4 putti hi-res stock photography and images - Page 3

Vase with Dancing Putti, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.3 cm), Depiction of a vase with two Stock Photo

RMKCBYJ4–Vase with Dancing Putti, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.3 cm), Depiction of a vase with two

. Monumenti antichi inediti . Cammeo rapprefentante il ritratto di Scipione Affricano . 231. D. Mufeo di Milord Egremont. Statua d una Venere panneggiata con un arco ai piedi. 37. E. Mufeo di Milord Hope , 1. Gemma fpiegata • 40. 2. Gruppo di due putti che giuocano con degli aftragali . iv- IV. GERMANIA. a- Mufeo di gemme già Stofchiano or a di S- M. PruJJìana . Gemme fpiegate e citate . 2. 3.4. 43. J4.140. 141. 217. 2^7. T. 23.87.b. Anhah-Dejfau • Bafforilievo da S. A. il fig. Principe acquiflato a Roma . 6.e. Brunfvic . Tefta di Scipione Affricano da S. A. il fig. Principe ereditario acquift Stock Photo

RM2CJ0C8D–. Monumenti antichi inediti . Cammeo rapprefentante il ritratto di Scipione Affricano . 231. D. Mufeo di Milord Egremont. Statua d una Venere panneggiata con un arco ai piedi. 37. E. Mufeo di Milord Hope , 1. Gemma fpiegata • 40. 2. Gruppo di due putti che giuocano con degli aftragali . iv- IV. GERMANIA. a- Mufeo di gemme già Stofchiano or a di S- M. PruJJìana . Gemme fpiegate e citate . 2. 3.4. 43. J4.140. 141. 217. 2^7. T. 23.87.b. Anhah-Dejfau • Bafforilievo da S. A. il fig. Principe acquiflato a Roma . 6.e. Brunfvic . Tefta di Scipione Affricano da S. A. il fig. Principe ereditario acquift

Five Dancing Putti, n.d., Engraving, sheet: 4 3/8 x 7 13/16 in. (11.1 x 19.8 cm), Prints, Amico Aspertini (Italian, Bologna ca Stock Photo

RMKC71Y7–Five Dancing Putti, n.d., Engraving, sheet: 4 3/8 x 7 13/16 in. (11.1 x 19.8 cm), Prints, Amico Aspertini (Italian, Bologna ca

Kaart van de Zuidelijke Nederlanden Belgii regii accuratissima tabula (titel op object) Map of the Southern Netherlands. Above left the title cartouche with around five putti, Where: Two bearing the arms of the king of Spain. Bottom right a cartridge with two shell sticks: 4 Milli Aria Germanica Communia / 5 Milli Aria Gallica sive Horae itineris. The card is equipped with a search grid and a degree distribution along the randen. Manufacturer : printmaker: anonymous editor: Jacob de la Feuille (listed property) provider of privilege: States of Holland and West Friesland (listed property) Place Stock Photo

RM2B6XJRJ–Kaart van de Zuidelijke Nederlanden Belgii regii accuratissima tabula (titel op object) Map of the Southern Netherlands. Above left the title cartouche with around five putti, Where: Two bearing the arms of the king of Spain. Bottom right a cartridge with two shell sticks: 4 Milli Aria Germanica Communia / 5 Milli Aria Gallica sive Horae itineris. The card is equipped with a search grid and a degree distribution along the randen. Manufacturer : printmaker: anonymous editor: Jacob de la Feuille (listed property) provider of privilege: States of Holland and West Friesland (listed property) Place

Treurdicht on the death of King Willem II, 1849, 1849 poem Treurdicht on the death of King Willem II on March 17, 1849 Tetilburg and his funeral on April 4, 1849 in Delft. Fresh in two columns, at the top an allegorical vignette with two putti near a burial monument with broken column. Netherlandspublisher: Amsterdam paper letterpress printing Delft. new church Stock Photo

RM2WG5N8Y–Treurdicht on the death of King Willem II, 1849, 1849 poem Treurdicht on the death of King Willem II on March 17, 1849 Tetilburg and his funeral on April 4, 1849 in Delft. Fresh in two columns, at the top an allegorical vignette with two putti near a burial monument with broken column. Netherlandspublisher: Amsterdam paper letterpress printing Delft. new church

Art inspired by Putti with a Medallion, Oil on wood, Oval, 25 3/8 x 21 1/4 in. (64.5 x 54 cm), Paintings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels), Eisen was a book illustrator trained by his father and in the Paris studio of the engraver Jacques, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8GH7–Art inspired by Putti with a Medallion, Oil on wood, Oval, 25 3/8 x 21 1/4 in. (64.5 x 54 cm), Paintings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels), Eisen was a book illustrator trained by his father and in the Paris studio of the engraver Jacques, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Putti at play. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: image: 4 3/4 x 9 7/16 in. (12.1 x 24 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAE4P–Putti at play. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: image: 4 3/4 x 9 7/16 in. (12.1 x 24 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

. Pavli Macii Emblemata .. . 39 Pittore, e Ciprefo, 40 Scilla, e C ariddi. ¥x Naudesenti, .42 Troiaardente. 43 Lupi-, che nuotano. 44 Cerere, Bacco, e Venere. 45 Vergini V efiati. 46 Putti, che giuocano al Trucco. Embl, 47 Scultore. 48 Cane, e Pafiaggiero. 49 Donne,e he piangono il morto. 5 0 Cauatcri di miniere, 5 I Giardino delle Hefpetidi, 5 2 /tf/#0 f *?V0 doro, 5 3 Caronte, 5 4 £»&*, Sibilla, e Cerbero, 5 5 Gallina, 5 6 Vlt(?e,& Achille. 57 Pdiade, & Amore* 5 8 Amore, e Pioggia, 5 9 Donna, & A morì. So dimore [oprai Fonte* 61 Se tua» é 2 Prometeo. 63 Laocoonte, e figliuoli* 64 Vafe rotto* Stock Photo

RM2CT16E0–. Pavli Macii Emblemata .. . 39 Pittore, e Ciprefo, 40 Scilla, e C ariddi. ¥x Naudesenti, .42 Troiaardente. 43 Lupi-, che nuotano. 44 Cerere, Bacco, e Venere. 45 Vergini V efiati. 46 Putti, che giuocano al Trucco. Embl, 47 Scultore. 48 Cane, e Pafiaggiero. 49 Donne,e he piangono il morto. 5 0 Cauatcri di miniere, 5 I Giardino delle Hefpetidi, 5 2 /tf/#0 f *?V0 doro, 5 3 Caronte, 5 4 £»&*, Sibilla, e Cerbero, 5 5 Gallina, 5 6 Vlt(?e,& Achille. 57 Pdiade, & Amore* 5 8 Amore, e Pioggia, 5 9 Donna, & A morì. So dimore [oprai Fonte* 61 Se tua» é 2 Prometeo. 63 Laocoonte, e figliuoli* 64 Vafe rotto*

Frieze with Putti, n.d., Etching, sheet: 2 1/2 x 13 9/16 in. (6.3 x 34.4 cm), Prints, Jean-Baptiste Huet I (French, Paris 1745 Stock Photo

RMKCB95N–Frieze with Putti, n.d., Etching, sheet: 2 1/2 x 13 9/16 in. (6.3 x 34.4 cm), Prints, Jean-Baptiste Huet I (French, Paris 1745

Grafmonument voor Joannes Houbakker Gravestone for Joannes Houbakker, preacher and teacher of the Mennonite congregations Amsterdam, deceased on december 4, 1715. the Trust personification mourns along with two putti in a church near the tomb manufacture manufacturer: printmaker: Arnoud van Halen (listed property) Place manufacture: Amsterdam Date: 1715 Physical features: mezzotint and engra material: paper Technique: mezzotint / engra (printing process) Measurements: plate edge: h 159 mm × W 125 mm Subject: interior of church faith, 'Faith's; 'Fede', 'Fede catholica' 'Fede christiana', 'Fede Stock Photo

RM2B6RPBY–Grafmonument voor Joannes Houbakker Gravestone for Joannes Houbakker, preacher and teacher of the Mennonite congregations Amsterdam, deceased on december 4, 1715. the Trust personification mourns along with two putti in a church near the tomb manufacture manufacturer: printmaker: Arnoud van Halen (listed property) Place manufacture: Amsterdam Date: 1715 Physical features: mezzotint and engra material: paper Technique: mezzotint / engra (printing process) Measurements: plate edge: h 159 mm × W 125 mm Subject: interior of church faith, 'Faith's; 'Fede', 'Fede catholica' 'Fede christiana', 'Fede

J. A. Thompson, American, Sketches of Putti and an Ornate Flaming Vessel, 19th century, pen and black ink on thin tan laid paper, Sheet (irreg.): 4 1/8 × 4 1/4 inches (10.5 × 10.8 cm Stock Photo

RM2A2PKAF–J. A. Thompson, American, Sketches of Putti and an Ornate Flaming Vessel, 19th century, pen and black ink on thin tan laid paper, Sheet (irreg.): 4 1/8 × 4 1/4 inches (10.5 × 10.8 cm

Man on a couch surrounded by five children while his wife stands next to him, Carl Friedrich Holtzmann, after Johann Eleazar Schenau, 1772 print Under the show a one -line text from Psalm 128 verse 4 in German. Dresden paper etching the book of Psalms (with BOOK CHAPTER:VERSE). family group, especially parents with their child(ren). cupids: 'amores', 'amoretti', 'putti'. ornament medallion Stock Photo

RM2WFJR17–Man on a couch surrounded by five children while his wife stands next to him, Carl Friedrich Holtzmann, after Johann Eleazar Schenau, 1772 print Under the show a one -line text from Psalm 128 verse 4 in German. Dresden paper etching the book of Psalms (with BOOK CHAPTER:VERSE). family group, especially parents with their child(ren). cupids: 'amores', 'amoretti', 'putti'. ornament medallion

Vz: vase with an image of a quadriga and 2 putti, gem, intaglio, carnelian, Color: orange-red, Shape: oval, standing, Processing:, Method:, 22 x 14.5 mm, D. 4 mm, wt. 1.87 gr., 18th century 1700-1800 Stock Photo

RM2B0D0EC–Vz: vase with an image of a quadriga and 2 putti, gem, intaglio, carnelian, Color: orange-red, Shape: oval, standing, Processing:, Method:, 22 x 14.5 mm, D. 4 mm, wt. 1.87 gr., 18th century 1700-1800

Master of the Die, Italian, after Raphael, Italian, 1483-1520, Three Putti Playing with an Ostrich, 1532 or 1533, engraving printed in black ink on laid paper, Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm Stock Photo

RM2A2P4F1–Master of the Die, Italian, after Raphael, Italian, 1483-1520, Three Putti Playing with an Ostrich, 1532 or 1533, engraving printed in black ink on laid paper, Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm

Art inspired by Putti with a Medallion, Oil on wood, Oval, 25 1/2 x 21 1/4 in. (64.8 x 54 cm), Paintings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels), Eisen was a book illustrator trained by his father and in the Paris studio of the engraver Jacques, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8GHN–Art inspired by Putti with a Medallion, Oil on wood, Oval, 25 1/2 x 21 1/4 in. (64.8 x 54 cm), Paintings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels), Eisen was a book illustrator trained by his father and in the Paris studio of the engraver Jacques, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Two putti seated on clouds, second half 19th century, Oil paint over graphite, image: 5 11/16 x 5 13/16 in. (14.4 x 14.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6RFX–Art inspired by Two putti seated on clouds, second half 19th century, Oil paint over graphite, image: 5 11/16 x 5 13/16 in. (14.4 x 14.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Design with putti. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 14 9/16 x 18 3/4 in. (37 x 47.7 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAXA8Y–Design with putti. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 14 9/16 x 18 3/4 in. (37 x 47.7 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Allegory for the visit of the Prince and Princess of Amsterdam, 1768 Allegory visit stadholder William V and princess Wilhelmina of Prussia Amsterdam 30 May - 4 June 1768. on a bank to welcome three allegorical female figures the royal couple arri on a zeewagen pulled by dolphins. Airborne putti with torches, flowers and a scroll with the inscription: Lux. Aurea. Venit. Topping the arms of the prince and prinses. Manufacturer : artist: anonymous artist Reinier Vinkeles (I) (possible) Place manufacture: Northern Netherlands Date: 1768 Physical features: pencil, pen and brown ink color material: Stock Photo

RM2B6ADJE–Allegory for the visit of the Prince and Princess of Amsterdam, 1768 Allegory visit stadholder William V and princess Wilhelmina of Prussia Amsterdam 30 May - 4 June 1768. on a bank to welcome three allegorical female figures the royal couple arri on a zeewagen pulled by dolphins. Airborne putti with torches, flowers and a scroll with the inscription: Lux. Aurea. Venit. Topping the arms of the prince and prinses. Manufacturer : artist: anonymous artist Reinier Vinkeles (I) (possible) Place manufacture: Northern Netherlands Date: 1768 Physical features: pencil, pen and brown ink color material:

RM2WFJY1T–Man on a couch surrounded by five children while his wife stands next to him, Carl Friedrich Holtzmann, after Johann Eleazar Schenau, 1772 print Under the show a one -line text from Psalm 128: 4 and the assignment in German. Dresden paper etching the book of Psalms (with BOOK CHAPTER:VERSE). family group, especially parents with their child(ren). cupids: 'amores', 'amoretti', 'putti'. ornament medallion

Master of the Die, Italian, after Raphael, Italian, 1483-1520, Two Putti Mocking a Monkey, 1532 or 1533, engraving printed in black ink on laid paper, Plate: 8 1/4 × 11 1/4 inches (21 × 28.6 cm Stock Photo

RM2A2P4F2–Master of the Die, Italian, after Raphael, Italian, 1483-1520, Two Putti Mocking a Monkey, 1532 or 1533, engraving printed in black ink on laid paper, Plate: 8 1/4 × 11 1/4 inches (21 × 28.6 cm

Art inspired by Two putti draped with a garland the one at right holding a mask, 1596, Engraving, Sheet: 6 1/4 × 9 1/2 in. (15.9 × 24.1 cm), Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553–1615 Rome), After Polidoro da Caravaggio (Italian, Caravaggio ca, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW792X–Art inspired by Two putti draped with a garland the one at right holding a mask, 1596, Engraving, Sheet: 6 1/4 × 9 1/2 in. (15.9 × 24.1 cm), Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553–1615 Rome), After Polidoro da Caravaggio (Italian, Caravaggio ca, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Winged Putti with Flowers, ca. 1750, Black chalk, brush and gray wash, and white chalk, 8 5/16 x 9 1/4 in. (21.1 x 23.5 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris), This sheet is one of several studies related to Apollo Revealing His Divinity to Issé, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW547R–Art inspired by Winged Putti with Flowers, ca. 1750, Black chalk, brush and gray wash, and white chalk, 8 5/16 x 9 1/4 in. (21.1 x 23.5 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris), This sheet is one of several studies related to Apollo Revealing His Divinity to Issé, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Putti dancing in a circle, ca. 1517–20, Engraving, Sheet: 4 1/2 × 6 9/16 in. (11.4 × 16.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5CWW–Art inspired by Putti dancing in a circle, ca. 1517–20, Engraving, Sheet: 4 1/2 × 6 9/16 in. (11.4 × 16.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Design for a Cartouche with Two Putti Heads inside a Shell, Atop of an Arch. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 9 3/4 x 8 1/16 in. (24.8 x 20.4 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB67M2–Design for a Cartouche with Two Putti Heads inside a Shell, Atop of an Arch. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 9 3/4 x 8 1/16 in. (24.8 x 20.4 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by A panel of ornament, putti standing on cornucopia in lower section, 1530–60, Engraving, sheet: 8 1/4 x 5 7/8 in. (21 x 15 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW79GW–Art inspired by A panel of ornament, putti standing on cornucopia in lower section, 1530–60, Engraving, sheet: 8 1/4 x 5 7/8 in. (21 x 15 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Map of the county of Artois. Link above the title cartouche with six putti. Bottom left scale three poles: Echelle de cinq lieues Artois chacune 2250 toises Paris / 3 lieues Communes d'Allemagne / 4 Grandes lieues de France ou d'Une heure de Chemin. Below is a list of information about the county. The card has a coordinate grid and degree distribution along the randen. Manufacturer : printmaker: anonymous publisher: Nicolaes Visscher (I) (listed building) publisher: Nicolaes Visscher (II) (listed building) publisher: widow Nicolaes Visscher ( II) (possible) provider of privilege: States Genera Stock Photo

RM2B6XRPH–Map of the county of Artois. Link above the title cartouche with six putti. Bottom left scale three poles: Echelle de cinq lieues Artois chacune 2250 toises Paris / 3 lieues Communes d'Allemagne / 4 Grandes lieues de France ou d'Une heure de Chemin. Below is a list of information about the county. The card has a coordinate grid and degree distribution along the randen. Manufacturer : printmaker: anonymous publisher: Nicolaes Visscher (I) (listed building) publisher: Nicolaes Visscher (II) (listed building) publisher: widow Nicolaes Visscher ( II) (possible) provider of privilege: States Genera

Cartouches with Masks, Anonymous, After Hans Vredeman de Vries, 1555 - 1572 print Two ornamented rectangular cartouches on a leaf. Left: a cartouche with a female mask at the bottom, right below number 3. Right: a cartouche with two putti, a male mask and animal heads, right under number 4. paper etching ornaments art (+ framing decorations). mask, mascaron ornament Stock Photo

RM2WETWW5–Cartouches with Masks, Anonymous, After Hans Vredeman de Vries, 1555 - 1572 print Two ornamented rectangular cartouches on a leaf. Left: a cartouche with a female mask at the bottom, right below number 3. Right: a cartouche with two putti, a male mask and animal heads, right under number 4. paper etching ornaments art (+ framing decorations). mask, mascaron ornament

Carlo Innocenzo Carloni, Putti holding flowers, Carlo Innocenzo Carloni (Italian, Scaria 1686–1775 Scaria), 1725–75, Etching; first state of two, Sheet (Trimmed): 6 in. × 4 15/16 in. (15.3 × 12.5 cm), Prints Stock Photo

RM2B0M7NB–Carlo Innocenzo Carloni, Putti holding flowers, Carlo Innocenzo Carloni (Italian, Scaria 1686–1775 Scaria), 1725–75, Etching; first state of two, Sheet (Trimmed): 6 in. × 4 15/16 in. (15.3 × 12.5 cm), Prints

Panel of Shutter Decoration of Two Putti with Garlands. Artist: Anonymous, German, 17th century. Dimensions: sheet: 5 3/8 x 3 3/4 in. (13.7 x 9.5 cm). Former Attribution: Formerly attributed to Anonymous, Italian, 17th century. Date: 17th century (?). Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAC1CF–Panel of Shutter Decoration of Two Putti with Garlands. Artist: Anonymous, German, 17th century. Dimensions: sheet: 5 3/8 x 3 3/4 in. (13.7 x 9.5 cm). Former Attribution: Formerly attributed to Anonymous, Italian, 17th century. Date: 17th century (?). Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by A panel of ornament with a large jar in centre, putti and other figures, 1530–60, Engraving, sheet: 8 1/4 x 5 1/2 in. (21 x 14 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW79FC–Art inspired by A panel of ornament with a large jar in centre, putti and other figures, 1530–60, Engraving, sheet: 8 1/4 x 5 1/2 in. (21 x 14 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Venus and Vulcan Seated on a Bed and Three Putti, mid-1550s, Engraving, plate: 11 1/4 x 8 1/8 in. (28.6 x 20.7 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6156–Art inspired by Venus and Vulcan Seated on a Bed and Three Putti, mid-1550s, Engraving, plate: 11 1/4 x 8 1/8 in. (28.6 x 20.7 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Fragment of a Sarcophagus with Putti in a Grapevine, 3rd–4th century, Roman, Marble, Overall: 14 7/8 x 22 3/4 x 4 3/4 in. (37.8 x 57.8 x 12.1 cm), Sculpture-Stone, Vines that supported grape-plucking putti, or figures of children, and baskets full of the fruit on late, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW90BF–Art inspired by Fragment of a Sarcophagus with Putti in a Grapevine, 3rd–4th century, Roman, Marble, Overall: 14 7/8 x 22 3/4 x 4 3/4 in. (37.8 x 57.8 x 12.1 cm), Sculpture-Stone, Vines that supported grape-plucking putti, or figures of children, and baskets full of the fruit on late, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Fries met vrouwelijke sater tussen twee draakjes Friezen met grotesken, putti en bladranken (serietitel) Fries met gehurkte vrouwelijke sater met vleugels tussen twee draakjes. Gearceerde achtergrond. 1 blad van 4 bladen. Manufacturer : prentmaker: Hans Sebald Beham (vermeld op object)naar ontwerp van: Hans Sebald Beham (vermeld op object)naar ontwerp van: Barthel Behamuitgever: anoniemPlaats manufacture: Duitsland (mogelijk) Dating: 1510 - 1544 Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 22 mm × b 55 mm Stock Photo

RM2B6NECD–Fries met vrouwelijke sater tussen twee draakjes Friezen met grotesken, putti en bladranken (serietitel) Fries met gehurkte vrouwelijke sater met vleugels tussen twee draakjes. Gearceerde achtergrond. 1 blad van 4 bladen. Manufacturer : prentmaker: Hans Sebald Beham (vermeld op object)naar ontwerp van: Hans Sebald Beham (vermeld op object)naar ontwerp van: Barthel Behamuitgever: anoniemPlaats manufacture: Duitsland (mogelijk) Dating: 1510 - 1544 Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 22 mm × b 55 mm

Art inspired by Nymph and Putti in a Vintage Scene; Nymph with a Wreath and Putti with Garlands of Flowers, Oil on slate, (a) 9 1/2 x 23 1/4 in. (24.1 x 59.1 cm); (b) 9 5/8 x 23 3/4 in. (24.4 x 60.3 cm), Paintings, Piat Joseph Sauvage (Flemish, Tournai 1744–1818 Tournai), Sauvage, from, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8JMA–Art inspired by Nymph and Putti in a Vintage Scene; Nymph with a Wreath and Putti with Garlands of Flowers, Oil on slate, (a) 9 1/2 x 23 1/4 in. (24.1 x 59.1 cm); (b) 9 5/8 x 23 3/4 in. (24.4 x 60.3 cm), Paintings, Piat Joseph Sauvage (Flemish, Tournai 1744–1818 Tournai), Sauvage, from, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Spits with Coat of Arms with Kat, Anonymous, After Michiel Le Blon, After 1611 - 1635 print Copy of series with the same title, published by Michiel Le Blon. Leaf 4 from series of 14 sheets with examples for engraved decorative countries of cups in the form of triangles consisting of ranks, Schweifwerk, garlands with putti, animals, birds and masks. Neurenberg (possibly) paper engraving armorial bearing, heraldry. cat. foliage ornament Stock Photo

RM2WCR06J–Spits with Coat of Arms with Kat, Anonymous, After Michiel Le Blon, After 1611 - 1635 print Copy of series with the same title, published by Michiel Le Blon. Leaf 4 from series of 14 sheets with examples for engraved decorative countries of cups in the form of triangles consisting of ranks, Schweifwerk, garlands with putti, animals, birds and masks. Neurenberg (possibly) paper engraving armorial bearing, heraldry. cat. foliage ornament

Art inspired by Design for an Urn with Four Putti in Central Cartouche, ca. 1810, Pen and ink with brown and reddish wash, 6-5/8 x 5-1/4 in, Drawings, Anonymous, Italian, early 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6XXG–Art inspired by Design for an Urn with Four Putti in Central Cartouche, ca. 1810, Pen and ink with brown and reddish wash, 6-5/8 x 5-1/4 in, Drawings, Anonymous, Italian, early 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Master of the Die, Italian, after Raphael, Italian, 1483-1520, Two Putti Striking Another Who Is Squeezing a Child, 1532 or 1533, engraving printed in black ink on laid paper, Plate: 8 1/4 × 11 1/4 inches (21 × 28.6 cm Stock Photo

RM2A2P4F3–Master of the Die, Italian, after Raphael, Italian, 1483-1520, Two Putti Striking Another Who Is Squeezing a Child, 1532 or 1533, engraving printed in black ink on laid paper, Plate: 8 1/4 × 11 1/4 inches (21 × 28.6 cm

Art inspired by Design for Half of Frame with Helm, Putti, Mask, 17th century, Pen over leadpoint, sheet: 10 3/8 x 6 5/8 in. (26.4 x 16.8 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5FTD–Art inspired by Design for Half of Frame with Helm, Putti, Mask, 17th century, Pen over leadpoint, sheet: 10 3/8 x 6 5/8 in. (26.4 x 16.8 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Frieze with Medici Coat of Arms and Putti (Embroidery Design?), 16th century, Pen and brown ink, watercolor, on vellum, sheet: 1 15/16 x 11 1/4 in. (5 x 28.5 cm), Anonymous, Italian, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6T7N–Art inspired by Frieze with Medici Coat of Arms and Putti (Embroidery Design?), 16th century, Pen and brown ink, watercolor, on vellum, sheet: 1 15/16 x 11 1/4 in. (5 x 28.5 cm), Anonymous, Italian, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Inspired by Our Lady of Pomata, Cuzco School, Oil on canvas, Peru, 1675, 44 3/4 x 35 1/2in., 113.7 x 90.2cm, 17th Century, angels, benevolence, bounty, colonial, crown, Cuzco, faith, Flower, Jesus, lace, Madonna with Child, Mary, mother, painting, pearls, Peru, propaganda, putti, queen, saint, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4RC2–Inspired by Our Lady of Pomata, Cuzco School, Oil on canvas, Peru, 1675, 44 3/4 x 35 1/2in., 113.7 x 90.2cm, 17th Century, angels, benevolence, bounty, colonial, crown, Cuzco, faith, Flower, Jesus, lace, Madonna with Child, Mary, mother, painting, pearls, Peru, propaganda, putti, queen, saint, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Art inspired by Classicizing Frieze with Three Putti holding up a Garland, 1800–1900, Pen and brown ink, brush and brown wash, blue and green watercolor, over traces of black chalk, 2-1/8 x 9-3/4 in, Anonymous, Italian, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6XPM–Art inspired by Classicizing Frieze with Three Putti holding up a Garland, 1800–1900, Pen and brown ink, brush and brown wash, blue and green watercolor, over traces of black chalk, 2-1/8 x 9-3/4 in, Anonymous, Italian, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Saint Wenceslas at the Vintage, Attended by Angels and Putti. Artist: Franz Anton Maulbertsch (Austrian, Langenargen am Bodensee 1724-1796 Vienna). Dimensions: sheet: 13 1/4 x 8 3/8 in. (33.7 x 21.3 cm). Date: mid-18th-late 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFDA03–Saint Wenceslas at the Vintage, Attended by Angels and Putti. Artist: Franz Anton Maulbertsch (Austrian, Langenargen am Bodensee 1724-1796 Vienna). Dimensions: sheet: 13 1/4 x 8 3/8 in. (33.7 x 21.3 cm). Date: mid-18th-late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Kaart van de Hondsbossche Zeewering en de duinen bij Petten Dykgraaf en hoogheemraetschap der Zeeweeringen van den Hondsbossche en Duynen tot Petten (titel op object) Map of Hondsbossche seawall and dunes at PettenDykgraaf and hoogheemraetschap of Zeeweeringen of the Hondsbossche and Duynen to Caps (title object) Object type: picture postcard Item number: RP-P-1976-247Catalogusreferentie: Number of states known -4 (5 or more) Description: Along the top title, including weapons of dijkgraaf high heemraden and steward of the water board and the Hondsbossche Dunes Petten. Bottom right two putti w Stock Photo

RM2B6XJ8P–Kaart van de Hondsbossche Zeewering en de duinen bij Petten Dykgraaf en hoogheemraetschap der Zeeweeringen van den Hondsbossche en Duynen tot Petten (titel op object) Map of Hondsbossche seawall and dunes at PettenDykgraaf and hoogheemraetschap of Zeeweeringen of the Hondsbossche and Duynen to Caps (title object) Object type: picture postcard Item number: RP-P-1976-247Catalogusreferentie: Number of states known -4 (5 or more) Description: Along the top title, including weapons of dijkgraaf high heemraden and steward of the water board and the Hondsbossche Dunes Petten. Bottom right two putti w

Portrait of Martin Moller and Joachim Coppen at the age of 53, Anonymous, 1671 print Two portraits in oval with a putto between the portraits. At the top of the outpouring of the Holy Spirit. paper engraving historical persons. Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4). cupids: 'amores', 'amoretti', 'putti'. cherubs, i.e. children's heads with wings Stock Photo

RM2WEJDKJ–Portrait of Martin Moller and Joachim Coppen at the age of 53, Anonymous, 1671 print Two portraits in oval with a putto between the portraits. At the top of the outpouring of the Holy Spirit. paper engraving historical persons. Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4). cupids: 'amores', 'amoretti', 'putti'. cherubs, i.e. children's heads with wings

Francesco Bertos, Vessel with three putti, Italian, Venice, Francesco Bertos (Italian, 1678–1741), ca. 1720–40, Italian, Venice, Bronze, with remains of black lacquer, Overall: 15 × 9 1/4 × 6 5/8 in. (38.1 × 23.5 × 16.8 cm), Sculpture-Bronze Stock Photo

RM2B0M2EJ–Francesco Bertos, Vessel with three putti, Italian, Venice, Francesco Bertos (Italian, 1678–1741), ca. 1720–40, Italian, Venice, Bronze, with remains of black lacquer, Overall: 15 × 9 1/4 × 6 5/8 in. (38.1 × 23.5 × 16.8 cm), Sculpture-Bronze

Art inspired by Metal Casket Supported by Putti, Inscribed with Crowned Initials B.C., and Topped with Dragons, second half 19th century, Graphite on tracing paper, sheet: 7 1/4 x 9 3/16 in. (18.4 x 23.4 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6MAN–Art inspired by Metal Casket Supported by Putti, Inscribed with Crowned Initials B.C., and Topped with Dragons, second half 19th century, Graphite on tracing paper, sheet: 7 1/4 x 9 3/16 in. (18.4 x 23.4 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Design for an Overdoor or the Top of a Niche with a Bust and Garland-bearing Putti. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 6 7/8 x 7 3/4 in. (17.5 x 19.7 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA974K–Design for an Overdoor or the Top of a Niche with a Bust and Garland-bearing Putti. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 6 7/8 x 7 3/4 in. (17.5 x 19.7 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Half design for the decoration of an Altar with Putti., 1700–1780, Pen and ink over graphite; framing outlines in graphite (recto); pen and ink (verso), 9 3/4 x 7 3/8 in. (24.8 x 18.7 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5YFT–Art inspired by Half design for the decoration of an Altar with Putti., 1700–1780, Pen and ink over graphite; framing outlines in graphite (recto); pen and ink (verso), 9 3/4 x 7 3/8 in. (24.8 x 18.7 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Woman Transported by Three Putti, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk, 8-3/4 x 8-11/16 in. (22.2 x 22 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW57YR–Art inspired by Woman Transported by Three Putti, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk, 8-3/4 x 8-11/16 in. (22.2 x 22 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Design for a Frieze with Acanthus Scrolls and a Vase with Two Putti in the Center, ca. 1777, Etching, Sheet: 4 3/4 x 15 13/16 in. (12.1 x 40.2 cm), Etched by Le Roy, Designed by Gilles Paul Cauvet (French, Aix 1731–1788 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7BR6–Art inspired by Design for a Frieze with Acanthus Scrolls and a Vase with Two Putti in the Center, ca. 1777, Etching, Sheet: 4 3/4 x 15 13/16 in. (12.1 x 40.2 cm), Etched by Le Roy, Designed by Gilles Paul Cauvet (French, Aix 1731–1788 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Kaart van het graafschap Henegouwen en het aartsbisdom Kamerijk Comitatus Hannoniae et episcopatus Cambresis descriptio (titel op object) Map of the County of Hainaut and the Archdiocese KamerijkComitatus Hannoniae et episcopatus Cambresis descriptio (title object) Object type: picture postcard Item number: RP-P-AO-19-20LCatalogusreferentie: Number of states known-one (4) Description: Map of the county of Hainaut and the Archdiocese of Cambrai. In a bar above the map title. Upper right arm of Hainaut in a performance with three soldiers, two on horseback. Top left two putti with a scale bar: 2 Stock Photo

RM2B6XT5X–Kaart van het graafschap Henegouwen en het aartsbisdom Kamerijk Comitatus Hannoniae et episcopatus Cambresis descriptio (titel op object) Map of the County of Hainaut and the Archdiocese KamerijkComitatus Hannoniae et episcopatus Cambresis descriptio (title object) Object type: picture postcard Item number: RP-P-AO-19-20LCatalogusreferentie: Number of states known-one (4) Description: Map of the county of Hainaut and the Archdiocese of Cambrai. In a bar above the map title. Upper right arm of Hainaut in a performance with three soldiers, two on horseback. Top left two putti with a scale bar: 2

Art inspired by Halved Design for an Altar with Angel and Putti, 1700–1780, Pen and brown ink, brush and gray wash, over black chalk or graphite, with ruled and compass construction, sheet: 23 x 12 7/8 in. (58.4 x 32.7 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5YFC–Art inspired by Halved Design for an Altar with Angel and Putti, 1700–1780, Pen and brown ink, brush and gray wash, over black chalk or graphite, with ruled and compass construction, sheet: 23 x 12 7/8 in. (58.4 x 32.7 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

De Vier Seasons, Johannes Egbertus van Lieshout, After Cornelis van Dalen (II), After Abraham van Diepenbeeck, 1791 - 1812 print Leaf with 4 oval representations of putti with attributes that symbolize the four seasons: spring, summer, autumn and winter. A four -line verse under each image. Numbered in the top left: No. 69. paper letterpress printing year divided into four seasons. cupids: 'amores', 'amoretti', 'putti' Stock Photo

RM2WENNR4–De Vier Seasons, Johannes Egbertus van Lieshout, After Cornelis van Dalen (II), After Abraham van Diepenbeeck, 1791 - 1812 print Leaf with 4 oval representations of putti with attributes that symbolize the four seasons: spring, summer, autumn and winter. A four -line verse under each image. Numbered in the top left: No. 69. paper letterpress printing year divided into four seasons. cupids: 'amores', 'amoretti', 'putti'

Art inspired by Design for Wall Decoration with a Funeral Monument Decorated with Columns and Putti Holding Garlands., 1540–50, Pen and light brown ink, brush and brown wash, 10-1/2 x 10-3/8 in. (26.6 x 26.4 cm) irregular borders, Anonymous, Italian, 16th century (Genoese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5FRE–Art inspired by Design for Wall Decoration with a Funeral Monument Decorated with Columns and Putti Holding Garlands., 1540–50, Pen and light brown ink, brush and brown wash, 10-1/2 x 10-3/8 in. (26.6 x 26.4 cm) irregular borders, Anonymous, Italian, 16th century (Genoese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Field of sixteen tiles with Cupids, Field of 16 tiles (4 x 4) each with a blue-painted group of three playing and making music Cupids. In the corners, a spider, cupids: 'amores', 'amoretti', 'putti', musician, anonymous, Harlingen, c. 1640 - c. 1670, earthenware, tin glaze, h 52 cm × w 52 cm Stock Photo

RMW54RJB–Field of sixteen tiles with Cupids, Field of 16 tiles (4 x 4) each with a blue-painted group of three playing and making music Cupids. In the corners, a spider, cupids: 'amores', 'amoretti', 'putti', musician, anonymous, Harlingen, c. 1640 - c. 1670, earthenware, tin glaze, h 52 cm × w 52 cm

Art inspired by Ceres Seated on Clouds with Two Goddesses and Two Putti, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 7 1/4 x 9 11/16 in. (18.4 x 24.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW61A6–Art inspired by Ceres Seated on Clouds with Two Goddesses and Two Putti, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 7 1/4 x 9 11/16 in. (18.4 x 24.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., 1508, Italian, Castel Durante, Maiolica (tin-glazed earthenware), Height: 4 5/16 in. (10.9 cm.); Diameter: 12 13/16 in. (32.5 cm), Ceramics-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8RFN–Art inspired by Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., 1508, Italian, Castel Durante, Maiolica (tin-glazed earthenware), Height: 4 5/16 in. (10.9 cm.); Diameter: 12 13/16 in. (32.5 cm), Ceramics-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Two Women Seated on a Cloud, and Two Putti, 1696–1770, Pen and brown ink, brush with pale (yellow) brown wash, over leadpoint or black chalk, 9-7/16 x 9-5/8 in. (23.9 x 24.4 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW581T–Art inspired by Two Women Seated on a Cloud, and Two Putti, 1696–1770, Pen and brown ink, brush with pale (yellow) brown wash, over leadpoint or black chalk, 9-7/16 x 9-5/8 in. (23.9 x 24.4 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by God the Father Seated on a Cloud, Flanked by Two Putti, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper, 6-1/16 x 5-1/16 in. (15.4 x 12.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW594W–Art inspired by God the Father Seated on a Cloud, Flanked by Two Putti, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper, 6-1/16 x 5-1/16 in. (15.4 x 12.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Putti at play. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: image: 4 7/8 x 9 1/2 in. (12.4 x 24.1 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPARYKA–Putti at play. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: image: 4 7/8 x 9 1/2 in. (12.4 x 24.1 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Fotoreproductie van een prent van groteske ornamenten en twee putti Photo reproduction of a picture of grotesque ornaments and two putti Object Type : photo reproduction page Item number: RP-F 2001-7-1251-4 Inscriptions / Brands: inscription, recto, printed: 'Duch. Voyag. p. 327. col. Brisard.' Manufacturer : Photographer: Libois to print by: anonymous printer Louis-Gilbert Radoux Dating: about 1852 - or for 1857 Material: paper Technique: salt print dimensions: photo: h 33 mm × W 63 mmToelichtingFoto front page 21. Subject: ornament grotesquecupids' amores', 'amoretti' 'putti' Stock Photo

RM2B6MXDA–Fotoreproductie van een prent van groteske ornamenten en twee putti Photo reproduction of a picture of grotesque ornaments and two putti Object Type : photo reproduction page Item number: RP-F 2001-7-1251-4 Inscriptions / Brands: inscription, recto, printed: 'Duch. Voyag. p. 327. col. Brisard.' Manufacturer : Photographer: Libois to print by: anonymous printer Louis-Gilbert Radoux Dating: about 1852 - or for 1857 Material: paper Technique: salt print dimensions: photo: h 33 mm × W 63 mmToelichtingFoto front page 21. Subject: ornament grotesquecupids' amores', 'amoretti' 'putti'

Consultation Van Louw and Krelis, on the occasion of the marriage of Willem V and Wilhelmina van Pruisen, 1767, 1767 print Consultation Van Louw and Krelis, on the occasion of the marriage of Stadholder Willem V and Princess Wilhelmina van Pruisen on October 4, 1767. Text in book prints in two columns within an ornamental edge putti and leaf vines. Continued of the text on the back. Northern Netherlands paper letterpress printing Stock Photo

RM2WGA277–Consultation Van Louw and Krelis, on the occasion of the marriage of Willem V and Wilhelmina van Pruisen, 1767, 1767 print Consultation Van Louw and Krelis, on the occasion of the marriage of Stadholder Willem V and Princess Wilhelmina van Pruisen on October 4, 1767. Text in book prints in two columns within an ornamental edge putti and leaf vines. Continued of the text on the back. Northern Netherlands paper letterpress printing

Perino del Vaga, Italian, 1501-1547, The Goddess Roma, the Wolf of Rome with the Infants Romulus and Remus, Victories and Putti, between 1538 and 1547, pen and brown ink over traces of black chalk on discolored off white-paper, Sheet: 11 1/4 × 12 13/16 inches (28.6 × 32.5 cm Stock Photo

RM2A2R111–Perino del Vaga, Italian, 1501-1547, The Goddess Roma, the Wolf of Rome with the Infants Romulus and Remus, Victories and Putti, between 1538 and 1547, pen and brown ink over traces of black chalk on discolored off white-paper, Sheet: 11 1/4 × 12 13/16 inches (28.6 × 32.5 cm

Art inspired by Male Saint Standing on Cloud, Supported by Putti, Holding Infant Christ, 17th century, Pen and dark brown ink with ground line in same. On off-white paper, 4-7/16 x 2-3/4 in. (11.2 x 7 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW54HW–Art inspired by Male Saint Standing on Cloud, Supported by Putti, Holding Infant Christ, 17th century, Pen and dark brown ink with ground line in same. On off-white paper, 4-7/16 x 2-3/4 in. (11.2 x 7 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Design for an Arch Through Which Is Seen a Fountain with Two Putti (recto); Design for an Architectural Structure (verso). Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 14 1/8 x 9 3/16 in. (35.8 x 23.4 cm) ; irregular. Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAP82–Design for an Arch Through Which Is Seen a Fountain with Two Putti (recto); Design for an Architectural Structure (verso). Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 14 1/8 x 9 3/16 in. (35.8 x 23.4 cm) ; irregular. Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Two Genii Riding Rams, 1594, Engraving, Sheet: 1 13/16 × 3 3/8 in. (4.6 × 8.5 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti on rams jousting, flanked by two putti with horns. From a series of six plates, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXXG2–Art inspired by Two Genii Riding Rams, 1594, Engraving, Sheet: 1 13/16 × 3 3/8 in. (4.6 × 8.5 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti on rams jousting, flanked by two putti with horns. From a series of six plates, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Drawing for a Standard with Christ in Glory Flanked by Putti, 16th century, Black chalk highlighted with white gouache, with some brown ink wash on blue paper, laid down., sheet: 10 3/8 x 7 1/4 in. (26.4 x 18.4 cm), Drawings, Anonymous, Italian, Florentine, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5MYE–Art inspired by Drawing for a Standard with Christ in Glory Flanked by Putti, 16th century, Black chalk highlighted with white gouache, with some brown ink wash on blue paper, laid down., sheet: 10 3/8 x 7 1/4 in. (26.4 x 18.4 cm), Drawings, Anonymous, Italian, Florentine, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Map of Seventeen ProvinciënBelgii XVII Provintiarum Universalist Tabula ad Usum Serenissimi (...) (title object) XVII Provinces des Pays-Bas (...) (title object) Object type: picture postcard Item number RP-P-AO-1-26ACatalogusreferentie: Van der Heijden 237-4 (4) Description: Map of the Seventeen Provinces. Right a cartouche with three putti, a soldier and a farmer. Bottom left two shell sticks cartouche with fighting soldiers and a shield: Milli Aria Germanica COMMUNIA and Milli Aria Gallica COMMUNIA. Along the edges of the print a degree distribution. The print features a zoekrooster. Manufa Stock Photo

RM2B6XJGC–Map of Seventeen ProvinciënBelgii XVII Provintiarum Universalist Tabula ad Usum Serenissimi (...) (title object) XVII Provinces des Pays-Bas (...) (title object) Object type: picture postcard Item number RP-P-AO-1-26ACatalogusreferentie: Van der Heijden 237-4 (4) Description: Map of the Seventeen Provinces. Right a cartouche with three putti, a soldier and a farmer. Bottom left two shell sticks cartouche with fighting soldiers and a shield: Milli Aria Germanica COMMUNIA and Milli Aria Gallica COMMUNIA. Along the edges of the print a degree distribution. The print features a zoekrooster. Manufa

Christ shown to the people, Antonie Wierix (II), After Maerten de Vos, 1582 - 1586 print Pontius Pilatus shows the brushed Christ to the Jewish people. People call for his crucifixion. The show is caught in an ornamental frame that is decorated with putti, flower vases and poultry. print maker: Antwerppublisher: Amsterdam paper engraving Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). ornamental birds: peacock. flowers Stock Photo

RM2WD5DC8–Christ shown to the people, Antonie Wierix (II), After Maerten de Vos, 1582 - 1586 print Pontius Pilatus shows the brushed Christ to the Jewish people. People call for his crucifixion. The show is caught in an ornamental frame that is decorated with putti, flower vases and poultry. print maker: Antwerppublisher: Amsterdam paper engraving Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). ornamental birds: peacock. flowers

Broken glass with young and old couple and coat of arms Schweiger, in the upper picture dancing putti, feather in brown, in places in black brown, sheet: 43.8, 44.4 x 31.9 cm, not marked, Anonym, Schweiz, 1. Hälfte 16. Jh., Carl von Aegeri, (Umkreis / circle), 1510/1515–1562 Stock Photo

RM2A2P1RG–Broken glass with young and old couple and coat of arms Schweiger, in the upper picture dancing putti, feather in brown, in places in black brown, sheet: 43.8, 44.4 x 31.9 cm, not marked, Anonym, Schweiz, 1. Hälfte 16. Jh., Carl von Aegeri, (Umkreis / circle), 1510/1515–1562

Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head. Artist: Attributed to Giulio Campi (Italian, Cremona 1502-1572). Dimensions: Sheet: 10 1/2 x 8 3/4 in. (26.7 x 22.2 cm). Date: 1535-45. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAERG–Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head. Artist: Attributed to Giulio Campi (Italian, Cremona 1502-1572). Dimensions: Sheet: 10 1/2 x 8 3/4 in. (26.7 x 22.2 cm). Date: 1535-45. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Design for an Overdoor or the Top of a Niche with a Bust and Garland-bearing Putti, 1652–1725, Pen and brown ink, brush and gray-brown wash, over traces of black chalk, sheet: 6 7/8 x 7 3/4 in. (17.5 x 19.7 cm), Giovanni Battista Foggini (Italian, Florence 1652–1725, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5HGG–Art inspired by Design for an Overdoor or the Top of a Niche with a Bust and Garland-bearing Putti, 1652–1725, Pen and brown ink, brush and gray-brown wash, over traces of black chalk, sheet: 6 7/8 x 7 3/4 in. (17.5 x 19.7 cm), Giovanni Battista Foggini (Italian, Florence 1652–1725, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Three figures are for a fountain with two dolphins. At the top weapons, a book, corn, a basket of flowers and a shield with putti and cattle. Print Nummer 4. Manufacturer : printmaker: Jean-Charles Delafosse (listed building) in its design: Jean-Charles Delafosse (listed building) Editor: Jacques-François ChéreauPlaats manufacture: Paris Date: 1768 - 1771 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Measurements: plate edge: h 377 mm × W 238 mm Subject: ornamental fountain spring, 'far'; 'Primavera' (Ripa) summer, 'Aestas; 'Estate' (Ripa) Stock Photo

RM2B720X4–Three figures are for a fountain with two dolphins. At the top weapons, a book, corn, a basket of flowers and a shield with putti and cattle. Print Nummer 4. Manufacturer : printmaker: Jean-Charles Delafosse (listed building) in its design: Jean-Charles Delafosse (listed building) Editor: Jacques-François ChéreauPlaats manufacture: Paris Date: 1768 - 1771 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Measurements: plate edge: h 377 mm × W 238 mm Subject: ornamental fountain spring, 'far'; 'Primavera' (Ripa) summer, 'Aestas; 'Estate' (Ripa)

Four rows of Frisians, Jean Lepautre, After c. 1667 - Before 1716 print There are five putti on the lower Frisian, one of them is sitting on a dolphin while another kills a sea horse with a lance. Leaf 4 from series of 6 blades, each with four rows of Frisians, usually divided into two to four compartments. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching Stock Photo

RM2WED2P5–Four rows of Frisians, Jean Lepautre, After c. 1667 - Before 1716 print There are five putti on the lower Frisian, one of them is sitting on a dolphin while another kills a sea horse with a lance. Leaf 4 from series of 6 blades, each with four rows of Frisians, usually divided into two to four compartments. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Heinrich Schmitz, Seven putti carrying a garland of fruit, Heinrich Schmitz (German, Kaiserswerth 1758–1787 Düsseldorf), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), ca. 1780–87, Etching and engraving, Sheet (Trimmed): 11 3/4 × 15 11/16 in. (29.9 × 39.9 cm), Prints Stock Photo

RM2B0M58W–Heinrich Schmitz, Seven putti carrying a garland of fruit, Heinrich Schmitz (German, Kaiserswerth 1758–1787 Düsseldorf), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), ca. 1780–87, Etching and engraving, Sheet (Trimmed): 11 3/4 × 15 11/16 in. (29.9 × 39.9 cm), Prints

Foreshortened View of a Ceiling Corner Decorated with Columns, Urns and Putti Handing Garlands. Artist: Attributed to Agostino (Stanzani) Mitelli (Italian, Battidizzo (Bologna) 1609-1660 Madrid). Dimensions: 8-1/16 x 11-1/4 in. (20.5 x 28.5 cm). Date: 1609-60. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANXEG–Foreshortened View of a Ceiling Corner Decorated with Columns, Urns and Putti Handing Garlands. Artist: Attributed to Agostino (Stanzani) Mitelli (Italian, Battidizzo (Bologna) 1609-1660 Madrid). Dimensions: 8-1/16 x 11-1/4 in. (20.5 x 28.5 cm). Date: 1609-60. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso), ca. 1490, Pen and brown ink over leadpoint. Verso: pencil, 7 3/4 x 11 3/16 in. (19.7 x 28.4 cm), Anonymous, Italian, Tuscan, late 15th, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5FPR–Art inspired by Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso), ca. 1490, Pen and brown ink over leadpoint. Verso: pencil, 7 3/4 x 11 3/16 in. (19.7 x 28.4 cm), Anonymous, Italian, Tuscan, late 15th, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Fotoreproductie van een prent van drie dansende putti Photo reproduction of a picture of three dancing putti Object Type : photo reproduction page Item number: RP-F 2001-7-1251-6-4 Inscriptions / Brands: inscription, recto, printed: 'Duch. No. 291. col. V. Sestich' Manufacturer : Photographer: Liboisnaar print by: anonymous printer Louis-Gilbert Radoux Dating: about 1852 - or for 1857 Material: paper Technique: salt print dimensions: photo: h 27 mm × W 40 mmToelichtingFoto loose in book front page 22. Subject : cupids' amores', 'amoretti' 'putti'group dancing Stock Photo

RM2B6MX6J–Fotoreproductie van een prent van drie dansende putti Photo reproduction of a picture of three dancing putti Object Type : photo reproduction page Item number: RP-F 2001-7-1251-6-4 Inscriptions / Brands: inscription, recto, printed: 'Duch. No. 291. col. V. Sestich' Manufacturer : Photographer: Liboisnaar print by: anonymous printer Louis-Gilbert Radoux Dating: about 1852 - or for 1857 Material: paper Technique: salt print dimensions: photo: h 27 mm × W 40 mmToelichtingFoto loose in book front page 22. Subject : cupids' amores', 'amoretti' 'putti'group dancing

The Holy Trinity surrounded by Engelen, Francesco Bartolozzi, After G. Guarana, 1739 - 1780 print God the Father, Christ and the Holy Spirit in the form of a pigeon, floating between the clouds, surrounded by angels. Putti on the right that wear a crucifix. Numbered bottom left: No. 33-4 print maker: Italyafter painting by: Italypublisher: VeniceVenice paper etching / engraving representations of the Trinity. angels. cupids: 'amores', 'amoretti', 'putti' Stock Photo

RM2WFRTBA–The Holy Trinity surrounded by Engelen, Francesco Bartolozzi, After G. Guarana, 1739 - 1780 print God the Father, Christ and the Holy Spirit in the form of a pigeon, floating between the clouds, surrounded by angels. Putti on the right that wear a crucifix. Numbered bottom left: No. 33-4 print maker: Italyafter painting by: Italypublisher: VeniceVenice paper etching / engraving representations of the Trinity. angels. cupids: 'amores', 'amoretti', 'putti'

Anonymous, The education of the Virgin, with Saint Anne and the Virgin Mary reading with two putti overhead and Saint Joachim behind them at left, Anonymous, After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), ca. 1600–50, Etching and engraving; reverse copy, Sheet (Trimmed): 17 3/16 × 12 3/4 in. (43.6 × 32.4 cm), Prints Stock Photo

RM2B0M4YB–Anonymous, The education of the Virgin, with Saint Anne and the Virgin Mary reading with two putti overhead and Saint Joachim behind them at left, Anonymous, After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), ca. 1600–50, Etching and engraving; reverse copy, Sheet (Trimmed): 17 3/16 × 12 3/4 in. (43.6 × 32.4 cm), Prints

Two Pilaster with White Putti on Tan Ground. Artist: Giovanni Mauro della Rovere (Italian, Milan ca. 1575-ca. 1640 Milan (?)). Dimensions: sheet: 15 1/2 x 2 3/4 in. (39.4 x 7 cm). Date: 1575-1640. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAKPJ–Two Pilaster with White Putti on Tan Ground. Artist: Giovanni Mauro della Rovere (Italian, Milan ca. 1575-ca. 1640 Milan (?)). Dimensions: sheet: 15 1/2 x 2 3/4 in. (39.4 x 7 cm). Date: 1575-1640. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Ornamental Drawing, with St. John the Evangelist Seated in a Columned Niche, with Two Putti, 1550–1600, Pen and brown ink, brush and brown wash., sheet: 10 13/16 x 8 1/16 in. (27.5 x 20.4 cm), Drawings, Attributed to Anonymous, Italian, late 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5FTA–Art inspired by Ornamental Drawing, with St. John the Evangelist Seated in a Columned Niche, with Two Putti, 1550–1600, Pen and brown ink, brush and brown wash., sheet: 10 13/16 x 8 1/16 in. (27.5 x 20.4 cm), Drawings, Attributed to Anonymous, Italian, late 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Design for a Pediment with Putti and a Blank Escutcheon, 1680–1730, Pen and brown ink, brush and gray wash, over leadpoint; some lines constructed with a ruler; some traces of red chalk., 4 11/16 x 15 1/2 in. (11.9 x 39.4 cm), Anonymous, Italian, Piedmontese, 18th, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5WE2–Art inspired by Design for a Pediment with Putti and a Blank Escutcheon, 1680–1730, Pen and brown ink, brush and gray wash, over leadpoint; some lines constructed with a ruler; some traces of red chalk., 4 11/16 x 15 1/2 in. (11.9 x 39.4 cm), Anonymous, Italian, Piedmontese, 18th, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Image on the high-vorstelyke huwelyk of their doorlugtige and koninklyk (title object) Wedding of prince William V and Wilhelmina of Prussia on October 4, 1767. Surrounded by a list of branches with flowers, fruits, sphinxes and putti. Manufacturer : publisher: Barend Koene (I) ( indicated on object) print maker: anonymous location manufacture: Amsterdam Date: 1773 Physical characteristics: wood block colored in yellow, blue and orange; text printing material: paper Technique: woodcut / colors / printing sizes: sheet: H 412 mm × W 312 mm Subject (civil) marriage ceremony bride and groom in wed Stock Photo

RM2B6A04Y–Image on the high-vorstelyke huwelyk of their doorlugtige and koninklyk (title object) Wedding of prince William V and Wilhelmina of Prussia on October 4, 1767. Surrounded by a list of branches with flowers, fruits, sphinxes and putti. Manufacturer : publisher: Barend Koene (I) ( indicated on object) print maker: anonymous location manufacture: Amsterdam Date: 1773 Physical characteristics: wood block colored in yellow, blue and orange; text printing material: paper Technique: woodcut / colors / printing sizes: sheet: H 412 mm × W 312 mm Subject (civil) marriage ceremony bride and groom in wed

Art inspired by Four Putti Decorating a Herm with Garlands of Fruit and Foliage, early 18th century, Red chalk. Inlaid into heavy paper mount with brown and gold framing lines., 16 1/8 x 6 3/4 in. (40.9 x 17.2 cm), Jacob de Wit (Dutch, Amsterdam 1695–1754 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5389–Art inspired by Four Putti Decorating a Herm with Garlands of Fruit and Foliage, early 18th century, Red chalk. Inlaid into heavy paper mount with brown and gold framing lines., 16 1/8 x 6 3/4 in. (40.9 x 17.2 cm), Jacob de Wit (Dutch, Amsterdam 1695–1754 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Burial monument for Joannes Houbakker, Arnoud van Halen, 1715 print Grave monument for Joannes Houbakker, pastor and teacher of the Baptist municipalities in Amsterdam, died on December 4, 1715. The personification of faith mourns together with two putti in a church near the grave monument Amsterdam paper engraving interior of church. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) one of the Three Theological Virtues Stock Photo

RM2WCPP8A–Burial monument for Joannes Houbakker, Arnoud van Halen, 1715 print Grave monument for Joannes Houbakker, pastor and teacher of the Baptist municipalities in Amsterdam, died on December 4, 1715. The personification of faith mourns together with two putti in a church near the grave monument Amsterdam paper engraving interior of church. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) one of the Three Theological Virtues

Schelte Adams à Bolswert, Saint Catherine holding palm leaves and a sword, two putti overhead holding a laurel, After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), ca. 1625–59, Etching and engraving; first state of two, Sheet (Trimmed): 15 1/8 × 9 1/2 in. (38.4 × 24.2 cm), Prints Stock Photo

RM2B0M52E–Schelte Adams à Bolswert, Saint Catherine holding palm leaves and a sword, two putti overhead holding a laurel, After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), ca. 1625–59, Etching and engraving; first state of two, Sheet (Trimmed): 15 1/8 × 9 1/2 in. (38.4 × 24.2 cm), Prints

RMPAA75X–Two Pilaster with White Putti on Tan Ground. Artist: Giovanni Mauro della Rovere (Italian, Milan ca. 1575-ca. 1640 Milan (?)). Dimensions: sheet: 15 1/2 x 2 3/4 in. (39.4 x 7 cm). Date: 1575-1640. Museum: Metropolitan Museum of Art, New York, USA.

Kaart van de Meierij van 's-Hertogenbosch Quarta pars Brabantiae cujus caput Sylvaducis (titel op object) Map of the bailiwick of 's-HertogenboschQuarta pars Brabantiae cujus caput Sylvaducis (title object) Object type: picture postcard Item number: RP-P-AO-16-25DXCatalogusreferentie: Number of states known-4 (4 or more) MAY 3113: 1 Definition: Map of the bailiwick of 's-Hertogenbosch. Upper left arm of Brabant. Upper right arm 's-Hertogenbosch. Left and right columns Where: putti sit on. hang banners on the posts, which are each three coats. The top shield on the left banner is the text: Insi Stock Photo

RM2B6XJ8R–Kaart van de Meierij van 's-Hertogenbosch Quarta pars Brabantiae cujus caput Sylvaducis (titel op object) Map of the bailiwick of 's-HertogenboschQuarta pars Brabantiae cujus caput Sylvaducis (title object) Object type: picture postcard Item number: RP-P-AO-16-25DXCatalogusreferentie: Number of states known-4 (4 or more) MAY 3113: 1 Definition: Map of the bailiwick of 's-Hertogenbosch. Upper left arm of Brabant. Upper right arm 's-Hertogenbosch. Left and right columns Where: putti sit on. hang banners on the posts, which are each three coats. The top shield on the left banner is the text: Insi

Art inspired by Foreshortened View of a Ceiling Corner Decorated with Columns, Urns and Putti Handing Garlands, 1609–60, Pen and brown ink, over traces of leadpoint, 8-1/16 x 11-1/4 in. (20.5 x 28.5 cm), Attributed to Agostino (Stanzani) Mitelli (Italian, Battidizzo (Bologna) 1609–1660, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5EC2–Art inspired by Foreshortened View of a Ceiling Corner Decorated with Columns, Urns and Putti Handing Garlands, 1609–60, Pen and brown ink, over traces of leadpoint, 8-1/16 x 11-1/4 in. (20.5 x 28.5 cm), Attributed to Agostino (Stanzani) Mitelli (Italian, Battidizzo (Bologna) 1609–1660, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Man on a couch surrounded by five children while his wife stands next to him, Carl Friedrich Holtzmann, after Johann Eleazar Schenau, 1750 - 1811 print Under the show a one -line text from Psalm 128: 4 and the assignment in German. Print is part of an album. Dresden paper etching the book of Psalms (with BOOK CHAPTER:VERSE). family group, especially parents with their child(ren). cupids: 'amores', 'amoretti', 'putti'. ornament medallion Stock Photo

RM2WE4ARE–Man on a couch surrounded by five children while his wife stands next to him, Carl Friedrich Holtzmann, after Johann Eleazar Schenau, 1750 - 1811 print Under the show a one -line text from Psalm 128: 4 and the assignment in German. Print is part of an album. Dresden paper etching the book of Psalms (with BOOK CHAPTER:VERSE). family group, especially parents with their child(ren). cupids: 'amores', 'amoretti', 'putti'. ornament medallion

Art inspired by Woman Seated Holding an Arrow and Four Putti (Venus Holiding Cupid's Arrow with a Quiver by Her Side), 1881, Colored lithograph, Mount: 12 3/8 x 17 9/16 in. (31.4 x 44.6 cm), Prints, George William Thornley (French, 1857–1935), After François Boucher (French, Paris 1703, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8345–Art inspired by Woman Seated Holding an Arrow and Four Putti (Venus Holiding Cupid's Arrow with a Quiver by Her Side), 1881, Colored lithograph, Mount: 12 3/8 x 17 9/16 in. (31.4 x 44.6 cm), Prints, George William Thornley (French, 1857–1935), After François Boucher (French, Paris 1703, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Nécessaire of gold with a standing watch on the lid, Necessaire of gold, with a standing watch on the lid. The box is rectangular and rests on 4 volute feet. It is entirely embossed with theater figures, trees and animals. Contents: scissors, mirror, 2 bottles, knife, needle copper, notebook, tweezers, cupids: 'amores', 'amoretti', 'putti', standing figure, anonymous, France (possibly), 1750, gold (metal), h 15.0 cm Stock Photo

RMW54KBC–Nécessaire of gold with a standing watch on the lid, Necessaire of gold, with a standing watch on the lid. The box is rectangular and rests on 4 volute feet. It is entirely embossed with theater figures, trees and animals. Contents: scissors, mirror, 2 bottles, knife, needle copper, notebook, tweezers, cupids: 'amores', 'amoretti', 'putti', standing figure, anonymous, France (possibly), 1750, gold (metal), h 15.0 cm

Art inspired by Design for a ceiling with two putti and symbols for the arts, second half 19th century, Graphite, gilt, gouache, and watercolor, Overall: 8 3/4 x 10 5/8 in. (22.2 x 27 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6R88–Art inspired by Design for a ceiling with two putti and symbols for the arts, second half 19th century, Graphite, gilt, gouache, and watercolor, Overall: 8 3/4 x 10 5/8 in. (22.2 x 27 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Four Putti Decorating a Herm with Garlands of Fruit and Foliage. Artist: Jacob de Wit (Dutch, Amsterdam 1695-1754 Amsterdam). Dimensions: 16 1/8 x 6 3/4 in. (40.9 x 17.2 cm) (silhouetted into arch at top). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFCH5C–Four Putti Decorating a Herm with Garlands of Fruit and Foliage. Artist: Jacob de Wit (Dutch, Amsterdam 1695-1754 Amsterdam). Dimensions: 16 1/8 x 6 3/4 in. (40.9 x 17.2 cm) (silhouetted into arch at top). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

RM2B6MXGF–Fotoreproductie van een prent van groteske ornamenten en twee putti Photo reproduction of a picture of grotesque ornaments and two putti Object Type : photo reproduction page Item number: RP-F 2001-7-1251-5-4 Inscriptions / Brands: inscription, recto, printed: 'Epreuve à fond blanc . col. V. Sestich.' Manufacturer : Photographer: Liboisnaar print by: anonymous printer Louis-Gilbert Radoux Dating: about 1852 - or for 1857 Material: paper Technique: salt print dimensions: photo: h 29 mm × W 60 mmToelichtingFoto loose in book page 21. Subject: ornament grotesquecupids' amores', 'amoretti' 'put

Map of the Graafschap Vlaanderen, Anonymous, 1674 - 1724 print Map of the Graafschap Vlaanderen. At the top left the title cartouche with putti and the coat of arms of the Graafschap Flanders. Upstairs, to the left of the middle, two scale sticks: 4 milliaria Germanica / 5 milliaria gallica. The card is equipped with a degree distribution along the edges. paper engraving / etching maps of separate countries or regions. coat of arms (as symbol of the state, etc.) (+ province; provincial). cupids: 'amores', 'amoretti', 'putti' Flanders. County of Flanders Stock Photo

RM2WENFJJ–Map of the Graafschap Vlaanderen, Anonymous, 1674 - 1724 print Map of the Graafschap Vlaanderen. At the top left the title cartouche with putti and the coat of arms of the Graafschap Flanders. Upstairs, to the left of the middle, two scale sticks: 4 milliaria Germanica / 5 milliaria gallica. The card is equipped with a degree distribution along the edges. paper engraving / etching maps of separate countries or regions. coat of arms (as symbol of the state, etc.) (+ province; provincial). cupids: 'amores', 'amoretti', 'putti' Flanders. County of Flanders

Putti with a basket of flowers 18th century French Painter French. Putti with a basket of flowers 189548 Artist: French Painter, Artist: Style of Fran?ois Boucher, French, Paris 1703?1770 Paris, Putti with a basket of flowers, 18th century, Oil on canvas, 19-1/4 x 28-3/8 in. (48.9 x 72.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.305) Stock Photo

RM2HH4TER–Putti with a basket of flowers 18th century French Painter French. Putti with a basket of flowers 189548 Artist: French Painter, Artist: Style of Fran?ois Boucher, French, Paris 1703?1770 Paris, Putti with a basket of flowers, 18th century, Oil on canvas, 19-1/4 x 28-3/8 in. (48.9 x 72.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.305)

After Claude Ballin the Elder, Bronze Garden Vase with Two Putti from the Gardens of Versailles, After Claude Ballin the Elder (French, 1615–1678), After (?) Jean Le Pautre (French, Paris 1618–1682 Paris), 1673 or after, Pen and ink with gray wash over ruled lines in graphite, Sheet: 6 5/8 × 7 5/8 in. (16.8 × 19.4 cm Stock Photo

RM2B0M5XH–After Claude Ballin the Elder, Bronze Garden Vase with Two Putti from the Gardens of Versailles, After Claude Ballin the Elder (French, 1615–1678), After (?) Jean Le Pautre (French, Paris 1618–1682 Paris), 1673 or after, Pen and ink with gray wash over ruled lines in graphite, Sheet: 6 5/8 × 7 5/8 in. (16.8 × 19.4 cm

Art inspired by Design for a Frieze with Acanthus Scrolls and Playing Putti and Dogs, Plate 12 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1645–50, Etching, Sheet: 3 5/8 × 10 1/4 in. (9.2 × 26.1 cm), Stefano della Bella (Italian, Florence 1610–1664, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7C0G–Art inspired by Design for a Frieze with Acanthus Scrolls and Playing Putti and Dogs, Plate 12 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1645–50, Etching, Sheet: 3 5/8 × 10 1/4 in. (9.2 × 26.1 cm), Stefano della Bella (Italian, Florence 1610–1664, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

4 putti Stock Photos and Images

4 putti Stock Photos and Images

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