SAVE 40% ON SINGLE IMAGE PURCHASES - OFFER ENDS SOON, USE CODE: IMAGESAVE40%
Quick filters:
Page 3 of 8
40 23 7 cm Stock Photos and Images
Handle. Preserved and restored., Handle, metal, iron, 15.6 x 23.7 cm, roman 40-250, Netherlands, South Holland, Katwijk, Valkenburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handle-preserved-and-restored-handle-metal-iron-156-x-237-cm-roman-40-250-netherlands-south-holland-katwijk-valkenburg-image344538670.htmlRM2B0F2GE–Handle. Preserved and restored., Handle, metal, iron, 15.6 x 23.7 cm, roman 40-250, Netherlands, South Holland, Katwijk, Valkenburg
Inspired by Landscape, George Inness, American, 1825-1894, Oil on board, ca. 1882-1883, 16 x 23 13/16 in., 40.7 x 60.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-landscape-george-inness-american-1825-1894-oil-on-board-ca-1882-1883-16-x-23-1316-in-407-x-605-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253661.htmlRF2HK4PMD–Inspired by Landscape, George Inness, American, 1825-1894, Oil on board, ca. 1882-1883, 16 x 23 13/16 in., 40.7 x 60.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 1/8 x 15 7/8 in. (23.2 x 40.3 cm), Stencils Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stencil-japan-edo-period-16151868-date-early-19th-century-japan-paper-9-18-x-15-78-in-232-x-403-cm-stencils-image344612869.htmlRM2B0JD6D–Stencil, Japan, Edo period (1615–1868), Date early 19th century, Japan, Paper, 9 1/8 x 15 7/8 in. (23.2 x 40.3 cm), Stencils
Art inspired by Swept frame, 1750–60, French, Oak and lime, 34.7 x 40.4, 16 x 22, 18 x 23.6 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-swept-frame-175060-french-oak-and-lime-347-x-404-16-x-22-18-x-236-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826033.htmlRF2HTYF95–Art inspired by Swept frame, 1750–60, French, Oak and lime, 34.7 x 40.4, 16 x 22, 18 x 23.6 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jean-Baptiste-Camille Corot, French, 1796–1875, Road by the Water, c. 1865–70, Oil on canvas, 15 7/8 x 23 13/16 in. (40.3 x 60.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-camille-corot-french-17961875-road-by-the-water-c-186570-oil-on-canvas-15-78-x-23-1316-in-403-x-605-cm-image344574240.htmlRM2B0GKXT–Jean-Baptiste-Camille Corot, French, 1796–1875, Road by the Water, c. 1865–70, Oil on canvas, 15 7/8 x 23 13/16 in. (40.3 x 60.5 cm
Art inspired by Bowl, 1835–40, Made in New England, United States, American, Lacy pressed glass, Diam. 9 5/16 in. (23.7 cm), Glass, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bowl-183540-made-in-new-england-united-states-american-lacy-pressed-glass-diam-9-516-in-237-cm-glass-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462891843.htmlRF2HW2F7F–Art inspired by Bowl, 1835–40, Made in New England, United States, American, Lacy pressed glass, Diam. 9 5/16 in. (23.7 cm), Glass, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jean-Baptiste-Camille Corot, French, 1796–1875, Apple Trees in a Field, c. 1865–70, Oil on canvas, 16 x 23 15/16 in. (40.7 x 60.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-camille-corot-french-17961875-apple-trees-in-a-field-c-186570-oil-on-canvas-16-x-23-1516-in-407-x-608-cm-image344574232.htmlRM2B0GKXG–Jean-Baptiste-Camille Corot, French, 1796–1875, Apple Trees in a Field, c. 1865–70, Oil on canvas, 16 x 23 15/16 in. (40.7 x 60.8 cm
Art inspired by Piece, 18th century, French, Cotton, Overall: 40 1/2 x 23 1/2 in. (102.9 x 59.7 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-piece-18th-century-french-cotton-overall-40-12-x-23-12-in-1029-x-597-cm-textiles-woven-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778600.htmlRF2HTWAR4–Art inspired by Piece, 18th century, French, Cotton, Overall: 40 1/2 x 23 1/2 in. (102.9 x 59.7 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fragment, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, weft loop weave, 15 7/8 in. high 9 1/16 in. wide (40.3 cm high 23 cm wide), Textiles Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-3rd4th-century-made-in-egypt-wool-linen-plain-weave-tapestry-weave-weft-loop-weave-15-78-in-high-9-116-in-wide-403-cm-high-23-cm-wide-textiles-image344604746.htmlRM2B0J2TA–Fragment, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, weft loop weave, 15 7/8 in. high 9 1/16 in. wide (40.3 cm high 23 cm wide), Textiles
Art inspired by Neoclassical frame, 1760–70, Italian, Rome (?), Poplar, 31.5 x 40.7, 21.5 x 31, 23.2 x 32.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-neoclassical-frame-176070-italian-rome-poplar-315-x-407-215-x-31-232-x-325-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826140.htmlRF2HTYFD0–Art inspired by Neoclassical frame, 1760–70, Italian, Rome (?), Poplar, 31.5 x 40.7, 21.5 x 31, 23.2 x 32.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Apothecary vase (vaso da farmacia). Culture: Italian, Castelli. Dimensions: Height: 9 5/16 in. (23.7 cm). Date: ca. 1530-40. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apothecary-vase-vaso-da-farmacia-culture-italian-castelli-dimensions-height-9-516-in-237-cm-date-ca-1530-40-museum-metropolitan-museum-of-art-new-york-usa-image212914054.htmlRMPAB21A–Apothecary vase (vaso da farmacia). Culture: Italian, Castelli. Dimensions: Height: 9 5/16 in. (23.7 cm). Date: ca. 1530-40. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Landscape, George Inness, American, 1825-1894, Oil on board, ca. 1882-1883, 16 x 23 13/16 in., 40.7 x 60.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-george-inness-american-1825-1894-oil-on-board-ca-1882-1883-16-x-23-1316-in-407-x-605-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568369.htmlRF2HKK441–Art inspired by Landscape, George Inness, American, 1825-1894, Oil on board, ca. 1882-1883, 16 x 23 13/16 in., 40.7 x 60.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Español: Título: Perfecto currutaco Fecha: ültima cuarto del siglo XVIII Descripción: 'PERFECTO CURRUTACO.' Cobre, talla dulce, iluminada 23 x 16,7 cm Tipo de Documento: Estampas Se encuentra en: Museo de Historia Num. Inventario: Inv. 2339 (este grabado representa un petimetre). 13 November 2012, 12:01:40. Español: No informado. 973 Perfecto currutaco Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/espaol-ttulo-perfecto-currutaco-fecha-ltima-cuarto-del-siglo-xviii-descripcin-perfecto-currutaco-cobre-talla-dulce-iluminada-23-x-167-cm-tipo-de-documento-estampas-se-encuentra-en-museo-de-historia-num-inventario-inv-2339-este-grabado-representa-un-petimetre-13-november-2012-120140-espaol-no-informado-973-perfecto-currutaco-image185541730.htmlRMMNT4AA–. Español: Título: Perfecto currutaco Fecha: ültima cuarto del siglo XVIII Descripción: 'PERFECTO CURRUTACO.' Cobre, talla dulce, iluminada 23 x 16,7 cm Tipo de Documento: Estampas Se encuentra en: Museo de Historia Num. Inventario: Inv. 2339 (este grabado representa un petimetre). 13 November 2012, 12:01:40. Español: No informado. 973 Perfecto currutaco
Art inspired by Salon des cent, 1897, Lithograph, Sheet: 23 7/8 in. × 16 in. (60.6 × 40.7 cm), Louis John Rhead (American, born England, 1857–1926, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-salon-des-cent-1897-lithograph-sheet-23-78-in-16-in-606-407-cm-louis-john-rhead-american-born-england-18571926-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801893.htmlRF2HTXCF1–Art inspired by Salon des cent, 1897, Lithograph, Sheet: 23 7/8 in. × 16 in. (60.6 × 40.7 cm), Louis John Rhead (American, born England, 1857–1926, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Creation Date: ca. 1830 Display Dimensions: 9 3/8 in. x 7 1/4 in. (23.8 cm x 18.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1220 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:40. English: thesandiegomuseumofartcollection 845 Maharaja Gulab Singh receives his shield and sword from Rama (6124524375) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-creation-date-ca-1830-display-dimensions-9-38-in-x-7-14-in-238-cm-x-184-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901220-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140840-english-thesandiegomuseumofartcollection-845-maharaja-gulab-singh-receives-his-shield-and-sword-from-rama-6124524375-image185706262.htmlRMMP3J6E–. English: Creation Date: ca. 1830 Display Dimensions: 9 3/8 in. x 7 1/4 in. (23.8 cm x 18.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1220 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:40. English: thesandiegomuseumofartcollection 845 Maharaja Gulab Singh receives his shield and sword from Rama (6124524375)
Art inspired by Copy after Rubens's 'Wolf and Fox Hunt', ca. 1824–26, Oil on wood, 16 x 23 7/8 in. (40.6 x 60.6 cm), Paintings, Sir Edwin Henry Landseer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-copy-after-rubenss-wolf-and-fox-hunt-ca-182426-oil-on-wood-16-x-23-78-in-406-x-606-cm-paintings-sir-edwin-henry-landseer-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025196.htmlRF2HW8HA4–Art inspired by Copy after Rubens's 'Wolf and Fox Hunt', ca. 1824–26, Oil on wood, 16 x 23 7/8 in. (40.6 x 60.6 cm), Paintings, Sir Edwin Henry Landseer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Painting; oil on canvas; overall: 33 x 40.6 cm (13 x 16 in.) framed: 52.4 x 60 x 5.7 cm (20 5/8 x 23 5/8 x 2 1/4 in.); 1875 Morisot Laundry Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-33-x-406-cm-13-x-16-in-framed-524-x-60-x-57-cm-20-58-x-23-58-x-2-14-in-1875-morisot-laundry-image184971208.htmlRMMMX4JG–Painting; oil on canvas; overall: 33 x 40.6 cm (13 x 16 in.) framed: 52.4 x 60 x 5.7 cm (20 5/8 x 23 5/8 x 2 1/4 in.); 1875 Morisot Laundry
Art inspired by Design for a Frontispiece: Love Staying the Hand of Time, Black chalk, 23 7/8 x 16 1/16 in. (60.6 x 40.8 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-a-frontispiece-love-staying-the-hand-of-time-black-chalk-23-78-x-16-116-in-606-x-408-cm-drawings-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462949050.htmlRF2HW546J–Art inspired by Design for a Frontispiece: Love Staying the Hand of Time, Black chalk, 23 7/8 x 16 1/16 in. (60.6 x 40.8 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![THE ROYAL VAULT Author Havell, Daniel 7.40.ss. Place of publication: [London] Publisher: [Published Decr. 4th 1817 at R. Ackermann's 101 Strand, London] Date of publication: [December 4 1817] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 23.1 x 28.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FECE/the-royal-vault-author-havell-daniel-740ss-place-of-publication-london-publisher-published-decr-4th-1817-at-r-ackermanns-101-strand-london-date-of-publication-december-4-1817-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-sheet-231-x-283-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FECE.jpg "THE ROYAL VAULT Author Havell, Daniel 7.40.ss. Place of publication: [London] Publisher: [Published Decr. 4th 1817 at R. Ackermann's 101 Strand, London] Date of publication: [December 4 1817] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 23.1 x 28.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE ROYAL VAULT Author Havell, Daniel 7.40.ss. Place of publication: [London] Publisher: [Published Decr. 4th 1817 at R. Ackermann's 101 Strand, London] Date of publication: [December 4 1817] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 23.1 x 28.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-royal-vault-author-havell-daniel-740ss-place-of-publication-london-publisher-published-decr-4th-1817-at-r-ackermanns-101-strand-london-date-of-publication-december-4-1817-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-sheet-231-x-283-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401710974.htmlRM2E9FECE–THE ROYAL VAULT Author Havell, Daniel 7.40.ss. Place of publication: [London] Publisher: [Published Decr. 4th 1817 at R. Ackermann's 101 Strand, London] Date of publication: [December 4 1817] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 23.1 x 28.3 cm Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Cross-Section of the Temple of Jupiter, Pompeii, after 1825, Pen and black ink, watercolor, 9 3/8 x 15 7/8 in. (23.8 x 40.4 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cross-section-of-the-temple-of-jupiter-pompeii-after-1825-pen-and-black-ink-watercolor-9-38-x-15-78-in-238-x-404-cm-drawings-anonymous-french-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462956245.htmlRF2HW5DBH–Art inspired by Cross-Section of the Temple of Jupiter, Pompeii, after 1825, Pen and black ink, watercolor, 9 3/8 x 15 7/8 in. (23.8 x 40.4 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
1875 Morisot Laundry. Painting; oil on canvas; overall: 33 x 40.6 cm (13 x 16 in.) framed: 52.4 x 60 x 5.7 cm (20 5/8 x 23 5/8 x 2 1/4 in.); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1875-morisot-laundry-painting-oil-on-canvas-overall-33-x-406-cm-13-x-16-in-framed-524-x-60-x-57-cm-20-58-x-23-58-x-2-14-in-image210329391.htmlRMP6597Y–1875 Morisot Laundry. Painting; oil on canvas; overall: 33 x 40.6 cm (13 x 16 in.) framed: 52.4 x 60 x 5.7 cm (20 5/8 x 23 5/8 x 2 1/4 in.);
Art inspired by A Silver Urn, inscribed 'MDCCXXIX...John Sudbury...Johanni Bateman', 1828–40, Pen and ink and gray wash, sheet: 9 7/16 x 9 3/16 in. (24 x 23.3 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-silver-urn-inscribed-mdccxxixjohn-sudburyjohanni-bateman-182840-pen-and-ink-and-gray-wash-sheet-9-716-x-9-316-in-24-x-233-cm-anonymous-british-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462982731.htmlRF2HW6K5F–Art inspired by A Silver Urn, inscribed 'MDCCXXIX...John Sudbury...Johanni Bateman', 1828–40, Pen and ink and gray wash, sheet: 9 7/16 x 9 3/16 in. (24 x 23.3 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Egypt and Nubia, Volume III: The Holy Tree of Metereah, 1849. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 45 x 40.5 cm (17 11/16 x 15 15/16 in.); image: 35.1 x 23.9 cm (13 13/16 x 9 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.153 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-and-nubia-volume-iii-the-holy-tree-of-metereah-1849-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-45-x-405-cm-17-1116-x-15-1516-in-image-351-x-239-cm-13-1316-x-9-716-in-the-cleveland-museum-of-art-bequest-of-john-bonebrake-2012153-image349558891.htmlRM2B8KNX3–Egypt and Nubia, Volume III: The Holy Tree of Metereah, 1849. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 45 x 40.5 cm (17 11/16 x 15 15/16 in.); image: 35.1 x 23.9 cm (13 13/16 x 9 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.153
Inspired by Gadwall Duck, John James Audubon, American, born Haiti, 1785-1851, Lithograph, 1861, 16 x 23 1/2 in., 40.6 x 59.7 cm, Anas strepera, birds, bluff, duck, ducks, fauna, flora, lithograph, nature, nature study, ornithology, pond, seascape, water, water fowl, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-gadwall-duck-john-james-audubon-american-born-haiti-1785-1851-lithograph-1861-16-x-23-12-in-406-x-597-cm-anas-strepera-birds-bluff-duck-ducks-fauna-flora-lithograph-nature-nature-study-ornithology-pond-seascape-water-water-fowl-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459242932.htmlRF2HK4918–Inspired by Gadwall Duck, John James Audubon, American, born Haiti, 1785-1851, Lithograph, 1861, 16 x 23 1/2 in., 40.6 x 59.7 cm, Anas strepera, birds, bluff, duck, ducks, fauna, flora, lithograph, nature, nature study, ornithology, pond, seascape, water, water fowl, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing, Project for a Sepulchral Monument; Italy; pen and ink, brush and watercolor on paper; 40.4 x 23.9 cm (15 7/8 x 9 7/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-project-for-a-sepulchral-monument-italy-pen-and-ink-brush-and-watercolor-on-paper-404-x-239-cm-15-78-x-9-716-in-image546176177.htmlRM2PMGD81–Drawing, Project for a Sepulchral Monument; Italy; pen and ink, brush and watercolor on paper; 40.4 x 23.9 cm (15 7/8 x 9 7/16 in.)
Art inspired by The Finding of Moses, 1725–47, Black chalk and brush and gray ink; framing lines in black ink, 9 1/8 x 16 in. (23.2 x 40.7 cm), Drawings, Anton Kern (German, Teschen 1710–1747 Dresden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-finding-of-moses-172547-black-chalk-and-brush-and-gray-ink-framing-lines-in-black-ink-9-18-x-16-in-232-x-407-cm-drawings-anton-kern-german-teschen-17101747-dresden-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805011.htmlRF2HTXGEB–Art inspired by The Finding of Moses, 1725–47, Black chalk and brush and gray ink; framing lines in black ink, 9 1/8 x 16 in. (23.2 x 40.7 cm), Drawings, Anton Kern (German, Teschen 1710–1747 Dresden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'George Keating after George Morland, Nurse and Children in the Fields, 1791, mezzotint on laid paper, plate: 55.4 x 40 cm (21 13/16 x 15 3/4 in.) sheet: 60.8 x 41.8 cm (23 15/16 x 16 7/16 in.), Paul Mellon Fund, 2001.118.16' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-keating-after-george-morland-nurse-and-children-in-the-fields-1791-mezzotint-on-laid-paper-plate-554-x-40-cm-21-1316-x-15-34-in-sheet-608-x-418-cm-23-1516-x-16-716-in-paul-mellon-fund-200111816-image559738067.htmlRM2REJ7H7–'George Keating after George Morland, Nurse and Children in the Fields, 1791, mezzotint on laid paper, plate: 55.4 x 40 cm (21 13/16 x 15 3/4 in.) sheet: 60.8 x 41.8 cm (23 15/16 x 16 7/16 in.), Paul Mellon Fund, 2001.118.16'
Landscape, George Inness, American, 1825-1894, Oil on board, ca. 1882-1883, 16 x 23 13/16 in., 40.7 x 60.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-george-inness-american-1825-1894-oil-on-board-ca-1882-1883-16-x-23-1316-in-407-x-605-cm-image454274952.htmlRM2HB209C–Landscape, George Inness, American, 1825-1894, Oil on board, ca. 1882-1883, 16 x 23 13/16 in., 40.7 x 60.5 cm
Art inspired by Chocolate Pot, 1725–40, (none assigned) United States, American, Silver, Overall: 9 5/16 x 6 3/16 in. (23.7 x 15.7 cm); 29 oz. 9 dwt. (916 g), Silver, Marked by W. N, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-chocolate-pot-172540-none-assigned-united-states-american-silver-overall-9-516-x-6-316-in-237-x-157-cm-29-oz-9-dwt-916-g-silver-marked-by-w-n-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462880263.htmlRF2HW20DY–Art inspired by Chocolate Pot, 1725–40, (none assigned) United States, American, Silver, Overall: 9 5/16 x 6 3/16 in. (23.7 x 15.7 cm); 29 oz. 9 dwt. (916 g), Silver, Marked by W. N, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Teakettle. Culture: American. Dimensions: Overall: 15 3/4 x 9 5/16 in. (40 x 23.7 cm); 68 oz. 4 dwt. (2120.7 g) Body: H. 11 5/8 in. (29.5 cm); 42 oz. 4 dwt. (1312.6 g) Stand: H. 4 1/2 in. (11.4 cm); 21 oz. 10 dwt. (669.3 g) Lamp: H. 2 3/8 x 2 3/4 in. (6 x 7 cm); 4 oz. 9 dwt. (138.8 g). Maker: William Forbes (baptized 1799, active New York, 1826-63). Retailer: Ball, Tompkins and Black (active 1839-51). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/teakettle-culture-american-dimensions-overall-15-34-x-9-516-in-40-x-237-cm-68-oz-4-dwt-21207-g-body-h-11-58-in-295-cm-42-oz-4-dwt-13126-g-stand-h-4-12-in-114-cm-21-oz-10-dwt-6693-g-lamp-h-2-38-x-2-34-in-6-x-7-cm-4-oz-9-dwt-1388-g-maker-william-forbes-baptized-1799-active-new-york-1826-63-retailer-ball-tompkins-and-black-active-1839-51-date-ca-1840-museum-metropolitan-museum-of-art-new-york-usa-image213262976.htmlRMPAXY2T–Teakettle. Culture: American. Dimensions: Overall: 15 3/4 x 9 5/16 in. (40 x 23.7 cm); 68 oz. 4 dwt. (2120.7 g) Body: H. 11 5/8 in. (29.5 cm); 42 oz. 4 dwt. (1312.6 g) Stand: H. 4 1/2 in. (11.4 cm); 21 oz. 10 dwt. (669.3 g) Lamp: H. 2 3/8 x 2 3/4 in. (6 x 7 cm); 4 oz. 9 dwt. (138.8 g). Maker: William Forbes (baptized 1799, active New York, 1826-63). Retailer: Ball, Tompkins and Black (active 1839-51). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Madonna and Child with Saints Jerome and Francis, Tempera on wood, Overall 24 5/8 x 16 3/4 in. (62.5 x 42.5 cm); painted surface 23 5/8 x 15 7/8 in. (60 x 40.3 cm), Paintings, Italian (Umbrian) Painter (ca. 1500, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-madonna-and-child-with-saints-jerome-and-francis-tempera-on-wood-overall-24-58-x-16-34-in-625-x-425-cm-painted-surface-23-58-x-15-78-in-60-x-403-cm-paintings-italian-umbrian-painter-ca-1500-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025089.htmlRF2HW8H69–Art inspired by Madonna and Child with Saints Jerome and Francis, Tempera on wood, Overall 24 5/8 x 16 3/4 in. (62.5 x 42.5 cm); painted surface 23 5/8 x 15 7/8 in. (60 x 40.3 cm), Paintings, Italian (Umbrian) Painter (ca. 1500, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A lama of the Gelugpa sect, 1st half of the 19th century. Dimensions: mount 76.5 x 43.5 cm approx. (height x width) ; painting with border 40.8 x 38.8 cm (height x width) ; painting without border 35.7 x 23.8 cm (height x width) ; along rod 43.5 cm (length). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-lama-of-the-gelugpa-sect-1st-half-of-the-19th-century-dimensions-mount-765-x-435-cm-approx-height-x-width-painting-with-border-408-x-388-cm-height-x-width-painting-without-border-357-x-238-cm-height-x-width-along-rod-435-cm-length-image462501263.htmlRM2HTCN27–A lama of the Gelugpa sect, 1st half of the 19th century. Dimensions: mount 76.5 x 43.5 cm approx. (height x width) ; painting with border 40.8 x 38.8 cm (height x width) ; painting without border 35.7 x 23.8 cm (height x width) ; along rod 43.5 cm (length).
Art inspired by Tankard, 1720–40, Made in New York, New York, United States, American, Silver, Overall: 7 3/8 x 9 3/16 in. (18.7 x 23.3 cm); 38 oz. 1 dwt. (1183.1 g), Silver, Simeon Soumaine (baptized 1685–ca. 1750, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-tankard-172040-made-in-new-york-new-york-united-states-american-silver-overall-7-38-x-9-316-in-187-x-233-cm-38-oz-1-dwt-11831-g-silver-simeon-soumaine-baptized-1685ca-1750-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462893265.htmlRF2HW2H29–Art inspired by Tankard, 1720–40, Made in New York, New York, United States, American, Silver, Overall: 7 3/8 x 9 3/16 in. (18.7 x 23.3 cm); 38 oz. 1 dwt. (1183.1 g), Silver, Simeon Soumaine (baptized 1685–ca. 1750, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tynemouth, Northumberland. Sailing ships on the sea; a cliff face with ruins in the middle ground; small buildings to the right; a cloudy sky above. . Tynemouth, Northumberland. / Edward Dayes pinxt ; F.J. Sarjent Fecit. London : Publisher July 19 1810 by F.J. Sarjent 57 Upper John Street, Fitzroy Square. Successor to Mr F. Jukes. 1 print : aquatint and etching with hand-colouring ; plate 26.7 x 36 cm, on sheet 28.6 x 40.8 cm. Source: Maps K.Top.33.23.f. Author: DAYES, EDWARD. Sarjent, Francis James. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tynemouth-northumberland-sailing-ships-on-the-sea-a-cliff-face-with-ruins-in-the-middle-ground-small-buildings-to-the-right-a-cloudy-sky-above-tynemouth-northumberland-edward-dayes-pinxt-fj-sarjent-fecit-london-publisher-july-19-1810-by-fj-sarjent-57-upper-john-street-fitzroy-square-successor-to-mr-f-jukes-1-print-aquatint-and-etching-with-hand-colouring-plate-267-x-36-cm-on-sheet-286-x-408-cm-source-maps-ktop3323f-author-dayes-edward-sarjent-francis-james-image226871307.htmlRMR52TJK–Tynemouth, Northumberland. Sailing ships on the sea; a cliff face with ruins in the middle ground; small buildings to the right; a cloudy sky above. . Tynemouth, Northumberland. / Edward Dayes pinxt ; F.J. Sarjent Fecit. London : Publisher July 19 1810 by F.J. Sarjent 57 Upper John Street, Fitzroy Square. Successor to Mr F. Jukes. 1 print : aquatint and etching with hand-colouring ; plate 26.7 x 36 cm, on sheet 28.6 x 40.8 cm. Source: Maps K.Top.33.23.f. Author: DAYES, EDWARD. Sarjent, Francis James.
Art inspired by Vase of Flowers with Two Birds, 1590–1656, Engraving; first state of three., sheet: 23 3/8 x 15 7/8 in. (59.4 x 40.3 cm), Prints, Engraved by Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), After ? Jacob Savery I (Netherlandish, ca. 1565–1603, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-vase-of-flowers-with-two-birds-15901656-engraving-first-state-of-three-sheet-23-38-x-15-78-in-594-x-403-cm-prints-engraved-by-nicolaes-de-bruyn-netherlandish-antwerp-15711656-rotterdam-after-jacob-savery-i-netherlandish-ca-15651603-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462961097.htmlRF2HW5KGW–Art inspired by Vase of Flowers with Two Birds, 1590–1656, Engraving; first state of three., sheet: 23 3/8 x 15 7/8 in. (59.4 x 40.3 cm), Prints, Engraved by Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), After ? Jacob Savery I (Netherlandish, ca. 1565–1603, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Painting; oil on wood; overall: 24 x 33 cm (9 7/16 x 13 in.) framed: 40.3 x 48.3 x 5.1 cm (15 7/8 x 19 x 2 in.); 23 The Card Sharp on the Boulevard A16552 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-wood-overall-24-x-33-cm-9-716-x-13-in-framed-403-x-483-x-51-cm-15-78-x-19-x-2-in-23-the-card-sharp-on-the-boulevard-a16552-image206562297.htmlRMP01M8W–Painting; oil on wood; overall: 24 x 33 cm (9 7/16 x 13 in.) framed: 40.3 x 48.3 x 5.1 cm (15 7/8 x 19 x 2 in.); 23 The Card Sharp on the Boulevard A16552
Art inspired by Gadwall Duck, John James Audubon, American, born Haiti, 1785-1851, Lithograph, 1861, 16 x 23 1/2 in., 40.6 x 59.7 cm, Anas strepera, birds, bluff, duck, ducks, fauna, flora, lithograph, nature, nature study, ornithology, pond, seascape, water, water fowl, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-gadwall-duck-john-james-audubon-american-born-haiti-1785-1851-lithograph-1861-16-x-23-12-in-406-x-597-cm-anas-strepera-birds-bluff-duck-ducks-fauna-flora-lithograph-nature-nature-study-ornithology-pond-seascape-water-water-fowl-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459561295.htmlRF2HKJR3B–Art inspired by Gadwall Duck, John James Audubon, American, born Haiti, 1785-1851, Lithograph, 1861, 16 x 23 1/2 in., 40.6 x 59.7 cm, Anas strepera, birds, bluff, duck, ducks, fauna, flora, lithograph, nature, nature study, ornithology, pond, seascape, water, water fowl, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![THE ROYAL GRAMMAR SCHOOL, GUILDFORD. Visual Material information: Title: THE ROYAL GRAMMAR SCHOOL, GUILDFORD. 40.14.l. Place of publication: [Guildford] Publisher: Publish'd by Tho.s Russell, Guildford., Date of publication: [1780-1790 c.] Item type: 1 print Medium: etching Dimensions: platemark 23.7 x 29.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HR4P/the-royal-grammar-school-guildford-visual-material-information-title-the-royal-grammar-school-guildford-4014l-place-of-publication-guildford-publisher-publishd-by-thos-russell-guildford-date-of-publication-1780-1790-c-item-type-1-print-medium-etching-dimensions-platemark-237-x-298-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HR4P.jpg "THE ROYAL GRAMMAR SCHOOL, GUILDFORD. Visual Material information: Title: THE ROYAL GRAMMAR SCHOOL, GUILDFORD. 40.14.l. Place of publication: [Guildford] Publisher: Publish'd by Tho.s Russell, Guildford., Date of publication: [1780-1790 c.] Item type: 1 print Medium: etching Dimensions: platemark 23.7 x 29.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE ROYAL GRAMMAR SCHOOL, GUILDFORD. Visual Material information: Title: THE ROYAL GRAMMAR SCHOOL, GUILDFORD. 40.14.l. Place of publication: [Guildford] Publisher: Publish'd by Tho.s Russell, Guildford., Date of publication: [1780-1790 c.] Item type: 1 print Medium: etching Dimensions: platemark 23.7 x 29.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-royal-grammar-school-guildford-visual-material-information-title-the-royal-grammar-school-guildford-4014l-place-of-publication-guildford-publisher-publishd-by-thos-russell-guildford-date-of-publication-1780-1790-c-item-type-1-print-medium-etching-dimensions-platemark-237-x-298-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401761718.htmlRM2E9HR4P–THE ROYAL GRAMMAR SCHOOL, GUILDFORD. Visual Material information: Title: THE ROYAL GRAMMAR SCHOOL, GUILDFORD. 40.14.l. Place of publication: [Guildford] Publisher: Publish'd by Tho.s Russell, Guildford., Date of publication: [1780-1790 c.] Item type: 1 print Medium: etching Dimensions: platemark 23.7 x 29.8 cm Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Portrait of a Young Woman, ca. 1490–1500, Oil on wood, 23 1/8 x 15 3/4 in. (58.7 x 40 cm), Paintings, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian, Florence 1456/59–1536 Florence), This damaged but evocative portrait has been identified as the widow of Credi's, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-young-woman-ca-14901500-oil-on-wood-23-18-x-15-34-in-587-x-40-cm-paintings-lorenzo-di-credi-lorenzo-dandrea-doderigo-italian-florence-1456591536-florence-this-damaged-but-evocative-portrait-has-been-identified-as-the-widow-of-credis-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025264.htmlRF2HW8HCG–Art inspired by Portrait of a Young Woman, ca. 1490–1500, Oil on wood, 23 1/8 x 15 3/4 in. (58.7 x 40 cm), Paintings, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian, Florence 1456/59–1536 Florence), This damaged but evocative portrait has been identified as the widow of Credi's, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design studies for monuments MET DP810460 383105 Artist: Attributed to Anonymous, German, 19th century, Design studies for monuments, 19th century, Graphite., sheet: 7 3/8 x 9 3/16 in. (18.7 x 23.4 cm). The Metropolitan Museum of Art, New York. Gift of Janos Scholz, 1961 (61.636.40) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-studies-for-monuments-met-dp810460-383105-artist-attributed-168357929.htmlRMKNWA75–Design studies for monuments MET DP810460 383105 Artist: Attributed to Anonymous, German, 19th century, Design studies for monuments, 19th century, Graphite., sheet: 7 3/8 x 9 3/16 in. (18.7 x 23.4 cm). The Metropolitan Museum of Art, New York. Gift of Janos Scholz, 1961 (61.636.40)
. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. U* (cm/sec). 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U* , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U* Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6* 2.60 0.002 0.93 60.8 4.89 0.088 0.99 * Assumed outlier Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/development-of-a-portable-sand-trap-for-use-in-the-nearshore-littoral-drift-oceanographic-instruments-sedimentation-and-deposition-u-cmsec-20-30-40-50-60-midflow-speed-cmsec-measurement-assumed-outlier-figure-23-relationship-between-shear-flow-and-midflow-speed-table-4-values-of-u-z0-and-r2-as-a-function-of-midflow-speed-vmid-midflow-shear-rep-resentative-speed-vmid-speed-u-bed-roughness-z0-cmsec-cmsec-cm-r2-311-121-00003-097-420-286-0035-091-457-400-013-099-504-338-0038-097-536-392-0049-097-566-260-0002-093-608-489-0088-099-assumed-outlier-image215969388.htmlRMPFA74C–. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. U* (cm/sec). 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U* , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U* Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6* 2.60 0.002 0.93 60.8 4.89 0.088 0.99 * Assumed outlier
Archive image from page 52 of Development of a portable sand. Development of a portable sand trap for use in the nearshore . developmentofpor00rosa Year: 1989 U (cm/sec) 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6 2.60 0.002 0.93 60.8 4.89 0.088 0 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-52-of-development-of-a-portable-sand-development-of-a-portable-sand-trap-for-use-in-the-nearshore-developmentofpor00rosa-year-1989-u-cmsec-20-30-40-50-60-midflow-speed-cmsec-measurement-assumed-outlier-figure-23-relationship-between-shear-flow-and-midflow-speed-table-4-values-of-u-z0-and-r2-as-a-function-of-midflow-speed-vmid-midflow-shear-rep-resentative-speed-vmid-speed-u-bed-roughness-z0-cmsec-cmsec-cm-r2-311-121-00003-097-420-286-0035-091-457-400-013-099-504-338-0038-097-536-392-0049-097-566-260-0002-093-608-489-0088-0-image259036907.htmlRMW1C463–Archive image from page 52 of Development of a portable sand. Development of a portable sand trap for use in the nearshore . developmentofpor00rosa Year: 1989 U (cm/sec) 20 30 40 50 60 MIDFLOW SPEED (cm/sec) Measurement Assumed Outlier Figure 23. Relationship between shear flow and midflow speed Table 4 Values of U , z0 , and r2 as a Function of Midflow Speed Vmid Midflow Shear Rep resentative Speed Vmid Speed U Bed Roughness z0 cm/sec cm/sec cm r2 31.1 1.21 0.0003 0.97 42.0 2.86 0.035 0.91 45.7 4.00 0.13 0.99 50.4 3.38 0.038 0.97 53.6 3.92 0.049 0.97 56.6 2.60 0.002 0.93 60.8 4.89 0.088 0
Drawing, Design for a door frame; Carlo Marchionni (Italian, 1702–1786); Italy; graphite, black crayon, brush and black wash on laid paper; 40.7 x 23.1 cm (16 in. x 9 1/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-a-door-frame-carlo-marchionni-italian-17021786-italy-graphite-black-crayon-brush-and-black-wash-on-laid-paper-407-x-231-cm-16-in-x-9-18-in-image546104072.htmlRM2PMD58T–Drawing, Design for a door frame; Carlo Marchionni (Italian, 1702–1786); Italy; graphite, black crayon, brush and black wash on laid paper; 40.7 x 23.1 cm (16 in. x 9 1/8 in.)
'Albert Besnard, Robert de Montesquiou, 1899, etching on laid paper, plate: 20.8 x 14.7 cm (8 3/16 x 5 13/16 in.) sheet: 40.2 x 29.5 cm (15 13/16 x 11 5/8 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.59.23' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albert-besnard-robert-de-montesquiou-1899-etching-on-laid-paper-plate-208-x-147-cm-8-316-x-5-1316-in-sheet-402-x-295-cm-15-1316-x-11-58-in-gift-of-mr-and-mrs-daniel-bell-in-honor-of-the-50th-anniversary-of-the-national-gallery-of-art-19925923-image557243308.htmlRM2RAGHEM–'Albert Besnard, Robert de Montesquiou, 1899, etching on laid paper, plate: 20.8 x 14.7 cm (8 3/16 x 5 13/16 in.) sheet: 40.2 x 29.5 cm (15 13/16 x 11 5/8 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.59.23'
Gadwall Duck, John James Audubon, American, born Haiti, 1785-1851, Lithograph, 1861, 16 x 23 1/2 in., 40.6 x 59.7 cm, Anas strepera, birds, bluff, duck, ducks, fauna, flora, lithograph, nature, nature study, ornithology, pond, seascape, water, water fowl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gadwall-duck-john-james-audubon-american-born-haiti-1785-1851-lithograph-1861-16-x-23-12-in-406-x-597-cm-anas-strepera-birds-bluff-duck-ducks-fauna-flora-lithograph-nature-nature-study-ornithology-pond-seascape-water-water-fowl-image454266208.htmlRM2HB1H54–Gadwall Duck, John James Audubon, American, born Haiti, 1785-1851, Lithograph, 1861, 16 x 23 1/2 in., 40.6 x 59.7 cm, Anas strepera, birds, bluff, duck, ducks, fauna, flora, lithograph, nature, nature study, ornithology, pond, seascape, water, water fowl
Swept frame, 1750–60, French, Oak and lime, 34.7 x 40.4, 16 x 22, 18 x 23.6 cm., Frames Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-swept-frame-175060-french-oak-and-lime-347-x-404-16-x-22-18-x-236-162384568.htmlRMKC574T–Swept frame, 1750–60, French, Oak and lime, 34.7 x 40.4, 16 x 22, 18 x 23.6 cm., Frames
Piece. Culture: French. Dimensions: Overall: 40 1/2 x 23 1/2 in. (102.9 x 59.7 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-french-dimensions-overall-40-12-x-23-12-in-1029-x-597-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image212883889.htmlRMPA9KG1–Piece. Culture: French. Dimensions: Overall: 40 1/2 x 23 1/2 in. (102.9 x 59.7 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Table, ca. 1920, Wood, silk, H. 23-7/8, W. 16, D.16 in. (60.6 x 40.6 x 40.6 cm), Woodwork-Furniture, Joseph Urban (American Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-table-ca-1920-wood-silk-h-23-78-w-16-d16-in-606-x-406-x-406-cm-woodwork-162536353.htmlRMKCC4NN–Table, ca. 1920, Wood, silk, H. 23-7/8, W. 16, D.16 in. (60.6 x 40.6 x 40.6 cm), Woodwork-Furniture, Joseph Urban (American
Group Portrait, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen print, 23.7 x 28.8 cm (image/paper), 30.6 x 40.6 cm (mount/page Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/group-portrait-1855-james-robertson-scottish-c-1813d-after-1881-scotland-albumen-print-237-x-288-cm-imagepaper-306-x-406-cm-mountpage-image328647368.htmlRM2A2K520–Group Portrait, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen print, 23.7 x 28.8 cm (image/paper), 30.6 x 40.6 cm (mount/page
The Needlewoman Painting; oil on canvas; overall: 74 x 60 cm (29 1/8 x 23 5/8 in.) framed: 102.2 x 88.3 x 7.6 cm (40 1/4 x 34 3/4 x 3 in.); Diego Velázquez 023 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-needlewoman-painting-oil-on-canvas-overall-74-x-60-cm-29-18-x-23-58-in-framed-1022-x-883-x-76-cm-40-14-x-34-34-x-3-in-diego-velzquez-023-image184969799.htmlRMMMX2T7–The Needlewoman Painting; oil on canvas; overall: 74 x 60 cm (29 1/8 x 23 5/8 in.) framed: 102.2 x 88.3 x 7.6 cm (40 1/4 x 34 3/4 x 3 in.); Diego Velázquez 023
![FROST FAIR. Visual Material information: Title: FROST FAIR. 27.40. Place of publication: [London] Publisher: Printed upon the River Thames when Frozen Janu. the 28. 1739/40., Date of publication: [1739-1740] Item type: 1 print Medium: etching Dimensions: sheet 23.6 x 30.7 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HHPB/frost-fair-visual-material-information-title-frost-fair-2740-place-of-publication-london-publisher-printed-upon-the-river-thames-when-frozen-janu-the-28-173940-date-of-publication-1739-1740-item-type-1-print-medium-etching-dimensions-sheet-236-x-307-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HHPB.jpg "FROST FAIR. Visual Material information: Title: FROST FAIR. 27.40. Place of publication: [London] Publisher: Printed upon the River Thames when Frozen Janu. the 28. 1739/40., Date of publication: [1739-1740] Item type: 1 print Medium: etching Dimensions: sheet 23.6 x 30.7 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
FROST FAIR. Visual Material information: Title: FROST FAIR. 27.40. Place of publication: [London] Publisher: Printed upon the River Thames when Frozen Janu. the 28. 1739/40., Date of publication: [1739-1740] Item type: 1 print Medium: etching Dimensions: sheet 23.6 x 30.7 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frost-fair-visual-material-information-title-frost-fair-2740-place-of-publication-london-publisher-printed-upon-the-river-thames-when-frozen-janu-the-28-173940-date-of-publication-1739-1740-item-type-1-print-medium-etching-dimensions-sheet-236-x-307-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401757507.htmlRM2E9HHPB–FROST FAIR. Visual Material information: Title: FROST FAIR. 27.40. Place of publication: [London] Publisher: Printed upon the River Thames when Frozen Janu. the 28. 1739/40., Date of publication: [1739-1740] Item type: 1 print Medium: etching Dimensions: sheet 23.6 x 30.7 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
Art inspired by The Adoration of the Christ Child, possibly 1496–1502, Netherlandish, Oil on oak panel, Overall 23 1/8 x 16 1/4 in. (58.7 x 41.3 cm); painted surface 22 7/8 x 16 in. (58.1 x 40.1 cm), Paintings, Workshop of the Master of Frankfurt (Netherlandish, active Antwerp, ca, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-adoration-of-the-christ-child-possibly-14961502-netherlandish-oil-on-oak-panel-overall-23-18-x-16-14-in-587-x-413-cm-painted-surface-22-78-x-16-in-581-x-401-cm-paintings-workshop-of-the-master-of-frankfurt-netherlandish-active-antwerp-ca-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463029878.htmlRF2HW8R9A–Art inspired by The Adoration of the Christ Child, possibly 1496–1502, Netherlandish, Oil on oak panel, Overall 23 1/8 x 16 1/4 in. (58.7 x 41.3 cm); painted surface 22 7/8 x 16 in. (58.1 x 40.1 cm), Paintings, Workshop of the Master of Frankfurt (Netherlandish, active Antwerp, ca, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design studies for monuments MET DP810461 383105 Artist: Attributed to Anonymous, German, 19th century, Design studies for monuments, 19th century, Graphite., sheet: 7 3/8 x 9 3/16 in. (18.7 x 23.4 cm). The Metropolitan Museum of Art, New York. Gift of Janos Scholz, 1961 (61.636.40) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-studies-for-monuments-met-dp810461-383105-artist-attributed-168357933.htmlRMKNWA79–Design studies for monuments MET DP810461 383105 Artist: Attributed to Anonymous, German, 19th century, Design studies for monuments, 19th century, Graphite., sheet: 7 3/8 x 9 3/16 in. (18.7 x 23.4 cm). The Metropolitan Museum of Art, New York. Gift of Janos Scholz, 1961 (61.636.40)
Art inspired by Laughing Man in a Gorget, 1625–40, Etching; first state of two, sheet: 9 3/16 x 7 11/16 in. (23.3 x 19.6 cm), Prints, Jan Georg (Joris) van Vliet (Dutch, Deft ca. 1610–ca. 1635), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-laughing-man-in-a-gorget-162540-etching-first-state-of-two-sheet-9-316-x-7-1116-in-233-x-196-cm-prints-jan-georg-joris-van-vliet-dutch-deft-ca-1610ca-1635-after-rembrandt-rembrandt-van-rijn-dutch-leiden-16061669-amsterdam-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462809722.htmlRF2HTXPEJ–Art inspired by Laughing Man in a Gorget, 1625–40, Etching; first state of two, sheet: 9 3/16 x 7 11/16 in. (23.3 x 19.6 cm), Prints, Jan Georg (Joris) van Vliet (Dutch, Deft ca. 1610–ca. 1635), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Spindle-back armchair, 1640–80, Possibly made in Boston, Massachusetts, United States; Possibly made in Charlestown, Massachusetts, United States, American, Ash, 44 3/4 x 23 1/2 x 15 3/4 in. (113.7 x 59.7 x 40 cm), Furniture, The rarest and grandest of the early turned, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-spindle-back-armchair-164080-possibly-made-in-boston-massachusetts-united-states-possibly-made-in-charlestown-massachusetts-united-states-american-ash-44-34-x-23-12-x-15-34-in-1137-x-597-x-40-cm-furniture-the-rarest-and-grandest-of-the-early-turned-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462880105.htmlRF2HW2089–Art inspired by Spindle-back armchair, 1640–80, Possibly made in Boston, Massachusetts, United States; Possibly made in Charlestown, Massachusetts, United States, American, Ash, 44 3/4 x 23 1/2 x 15 3/4 in. (113.7 x 59.7 x 40 cm), Furniture, The rarest and grandest of the early turned, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Object ID #18548529; Dedicatee: Napoleon Bonaparte (1769 – 1821); Italy; pen and brown ink, brown wash, traces of red chalk? support: white laid paper; 23.4 x 11.7 cm (9 3/16 x 4 5/8 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/object-id-18548529-dedicatee-napoleon-bonaparte-1769-1821-italy-pen-and-brown-ink-brown-wash-traces-of-red-chalk-support-white-laid-paper-234-x-117-cm-9-316-x-4-58-in-mat-406-x-559-cm-16-x-22-in-image546092497.htmlRM2PMCJFD–Object ID #18548529; Dedicatee: Napoleon Bonaparte (1769 – 1821); Italy; pen and brown ink, brown wash, traces of red chalk? support: white laid paper; 23.4 x 11.7 cm (9 3/16 x 4 5/8 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)
Art inspired by Biedermeier frame, 1830–40, German, Munich, Pine with satinwood cross-grain veneer on top and back edges., 35.1 x 23.7, 31 x 19.5, 32.3 x 20.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-biedermeier-frame-183040-german-munich-pine-with-satinwood-cross-grain-veneer-on-top-and-back-edges-351-x-237-31-x-195-323-x-207-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826660.htmlRF2HTYG3G–Art inspired by Biedermeier frame, 1830–40, German, Munich, Pine with satinwood cross-grain veneer on top and back edges., 35.1 x 23.7, 31 x 19.5, 32.3 x 20.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Jacobus Houbraken, James, Earl of Morton, 1740, engraving and etching on laid paper, plate: 37.6 x 23.7 cm (14 13/16 x 9 5/16 in.) sheet: 40.8 x 25.5 cm (16 1/16 x 10 1/16 in.), Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.203.6' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacobus-houbraken-james-earl-of-morton-1740-engraving-and-etching-on-laid-paper-plate-376-x-237-cm-14-1316-x-9-516-in-sheet-408-x-255-cm-16-116-x-10-116-in-gift-of-henry-and-judith-rice-millon-in-honor-of-the-50th-anniversary-of-the-national-gallery-of-art-19912036-image559534608.htmlRM2RE902T–'Jacobus Houbraken, James, Earl of Morton, 1740, engraving and etching on laid paper, plate: 37.6 x 23.7 cm (14 13/16 x 9 5/16 in.) sheet: 40.8 x 25.5 cm (16 1/16 x 10 1/16 in.), Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.203.6'
Inspired by Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-der-ruckzughei-marignano-retreat-at-marignano-ferdinand-hodler-swiss-1853-1918-lithograph-on-japan-paper-ca1898-15-78-x-23-14-in-403-x-591-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459265243.htmlRF2HK59E3–Inspired by Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Finding of Moses. Artist: Anton Kern (German, Teschen 1710-1747 Dresden). Dimensions: 9 1/8 x 16 in. (23.2 x 40.7 cm). Date: 1725-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-finding-of-moses-artist-anton-kern-german-teschen-1710-1747-dresden-dimensions-9-18-x-16-in-232-x-407-cm-date-1725-47-museum-metropolitan-museum-of-art-new-york-usa-image212899427.htmlRMPAABAY–The Finding of Moses. Artist: Anton Kern (German, Teschen 1710-1747 Dresden). Dimensions: 9 1/8 x 16 in. (23.2 x 40.7 cm). Date: 1725-47. Museum: Metropolitan Museum of Art, New York, USA.
Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/der-ruckzughei-marignano-retreat-at-marignano-ferdinand-hodler-swiss-1853-1918-lithograph-on-japan-paper-ca1898-15-78-x-23-14-in-403-x-591-cm-image454283857.htmlRM2HB2BKD–Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm
Triumphal procession of Emperor Charles V and Pope Clement VII after the imperial coronation on February 24, 1530 in Bologna: sheet 7, series of 40 etchings on 23 sheets, around 1610, print, etching on paper, sheet: 33.1 × 42.2 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triumphal-procession-of-emperor-charles-v-and-pope-clement-vii-after-the-imperial-coronation-on-february-24-1530-in-bologna-sheet-7-series-of-40-etchings-on-23-sheets-around-1610-print-etching-on-paper-sheet-331-422-cm-image573351775.htmlRM2T8PC13–Triumphal procession of Emperor Charles V and Pope Clement VII after the imperial coronation on February 24, 1530 in Bologna: sheet 7, series of 40 etchings on 23 sheets, around 1610, print, etching on paper, sheet: 33.1 × 42.2 cm
Painting; oil on canvas; overall: 72 x 60 cm (28 3/8 x 23 5/8 in.) framed: 101.6 x 88.9 x 7.6 cm (40 x 35 x 3 in.); 121 Farmhouse at Le Pouldu 1890 Paul Serusier Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-72-x-60-cm-28-38-x-23-58-in-framed-1016-x-889-x-76-cm-40-x-35-x-3-in-121-farmhouse-at-le-pouldu-1890-paul-serusier-image210947940.htmlRMP75E70–Painting; oil on canvas; overall: 72 x 60 cm (28 3/8 x 23 5/8 in.) framed: 101.6 x 88.9 x 7.6 cm (40 x 35 x 3 in.); 121 Farmhouse at Le Pouldu 1890 Paul Serusier
Bowl, 1835–40, Made in New England, United States, American, Lacy pressed glass, Diam. 9 5/16 in. (23.7 cm), Glass Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bowl-183540-made-in-new-england-united-states-american-lacy-pressed-162307206.htmlRMKC1MDX–Bowl, 1835–40, Made in New England, United States, American, Lacy pressed glass, Diam. 9 5/16 in. (23.7 cm), Glass
![A View of the Cascade at Ham Farm. Visual Material information: Title: A View of the Cascade at Ham Farm. 40.23.2. Place of publication: [London] Publisher: [R. Goadby] Date of publication: [1776 c.] Item type: 1 print Medium: etching Dimensions: sheet 10.5 x 18.7 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HR7C/a-view-of-the-cascade-at-ham-farm-visual-material-information-title-a-view-of-the-cascade-at-ham-farm-40232-place-of-publication-london-publisher-r-goadby-date-of-publication-1776-c-item-type-1-print-medium-etching-dimensions-sheet-105-x-187-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HR7C.jpg "A View of the Cascade at Ham Farm. Visual Material information: Title: A View of the Cascade at Ham Farm. 40.23.2. Place of publication: [London] Publisher: [R. Goadby] Date of publication: [1776 c.] Item type: 1 print Medium: etching Dimensions: sheet 10.5 x 18.7 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A View of the Cascade at Ham Farm. Visual Material information: Title: A View of the Cascade at Ham Farm. 40.23.2. Place of publication: [London] Publisher: [R. Goadby] Date of publication: [1776 c.] Item type: 1 print Medium: etching Dimensions: sheet 10.5 x 18.7 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-view-of-the-cascade-at-ham-farm-visual-material-information-title-a-view-of-the-cascade-at-ham-farm-40232-place-of-publication-london-publisher-r-goadby-date-of-publication-1776-c-item-type-1-print-medium-etching-dimensions-sheet-105-x-187-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401761792.htmlRM2E9HR7C–A View of the Cascade at Ham Farm. Visual Material information: Title: A View of the Cascade at Ham Farm. 40.23.2. Place of publication: [London] Publisher: [R. Goadby] Date of publication: [1776 c.] Item type: 1 print Medium: etching Dimensions: sheet 10.5 x 18.7 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
Piece, 18th century, French, Cotton, Overall: 40 1/2 x 23 1/2 in. (102.9 x 59.7 cm), Textiles-Woven Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-piece-18th-century-french-cotton-overall-40-12-x-23-12-in-1029-x-597-162337796.htmlRMKC33EC–Piece, 18th century, French, Cotton, Overall: 40 1/2 x 23 1/2 in. (102.9 x 59.7 cm), Textiles-Woven
Compote MET 190431 2217 Maker: William Gale and Son, active ca. 1850?58 and 1863?66, Compote, ca. 1860, Silver, Overall: 9 1/2 x 10 7/16 in. (24.1 x 26.5 cm); 40 oz. 1 dwt. (1245.7 g) Lip: Diam. 9 3/8 in. (23.8 cm) Foot: Diam. 6 1/4 in. (15.9 cm). The Metropolitan Museum of Art, New York. Purchase, Anonymous Gift, 1968 (68.114) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-compote-met-190431-2217-maker-william-gale-and-son-active-ca-185058-168109579.htmlRMKNE1DF–Compote MET 190431 2217 Maker: William Gale and Son, active ca. 1850?58 and 1863?66, Compote, ca. 1860, Silver, Overall: 9 1/2 x 10 7/16 in. (24.1 x 26.5 cm); 40 oz. 1 dwt. (1245.7 g) Lip: Diam. 9 3/8 in. (23.8 cm) Foot: Diam. 6 1/4 in. (15.9 cm). The Metropolitan Museum of Art, New York. Purchase, Anonymous Gift, 1968 (68.114)
Chocolate Pot, 1725–40, (none assigned) United States, American, Silver, Overall: 9 5/16 x 6 3/16 in. (23.7 x 15.7 cm); 29 oz. 9 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-chocolate-pot-172540-none-assigned-united-states-american-silver-overall-162416486.htmlRMKC6KTP–Chocolate Pot, 1725–40, (none assigned) United States, American, Silver, Overall: 9 5/16 x 6 3/16 in. (23.7 x 15.7 cm); 29 oz. 9
Bowl MET AD-38-40-132a(back) 449343 Bowl, 9th century, Earthenware; white glaze with polychrome decoration under transparent colorless glaze, incised, 38.40.132a: H. 4 11/16 in. (11.9 cm) W. 10 1/16 in. (25.5 cm) D. 9 13/16 in. (25 cm) 38.40.132b: H. 6 in. (15.2 cm) W. 9 5/16 in. (23.7 cm) D. 5/16 in. (0.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1938 (38.40.132a, b) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bowl-met-ad-38-40-132aback-449343-bowl-9th-century-earthenware-white-168091805.htmlRMKND6PN–Bowl MET AD-38-40-132a(back) 449343 Bowl, 9th century, Earthenware; white glaze with polychrome decoration under transparent colorless glaze, incised, 38.40.132a: H. 4 11/16 in. (11.9 cm) W. 10 1/16 in. (25.5 cm) D. 9 13/16 in. (25 cm) 38.40.132b: H. 6 in. (15.2 cm) W. 9 5/16 in. (23.7 cm) D. 5/16 in. (0.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1938 (38.40.132a, b)
Tankard, 1720–40, Made in New York, New York, United States, American, Silver, Overall: 7 3/8 x 9 3/16 in. (18.7 x 23.3 cm); 38 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-tankard-172040-made-in-new-york-new-york-united-states-american-silver-162387867.htmlRMKC5BAK–Tankard, 1720–40, Made in New York, New York, United States, American, Silver, Overall: 7 3/8 x 9 3/16 in. (18.7 x 23.3 cm); 38
Print, Les Jetteurs de Fillets (Casting of Nets); After Joseph Vernet (French, 1714 – 1789); France; engraving on paper; Plate: 36 × 54.4 cm (14 3/16 × 21 7/16 in.) Paper: 40.3 × 59 cm (15 7/8 × 23 1/4 in.); 1896-31-91 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-les-jetteurs-de-fillets-casting-of-nets-after-joseph-vernet-french-1714-1789-france-engraving-on-paper-plate-36-544-cm-14-316-21-716-in-paper-403-59-cm-15-78-23-14-in-1896-31-91-image546230051.htmlRM2PMJX03–Print, Les Jetteurs de Fillets (Casting of Nets); After Joseph Vernet (French, 1714 – 1789); France; engraving on paper; Plate: 36 × 54.4 cm (14 3/16 × 21 7/16 in.) Paper: 40.3 × 59 cm (15 7/8 × 23 1/4 in.); 1896-31-91
Laughing Man in a Gorget, 1625–40, Etching; first state of two, sheet: 9 3/16 x 7 11/16 in. (23.3 x 19.6 cm), Prints, Jan Georg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-laughing-man-in-a-gorget-162540-etching-first-state-of-two-sheet-9-162493589.htmlRMKCA66D–Laughing Man in a Gorget, 1625–40, Etching; first state of two, sheet: 9 3/16 x 7 11/16 in. (23.3 x 19.6 cm), Prints, Jan Georg
Art inspired by Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-der-ruckzughei-marignano-retreat-at-marignano-ferdinand-hodler-swiss-1853-1918-lithograph-on-japan-paper-ca1898-15-78-x-23-14-in-403-x-591-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459574335.htmlRF2HKKBN3–Art inspired by Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Antoniazzo Romano (Antonio di Benedetto Aquilio), Saint Francis of Assisi, Antoniazzo Romano (Antonio di Benedetto Aquilio) (Italian, Rome 1435/40–1508 Rome), ca. 1480–81, Tempera and gold on wood, transferred to wood, 63 1/8 × 23 1/2 in. (160.3 × 59.7 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antoniazzo-romano-antonio-di-benedetto-aquilio-saint-francis-of-assisi-antoniazzo-romano-antonio-di-benedetto-aquilio-italian-rome-1435401508-rome-ca-148081-tempera-and-gold-on-wood-transferred-to-wood-63-18-23-12-in-1603-597-cm-paintings-image344642104.htmlRM2B0KPEG–Antoniazzo Romano (Antonio di Benedetto Aquilio), Saint Francis of Assisi, Antoniazzo Romano (Antonio di Benedetto Aquilio) (Italian, Rome 1435/40–1508 Rome), ca. 1480–81, Tempera and gold on wood, transferred to wood, 63 1/8 × 23 1/2 in. (160.3 × 59.7 cm), Paintings
Art inspired by Table, ca. 1920, Wood, silk, H. 23-7/8, W. 16, D.16 in. (60.6 x 40.6 x 40.6 cm), Woodwork-Furniture, Joseph Urban (American (born Austria), Vienna 1872–1933 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-table-ca-1920-wood-silk-h-23-78-w-16-d16-in-606-x-406-x-406-cm-woodwork-furniture-joseph-urban-american-born-austria-vienna-18721933-new-york-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462846636.htmlRF2HW0DH0–Art inspired by Table, ca. 1920, Wood, silk, H. 23-7/8, W. 16, D.16 in. (60.6 x 40.6 x 40.6 cm), Woodwork-Furniture, Joseph Urban (American (born Austria), Vienna 1872–1933 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for a Frontispiece: Love Staying the Hand of Time. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 23 7/8 x 16 1/16 in. (60.6 x 40.8 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-frontispiece-love-staying-the-hand-of-time-artist-franois-boucher-french-paris-1703-1770-paris-dimensions-23-78-x-16-116-in-606-x-408-cm-museum-metropolitan-museum-of-art-new-york-usa-image212907334.htmlRMPAANDA–Design for a Frontispiece: Love Staying the Hand of Time. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 23 7/8 x 16 1/16 in. (60.6 x 40.8 cm). Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Apothecary vase (vaso da farmacia), ca. 1530–40, Italian, Castelli, Maiolica (tin-glazed earthenware), Height: 9 5/16 in. (23.7 cm), Ceramics-Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-apothecary-vase-vaso-da-farmacia-ca-153040-italian-castelli-maiolica-tin-glazed-earthenware-height-9-516-in-237-cm-ceramics-pottery-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462824641.htmlRF2HTYDFD–Art inspired by Apothecary vase (vaso da farmacia), ca. 1530–40, Italian, Castelli, Maiolica (tin-glazed earthenware), Height: 9 5/16 in. (23.7 cm), Ceramics-Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Elevation of a Catafalque: Obelisks at the Corners and One in Center, ca. 1720–40, Pen, brown ink and wash, 23-1/2 x 17-3/8 in. (59.7 x 44.1 cm), Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-elevation-of-a-catafalque-obelisks-at-the-corners-and-one-in-center-ca-172040-pen-brown-ink-and-wash-23-12-x-17-38-in-597-x-441-cm-workshop-of-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957396.htmlRF2HW5ETM–Art inspired by Elevation of a Catafalque: Obelisks at the Corners and One in Center, ca. 1720–40, Pen, brown ink and wash, 23-1/2 x 17-3/8 in. (59.7 x 44.1 cm), Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Painting; oil on panel; overall: 29.3 x 23.2 cm (11 9/16 x 9 1/8 in.) framed: 46.7 x 40.6 x 5.7 cm (18 3/8 x 16 x 2 1/4 in.); Frans Hals 094 WGA version Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-panel-overall-293-x-232-cm-11-916-x-9-18-in-framed-467-x-406-x-57-cm-18-38-x-16-x-2-14-in-frans-hals-094-wga-version-image184984466.htmlRMMMXNG2–Painting; oil on panel; overall: 29.3 x 23.2 cm (11 9/16 x 9 1/8 in.) framed: 46.7 x 40.6 x 5.7 cm (18 3/8 x 16 x 2 1/4 in.); Frans Hals 094 WGA version
![THE SOUTH WEST VIEW OF MALMESBURY ABBY, IN THE COUNTY OF WILTS. Author Buck, Samuel 43.35.b. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1732] Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.7 cm, on sheet 23.4 x 40.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9EKTD/the-south-west-view-of-malmesbury-abby-in-the-county-of-wilts-author-buck-samuel-4335b-place-of-publication-england-publisher-samuel-and-nathaniel-buck-date-of-publication-1732-item-type-1-print-medium-etching-dimensions-platemark-194-x-377-cm-on-sheet-234-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9EKTD.jpg "THE SOUTH WEST VIEW OF MALMESBURY ABBY, IN THE COUNTY OF WILTS. Author Buck, Samuel 43.35.b. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1732] Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.7 cm, on sheet 23.4 x 40.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE SOUTH WEST VIEW OF MALMESBURY ABBY, IN THE COUNTY OF WILTS. Author Buck, Samuel 43.35.b. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1732] Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.7 cm, on sheet 23.4 x 40.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-south-west-view-of-malmesbury-abby-in-the-county-of-wilts-author-buck-samuel-4335b-place-of-publication-england-publisher-samuel-and-nathaniel-buck-date-of-publication-1732-item-type-1-print-medium-etching-dimensions-platemark-194-x-377-cm-on-sheet-234-x-403-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401693277.htmlRM2E9EKTD–THE SOUTH WEST VIEW OF MALMESBURY ABBY, IN THE COUNTY OF WILTS. Author Buck, Samuel 43.35.b. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1732] Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.7 cm, on sheet 23.4 x 40.3 cm. Former owner: George III, King of Great Britain, 1738-1820
Bowl MET AD-38-40-132b(back) 449343 Bowl, 9th century, Earthenware; white glaze with polychrome decoration under transparent colorless glaze, incised, 38.40.132a: H. 4 11/16 in. (11.9 cm) W. 10 1/16 in. (25.5 cm) D. 9 13/16 in. (25 cm) 38.40.132b: H. 6 in. (15.2 cm) W. 9 5/16 in. (23.7 cm) D. 5/16 in. (0.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1938 (38.40.132a, b) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bowl-met-ad-38-40-132bback-449343-bowl-9th-century-earthenware-white-168091807.htmlRMKND6PR–Bowl MET AD-38-40-132b(back) 449343 Bowl, 9th century, Earthenware; white glaze with polychrome decoration under transparent colorless glaze, incised, 38.40.132a: H. 4 11/16 in. (11.9 cm) W. 10 1/16 in. (25.5 cm) D. 9 13/16 in. (25 cm) 38.40.132b: H. 6 in. (15.2 cm) W. 9 5/16 in. (23.7 cm) D. 5/16 in. (0.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1938 (38.40.132a, b)
Print, The Coolest Spot in New England – Summit of Mount Washington; After Winslow Homer (American, 1836–1910); Published by Harper's Bazaar; USA; wood engraving in black ink on paper; Image: 35 × 23.1 cm (13 3/4 × 9 1/8 in.) Sheet: 40.5 × 27.7 cm (15 15/16 × 10 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-the-coolest-spot-in-new-england-summit-of-mount-washington-after-winslow-homer-american-18361910-published-by-harpers-bazaar-usa-wood-engraving-in-black-ink-on-paper-image-35-231-cm-13-34-9-18-in-sheet-405-277-cm-15-1516-10-78-in-image546080171.htmlRM2PMC2R7–Print, The Coolest Spot in New England – Summit of Mount Washington; After Winslow Homer (American, 1836–1910); Published by Harper's Bazaar; USA; wood engraving in black ink on paper; Image: 35 × 23.1 cm (13 3/4 × 9 1/8 in.) Sheet: 40.5 × 27.7 cm (15 15/16 × 10 7/8 in.)
Sickle Fragment, New Kingdom, Ramesside, Dynasty 20, ca. 1186–1070 B.C., From Egypt, Memphite Region, Lisht North, Cemetery, 1922–23, Wood, L. 40.4 × W. 6.7 × Th. 0.9 cm (15 7/8 × 2 5/8 × 3/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sickle-fragment-new-kingdom-ramesside-dynasty-20-ca-11861070-bc-from-egypt-memphite-region-lisht-north-cemetery-192223-wood-l-404-w-67-th-09-cm-15-78-2-58-38-in-image344657809.htmlRM2B0MEFD–Sickle Fragment, New Kingdom, Ramesside, Dynasty 20, ca. 1186–1070 B.C., From Egypt, Memphite Region, Lisht North, Cemetery, 1922–23, Wood, L. 40.4 × W. 6.7 × Th. 0.9 cm (15 7/8 × 2 5/8 × 3/8 in
The Mocking of Christ. Artist: Domenico Tintoretto (Italian, Venice 1560-1635 Venice). Dimensions: 9-5/16 x 16 in. (23.7 x 40.6 cm). Date: 1560-1635. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-mocking-of-christ-artist-domenico-tintoretto-italian-venice-1560-1635-venice-dimensions-9-516-x-16-in-237-x-406-cm-date-1560-1635-museum-metropolitan-museum-of-art-new-york-usa-image213208998.htmlRMPATE72–The Mocking of Christ. Artist: Domenico Tintoretto (Italian, Venice 1560-1635 Venice). Dimensions: 9-5/16 x 16 in. (23.7 x 40.6 cm). Date: 1560-1635. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Elevation of a Catafalque: Four Large Obelisks at the Corners with Large one Surmounting the Top., ca. 1720–40, Pen and brown ink, 23-7/8 x 17-7/8 in. (60.6 x 45.4 cm), Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-elevation-of-a-catafalque-four-large-obelisks-at-the-corners-with-large-one-surmounting-the-top-ca-172040-pen-and-brown-ink-23-78-x-17-78-in-606-x-454-cm-workshop-of-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957388.htmlRF2HW5ETC–Art inspired by Elevation of a Catafalque: Four Large Obelisks at the Corners with Large one Surmounting the Top., ca. 1720–40, Pen and brown ink, 23-7/8 x 17-7/8 in. (60.6 x 45.4 cm), Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Krishna Is Welcomed into Mathura: Page from a Dispersed Bhagavata Purana Manuscript, ca. 1520–40, India (Delhi Agra area), Ink and opaque watercolor on paper, 6 7/16 x 9 1/8 in. (16.4 x 23.2 cm), Paintings, The upper and lower registers illustrate Krishna’s entry into, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-krishna-is-welcomed-into-mathura-page-from-a-dispersed-bhagavata-purana-manuscript-ca-152040-india-delhi-agra-area-ink-and-opaque-watercolor-on-paper-6-716-x-9-18-in-164-x-232-cm-paintings-the-upper-and-lower-registers-illustrate-krishnas-entry-into-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462907045.htmlRF2HW36JD–Art inspired by Krishna Is Welcomed into Mathura: Page from a Dispersed Bhagavata Purana Manuscript, ca. 1520–40, India (Delhi Agra area), Ink and opaque watercolor on paper, 6 7/16 x 9 1/8 in. (16.4 x 23.2 cm), Paintings, The upper and lower registers illustrate Krishna’s entry into, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Painting; oil and tempera on poplar panel; overall: 86.7 x 57.8 cm (34 1/8 x 22 3/4 in.) overall (with edge strips): 89.2 x 60 cm (35 1/8 x 23 5/8 in.) framed: 137.2 x 101.6 cm (54 x 40 in.); Botticelli - Madonna and Child with Angels (Kress, Washington) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-and-tempera-on-poplar-panel-overall-867-x-578-cm-34-18-x-22-34-in-overall-with-edge-strips-892-x-60-cm-35-18-x-23-58-in-framed-1372-x-1016-cm-54-x-40-in-botticelli-madonna-and-child-with-angels-kress-washington-image184936253.htmlRMMMTG25–Painting; oil and tempera on poplar panel; overall: 86.7 x 57.8 cm (34 1/8 x 22 3/4 in.) overall (with edge strips): 89.2 x 60 cm (35 1/8 x 23 5/8 in.) framed: 137.2 x 101.6 cm (54 x 40 in.); Botticelli - Madonna and Child with Angels (Kress, Washington)
Art inspired by Cassetta frame, 1630–40, Netherlandish, Pine with ebony veneer; half-lapped back frame. Black color. Sight edge: oil-gilt lead knulling. Frieze: sawn ebony veneer. Top edge: ebony molding with pine support., 31.2 x 25.8, 22.7 x 17.1, 23 x 17.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cassetta-frame-163040-netherlandish-pine-with-ebony-veneer-half-lapped-back-frame-black-color-sight-edge-oil-gilt-lead-knulling-frieze-sawn-ebony-veneer-top-edge-ebony-molding-with-pine-support-312-x-258-227-x-171-23-x-175-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826516.htmlRF2HTYFXC–Art inspired by Cassetta frame, 1630–40, Netherlandish, Pine with ebony veneer; half-lapped back frame. Black color. Sight edge: oil-gilt lead knulling. Frieze: sawn ebony veneer. Top edge: ebony molding with pine support., 31.2 x 25.8, 22.7 x 17.1, 23 x 17.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![A View at BATTERSEA 1784. Author Jukes, Francis 40.36.g. Place of publication: LONDON Publisher: Published Novr 10 1784 by F. Jukes at No10 Howland St., Date of publication: [November 10 1784] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 23.8 x 27.7 cm, on sheet 25 x 29 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HR99/a-view-at-battersea-1784-author-jukes-francis-4036g-place-of-publication-london-publisher-published-novr-10-1784-by-f-jukes-at-no10-howland-st-date-of-publication-november-10-1784-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-platemark-238-x-277-cm-on-sheet-25-x-29-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HR99.jpg "A View at BATTERSEA 1784. Author Jukes, Francis 40.36.g. Place of publication: LONDON Publisher: Published Novr 10 1784 by F. Jukes at No10 Howland St., Date of publication: [November 10 1784] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 23.8 x 27.7 cm, on sheet 25 x 29 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A View at BATTERSEA 1784. Author Jukes, Francis 40.36.g. Place of publication: LONDON Publisher: Published Novr 10 1784 by F. Jukes at No10 Howland St., Date of publication: [November 10 1784] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 23.8 x 27.7 cm, on sheet 25 x 29 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-view-at-battersea-1784-author-jukes-francis-4036g-place-of-publication-london-publisher-published-novr-10-1784-by-f-jukes-at-no10-howland-st-date-of-publication-november-10-1784-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-platemark-238-x-277-cm-on-sheet-25-x-29-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401761845.htmlRM2E9HR99–A View at BATTERSEA 1784. Author Jukes, Francis 40.36.g. Place of publication: LONDON Publisher: Published Novr 10 1784 by F. Jukes at No10 Howland St., Date of publication: [November 10 1784] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 23.8 x 27.7 cm, on sheet 25 x 29 cm Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Motif from Kashmir Shawl: Pheerozee (Turquoise Color), No. 23, By Order of Mahummud Azeem Khan, ca. 1822–23, Gouache on paper, varnished, Sheet: 15 7/8 × 6 7/16 in. (40.3 × 16.4 cm), Drawings, Anonymous, Indian, 19th century, One of group of eight textile designs made, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-motif-from-kashmir-shawl-pheerozee-turquoise-color-no-23-by-order-of-mahummud-azeem-khan-ca-182223-gouache-on-paper-varnished-sheet-15-78-6-716-in-403-164-cm-drawings-anonymous-indian-19th-century-one-of-group-of-eight-textile-designs-made-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462962138.htmlRF2HW5MX2–Art inspired by Motif from Kashmir Shawl: Pheerozee (Turquoise Color), No. 23, By Order of Mahummud Azeem Khan, ca. 1822–23, Gouache on paper, varnished, Sheet: 15 7/8 × 6 7/16 in. (40.3 × 16.4 cm), Drawings, Anonymous, Indian, 19th century, One of group of eight textile designs made, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Ewer, 1755/56, British, London, Silver gilt, Overall (confirmed): 16 × 23 1/8 × 18 1/4 in., 150 oz. 15 dwt. (40.6 × 58.7 × 46.4 cm, 4688g), Metalwork-Silver, Although silver made by the Jewel Office for diplomatic officers was generally classical in inspiration, this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ewer-175556-british-london-silver-gilt-overall-confirmed-16-23-18-18-14-in-150-oz-15-dwt-406-587-464-cm-4688g-metalwork-silver-although-silver-made-by-the-jewel-office-for-diplomatic-officers-was-generally-classical-in-inspiration-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462779511.htmlRF2HTWBYK–Art inspired by Ewer, 1755/56, British, London, Silver gilt, Overall (confirmed): 16 × 23 1/8 × 18 1/4 in., 150 oz. 15 dwt. (40.6 × 58.7 × 46.4 cm, 4688g), Metalwork-Silver, Although silver made by the Jewel Office for diplomatic officers was generally classical in inspiration, this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bowl MET AD-38-40-132b(front() 449343 Bowl, 9th century, Earthenware; white glaze with polychrome decoration under transparent colorless glaze, incised, 38.40.132a: H. 4 11/16 in. (11.9 cm) W. 10 1/16 in. (25.5 cm) D. 9 13/16 in. (25 cm) 38.40.132b: H. 6 in. (15.2 cm) W. 9 5/16 in. (23.7 cm) D. 5/16 in. (0.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1938 (38.40.132a, b) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bowl-met-ad-38-40-132bfront-449343-bowl-9th-century-earthenware-white-168091806.htmlRMKND6PP–Bowl MET AD-38-40-132b(front() 449343 Bowl, 9th century, Earthenware; white glaze with polychrome decoration under transparent colorless glaze, incised, 38.40.132a: H. 4 11/16 in. (11.9 cm) W. 10 1/16 in. (25.5 cm) D. 9 13/16 in. (25 cm) 38.40.132b: H. 6 in. (15.2 cm) W. 9 5/16 in. (23.7 cm) D. 5/16 in. (0.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1938 (38.40.132a, b)
Art inspired by Helmet for a Harquebusier, ca. 1630–40, probably Greenwich, British, London or Greenwich, Steel, silver, gold, copper alloy, textile, H. 13 7/8 (35.3 cm); W. 9 3/8 (23.8 cm); D. 16 7/16 in. (41.7 cm); Wt. 4 lb. 7 oz. (2010 g), Helmets, Harquebusiers were the last type, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-helmet-for-a-harquebusier-ca-163040-probably-greenwich-british-london-or-greenwich-steel-silver-gold-copper-alloy-textile-h-13-78-353-cm-w-9-38-238-cm-d-16-716-in-417-cm-wt-4-lb-7-oz-2010-g-helmets-harquebusiers-were-the-last-type-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462756507.htmlRF2HTTAJ3–Art inspired by Helmet for a Harquebusier, ca. 1630–40, probably Greenwich, British, London or Greenwich, Steel, silver, gold, copper alloy, textile, H. 13 7/8 (35.3 cm); W. 9 3/8 (23.8 cm); D. 16 7/16 in. (41.7 cm); Wt. 4 lb. 7 oz. (2010 g), Helmets, Harquebusiers were the last type, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Print, The Machine de Marly Seen from the Seine River near St. Germain-en-Laye; After Nicolas de Fer (French, 1646–1720); Print Maker: Charles Inselin (French, b. ca. 1673); etching; Platemark: 23.4 x 34.4 cm (9 3/16 x 13 9/16 in. ); sheet (26 x 40.3 cm) 10 1/4 x 15 7/8 in. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-the-machine-de-marly-seen-from-the-seine-river-near-st-germain-en-laye-after-nicolas-de-fer-french-16461720-print-maker-charles-inselin-french-b-ca-1673-etching-platemark-234-x-344-cm-9-316-x-13-916-in-sheet-26-x-403-cm-10-14-x-15-78-in-image546175835.htmlRM2PMGCRR–Print, The Machine de Marly Seen from the Seine River near St. Germain-en-Laye; After Nicolas de Fer (French, 1646–1720); Print Maker: Charles Inselin (French, b. ca. 1673); etching; Platemark: 23.4 x 34.4 cm (9 3/16 x 13 9/16 in. ); sheet (26 x 40.3 cm) 10 1/4 x 15 7/8 in.
Art inspired by Relief with Enthroned Virgin and Child surrounded by Angels, ca. 1425–40, Made in Veneto or Friuli, Italian, North Italian, Limestone (Wackestone from Veneto or Friuli), traces of polychromy, Overall: 32 1/4 x 23 3/4 x 5 7/8 in. (81.9 x 60.3 x 14.9 cm), Sculpture-Stone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-relief-with-enthroned-virgin-and-child-surrounded-by-angels-ca-142540-made-in-veneto-or-friuli-italian-north-italian-limestone-wackestone-from-veneto-or-friuli-traces-of-polychromy-overall-32-14-x-23-34-x-5-78-in-819-x-603-x-149-cm-sculpture-stone-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463033740.htmlRF2HW9078–Art inspired by Relief with Enthroned Virgin and Child surrounded by Angels, ca. 1425–40, Made in Veneto or Friuli, Italian, North Italian, Limestone (Wackestone from Veneto or Friuli), traces of polychromy, Overall: 32 1/4 x 23 3/4 x 5 7/8 in. (81.9 x 60.3 x 14.9 cm), Sculpture-Stone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Print, Two Designs for Ewer-shaped Ornaments, Album of Ornament; Designed by Franz Xaver Habermann (German, b. Poland, 1721–1796); Engraved by Johann Georg Hertel (German, ca. 1700–1776); Germany; etching, engraving on white laid paper; Platemark: 30.6 x 20.8 cm (12 1/16 x 8 3/16 in.) Sheet: 40.7 x 23.3 cm (16 x 9 3/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-two-designs-for-ewer-shaped-ornaments-album-of-ornament-designed-by-franz-xaver-habermann-german-b-poland-17211796-engraved-by-johann-georg-hertel-german-ca-17001776-germany-etching-engraving-on-white-laid-paper-platemark-306-x-208-cm-12-116-x-8-316-in-sheet-407-x-233-cm-16-x-9-316-in-image546115655.htmlRM2PMDM2F–Print, Two Designs for Ewer-shaped Ornaments, Album of Ornament; Designed by Franz Xaver Habermann (German, b. Poland, 1721–1796); Engraved by Johann Georg Hertel (German, ca. 1700–1776); Germany; etching, engraving on white laid paper; Platemark: 30.6 x 20.8 cm (12 1/16 x 8 3/16 in.) Sheet: 40.7 x 23.3 cm (16 x 9 3/16 in.)
Charles-Louis Constans, Boy with a monkey on his shoulder receiving coins from a mother and daughter, Charles-Louis Constans (French, active Paris, 1803–40), 1803–40, Color lithograph, Image: 12 5/8 × 9 5/16 in. (32.1 × 23.7 cm), Sheet: 13 11/16 × 10 3/8 in. (34.7 × 26.3 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-louis-constans-boy-with-a-monkey-on-his-shoulder-receiving-coins-from-a-mother-and-daughter-charles-louis-constans-french-active-paris-180340-180340-color-lithograph-image-12-58-9-516-in-321-237-cm-sheet-13-1116-10-38-in-347-263-cm-prints-image344652841.htmlRM2B0M861–Charles-Louis Constans, Boy with a monkey on his shoulder receiving coins from a mother and daughter, Charles-Louis Constans (French, active Paris, 1803–40), 1803–40, Color lithograph, Image: 12 5/8 × 9 5/16 in. (32.1 × 23.7 cm), Sheet: 13 11/16 × 10 3/8 in. (34.7 × 26.3 cm), Prints
Art inspired by Plaque with the Descent from the Cross, ca. 1320–40, Made in probably Paris, France, French, Ivory, whale bone, traces of paint and gilding, Overall: 9 1/8 x 7 3/16 x 13/16 in. (23.2 x 18.3 x 2.1 cm), Ivories, The ivory figures are mounted on a sheet of whalebone. This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-with-the-descent-from-the-cross-ca-132040-made-in-probably-paris-france-french-ivory-whale-bone-traces-of-paint-and-gilding-overall-9-18-x-7-316-x-1316-in-232-x-183-x-21-cm-ivories-the-ivory-figures-are-mounted-on-a-sheet-of-whalebone-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463033082.htmlRF2HW8YBP–Art inspired by Plaque with the Descent from the Cross, ca. 1320–40, Made in probably Paris, France, French, Ivory, whale bone, traces of paint and gilding, Overall: 9 1/8 x 7 3/16 x 13/16 in. (23.2 x 18.3 x 2.1 cm), Ivories, The ivory figures are mounted on a sheet of whalebone. This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Silver Urn, inscribed 'MDCCXXIX...John Sudbury...Johanni Bateman'. Artist: Anonymous, British, 19th century. Dimensions: sheet: 9 7/16 x 9 3/16 in. (24 x 23.3 cm). Date: 1828-40. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-silver-urn-inscribed-mdccxxixjohn-sudburyjohanni-bateman-artist-anonymous-british-19th-century-dimensions-sheet-9-716-x-9-316-in-24-x-233-cm-date-1828-40-museum-metropolitan-museum-of-art-new-york-usa-image213172149.htmlRMPAPR71–A Silver Urn, inscribed 'MDCCXXIX...John Sudbury...Johanni Bateman'. Artist: Anonymous, British, 19th century. Dimensions: sheet: 9 7/16 x 9 3/16 in. (24 x 23.3 cm). Date: 1828-40. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Virgin and Child Triumphing over Evil, Probably by Francesco Giardoni (1692–1757), ca. 1731–40, Italian, Rome, Silver, gilt bronze, and wood, Relief: 10 9/16 × 8 7/8 in. (26.8 × 22.5 cm); Frame: 23 5/16 × 14 1/2 in. (59.2 × 36.8 cm), Metalwork-Silver In Combination, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-virgin-and-child-triumphing-over-evil-probably-by-francesco-giardoni-16921757-ca-173140-italian-rome-silver-gilt-bronze-and-wood-relief-10-916-8-78-in-268-225-cm-frame-23-516-14-12-in-592-368-cm-metalwork-silver-in-combination-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462922355.htmlRF2HW3X57–Art inspired by The Virgin and Child Triumphing over Evil, Probably by Francesco Giardoni (1692–1757), ca. 1731–40, Italian, Rome, Silver, gilt bronze, and wood, Relief: 10 9/16 × 8 7/8 in. (26.8 × 22.5 cm); Frame: 23 5/16 × 14 1/2 in. (59.2 × 36.8 cm), Metalwork-Silver In Combination, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for 40 23 7 cm Stock Photos and Images (732)
Page 3 of 8