RM2A2RENR–The falls of Schaffhausen, View of the Rhine Falls, S. 401, Linton, Henry, 1854, Charles Williams, The Alps, Switzerland, and the North of Italy. London: Cassell, 1854
RM2B0G85R–draft of eland antler with wood remains of the stem, tassel, organic, antlers, wood, 30.5 x 6 x 4 cm, Iron Age 514-401 BC, Netherlands, South Holland, The Hague, The Hague, Madepolder
RM2DRJA1C–Ruler: Tissaphernes, Mint: Astyra, Coin of Tissaphernes from Astyra, 401–395 B.C., Bronze, 1.675 g, 12:00, Made in Astyra, Mysia, Greek, 5th–4th century B.C., Numismatics
RM2A2T0T1–Regensperg, View of Regensberg in the Canton of Zurich, p., 342; to p. 342, p. 401, 1742, Hans Heinrich Bluntschli: Memorabilia Tigurina, oder Merkwürdigkeiten der Stadt und Landschaft Zürich. Dritte vermehrte Auflage. Zürich: Heidegger und Companie, 1742
RM2DRHDMF–Mount Meru Ornament, mid-7th to 10th century, Gold; cast, 1.8 × 1.81 cm, 2.401 g (11/16 × 11/16 in., 2.401 g), Made in Java, Indonesia, Java, 7th–10th century, Jewelry
RM2B0JP68–Issued by Allen & Ginter, Card 401, Esmerelda, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm
RM2A2RW03–Gaston Tissandier, Portrait of Gaston Tissandier (1843-1899), Signed: Ettling sc, A. Marie, Fig. 78, p. 401, Marie, Adrien (del.); Ettling, Jacob (sc.), 1870, James Glaisher; Camille Flammarion; Wilfrid de Fonvielle; Gaston Tissandier: Voyages aériens. Paris: Hachette, 1870
RM2DNNPHP–daibutsu in Shinkoji, Hiogo, albumin paper, black and white positive process, hand-colored, image size: height: 20.40 cm; width: 26.60 cm, titled: recto u. l.: A 401. daibutsu in Shinkoji, Hiogo, travel photography, temples and sanctuaries (Hinduism, Buddhism, Jainism
RM2DRJ9KN–Ruler: Theodosius II, Emperor of Rome, 401–450, ruled 408–50, Mint: Constantinople, Coin of Theodosius II, Emperor of Rome from Constantinople, A.D. 408–23, Bronze, 1.69 g, 12:00, 15 mm, Made in Constantinople, Thrace, Roman, Roman, Numismatics
RM2DRH93T–Ruler: Theodosius II, Emperor of Rome, 401–450, ruled 408–50, Mint: Constantinople, Siliqua of Theodosius II, Emperor of Rome from Constantinople, 438–50, Silver, 1.69 g, 12:00, 16 mm, Made in Constantinople, Roman, 5th century A.D., Numismatics
RM2DRJAD0–Ruler: Theodosius II, Emperor of Rome, 401–450, ruled 408–50, Mint: Constantinople, Semissis of Theodosius II, Emperor of Rome from Constantinople, 444, Gold, 2.18 g, 6:00, 18 mm, Made in Constantinople, Thrace, Roman, 5th century A.D., Numismatics
RM2DMKWYN–The War - Making Havelocks for the Volunteers, from Harper's Weekly, June 29, 1861, p. 401., Winslow Homer, American, 1836–1910, Wood engraving in black ink on newsprint paper., Vertical view of an interior with a group of women sewing in the foreground., June 29, 1861, graphic design, Print
RM2A2RW46–The Jacquard taking Prince to death, Flight of Alexandre Prince on November 28, 1870 with the hot-air balloon 'Le Jacquart', Fig. 69, P. 401, 1876, Alfred Sircos; Th. Pallier: Histoire des ballons et des ascensions célèbres avec une préface de Nadar: dessins de A. Tissandier [...]. Paris: F. Roy, 1876
RM2A2TA0D–Velvet Duck, Velvet Duck (Melanitta fusca, Fuligula fusca), Signed: J.J. Audubon, J.T. Bowen, lithograph, Pl. 401 (vol. 6), Audubon, John James (drawn); Bowen, J. T. (lith.), 1856, John James Audubon: The birds of America: from drawings made in the United States and their territories. New York: Audubon, 1856
RM2B0MPC3–John Forbes Watson, Collection of specimens and illustrations of the textile manufactures of India. Second series: Kincobs, Nos. 401 to 458, John Forbes Watson (Scottish, 1827–1892), William Griggs, 1873-1880, London, England, 1 volume: chiefly color illustrations, samples ; Height: 13 3/4 in. (35 cm) - 17 11/16 in. (45 cm
RM2A2RRAR–More Cucumer, Fig. 401, CCCC, Capitel CCLI-CCC., Leonhart Fuchs: New Kreuterbuch, in welchem nit allein die gantz histori, das ist, namen, gestalt, statt und zeit der wachsung [...] des meysten theyls der Kreuter so in Teutschen und andern Landen wachsen, [...] beschriben, sonder auch aller derselben wurtzel, stengel, [...] abgebildet und contrafayt ist. Basell: Isingrin 1563
RM2A2RD9N–Near Friborg, Landscape near Freiburg in the country, signed: Roudet?; Karl Girardet, after p. 310, p. 401, Toepffer, Rodolphe (d'apres); Girardet, Karl, Rodolphe Töpffer: Nouveaux voyages en zigzag, à la Grande-Chartreuse, autour du Mont Blanc, dans les vallées d'Hérens, de Zermatt, au Grimsel, à Gênes et à la Corniche. Éd. 5. Paris. Garnier, 1886
RM2A2T5B6–Pierre Pertuis bei Tavannes, ViewCol de Pierre Pertuis at Tavannes, after p. 256, p. 401, Müller, Adolph (gezeichnet); Winkles, Henry (gestochen), 1858, Heinrich Zschokke: Die Schweiz in ihren klassischen Stellen und Hauptorten; mit 72 Originalansichten, gezeichnet von Adolph Müller, gestochen von Henry Winkles und den besten englischen Künstlern. Zweite durchgesehene und ergänzte Auflage. Stuttgart: Gebrüder Scheitlin; St. Gallen: Scheitlin & Zollikofer, 1858
RM2A2JPHW–The Resurrection, from The Large Passion, 1510, published 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 401 x 282 mm
RMKC7AFN–Loincloth, 12th–15th century, Peru, Chimú, Cotton, camelid hair, L. (without tie) 158 x W. 45 in. (401.3 x 114.3 cm), Textiles
RMKCDG9W–Hanging, 1851–52, Attributed to India, Cotton; block-printed, 158 in. high 86.00 in. wide (401.3 cm high 218.4 cm wide), Textile
RM2A2HXNE–Third Tapestry: The Siege of Douai, 1667, Sébastien Le Clerc, the Elder, French, 1637-1714, France, Engraving and etching on paper, 401 × 560 mm (plate), 403 × 561 mm (sheet
RM2A2KFAF–Christ Child: Study for the Madonna di San Giovanni, c. 1565, Federico Barocci, Italian, c. 1535-1612, Italy, Black and red chalk, with pastel and stumping, on greenish-blue laid paper, 401 x 263 mm
RM2A2JMGF–Irish and American Bar, Rue Royale—The Chap Book, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on tan wove paper, 401 × 601 mm (image), 414 × 601 mm (sheet
RM2A2HX49–Tree, 1892, Odilon Redon, French, 1840-1916, France, Lithograph on cream China paper, laid down with chine collé on ivory wove paper, 401 × 319 mm (image), 476 × 320 mm (chine), 613 × 431 mm (sheet
RM2B0N6F6–Bottle, probably 18th–19th century, Attributed to Iran, Glass; mold blown; tooled on the pontil, H. 10 5/16 in. (26.2 cm), Diam. 7 1/2 in. (19.1 cm), Wt. 14.1520 oz (401.202 g), Glass
RM2A2RE4X–Bicycle map with the four cardinal directions, Warfare in the Middle Ages, wheel map with directions and months, west, east, north and south, Occidens, Oriens, Septentriones et Meridies, woodcut, S. 401, (Liber undecimus), 1483, Roberto Valturio: [De re militari]. Verona: [Boninus de Boninis], [1483
RM2A2JDG3–Lady Mary, June 20, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 401 x 281 mm (image), 442 x 313 mm (plate), 485 x 357 mm (sheet
RM2A2TBR7–Circus of Caracalla, near Rome, Circus of Maxentius in Rome, signed: J. A. Leveil (del.); Bury (sc.), Fig. 99, p. 401, Leveil, J. A. (del.); Bury (sculp.), 1853, Jules Gailhabaud: Monuments anciens et modernes. Bd. 1. Paris: Librairie de Firmin Didot frères, 1853
RM2A2JHRH–Woman in Bed, Profile, Getting Up, plate eight from Elles, 1896, Henri de Toulouse-Lautrec (French, 1864-1901), published by Gustave Pellet (French, 1859-1919), probably printed by Auguste Clot (French, 1858-1936), France, Color lithograph on ivory wove paper, 401 × 521 mm
RM2A2J1EB–Saints, or Allegorical Figures and Putti on Clouds, n.d., Attributed to Giovanni Battista Beinaschi (Italian, 1636-1688), or Antonio Allegri, called Correggio (Italian, c. 1489-1534), Italy, Pen and brown ink, with charcoal, on buff laid paper, laid down on cream laid paper, 401 x 536 mm
RM2B0N005–William Bainbridge, Double Flageolet in D, British, William Bainbridge (British, London, active 1803–1831), John Wood (British, London active 1808–1821), ca. 1808–20, London, England, United Kingdom, British, Wood, ivory, Length 15-25/32 in. (401 mm), Aerophone-Whistle Flute-flageolet
RM2A2T55W–Ibrahim in Nezib, Ibrahim Pasha al Wali in the camp in Nizip 1839, signed: Jeanron del, A. Gabriel sc, Fig. 3, according to p. 401, Jeanron (del.); Gabriel, A. (sc.), Louis Blanc: Révolution française: histoire de dix ans 1830-1840. Bd. 5. Paris: Pagnerre, 1848
RM2A2TG4X–Bad und See St. Moritz, View of St. Moritz and Lake St. Moritz from the 19th century, signed: A. Cl., X. A, T. v., E, Fig. 353, p. 401, Closs, Adolf; Eckenbrecher, Themistokles von, Woldemar Kaden: Das Schweizerland: eine Sommerfahrt durch Gebirg und Thal. Stuttgart: Engelhorn, 1875
RM2B0MRNA–Workshop of Biduinus, Portal from the Church of San Leonardo al Frigido, Italian, Workshop of Biduinus (Italian, active last quarter 12th century), ca. 1175, Made in Tuscany, Italy, Italian, Marble (Carrara marble), 13 ft. 2 in. × 76 in. × 14 in. (401.3 × 193 × 35.6 cm), Installations
RM2A2J1KD–David Beheading Goliath (recto), Sketch of Draped Female Figure with Right Arm Raised Above Head (verso), n.d. (recto), c. 1621 (verso), Probably Domenico Fiasella (Italian, 1589-1669), or possibly Lodovico Carracci (Italian, 1555-1619), Italy, Black chalk, heightened with white chalk (recto and verso), on blue laid paper, 401 x 248 mm
RM2JE2JPY–Plan of the first floor of the Palazzo Giacomo Lomellini at Genoa, Prima pianta del Palazzo del sigr. Giacomo Lomellino (title on object), This print is part of an album., print maker: Nicolaes Ryckmans, publisher: Peter Paul Rubens, Spaanse kroon, Antwerp, 1622, paper, engraving, height 184 mm × width 401 mm, height 583 mm × width 435 mm
RM2JDY7EF–Plan of the first floor of the Palazzo Giacomo Lomellini at Genoa, Prima pianta del Palazzo del sigr. Giacomo Lomellino (title on object), This print is part of an album., print maker: Nicolaes Ryckmans, publisher: Peter Paul Rubens, Spaanse kroon, Antwerp, 1622, paper, engraving, height 184 mm × width 401 mm, height 583 mm × width 435 mm
RM2JE2X1W–Estate Auction, Interior of an auction room where a crowded estate auction is in progress. On the right on a rise is the auctioneer and an assistant. Standing and seated men and women view the offerings consisting of furniture, paintings and other household goods., print maker: Henry Duff Linton, (mentioned on object), after design by: Gustave Doré, (mentioned on object), 1842 - 1899, paper, height 292 mm × width 401 mm
RM2JDYBWJ–Estate Auction, Interior of an auction room where a crowded estate auction is in progress. On the right on a rise is the auctioneer and an assistant. Standing and seated men and women view the offerings consisting of furniture, paintings and other household goods., print maker: Henry Duff Linton, (mentioned on object), after design by: Gustave Doré, (mentioned on object), 1842 - 1899, paper, height 292 mm × width 401 mm
RM2A2RNER–Separation of silver and copper, Lead blocks are melted on the hearth in the fire, the liquid lead is then scooped up in copper pans, there the lead cakes cool, woodcut, p. 401, (Liber undecimus), Manuel, Hans Rudolf (graveur sur bois), 1556, Georgius Agricola: De re metallica libri XII: quibus officia, instrumenta, machinae, ac omnia denique ad metallicam spectantia, non modo luculentissime describuntur, sed & per effigies (...). Basileae: [Froben], 1556
RM2JDY7AH–Plans and elevations of the Villa Spinola di San Pietro, Villa Grimaldi, Palazzo Spinola and Palazzo Rostan Raggio in Genoa, Sopra il taglio del Palazzo C (...) (title on object), This print is part of an album., print maker: Nicolaes Ryckmans, publisher: Peter Paul Rubens, Spaanse kroon, Antwerp, 1622, paper, engraving, height 401 mm × width 294 mm, height 583 mm × width 435 mm
RM2JE2JHF–Plans and elevations of the Villa Spinola di San Pietro, Villa Grimaldi, Palazzo Spinola and Palazzo Rostan Raggio in Genoa, Sopra il taglio del Palazzo C (...) (title on object), This print is part of an album., print maker: Nicolaes Ryckmans, publisher: Peter Paul Rubens, Spaanse kroon, Antwerp, 1622, paper, engraving, height 401 mm × width 294 mm, height 583 mm × width 435 mm
RM2A2RY2N–The cluster of Schwartswald, or Black Forest, In the background, the Rosenlaui glacier, in the foreground a shepherd grazing his herd, signed: S. H. Grim (ad nat. Del.); A. Zingg (sculp.), Fig. 6, IV, after p. 372, p. 401, Grim, S. H. (ad nat. del.); Zingg, Adrian (sculp.), 1770, Gottlieb Sigmund Gruner; Louis-Félix Guinement de Keralio: Histoire naturelle des glacieres de Suisse. Paris: Panckoucke, MDCCLXX [1770
RM2JE2XYJ–Professions, Les petits métiers de Paris (title on object), Sheet showing 44 different professions, partly street vendors and street performers. Included is a water carrier, an umbrella seller, a chocolate seller, a newspaper seller, and a book seller. Numbered in the upper right: No. 181., publisher: Pellerin & Cie., (mentioned on object), printer: Pellerin & Cie., (mentioned on object), print maker: anonymous, Épinal, c. 1850 - c. 1900, paper, height 401 mm × width 299 mm
RM2JDYCG4–Professions, Les petits métiers de Paris (title on object), Sheet showing 44 different professions, partly street vendors and street performers. Included is a water carrier, an umbrella seller, a chocolate seller, a newspaper seller, and a book seller. Numbered in the upper right: No. 181., publisher: Pellerin & Cie., (mentioned on object), printer: Pellerin & Cie., (mentioned on object), print maker: anonymous, Épinal, c. 1850 - c. 1900, paper, height 401 mm × width 299 mm
RM2DNPWA8–Atelier J. Hamann, Johann Hinrich W. Hamann, Große St. Michaeliskirche, fire ruin 1906, tower facade, total, silver gelatine paper, black and white positive process, total: height: 23.80 cm; width: 18.00 cm, label: verso: in typewriter typography: D A 401, Große St. Michaeliskirche, fire ruin 1906, tower facade, total, address stamp of the Staatliche Landesbildstelle Hamburg with copyright notice, label: verso: handwritten in lead: Hamann, D A 401, reporting photography, architectural photography, ruin church, monastery, hist. Building, locality, street, exterior of a church
RM2DF65EW–painting, Anthony Coert, late 19th or first half of the 20th century, panel, oil paint, painted, Carrier: 27.2 × 22.2 × 1cm 272 × 222 × 10mm, With frame: 40.1 × 35 × 6cm 401 × 350 × 60mm, landscape, forest, tree, painting depicting a landscape adjacent to a forest edge. On the left are two tall trees. On the right is a view over a lake with a building with a red roof. Not signed. The painting is in a gilded wooden frame. The name and dates of the painter's life are written at the bottom of the list, 1939
RM2DCH86M–engraving plate, Pieter Philippe Graveur, 1661, Signature bottom right: P. Philippe sculpsit, bottom center: F [..] in scripsit, engraved, General: 40.1 x 27.3cm 401 x 273mm, coat of arms, angel, man, depicting copper engraving plate the memorial plaque for Pieter Adriaansz. van der Werf in the Hooglandse Church in Leiden. Top center the portrait of Van der Werf. Underneath a richly decorated medallion with two angels and at the bottom a winged helmet, two weapons and two tassels. In addition to the weapons, R. Verhulst in 1661 is a mirror image. In the medallion mirrored a Latin text about
RM2A2RHK1–Hysteroliths, teeth of various species of fish, dentato, echinid ossicles, echinid bones, hammitae, class IV, LVII, Fig. 394 Hysterolithe de M. Lang, Fig. 395: Fragment d'un os de poisson, Fig. 396: Dent concave du poisson que les Napolitains appellent Dentato, Figs. 397 & 398: Osselets d'Echinites, fig, 399 & 400: Pétrifications de figure bizarre, Fig. 401: Os d'Echinite, Fig. 402: Rayon d'Echinite couronne, Fig. 403 & 404: Petits os d'Echinite, Figs. 405 & 406: Amas de petits, oeufs de poisson pétrifiés, appellés aussi Hammitae, pl. LVII, after p. 312, 1778, Louis Bourget: Traité des
RM2DCHDMY–painting, Jan Gerardsz. Palthe, presumably 1753, Signature front, bottom right, at the level of the scarf: J. Palthe pinx 175 [.], Panel, oil paint, painted, Carrier: 51.8 × 40.1 × 1cm (518 × 401 × 10mm), With frame: 67 × 46.7 × 5.5cm (670 × 467 × 55mm), woman's portrait, family crest, Portrait of a woman: Susanna Margaretha van Hoogenhouck. She is depicted as a knee pad, turned to the left and looking at the viewer. The right hand rests on the stone postament of a richly carved garden vase with a masquerade with flowing water from below. She wears powdered gray and pearl-adorned hair, a white
RM2DCHD52–drawing, Jan Toorop, 1900, Signature front upper right: Jth Toorop 1900, pencil, paper, signed, General: 40.1 x 30.2cm (401 x 302mm), Daylight: 36.5 x 26.5cm (365 x 265mm), With passe-partout: 60 x 42.5 cm (600 x 425 mm), man's portrait, Pencil drawing with a portrait of D. de Loos. The man is turned slightly to the left and depicted up to chest height. The man has a mustache and a beard and wears a jacket, a white shirt and a tie. In the buttonhole on his rever a button with a star-shaped motif. Signed in pencil and dated top right. Outside the gauge 4.20 and c.V rec [...] New [...] and
RM2A2J538–Louis XIV, 1663, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 405 × 334 mm (plate), 515 × 401 mm (sheet
RM2A2JDE8–On the Ice, 1898, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 128 x 178 mm (image/plate), 298 x 401 mm (sheet
RM2A2KCNM–Procession in the Crypt of St. Medard, 1859, Alphonse Legros, French, 1837-1911, France, Etching on cream laid paper, 194 × 401 mm (plate), 356 × 520 mm (sheet
RM2A2HN89–Pale Grew Her Immortality, For Woe of All These Lovers, 1885, Will Hicock Low, American, 1853-1932, United States, Brown and white gouache on cream wood-pulp laminate board, 276 x 401 mm
RM2A2JWAH–Emperor Leopold I, c. 1659, Jan Thomas, Flemish, 1617-1673, Flanders, Mezzotint on ivory laid paper, 498 × 401 mm (portrait plate), 65 × 398 mm (inscription plate
RM2A2J4D9–The French Soldier, 1818/19, Nicolas Toussaint Charlet, French, 1792-1845, France, Lithograph in black on cream wove paper, 458 × 339 mm (image), 544 × 401 mm (sheet
RM2A2HRF2–On the Thames, 1883, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 261 x 182 mm (image), 298 x 200 mm (plate), 401 x 297 mm (sheet
RM2A2HRFC–The Large Brewery, 1890, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on cream laid paper, 143 x 225 mm (image), 159 x 237 mm (plate), 280 x 401 mm (sheet
RMRY3NNF–Shepherds in a Round Dance, around 1500. Netherlands, early 16th century. Tapestry weave: wool and silk; overall: 360.5 x 401.1 cm (141 15/16 x 157 15/16 in
RM2A2J6ED–Rising, 1781, Louis Michel Halbou (French, 1730-c. 1809), after Jean Michel Moreau (French, 1741-1814), France, Etching on paper, 267 × 219 mm (image), 401 × 315 mm (sheet
RM2A2KC4T–Guy and Mealy, in ‘Paris qui Marche’, 1898, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove paper, 277 × 233 mm (image), 401 × 288 mm (sheet
RMW56825–Landscape landscape with tiger, panthers and hunting scenes, Tapestry with tiger hunt and the saying 'paradisus voluptatum'. (From a series), Erasmus Oorlofs, Brussels, c. 1650, ketting, inslag, tapestry, h 349.0 cm × w 401.0 cm
RM2A2HXNA–Renewal of the Alliance Between the French and the Swiss in 1663 (after LeBrun), 1680, Sébastien Le Clerc, the Elder, French, 1637-1714, France, Engraving and etching on paper, 397 × 551 mm (plate), 401 × 554 mm (sheet
RM2A2JHJK–Lender and Auguez in La Chanson de Fortunio, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on ivory wove paper, 372 × 232 mm (image), 516 × 401 mm (sheet
RM2A2KHJX–The Bouquet of Trees, or The Lindens (Souvenir of the Sarthe), 1861, Eugène Blery, French, 1805-1887, France, Etching and drypoint on ivory wove chine collé on ivory wove paper, 280 × 401 mm (plate), 435 × 589 mm (sheet
RM2A2J7DC–Two Women in a Doorway, 1882, Lawrence Carmichael Earle, American, 1845-1921, United States, Watercolor and gouache, over traces of graphite, on cream watercolor paper, laid down on wood-pulp board, 575 x 401 mm
RM2A2KMMG–Snap-the-Whip, published September 20, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 344 x 524 mm (image), 401 x 565 mm (sheet
RM2A2JG4W–Temptation, 1833, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on ivory wove paper, 197 × 187 mm (image), 401 × 282 mm (sheet
RM2A2JG51–The Ingrate, 1832, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on ivory wove paper, 163 × 155 mm (image), 286 × 401 mm (sheet
RM2A2KMPM–Ship Building, Gloucester Harbor, published October 11, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 235 x 347 mm (image), 280 x 401 mm (sheet
RM2A2J3W8–Leopoldo Magno, Caesar I, from Triumphus Novem Saeculorum Imperii Romano Germanici Leopoldo Magno, c. 1700, Christoph Elias Heiss, German, 1660-1731, Germany, Mezzotint on paper, 339 x 234 mm (plate), 401 x 296 mm (sheet
RM2A2J4DD–English Travellers, 1815–25, Carle Vernet (French, 1758-1836), printed by Comte Charles Philibert de Lasteyrie (French, 1759-1849), France, Lithograph in black on ivory wove paper, 341 × 462 mm (image), 401 × 548 mm (sheet
RM2A2JG4E–The Good Little Girls, 1832, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on ivory wove paper, 181 × 284 mm (image), 283 × 401 mm (sheet
RM2A2JEB0–Paradise and the Peri (Opening), first plate, 1884, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on ivory China paper laid down on ivory wove paper, 371 × 401 mm (image), 448 × 633 mm (sheet
RM2A2J3PP–The Smoking Fire, plate 6 from Imaginary Prisons, 1761, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching and engraving on heavy ivory laid paper, 537 x 394 mm (image), 544 x 401 mm (plate), 787 x 577 mm (sheet
RM2A2JDHX–Sir John Godsalve, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 377 x 285 mm (Image), 428 x 324 mm (plate), 540 x 401 mm (sheet
RM2A2K43C–Three Images from Millin’s Atlas, plate XII, 1807–1808, Louis Aubin Millin, French, 19th century, France, Etching in black on ivory laid paper, 265 × 401 mm (image), 287 × 415 mm (plate), 300 × 435 mm (sheet
RM2A2JC0N–Innocence in Danger, c. 1785, Jean Gabriel Caquet (French, 1749-1802), after Nicolas Lavreince (Swedish, 1737-1807), France, Engraving on ivory laid paper, 370 × 251 mm (image), 387 × 269 mm (plate), 401 × 284 mm (sheet
RM2A2JKT2–Hadleigh Castle Near the Nore, 1831–32, published 1832, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837), England, Mezzotint on paper, 267 × 364 mm (image), 276 × 373 mm (plate), 299 × 401 mm (sheet
RM2A2K450–Kalmouk Archers Hunting Deer, c. 1820, Carle Vernet (French, 1758-1836), printed by Comte Charles Philibert de Lasteyrie (French, 1759-1849), France, Lithograph in black on ivory wove paper, 256 × 347 mm (image), 306 × 401 mm (sheet
RM2A2JC05–The Rising, 1771, Jean Massard (French, 1740-1822), after Pierre Antoine Baudouin (French, 1723-1769), France, Line engraving (etching and engraving) on ivory laid paper, 382 × 271 mm (image), 401 × 298 mm (plate), 415 × 302 mm (sheet
RM2A2JGHT–The Modesty of Sodom, 1888, Félicien Rops, Belgian, 1833-1898, Belgium, Heliogravure retouched with drypoint, soft varnish (vernis mou) and aquatint on ivory laid paper, 230 × 170.5 mm (image), 230 × 170.5 mm (plate), 401 × 254 mm (sheet
RM2A2JDHN–Queen Jane Seymour, March 26, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 521 x 283 mm (image), 540 x 310 mm (plate), 540 x 401(sheet
RM2A2JFY8–View of the large Trevi Fountain formerly called the Acqua Vergine, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 381 x 549 mm (image), 401 x 550 mm (plate), 457 x 613 mm (sheet
RM2A2JFWH–View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome, 1749, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 383 x 542 mm (image), 401 x 548 mm (plate), 474 x 620 mm (sheet
RM2A2JFJD–The ‘Pavillon de Mademoiselle’ and Part of the Louvre, 1849, Charles Meryon (French, 1821-1868), after Reinier Nooms (Dutch, c. 1623-c. 1664), France, Etching, drypoint and roulette on buff laid Japanese paper, 134 × 247 mm (image), 137 × 249 mm (plate), 228 × 401 mm (sheet
RM2A2KPXF–Plate Three, from Marriage à la Mode, 1746, Bernard Baron (French, 1696-1762), after William Hogarth (English, 1697-1764), France, Etching and engraving in black on ivory laid paper, 354 × 443 mm (image), 388 × 466 mm (plate), 401 × 480 mm (sheet
RM2A2JG56–Il est défendu de fumer, mais vous pouvez vous asseoir, 1834, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on buff wove paper, 181 × 237 mm (image), 289 × 401 mm (sheet
RM2DRJ3WT–Ruler: Trajan Decius, Emperor of Rome, A.D. 201–251, ruled 249–51, Mint: Aegeae, Cilicia, Coin of Trajan Decius, Emperor of Rome from Aegeae, Cilicia, 249–51, Bronze, 13.11 g, 1:00, 29.7 mm, ILE2013.17.401 , Made in Aegeae, Cilicia, Roman, 3rd century, Numismatics
RM2A2JPK1–Study, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithograph in black ink with scraping and roulette work on ivory chine laid down on off-white plate paper, 266 x 149 mm (image), 304 x 171 mm (primary support), 401 x 281 mm (secondary support
RMW57YA2–Landscape with nymphs and satyrs, A landscape with nymphs and satyrs. A satyr climbs a tree. On the right a satyr with three goats, landscapes, nymphs (in general), 'Ninfe in commune' (Ripa), satyr (s) (in general), goat, Giovanni Francesco Grimaldi, 1616 - 1680, paper, etching, h 275 mm × w 401 mm
RMW56X1T–Ship Flag, Ship flag of the 'Amsterdam'. Dutch tricolor with black and gold lettering on both sides. On the front in the lower right corner the label with the second inscription., Flag, colors (as symbol of the state, etc.), Japan, Shimonoseki, Street of, Willem III (King of the Netherlands), Nagato (Prince), Amsterdam (ship), anonymous, Netherlands, 1865, wool, cotton (textile), h 302 cm × w 401 cm
RM2DNR28D–Wilhelm Weimar, Three photographs of craft objects, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 401, photography, jug, mug, cup, goblet, container (ceramics): vessel, jug, pot, vase, head, face, animals as ornament, work of applied art (ceramics), pottery, ceramics (collecting and exhibiting works of art
RMW57KWP–Shipwreck, Four ships sail in a violent storm off a rocky coast, where a ship has just been smashed. A few drowning people are already ashore, but one of the crew is still in the sea. On the cliffs lies a castle, shipwreck, castle, Jan Lauwryn Krafft (I) (mentioned on object), Southern Netherlands, 1704 - 1765, paper, etching, h 316 mm × w 401 mm
RMW57YR5–Portrait of Ambrogio Spinola Ferdinandus II [us] and III [us] Imperatorum Domus Austriacae (series title), Portrait of Ambrogio Spinola, Marquis de los Balbases. Around his neck a chain with the order of the Golden Fleece, knighthood order of the Golden Fleece, Ambrogio Spinola (Marquis de los Balbases), Jacob Louys (mentioned on object), Haarlem, 1644 - 1650, paper, etching, h 401 mm × w 274 mm
RM2DRG55H–Artist: Pierre Drevet, French, 1663–1738, After: Adriaen van der Werff, Dutch, 1659–1722, Portrait of Charles II, Engraving, platemark: 35.401 × 21.273 cm (13 15/16 × 8 3/8in.); Sheet: 34.766 × 22.225 cm (13 11/16 × 8 3/4in.), Made in France, French, 17th century, Works on Paper - Prints
RMR7284K–Four-piece bronze mold for top of chamber pot, mold casting tool tools base metal bronze, cast turned Four-piece bronze mold for casting the edge of chamber pot bottom: 2834 401 Rotterdam tin foundry tin stain tin Meeuws Druy craft Shapes are from the originally 18th century Rotterdam tinnegieter J Druy. The large molds that were not signed or dated were the property of the tinker guild and were rented to the small tin caster.
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