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40 3 cm Stock Photos and Images
Necklace, European, 18th century, European, Silver, gold, diamonds, Length: 15 7/8 in. (40.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/necklace-european-18th-century-european-silver-gold-diamonds-length-15-78-in-403-cm-image344637281.htmlRM2B0KGA9–Necklace, European, 18th century, European, Silver, gold, diamonds, Length: 15 7/8 in. (40.3 cm
Inspired by The Idle 'Prentice Executed at Tyburn, William Hogarth, British, 1697-1764, Engraving on laid paper, 1747, 10 11/16 x 15 7/8 in., 27.1 x 40.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-idle-prentice-executed-at-tyburn-william-hogarth-british-1697-1764-engraving-on-laid-paper-1747-10-1116-x-15-78-in-271-x-403-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459250406.htmlRF2HK4JG6–Inspired by The Idle 'Prentice Executed at Tyburn, William Hogarth, British, 1697-1764, Engraving on laid paper, 1747, 10 11/16 x 15 7/8 in., 27.1 x 40.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Vincent van Gogh Dutch school The Sower November 1888 Oil on canvas (32.5 x 40.3 cm) Amsterdam, Van Gogh museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vincent-van-gogh-dutch-school-the-sower-november-1888-oil-on-canvas-113153455.htmlRMGG2GAR–Vincent van Gogh Dutch school The Sower November 1888 Oil on canvas (32.5 x 40.3 cm) Amsterdam, Van Gogh museum
Bowl. Culture: Mexican. Dimensions: Diam. 15 7/8 in. (40.3 cm). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-culture-mexican-dimensions-diam-15-78-in-403-cm-date-ca-1840-museum-metropolitan-museum-of-art-new-york-usa-image213332833.htmlRMPB245N–Bowl. Culture: Mexican. Dimensions: Diam. 15 7/8 in. (40.3 cm). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA.
Oil on Wood 54.8 x 40.3 cm Portrait of Cecilia Gallerani (Lady with the Ermine), about 1488 836 Léonard de Vinci - Dame à l' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-on-wood-548-x-403-cm-portrait-of-cecilia-gallerani-lady-with-the-ermine-about-1488-836-lonard-de-vinci-dame-l-image185706720.htmlRMMP3JPT–Oil on Wood 54.8 x 40.3 cm Portrait of Cecilia Gallerani (Lady with the Ermine), about 1488 836 Léonard de Vinci - Dame à l'
Gustav Klimt, Fishblood, 1898. India ink and pen on brown paper. 40 x 40.3 cm courtesy Galerie St. Etienne, New York. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gustav-klimt-fishblood-1898-india-ink-and-pen-on-brown-paper-40-x-171476768.htmlRMKXYCA8–Gustav Klimt, Fishblood, 1898. India ink and pen on brown paper. 40 x 40.3 cm courtesy Galerie St. Etienne, New York.
Gustav Klimt, Fishblood, 1898. India ink and pen on brown paper. 40 x 40.3 cm courtesy Galerie St. Etienne, New York. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gustav-klimt-fishblood-1898-india-ink-and-pen-on-brown-paper-40-x-137335069.htmlRMHYC47W–Gustav Klimt, Fishblood, 1898. India ink and pen on brown paper. 40 x 40.3 cm courtesy Galerie St. Etienne, New York.
![Descriptio Frisiae Liberae Author Alting, Menso 3.92.iii. Place of publication: [Amsterdam] Publisher: [F. Halma]., Date of publication: [1718] Item type: 1 map Medium: copperplate engraving Dimensions: 31.3 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HK7Y/descriptio-frisiae-liberae-author-alting-menso-392iii-place-of-publication-amsterdam-publisher-f-halma-date-of-publication-1718-item-type-1-map-medium-copperplate-engraving-dimensions-313-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HK7Y.jpg "Descriptio Frisiae Liberae Author Alting, Menso 3.92.iii. Place of publication: [Amsterdam] Publisher: [F. Halma]., Date of publication: [1718] Item type: 1 map Medium: copperplate engraving Dimensions: 31.3 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Descriptio Frisiae Liberae Author Alting, Menso 3.92.iii. Place of publication: [Amsterdam] Publisher: [F. Halma]., Date of publication: [1718] Item type: 1 map Medium: copperplate engraving Dimensions: 31.3 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/descriptio-frisiae-liberae-author-alting-menso-392iii-place-of-publication-amsterdam-publisher-f-halma-date-of-publication-1718-item-type-1-map-medium-copperplate-engraving-dimensions-313-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401758671.htmlRM2E9HK7Y–Descriptio Frisiae Liberae Author Alting, Menso 3.92.iii. Place of publication: [Amsterdam] Publisher: [F. Halma]., Date of publication: [1718] Item type: 1 map Medium: copperplate engraving Dimensions: 31.3 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820
LEONARDO DA VINCI. PORTRAIT OF CECILIA GALLERANI (LADY WITH AN ERMINE). 1490. OIL ON WOOD. 54.8 X 40.3 CM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leonardo-da-vinci-portrait-of-cecilia-gallerani-lady-with-an-ermine-1490-oil-on-wood-548-x-403-cm-image471090656.htmlRF2JAC0X8–LEONARDO DA VINCI. PORTRAIT OF CECILIA GALLERANI (LADY WITH AN ERMINE). 1490. OIL ON WOOD. 54.8 X 40.3 CM
Kinderen spelend voor ingang Breitners atelier op Prinseneiland in Amsterdam Children playing for input Breitner's studio on Prince Island in Amsterdam Property Type: photographs Item number: RP-F K89509 Manufacturer : photographer George Hendrik Breitner Publisher: Harm Botman (listed property) Place manufacture: Amsterdam Date: ca. 1890 - ca. . 1910 Physical features: gelatin silver print material: paper Technique: gelatin silver print dimensions: sheet: h 50.5 cm. B × 40.3 cm. Photo: H 40.0 cm. B × 27.5 cm. Notes Modern print negative BR 1370 (collection RKD) .Onderwerp Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kinderen-spelend-voor-ingang-breitners-atelier-op-prinseneiland-in-amsterdam-children-playing-for-input-breitners-studio-on-prince-island-in-amsterdam-property-type-photographs-item-number-rp-f-k89509-manufacturer-photographer-george-hendrik-breitner-publisher-harm-botman-listed-property-place-manufacture-amsterdam-date-ca-1890-ca-1910-physical-features-gelatin-silver-print-material-paper-technique-gelatin-silver-print-dimensions-sheet-h-505-cm-b-403-cm-photo-h-400-cm-b-275-cm-notes-modern-print-negative-br-1370-collection-rkd-onderwerp-image348503662.htmlRM2B6YKYA–Kinderen spelend voor ingang Breitners atelier op Prinseneiland in Amsterdam Children playing for input Breitner's studio on Prince Island in Amsterdam Property Type: photographs Item number: RP-F K89509 Manufacturer : photographer George Hendrik Breitner Publisher: Harm Botman (listed property) Place manufacture: Amsterdam Date: ca. 1890 - ca. . 1910 Physical features: gelatin silver print material: paper Technique: gelatin silver print dimensions: sheet: h 50.5 cm. B × 40.3 cm. Photo: H 40.0 cm. B × 27.5 cm. Notes Modern print negative BR 1370 (collection RKD) .Onderwerp
The Sower - 1888 - Oil on canvas 32.5 x 40.3 cm - vg14Van Gogh Vincent Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sower-1888-oil-on-canvas-325-x-403-cm-vg14van-gogh-vincent-image457744051.htmlRF2HGM15R–The Sower - 1888 - Oil on canvas 32.5 x 40.3 cm - vg14Van Gogh Vincent
Pires de Évora Álvaro - The Presentation in the Temple 1430c.) (tempera e oro su tavola 34 x 40,3 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pires-de-evora-alvaro-the-presentation-in-the-temple-1430c-tempera-e-oro-su-tavola-34-x-403-cm-image598190377.htmlRF2WN5WX1–Pires de Évora Álvaro - The Presentation in the Temple 1430c.) (tempera e oro su tavola 34 x 40,3 cm)
Textile (USA); cotton; Warp x Weft: 119.1 x 40.3 cm (46 7/8 x 15 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/textile-usa-cotton-warp-x-weft-1191-x-403-cm-46-78-x-15-78-in-image546128112.htmlRM2PME7YC–Textile (USA); cotton; Warp x Weft: 119.1 x 40.3 cm (46 7/8 x 15 7/8 in.)
Oil on Wood 54.8 x 40.3 cm Lady with an Ermine – Portrait of Cecilia Gallerani (ca.1473–1536) (1490) Leonardo da Vinci (Italian, 1452-1519) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-on-wood-548-x-403-cm-lady-with-an-ermine-portrait-of-cecilia-gallerani-ca14731536-1490-leonardo-da-vinci-italian-1452-1519-image574119895.htmlRM2TA1BNY–Oil on Wood 54.8 x 40.3 cm Lady with an Ermine – Portrait of Cecilia Gallerani (ca.1473–1536) (1490) Leonardo da Vinci (Italian, 1452-1519)
Arno Breker (1900 - 1991), a portrait head of Alfred Cortots Plasture, coated with grey colour, no signature, mounted on a custom wood base. Height 40 cm. Arno Breker modelled the head of his friend in 1942/43 in the Great National Art Studio at the Käuzchensteig, Berlin. It is probably the sketch for a later bronze version. Provenance: Etude Maitre Marc-Arthur Kohn, Paris, auction of 3 Oct. 1998, lot 107. Alfred Cortot (1877 - 1962), famous French piano virtuoso and cultural politician. Inspite of his Jewish wife, Cortot was an admirer of Nazi Germany and beca, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-arno-breker-1900-1991-a-portrait-head-of-alfred-cortots-plasture-coated-31709633.htmlRMBRGDXW–Arno Breker (1900 - 1991), a portrait head of Alfred Cortots Plasture, coated with grey colour, no signature, mounted on a custom wood base. Height 40 cm. Arno Breker modelled the head of his friend in 1942/43 in the Great National Art Studio at the Käuzchensteig, Berlin. It is probably the sketch for a later bronze version. Provenance: Etude Maitre Marc-Arthur Kohn, Paris, auction of 3 Oct. 1998, lot 107. Alfred Cortot (1877 - 1962), famous French piano virtuoso and cultural politician. Inspite of his Jewish wife, Cortot was an admirer of Nazi Germany and beca,
The lady of the ermine (La dama con l'ermellino) painting by the Italian Renaissance painter Leonardo da Vinci, oil on panel, 54.8 cm high and 40.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lady-of-the-ermine-la-dama-con-lermellino-painting-by-the-italian-renaissance-painter-leonardo-da-vinci-oil-on-panel-548-cm-high-and-403-cm-image559502757.htmlRM2RE7FD9–The lady of the ermine (La dama con l'ermellino) painting by the Italian Renaissance painter Leonardo da Vinci, oil on panel, 54.8 cm high and 40.3 cm
Standing Buddha ( Abhaya Mudra Ikshavaka school of art ) 108 x 40 cm 3 Cent AD India Hindu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-standing-buddha-abhaya-mudra-ikshavaka-school-of-art-108-x-40-cm-3-54677143.htmlRMD4XN73–Standing Buddha ( Abhaya Mudra Ikshavaka school of art ) 108 x 40 cm 3 Cent AD India Hindu
Mummy Portrait; Attributed to Malibu Painter, Romano-Egyptian, active 75 - 100; Hawara, Egypt, Africa; 75 - 100; Encaustic on wood; Object: 40 x 20 x 0.2 cm (15 3/4 x 7 7/8 x 1/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mummy-portrait-attributed-to-malibu-painter-romano-egyptian-active-76530886.htmlRMECE7WX–Mummy Portrait; Attributed to Malibu Painter, Romano-Egyptian, active 75 - 100; Hawara, Egypt, Africa; 75 - 100; Encaustic on wood; Object: 40 x 20 x 0.2 cm (15 3/4 x 7 7/8 x 1/16 in.)
The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15–22 in) with comparably short arms and legs. The tail is longer than the body, typically 40–65 cm (16–26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3–6 kg (7-13 lb) of female individuals. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-long-tailed-macaque-macaca-fascicularis-is-also-called-the-crab-eating-macaque-it-is-native-to-southeast-asia-there-are-at-least-ten-subspecies-and-depending-on-subspecies-the-body-length-of-the-adult-monkey-is-38-55-centimetres-1522-in-with-comparably-short-arms-and-legs-the-tail-is-longer-than-the-body-typically-4065-cm-1626-in-males-are-considerably-larger-than-females-weighing-5-9-kilograms-11-20-lb-compared-to-the-36-kg-7-13-lb-of-female-individuals-image344254890.htmlRM2B024HE–The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15–22 in) with comparably short arms and legs. The tail is longer than the body, typically 40–65 cm (16–26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3–6 kg (7-13 lb) of female individuals.
Stencil, Japan, 19th century, Japan, Paper, 11 x 15 7/8 in. (27.9 x 40.3 cm), Stencils Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-japan-19th-century-japan-paper-11-x-15-78-in-279-x-403-cm-stencils-image344612994.htmlRM2B0JDAX–Stencil, Japan, 19th century, Japan, Paper, 11 x 15 7/8 in. (27.9 x 40.3 cm), Stencils
Inspired by The Industrious Prentice Lord-Mayor of London, William Hogarth, British, 1697-1764, Engraving on laid paper, 1747, 10 11/16 x 15 7/8 in., 27.2 x 40.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-industrious-prentice-lord-mayor-of-london-william-hogarth-british-1697-1764-engraving-on-laid-paper-1747-10-1116-x-15-78-in-272-x-403-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459250441.htmlRF2HK4JHD–Inspired by The Industrious Prentice Lord-Mayor of London, William Hogarth, British, 1697-1764, Engraving on laid paper, 1747, 10 11/16 x 15 7/8 in., 27.2 x 40.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Aerostatic experiment on 21st November 1783 at the Château de la Muette: first human balloon flight undertaken by Jean-François Pilâtre de Rozier and the marquis d’Arlandes Coloured etching and framed (50,3 x 40,3 cm) Muller-Quênot Collection On 21st Novembre 1783 at Château de la Muette in front of two hundred guests among them, Beaumarchais, Lavoisier, Benjamin Franklin, Malesherdes and Condorcet. There was such an intense silence that only the balloon's crackling fire could be heard. Jean-François Pilâtre de Rozier and le marquis d’Arlandes left the ground for their first aerial journey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aerostatic-experiment-on-21st-november-1783-at-the-chteau-de-la-muette-146193618.htmlRMJDRKCJ–Aerostatic experiment on 21st November 1783 at the Château de la Muette: first human balloon flight undertaken by Jean-François Pilâtre de Rozier and the marquis d’Arlandes Coloured etching and framed (50,3 x 40,3 cm) Muller-Quênot Collection On 21st Novembre 1783 at Château de la Muette in front of two hundred guests among them, Beaumarchais, Lavoisier, Benjamin Franklin, Malesherdes and Condorcet. There was such an intense silence that only the balloon's crackling fire could be heard. Jean-François Pilâtre de Rozier and le marquis d’Arlandes left the ground for their first aerial journey.
Bookbinding. Dimensions: H. 15 7/8 in. (40.3 cm) W. 11 1/4 in. (28.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bookbinding-dimensions-h-15-78-in-403-cm-w-11-14-in-286-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213150861.htmlRMPANT2N–Bookbinding. Dimensions: H. 15 7/8 in. (40.3 cm) W. 11 1/4 in. (28.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
714 Jean-Baptiste-Camille Corot, 1860–65, Girl with Mandolin, oil on canvas, 51.4 x 40.3 cm, Saint Louis Art Museum (cropped) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/714-jean-baptiste-camille-corot-186065-girl-with-mandolin-oil-on-canvas-514-x-403-cm-saint-louis-art-museum-cropped-image185771866.htmlRMMP6HWE–714 Jean-Baptiste-Camille Corot, 1860–65, Girl with Mandolin, oil on canvas, 51.4 x 40.3 cm, Saint Louis Art Museum (cropped)
Bowl MET DP105084 668 Mexican, Bowl, ca. 1840, Tin-glazed earthenware, Diam. 15 7/8 in. (40.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Robert W. de Forest, 1911 (11.87.54) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bowl-met-dp105084-668-mexican-bowl-ca-1840-tin-glazed-earthenware-168108960.htmlRMKNE0KC–Bowl MET DP105084 668 Mexican, Bowl, ca. 1840, Tin-glazed earthenware, Diam. 15 7/8 in. (40.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Robert W. de Forest, 1911 (11.87.54)
South View of Northwick in Worcestershire, the Seat of Sir John Rushout Bart. Author Ross, James 43.77. Date of publication: 1783 Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 28.1 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/south-view-of-northwick-in-worcestershire-the-seat-of-sir-john-rushout-bart-author-ross-james-4377-date-of-publication-1783-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-281-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401694015.htmlRM2E9EMPR–South View of Northwick in Worcestershire, the Seat of Sir John Rushout Bart. Author Ross, James 43.77. Date of publication: 1783 Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 28.1 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820
LEONARDO DA VINCI. PORTRAIT OF CECILIA GALLERANI ( LADY WITH AN ERMINE ). 1490. OIL ON WOOD. 54.8 CM X 40.3 CM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leonardo-da-vinci-portrait-of-cecilia-gallerani-lady-with-an-ermine-1490-oil-on-wood-548-cm-x-403-cm-image242757382.htmlRFT2XFEE–LEONARDO DA VINCI. PORTRAIT OF CECILIA GALLERANI ( LADY WITH AN ERMINE ). 1490. OIL ON WOOD. 54.8 CM X 40.3 CM
The Madonna of the Carnation - 1515c. - oil on wood 43,8 x 40,3 cm - Luini Bernardino Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-madonna-of-the-carnation-1515c-oil-on-wood-438-x-403-cm-luini-bernardino-image457735164.htmlRF2HGKHTC–The Madonna of the Carnation - 1515c. - oil on wood 43,8 x 40,3 cm - Luini Bernardino
Print, Carceri Series, Plate VIII; Giovanni Battista Piranesi (Italian, 1720–1778); Italy; etching; 55.0x 40.3 cm (plate mark) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-carceri-series-plate-viii-giovanni-battista-piranesi-italian-17201778-italy-etching-550x-403-cm-plate-mark-image546222717.htmlRM2PMJGJ5–Print, Carceri Series, Plate VIII; Giovanni Battista Piranesi (Italian, 1720–1778); Italy; etching; 55.0x 40.3 cm (plate mark)
Arno Breker (1900 - 1991), a portrait head of Alfred Cortots Plasture, coated with grey colour, no signature, mounted on a custom wood base. Height 40 cm. Arno Breker modelled the head of his friend in 1942/43 in the Great National Art Studio at the Käuzchensteig, Berlin. It is probably the sketch for a later bronze version. Provenance: Etude Maitre Marc-Arthur Kohn, Paris, auction of 3 Oct. 1998, lot 107. Alfred Cortot (1877 - 1962), famous French piano virtuoso and cultural politician. Inspite of his Jewish wife, Cortot was an admirer of Nazi Germany and beca, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-arno-breker-1900-1991-a-portrait-head-of-alfred-cortots-plasture-coated-31709625.htmlRMBRGDXH–Arno Breker (1900 - 1991), a portrait head of Alfred Cortots Plasture, coated with grey colour, no signature, mounted on a custom wood base. Height 40 cm. Arno Breker modelled the head of his friend in 1942/43 in the Great National Art Studio at the Käuzchensteig, Berlin. It is probably the sketch for a later bronze version. Provenance: Etude Maitre Marc-Arthur Kohn, Paris, auction of 3 Oct. 1998, lot 107. Alfred Cortot (1877 - 1962), famous French piano virtuoso and cultural politician. Inspite of his Jewish wife, Cortot was an admirer of Nazi Germany and beca,
La dama del armiño (La dama con l'ermellino) cuadro del pintor renacentista italiano Leonardo da Vinci,l óleo sobre tabla, 54,8 cm. de alto y 40,3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-dama-del-armio-la-dama-con-lermellino-cuadro-del-pintor-renacentista-italiano-leonardo-da-vincil-leo-sobre-tabla-548-cm-de-alto-y-403-cm-image377345305.htmlRF2CWWFP1–La dama del armiño (La dama con l'ermellino) cuadro del pintor renacentista italiano Leonardo da Vinci,l óleo sobre tabla, 54,8 cm. de alto y 40,3 cm
The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15–22 in) with comparably short arms and legs. The tail is longer than the body, typically 40–65 cm (16–26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3–6 kg (7-13 lb) of female individuals. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-long-tailed-macaque-macaca-fascicularis-is-also-called-the-crab-eating-macaque-it-is-native-to-southeast-asia-there-are-at-least-ten-subspecies-and-depending-on-subspecies-the-body-length-of-the-adult-monkey-is-38-55-centimetres-1522-in-with-comparably-short-arms-and-legs-the-tail-is-longer-than-the-body-typically-4065-cm-1626-in-males-are-considerably-larger-than-females-weighing-5-9-kilograms-11-20-lb-compared-to-the-36-kg-7-13-lb-of-female-individuals-image344254886.htmlRM2B024HA–The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15–22 in) with comparably short arms and legs. The tail is longer than the body, typically 40–65 cm (16–26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3–6 kg (7-13 lb) of female individuals.
Stencil, Japan, 19th century, Japan, Paper, silk, 11 3/4 x 15 7/8 in. (29.8 x 40.3 cm), Stencils Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-japan-19th-century-japan-paper-silk-11-34-x-15-78-in-298-x-403-cm-stencils-image344613033.htmlRM2B0JDC9–Stencil, Japan, 19th century, Japan, Paper, silk, 11 3/4 x 15 7/8 in. (29.8 x 40.3 cm), Stencils
Art inspired by Bowl, ca. 1840, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 15 7/8 in. (40.3 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bowl-ca-1840-made-in-mexico-mexican-tin-glazed-earthenware-diam-15-78-in-403-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462890306.htmlRF2HW2D8J–Art inspired by Bowl, ca. 1840, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 15 7/8 in. (40.3 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bookbinding. Dimensions: H. 15 7/8 in. (40.3 cm) W. 11 1/4 in. (28.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bookbinding-dimensions-h-15-78-in-403-cm-w-11-14-in-286-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213249467.htmlRMPAX9TB–Bookbinding. Dimensions: H. 15 7/8 in. (40.3 cm) W. 11 1/4 in. (28.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on panel; overall: 43.8 x 40.3 cm (17 1/4 x 15 7/8 in.); The Madonna of the Carnation circa 1515. 1177 The Madonna of the Carnation by Bernardino Luini Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-panel-overall-438-x-403-cm-17-14-x-15-78-in-the-madonna-of-the-carnation-circa-1515-1177-the-madonna-of-the-carnation-by-bernardino-luini-image185599551.htmlRMMNXP3B–Painting; oil on panel; overall: 43.8 x 40.3 cm (17 1/4 x 15 7/8 in.); The Madonna of the Carnation circa 1515. 1177 The Madonna of the Carnation by Bernardino Luini
Coffee Urn MET 213136 2125 Maker: Roswell Gleason, 1799?1887, Coffee Urn, 1840?65, Pewter, brass, wood, H. 15 7/8 in. (40.3 cm). The Metropolitan Museum of Art, New York. Gift of George Labalme, Jr., Guy Labalme, and Mrs. Diane Brandauer, 1971 (1971.179.1a, b) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-coffee-urn-met-213136-2125-maker-roswell-gleason-17991887-coffee-urn-168109536.htmlRMKNE1C0–Coffee Urn MET 213136 2125 Maker: Roswell Gleason, 1799?1887, Coffee Urn, 1840?65, Pewter, brass, wood, H. 15 7/8 in. (40.3 cm). The Metropolitan Museum of Art, New York. Gift of George Labalme, Jr., Guy Labalme, and Mrs. Diane Brandauer, 1971 (1971.179.1a, b)
![Merton College, Oxford. Visual Material information: Title: Merton College, Oxford. 35.6.d.3. Date of publication: [around 1790-1820] Item type: 1 print Medium: etching with hand-colouring Dimensions: sheet 29.7 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HNCH/merton-college-oxford-visual-material-information-title-merton-college-oxford-356d3-date-of-publication-around-1790-1820-item-type-1-print-medium-etching-with-hand-colouring-dimensions-sheet-297-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HNCH.jpg "Merton College, Oxford. Visual Material information: Title: Merton College, Oxford. 35.6.d.3. Date of publication: [around 1790-1820] Item type: 1 print Medium: etching with hand-colouring Dimensions: sheet 29.7 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Merton College, Oxford. Visual Material information: Title: Merton College, Oxford. 35.6.d.3. Date of publication: [around 1790-1820] Item type: 1 print Medium: etching with hand-colouring Dimensions: sheet 29.7 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/merton-college-oxford-visual-material-information-title-merton-college-oxford-356d3-date-of-publication-around-1790-1820-item-type-1-print-medium-etching-with-hand-colouring-dimensions-sheet-297-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401760369.htmlRM2E9HNCH–Merton College, Oxford. Visual Material information: Title: Merton College, Oxford. 35.6.d.3. Date of publication: [around 1790-1820] Item type: 1 print Medium: etching with hand-colouring Dimensions: sheet 29.7 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820
Grenade et figues - 1917 - Oil on canvas 23,3 x 40,3 cm - Renoir Auguste Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grenade-et-figues-1917-oil-on-canvas-233-x-403-cm-renoir-auguste-image454774006.htmlRF2HBTMTP–Grenade et figues - 1917 - Oil on canvas 23,3 x 40,3 cm - Renoir Auguste
Drawing, Landscape Near Melgar, Colombia; Frederic Edwin Church (American, 1826–1900); Colombia; graphite on tan paper; Sheet: 30.5 x 40.3 cm (12 x 15 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-landscape-near-melgar-colombia-frederic-edwin-church-american-18261900-colombia-graphite-on-tan-paper-sheet-305-x-403-cm-12-x-15-78-in-image546074213.htmlRM2PMBR6D–Drawing, Landscape Near Melgar, Colombia; Frederic Edwin Church (American, 1826–1900); Colombia; graphite on tan paper; Sheet: 30.5 x 40.3 cm (12 x 15 7/8 in.)
fine arts, Botticelli, Sandro (1445 - 1510), 'Madonna with Child' (Madonna del Mare), panel painting, 40.3 x 28.4 cm, circa 1477 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-botticelli-sandro-1445-1510-madonna-with-child-madonna-del-36909087.htmlRMC419WK–fine arts, Botticelli, Sandro (1445 - 1510), 'Madonna with Child' (Madonna del Mare), panel painting, 40.3 x 28.4 cm, circa 1477
The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15–22 in) with comparably short arms and legs. The tail is longer than the body, typically 40–65 cm (16–26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3–6 kg (7-13 lb) of female individuals. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-long-tailed-macaque-macaca-fascicularis-is-also-called-the-crab-eating-macaque-it-is-native-to-southeast-asia-there-are-at-least-ten-subspecies-and-depending-on-subspecies-the-body-length-of-the-adult-monkey-is-38-55-centimetres-1522-in-with-comparably-short-arms-and-legs-the-tail-is-longer-than-the-body-typically-4065-cm-1626-in-males-are-considerably-larger-than-females-weighing-5-9-kilograms-11-20-lb-compared-to-the-36-kg-7-13-lb-of-female-individuals-image344254888.htmlRM2B024HC–The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15–22 in) with comparably short arms and legs. The tail is longer than the body, typically 40–65 cm (16–26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3–6 kg (7-13 lb) of female individuals.
Stencil, Japan, 19th century, Japan, Paper, silk, 11 1/2 x 15 7/8 in. (29.2 x 40.3 cm), Stencils Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-japan-19th-century-japan-paper-silk-11-12-x-15-78-in-292-x-403-cm-stencils-image344613012.htmlRM2B0JDBG–Stencil, Japan, 19th century, Japan, Paper, silk, 11 1/2 x 15 7/8 in. (29.2 x 40.3 cm), Stencils
Art inspired by Bookbinding, 17th century, Attributed to India, Leather on laminated paper board, H. 15 7/8 in. (40.3 cm), Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bookbinding-17th-century-attributed-to-india-leather-on-laminated-paper-board-h-15-78-in-403-cm-codices-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462821888.htmlRF2HTYA14–Art inspired by Bookbinding, 17th century, Attributed to India, Leather on laminated paper board, H. 15 7/8 in. (40.3 cm), Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for a fireplace. Artist: Thomas Heiton (British, active 1827). Dimensions: sheet: 10 1/4 x 15 7/8 in. (26 x 40.3 cm). Date: 1827. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-fireplace-artist-thomas-heiton-british-active-1827-dimensions-sheet-10-14-x-15-78-in-26-x-403-cm-date-1827-museum-metropolitan-museum-of-art-new-york-usa-image213110837.htmlRMPAM119–Design for a fireplace. Artist: Thomas Heiton (British, active 1827). Dimensions: sheet: 10 1/4 x 15 7/8 in. (26 x 40.3 cm). Date: 1827. Museum: Metropolitan Museum of Art, New York, USA.
Nederlands: Dame met grijze hoed en sigaret, olieverf op doek 60 x 40,3 cm., gesigneerd l.o. before 1941 5 Berend Groeneveld Dame met grijze hoed en sigaret Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nederlands-dame-met-grijze-hoed-en-sigaret-olieverf-op-doek-60-x-403-cm-gesigneerd-lo-before-1941-5-berend-groeneveld-dame-met-grijze-hoed-en-sigaret-image211003573.htmlRMP7815W–Nederlands: Dame met grijze hoed en sigaret, olieverf op doek 60 x 40,3 cm., gesigneerd l.o. before 1941 5 Berend Groeneveld Dame met grijze hoed en sigaret
Deep dish MET SFES2463D 187879 Spanish, Valencia, Deep dish, second quarter 16th century, Tin-glazed and luster-painted earthenware, H. 2 7/8 in. (7.3 cm), Diam. 15 7/8 in. (40.3 cm). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1894 (94.4.379) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-deep-dish-met-sfes2463d-187879-spanish-valencia-deep-dish-second-quarter-168147881.htmlRMKNFP9D–Deep dish MET SFES2463D 187879 Spanish, Valencia, Deep dish, second quarter 16th century, Tin-glazed and luster-painted earthenware, H. 2 7/8 in. (7.3 cm), Diam. 15 7/8 in. (40.3 cm). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1894 (94.4.379)
![Plan de Chaume. Map information: Title: Plan de Chaume. 69.63.a. Place of publication: [Chaume ?] Publisher: [unidentified producer]., Date of publication: [1650 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 32.3 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FDXY/plan-de-chaume-map-information-title-plan-de-chaume-6963a-place-of-publication-chaume-publisher-unidentified-producer-date-of-publication-1650-c-item-type-1-map-medium-pen-and-ink-with-coloured-wash-dimensions-323-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FDXY.jpg "Plan de Chaume. Map information: Title: Plan de Chaume. 69.63.a. Place of publication: [Chaume ?] Publisher: [unidentified producer]., Date of publication: [1650 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 32.3 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Plan de Chaume. Map information: Title: Plan de Chaume. 69.63.a. Place of publication: [Chaume ?] Publisher: [unidentified producer]., Date of publication: [1650 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 32.3 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plan-de-chaume-map-information-title-plan-de-chaume-6963a-place-of-publication-chaume-publisher-unidentified-producer-date-of-publication-1650-c-item-type-1-map-medium-pen-and-ink-with-coloured-wash-dimensions-323-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401710595.htmlRM2E9FDXY–Plan de Chaume. Map information: Title: Plan de Chaume. 69.63.a. Place of publication: [Chaume ?] Publisher: [unidentified producer]., Date of publication: [1650 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 32.3 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820
The Chess Players - 1475c. - tempera su tavola 33,3 x 40,3 cm - Da Verona Liberale Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-chess-players-1475c-tempera-su-tavola-333-x-403-cm-da-verona-liberale-image457744891.htmlRF2HGM27R–The Chess Players - 1475c. - tempera su tavola 33,3 x 40,3 cm - Da Verona Liberale
Print, A Cadet Hop at West Point; After Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; 28.3 × 40.3 cm (11 1/8 × 15 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-a-cadet-hop-at-west-point-after-winslow-homer-american-18361910-published-by-harpers-weekly-usa-wood-engraving-in-black-ink-on-paper-283-403-cm-11-18-15-78-in-image546262190.htmlRM2PMMAYX–Print, A Cadet Hop at West Point; After Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; 28.3 × 40.3 cm (11 1/8 × 15 7/8 in.)
The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15–22 in) with comparably short arms and legs. The tail is longer than the body, typically 40–65 cm (16–26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3–6 kg (7-13 lb) of female individuals. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-long-tailed-macaque-macaca-fascicularis-is-also-called-the-crab-eating-macaque-it-is-native-to-southeast-asia-there-are-at-least-ten-subspecies-and-depending-on-subspecies-the-body-length-of-the-adult-monkey-is-38-55-centimetres-1522-in-with-comparably-short-arms-and-legs-the-tail-is-longer-than-the-body-typically-4065-cm-1626-in-males-are-considerably-larger-than-females-weighing-5-9-kilograms-11-20-lb-compared-to-the-36-kg-7-13-lb-of-female-individuals-image344254887.htmlRM2B024HB–The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15–22 in) with comparably short arms and legs. The tail is longer than the body, typically 40–65 cm (16–26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3–6 kg (7-13 lb) of female individuals.
Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 3/4 x 15 7/8 in. (24.8 x 40.3 cm), Stencils Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-japan-edo-period-16151868-date-early-19th-century-japan-paper-9-34-x-15-78-in-248-x-403-cm-stencils-image344612888.htmlRM2B0JD74–Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 3/4 x 15 7/8 in. (24.8 x 40.3 cm), Stencils
Art inspired by Bookbinding, 17th century, Attributed to India, Leather on laminated paper board, H. 15 7/8 in. (40.3 cm), Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bookbinding-17th-century-attributed-to-india-leather-on-laminated-paper-board-h-15-78-in-403-cm-codices-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462821941.htmlRF2HTYA31–Art inspired by Bookbinding, 17th century, Attributed to India, Leather on laminated paper board, H. 15 7/8 in. (40.3 cm), Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bronze jar with two handles. Culture: Roman. Dimensions: H. 16 1/16 in. (40.3 cm). Date: 1st century A.D.. The handles have been restored, possibly in antiquity. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bronze-jar-with-two-handles-culture-roman-dimensions-h-16-116-in-403-cm-date-1st-century-ad-the-handles-have-been-restored-possibly-in-antiquity-museum-metropolitan-museum-of-art-new-york-usa-image212880257.htmlRMPA9EX9–Bronze jar with two handles. Culture: Roman. Dimensions: H. 16 1/16 in. (40.3 cm). Date: 1st century A.D.. The handles have been restored, possibly in antiquity. Museum: Metropolitan Museum of Art, New York, USA.
. Auerbachs Hof in Leipzig um 1780. Altkolorierter Kupferstich (Guckkastenblatt - deshalb seitenverkehrt!) 29,1 x 40,3 cm Plattenrand. Dargestellt ist der Naschmarkt, der, wenn keine Leipziger Messe war, seinen Platz in Auerbachs Hof hatte. Gestochen von Johann Baptist Bergmüller (1724 - 1785; THIEME-BECKER Bd. 3, S.411) nach einer Zeichnung von Johann August Rosmäßler (1752 - 1783; THIEME-BECKER Bd. 29, S. 77) . 20 July 2008, 08:45 (UTC). © Foto H.-P.Haack. 63 Auerbachs Hof in Leipzig um 1780 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/auerbachs-hof-in-leipzig-um-1780-altkolorierter-kupferstich-guckkastenblatt-deshalb-seitenverkehrt!-291-x-403-cm-plattenrand-dargestellt-ist-der-naschmarkt-der-wenn-keine-leipziger-messe-war-seinen-platz-in-auerbachs-hof-hatte-gestochen-von-johann-baptist-bergmller-1724-1785-thieme-becker-bd-3-s411-nach-einer-zeichnung-von-johann-august-rosmler-1752-1783-thieme-becker-bd-29-s-77-20-july-2008-0845-utc-foto-h-phaack-63-auerbachs-hof-in-leipzig-um-1780-image184776453.htmlRMMMH871–. Auerbachs Hof in Leipzig um 1780. Altkolorierter Kupferstich (Guckkastenblatt - deshalb seitenverkehrt!) 29,1 x 40,3 cm Plattenrand. Dargestellt ist der Naschmarkt, der, wenn keine Leipziger Messe war, seinen Platz in Auerbachs Hof hatte. Gestochen von Johann Baptist Bergmüller (1724 - 1785; THIEME-BECKER Bd. 3, S.411) nach einer Zeichnung von Johann August Rosmäßler (1752 - 1783; THIEME-BECKER Bd. 29, S. 77) . 20 July 2008, 08:45 (UTC). © Foto H.-P.Haack. 63 Auerbachs Hof in Leipzig um 1780
Dish with profile of a woman with Petrarchan verse MET DP332109 187831 Italian, Deruta, Dish with profile of a woman with Petrarchan verse, ca. 1510?30, Maiolica (tin-glazed earthenware), lustered, Overall (confirmed): 3 1/2 ? 15 7/8 in. (8.9 ? 40.3 cm). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1894 (94.4.320) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dish-with-profile-of-a-woman-with-petrarchan-verse-met-dp332109-187831-168042737.htmlRMKNB069–Dish with profile of a woman with Petrarchan verse MET DP332109 187831 Italian, Deruta, Dish with profile of a woman with Petrarchan verse, ca. 1510?30, Maiolica (tin-glazed earthenware), lustered, Overall (confirmed): 3 1/2 ? 15 7/8 in. (8.9 ? 40.3 cm). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1894 (94.4.320)
![Ringmer Church on ye NE side of Lewes. Visual Material information: Title: Ringmer Church on ye NE side of Lewes. 42.60. Date of publication: [around 1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 19 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HT8P/ringmer-church-on-ye-ne-side-of-lewes-visual-material-information-title-ringmer-church-on-ye-ne-side-of-lewes-4260-date-of-publication-around-1790-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-19-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HT8P.jpg "Ringmer Church on ye NE side of Lewes. Visual Material information: Title: Ringmer Church on ye NE side of Lewes. 42.60. Date of publication: [around 1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 19 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Ringmer Church on ye NE side of Lewes. Visual Material information: Title: Ringmer Church on ye NE side of Lewes. 42.60. Date of publication: [around 1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 19 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ringmer-church-on-ye-ne-side-of-lewes-visual-material-information-title-ringmer-church-on-ye-ne-side-of-lewes-4260-date-of-publication-around-1790-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-19-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401762614.htmlRM2E9HT8P–Ringmer Church on ye NE side of Lewes. Visual Material information: Title: Ringmer Church on ye NE side of Lewes. 42.60. Date of publication: [around 1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 19 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820
Renoir Auguste - Private Collection - Baigneuse accoudée - 1882 - Oil on canvas 54,3 x 40,3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/renoir-auguste-private-collection-baigneuse-accoudee-1882-oil-on-canvas-543-x-403-cm-image457725058.htmlRF2HGK4YE–Renoir Auguste - Private Collection - Baigneuse accoudée - 1882 - Oil on canvas 54,3 x 40,3 cm
Drawing, General McClellan's Sixth Cavalry Regiment, Embarking at Alexandria for Old Point Comfort; Winslow Homer (American, 1836–1910); USA; graphite, brush and gray wash on cream paper; 21.9 x 40.3 cm (8 5/8 x 15 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-general-mcclellans-sixth-cavalry-regiment-embarking-at-alexandria-for-old-point-comfort-winslow-homer-american-18361910-usa-graphite-brush-and-gray-wash-on-cream-paper-219-x-403-cm-8-58-x-15-78-in-image546089492.htmlRM2PMCEM4–Drawing, General McClellan's Sixth Cavalry Regiment, Embarking at Alexandria for Old Point Comfort; Winslow Homer (American, 1836–1910); USA; graphite, brush and gray wash on cream paper; 21.9 x 40.3 cm (8 5/8 x 15 7/8 in.)
Thailand: Long-tailed macaques at Wat Tham Seua, Krabi Town, Krabi Province, Southern Thailand. The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15-22 in) with comparably short arms and legs. The tail is longer than the body, typically 40-65 cm (16-26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3-6 kg (7-13 lb) of female individuals. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thailand-long-tailed-macaques-at-wat-tham-seua-krabi-town-krabi-province-southern-thailand-the-long-tailed-macaque-macaca-fascicularis-is-also-called-the-crab-eating-macaque-it-is-native-to-southeast-asia-there-are-at-least-ten-subspecies-and-depending-on-subspecies-the-body-length-of-the-adult-monkey-is-38-55-centimetres-15-22-in-with-comparably-short-arms-and-legs-the-tail-is-longer-than-the-body-typically-40-65-cm-16-26-in-males-are-considerably-larger-than-females-weighing-5-9-kilograms-11-20-lb-compared-to-the-3-6-kg-7-13-lb-of-female-individuals-image344244054.htmlRM2B01JPE–Thailand: Long-tailed macaques at Wat Tham Seua, Krabi Town, Krabi Province, Southern Thailand. The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15-22 in) with comparably short arms and legs. The tail is longer than the body, typically 40-65 cm (16-26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3-6 kg (7-13 lb) of female individuals.
Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 3/4 x 15 7/8 in. (24.8 x 40.3 cm), Stencils Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-japan-edo-period-16151868-date-early-19th-century-japan-paper-9-34-x-15-78-in-248-x-403-cm-stencils-image344612884.htmlRM2B0JD70–Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 3/4 x 15 7/8 in. (24.8 x 40.3 cm), Stencils
Art inspired by Vase, Qing dynasty (1644–1911), 19th century, China, Cloisonné enamel, 25 × 15 7/8 in. (63.5 × 40.3 cm), Cloisonné, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-vase-qing-dynasty-16441911-19th-century-china-cloisonn-enamel-25-15-78-in-635-403-cm-cloisonn-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462759371.htmlRF2HTTE8B–Art inspired by Vase, Qing dynasty (1644–1911), 19th century, China, Cloisonné enamel, 25 × 15 7/8 in. (63.5 × 40.3 cm), Cloisonné, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Elevation of a House. Artist: Anonymous, French, 18th century. Dimensions: 9 7/8 x 15 7/8 in. (25.1 x 40.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elevation-of-a-house-artist-anonymous-french-18th-century-dimensions-9-78-x-15-78-in-251-x-403-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image212916170.htmlRMPAB4MX–Elevation of a House. Artist: Anonymous, French, 18th century. Dimensions: 9 7/8 x 15 7/8 in. (25.1 x 40.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
. Auerbachs Hof in Leipzig um 1780. Altkolorierter Kupferstich (Guckkastenblatt - deshalb seitenverkehrt!) 29,1 x 40,3 cm Plattenrand. Dargestellt ist der Naschmarkt, der, wenn keine Leipziger Messe war, seinen Platz in Auerbachs Hof hatte. Gestochen von Johann Baptist Bergmüller (1724 - 1785; THIEME-BECKER Bd. 3, S.411) nach einer Zeichnung von Johann August Rosmäßler (1752 - 1783; THIEME-BECKER Bd. 29, S. 77) . 20 July 2008, 08:45 (UTC). © Foto H.-P.Haack. 63 Auerbachs Hof in Leipzig um 1780 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/auerbachs-hof-in-leipzig-um-1780-altkolorierter-kupferstich-guckkastenblatt-deshalb-seitenverkehrt!-291-x-403-cm-plattenrand-dargestellt-ist-der-naschmarkt-der-wenn-keine-leipziger-messe-war-seinen-platz-in-auerbachs-hof-hatte-gestochen-von-johann-baptist-bergmller-1724-1785-thieme-becker-bd-3-s411-nach-einer-zeichnung-von-johann-august-rosmler-1752-1783-thieme-becker-bd-29-s-77-20-july-2008-0845-utc-foto-h-phaack-63-auerbachs-hof-in-leipzig-um-1780-image188294691.htmlRMMX9FPB–. Auerbachs Hof in Leipzig um 1780. Altkolorierter Kupferstich (Guckkastenblatt - deshalb seitenverkehrt!) 29,1 x 40,3 cm Plattenrand. Dargestellt ist der Naschmarkt, der, wenn keine Leipziger Messe war, seinen Platz in Auerbachs Hof hatte. Gestochen von Johann Baptist Bergmüller (1724 - 1785; THIEME-BECKER Bd. 3, S.411) nach einer Zeichnung von Johann August Rosmäßler (1752 - 1783; THIEME-BECKER Bd. 29, S. 77) . 20 July 2008, 08:45 (UTC). © Foto H.-P.Haack. 63 Auerbachs Hof in Leipzig um 1780
Dish with profile of a woman with Petrarchan verse MET DP329024 187831 Italian, Deruta, Dish with profile of a woman with Petrarchan verse, ca. 1510?30, Maiolica (tin-glazed earthenware), lustered, Overall (confirmed): 3 1/2 ? 15 7/8 in. (8.9 ? 40.3 cm). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1894 (94.4.320) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dish-with-profile-of-a-woman-with-petrarchan-verse-met-dp329024-187831-168042589.htmlRMKNB011–Dish with profile of a woman with Petrarchan verse MET DP329024 187831 Italian, Deruta, Dish with profile of a woman with Petrarchan verse, ca. 1510?30, Maiolica (tin-glazed earthenware), lustered, Overall (confirmed): 3 1/2 ? 15 7/8 in. (8.9 ? 40.3 cm). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1894 (94.4.320)
![The East Prospect of the Town of NEWARK upon Trent in the County of Nottingham. Author Buck, Samuel 33.31.a. Place of publication: [London] Publisher: [S. Buck] Date of publication: [1726.] Item type: 1 print Medium: etching Dimensions: sheet 25.5 x 40.3 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HMDE/the-east-prospect-of-the-town-of-newark-upon-trent-in-the-county-of-nottingham-author-buck-samuel-3331a-place-of-publication-london-publisher-s-buck-date-of-publication-1726-item-type-1-print-medium-etching-dimensions-sheet-255-x-403-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HMDE.jpg "The East Prospect of the Town of NEWARK upon Trent in the County of Nottingham. Author Buck, Samuel 33.31.a. Place of publication: [London] Publisher: [S. Buck] Date of publication: [1726.] Item type: 1 print Medium: etching Dimensions: sheet 25.5 x 40.3 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
The East Prospect of the Town of NEWARK upon Trent in the County of Nottingham. Author Buck, Samuel 33.31.a. Place of publication: [London] Publisher: [S. Buck] Date of publication: [1726.] Item type: 1 print Medium: etching Dimensions: sheet 25.5 x 40.3 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-east-prospect-of-the-town-of-newark-upon-trent-in-the-county-of-nottingham-author-buck-samuel-3331a-place-of-publication-london-publisher-s-buck-date-of-publication-1726-item-type-1-print-medium-etching-dimensions-sheet-255-x-403-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401759610.htmlRM2E9HMDE–The East Prospect of the Town of NEWARK upon Trent in the County of Nottingham. Author Buck, Samuel 33.31.a. Place of publication: [London] Publisher: [S. Buck] Date of publication: [1726.] Item type: 1 print Medium: etching Dimensions: sheet 25.5 x 40.3 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820
Limekiln at Coalbrookdale - 1797c. - oil on wood 28,9 x 40,3 cm - Turner Joseph Mallord William Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/limekiln-at-coalbrookdale-1797c-oil-on-wood-289-x-403-cm-turner-joseph-mallord-william-image457740240.htmlRF2HGKT9M–Limekiln at Coalbrookdale - 1797c. - oil on wood 28,9 x 40,3 cm - Turner Joseph Mallord William
Print, Elevation of Interior with Clock over a Chimneypiece; Designed by Johann Michael Hoppenhaupt II (German, 1709–ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper; 57.7 x 40.3 cm (22 11/16 x 15 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-elevation-of-interior-with-clock-over-a-chimneypiece-designed-by-johann-michael-hoppenhaupt-ii-german-1709ca-1778-print-maker-i-w-meil-german-germany-etching-and-engraving-on-white-laid-paper-577-x-403-cm-22-1116-x-15-78-in-image546265409.htmlRM2PMMF2W–Print, Elevation of Interior with Clock over a Chimneypiece; Designed by Johann Michael Hoppenhaupt II (German, 1709–ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper; 57.7 x 40.3 cm (22 11/16 x 15 7/8 in.)
Thailand: Long-tailed macaques at Wat Tham Seua, Krabi Town, Krabi Province, Southern Thailand. The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15-22 in) with comparably short arms and legs. The tail is longer than the body, typically 40-65 cm (16-26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3-6 kg (7-13 lb) of female individuals. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thailand-long-tailed-macaques-at-wat-tham-seua-krabi-town-krabi-province-southern-thailand-the-long-tailed-macaque-macaca-fascicularis-is-also-called-the-crab-eating-macaque-it-is-native-to-southeast-asia-there-are-at-least-ten-subspecies-and-depending-on-subspecies-the-body-length-of-the-adult-monkey-is-38-55-centimetres-15-22-in-with-comparably-short-arms-and-legs-the-tail-is-longer-than-the-body-typically-40-65-cm-16-26-in-males-are-considerably-larger-than-females-weighing-5-9-kilograms-11-20-lb-compared-to-the-3-6-kg-7-13-lb-of-female-individuals-image344244061.htmlRM2B01JPN–Thailand: Long-tailed macaques at Wat Tham Seua, Krabi Town, Krabi Province, Southern Thailand. The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15-22 in) with comparably short arms and legs. The tail is longer than the body, typically 40-65 cm (16-26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3-6 kg (7-13 lb) of female individuals.
Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 1/8 x 15 7/8 in. (23.2 x 40.3 cm), Stencils Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-japan-edo-period-16151868-date-early-19th-century-japan-paper-9-18-x-15-78-in-232-x-403-cm-stencils-image344612869.htmlRM2B0JD6D–Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 1/8 x 15 7/8 in. (23.2 x 40.3 cm), Stencils
Art inspired by Fragment, late 17th century, Italian, Silk, Overall: 22 3/4 x 15 7/8 in. (57.8 x 40.3 cm), Textiles-Velvets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fragment-late-17th-century-italian-silk-overall-22-34-x-15-78-in-578-x-403-cm-textiles-velvets-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778311.htmlRF2HTWACR–Art inspired by Fragment, late 17th century, Italian, Silk, Overall: 22 3/4 x 15 7/8 in. (57.8 x 40.3 cm), Textiles-Velvets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for an Empire Covered Dish. Artist: Anonymous, French, 19th century. Dimensions: sheet: 10 3/16 x 15 7/8 in. (25.9 x 40.3 cm). Date: ca. 1810-15. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-empire-covered-dish-artist-anonymous-french-19th-century-dimensions-sheet-10-316-x-15-78-in-259-x-403-cm-date-ca-1810-15-museum-metropolitan-museum-of-art-new-york-usa-image213171844.htmlRMPAPPT4–Design for an Empire Covered Dish. Artist: Anonymous, French, 19th century. Dimensions: sheet: 10 3/16 x 15 7/8 in. (25.9 x 40.3 cm). Date: ca. 1810-15. Museum: Metropolitan Museum of Art, New York, USA.
. Auerbachs Hof in Leipzig um 1780. Altkolorierter Kupferstich (Guckkastenblatt - deshalb seitenverkehrt!) 29,1 x 40,3 cm Plattenrand. Dargestellt ist der Naschmarkt, der, wenn keine Leipziger Messe war, seinen Platz in Auerbachs Hof hatte. Gestochen von Johann Baptist Bergmüller (1724 - 1785; THIEME-BECKER Bd. 3, S.411) nach einer Zeichnung von Johann August Rosmäßler (1752 - 1783; THIEME-BECKER Bd. 29, S. 77) . 20 July 2008, 08:45 (UTC). © Foto H.-P.Haack. 55 Auerbachs Hof in Leipzig um 1780 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/auerbachs-hof-in-leipzig-um-1780-altkolorierter-kupferstich-guckkastenblatt-deshalb-seitenverkehrt!-291-x-403-cm-plattenrand-dargestellt-ist-der-naschmarkt-der-wenn-keine-leipziger-messe-war-seinen-platz-in-auerbachs-hof-hatte-gestochen-von-johann-baptist-bergmller-1724-1785-thieme-becker-bd-3-s411-nach-einer-zeichnung-von-johann-august-rosmler-1752-1783-thieme-becker-bd-29-s-77-20-july-2008-0845-utc-foto-h-phaack-55-auerbachs-hof-in-leipzig-um-1780-image189077850.htmlRMMYH6MA–. Auerbachs Hof in Leipzig um 1780. Altkolorierter Kupferstich (Guckkastenblatt - deshalb seitenverkehrt!) 29,1 x 40,3 cm Plattenrand. Dargestellt ist der Naschmarkt, der, wenn keine Leipziger Messe war, seinen Platz in Auerbachs Hof hatte. Gestochen von Johann Baptist Bergmüller (1724 - 1785; THIEME-BECKER Bd. 3, S.411) nach einer Zeichnung von Johann August Rosmäßler (1752 - 1783; THIEME-BECKER Bd. 29, S. 77) . 20 July 2008, 08:45 (UTC). © Foto H.-P.Haack. 55 Auerbachs Hof in Leipzig um 1780
![Netley Abbey. Visual Material information: Title: Netley Abbey. 14.83.f. Date of publication: [about 1790-1810] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 20.2 x 30.5 cm, on support card 28.5 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H2AR/netley-abbey-visual-material-information-title-netley-abbey-1483f-date-of-publication-about-1790-1810-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-202-x-305-cm-on-support-card-285-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H2AR.jpg "Netley Abbey. Visual Material information: Title: Netley Abbey. 14.83.f. Date of publication: [about 1790-1810] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 20.2 x 30.5 cm, on support card 28.5 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Netley Abbey. Visual Material information: Title: Netley Abbey. 14.83.f. Date of publication: [about 1790-1810] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 20.2 x 30.5 cm, on support card 28.5 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/netley-abbey-visual-material-information-title-netley-abbey-1483f-date-of-publication-about-1790-1810-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-202-x-305-cm-on-support-card-285-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401745423.htmlRM2E9H2AR–Netley Abbey. Visual Material information: Title: Netley Abbey. 14.83.f. Date of publication: [about 1790-1810] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 20.2 x 30.5 cm, on support card 28.5 x 40.3 cm Former owner: George III, King of Great Britain, 1738-1820
Vase with Carnations and Other Flowers - 1890 - Oil on canvas 62,2 x 40,3 cm - Van Gogh Vincent Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vase-with-carnations-and-other-flowers-1890-oil-on-canvas-622-x-403-cm-van-gogh-vincent-image457717994.htmlRF2HGJRY6–Vase with Carnations and Other Flowers - 1890 - Oil on canvas 62,2 x 40,3 cm - Van Gogh Vincent
Print, Le Salle de Spectacle, Bordeaux; engraving on paper; Platemark: 15.3 × 25.4 cm (6 × 10 in.) H x W: 28.7 × 40.3 cm (11 5/16 × 15 7/8 in.); Bequest of Erskine Hewitt; 1938-57-1406 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-le-salle-de-spectacle-bordeaux-engraving-on-paper-platemark-153-254-cm-6-10-in-h-x-w-287-403-cm-11-516-15-78-in-bequest-of-erskine-hewitt-1938-57-1406-image546197772.htmlRM2PMHCR8–Print, Le Salle de Spectacle, Bordeaux; engraving on paper; Platemark: 15.3 × 25.4 cm (6 × 10 in.) H x W: 28.7 × 40.3 cm (11 5/16 × 15 7/8 in.); Bequest of Erskine Hewitt; 1938-57-1406
Thailand: Long-tailed macaques at Wat Tham Seua, Krabi Town, Krabi Province, Southern Thailand. The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15-22 in) with comparably short arms and legs. The tail is longer than the body, typically 40-65 cm (16-26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3-6 kg (7-13 lb) of female individuals. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thailand-long-tailed-macaques-at-wat-tham-seua-krabi-town-krabi-province-southern-thailand-the-long-tailed-macaque-macaca-fascicularis-is-also-called-the-crab-eating-macaque-it-is-native-to-southeast-asia-there-are-at-least-ten-subspecies-and-depending-on-subspecies-the-body-length-of-the-adult-monkey-is-38-55-centimetres-15-22-in-with-comparably-short-arms-and-legs-the-tail-is-longer-than-the-body-typically-40-65-cm-16-26-in-males-are-considerably-larger-than-females-weighing-5-9-kilograms-11-20-lb-compared-to-the-3-6-kg-7-13-lb-of-female-individuals-image344244060.htmlRM2B01JPM–Thailand: Long-tailed macaques at Wat Tham Seua, Krabi Town, Krabi Province, Southern Thailand. The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15-22 in) with comparably short arms and legs. The tail is longer than the body, typically 40-65 cm (16-26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3-6 kg (7-13 lb) of female individuals.
Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 3/4 x 15 7/8 in. (24.8 x 40.3 cm), Stencils Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-japan-edo-period-16151868-date-early-19th-century-japan-paper-9-34-x-15-78-in-248-x-403-cm-stencils-image344612914.htmlRM2B0JD82–Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 3/4 x 15 7/8 in. (24.8 x 40.3 cm), Stencils
Art inspired by Bronze jar with two handles, Imperial, 1st century A.D., Roman, Bronze, H. 16 1/16 in. (40.3 cm), Bronzes, The handles have been restored, possibly in antiquity, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bronze-jar-with-two-handles-imperial-1st-century-ad-roman-bronze-h-16-116-in-403-cm-bronzes-the-handles-have-been-restored-possibly-in-antiquity-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462790094.htmlRF2HTWWDJ–Art inspired by Bronze jar with two handles, Imperial, 1st century A.D., Roman, Bronze, H. 16 1/16 in. (40.3 cm), Bronzes, The handles have been restored, possibly in antiquity, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dragon. Artist: After Muqi (Chinese, active ca. 1250-80). Culture: China. Dimensions: 31 11/16 x 15 7/8 in. (80.5 x 40.3 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dragon-artist-after-muqi-chinese-active-ca-1250-80-culture-china-dimensions-31-1116-x-15-78-in-805-x-403-cm-date-14th-century-museum-metropolitan-museum-of-art-new-york-usa-image213150959.htmlRMPANT67–Dragon. Artist: After Muqi (Chinese, active ca. 1250-80). Culture: China. Dimensions: 31 11/16 x 15 7/8 in. (80.5 x 40.3 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.
. Auerbachs Hof in Leipzig um 1780. Altkolorierter Kupferstich (Guckkastenblatt - deshalb seitenverkehrt!) 29,1 x 40,3 cm Plattenrand. Dargestellt ist der Naschmarkt, der, wenn keine Leipziger Messe war, seinen Platz in Auerbachs Hof hatte. Gestochen von Johann Baptist Bergmüller (1724 - 1785; THIEME-BECKER Bd. 3, S.411) nach einer Zeichnung von Johann August Rosmäßler (1752 - 1783; THIEME-BECKER Bd. 29, S. 77) . 20 July 2008, 08:45 (UTC). © Foto H.-P.Haack. 63 Auerbachs Hof in Leipzig um 1780 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/auerbachs-hof-in-leipzig-um-1780-altkolorierter-kupferstich-guckkastenblatt-deshalb-seitenverkehrt!-291-x-403-cm-plattenrand-dargestellt-ist-der-naschmarkt-der-wenn-keine-leipziger-messe-war-seinen-platz-in-auerbachs-hof-hatte-gestochen-von-johann-baptist-bergmller-1724-1785-thieme-becker-bd-3-s411-nach-einer-zeichnung-von-johann-august-rosmler-1752-1783-thieme-becker-bd-29-s-77-20-july-2008-0845-utc-foto-h-phaack-63-auerbachs-hof-in-leipzig-um-1780-image187781985.htmlRMMWE5RD–. Auerbachs Hof in Leipzig um 1780. Altkolorierter Kupferstich (Guckkastenblatt - deshalb seitenverkehrt!) 29,1 x 40,3 cm Plattenrand. Dargestellt ist der Naschmarkt, der, wenn keine Leipziger Messe war, seinen Platz in Auerbachs Hof hatte. Gestochen von Johann Baptist Bergmüller (1724 - 1785; THIEME-BECKER Bd. 3, S.411) nach einer Zeichnung von Johann August Rosmäßler (1752 - 1783; THIEME-BECKER Bd. 29, S. 77) . 20 July 2008, 08:45 (UTC). © Foto H.-P.Haack. 63 Auerbachs Hof in Leipzig um 1780
![The North Side of the Mannour House of SANDFORD Taken AD 1722 Author Cole, Benjamin 35.53.a. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: sheet 17.5 x 40.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HNA6/the-north-side-of-the-mannour-house-of-sandford-taken-ad-1722-author-cole-benjamin-3553a-place-of-publication-oxford-publisher-publisher-unknown-date-of-publication-around-1737-item-type-1-print-medium-etching-dimensions-sheet-175-x-403-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HNA6.jpg "The North Side of the Mannour House of SANDFORD Taken AD 1722 Author Cole, Benjamin 35.53.a. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: sheet 17.5 x 40.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
The North Side of the Mannour House of SANDFORD Taken AD 1722 Author Cole, Benjamin 35.53.a. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: sheet 17.5 x 40.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-north-side-of-the-mannour-house-of-sandford-taken-ad-1722-author-cole-benjamin-3553a-place-of-publication-oxford-publisher-publisher-unknown-date-of-publication-around-1737-item-type-1-print-medium-etching-dimensions-sheet-175-x-403-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401760302.htmlRM2E9HNA6–The North Side of the Mannour House of SANDFORD Taken AD 1722 Author Cole, Benjamin 35.53.a. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: sheet 17.5 x 40.3 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Weaver - 1884 - matita, penna e inchiostro on carta 27,2 x 40,3 cm - Van Gogh Vincent Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/weaver-1884-matita-penna-e-inchiostro-on-carta-272-x-403-cm-van-gogh-vincent-image457740000.htmlRF2HGKT14–Weaver - 1884 - matita, penna e inchiostro on carta 27,2 x 40,3 cm - Van Gogh Vincent
Drawing, Decorative Project for Central Tondo with Apollo, Autumn and Winter; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink, brush and brown wash over traces of graphite on cream laid paper; 27.7 x 40.3 cm (10 7/8 x 15 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-decorative-project-for-central-tondo-with-apollo-autumn-and-winter-designed-by-felice-giani-italian-17581823-italy-pen-and-brown-ink-brush-and-brown-wash-over-traces-of-graphite-on-cream-laid-paper-277-x-403-cm-10-78-x-15-78-in-image546212684.htmlRM2PMJ3RT–Drawing, Decorative Project for Central Tondo with Apollo, Autumn and Winter; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink, brush and brown wash over traces of graphite on cream laid paper; 27.7 x 40.3 cm (10 7/8 x 15 7/8 in.)
Thailand: Long-tailed macaques at Wat Tham Seua, Krabi Town, Krabi Province, Southern Thailand. The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15-22 in) with comparably short arms and legs. The tail is longer than the body, typically 40-65 cm (16-26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3-6 kg (7-13 lb) of female individuals. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thailand-long-tailed-macaques-at-wat-tham-seua-krabi-town-krabi-province-southern-thailand-the-long-tailed-macaque-macaca-fascicularis-is-also-called-the-crab-eating-macaque-it-is-native-to-southeast-asia-there-are-at-least-ten-subspecies-and-depending-on-subspecies-the-body-length-of-the-adult-monkey-is-38-55-centimetres-15-22-in-with-comparably-short-arms-and-legs-the-tail-is-longer-than-the-body-typically-40-65-cm-16-26-in-males-are-considerably-larger-than-females-weighing-5-9-kilograms-11-20-lb-compared-to-the-3-6-kg-7-13-lb-of-female-individuals-image344244057.htmlRM2B01JPH–Thailand: Long-tailed macaques at Wat Tham Seua, Krabi Town, Krabi Province, Southern Thailand. The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15-22 in) with comparably short arms and legs. The tail is longer than the body, typically 40-65 cm (16-26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3-6 kg (7-13 lb) of female individuals.
Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 5/8 x 15 7/8 in. (24.4 x 40.3 cm), Stencils Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-japan-edo-period-16151868-date-early-19th-century-japan-paper-9-58-x-15-78-in-244-x-403-cm-stencils-image344612882.htmlRM2B0JD6X–Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 5/8 x 15 7/8 in. (24.4 x 40.3 cm), Stencils
Art inspired by Coaching – Four in Hand – A Swell Turn-out, 1876, Hand-colored lithograph, image: 11 x 15 7/8 in. (28 x 40.3 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-coaching-four-in-hand-a-swell-turn-out-1876-hand-colored-lithograph-image-11-x-15-78-in-28-x-403-cm-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462809426.htmlRF2HTXP42–Art inspired by Coaching – Four in Hand – A Swell Turn-out, 1876, Hand-colored lithograph, image: 11 x 15 7/8 in. (28 x 40.3 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Village on the Brenta. Artist: Bernardo Bellotto (Italian, Venice 1722-1780 Warsaw). Dimensions: 11 9/16 x 15 7/8 in. (29.3 x 40.3 cm). Date: ca. 1740-41. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-village-on-the-brenta-artist-bernardo-bellotto-italian-venice-1722-1780-warsaw-dimensions-11-916-x-15-78-in-293-x-403-cm-date-ca-1740-41-museum-metropolitan-museum-of-art-new-york-usa-image212898571.htmlRMPAAA8B–A Village on the Brenta. Artist: Bernardo Bellotto (Italian, Venice 1722-1780 Warsaw). Dimensions: 11 9/16 x 15 7/8 in. (29.3 x 40.3 cm). Date: ca. 1740-41. Museum: Metropolitan Museum of Art, New York, USA.
. Italiano: Paris Bordone - Resurrezione di Cristo anno:80 x 88 cm olio su tela Museo Civico, Treviso . 3 February 2014, 01:12:40. Paris Bordone (1500–1570) Description Italian painter Date of birth/death 5 July 1500 29 January 1571 Location of birth/death Treviso Venice Work location Venice, Italy, France Authority control : Q366081 VIAF: 47034626 ISNI: 0000 0000 8343 3901 ULAN: 500018343 LCCN: n86081102 WGA: BORDONE, Paris WorldCat 960 Paris Bordone - Resurrezione di Cristo - Museo Civico, Treviso Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italiano-paris-bordone-resurrezione-di-cristo-anno80-x-88-cm-olio-su-tela-museo-civico-treviso-3-february-2014-011240-paris-bordone-15001570-description-italian-painter-date-of-birthdeath-5-july-1500-29-january-1571-location-of-birthdeath-treviso-venice-work-location-venice-italy-france-authority-control-q366081-viaf47034626-isni0000-0000-8343-3901-ulan500018343-lccnn86081102-wgabordone-paris-worldcat-960-paris-bordone-resurrezione-di-cristo-museo-civico-treviso-image185539215.htmlRMMNT14F–. Italiano: Paris Bordone - Resurrezione di Cristo anno:80 x 88 cm olio su tela Museo Civico, Treviso . 3 February 2014, 01:12:40. Paris Bordone (1500–1570) Description Italian painter Date of birth/death 5 July 1500 29 January 1571 Location of birth/death Treviso Venice Work location Venice, Italy, France Authority control : Q366081 VIAF: 47034626 ISNI: 0000 0000 8343 3901 ULAN: 500018343 LCCN: n86081102 WGA: BORDONE, Paris WorldCat 960 Paris Bordone - Resurrezione di Cristo - Museo Civico, Treviso
![THE SOUTH WEST VIEW OF MALMESBURY ABBY, IN THE COUNTY OF WILTS. Author Buck, Samuel 43.35.b. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1732] Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.7 cm, on sheet 23.4 x 40.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9EKTD/the-south-west-view-of-malmesbury-abby-in-the-county-of-wilts-author-buck-samuel-4335b-place-of-publication-england-publisher-samuel-and-nathaniel-buck-date-of-publication-1732-item-type-1-print-medium-etching-dimensions-platemark-194-x-377-cm-on-sheet-234-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9EKTD.jpg "THE SOUTH WEST VIEW OF MALMESBURY ABBY, IN THE COUNTY OF WILTS. Author Buck, Samuel 43.35.b. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1732] Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.7 cm, on sheet 23.4 x 40.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE SOUTH WEST VIEW OF MALMESBURY ABBY, IN THE COUNTY OF WILTS. Author Buck, Samuel 43.35.b. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1732] Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.7 cm, on sheet 23.4 x 40.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-south-west-view-of-malmesbury-abby-in-the-county-of-wilts-author-buck-samuel-4335b-place-of-publication-england-publisher-samuel-and-nathaniel-buck-date-of-publication-1732-item-type-1-print-medium-etching-dimensions-platemark-194-x-377-cm-on-sheet-234-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401693277.htmlRM2E9EKTD–THE SOUTH WEST VIEW OF MALMESBURY ABBY, IN THE COUNTY OF WILTS. Author Buck, Samuel 43.35.b. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1732] Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.7 cm, on sheet 23.4 x 40.3 cm. Former owner: George III, King of Great Britain, 1738-1820
Girl with Mandolin - 1860 65 - oil on canvas 51,4 x 40,3 cm - Corot Jean-Baptiste-Camille Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girl-with-mandolin-1860-65-oil-on-canvas-514-x-403-cm-corot-jean-baptiste-camille-image454770346.htmlRF2HBTG62–Girl with Mandolin - 1860 65 - oil on canvas 51,4 x 40,3 cm - Corot Jean-Baptiste-Camille
Print, Frontispiece: Della Magnificenza Ed. Architettura Dei Romani; Giovanni Battista Piranesi (Italian, 1720–1778); black ink on paper; Platemark: 44.9 × 28.9 cm (17 11/16 × 11 3/8 in.) H x W: 56.6 × 40.3 cm (22 5/16 × 15 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-frontispiece-della-magnificenza-ed-architettura-dei-romani-giovanni-battista-piranesi-italian-17201778-black-ink-on-paper-platemark-449-289-cm-17-1116-11-38-in-h-x-w-566-403-cm-22-516-15-78-in-image546232498.htmlRM2PMK13E–Print, Frontispiece: Della Magnificenza Ed. Architettura Dei Romani; Giovanni Battista Piranesi (Italian, 1720–1778); black ink on paper; Platemark: 44.9 × 28.9 cm (17 11/16 × 11 3/8 in.) H x W: 56.6 × 40.3 cm (22 5/16 × 15 7/8 in.)
Thailand: Long-tailed macaques at Wat Tham Seua, Krabi Town, Krabi Province, Southern Thailand. The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15-22 in) with comparably short arms and legs. The tail is longer than the body, typically 40-65 cm (16-26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3-6 kg (7-13 lb) of female individuals. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thailand-long-tailed-macaques-at-wat-tham-seua-krabi-town-krabi-province-southern-thailand-the-long-tailed-macaque-macaca-fascicularis-is-also-called-the-crab-eating-macaque-it-is-native-to-southeast-asia-there-are-at-least-ten-subspecies-and-depending-on-subspecies-the-body-length-of-the-adult-monkey-is-38-55-centimetres-15-22-in-with-comparably-short-arms-and-legs-the-tail-is-longer-than-the-body-typically-40-65-cm-16-26-in-males-are-considerably-larger-than-females-weighing-5-9-kilograms-11-20-lb-compared-to-the-3-6-kg-7-13-lb-of-female-individuals-image344244055.htmlRM2B01JPF–Thailand: Long-tailed macaques at Wat Tham Seua, Krabi Town, Krabi Province, Southern Thailand. The long-tailed macaque (Macaca fascicularis) is also called the crab-eating macaque. It is native to Southeast Asia. There are at least ten subspecies and depending on subspecies, the body length of the adult monkey is 38-55 centimetres (15-22 in) with comparably short arms and legs. The tail is longer than the body, typically 40-65 cm (16-26 in). Males are considerably larger than females, weighing 5-9 kilograms (11-20 lb) compared to the 3-6 kg (7-13 lb) of female individuals.
Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, silk, 9 3/4 x 15 7/8 in. (24.8 x 40.3 cm), Stencils Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-japan-edo-period-16151868-date-early-19th-century-japan-paper-silk-9-34-x-15-78-in-248-x-403-cm-stencils-image344612858.htmlRM2B0JD62–Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, silk, 9 3/4 x 15 7/8 in. (24.8 x 40.3 cm), Stencils
Art inspired by Platter, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, 12 7/8 x 15 7/8 in. (32.7 x 40.3 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-platter-ca-186066-made-in-china-chinese-for-american-market-porcelain-12-78-x-15-78-in-327-x-403-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462890040.htmlRF2HW2CY4–Art inspired by Platter, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, 12 7/8 x 15 7/8 in. (32.7 x 40.3 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fireworks for a Naval Victory. Artist: Anonymous, Italian, 18th or early 19th century. Dimensions: sheet: 10 1/2 x 15 7/8 in. (26.7 x 40.3 cm). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fireworks-for-a-naval-victory-artist-anonymous-italian-18th-or-early-19th-century-dimensions-sheet-10-12-x-15-78-in-267-x-403-cm-date-ca-1800-museum-metropolitan-museum-of-art-new-york-usa-image213402123.htmlRMPB58GB–Fireworks for a Naval Victory. Artist: Anonymous, Italian, 18th or early 19th century. Dimensions: sheet: 10 1/2 x 15 7/8 in. (26.7 x 40.3 cm). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: 1724-1725 Display Dimensions: 3 7/32 in. x 6 21/32 in. (8.2 cm x 16.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.521 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 October 2001, 11:57:40. English: thesandiegomuseumofartcollection 1128 Small album leaf with two panels of calligraphy (6124546987) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-creation-date-1724-1725-display-dimensions-3-732-in-x-6-2132-in-82-cm-x-169-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990521-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-29-october-2001-115740-english-thesandiegomuseumofartcollection-1128-small-album-leaf-with-two-panels-of-calligraphy-6124546987-image185881251.htmlRMMPBHC3–. English: Creation Date: 1724-1725 Display Dimensions: 3 7/32 in. x 6 21/32 in. (8.2 cm x 16.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.521 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 October 2001, 11:57:40. English: thesandiegomuseumofartcollection 1128 Small album leaf with two panels of calligraphy (6124546987)
![ALL SOUL'S CHURCH in WAKEFIELD York Shire. Author Sturt, John 44.51. Place of publication: [London] Publisher: Printed and Sold by H. Overton at the White Horse without Newgate., Date of publication: [1720-1740] Item type: 1 print Medium: etching and engraving Dimensions: sheet 52.0 x 40.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9ERCM/all-souls-church-in-wakefield-york-shire-author-sturt-john-4451-place-of-publication-london-publisher-printed-and-sold-by-h-overton-at-the-white-horse-without-newgate-date-of-publication-1720-1740-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-520-x-403-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9ERCM.jpg "ALL SOUL'S CHURCH in WAKEFIELD York Shire. Author Sturt, John 44.51. Place of publication: [London] Publisher: Printed and Sold by H. Overton at the White Horse without Newgate., Date of publication: [1720-1740] Item type: 1 print Medium: etching and engraving Dimensions: sheet 52.0 x 40.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
ALL SOUL'S CHURCH in WAKEFIELD York Shire. Author Sturt, John 44.51. Place of publication: [London] Publisher: Printed and Sold by H. Overton at the White Horse without Newgate., Date of publication: [1720-1740] Item type: 1 print Medium: etching and engraving Dimensions: sheet 52.0 x 40.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/all-souls-church-in-wakefield-york-shire-author-sturt-john-4451-place-of-publication-london-publisher-printed-and-sold-by-h-overton-at-the-white-horse-without-newgate-date-of-publication-1720-1740-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-520-x-403-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401696084.htmlRM2E9ERCM–ALL SOUL'S CHURCH in WAKEFIELD York Shire. Author Sturt, John 44.51. Place of publication: [London] Publisher: Printed and Sold by H. Overton at the White Horse without Newgate., Date of publication: [1720-1740] Item type: 1 print Medium: etching and engraving Dimensions: sheet 52.0 x 40.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
View of Châtenay- unknown date - olio su carta steso su cartone 27 x 40,3 cm - Michallon Achille-Etna Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-chatenay-unknown-date-olio-su-carta-steso-su-cartone-27-x-403-cm-michallon-achille-etna-image457739731.htmlRF2HGKRKF–View of Châtenay- unknown date - olio su carta steso su cartone 27 x 40,3 cm - Michallon Achille-Etna
Print, The Machine de Marly Seen from the Seine River near St. Germain-en-Laye; After Nicolas de Fer (French, 1646–1720); Print Maker: Charles Inselin (French, b. ca. 1673); etching; Platemark: 23.4 x 34.4 cm (9 3/16 x 13 9/16 in. ); sheet (26 x 40.3 cm) 10 1/4 x 15 7/8 in. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-the-machine-de-marly-seen-from-the-seine-river-near-st-germain-en-laye-after-nicolas-de-fer-french-16461720-print-maker-charles-inselin-french-b-ca-1673-etching-platemark-234-x-344-cm-9-316-x-13-916-in-sheet-26-x-403-cm-10-14-x-15-78-in-image546175835.htmlRM2PMGCRR–Print, The Machine de Marly Seen from the Seine River near St. Germain-en-Laye; After Nicolas de Fer (French, 1646–1720); Print Maker: Charles Inselin (French, b. ca. 1673); etching; Platemark: 23.4 x 34.4 cm (9 3/16 x 13 9/16 in. ); sheet (26 x 40.3 cm) 10 1/4 x 15 7/8 in.
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