marburg: floor plan 2nd floor 1:50. Ink on transparent, 52.8 x 61.2 cm (including scan edges)

Art inspired by Cassetta frame, ca. 1820 (Directoire style), French, Gilt oak, composition ornament, black varnish., 53.3 x 61, 43.1 x 50.8, 45.7 x 53.3 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYG47–Art inspired by Cassetta frame, ca. 1820 (Directoire style), French, Gilt oak, composition ornament, black varnish., 53.3 x 61, 43.1 x 50.8, 45.7 x 53.3 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Poelzig Hans (1869-1936), settlement project (1932-1933): Giebelhaus, 5 rooms, floor plans, average 1:50. Pencil on transparent, 56.8 x 61 cm (including scan edges) Stock Photo

RM2JMM4N4–Poelzig Hans (1869-1936), settlement project (1932-1933): Giebelhaus, 5 rooms, floor plans, average 1:50. Pencil on transparent, 56.8 x 61 cm (including scan edges)

Art inspired by Dining Table, 1800–1825, Made in Enfield, Connecticut, United States, American, Shaker, Maple, ash, 24 1/8 x 50 x 27 in. (61.3 x 127 x 68.6 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW23J8–Art inspired by Dining Table, 1800–1825, Made in Enfield, Connecticut, United States, American, Shaker, Maple, ash, 24 1/8 x 50 x 27 in. (61.3 x 127 x 68.6 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMKC77DR–Rocaille cartouches with flowers, ca. 1735–50, French, probably Beauvais, Wool, silk (20-22 warps per inch, 8 per cm.), Back: H

Art inspired by Jar with Women at Leisure, Qing dynasty (1644–1911), Shunzhi period (1644–61), mid-17th century, China, Porcelain painted with colored enamels over transparent glaze (Jingdezhen ware), H. with cover 19 7/8 in. (50.5 cm); Diam. at mouth 7 5/8 in. (19.4 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTTWTP–Art inspired by Jar with Women at Leisure, Qing dynasty (1644–1911), Shunzhi period (1644–61), mid-17th century, China, Porcelain painted with colored enamels over transparent glaze (Jingdezhen ware), H. with cover 19 7/8 in. (50.5 cm); Diam. at mouth 7 5/8 in. (19.4 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Egyptian, Relief of Ka-aper with Offerings, 2565/2420 BC, Polychromed limestone, 19 7/8 x 24 3/8 in. (50.5 x 61.9 cm Stock Photo

RM2A2PXNG–Egyptian, Relief of Ka-aper with Offerings, 2565/2420 BC, Polychromed limestone, 19 7/8 x 24 3/8 in. (50.5 x 61.9 cm

50 8 61 cm Stock Photos and Images

50 8 61 cm Stock Photos and Images

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