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45 7 55 2 cm Stock Photos and Images
RF2HTWABT–Art inspired by Fragment, 17th century, Italian, Silk, Overall: 18 x 21 3/4 in. (45.7 x 55.2 cm), Textiles-Velvets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A2HY77–Coin Depicting a Wreath and Palm Branches, AD 54/55, Roman, minted in Jerusalem (?), Roman Empire, Bronze, Diam. 1.7 cm, 2.45 g
RF2HW8HW3–Art inspired by Christ in the Wilderness, ca. 1515–20, Oil on canvas, 18 x 21 3/4 in. (45.7 x 55.2 cm), Paintings, Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescia ca. 1498–1554 Brescia), Following his baptism by John the Baptist, Christ retired to the wilderness for forty, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAR4BK–Shoes. Artist: Vincent van Gogh (Dutch, Zundert 1853-1890 Auvers-sur-Oise). Dimensions: 18 x 21 3/4 in. (45.7 x 55.2 cm). Date: 1888. Van Gogh painted several still lifes of shoes or boots during his Paris period. This picture, painted later, in Arles, evinces a unique return to the earlier motif. However, here Van Gogh has placed the shoes within a specific spatial context: namely, the red-tile floor of the Yellow House. Not only may we identify the setting, but perhaps the owner of the shoes as well. It has been suggested that this 'still life of old peasants' shoes' may have been those of
RMMYH0F0–. 'Jahangir and His Vizier, I'timad al-Daula', Folio from the Shah Jahan Album Manohar (active ca. 1582–1624) Calligrapher: Mir 'Ali Haravi (d. ca. 1550) Object Name: Album leaf Reign: Jahangir (1605–27), recto Date: recto: ca. 1615; verso: ca. 1530–45 Geography: India Medium: Ink, opaque watercolor, and gold on paper Dimensions: 15 3/8 x 10 3/16in. (39 x 25.9cm) Mat: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm) Frame: 20 1/4 x 15 1/4 in. (51.4 x 38.7 cm) Classification: Codices Credit Line: Purchase, Rogers Fund and The Kevorkian Foundation Gift, 1955 Accession Number: 55.121.10.23 This art
![A VIEW of the HEAD of ULSWATER toward Patterdale Author Bellers, William 10.45.b.1. Place of publication: [London] Publisher: Publish'd according to Act of Parliament Date of publication: April the 18th 1754 Item type: 1 print Medium: etching and engraving Dimensions: platemark 39.7 x 53.8 cm, on sheet 41.2 x 55.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GFXJ/a-view-of-the-head-of-ulswater-toward-patterdale-author-bellers-william-1045b1-place-of-publication-london-publisher-publishd-according-to-act-of-parliament-date-of-publication-april-the-18th-1754-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-397-x-538-cm-on-sheet-412-x-556-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GFXJ.jpg "A VIEW of the HEAD of ULSWATER toward Patterdale Author Bellers, William 10.45.b.1. Place of publication: [London] Publisher: Publish'd according to Act of Parliament Date of publication: April the 18th 1754 Item type: 1 print Medium: etching and engraving Dimensions: platemark 39.7 x 53.8 cm, on sheet 41.2 x 55.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9GFXJ–A VIEW of the HEAD of ULSWATER toward Patterdale Author Bellers, William 10.45.b.1. Place of publication: [London] Publisher: Publish'd according to Act of Parliament Date of publication: April the 18th 1754 Item type: 1 print Medium: etching and engraving Dimensions: platemark 39.7 x 53.8 cm, on sheet 41.2 x 55.6 cm. Former owner: George III, King of Great Britain, 1738-1820
RM2B6N8TP–Fragment van een kasjmiersjaal Fragment kasjmiersjaal in zijde en wol met gestileerd bloem- en bladwerk en twee paisleymotieven. Franje langs onderrand. Manufacturer : vervaardiger: anoniemPlaats manufacture: Kashmir Dating: ca. 1800 - ca. 1820 Material: zijde wol Techniek: keperbinding / lanceren Dimensions: geheel: h 45 cm. (inclusief franje) × b 25,7 cm. (inclusief 1 zelfkant)karton: h 26 cm. × b 55,2 cm.
RM2PMKKR3–Banner (England); silk, metal threads; Frame H x W: 55.2 x 69.9 cm (21 3/4 x 27 1/2 in.) Textile: H x W: 45.7 x 59.7 cm (18 x 23 1/2 in.)
RMKNPTRT–From My Window at the Shelton, West MET DP233000 269453 From My Window at the Shelton, West, 1931, Gelatin silver print, 24.2 x 19.1 cm (9 1/2 x 7 1/2 in.). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.55.45)
RM2D1X8NC–London UK 06.Oct.2020 The Scapegoat by William Holman Hunt, 1854-55, Oil on canvas 33.7 × 45.9 cm Manchester Art Gallery (1906.2).Sin has permeated life since the earliest days. But until now the story of its relation to art has never been told.This exhibition explores the concept of sin in art. Sin will run from 07 October 2020 to 03 January 2021.Paul Quezada-Neiman/Alamy Live News
RF2HGM25P–Christ in the Wilderness - oil on canvas 45.7 x 55.2 cm - Bonvicino Alessandro - Moretto -
RMPFY6HM–. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT- 42 16.6N LONG- DEPTH 10-6 METERS NUMBER OF OBSERVATIONS = OBSERVATION PERIOD 13/VII/67 TO 17/VII/67 70 24-9W 5500 MEAN VARIANCE CM/SEC CCM/SEC 12 ST-OEV CM/SEC SKEW KURT MAX CM/SEC tllN CM/SEC S 29-32 62.96 U 7.54 276-26 V 2.98 580.63 7.94 16.62 24-10 -220 -.437 -.317 4.64 2.65 1-85 71-51 46.96 48-64 4-63 -55-04 -71-12 6 = SPEED U = EAST-WEST COMPONENT OF VELOCITY. EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY. NORTH = POSITIVE V. 15 30 SPEED 45 60 CCM/SEC).
RF2HGM24E–Still Life, Apples and Pears in a Round Basket - 1872 - oil on canvas 45,7 x 55,2 cm - Pissarro Camille
RM2B0J7CX–Woman’s Robe with Lotus Flowers, China, Qing dynasty (1644–1911), Date 18th century, China, Silk embroidery on silk gauze, Overall: 55 x 45 1/2 in. (139.7 x 115.6 cm), Costumes-Embroidered
RF2HTY1TW–Art inspired by Shoes, 1888, Oil on canvas, 18 x 21 3/4 in. (45.7 x 55.2 cm), Paintings, Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise), Van Gogh painted several still lifes of shoes or boots during his Paris period. This picture, painted later, in Arles, evinces a unique, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![inscription, relief, limestone, 160 x 55 x 20 cm, New Kingdom, 18th Dynasty, EgyptDescription of the Egyptian collection, IV, 7, Pl.XXXVII, J. Van Dijk, The New Kingdom necropolis of Memphis (Groningen 1992), 82 n. 1, G.T. Martin, The Tomb of Maya and Meryt, I (London 2012), 40, 69, and pl. 37 and 93.2 (No. [70b]), N. Staring, SAK 45 (2016), 359-360 n. 108 Stock Photo](https://c8.alamy.com/comp/2B0D666/inscription-relief-limestone-160-x-55-x-20-cm-new-kingdom-18th-dynasty-egyptdescription-of-the-egyptian-collection-iv-7-plxxxvii-j-van-dijk-the-new-kingdom-necropolis-of-memphis-groningen-1992-82-n-1-gt-martin-the-tomb-of-maya-and-meryt-i-london-2012-40-69-and-pl-37-and-932-no-70b-n-staring-sak-45-2016-359-360-n-108-2B0D666.jpg "inscription, relief, limestone, 160 x 55 x 20 cm, New Kingdom, 18th Dynasty, EgyptDescription of the Egyptian collection, IV, 7, Pl.XXXVII, J. Van Dijk, The New Kingdom necropolis of Memphis (Groningen 1992), 82 n. 1, G.T. Martin, The Tomb of Maya and Meryt, I (London 2012), 40, 69, and pl. 37 and 93.2 (No. [70b]), N. Staring, SAK 45 (2016), 359-360 n. 108 Stock Photo")
RM2B0D666–inscription, relief, limestone, 160 x 55 x 20 cm, New Kingdom, 18th Dynasty, EgyptDescription of the Egyptian collection, IV, 7, Pl.XXXVII, J. Van Dijk, The New Kingdom necropolis of Memphis (Groningen 1992), 82 n. 1, G.T. Martin, The Tomb of Maya and Meryt, I (London 2012), 40, 69, and pl. 37 and 93.2 (No. [70b]), N. Staring, SAK 45 (2016), 359-360 n. 108
RF2HTXG5M–Art inspired by The Lion and Horse, 1777, Mezzotint; fourth state of five, plate: 17 7/8 x 21 3/4 in. (45.4 x 55.2 cm), Prints, Benjamin Green (British, Halesowen, Shropshire, baptized 1739–died 1798), After George Stubbs (British, Liverpool 1724–1806 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAMBK5–Christ in the Wilderness. Artist: Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescia ca. 1498-1554 Brescia). Dimensions: 18 x 21 3/4 in. (45.7 x 55.2 cm). Date: ca. 1515-20. Following his baptism by John the Baptist, Christ retired to the wilderness for forty days: 'And he was there . . . forty days, tested by Satan; and was with the wild beasts; and the angels ministered to him' (Mark 1:13). This picture, an early work by Moretto from about 1515, is a fragment of a larger canvas that must have continued past the sketchy cherubim at the left and showed other events from Christ's life
RF2HW8GEB–Art inspired by George Sand's Garden at Nohant, 1840s, Oil on canvas, 17 7/8 x 21 3/4 in. (45.4 x 55.2 cm), Paintings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), During the 1840s Delacroix made three summer visits to Nohant in central France, where he stayed at, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B0N6TA–Six engravings and one map, 18th century, Ink on paper, 1. Overall: 23 x 30 in. (58.4 x 76.2 cm), 2. Overall: 19 x 23 in. (48.3 x 58.4 cm), 3. Overall: 19 x 23 in. (48.3 x 58.4 cm), 4. Overall: 19 x 23 in. (48.3 x 58.4 cm), 5. Overall: 13 1/2 x 17 3/4 in. (34.3 x 45.1 cm), 6. Overall: 18 1/2 x 11 3/4 in. (47 x 29.8 cm), 7. Overall: 21 3/4 x 24 1/2 in. (55.2 x 62.2 cm), Miscellaneous-Paintings
RMMXB66Y–. 'Jahangir and His Vizier, I'timad al-Daula', Folio from the Shah Jahan Album Manohar (active ca. 1582–1624) Calligrapher: Mir 'Ali Haravi (d. ca. 1550) Object Name: Album leaf Reign: Jahangir (1605–27), recto Date: recto: ca. 1615; verso: ca. 1530–45 Geography: India Medium: Ink, opaque watercolor, and gold on paper Dimensions: 15 3/8 x 10 3/16in. (39 x 25.9cm) Mat: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm) Frame: 20 1/4 x 15 1/4 in. (51.4 x 38.7 cm) Classification: Codices Credit Line: Purchase, Rogers Fund and The Kevorkian Foundation Gift, 1955 Accession Number: 55.121.10.23 This art
RMKC5ANB–Fragment, 17th century, Italian, Silk, Overall: 18 x 21 3/4 in. (45.7 x 55.2 cm), Textiles-Velvets
![To the Very Reverend CHARLES HENRY HALL, D.D. DEAN OF CHRIST CHURCH, The Right Reverend and Reverend the CANONS, This VIEW of PECKWATER QUADRANGLE, is with their Permission dedicated by their much obliged and humbl Author Havell, Robert 34.45.q.2. Place of publication: [Oxford] Publisher: Publish'd Octr 17 1812 by James Wyatt, Carver, Gilder , Picture Frame Maker, High Street, Oxford., Date of publication: [October 17 1812] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 50.2 x 65.2 cm, on sheet 55.7 x 81 cm For Stock Photo](https://c8.alamy.com/comp/2E9HMTD/to-the-very-reverend-charles-henry-hall-dd-dean-of-christ-church-the-right-reverend-and-reverend-the-canons-this-view-of-peckwater-quadrangle-is-with-their-permission-dedicated-by-their-much-obliged-and-humbl-author-havell-robert-3445q2-place-of-publication-oxford-publisher-publishd-octr-17-1812-by-james-wyatt-carver-gilder-picture-frame-maker-high-street-oxford-date-of-publication-october-17-1812-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-platemark-502-x-652-cm-on-sheet-557-x-81-cm-for-2E9HMTD.jpg "To the Very Reverend CHARLES HENRY HALL, D.D. DEAN OF CHRIST CHURCH, The Right Reverend and Reverend the CANONS, This VIEW of PECKWATER QUADRANGLE, is with their Permission dedicated by their much obliged and humbl Author Havell, Robert 34.45.q.2. Place of publication: [Oxford] Publisher: Publish'd Octr 17 1812 by James Wyatt, Carver, Gilder , Picture Frame Maker, High Street, Oxford., Date of publication: [October 17 1812] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 50.2 x 65.2 cm, on sheet 55.7 x 81 cm For Stock Photo")
RM2E9HMTD–To the Very Reverend CHARLES HENRY HALL, D.D. DEAN OF CHRIST CHURCH, The Right Reverend and Reverend the CANONS, This VIEW of PECKWATER QUADRANGLE, is with their Permission dedicated by their much obliged and humbl Author Havell, Robert 34.45.q.2. Place of publication: [Oxford] Publisher: Publish'd Octr 17 1812 by James Wyatt, Carver, Gilder , Picture Frame Maker, High Street, Oxford., Date of publication: [October 17 1812] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 50.2 x 65.2 cm, on sheet 55.7 x 81 cm For
RMKCD6EB–Shoes, 1888, Oil on canvas, 18 x 21 3/4 in. (45.7 x 55.2 cm), Paintings, Vincent van Gogh (Dutch, Zundert 1853–1890
RM2JMTJYN–Nitschmann F., railway tunnel. Monthly competition May 1873 (05.1873): longitudinal section, 2 cross -sections, details; 3 scale strips. Tusche watercolor on the box, 45 x 55.7 cm (including scan edges) Nitschmann F. : Eisenbahntunnel. Monatskonkurrenz Mai 1873
RM2B0MTC2–Eugène Delacroix, George Sand's Garden at Nohant, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), ca. 1842–43, Oil on canvas, 17 7/8 x 21 3/4 in. (45.4 x 55.2 cm), Paintings
RM2JMP338–Lüdecke Carl Johann Bogislaw (1826-1894), manor house in Kottulin. Conversion (September 20, 1872): Upper gable view with glued-in right base/ground floor variant, 2 scale strips (meters and foot). Ink on transparent, with a glued variant, 55.5 x 45.7 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Herrenhaus, Kottulin. Umbau
RF2HBTHG3–De Nittis Giuseppe - Private Collection - Testa femminile di profilo, con cappellino- unknown date - oil on canvas 55,2 x 45,7 cm -
RM2JN1DA2–N.N., residential building on Mühlengasse, Kassel. (From: Atlas to the magazine for Building, ed. V. Ministry of Public Work, Jg. 55, 1905) (1905-1905): View, Details. Stitch on paper, 45.7 x 30.2 cm (including scan edges) N.N. : Wohnhaus an der Mühlengasse, Kassel. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. Ministerium der öffentlichen Arbeiten, Jg. 55, 1905)
RM2PMHDPF–Sampler (USA); Embroidered by Mary Lish (American); silk and cotton embroidery on linen foundation; Frame H x W x D: 45.7 x 71.1 cm (18 x 28 in.) Warp x Weft (unframed): 43.2 x 55.9 cm (17 x 22 in.)
RM2JN00NB–Böhmer Franz (1907-1943), Stadium in Poznan (1941-1941): Entrance building view. Pencil on transparent, 45.7 x 55.2 cm (including scan edges)
RMKP2E3F–From My Window at the Shelton, West MET DP233000 269453 From My Window at the Shelton, West, 1931, Gelatin silver print, 24.2 x 19.1 cm (9 1/2 x 7 1/2 in.). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.55.45)
RM2H0YEB4–Christ Before Pilate: Large Plate, 1636. Rembrandt van Rijn (Dutch, 1606-1669). Etching and engraving; sheet: 55.5 x 45.2 cm (21 7/8 x 17 13/16 in.).
RM2M94E6N–Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 40 silk, 30 nylon, 30 rayon, 21 3/4 x 18 in. (55.2 x 45.7 cm). 1948-1959
RMPAKN7P–The Lion and Horse. Artist: After George Stubbs (British, Liverpool 1724-1806 London); Benjamin Green (British, Halesowen, Shropshire, baptized 1739-died 1798). Dimensions: plate: 17 7/8 x 21 3/4 in. (45.4 x 55.2 cm). Publisher: R. Sayer and J. Bennett (London). Date: 1777. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW8RPJ–Art inspired by Portrait of Madame Gabrielle Marcotte de Quivières, 1845, Graphite on white wove paper darkened to buff, mounted on stiff paper, 12 13/16 x 10 3/4 in. (32.5 x 27.3 cm); Rabbet: 22 x 16 in. (55.9 x 40.6 cm.); Overall Frame: H x W x D: 18 x 24 x 1 1/4 in. (45.7 x 61 x 3.2, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMWECR2–. 'Jahangir and His Vizier, I'timad al-Daula', Folio from the Shah Jahan Album Manohar (active ca. 1582–1624) Calligrapher: Mir 'Ali Haravi (d. ca. 1550) Object Name: Album leaf Reign: Jahangir (1605–27), recto Date: recto: ca. 1615; verso: ca. 1530–45 Geography: India Medium: Ink, opaque watercolor, and gold on paper Dimensions: 15 3/8 x 10 3/16in. (39 x 25.9cm) Mat: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm) Frame: 20 1/4 x 15 1/4 in. (51.4 x 38.7 cm) Classification: Codices Credit Line: Purchase, Rogers Fund and The Kevorkian Foundation Gift, 1955 Accession Number: 55.121.10.23 This art
RF2HTT6JT–Art inspired by Mail Hood and One Piece Suit, 17th century, Indian, Steel or iron, copper alloy, a) H. approx. 18 in. (45.7 cm); b) Overall L. 55 1/2 in. (141 cm), Mail, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTW8W6–Art inspired by Pair of wall lights, ca. 1765–68, German, Berlin, Hard-paste porcelain and gilt bronze; brass, Overall .1 (confirmed field dimensions): 22 x 17 7/8 x 10 1/2 in. (55.9 x 45.4 x 26.7 cm), Ceramics-Porcelain, Frederick the Great was an ardent champion of the Rococo style, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMYYE0P–. Français : John Singer Sargent : Portrait de Mrs Harry Vane Milbank, née Van den Bergh (mère du peintre Albert de Belleroche), HST, 55,2 x 45,7 cm (1884), collection particulière. . 1884. John Singer Sargent 71 Mrs Milbank par John Singer Sargent 1884
RM2B0HKXN–Chelsea Porcelain Manufactory, Tea service, British, Chelsea, ca. 1752–55, British, Chelsea, Soft-paste porcelain, Height (teapot .445a, b): 5 in. (12.7 cm); Diameter (waste bowl .446): 4 1/8 in. (10.5 cm); Width (cups .447, .448): 2 1/2 in. (6.4 cm); Diameter (saucers .449, .450): 4 1/4 in. (10.8 cm), Ceramics-Porcelain
RF2HW0G3A–Art inspired by Upright (Giraffe) Piano, 1810, Austria, Austrian, Wood, various materials, Case L. (perpendicular to keyboard): 55.3 cm (21-7/8 in.; W. parallel to keyboard): 115.8 cm (45-5/8 in.);H.: 199.5 cm (78-5/8 in.); 3-octave span: 47.7 cm (18-7/8 in.); Vibrating string L, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DHRKC9–Shipping in a Choppy Sea, Samuel Scott, 1701/2–1772, British, 1753, Oil on canvas, Support (PTG): 55 x 45 1/2 inches (139.7 x 115.6 cm), clouds, fleet, full-rigged ships, marine art, sea, ships, sloop (sailing vessel), water, waves (natural events), wind
RF2HW3WRG–Art inspired by Set of four three-light sconces (bras de lumière), Cast by either Étienne-Jean Forestier (died 1768, master 1764), or his brother Pierre-Auguste Forestier, Chased and gilded by Pierre Philippe Thomire (French, Paris 1751–1843 Paris), 1788, French, Paris, Gilt bronze, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCBXC3–The Lion and Horse, 1777, Mezzotint; fourth state of five, plate: 17 7/8 x 21 3/4 in. (45.4 x 55.2 cm), Prints, Benjamin Green
RM2PMG7J6–Object ID #18544553; Italy; pen and black ink, watercolor, ruled borders in pen and black support: white laid paper; 45.4 x 29.6 cm (17 7/8 x 11 5/8 in.) image: 37.0 x 21.2 Mat: 55.9 x 71.1 cm (22 x 28 in.)
RM2B0KR4M–Titian (Tiziano Vecellio), Madonna and Child, Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice), ca. 1508, Oil on wood, Overall 18 x 22 in. (45.7 x 55.9 cm); painted surface 17 x 21 1/2 in. (43.2 x 54.6 cm), Paintings
RF2B9GWRJ–Pierre-Auguste Renoir: Landscape (Paysage), Pierre-Auguste Renoir, c. 1900–1905, Oil on canvas, Overall: 18 x 21 3/4 in. (45.7 x 55.2 cm)
RM2M94DE8–Textile Swatches Onondaga Silk Company, Inc. (1925-1981). Textile Swatches, 1948-1959. 58 worsted wool; 26 silk; 16 metal, largest component (a): 55 1/2 x 18 in. (141 x 45.7 cm). 1948-1959
RMPAXTH6–George Sand's Garden at Nohant. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: 17 7/8 x 21 3/4 in. (45.4 x 55.2 cm). Date: ca. 1842-43. During the 1840s Delacroix made three summer visits to Nohant in central France, where he stayed at the country home of his friend the writer Aurore Dudevant, better known by her pseudonym George Sand. This verdant view on the south side of the house, whose focal point is a simple stone table (or bench), was preceded by a pencil sketch that probably dates to 1842 or 1843 (Musée Carnavalet, Paris). One of Delacroix's ra
RMMMWNG6–Painting; oil on canvas; overall: 116.8 x 90.8 cm (46 x 35 3/4 in.) framed: 140.3 x 115.9 x 7 cm (55 1/4 x 45 5/8 x 2 3/4 in.); John Singleton Copley, Abigail Smith Babcock A0000066
RM2PMCDXN–Drawing, The Study of Czarina Alexandra Feodorovna; Josef Sotira; brush and gray wash, watercolor, gouache, pen and black ink on off- white wove paper; Mat: 40.6 x 55.9 cm (16 x 22 in.) Sheet: 27.4 x 40.7 cm (10 13/16 x 16 in.) Frame H x W x D: 45.1 x 60.3 x 2.5 cm (17 3/4 in. x 23 3/4 in. x 1 in.); Thaw Collection; 2007-27-16
RM2B0KN27–Nina de Garis Davies, Syrians Bringing an Ingot and a Chariot, tomb of Rekhmire, New Kingdom, Nina de Garis Davies (1881–1965), Dynasty 18, ca. 1504–1425 B.C., Original from Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Rekhmire (TT 100), Paper, tempera paint, ink, facsimile: h. 42 cm (16 9/16 in); w. 55.5 cm (21 7/8 in), scale 1:1, framed: h. 45.2 (17 13/16 in); w. 59.7 (23 1/2 in); th. 1.9 cm (3/4 in
RF2B9GWRK–Pierre-Auguste Renoir: Landscape (Paysage), Pierre-Auguste Renoir, c. 1900–1905, Oil on canvas, Overall: 18 x 21 3/4 in. (45.7 x 55.2 cm)
RM2M94DEB–Textile Swatches Onondaga Silk Company, Inc. (1925-1981). Textile Swatches, 1948-1959. 58 worsted wool; 26 silk; 16 metal, largest component (a): 55 1/2 x 18 in. (141 x 45.7 cm). 1948-1959
RMPB1R2K–Hibiscus, Lotus, and Rock. Artist: Shitao (Zhu Ruoji) (Chinese, 1642-1707). Culture: China. Dimensions: Image: 45 9/16 x 22 in. (115.7 x 55.9 cm) Overall with mounting: 88 x 28 1/2 in. (223.5 x 72.4 cm) Overall with knobs: 88 x 31 3/4 in. (223.5 x 80.6 cm). Date: ca. 1705-7. Recalling a beautiful woman in their blushing colors and delicate shapes, the blossoms of the lotus and hibiscus epitomize the exuberance and fullness of youth. Seeming to mock himself for continuing to admire such lush summer flowers, the aging Shitao inscribed the lines by the renowned Song dynasty poet Su Shi (1036-1
RM2JMX9EB–Klomp Johannes Franziskus (1865-1946), Höfker residential building, Dortmund (11.1912): front view, rear view, longitudinal section and top floor plan 1: 100. Ink, pencil, ink colored, watercolored on transparent, 55.2 x 45.7 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Wohnhaus Höfker, Dortmund
RM2H111GJ–Study after Nature, c. 1853–55. Julien Vallou de Villeneuve (French, 1795-1866). Waxed salt print from waxed paper negative; image: 16.1 x 12.2 cm (6 5/16 x 4 13/16 in.); matted: 45.7 x 35.6 cm (18 x 14 in.).
RMP00G2P–. English: Madame Belleroche John Singer Sargent -- American painter c. 1884 Private collection Oil on canvas 55.2 x 45.7 cm (21 3/4 x 18 in.) Stamped with the artist's estate stamp J.S.S. prior to lining; also inscribed Sketch of a Head/To be returned to London on the stretcher Jpg: Sotheby's . circa 1884. John Singer Sargent (January 12, 1856 – April 14, 1925) 67 Madame Belleroche
RMMNY3J7–English: Portrait of the Misses Mary and Emily McEuen . Thomas Sully (England, Horncastle, 1783 - 1872) Portrait of the Misses Mary and Emily McEuen, 1823 Painting, Oil on canvas, 44 1/4 x 34 1/4 in. (112.4 x 87 cm); Framed: 55 x 45 x 4 1/2 in. (139.7 x 114.3 x 11.43 cm) Gift of Jo Ann and Julian Ganz, Jr. in honor of the museum's 40th anniversary (M.2008.222) Wikipedia Loves Art at the Los Angeles County Museum of Art This photo of item # M.2008.222 at the Los Angeles County Museum of Art was contributed under the team name 'artifacts' as part of the Wikipedia Loves Art project in February 2
RM2PMEP7W–Drawing, Inkstand; Designed by Giuseppe Barberi (Italian, 1746–1809); Italy; pen and brown ink, brush and brown wash, graphite on off-white laid paper; Image: 30.7 x 44.9 cm (12 1/16 x 17 11/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.) Frame H x W x D: 44.8 x 60.3 x 2.5 cm (17 5/8 in. x 23 3/4 in. x 1 in.) Mount: 34.1 x 45.7 cm (13 7/16 in. x 18 in.)
RM2A2P894–Tuareg, African, Saddle Bag, early 20th century, Embroidered leather, Overall: 22 × 18 × 2 inches (55.9 × 45.7 × 5.1 cm
RF2B9AM1J–Fragment of a cashmere scarf, Fragment of cashmere scarf in silk and wool with stylized floral and leafwork and two paisley motifs. Fringe on bottom edge., anonymous, Kashmir, c. 1800 - c. 1820, silk, wool, twill, h 45 cm × w 25.7 cm h 26 cm × w 55.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRY2PK7–Christ Before Pilate: Large Plate, 1636. Rembrandt van Rijn (Dutch, 1606-1669). Etching and engraving; sheet: 55.5 x 45.2 cm (21 7/8 x 17 13/16 in
RMPAP0KF–Jérusalem, Église Sainte-Anne, Détails du portail. Artist: Auguste Salzmann (French, 1824-1872). Dimensions: Image: 23.2 x 32.7 cm (9 1/8 x 12 7/8 in.) Mount: 45.1 x 59.8 cm (17 3/4 x 23 9/16 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1854. Museum: Metropolitan Museum of Art, New York, USA.
RM2H10DYX–Villerville Seen from Le Ratier, 1855. Charles François Daubigny (French, 1817-1878). Oil on fabric; framed: 80 x 141.5 x 7.5 cm (31 1/2 x 55 11/16 x 2 15/16 in.); unframed: 54.2 x 116.2 cm (21 5/16 x 45 3/4 in.).
RM2AJEB5R–The diseases of infants and children . in.) 6 months 42 to 45 cm. (16.5 to 17.7 in.) 1 year 45 to 46 cm. (17.7 to 18.1 in.) 2 years 47 to 48 cm. (18.5 to 18.9 in.) 3 years 48.5 to 50 cm. (19.1 to 19.7 in.) 4 years 50 to 52 cm. (19.7 to 20.5 in.) 5 years .52 to 53 cm. (20.5 to 20.9 in.) Adult 53 to 55 cm. (20.9 to 21.7 in.) DEVELOPMENT 33 It will be noticed that the growth in circumference is about 10 cm.(3.9 inches) during the 1st year, which is approximately one-half of theincrease of the child in length. In the 2d year the increase is about 2 cm. (0.8 inch). Girls gradually fall behind to th
RMRY2PK8–Christ Before Pilate: Large Plate, 1636. Rembrandt van Rijn (Dutch, 1606-1669). Etching and engraving; sheet: 55.5 x 45.2 cm (21 7/8 x 17 13/16 in
RM2DCA75W–Auguste Renoir, (artist), French, 1841 - 1919, Mademoiselle Sicot, 1865, oil on canvas, overall: 116 x 89.5 cm (45 11/16 x 35 1/4 in.), framed: 141 x 113.7 cm (55 1/2 x 44 3/4 in
RMPAR7NK–La Galerie de Girardon. Artist: Nicolas Chevalier (French, active Paris, 18th century); After René Charpentier (French, Cuille 1680-1723 Paris). Dimensions: image: 18 7/8 x 45 1/4 in. (47.9 x 114.9 cm) sheet: 21 7/8 x 46 3/16 in. (55.6 x 117.3 cm) mount: 28 x 56 in. (71.1 x 142.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2H11MF8–Gustave Doré, 1860. Pierre Petit (French, 1832-1909). Albumen print from wet collodion negative; image: 25 x 19 cm (9 13/16 x 7 1/2 in.); paper: 48.1 x 31 cm (18 15/16 x 12 3/16 in.); matted: 55.9 x 45.7 cm (22 x 18 in.).
RM2AN9HAT–Ontario Sessional Papers, 1916, No.17-18 . 8 $ c.l1 89 27 53 3 46 17 10 16 11 3 181 10 37 679 88 4 096 69 cm.3.5 51.0 8.1 31.6 29.8 5.9 2.0 69.7 18.3 7.6 12.4 1,417 17200 00160 00 13 761 931 55 450 85 4 38 24,227 41 223 55393 57549 1771 94178 32171 25 235 22 759 11| 7 37 131,162 32I 11 29 20.9 795 26 7 721,213 86! 11 79 45,322 54 440 02 14.3 21.8 25.5 3.6 2.9 8.1 435.7 4.07.19.91.33.23.0 814.8 31st October, 1915 OJrH $ c.207 76 2,673 19636 22 1,679 87 1,965 21263 59361 28 4,750 28754 53425 44650 19 a> => -»J rH in 0 0 be >? 2 f-i 4J crt > a> «*, ^ $ c. 1 91 24 52 5 8415 4118 03
RMW56AHP–Fragment of a cashmere scarf, Fragment of cashmere scarf in silk and wool with stylized floral and leafwork and two paisley motifs. Fringe on bottom edge., anonymous, Kashmir, c. 1800 - c. 1820, silk, wool, twill, h 45 cm × w 25.7 cm h 26 cm × w 55.2 cm
RMRGDE39–Zeit und Ruhm, from the series Vom Tode Zweiter Teil. Artist: Max Klinger (German, Leipzig 1857-1920 Großjena). Dimensions: Image: 14 1/4 × 10 1/8 in. (36.2 × 25.7 cm) Plate: 17 13/16 × 10 13/16 in. (45.3 × 27.5 cm) Sheet: 21 15/16 × 15 3/4 in. (55.7 × 40 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
RM2H110CF–Two-color Velvet with Gold in a Double Curved Lattice Pattern, 1450-1500. Italy, possibly Florence, 15th century. Silk, gold thread; polychrome velvet: cut pile, brocaded, and voided; overall: 108.6 x 55.9 cm (42 3/4 x 22 in.); mounted: 115.6 x 59.7 cm (45 1/2 x 23 1/2 in.).
RM2CRKGG2–. Die Orthodiagraphie : ein Lehrbuch für Aerzte. Mit 75 Abbildungen und 3 Tafeln . Bild 50. Frau, 44 Jahre, 9 Kinder. Kp.-Gw. 55,3 kg, Kp.-Lg. 157 cm. Stenoseund Insuffizienz der Aortenklappe. Stenokardie. HzFl = 164 qcm. 81. Bild 51. Dieselbe Frau. Fr ont al-Auf nahm e. SA = 15,8, SB = 10,1,SC = 10,5, SD =1,2, SF = 11,7, SH = 13,1, SHzFl=127, SLgFl = 68,SInnBstFl = 195, S Hz-Versenk. = 45°/o, <C.Q = 30°. Die zweite Punktreihe rechtsvom Herzen stellt die vordere Linie der Querfortsätze mit den Rippenköpfchen dar. 82
RM2DCFRH7–Edgar Degas, (artist), French, 1834 - 1917, Edmondo and Thérèse Morbilli, c. 1865, oil on canvas, overall: 117.2 x 89.7 cm (46 1/8 x 35 5/16 in.), framed: 141.6 x 114.9 cm (55 3/4 x 45 1/4 in
RMPATC3K–Gothic Windows in the Ruins of the Monastery at Oybin. Artist: Carl Gustav Carus (German, Leipzig 1789-1869 Dresden). Dimensions: 17 x 13 1/4 in. (43.2 x 33.7 cm) Frame: 21 3/4 x 17 7/8 x 2 1/4 in. (55.2 x 45.4 x 5.7 cm). Date: ca. 1828. This church, with its fine Gothic tracery, was founded in 1369, deserted in 1546, and later embraced as a motif by German Romantic artists. Carus visited in August 1820, making a drawing (Staatliche Kunstsammlungen Dresden) that served as a study for the painting. It depicts a vista through two windows--one on either side of the ruined choir--toward a pale m
RM2H12Y5D–Rangoon. View Near the Lake, 1855. Captain Linnaeus Tripe (British, 1822-1902). Albumenized salt print from a paper negative; image: 25.1 x 34.3 cm (9 7/8 x 13 1/2 in.); paper: 25.1 x 34.3 cm (9 7/8 x 13 1/2 in.); matted: 45.7 x 55.9 cm (18 x 22 in.).
RM2CRKF89–. Klinische und anatomische Untersuchungen über den Cretinismus . ,5, Höhe 11,8. Gesichtshöhe 11,0, Breite 12,6; Stirnhöhe 6,2, Breite 10,5;Nasenlänge 4,0, Breite 3,1; Distanz Nase—Kinn 7,0; Entfernung der äusseren Augen-winkel 8,9, der inneren 2,8. Ohr: Längster Durchmesser 6,5, grösste Breite 3,55,wahre Länge 3,3, Ohrbasis 4,2. Entfernung Jugulum—Symphyse 45,0, Jugulum—Proc. xyphoid. 15,5, Proc. xyphoid.—Nabel 15,5. Halsweite 32,5, Bauchumfang 70,0, Casuistik. 101 Trochanterendistanz 27,0, Diameter Baudeloquii 16,5. Oberarm 20,5, Olecranon—Mittelfingerspitze 36,0, Oberschenkel 32,0 cm. Körpe
RM2DCBC7N–Auguste Renoir, (artist), French, 1841 - 1919, Regatta at Argenteuil, 1874, oil on canvas, overall: 32.4 x 45.7 cm (12 3/4 x 18 in.), framed: 55.6 x 71.4 x 6.7 cm (21 7/8 x 28 1/8 x 2 5/8 in
RMPAXXNC–Le Guide de L'Étranger. Artist: Morlon (French, active ca. 1858). Dimensions: image: 18 1/16 x 14 in. (45.8 x 35.6 cm) sheet: 21 7/8 x 15 1/2 in. (55.6 x 39.3 cm). Museum: Metropolitan Museum of Art, New York, USA.
RM2H10XKP–Cinnabar Mountain, Devil Slide, 1880s. Frank Jay Haynes (American, 1853-1921). Albumen print from wet collodion negative; image: 44.6 x 54.8 cm (17 9/16 x 21 9/16 in.); paper: 45.4 x 55.6 cm (17 7/8 x 21 7/8 in.); matted: 61 x 76.2 cm (24 x 30 in.).
RM2CRKGGB–. Die Orthodiagraphie : ein Lehrbuch für Aerzte. Mit 75 Abbildungen und 3 Tafeln . Bild 51. Dieselbe Frau. Fr ont al-Auf nahm e. SA = 15,8, SB = 10,1,SC = 10,5, SD =1,2, SF = 11,7, SH = 13,1, SHzFl=127, SLgFl = 68,SInnBstFl = 195, S Hz-Versenk. = 45°/o, <C.Q = 30°. Die zweite Punktreihe rechtsvom Herzen stellt die vordere Linie der Querfortsätze mit den Rippenköpfchen dar. 82. Bild 52. Dieselbe Frau. 4 Wochen später. Kp.-Gw. 55,8 kg, Kp.-Lg. 157 cm.HzFl = 133. (Sie hat eine energische Hg-Kur durchgemacht und ist frei vonBeschwerden, wenn sie sich nicht stark anstrengt. Das Doppelgeräusch is
RM2DCF667–Giorgione, (painter), Venetian, 1477/1478 - 1510, The Holy Family, probably c. 1500, oil on panel transferred to hardboard, overall: 37.3 x 45.6 cm (14 11/16 x 17 15/16 in.), framed: 55.9 x 64.8 x 7.6 cm (22 x 25 1/2 x 3 in
RMPB54JN–Jérusalem, Vallée de Josaphat, Face Ouest et Nord, 2. Artist: Auguste Salzmann (French, 1824-1872). Dimensions: Image: 23.5 x 32.5 cm (9 1/4 x 12 13/16 in.) Mount: 45 x 59.5 cm (17 11/16 x 23 7/16 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1854. Museum: Metropolitan Museum of Art, New York, USA.
RMRY3500–Villerville Seen from Le Ratier, 1855. Charles François Daubigny (French, 1817-1878). Oil on fabric; framed: 80 x 141.5 x 7.5 cm (31 1/2 x 55 11/16 x 2 15/16 in.); unframed: 54.2 x 116.2 cm (21 5/16 x 45 3/4 in
RM2DCA0PH–John Singer Sargent, (artist), American, 1856 - 1925, Ellen Peabody Endicott (Mrs. William Crowninshield Endicott), 1901, oil on canvas, overall: 162.9 x 114.3 cm (64 1/8 x 45 in.), framed: 189.2 x 141.6 x 7.6 cm (74 1/2 x 55 3/4 x 3 in
RM2H10XHA–Hell's Half Acre, Prismatic Springs, c. late 1880s. Frank Jay Haynes (American, 1853-1921). Albumen print from glass negative; image: 44.7 x 54.5 cm (17 5/8 x 21 7/16 in.); paper: 45 x 55.1 cm (17 11/16 x 21 11/16 in.); matted: 61 x 76.2 cm (24 x 30 in.).
RM2DCFJT6–Anonymous Artist, (painter), Justus Sustermans, (related artist), Flemish, 1597 - 1681, Mattias de' Medici, c. 1660, oil on canvas, overall: 128.3 x 104.2 cm (50 1/2 x 41 in.), framed: 141.6 x 116.5 x 7.9 cm (55 3/4 x 45 7/8 x 3 1/8 in
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