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5 3 16 Stock Photos and Images
RMKC8BAA–March, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings
RF2HW76W7–Art inspired by The Hearing of Qadi, 1746–47, Etching and engraving, Sheet (trimmed): 2 11/16 × 5 3/16 in. (6.9 × 13.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPATAAJ–Head of a Man. Artist: Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne). Dimensions: 5 7/8 x 5 3/16 in. (14.9 x 13.1 cm). Date: ca. 1718. This expressive sheet is a study for the man's head in Watteau's painting Mezzetin, also in the Museum's collection (34.138). Mezzetin was a character in the popular commedia dell'arte, typically amorous and sentimental. In the Museum's painting, he sits on a stone bench outside a building, playing a guitar and gazing plaintively at an unseen window. The artist placed a female garden statue in the woods behind the Mezzetin, its back turned
RMKCE3X1–Head of a Young Woman, early 14th century, North French, Colorless glass and vitreous paint, Overall: 5 3/16 x 3 5/16 x 1/8 in
RF2HW77B8–Art inspired by Pyramus and Thisbe, early 17th–mid 17th century, Pen and brown ink, brown wash, over black chalk, sheet: 7 3/16 x 5 3/16 in. (18.3 x 13.2 cm), Drawings, Cornelis Schut (Flemish, Antwerp 1597–1655 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA98X9–Statuette of Arsinoe II for her Posthumous Cult. Dimensions: H. 38.7 cm (15 1/4 in); W. 9.6 cm (3 3/4 in); D. 13.2 cm (5 3/16 in). Date: ca. 150-100 B.C.. The inscription on the back of this figure refers to Queen Arsinoe II as a goddess, indicating it was made after 270 B.C. when her cult was established at the time of her death in by her brother and husband, Ptolemy II. Gilding indicating divinity once covered her face, and traces still remain at the edges of her neckline. While the overall frontal pose and disposition of the limbs in this small statue follows Egyptian traditions, the cor
RMKC8B9H–The Twelve Months, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm
RF2HW76W2–Art inspired by Sultana at Her Toilet, 1746–47, Etching and engraving, Sheet (trimmed): 2 13/16 × 5 3/16 in. (7.1 × 13.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR2K8N6–Plate 8: Arch of Drusus at the Porta S. Sebastiano in Rome (Arco di Druso alla Porta di Sebastiano in Roma). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Plate: 5 3/16 × 10 9/16 in. (13.2 × 26.9 cm) Sheet: 13 1/16 × 18 3/4 in. (33.2 × 47.7 cm). Series/Portfolio: Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori (Roman Antiquity of the Time of the Republic and the First Emperors). Date: ca. 1748. Museum: Metropolitan Museum of Art, New York, USA.
RMKCA3AX–Little Dordrecht, 1885–86, Etching; only state (Glasgow); printed in black ink on ivory laid paper, Plate: 3 13/16 × 5 3/16 in
RF2HW6RHN–Art inspired by Saint John the Baptist in a Landscape, 1600–1625, Pen and brown ink, over a sketch in red chalk., sheet: 7 5/16 x 5 3/16 in. (18.5 x 13.2 cm), Drawings, Hans Stutte (German, active Lübeck, died before 1625, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA94T9–Falcon in double crown. Dimensions: H. 13.2 cm (5 3/16 in.); W. 3.8 cm (1 1/2 in.); L. 9.1 cm (3 9/16 in.). Date: 664-30 B.C.. The falcon god Horus stands with his wings swept back. He wears the double crown of Egypt, a royal crown that symbolizes the union of Lower and Upper Egypt, and highlights Horus' role as the legitimate ruler of the entire land. The falcon wears the double crown because Horus and the concept of kingship were closely tied, as early as the Predynastic Period. Despite corrosion, this falcon preserves some careful detail including the falcon's facial markings, as well as t
RMPPX44N–Attic Bilingual Eye Cup; Possibly Pheidippos; Athens, Greece; about 510 B.C; Terracotta; 13.2 × 31.7 cm, 5 3,16 × 12 1,2 in
RF2HW1XT7–Art inspired by Caster, 1740–60, Made in Boston, Massachusetts, United States, American, Silver, Overall: 5 3/16 x 1 3/4 in. (13.2 x 4.4 cm); 2 oz. 11 dwt. (78.6 g), Silver, Samuel Edwards (1705–1762, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA93FM–Two Pendant Designs with Sun-Dials on Top. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp). Dimensions: Sheet: 6 15/16 × 5 3/16 in. (17.7 × 13.2 cm). Series/Portfolio: Designs for Pendants I. Date: after 1581. Vertical panel with two pendant designs with strapwork and grotesques. Both ornaments are suspended from small jewelled motifs tied with ribbon above and are topped by circular sun-dials. The design at left shows two outward-facing grotesques with female heads on serpentine necks. The design at right has griffins flanking the sun-dial and a clock at bottom center.
RMPPX598–Head of a Youth; Tarentum, Taras, South Italy; 300 - 250 B.C; Terracotta; 16.5 × 13.1 cm, 6 1,2 × 5 3,16 in
RF2HW2967–Art inspired by Cann, ca. 1770, Made in Boston, Massachusetts, United States, American, Silver, Overall: 5 3/16 x 5 1/4 in. (13.2 x 13.3 cm); 11 oz. 13 dwt. (362.9 g), Silver, Samuel Minott (1732–1803, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAT1A1–Terracotta kylix (drinking cup). Culture: Greek, Attic. Dimensions: H. 5 3/16 in. (13.2 cm) width with handles 15 3/8 (39.1 cm) diameter 12 1/16 in. (30.7 cm). Date: ca. 480 B.C.. Interior and exterior, Theseus in Poseidon's undersea palace and his arrival in Athens The subject of the decoration is elucidated in a poem by Bacchylides, active in the fifth century B.C. On the interior and one side of the exterior, Theseus, who is bound for Crete to kill the Minotaur, takes leave of his father and stepmother, Poseidon and Amphitrite. On the other side, the victorious Theseus is welcomed back
RMKCA7H1–Venus and Mercury, 1520–25, Etching, sheet: 7 3/16 x 5 3/16 in. (18.3 x 13.2 cm), Prints, Hans Burgkmair (German, Augsburg 1473
RF2HW296B–Art inspired by Cann, ca. 1750, Made in Newbury, Massachusetts, United States, American, Silver, Overall: 4 7/8 x 5 3/16 in. (12.4 x 13.2 cm); 11 oz. 3 dwt. (346.3 g), Silver, Joseph Moulton (1724–1795, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAX9NJ–Young woman wearing a feathered cap. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 5 3/16 × 3 9/16 in. (13.2 × 9 cm) cut mostly outside image but within platemark. Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1647. Portrait of a young woman, bust-length, directed and looking to right; wearing a dark plumed cap over jewelled head-dress, pearl necklace, fur-trimmed waistcoat over blouse with embroidered standing collar; after Hans Holbein the Younger. Museum: Metropolitan Museum of Art, New York, USA.
RMKC8FB4–Returning Home, 19th century, Watercolor on paper, 5 3/16 x 4 3/16 in. (13.2 x 10.6 cm), Drawings, Johann Georg Meyer (German
RF2HW296K–Art inspired by Mug, 1825–50, Made in Newburyport, Massachusetts, United States, American, Silver, Overall: 5 3/16 x 5 3/8 in. (13.2 x 13.7 cm); 14 oz. 9 dwt. (449.1 g), Silver, William Moulton, IV (1772–1861, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB51TK–German Landscape with View towards a Broad Valley. Artist: Fritz Petzholdt (Danish, Copenhagen 1805-1838 Patras). Dimensions: Original paper support: 5 3/16 x 9 11/16 in. (13.2 x 24.6 cm) Paper support mounted on stretched canvas: 5 13/16 x 10 1/4 in. (14.8 x 26 cm). Date: ca. 1829-30. Of all the followers of Christoffer Wilhelm Eckersberg (1783-1853), the founding father of the Golden Age of Danish painting, only Petzholdt devoted himself exclusively to landscape. Although the precise location of this small view has not been determined, it was evidently painted in Germany, where the artist
RMKCA9BK–Douer (Dover), 1642, Etching; first state of two, Plate: 2 7/16 × 5 3/16 in. (6.2 × 13.2 cm), Prints, Wenceslaus Hollar (Bohemia
RF2HW297B–Art inspired by Cann, 1775–1800, Made in New York, New York, United States, American, Silver, Overall: 5 3/16 x 5 1/16 in. (13.2 x 12.9 cm); 13 oz. 16 dwt. (429.7 g), Silver, Otto Parisien (ca. 1725–1811, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB3RCD–Entry into the ark: Noah and his family walk toward the ark in the background, pairs of animals walk up a ramp leading into the ark, from a series of engravings made for the first edition of the 'Liber Genesis'. Artist: Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564-1637 Utrecht). Dimensions: Sheet: 3 7/16 x 5 3/16 in. (8.7 x 13.2 cm) Plate: 3 3/16 x 5 in. (8.1 x 12.7 cm). Series/Portfolio: Engravings made for the first edition of the 'Liber Genesis'. Date: 1612. Museum: Metropolitan Museum of Art, New York, USA.
RMKC8GT2–The Angry Parrot, n.d., Wash and Chinese white, 5 3/16 x 8 3/16 in. (13.2 x 20.8 cm), Drawings, Jean-Georges Vibert (French
RF2HW2AGB–Art inspired by Creamer, ca. 1850, Made in Baltimore, Maryland, United States, American, Silver, Overall: 6 7/8 x 5 3/16 in. (17.5 x 13.2 cm); 10 oz. 14 dwt. (332.9 g), Silver, Samuel Kirk and Son (1846–68, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAAM3J–Nancy, from Diverses Veue et Perspectives nouvelles de Rome, Paris et des autres lieux. Artist: Israel Silvestre (French, Nancy 1621-1691 Paris). Dimensions: sheet: 5 3/16 x 10 5/16 in. (13.1 x 26.2 cm) plate: 4 15/16 x 10 1/16 in. (12.5 x 25.5 cm). Publisher: Nicolas Visscher I (Dutch, Amsterdam 1618-1679 Amsterdam). Series/Portfolio: Various and new views of Rome, Paris, and other places (Diverses Veue et Perspectives nouvelles de Rome, Paris et des autres lieux). Date: 1640-1679. Museum: Metropolitan Museum of Art, New York, USA.
RMKCAWX6–Olympia, published 1902, Wood engraving, image: 5 3/16 x 7 5/16 in. (13.2 x 18.5 cm), Prints, After Édouard Manet (French, Paris
RF2HKJYWG–Art inspired by Studio Shot of Woman Seated Against a Woven Wicker Backdrop, One of 274 Vintage Photographs, Albumen silver photograph, late 19th-early 20th century, Qajar, Qajar Period, 8 3/16 x 5 3/16 in., 20.8 x 13.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFCGWF–The test of fire, the monk Peter, the disciple Saint John Gualbert, passing through the flames from two pyres unharmed, various spectators to either side, from 'Frontispiece and four scenes from the life of Saint John Gualbert' (Frontispice et quatre vignettes pour une vie de Saint Jean Gualbert). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 6 13/16 x 5 3/16 in. (17.3 x 13.2 cm) Mount: 7 1/2 x 5 13/16 in. (19 x 14.8 cm). Series/Portfolio: 'Frontispiece and four scenes from the life of Saint John Gualbert' (Frontispice et quatre vignettes pour une vie
RMKCD507–Pitcher, 14th century, Made in Rome, Italy, Italian, Earthenware, tin-glaze (Majolica), Overall: 5 3/16 x 5 1/2 x 4 1/4 in. (13
RF2HW65N1–Art inspired by Ornamental Fillet (Design for Armor Decoration), ca. 1525–30, Etching; second state of two, sheet: 5 3/16 x 3 1/4 in. (13.2 x 8.3 cm), Prints, After Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg), Hopfer Workshop, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR2K9B7–The Three Christian Heroines (Drei Gut Kristin), from Heroes and Heroines. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg); Block cut by Jost de Negker (1480-1546). Dimensions: Sheet: 8 1/8 × 5 3/16 in. (20.7 × 13.2 cm). Series/Portfolio: Heroes and Heroines. Date: 1516. At left, Saint Helena wearing the imperial crown and holding up a cross; at center, Saint Brigit holding a processional cross; at right, Saint Elisabeth with a stein. Below, three coats of arms. From a series of six woodcuts with Heroes and Heroines, each with three figures. Museum: Metropolitan Museum of Art, Ne
RMKC8BAF–May, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik
RF2HW5CF8–Art inspired by Grotesque with a vase, birds and acanthus scrolls, ca. 1515–1600, Engraving, Sheet: 8 11/16 × 5 3/16 in. (22 × 13.2 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA8D7H–Glass jug with trefoil rim. Culture: Roman. Dimensions: H. 5 3/16 in. (13.2 cm). Date: 4th-5th century A.D.. Translucent greenish yellow; handle and two trails in same color; another trail in translucent turquoise blue. Trefoil rim with rounded lip; flaring mouth; cylindrical neck, flaring downwards; broad, slightly sloping shoulder; funnel-shaped body; thick bottom with central kick and pontil scar; rod handle applied as a pad to edge of shoulder, drawn up and slightly outwards, then turned down and in, and trailed onto back of rim. On upper half of body, nine irregular vertical indents; o
RMKC6BTB–Cann, 1830, Made in Baltimore, Maryland, United States, American, Silver, Overall: 5 x 5 3/16 in. (12.7 x 13.2 cm); 12 oz. 13
RF2HW5FDK–Art inspired by Pompeiian Design for Paneling, second half 19th century, Pen and black ink, watercolor, and graphite, 7 x 5 3/16 in. (17.8 x 13.2 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPANGHT–Glass alabastron (perfume bottle). Culture: Greek, Eastern Mediterranean. Dimensions: H.: 5 3/16 in. (13.1 cm). Date: 2nd-mid-1st century B.C.. Translucent cobalt blue, with handles in same color; trail in opaque white. Inward-sloping irregular rim-disk with rounded edge and radiating tooling marks on upper surface; cylindrical neck, expanding downward; straight-sided fusiform body expanding downward, then tapering in to pointed bottom; two horizontal lug handles applied over trail at top of body. Trail applied at bottom, wound upwards in a spiral to carination, tooled into a festoon around
RMKC4F3Y–Lower Legs Fragment, 4th–7th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Marble, Overall: 5 x 5 3/16 x 3 1/4 in. (12
RF2HW8F71–Art inspired by Lesson in Horsemanship, 1913, Wood engraving, Image: 6 5/16 × 5 3/16 in. (16 × 13.1 cm), Prints, Engraved by Timothy Cole (American, London 1852–1931 Poughkeepsie, New York), After Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB0H1N–Censer with a Lioness Hunting a Boar. Culture: Coptic. Dimensions: Overall: 5 3/16 x 4 1/8 x 2 1/16 in. (13.2 x 10.4 x 5.3 cm) Overall (with chain suspended): 8 13/16 x 4 1/8 x 2 1/16 in. (22.4 x 10.4 x 5.3 cm). Date: 6th-7th century. Discovered hidden in a rock crevice, this censer was cast so that the smoke of the incense would emerge through the mouths and ears of the lioness and boar. An elephant worked in relief, rather than a Christian symbol, appears on its front. Museum: Metropolitan Museum of Art, New York, USA.
RMKC8BAG–June, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik
RF2HW73YD–Art inspired by Bust portrait of Frans Floris, 1531–76, Engraving, sheet: 7 5/16 x 5 3/16 in. (18.5 x 13.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), Bartsch thinks that the print is after a design by Bonasone and not engraved by him, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFCRCK–Plate 12: a procession of troops enter a city, horseman in center playing a trumpet towards the left, horsemen at left galloping towards the right, from 'Troops, cannons, and attacks on towns' (Dessins de quelques conduites de troupes, canons, et ataques de villes). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 2 7/16 x 5 3/16 in. (6.2 x 13.2 cm). Series/Portfolio: 'Troops, cannons, and attacks on towns' (Dessins de quelques conduites de troupes, canons, et ataques de villes). Date: ca. 1640. Museum: Metropolitan Museum of Art, New York, USA.
RMKC6CYM–Glass jug with trefoil rim, Late Imperial, 4th–5th century A.D., Roman, Glass; blown, tooled, and trailed, H. 5 3/16 in. (13.2
RF2HW7F7F–Art inspired by Nancy, from Diverses Veue et Perspectives nouvelles de Rome, Paris et des autres lieux, ca. 1640–91, Etching, sheet: 5 3/16 x 10 5/16 in. (13.1 x 26.2 cm), Israel Silvestre (French, Nancy 1621–1691 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPANYT2–Corporal Israel Spotts, Company G, 200th Pennsylvania Volunteers. Artist: Reed Brockway Bontecou (American, 1824-1907). Dimensions: Image: 18.9 x 13.1 cm (7 7/16 x 5 3/16 in.), oval Mount: 29.8 x 24.3 cm (11 3/4 x 9 9/16 in.). Date: April-May 1865. Dr. Bontecou's patient history for Corporal Spotts explains that nearing the end of his treatment, the wounded soldier deserted from the hospital. Presumably he believed he was healthy enough to head for home after three years of hard service. Spotts died four months later, on September 20, 1865. Museum: Metropolitan Museum of Art, New York, USA.
RMKC6CRD–Glass amphora, Early Imperial, 1st century A.D., Roman, Glass; blown, 5 3/16 in. (13.2 cm), Glass, Translucent pale blue green
RF2HW5Y56–Art inspired by Remains of the Temple of Castor and Pollux . . . ( Avanzo del Tempio di Castore e Polluce . . .), 18th century, Etching, Plate: 5 3/16 × 7 11/16 in. (13.2 × 19.5 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR2MPB1–Plate 10: Ruins of the Temple of Jupiter Stator (Jupiter the Supporter). 1. Temple of Antoninus and Faustina. 2. Temple of Peace. (Vestigi del Tempio di Giove Statore. 1. Tempio d'Antonino e Faustina. 2. Tempio della Pace.). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Plate: 5 3/16 × 10 9/16 in. (13.2 × 26.9 cm) Sheet: 13 1/16 × 18 3/4 in. (33.1 × 47.6 cm). Series/Portfolio: Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori (Roman Antiquity of the Time of the Republic and the First Emperors). Date: ca. 1748. Museum: Metropolitan
RMKC6CR8–Glass jug, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 5 3/16 in. (13.2 cm), Glass, Translucent yellow green
RF2HW647X–Art inspired by House with a Turret, rue de la Tixéranderie, Paris, ca. 1881–82, Etching on laid paper, Plate: 9 1/2 x 5 3/16 in. (24.1 x 13.1 cm), Prints, Edmond Gosselin, after Charles Meryon (French, 1821–1868, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[Vesuvius from Mergellina]. Artist: Giacomo Caneva (Italian, 1812-1865). Dimensions: Image: 13.1 x 27.9 cm (5 3/16 x 11 in.) Mount: 26.7 x 43.5 cm (10 1/2 x 17 1/8 in.). Date: ca. 1855. In this diffuse print trimmed to a narrow horizontal format, sea, sky, and land meet to create a minimalist study of light and tone. Caneva produced numerous marine views in the coastal towns of Anzio, Nettuno, and Ostia. In 1855 he traveled south, where he made photographs of Pompeii and this panorama of Vesuvius and the Bay of Naples. The same year, he published the first essay on photography in Italy: A Pr Stock Photo](https://c8.alamy.com/comp/PA8D87/vesuvius-from-mergellina-artist-giacomo-caneva-italian-1812-1865-dimensions-image-131-x-279-cm-5-316-x-11-in-mount-267-x-435-cm-10-12-x-17-18-in-date-ca-1855-in-this-diffuse-print-trimmed-to-a-narrow-horizontal-format-sea-sky-and-land-meet-to-create-a-minimalist-study-of-light-and-tone-caneva-produced-numerous-marine-views-in-the-coastal-towns-of-anzio-nettuno-and-ostia-in-1855-he-traveled-south-where-he-made-photographs-of-pompeii-and-this-panorama-of-vesuvius-and-the-bay-of-naples-the-same-year-he-published-the-first-essay-on-photography-in-italy-a-pr-PA8D87.jpg "[Vesuvius from Mergellina]. Artist: Giacomo Caneva (Italian, 1812-1865). Dimensions: Image: 13.1 x 27.9 cm (5 3/16 x 11 in.) Mount: 26.7 x 43.5 cm (10 1/2 x 17 1/8 in.). Date: ca. 1855. In this diffuse print trimmed to a narrow horizontal format, sea, sky, and land meet to create a minimalist study of light and tone. Caneva produced numerous marine views in the coastal towns of Anzio, Nettuno, and Ostia. In 1855 he traveled south, where he made photographs of Pompeii and this panorama of Vesuvius and the Bay of Naples. The same year, he published the first essay on photography in Italy: A Pr Stock Photo")
RMPA8D87–[Vesuvius from Mergellina]. Artist: Giacomo Caneva (Italian, 1812-1865). Dimensions: Image: 13.1 x 27.9 cm (5 3/16 x 11 in.) Mount: 26.7 x 43.5 cm (10 1/2 x 17 1/8 in.). Date: ca. 1855. In this diffuse print trimmed to a narrow horizontal format, sea, sky, and land meet to create a minimalist study of light and tone. Caneva produced numerous marine views in the coastal towns of Anzio, Nettuno, and Ostia. In 1855 he traveled south, where he made photographs of Pompeii and this panorama of Vesuvius and the Bay of Naples. The same year, he published the first essay on photography in Italy: A Pr
RMKCAAG5–Cooling the Porridge, 1861, Etching on chine collé; fifth (final) state, image: 6 1/2 x 5 3/16 in. (16.5 x 13.2 cm), Prints
RF2HW29WM–Art inspired by Pepper Caster, 1730–45, Made in Boston, Massachusetts, United States, American, Silver, Overall: 5 3/16 x 1 3/4 in. (13.2 x 4.4 cm); 2 oz. 15 dwt. (86.1 g), Silver, John Burt (1692/93–1745/46, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1MDH–Iohanna Seymovr Regina Henri. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: sheet: 5 3/16 x 4 1/4 in. (13.2 x 10.8 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Sitter: Jane Seymour (British, 1508/09-1547). Date: 1648. Portrait of Jane Seymour; half length, to the right; wearing four-sided peaked bonnet with black veil, and low square-cut bodice bordered with pearls and a large jewel, pearls around her neck from which hangs another jewel with pendant pearl; in on oval; after Holbein. Museum: Metropolitan Museum of Art, New Yor
RMKC4F43–Acanthus Leaf Fragment, 4th–7th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Marble, Overall: 5 3/16 x 4 1/16 x 2 5/1
RF2HKK7GG–Art inspired by Marine Study, William Trost Richards, American, 1833-1905, Oil on panel, 1890s, 5 3/16 x 9 1/16 in., 13.2 x 23 cm, 1890s, American, boulders, landscape, nature, ocean, oil, painting, rocks, seascape, sky, water, waves, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1JWK–Bowl with Human Feet. Dimensions: diam. 13.2 x W. 13.7 x D. 9.8 cm (5 3/16 x 5 3/8 x 3 7/8 in.). Date: ca. 3900-3650 B.C.. In the Predynastic Period, potters created a wide variety of ceramic vessels. One unusual type is a bowl with supports shaped like human feet. This simple, round bowl, tipped slightly forward as if to offer its contents, has two such feet solidly attached to its underside. Made from Nile clay, the bowl has a smoothed, slipped, and polished surface, giving it a light sheen. The bowl standing on feet is very similar in form to the Egyptian hieroglyph meaning 'to bring.' Sin
RMKC45DC–Sopranino Cornet in E-flat, ca. 1900, Paris, France, French, Brass, Overall: 13.2 x 33.6cm (5 3/16 x 13 1/4in.), Aerophone-Lip
RF2HTWWJJ–Art inspired by Silver mirror, Imperial, 4th century A.D., Roman, Silver, Diam.: 5 3/16 in. (13.2 cm), Gold and Silver, The type of mirror with a horizontal handle originated in the Roman world during the first century B.C. It was subsequently adopted in various cultures of Asia and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAY764–Glass perfume bottle. Culture: Roman. Dimensions: 5 3/16 in. (13.1 cm) Other: 3 5/16 in. (8.4 cm) Diam. of rim: 1 1/2 in. (3.8 cm). Date: 1st-2nd century A.D.. Translucent pale blue green. Rim folded out, over, and in, with beveled upper surface and rounded lip around mouth; cylindrical neck, expanding downward and slightly tooled in around base; broad, piriform body; convex bottom, slightly flattened at center. Fairly thick and heavy glass. Intact; many pinprick bubbles; deeply pitted and weathered, with brilliant iridescence on most of surface. Museum: Metropolitan Museum of Art, New Yo
RMKC91YM–Cottage with a White Paling, 1648, Etching and drypoint; third state of three, sheet: 5 3/16 x 6 3/8 in. (13.2 x 16.2 cm), Print
RF2HTWD96–Art inspired by Terracotta jug, Middle Cypriot III, ca. 1725–1600 B.C., Cypriot, Terracotta; Black Slip Ware, H. 5 3/16 in. (13.2 cm), Vases, This type of vase, with a long narrow neck and funnel spout, may have contained perfumed oils. The shape and engraved decoration were probably, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAM5DC–Emancipated Slaves Brought from Louisiana by Colonel George H. Banks. Artist: Myron H. Kimball (American, active 1860s). Dimensions: Image: 13.2 x 18.3cm (5 3/16 x 7 3/16in.), oblong oval Mat: 19.9 x 25.2 cm (7 13/16 x 9 15/16 in.). Date: December 1863. In December 1863, Colonel George Hanks of the 18th Infantry, Corps d'Afrique (a Union corps composed entirely of African-Americans), accompanied eight emancipated slaves from New Orleans to New York and Philadelphia expressly to visit photographic studios. A publicity campaign promoted by Major General Nathaniel Banks of the Department of the
RMKC7MN3–Glass jar, Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, H.: 5 3/16 in. (13.2 cm), Glass, Colorless with pale blue
RF2HW5Y4W–Art inspired by Seven columns of the Temple of Juturna with Corinthian capitals . . . (Sette colonne con capitelli corinti spettanti al Tempio di Giuturna . . .), 18th century, Etching, Plate: 5 3/16 × 7 11/16 in. (13.2 × 19.6 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAX5CW–The Attarouthi Treasure - Censer. Culture: Byzantine. Dimensions: Overall (without chain): 3 1/4 x 5 3/16 in. (8.2 x 13.2 cm) Overall (hanging with chain): 15 1/16 x 5 3/16 in. (38.2 x 13.2 cm) Diam. of foot: 2 5/16 in. (5.9 cm). Date: 500-650. With a youthful Christ with a cruciform halo, two archangels, and crosses Inscribed in Greek: Of Saint John of the village of Attaroutha In early images of Christ he is always shown as a youth with short, curly hair. His halo is cruciform with three arms to represent the cross upon which he died. The flanking medallions containing archangels, the g
RMKC30JE–Standing Figure, 10th–5th century B.C., Mexico, Mesoamerica, Olmec, Serpentine (metapmorphic), H. 5 3/16 x W. 3 1/4 x D. 2 13/16
RF2HW5E39–Art inspired by The Flagellation, from The Passion of Christ, 1597, Engraving, Sheet: 7 11/16 × 5 3/16 in. (19.6 × 13.1 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA9H3B–Glass cup with splayed foot. Culture: Roman. Dimensions: H. 5 3/16 in. (13.2 cm); diameter 5 9/16 in. (14.1 cm). Date: 2nd half of 1st century A.D.. Translucent blue green. Outsplayed tubular rim, folded over and in; tall curving neck, tapering downwards; thick projecting shoulder; squat, globular body; applied conical foot, formed from a separate gather, with edge cracked-off and ground flat; small, circular, flat bottom. Eleven vertical ribs in high relief tooled out from shoulder down side of body. Rim and body cracked with one hole in side; part of foot broken and missing; few bubbles
RMKC6NBY–Handbell, ca. 1770, Delft, Netherlands, Dutch, Ceramic, wood, H. 1311 cm (5 3/16 in.) x Diam. 7 cm (2 3/4 in.), Wt. 100 g
RF2HK523G–Inspired by Marine: Oil Sketch, William Trost Richards, American, 1833-1905, Oil on panel, 1880-1890, 5 3/16 x 9 1/16 in., 13.2 x 23 cm, 1880-1890, american, american art, american oil, beach, clouds, Marine: Oil Sketch, ocean, oil painting, painting, panel, Richards, sea, water, waves, William Trost, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPAA8E3–'The Combat of Rustam and Ashkabus', Folio from a Shahnama (Book of Kings). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Page: 8 x 5 3/16 in. (20.3 x 13.2 cm) Painting: 1 11/16 x 4 3/16 in. (4.3 x 10.7 cm). Date: ca. 1330-40. The arrogant enemy-hero Ashkabus scorns Rustam for facing him on foot, so Rustam ensures that Ashkabus will also be on foot by shooting his horse out from under him. The white cloud suggests the dust of battle. The warrior behind Rustam wears an aventail to protect his face and holds a shield of cane with a radiating pattern, both of which appear, similarly dra
RMKC6C7R–Mug, 1825–50, Made in Newburyport, Massachusetts, United States, American, Silver, Overall: 5 3/16 x 5 3/8 in. (13.2 x 13.7 cm
RF2HTWBK3–Art inspired by Footed beaker, first half 17th century, Hungarian, Brassó, Gilded silver, Overall: 5 3/16 x 2 7/8 in. (13.2 x 7.3 cm), Metalwork-Silver, Telling stories populated with mythological creatures—like those engraved on the base of this beaker—was a favorite pastime at social, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAJP9K–Private Samuel Shoop, Company F, 200th Pennsylvania Infantry. Artist: Reed Brockway Bontecou (American, 1824-1907). Dimensions: Image: 18.9 × 13.1 cm (7 7/16 × 5 3/16 in.). Date: April-May 1865. The last great battle of the Civil War was the siege of Petersburg, Virginia--a brutal campaign that led to Confederate General Robert E. Lee's surrender on April 9, 1865. Samuel Shoop, a twenty-five-year-old private in Company F of the 200th Pennsylvania Volunteers, received a gunshot wound in the thigh at Fort Steadman on the first day of the campaign (March 25) and was evacuated to Harewood Hospita
RMKC69TT–Creamer, ca. 1795, Made in Alexandria, Virginia, United States, American, Silver, Overall: 6 7/8 x 5 3/16 in. (17.5 x 13.2 cm
RF2HW592R–Art inspired by River View with Figures, 17th century, Pen and brown ink over black chalk on light tan paper. Fragmentary framing outlines in black chalk?, 5-3/16 x 7-3/4 in. (13.2 x 19.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPANG1M–Glass modiolus (one-handled cup). Culture: Roman. Dimensions: H.: 5 3/16 in. (13.2 cm) Diam.: 5 11/16 in. (14.4 cm). Date: 1st-2nd century A.D.. Translucent blue green; handle in same color. Rim folded out, down, and up, with upright, slightly flaring, rounded lip, forming collar to outsplayed, rounded mouth; body tapers downwards; low splayed tubular foot ring, made by folding; uneven, concave bottom; two-ribbed handle applied to upper side of body, drawn out and up, forming a semicircle, and pressed on to top of side with downward pad. Intact; few bubbles; dulling, pitting, creamy brown
RMKC59M0–Pot, 4th–7th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Earthenware, Overall: 4 1/8 x 5 3/16 in. (10.5 x 13.2 cm
RF2HTX4P2–Art inspired by Frog Vessel, 2nd century B.C.–A.D. 3rd century, Mexico, Mesoamerica, Colima, Colima, Ceramic, pigment (?), H x W x D: 5 3/16 x 4 3/4 x 6 7/8in. (13.3 x 12.1 x 17.4cm), Ceramics-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA82DH–Glass flask. Culture: Roman. Dimensions: H.: 5 3/16 in. (13.2 cm). Date: 4th century A.D.. Colorless with pale green tinge. Plain, vertical rim, ground flat; funnel-shaped neck; globular body; small, flattened bottom. On neck, two horizontal bands of wheel-cut grooves comprising a single line below rim and a double line two-thirds of way down neck; on body, two concentric grooves around shoulder, a band of three horizontal grooves around body at point of greatest diameter, and two more concentric grooves near base of side; between the uppermost and lowest bands, a further eight bands of dou
RMKC62D9–Pepper Caster, 1730–45, Made in Boston, Massachusetts, United States, American, Silver, Overall: 5 3/16 x 1 3/4 in. (13.2 x 4.4
RF2HW8BXH–Art inspired by Horizontal Panel with Bacchus in a Medallion, after 1596, Engraving, Sheet: 3 1/4 × 5 3/16 in. (8.2 × 13.1 cm), Claes Jansz. Visscher (Dutch, Amsterdam 1586–1652 Amsterdam), after Floris Balthasarsz van Berckenrode (Delft ca. 1562–1616 Delft, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAKRB7–Powder Flask. Culture: German. Dimensions: H. 5 3/16 in. (13.2 cm); W. 3 3/4 in. (9.5 cm); D. 2 9/16 in. (6.6 cm); D. of dome 2 1/16 in. (5.2 cm); Wt. 7.4 oz.. (210 g). Date: ca. 1575-85. The only known example of its kind, this flask is constructed of a wooden core, which is overlaid with a copper-alloy sheet that was chased in low relief, in the same manner as the stocks of a small group of firearms associated with the court of Duke Julius of Brunswick-Lüneburg (1528-1589) and thought to have been made in his dominions. The group includes three wheellock pistols that are preserved in the De
RMKC55CH–Stirrup Spout Bottle with Figure, 4th–6th century, Peru, Moche, Ceramic, pigment, H. 7 3/8 x W. 5 3/16 in. (18.7 x 13.2 cm
RF2HW76WE–Art inspired by Sultana Reading in the Harem, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 3/16 in. (6.6 × 13.1 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR2KAFF–Pendant Design with a Winged Sea Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar. Artist: Adriaen Collaert (Netherlandish, Antwerp ca. 1560-1618 Antwerp); after a design by Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp). Dimensions: Sheet: 6 15/16 × 5 3/16 in. (17.7 × 13.2 cm). Publisher: published by Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp) , in Antwerp. Series/Portfolio: Designs for Pendants II. Date: 1582. Vertical panel with a pendant in the shape of a sea monster carrying Neptune, who is seated on a shell and holds a sail in her right han
RMKCB6B9–Genie of Drawing, 1610–64, Pen and brown ink, Sheet: 3 5/8 x 5 3/16 in. (9.2 x 13.2 cm), Drawings, Stefano della Bella (Italian
RF2HW22BT–Art inspired by Creamer, ca. 1795, Made in Alexandria, Virginia, United States, American, Silver, Overall: 6 7/8 x 5 3/16 in. (17.5 x 13.2 cm); 6 oz. 18 dwt. (215 g), Silver, Possibly James Adam (1755–1798) or, Possibly John Adam (1775–1848, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFCGPR–Four views: at top, a view of the new monastery of Vallombrosa, at bottom left and right, a view of a chapel, at bottom center, the tree of St. John Gualbert, from 'Frontispiece and four scenes from the life of Saint John Gualbert' (Frontispice et quatre vignettes pour une vie de Saint Jean Gualbert). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 6 3/4 x 5 3/16 in. (17.1 x 13.2 cm) Mount: 7 3/8 x 5 11/16 in. (18.7 x 14.5 cm). Series/Portfolio: 'Frontispiece and four scenes from the life of Saint John Gualbert' (Frontispice et quatre vignettes pour une
RMKC928P–Le Theatre Italien, Etching, before first state, sheet: 6 7/16 x 5 3/16 in. (16.3 x 13.2 cm), Prints, Gabriel de Saint-Aubin
RF2HW4GXJ–Art inspired by Bull Run. Pontoon Bridge near Blackburn's Ford, 1862, Albumen silver print from glass negative, 13.1 x 20.2 cm (5 3/16 x 7 15/16 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), George N. Barnard (American, 1819–1902, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFCYGC–Plate 3: a gale in the forest, two horsemen wrapped in their cloaks, the wind is blowing from the left side, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Plate: 5 3/16 × 5 1/4 in. (13.1 × 13.3 cm) Sheet: 5 3/8 × 5 1/2 in. (13.7 × 13.9 cm). Publisher: François Langlois (French, baptized Chartres, 1588-1647 Paris). Series/Portfolio: 'Roman landscapes and ruins' (Paysages et ruines de Rome). Date: ca. 1646. Museum: Metropolitan Museum of Art, New York, USA.
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