Coolidge, AZ., U.S.A., 3/16/2024.. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602644224.html
RF2X0CPT0–Coolidge, AZ., U.S.A., 3/16/2024.. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
American soldiers receiving the croix de Guerre. Date: 1919. Not identified individuals. Additional information: Douglas Campbell near Toul and Alan Winslow on April 18, 1918. More details can be found in file /11-5c-11316 4 Reed Chambers 3. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/american-soldiers-receiving-the-croix-de-guerre-date-1919-not-identified-individuals-additional-information-douglas-campbell-near-toul-and-alan-winslow-on-april-18-1918-more-details-can-be-found-in-file-11-5c-11316-4-reed-chambers-3-image558225177.html
RM2RC59WD–American soldiers receiving the croix de Guerre. Date: 1919. Not identified individuals. Additional information: Douglas Campbell near Toul and Alan Winslow on April 18, 1918. More details can be found in file /11-5c-11316 4 Reed Chambers 3.
. 446 Panorama 4, Sicht von Podgrodzie nach Norden und Osten. (BildID 15591727) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/446-panorama-4-sicht-von-podgrodzie-nach-norden-und-osten-bildid-15591727-image212115603.html
RMP92KH7–. 446 Panorama 4, Sicht von Podgrodzie nach Norden und Osten. (BildID 15591727)
Ehon Asakayama-E7B5B5E69CACE6B585E9A699E5B1B1-Picture Book- Mount Asaka (Ehon Asakayama) MET JIB35 006 53815 Artist: Nishikawa Sukenobu, Japanese, 1671?1750, Picture Book: Mount Asaka (Ehon Asakayama), January 1739, Bound book of monochrome woodblock prints; ink on paper, Overall: 10 3/8 ? 7 in. (26.4 ? 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (JIB35) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ehon-asakayama-e7b5b5e69cace6b585e9a699e5b1b1-picture-book-mount-asaka-168113824.html
RMKNE6W4–Ehon Asakayama-E7B5B5E69CACE6B585E9A699E5B1B1-Picture Book- Mount Asaka (Ehon Asakayama) MET JIB35 006 53815 Artist: Nishikawa Sukenobu, Japanese, 1671?1750, Picture Book: Mount Asaka (Ehon Asakayama), January 1739, Bound book of monochrome woodblock prints; ink on paper, Overall: 10 3/8 ? 7 in. (26.4 ? 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (JIB35)
published in Harper's magazine: The Lock of the St. Martin Canal, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving; sheet: 23.9 x 20.1 cm (9 7/16 x 7 15/16 in.); platemark: 8.8 x 10.3 cm (3 7/16 x 4 1/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/published-in-harpers-magazine-the-lock-of-the-st-martin-canal-1890-auguste-louis-lepre-french-1849-1918-wood-engraving-sheet-239-x-201-cm-9-716-x-7-1516-in-platemark-88-x-103-cm-3-716-x-4-116-in-image240490282.html
RMRY77PJ–published in Harper's magazine: The Lock of the St. Martin Canal, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving; sheet: 23.9 x 20.1 cm (9 7/16 x 7 15/16 in.); platemark: 8.8 x 10.3 cm (3 7/16 x 4 1/16 in
Pierre-Auguste Renoir: Andrée in Pink, Reclining (Andrée en rose étendue), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 9 3/16 x 11 15/16 in. (23.4 x 30.3 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-pink-reclining-andre-en-rose-tendue-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-9-316-x-11-1516-in-234-x-303-cm-image350109554.html
RF2B9GT8J–Pierre-Auguste Renoir: Andrée in Pink, Reclining (Andrée en rose étendue), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 9 3/16 x 11 15/16 in. (23.4 x 30.3 cm)
Vaughan's seed store . flowers, born in very dense, long, pendulousracemes in advance of the opening of the foliage. 2-yr„ each 35c; 3 for $1.00;doz., $3.50,3-yr., each 50c; 3 for $1.40; doz., $5.00; 4-yr., each 75c; 3 for $2.15;doz,, $8.00 VAUGHANS SUNNY SIDE 127 B CLIMBER COLLECTION FOR 1918 Each plant is suitable for planting in fullsunlight. Bignonia (Trumpet Creeper).Matrimony Vine.Clematis (Japanese Clematis).Ampelopsis (Virginia Creeper).Honeysuckle, Halls.Wistaria Magnifica.1 each: All strong 2 yr. plants for $1.80;by express at buyers expense. — Special Purpose Climbers — Climbers for Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vaughans-seed-store-flowers-born-in-very-dense-long-pendulousracemes-in-advance-of-the-opening-of-the-foliage-2-yr-each-35c-3-for-100doz-3503-yr-each-50c-3-for-140-doz-500-4-yr-each-75c-3-for-215doz-800-vaughans-sunny-side-127-b-climber-collection-for-1918-each-plant-is-suitable-for-planting-in-fullsunlight-bignonia-trumpet-creepermatrimony-vineclematis-japanese-clematisampelopsis-virginia-creeperhoneysuckle-hallswistaria-magnifica1-each-all-strong-2-yr-plants-for-180by-express-at-buyers-expense-special-purpose-climbers-climbers-for-image338465659.html
RM2AJJCB7–Vaughan's seed store . flowers, born in very dense, long, pendulousracemes in advance of the opening of the foliage. 2-yr„ each 35c; 3 for $1.00;doz., $3.50,3-yr., each 50c; 3 for $1.40; doz., $5.00; 4-yr., each 75c; 3 for $2.15;doz,, $8.00 VAUGHANS SUNNY SIDE 127 B CLIMBER COLLECTION FOR 1918 Each plant is suitable for planting in fullsunlight. Bignonia (Trumpet Creeper).Matrimony Vine.Clematis (Japanese Clematis).Ampelopsis (Virginia Creeper).Honeysuckle, Halls.Wistaria Magnifica.1 each: All strong 2 yr. plants for $1.80;by express at buyers expense. — Special Purpose Climbers — Climbers for
Mrs. Francis Howard. Dated: c. 1916/1918. Dimensions: overall: 127 x 101.5 cm (50 x 39 15/16 in.) framed: 143.2 x 117.5 x 4.4 cm (56 3/8 x 46 1/4 x 1 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Ambrose McEvoy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-francis-howard-dated-c-19161918-dimensions-overall-127-x-1015-cm-50-x-39-1516-in-framed-1432-x-1175-x-44-cm-56-38-x-46-14-x-1-34-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-ambrose-mcevoy-image218806621.html
RMPKYE25–Mrs. Francis Howard. Dated: c. 1916/1918. Dimensions: overall: 127 x 101.5 cm (50 x 39 15/16 in.) framed: 143.2 x 117.5 x 4.4 cm (56 3/8 x 46 1/4 x 1 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Ambrose McEvoy.
Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602676423.html
RF2X0E7WY–Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
Unknown architect, Technical University of Berlin-Charlottenburg. Heating and power plant (November 1st, 1918): Grundrisse eG, 1st floor, 2nd floor, attic, 1.-3. Tower 1: 100. Light break on transparent, 63.4 x 78.7 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-architect-technical-university-of-berlin-charlottenburg-heating-and-power-plant-november-1st-1918-grundrisse-eg-1st-floor-2nd-floor-attic-1-3-tower-1-100-light-break-on-transparent-634-x-787-cm-including-scan-edges-image477446166.html
RM2JMNFCP–Unknown architect, Technical University of Berlin-Charlottenburg. Heating and power plant (November 1st, 1918): Grundrisse eG, 1st floor, 2nd floor, attic, 1.-3. Tower 1: 100. Light break on transparent, 63.4 x 78.7 cm (including scan edges)
RMP8TD33–Baukompanie 3/60 u.1/78. 72 Bugbrücke bei Krylow (BildID 15695532)
Ehon Asakayama-E7B5B5E69CACE6B585E9A699E5B1B1-Picture Book- Mount Asaka (Ehon Asakayama) MET JIB35 004 53815 Artist: Nishikawa Sukenobu, Japanese, 1671?1750, Picture Book: Mount Asaka (Ehon Asakayama), January 1739, Bound book of monochrome woodblock prints; ink on paper, Overall: 10 3/8 ? 7 in. (26.4 ? 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (JIB35) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ehon-asakayama-e7b5b5e69cace6b585e9a699e5b1b1-picture-book-mount-asaka-168113820.html
RMKNE6W0–Ehon Asakayama-E7B5B5E69CACE6B585E9A699E5B1B1-Picture Book- Mount Asaka (Ehon Asakayama) MET JIB35 004 53815 Artist: Nishikawa Sukenobu, Japanese, 1671?1750, Picture Book: Mount Asaka (Ehon Asakayama), January 1739, Bound book of monochrome woodblock prints; ink on paper, Overall: 10 3/8 ? 7 in. (26.4 ? 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (JIB35)
La Seine au Pont d'Austerlitz, 1866. Auguste Louis Lepère (French, 1849-1918), published in L'Estampe Originale. Wood engraving; sheet: 26.6 x 35 cm (10 1/2 x 13 3/4 in.); image: 16.8 x 26.5 cm (6 5/8 x 10 7/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-seine-au-pont-dausterlitz-1866-auguste-louis-lepre-french-1849-1918-published-in-lestampe-originale-wood-engraving-sheet-266-x-35-cm-10-12-x-13-34-in-image-168-x-265-cm-6-58-x-10-716-in-image240506332.html
RMRY807T–La Seine au Pont d'Austerlitz, 1866. Auguste Louis Lepère (French, 1849-1918), published in L'Estampe Originale. Wood engraving; sheet: 26.6 x 35 cm (10 1/2 x 13 3/4 in.); image: 16.8 x 26.5 cm (6 5/8 x 10 7/16 in
Pierre-Auguste Renoir: Andrée in Pink, Reclining (Andrée en rose étendue), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 9 3/16 x 11 15/16 in. (23.4 x 30.3 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-pink-reclining-andre-en-rose-tendue-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-9-316-x-11-1516-in-234-x-303-cm-image350109556.html
RF2B9GT8M–Pierre-Auguste Renoir: Andrée in Pink, Reclining (Andrée en rose étendue), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 9 3/16 x 11 15/16 in. (23.4 x 30.3 cm)
Farquhar's garden annual : 1918 . hey are very desirable.2440 Aborea Variegata. (Tree Mallow.) Excellent for sub-tropical beds. Large ornamental foUage plants with Pkt.leaves profusely mottled yellow and white. 4 feet. 15 59 2445 24462450 24552462 2465 24672470 2475 2480 2485 Rosea SplendenS. Large flowers of brilHant rosy-pink; superb for cutting. 3 ft. ... 5 oz., .40; Alba SplendenS. Large pearly-white flowers; verydecorative. 3 ft. ... ... ... oz., .40; Trimestris Pink. Useful for planting in masses orfor cut flowers. 3 ft. ... ... Oz., .60; Trimestris White. Oz., .60; LAYIA ELEGANS. A pr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/farquhars-garden-annual-1918-hey-are-very-desirable2440-aborea-variegata-tree-mallow-excellent-for-sub-tropical-beds-large-ornamental-fouage-plants-with-pktleaves-profusely-mottled-yellow-and-white-4-feet-15-59-2445-24462450-24552462-2465-24672470-2475-2480-2485-rosea-splendens-large-flowers-of-brilhant-rosy-pink-superb-for-cutting-3-ft-5-oz-40-alba-splendens-large-pearly-white-flowers-verydecorative-3-ft-oz-40-trimestris-pink-useful-for-planting-in-masses-orfor-cut-flowers-3-ft-oz-60-trimestris-white-oz-60-layia-elegans-a-pr-image339146954.html
RM2AKNDB6–Farquhar's garden annual : 1918 . hey are very desirable.2440 Aborea Variegata. (Tree Mallow.) Excellent for sub-tropical beds. Large ornamental foUage plants with Pkt.leaves profusely mottled yellow and white. 4 feet. 15 59 2445 24462450 24552462 2465 24672470 2475 2480 2485 Rosea SplendenS. Large flowers of brilHant rosy-pink; superb for cutting. 3 ft. ... 5 oz., .40; Alba SplendenS. Large pearly-white flowers; verydecorative. 3 ft. ... ... ... oz., .40; Trimestris Pink. Useful for planting in masses orfor cut flowers. 3 ft. ... ... Oz., .60; Trimestris White. Oz., .60; LAYIA ELEGANS. A pr
Stone Fences, Land of Nod. Dated: 1918. Dimensions: image (irregular): 22.23 × 29.53 cm (8 3/4 × 11 5/8 in.) sheet: 29.05 × 43.82 cm (11 7/16 × 17 1/4 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stone-fences-land-of-nod-dated-1918-dimensions-image-irregular-2223-2953-cm-8-34-11-58-in-sheet-2905-4382-cm-11-716-17-14-in-medium-lithograph-in-black-on-wove-paper-museum-national-gallery-of-art-washington-dc-author-childe-hassam-image225694594.html
RMR357N6–Stone Fences, Land of Nod. Dated: 1918. Dimensions: image (irregular): 22.23 × 29.53 cm (8 3/4 × 11 5/8 in.) sheet: 29.05 × 43.82 cm (11 7/16 × 17 1/4 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.
Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602652543.html
RF2X0D5D3–Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
Warth Otto (1845-1918), Pharmacological Institute of the Kaiser Wilhelm University in Strasbourg (1884): Perspective view. Tusche watercolor on the box, 29.3 x 49.4 cm (including scan edges) Warth Otto (1845-1918): Pharmakologisches Institut der Kaiser-Wilhelm-Universität Straßburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/warth-otto-1845-1918-pharmacological-institute-of-the-kaiser-wilhelm-university-in-strasbourg-1884-perspective-view-tusche-watercolor-on-the-box-293-x-494-cm-including-scan-edges-warth-otto-1845-1918-pharmakologisches-institut-der-kaiser-wilhelm-universitt-straburg-image477520908.html
RM2JMTXP4–Warth Otto (1845-1918), Pharmacological Institute of the Kaiser Wilhelm University in Strasbourg (1884): Perspective view. Tusche watercolor on the box, 29.3 x 49.4 cm (including scan edges) Warth Otto (1845-1918): Pharmakologisches Institut der Kaiser-Wilhelm-Universität Straßburg
Erbaut vom.Brückenbattaillon.I.3.Kompanie 72 Bugbrücke bei Libowitz (BildID 15695511) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/erbaut-vombrckenbattailloni3kompanie-72-bugbrcke-bei-libowitz-bildid-15695511-image211978790.html
RMP8TD32–Erbaut vom.Brückenbattaillon.I.3.Kompanie 72 Bugbrücke bei Libowitz (BildID 15695511)
Ehon Asakayama-E7B5B5E69CACE6B585E9A699E5B1B1-Picture Book- Mount Asaka (Ehon Asakayama) MET JIB35 009 53815 Artist: Nishikawa Sukenobu, Japanese, 1671?1750, Picture Book: Mount Asaka (Ehon Asakayama), January 1739, Bound book of monochrome woodblock prints; ink on paper, Overall: 10 3/8 ? 7 in. (26.4 ? 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (JIB35) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ehon-asakayama-e7b5b5e69cace6b585e9a699e5b1b1-picture-book-mount-asaka-168113827.html
RMKNE6W7–Ehon Asakayama-E7B5B5E69CACE6B585E9A699E5B1B1-Picture Book- Mount Asaka (Ehon Asakayama) MET JIB35 009 53815 Artist: Nishikawa Sukenobu, Japanese, 1671?1750, Picture Book: Mount Asaka (Ehon Asakayama), January 1739, Bound book of monochrome woodblock prints; ink on paper, Overall: 10 3/8 ? 7 in. (26.4 ? 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (JIB35)
La Revue Illustrée: Unloaders of Plaster (Canal St. Martin), 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving; sheet: 15 x 21.2 cm (5 7/8 x 8 3/8 in.); platemark: 7.8 x 11.2 cm (3 1/16 x 4 7/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-revue-illustre-unloaders-of-plaster-canal-st-martin-1890-auguste-louis-lepre-french-1849-1918-wood-engraving-sheet-15-x-212-cm-5-78-x-8-38-in-platemark-78-x-112-cm-3-116-x-4-716-in-image240490216.html
RMRY77M8–La Revue Illustrée: Unloaders of Plaster (Canal St. Martin), 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving; sheet: 15 x 21.2 cm (5 7/8 x 8 3/8 in.); platemark: 7.8 x 11.2 cm (3 1/16 x 4 7/16 in
Pierre-Auguste Renoir: Andrée in Pink, Reclining (Andrée en rose étendue), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 9 3/16 x 11 15/16 in. (23.4 x 30.3 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-pink-reclining-andre-en-rose-tendue-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-9-316-x-11-1516-in-234-x-303-cm-image350109552.html
RF2B9GT8G–Pierre-Auguste Renoir: Andrée in Pink, Reclining (Andrée en rose étendue), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 9 3/16 x 11 15/16 in. (23.4 x 30.3 cm)
. Canadian foundryman (1918). annealed or softstate the carbon exists as carbide or iron, 80 / —•— ?t7°^ to 1 1 1 %so J f i « 80 I // 20 O X 4 e 8 10 IS 1* 18 18 OO 22 z*Percentage-NtckeL 0O9 per eenc Carbon.FIG. 3 ment. Briefly, heat treatment may bestated to consist (1) of hardening themetal by quenching from a temperatuiewhich depends upon the carbon content,and (2) tempering the hardened materialby heating to certain low temperatureswhich are selected in accordance with theparticular properties it is desired to ob-tain. It may here be useful to note, thatproviding the quenching is proper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canadian-foundryman-1918-annealed-or-softstate-the-carbon-exists-as-carbide-or-iron-80-t7-to-1-1-1-so-j-f-i-80-i-20-o-x-4-e-8-10-is-1-18-18-oo-22-zpercentage-ntckel-0o9-per-eenc-carbonfig-3-ment-briefly-heat-treatment-may-bestated-to-consist-1-of-hardening-themetal-by-quenching-from-a-temperatuiewhich-depends-upon-the-carbon-contentand-2-tempering-the-hardened-materialby-heating-to-certain-low-temperatureswhich-are-selected-in-accordance-with-theparticular-properties-it-is-desired-to-ob-tain-it-may-here-be-useful-to-note-thatproviding-the-quenching-is-proper-image336745393.html
RM2AFT255–. Canadian foundryman (1918). annealed or softstate the carbon exists as carbide or iron, 80 / —•— ?t7°^ to 1 1 1 %so J f i « 80 I // 20 O X 4 e 8 10 IS 1* 18 18 OO 22 z*Percentage-NtckeL 0O9 per eenc Carbon.FIG. 3 ment. Briefly, heat treatment may bestated to consist (1) of hardening themetal by quenching from a temperatuiewhich depends upon the carbon content,and (2) tempering the hardened materialby heating to certain low temperatureswhich are selected in accordance with theparticular properties it is desired to ob-tain. It may here be useful to note, thatproviding the quenching is proper
Die Grosse Angst (The Great Anxiety). Dated: 1918. Dimensions: plate: 29.9 x 24.1 cm (11 3/4 x 9 1/2 in.) sheet: 40.1 x 30.7 cm (15 13/16 x 12 1/16 in.). Medium: drypoint in black on wove paper, similar to japan paper. Museum: National Gallery of Art, Washington DC. Author: Walter Gramatté. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/die-grosse-angst-the-great-anxiety-dated-1918-dimensions-plate-299-x-241-cm-11-34-x-9-12-in-sheet-401-x-307-cm-15-1316-x-12-116-in-medium-drypoint-in-black-on-wove-paper-similar-to-japan-paper-museum-national-gallery-of-art-washington-dc-author-walter-gramatt-image233363339.html
RMRFJH8Y–Die Grosse Angst (The Great Anxiety). Dated: 1918. Dimensions: plate: 29.9 x 24.1 cm (11 3/4 x 9 1/2 in.) sheet: 40.1 x 30.7 cm (15 13/16 x 12 1/16 in.). Medium: drypoint in black on wove paper, similar to japan paper. Museum: National Gallery of Art, Washington DC. Author: Walter Gramatté.
Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602682702.html
RF2X0EFX6–Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
Manufacturing 4.7' H.E. shells at P. Lyall and Sons Construction Co. in Montreal, Canada. The image depicts a view with preliminary inspection on the right and bourlette grinding machines on the left. This photograph was taken on September 3, 1918. Image number: 56244. For official use only. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manufacturing-47-he-shells-at-p-lyall-and-sons-construction-co-in-montreal-canada-the-image-depicts-a-view-with-preliminary-inspection-on-the-right-and-bourlette-grinding-machines-on-the-left-this-photograph-was-taken-on-september-3-1918-image-number-56244-for-official-use-only-image558514243.html
RM2RCJEH7–Manufacturing 4.7' H.E. shells at P. Lyall and Sons Construction Co. in Montreal, Canada. The image depicts a view with preliminary inspection on the right and bourlette grinding machines on the left. This photograph was taken on September 3, 1918. Image number: 56244. For official use only.
. 411 Marsch eines Sturmbattaillons durch einen Triumphbogen in Kalusz, 4.Mai 1917. (BildID 15590977) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/411-marsch-eines-sturmbattaillons-durch-einen-triumphbogen-in-kalusz-4mai-1917-bildid-15590977-image211954124.html
RMP8R9J4–. 411 Marsch eines Sturmbattaillons durch einen Triumphbogen in Kalusz, 4.Mai 1917. (BildID 15590977)
Ehon Asakayama-E7B5B5E69CACE6B585E9A699E5B1B1-Picture Book- Mount Asaka (Ehon Asakayama) MET JIB35 002 53815 Artist: Nishikawa Sukenobu, Japanese, 1671?1750, Picture Book: Mount Asaka (Ehon Asakayama), January 1739, Bound book of monochrome woodblock prints; ink on paper, Overall: 10 3/8 ? 7 in. (26.4 ? 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (JIB35) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ehon-asakayama-e7b5b5e69cace6b585e9a699e5b1b1-picture-book-mount-asaka-168113818.html
RMKNE6TX–Ehon Asakayama-E7B5B5E69CACE6B585E9A699E5B1B1-Picture Book- Mount Asaka (Ehon Asakayama) MET JIB35 002 53815 Artist: Nishikawa Sukenobu, Japanese, 1671?1750, Picture Book: Mount Asaka (Ehon Asakayama), January 1739, Bound book of monochrome woodblock prints; ink on paper, Overall: 10 3/8 ? 7 in. (26.4 ? 17.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (JIB35)
Fontainebleau Forest: Serpent Merchant (La Forêt de Fontainebleau: Marchande de Serpents), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 7 x 4.6 cm (2 3/4 x 1 13/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fontainebleau-forest-serpent-merchant-la-fort-de-fontainebleau-marchande-de-serpents-1890-auguste-louis-lepre-french-1849-1918-a-desmoulins-published-in-revue-illustre-1887-90-wood-engraving-from-bound-volume-of-34-image-7-x-46-cm-2-34-x-1-1316-in-image240479851.html
RMRY6PE3–Fontainebleau Forest: Serpent Merchant (La Forêt de Fontainebleau: Marchande de Serpents), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 7 x 4.6 cm (2 3/4 x 1 13/16 in
Pierre-Auguste Renoir: Andrée in Pink, Reclining (Andrée en rose étendue), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 9 3/16 x 11 15/16 in. (23.4 x 30.3 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-pink-reclining-andre-en-rose-tendue-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-9-316-x-11-1516-in-234-x-303-cm-image350109553.html
RF2B9GT8H–Pierre-Auguste Renoir: Andrée in Pink, Reclining (Andrée en rose étendue), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 9 3/16 x 11 15/16 in. (23.4 x 30.3 cm)
Canadian grocer April-June 1918 . Perfection 11 Grant Master Blunts 11 Lord Tennyson 2 for 25c, equal to most 20c cigars.2 for 25c, equal to most 20c cigars. 2 for 25c, equal to most 20c cigars. 3 for 25c, equal to most 15c cigars. 3 for 25c, equal to most 15c cigars. 4 for 25c, equal to most 2 for 25c cigars. 5 cent, equal to most 10c cigars. All Davis Cigars are guaranteed to be hand-made, and to contain nothingbut the highest grade Havana Fillers. S. DAVIS & SONS, LIMITED MONTREAL The Largest Cigar Manufacturers in Canada meet mxm NEEDED IN THESTABLE The man in the stable wants brushesthat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canadian-grocer-april-june-1918-perfection-11-grant-master-blunts-11-lord-tennyson-2-for-25c-equal-to-most-20c-cigars2-for-25c-equal-to-most-20c-cigars-2-for-25c-equal-to-most-20c-cigars-3-for-25c-equal-to-most-15c-cigars-3-for-25c-equal-to-most-15c-cigars-4-for-25c-equal-to-most-2-for-25c-cigars-5-cent-equal-to-most-10c-cigars-all-davis-cigars-are-guaranteed-to-be-hand-made-and-to-contain-nothingbut-the-highest-grade-havana-fillers-s-davis-sons-limited-montreal-the-largest-cigar-manufacturers-in-canada-meet-mxm-needed-in-thestable-the-man-in-the-stable-wants-brushesthat-image338356165.html
RM2AJDCMN–Canadian grocer April-June 1918 . Perfection 11 Grant Master Blunts 11 Lord Tennyson 2 for 25c, equal to most 20c cigars.2 for 25c, equal to most 20c cigars. 2 for 25c, equal to most 20c cigars. 3 for 25c, equal to most 15c cigars. 3 for 25c, equal to most 15c cigars. 4 for 25c, equal to most 2 for 25c cigars. 5 cent, equal to most 10c cigars. All Davis Cigars are guaranteed to be hand-made, and to contain nothingbut the highest grade Havana Fillers. S. DAVIS & SONS, LIMITED MONTREAL The Largest Cigar Manufacturers in Canada meet mxm NEEDED IN THESTABLE The man in the stable wants brushesthat
St. Thomas's Church, New York. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Image: 10 3/4 in. × 8 in. (27.3 × 20.3 cm) Sheet: 17 7/8 × 11 1/2 in. (45.4 × 29.2 cm). Date: 1918. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-thomass-church-new-york-artist-childe-hassam-american-dorchester-massachusetts-1859-1935-east-hampton-new-york-dimensions-image-10-34-in-8-in-273-203-cm-sheet-17-78-11-12-in-454-292-cm-date-1918-museum-metropolitan-museum-of-art-new-york-usa-image225414737.html
RMR2MEP9–St. Thomas's Church, New York. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Image: 10 3/4 in. × 8 in. (27.3 × 20.3 cm) Sheet: 17 7/8 × 11 1/2 in. (45.4 × 29.2 cm). Date: 1918. Museum: Metropolitan Museum of Art, New York, USA.
Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602676215.html
RF2X0E7JF–Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
Headquarters of the 315th Machine Gun Battalion. Officers meet Major Leland B. Garrettson, Commanding Officer of the battalion, between La Chalade and Claon in Meuse, France. Photograph taken on October 29, 1918 by 1st Lt. Richard W. Sears. Approved by A.E.F. censor. 31996 3-4. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/headquarters-of-the-315th-machine-gun-battalion-officers-meet-major-leland-b-garrettson-commanding-officer-of-the-battalion-between-la-chalade-and-claon-in-meuse-france-photograph-taken-on-october-29-1918-by-1st-lt-richard-w-sears-approved-by-aef-censor-31996-3-4-image558181521.html
RM2RC3A69–Headquarters of the 315th Machine Gun Battalion. Officers meet Major Leland B. Garrettson, Commanding Officer of the battalion, between La Chalade and Claon in Meuse, France. Photograph taken on October 29, 1918 by 1st Lt. Richard W. Sears. Approved by A.E.F. censor. 31996 3-4.
519 Seine Majestät fährt vom Kaluszer Bahnhof mit Auto ab, 4.Mai 1917. (BildID 15590949) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/519-seine-majestt-fhrt-vom-kaluszer-bahnhof-mit-auto-ab-4mai-1917-bildid-15590949-image211954159.html
RMP8R9KB–519 Seine Majestät fährt vom Kaluszer Bahnhof mit Auto ab, 4.Mai 1917. (BildID 15590949)
Bronze fitting, possible from a cart or chariot MET DP20575 Bronze fitting, possible from a cart or chariot MET DP20575 /250687 Roman, Bronze fitting, possible from a cart or chariot, 2nd?3rd century A.D., Bronze, H.: 4 1/16 in. (10.3 cm) Other: 6 1/4 in. (15.9 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.22) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bronze-fitting-possible-from-a-cart-or-chariot-met-dp20575-bronze-168469743.html
RMKP2CTF–Bronze fitting, possible from a cart or chariot MET DP20575 Bronze fitting, possible from a cart or chariot MET DP20575 /250687 Roman, Bronze fitting, possible from a cart or chariot, 2nd?3rd century A.D., Bronze, H.: 4 1/16 in. (10.3 cm) Other: 6 1/4 in. (15.9 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.22)
Fontainebleau Forest: Pulling the Heather (La Forêt de Fontainebleau: Arracheurs de Bruyères), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 8.1 x 10.4 cm (3 3/16 x 4 1/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fontainebleau-forest-pulling-the-heather-la-fort-de-fontainebleau-arracheurs-de-bruyres-1890-auguste-louis-lepre-french-1849-1918-a-desmoulins-published-in-revue-illustre-1887-90-wood-engraving-from-bound-volume-of-34-image-81-x-104-cm-3-316-x-4-18-in-image240479863.html
RMRY6PEF–Fontainebleau Forest: Pulling the Heather (La Forêt de Fontainebleau: Arracheurs de Bruyères), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 8.1 x 10.4 cm (3 3/16 x 4 1/8 in
Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-a-hat-reading-andre-en-chapeau-lisant-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-16-116-x-19-34-in-408-x-502-cm-image350109458.html
RF2B9GT56–Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm)
Dreer's autumn catalogue 1918 . We offer as follows:New Varieties. Strong plants, 60 cts. each. Set of 12 for $6.00.Select Standard Sorts. 3-inch pots, 50 cts each; set of 12 varieties for $5.00. 4-inch pots, 75 cts. each; set of 12 varieties for $7.50. Large plants, $1.00, $1.50 and $2.50 each. For descriptions of the above see our Garden Book for 1918. CYPERUS (Umbrella Plant) Alternifolius. An excellent plant for the house. Will thrive in anygood soil, and always presents a green and attractive appearance. Itmay be grown as a sub-aquatic, and in any case .should never lack aliberal supply o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dreers-autumn-catalogue-1918-we-offer-as-followsnew-varieties-strong-plants-60-cts-each-set-of-12-for-600select-standard-sorts-3-inch-pots-50-cts-each-set-of-12-varieties-for-500-4-inch-pots-75-cts-each-set-of-12-varieties-for-750-large-plants-100-150-and-250-each-for-descriptions-of-the-above-see-our-garden-book-for-1918-cyperus-umbrella-plant-alternifolius-an-excellent-plant-for-the-house-will-thrive-in-anygood-soil-and-always-presents-a-green-and-attractive-appearance-itmay-be-grown-as-a-sub-aquatic-and-in-any-case-should-never-lack-aliberal-supply-o-image338385280.html
RM2AJENTG–Dreer's autumn catalogue 1918 . We offer as follows:New Varieties. Strong plants, 60 cts. each. Set of 12 for $6.00.Select Standard Sorts. 3-inch pots, 50 cts each; set of 12 varieties for $5.00. 4-inch pots, 75 cts. each; set of 12 varieties for $7.50. Large plants, $1.00, $1.50 and $2.50 each. For descriptions of the above see our Garden Book for 1918. CYPERUS (Umbrella Plant) Alternifolius. An excellent plant for the house. Will thrive in anygood soil, and always presents a green and attractive appearance. Itmay be grown as a sub-aquatic, and in any case .should never lack aliberal supply o
Salem Cove. Dated: c. 1915/1918. Dimensions: overall: 61.4 x 76.5 cm (24 3/16 x 30 1/8 in.) framed: 85.1 x 99.7 x 6.7 cm (33 1/2 x 39 1/4 x 2 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Maurice Brazil Prendergast. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salem-cove-dated-c-19151918-dimensions-overall-614-x-765-cm-24-316-x-30-18-in-framed-851-x-997-x-67-cm-33-12-x-39-14-x-2-58-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-maurice-brazil-prendergast-image233863135.html
RMRGDAPR–Salem Cove. Dated: c. 1915/1918. Dimensions: overall: 61.4 x 76.5 cm (24 3/16 x 30 1/8 in.) framed: 85.1 x 99.7 x 6.7 cm (33 1/2 x 39 1/4 x 2 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Maurice Brazil Prendergast.
Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602655497.html
RF2X0D96H–Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
'Photograph showing a Bugatti motor being manufactured for the American government at the Duesenberg Motors Corporation Plant in Aug. 1918. The Bugatti motor has been redesigned and standardized for American manufacture, with specifications of 16 cylinders, 4.331' x 6.3', producing 450-500 horsepower at 1300-1400 rpm propeller speed.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photograph-showing-a-bugatti-motor-being-manufactured-for-the-american-government-at-the-duesenberg-motors-corporation-plant-in-aug-1918-the-bugatti-motor-has-been-redesigned-and-standardized-for-american-manufacture-with-specifications-of-16-cylinders-4331-x-63-producing-450-500-horsepower-at-1300-1400-rpm-propeller-speed-image558547698.html
RM2RCM182–'Photograph showing a Bugatti motor being manufactured for the American government at the Duesenberg Motors Corporation Plant in Aug. 1918. The Bugatti motor has been redesigned and standardized for American manufacture, with specifications of 16 cylinders, 4.331' x 6.3', producing 450-500 horsepower at 1300-1400 rpm propeller speed.'
Gold Signet Ring of Michael Zorianos MET 48616 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gold-signet-ring-of-michael-zorianos-met-48616-465925-byzantine-gold-168429460.html
RMKP0HDT–Gold Signet Ring of Michael Zorianos MET 48616 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42)
Fontainebleau Forest: Serpent Merchant (La Forêt de Fontainebleau: Le chasseur de serpents), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 9 x 4.7 cm (3 9/16 x 1 7/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fontainebleau-forest-serpent-merchant-la-fort-de-fontainebleau-le-chasseur-de-serpents-1890-auguste-louis-lepre-french-1849-1918-a-desmoulins-published-in-revue-illustre-1887-90-wood-engraving-from-bound-volume-of-34-image-9-x-47-cm-3-916-x-1-78-in-image240479835.html
RMRY6PDF–Fontainebleau Forest: Serpent Merchant (La Forêt de Fontainebleau: Le chasseur de serpents), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 9 x 4.7 cm (3 9/16 x 1 7/8 in
Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-a-hat-reading-andre-en-chapeau-lisant-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-16-116-x-19-34-in-408-x-502-cm-image350109459.html
RF2B9GT57–Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm)
Dreer's mid-summer list 1918 . Wire Pseony and TomatoSupport Made of heavy galvanized [OOO. • ° !. 50 ??«• 2 00 Wire, each 30 cts.; doz., $3 00 KEYSTONE LEAF RACK ATTACHMENT This can be attached to any size wheelbarrow with removable sides. It is most convenient for gathering leaves,rubbish. One of these should be in use on every small as well as large place. Has a capacity of 10 bushels; mized wire, bolted to a wooden base. It can readily be taken apart, occupying but little space when not in use Wheelbarrows Dreers Special Wheelbarrow. . • 3-in tiie.. 7No. 4, Garden, in. tire 5 5, If 4, 3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dreers-mid-summer-list-1918-wire-pseony-and-tomatosupport-made-of-heavy-galvanized-ooo-!-50-2-00-wire-each-30-cts-doz-3-00-keystone-leaf-rack-attachment-this-can-be-attached-to-any-size-wheelbarrow-with-removable-sides-it-is-most-convenient-for-gathering-leavesrubbish-one-of-these-should-be-in-use-on-every-small-as-well-as-large-place-has-a-capacity-of-10-bushels-mized-wire-bolted-to-a-wooden-base-it-can-readily-be-taken-apart-occupying-but-little-space-when-not-in-use-wheelbarrows-dreers-special-wheelbarrow-3-in-tiie-7no-4-garden-in-tire-5-5-if-4-3-image340248593.html
RM2ANFJFD–Dreer's mid-summer list 1918 . Wire Pseony and TomatoSupport Made of heavy galvanized [OOO. • ° !. 50 ??«• 2 00 Wire, each 30 cts.; doz., $3 00 KEYSTONE LEAF RACK ATTACHMENT This can be attached to any size wheelbarrow with removable sides. It is most convenient for gathering leaves,rubbish. One of these should be in use on every small as well as large place. Has a capacity of 10 bushels; mized wire, bolted to a wooden base. It can readily be taken apart, occupying but little space when not in use Wheelbarrows Dreers Special Wheelbarrow. . • 3-in tiie.. 7No. 4, Garden, in. tire 5 5, If 4, 3
Woodrow Wilson. Dated: 1918. Dimensions: image: 25.08 × 17.78 cm (9 7/8 × 7 in.) sheet: 34.93 × 31.12 cm (13 3/4 × 12 1/4 in.). Medium: wood engraving in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Timothy Cole, after John Singer Sargent. Timothy Cole after John Singer Sargent. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woodrow-wilson-dated-1918-dimensions-image-2508-1778-cm-9-78-7-in-sheet-3493-3112-cm-13-34-12-14-in-medium-wood-engraving-in-black-on-wove-paper-museum-national-gallery-of-art-washington-dc-author-timothy-cole-after-john-singer-sargent-timothy-cole-after-john-singer-sargent-image225512426.html
RMR2TYB6–Woodrow Wilson. Dated: 1918. Dimensions: image: 25.08 × 17.78 cm (9 7/8 × 7 in.) sheet: 34.93 × 31.12 cm (13 3/4 × 12 1/4 in.). Medium: wood engraving in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Timothy Cole, after John Singer Sargent. Timothy Cole after John Singer Sargent.
Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602669962.html
RF2X0DYK6–Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
'Soldiers working on a radio apparatus, specifically designed for airplane use. The device features a streamline casing and is identified as Type 08-1 with a spring contact MM-4. Photo taken at the Radio Development Station in Washington, D.C. Image not intended for publication. May 3, 1918.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soldiers-working-on-a-radio-apparatus-specifically-designed-for-airplane-use-the-device-features-a-streamline-casing-and-is-identified-as-type-08-1-with-a-spring-contact-mm-4-photo-taken-at-the-radio-development-station-in-washington-dc-image-not-intended-for-publication-may-3-1918-image558090058.html
RM2RBY5FP–'Soldiers working on a radio apparatus, specifically designed for airplane use. The device features a streamline casing and is identified as Type 08-1 with a spring contact MM-4. Photo taken at the Radio Development Station in Washington, D.C. Image not intended for publication. May 3, 1918.'
519 Seine Majestät schreitet das Sturmbataillon am Bahnhofe in Kalusz ab, 4. Mai 1917. (BildID 15590956) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/519-seine-majestt-schreitet-das-sturmbataillon-am-bahnhofe-in-kalusz-ab-4-mai-1917-bildid-15590956-image211954171.html
RMP8R9KR–519 Seine Majestät schreitet das Sturmbataillon am Bahnhofe in Kalusz ab, 4. Mai 1917. (BildID 15590956)
Gold Signet Ring of Michael Zorianos MET 48616 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gold-signet-ring-of-michael-zorianos-met-48616-465925-byzantine-gold-168269489.html
RMKNN9CH–Gold Signet Ring of Michael Zorianos MET 48616 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42)
Ambrose McEvoy, (artist), British, 1878 - 1927, Mrs. Francis Howard, c. 1916/1918, oil on canvas, overall: 127 x 101.5 cm (50 x 39 15/16 in.), framed: 143.2 x 117.5 x 4.4 cm (56 3/8 x 46 1/4 x 1 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ambrose-mcevoy-artist-british-1878-1927-mrs-francis-howard-c-19161918-oil-on-canvas-overall-127-x-1015-cm-50-x-39-1516-in-framed-1432-x-1175-x-44-cm-56-38-x-46-14-x-1-34-in-image386239562.html
RM2DCAME2–Ambrose McEvoy, (artist), British, 1878 - 1927, Mrs. Francis Howard, c. 1916/1918, oil on canvas, overall: 127 x 101.5 cm (50 x 39 15/16 in.), framed: 143.2 x 117.5 x 4.4 cm (56 3/8 x 46 1/4 x 1 3/4 in
Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-a-hat-reading-andre-en-chapeau-lisant-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-16-116-x-19-34-in-408-x-502-cm-image350109463.html
RF2B9GT5B–Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm)
Farquhar's garden annual : 1918 . ula. (Hay-scented or Gossa-mer Fem.) Good for ma.ssing. 2 ft.Onoelea struthiopterls. (Ostrich Fem.) Verj effective. 2 to 4 ft Osmunda gracilis. (FloweringFem.) One of theprettiest of the large Ferns. 3 ft. O. Claytoniana. 2 to 3 ft O. Cinnamomea. (Cinnamon Fem.) Very beau-tiful. 4 ft Phegopteris polypodioides. A showy variety of the Beech Fern; dwarfPolypodium vulgare. (Comynon Polypody.) One of the best evergreen species for rockworkSeolopendrium vulgare. (Harts Totu/ue Fem.)A very rare Fern; fine for rockwork. 6 to 12 in.Woodsia Ilvensis. (RiLsty Woodsia.) G Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/farquhars-garden-annual-1918-ula-hay-scented-or-gossa-mer-fem-good-for-massing-2-ftonoelea-struthiopterls-ostrich-fem-verj-effective-2-to-4-ft-osmunda-gracilis-floweringfem-one-of-theprettiest-of-the-large-ferns-3-ft-o-claytoniana-2-to-3-ft-o-cinnamomea-cinnamon-fem-very-beau-tiful-4-ft-phegopteris-polypodioides-a-showy-variety-of-the-beech-fern-dwarfpolypodium-vulgare-comynon-polypody-one-of-the-best-evergreen-species-for-rockworkseolopendrium-vulgare-harts-totuue-fema-very-rare-fern-fine-for-rockwork-6-to-12-inwoodsia-ilvensis-rilsty-woodsia-g-image339115907.html
RM2AKM1PB–Farquhar's garden annual : 1918 . ula. (Hay-scented or Gossa-mer Fem.) Good for ma.ssing. 2 ft.Onoelea struthiopterls. (Ostrich Fem.) Verj effective. 2 to 4 ft Osmunda gracilis. (FloweringFem.) One of theprettiest of the large Ferns. 3 ft. O. Claytoniana. 2 to 3 ft O. Cinnamomea. (Cinnamon Fem.) Very beau-tiful. 4 ft Phegopteris polypodioides. A showy variety of the Beech Fern; dwarfPolypodium vulgare. (Comynon Polypody.) One of the best evergreen species for rockworkSeolopendrium vulgare. (Harts Totu/ue Fem.)A very rare Fern; fine for rockwork. 6 to 12 in.Woodsia Ilvensis. (RiLsty Woodsia.) G
Ink well. Dimensions: H. 4.5 × L 12.2 × D. 5.6 cm (1 3/4 × 4 13/16 × 2 3/16 in.). Dynasty: Dynasty 13-17. Date: ca. 2030-1640 B.C.. To make black ink, Egyptians mixed the carbon derived from partially burned organic materials, such as oil or wood, with some sort of binder, probably gum arabic. Red ink was made from hematite, a naturally occurring mineral form of iron oxide. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ink-well-dimensions-h-45-l-122-d-56-cm-1-34-4-1316-2-316-in-dynasty-dynasty-13-17-date-ca-2030-1640-bc-to-make-black-ink-egyptians-mixed-the-carbon-derived-from-partially-burned-organic-materials-such-as-oil-or-wood-with-some-sort-of-binder-probably-gum-arabic-red-ink-was-made-from-hematite-a-naturally-occurring-mineral-form-of-iron-oxide-museum-metropolitan-museum-of-art-new-york-usa-image212871821.html
RMPA9451–Ink well. Dimensions: H. 4.5 × L 12.2 × D. 5.6 cm (1 3/4 × 4 13/16 × 2 3/16 in.). Dynasty: Dynasty 13-17. Date: ca. 2030-1640 B.C.. To make black ink, Egyptians mixed the carbon derived from partially burned organic materials, such as oil or wood, with some sort of binder, probably gum arabic. Red ink was made from hematite, a naturally occurring mineral form of iron oxide. Museum: Metropolitan Museum of Art, New York, USA.
Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602678786.html
RF2X0EAXA–Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
'Camp Wheeler, Macon, GA: Lt. H. P. Kingsmore from the Signal R.C. stationed at the Remount Station. Taken on February 4, 1918, the photo shows a view of the remount station at Camp Wheeler with 3,500 animals. This image can be joined with 4742, 4743, and 4741 for a panoramic view.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/camp-wheeler-macon-ga-lt-h-p-kingsmore-from-the-signal-rc-stationed-at-the-remount-station-taken-on-february-4-1918-the-photo-shows-a-view-of-the-remount-station-at-camp-wheeler-with-3500-animals-this-image-can-be-joined-with-4742-4743-and-4741-for-a-panoramic-view-image558128326.html
RM2RC0XAE–'Camp Wheeler, Macon, GA: Lt. H. P. Kingsmore from the Signal R.C. stationed at the Remount Station. Taken on February 4, 1918, the photo shows a view of the remount station at Camp Wheeler with 3,500 animals. This image can be joined with 4742, 4743, and 4741 for a panoramic view.'
519 Seine Majestät spricht einen Mann des Sturmbataillons am Bahnhof in Kalusz an, 4.Mai 1917. (BildID 15590963) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/519-seine-majestt-spricht-einen-mann-des-sturmbataillons-am-bahnhof-in-kalusz-an-4mai-1917-bildid-15590963-image211954190.html
RMP8R9ME–519 Seine Majestät spricht einen Mann des Sturmbataillons am Bahnhof in Kalusz an, 4.Mai 1917. (BildID 15590963)
Gold Signet Ring of Michael Zorianos MET LC 18 145 42 s8 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gold-signet-ring-of-michael-zorianos-met-lc-18-145-42-s8-465925-byzantine-168092923.html
RMKND86K–Gold Signet Ring of Michael Zorianos MET LC 18 145 42 s8 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42)
Walter Gramatté, (artist), German, 1897 - 1929, The Fall into Infinity, Der Rebell: pl.IV, (series), 1918, drypoint in black on laid paper, plate: 17.2 x 12.7 cm (6 3/4 x 5 in.), sheet: 30.8 x 25.5 cm (12 1/8 x 10 1/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/walter-gramatt-artist-german-1897-1929-the-fall-into-infinity-der-rebell-pliv-series-1918-drypoint-in-black-on-laid-paper-plate-172-x-127-cm-6-34-x-5-in-sheet-308-x-255-cm-12-18-x-10-116-in-image386329369.html
RM2DCER1D–Walter Gramatté, (artist), German, 1897 - 1929, The Fall into Infinity, Der Rebell: pl.IV, (series), 1918, drypoint in black on laid paper, plate: 17.2 x 12.7 cm (6 3/4 x 5 in.), sheet: 30.8 x 25.5 cm (12 1/8 x 10 1/16 in
Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-a-hat-reading-andre-en-chapeau-lisant-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-16-116-x-19-34-in-408-x-502-cm-image350109462.html
RF2B9GT5A–Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm)
Dreer's autumn catalogue 1918 . 1IENI!lfADREER-PHIlADElPHIA4;4mBUbBSF0R1AbLJ>liANTINH[. Single Early Tulips, Ki5er Kroon (offered on page 7). C0I.I.ECTI01VS OF SIISGI^BEARI.Y TULIPS A border planted with one of the following collections formsone of the most interesting and educational features of the garden,and is the very best way to become familiar with the various va-rieties, their colors, heights, time of blooming, etc., so you canchoose your own sorts when planting a bed or border. 3 each of 20 varieties, 60 bulbs $2 25 6 20 120 4 00 12 20 240 7 50 25 20 500 14 00 DREERS SUPERB MIXTUR Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dreers-autumn-catalogue-1918-1ieni!lfadreer-philadelphia44mbubbsf0r1abljgtliantinh-single-early-tulips-ki5er-kroon-offered-on-page-7-c0iiecti01vs-of-siisgibeariy-tulips-a-border-planted-with-one-of-the-following-collections-formsone-of-the-most-interesting-and-educational-features-of-the-gardenand-is-the-very-best-way-to-become-familiar-with-the-various-va-rieties-their-colors-heights-time-of-blooming-etc-so-you-canchoose-your-own-sorts-when-planting-a-bed-or-border-3-each-of-20-varieties-60-bulbs-2-25-6-20-120-4-00-12-20-240-7-50-25-20-500-14-00-dreers-superb-mixtur-image338399624.html
RM2AJFC4T–Dreer's autumn catalogue 1918 . 1IENI!lfADREER-PHIlADElPHIA4;4mBUbBSF0R1AbLJ>liANTINH[. Single Early Tulips, Ki5er Kroon (offered on page 7). C0I.I.ECTI01VS OF SIISGI^BEARI.Y TULIPS A border planted with one of the following collections formsone of the most interesting and educational features of the garden,and is the very best way to become familiar with the various va-rieties, their colors, heights, time of blooming, etc., so you canchoose your own sorts when planting a bed or border. 3 each of 20 varieties, 60 bulbs $2 25 6 20 120 4 00 12 20 240 7 50 25 20 500 14 00 DREERS SUPERB MIXTUR
Bow harp. Dimensions: L. 81.4 cm (32 1/16 in); W. 26.4 cm (10 3/8 in.). Dynasty: Dynasty 12. Date: ca. 2030-1640 B.C.. The harp, called benet in ancient Egyptian, was one of the most popular musical instruments throughout pharaonic history. This bow harp, among the oldest to have survived, is characterized by a long, curving neck and a shovel-shaped sound box. Originally covered by parchment or animal skin, the sound box would have resonated when the instrument's five strings were plucked. Harpers played either alone or in ensembles with singers and other musicians. Museum: Metropolitan Museu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bow-harp-dimensions-l-814-cm-32-116-in-w-264-cm-10-38-in-dynasty-dynasty-12-date-ca-2030-1640-bc-the-harp-called-benet-in-ancient-egyptian-was-one-of-the-most-popular-musical-instruments-throughout-pharaonic-history-this-bow-harp-among-the-oldest-to-have-survived-is-characterized-by-a-long-curving-neck-and-a-shovel-shaped-sound-box-originally-covered-by-parchment-or-animal-skin-the-sound-box-would-have-resonated-when-the-instruments-five-strings-were-plucked-harpers-played-either-alone-or-in-ensembles-with-singers-and-other-musicians-museum-metropolitan-museu-image213210466.html
RMPATG3E–Bow harp. Dimensions: L. 81.4 cm (32 1/16 in); W. 26.4 cm (10 3/8 in.). Dynasty: Dynasty 12. Date: ca. 2030-1640 B.C.. The harp, called benet in ancient Egyptian, was one of the most popular musical instruments throughout pharaonic history. This bow harp, among the oldest to have survived, is characterized by a long, curving neck and a shovel-shaped sound box. Originally covered by parchment or animal skin, the sound box would have resonated when the instrument's five strings were plucked. Harpers played either alone or in ensembles with singers and other musicians. Museum: Metropolitan Museu
Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602658617.html
RF2X0DD61–Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
A photograph depicting shipbuilding activities during World War One. The image shows workers engaged in constructing a ship. The photograph is labeled as WINNER 3976 and was taken by photographer REOD in 1918. The accompanying notes mention the image being issued with the C taken symbol AU and additional annotations indicating 3-4. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-photograph-depicting-shipbuilding-activities-during-world-war-one-the-image-shows-workers-engaged-in-constructing-a-ship-the-photograph-is-labeled-as-winner-3976-and-was-taken-by-photographer-reod-in-1918-the-accompanying-notes-mention-the-image-being-issued-with-the-c-taken-symbol-au-and-additional-annotations-indicating-3-4-image558264361.html
RM2RC73TW–A photograph depicting shipbuilding activities during World War One. The image shows workers engaged in constructing a ship. The photograph is labeled as WINNER 3976 and was taken by photographer REOD in 1918. The accompanying notes mention the image being issued with the C taken symbol AU and additional annotations indicating 3-4.
. Fig. 73. Decolopoda australis. Eights: A. Central nervous system: x 13. Decolopoda antarctka, Bouvier. B. Supra-oesophageal ganglia and their associated nerves (diagram). C. Optic nerve and its branches below the ocular tubercle: x 13 a. Median azygous proboscidial nerve, b. Optic nerve, c. Nerve to chelo- phore. d. Nerve to muscle working chelophore. e. Superficial nerve to anterior border of cephalon. i, 2 and 3. Nerves to proboscis, palp and oviger respectively. the base of the circum-oesophageal commissure in Colossendeis; this nerve (1918, pp. 73-4) passes right forward to the base of t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-73-decolopoda-australis-eights-a-central-nervous-system-x-13-decolopoda-antarctka-bouvier-b-supra-oesophageal-ganglia-and-their-associated-nerves-diagram-c-optic-nerve-and-its-branches-below-the-ocular-tubercle-x-13-a-median-azygous-proboscidial-nerve-b-optic-nerve-c-nerve-to-chelo-phore-d-nerve-to-muscle-working-chelophore-e-superficial-nerve-to-anterior-border-of-cephalon-i-2-and-3-nerves-to-proboscis-palp-and-oviger-respectively-the-base-of-the-circum-oesophageal-commissure-in-colossendeis-this-nerve-1918-pp-73-4-passes-right-forward-to-the-base-of-t-image180025677.html
RMMCTTGD–. Fig. 73. Decolopoda australis. Eights: A. Central nervous system: x 13. Decolopoda antarctka, Bouvier. B. Supra-oesophageal ganglia and their associated nerves (diagram). C. Optic nerve and its branches below the ocular tubercle: x 13 a. Median azygous proboscidial nerve, b. Optic nerve, c. Nerve to chelo- phore. d. Nerve to muscle working chelophore. e. Superficial nerve to anterior border of cephalon. i, 2 and 3. Nerves to proboscis, palp and oviger respectively. the base of the circum-oesophageal commissure in Colossendeis; this nerve (1918, pp. 73-4) passes right forward to the base of t
Gold Signet Ring of Michael Zorianos MET LC 18 145 42 s2 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gold-signet-ring-of-michael-zorianos-met-lc-18-145-42-s2-465925-byzantine-168092918.html
RMKND86E–Gold Signet Ring of Michael Zorianos MET LC 18 145 42 s2 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42)
Le Monde Illustré, June 14, 1884: The Festival for the victims of duty, 1884. Auguste Louis Lepère (French, 1849-1918). Wood engraving; sheet: 31.2 x 46.3 cm (12 5/16 x 18 1/4 in.); image: 21.2 x 14.6 cm (8 3/8 x 5 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-monde-illustr-june-14-1884-the-festival-for-the-victims-of-duty-1884-auguste-louis-lepre-french-1849-1918-wood-engraving-sheet-312-x-463-cm-12-516-x-18-14-in-image-212-x-146-cm-8-38-x-5-34-in-image240490250.html
RMRY77NE–Le Monde Illustré, June 14, 1884: The Festival for the victims of duty, 1884. Auguste Louis Lepère (French, 1849-1918). Wood engraving; sheet: 31.2 x 46.3 cm (12 5/16 x 18 1/4 in.); image: 21.2 x 14.6 cm (8 3/8 x 5 3/4 in
Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-a-hat-reading-andre-en-chapeau-lisant-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-16-116-x-19-34-in-408-x-502-cm-image350109455.html
RF2B9GT53–Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm)
Dreer's mid-summer list 1918 . Dracena Rothiana each. Sanderiana. A graceful variety with glaucous gage, edged with a broad border of creamy-white,each. Terminalis. Rich crimson foliage; marked withwhite. 30 cts., 50 cts. and $1.00 each. reen foli-25 cts. I)ink and DRBBRS FIXE FERXS We offer below but a few of the more important Decorative Ferns. For complete list see our annual Garden Book. Adiantum Farleyense Qloriosa. An easy-growing formof that most beautiful of all Maiden-Hairs, Adiantum Farley-ense. Good plants in 3-inch pots, 25 cts. each; 4-inch pots,50 cts. each. Asplenium Nidus Avis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dreers-mid-summer-list-1918-dracena-rothiana-each-sanderiana-a-graceful-variety-with-glaucous-gage-edged-with-a-broad-border-of-creamy-whiteeach-terminalis-rich-crimson-foliage-marked-withwhite-30-cts-50-cts-and-100-each-reen-foli-25-cts-iink-and-drbbrs-fixe-ferxs-we-offer-below-but-a-few-of-the-more-important-decorative-ferns-for-complete-list-see-our-annual-garden-book-adiantum-farleyense-qloriosa-an-easy-growing-formof-that-most-beautiful-of-all-maiden-hairs-adiantum-farley-ense-good-plants-in-3-inch-pots-25-cts-each-4-inch-pots50-cts-each-asplenium-nidus-avis-image340266819.html
RM2ANGDPB–Dreer's mid-summer list 1918 . Dracena Rothiana each. Sanderiana. A graceful variety with glaucous gage, edged with a broad border of creamy-white,each. Terminalis. Rich crimson foliage; marked withwhite. 30 cts., 50 cts. and $1.00 each. reen foli-25 cts. I)ink and DRBBRS FIXE FERXS We offer below but a few of the more important Decorative Ferns. For complete list see our annual Garden Book. Adiantum Farleyense Qloriosa. An easy-growing formof that most beautiful of all Maiden-Hairs, Adiantum Farley-ense. Good plants in 3-inch pots, 25 cts. each; 4-inch pots,50 cts. each. Asplenium Nidus Avis
Français, economisez le gaz. Artist: Jeanne Fapournoux (French, active 1918). Dimensions: Sheet: 21 3/4 × 14 1/8 in. (55.2 × 35.8 cm). Date: ca. 1914. World War I poster. One of the posters designed by French school children in the conservation campaigne of the Comité National de prévoyance et d'économies, Union Française, Association Nationale pour l'expansion morale et matérielle de la France. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-economisez-le-gaz-artist-jeanne-fapournoux-french-active-1918-dimensions-sheet-21-34-14-18-in-552-358-cm-date-ca-1914-world-war-i-poster-one-of-the-posters-designed-by-french-school-children-in-the-conservation-campaigne-of-the-comit-national-de-prvoyance-et-dconomies-union-franaise-association-nationale-pour-lexpansion-morale-et-matrielle-de-la-france-museum-metropolitan-museum-of-art-new-york-usa-image213325937.html
RMPB1RBD–Français, economisez le gaz. Artist: Jeanne Fapournoux (French, active 1918). Dimensions: Sheet: 21 3/4 × 14 1/8 in. (55.2 × 35.8 cm). Date: ca. 1914. World War I poster. One of the posters designed by French school children in the conservation campaigne of the Comité National de prévoyance et d'économies, Union Française, Association Nationale pour l'expansion morale et matérielle de la France. Museum: Metropolitan Museum of Art, New York, USA.
Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602676615.html
RF2X0E84R–Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
Jansen Hermann (1869-1945), urban planning in Adana (08.1918): Planning document city map in 12 parts, here sheet 5, 1: 2000, scale bar. Light break on film, 38.3 x 60.4 cm (including scan edges) Jansen Hermann (1869-1945): Stadtplanung, Adana Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jansen-hermann-1869-1945-urban-planning-in-adana-081918-planning-document-city-map-in-12-parts-here-sheet-5-1-2000-scale-bar-light-break-on-film-383-x-604-cm-including-scan-edges-jansen-hermann-1869-1945-stadtplanung-adana-image477460981.html
RM2JMP69W–Jansen Hermann (1869-1945), urban planning in Adana (08.1918): Planning document city map in 12 parts, here sheet 5, 1: 2000, scale bar. Light break on film, 38.3 x 60.4 cm (including scan edges) Jansen Hermann (1869-1945): Stadtplanung, Adana
. Fig. 234. Elektrokardiogramm vom Menschen. Nach Einthoven. Ableitung III. Waller2 hat folgende Ableitungsstellen empfohlen: 1. rechte Hand — linke Hand; 2. rechte Hand — rechter Fuß oder linker Fuß; 3. linke Hand — linker Fuß oder rechter Fuß; 4. Mund — rechte Hand; 5. Mund — linke Hand; glatt, auch bei dem stärksten Zittern. Leider ist dabei aber der Ausschlag sehr klein (Aren, f. d. ges. Physiol., 170, S. 583; 1918). 1 Kraus und Nicolai, Das Elektrokardiogramm, S. 138; — vgl. auch Kahn, Arch. f. d. ges. Physiol., 129, S. 303; 1909. 2 Waller, Proc. of the Royal Society, 86, B, S. 510; 1913; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-234-elektrokardiogramm-vom-menschen-nach-einthoven-ableitung-iii-waller2-hat-folgende-ableitungsstellen-empfohlen-1-rechte-hand-linke-hand-2-rechte-hand-rechter-fu-oder-linker-fu-3-linke-hand-linker-fu-oder-rechter-fu-4-mund-rechte-hand-5-mund-linke-hand-glatt-auch-bei-dem-strksten-zittern-leider-ist-dabei-aber-der-ausschlag-sehr-klein-aren-f-d-ges-physiol-170-s-583-1918-1-kraus-und-nicolai-das-elektrokardiogramm-s-138-vgl-auch-kahn-arch-f-d-ges-physiol-129-s-303-1909-2-waller-proc-of-the-royal-society-86-b-s-510-1913-image179991303.html
RMMCR8MR–. Fig. 234. Elektrokardiogramm vom Menschen. Nach Einthoven. Ableitung III. Waller2 hat folgende Ableitungsstellen empfohlen: 1. rechte Hand — linke Hand; 2. rechte Hand — rechter Fuß oder linker Fuß; 3. linke Hand — linker Fuß oder rechter Fuß; 4. Mund — rechte Hand; 5. Mund — linke Hand; glatt, auch bei dem stärksten Zittern. Leider ist dabei aber der Ausschlag sehr klein (Aren, f. d. ges. Physiol., 170, S. 583; 1918). 1 Kraus und Nicolai, Das Elektrokardiogramm, S. 138; — vgl. auch Kahn, Arch. f. d. ges. Physiol., 129, S. 303; 1909. 2 Waller, Proc. of the Royal Society, 86, B, S. 510; 1913;
Gold Signet Ring of Michael Zorianos MET LC 18 145 42 s1 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gold-signet-ring-of-michael-zorianos-met-lc-18-145-42-s1-465925-byzantine-168092917.html
RMKND86D–Gold Signet Ring of Michael Zorianos MET LC 18 145 42 s1 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42)
Oni Nembutsu, Standing with Head Raised and Howling, late 19th-early 20th century. Shonen Suzuki (Japanese, 1849-1918). Hanging scroll; ink and color on silk; overall: 194.4 x 61 cm (76 9/16 x 24 in.); painting only: 106 x 42 cm (41 3/4 x 16 9/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oni-nembutsu-standing-with-head-raised-and-howling-late-19th-early-20th-century-shonen-suzuki-japanese-1849-1918-hanging-scroll-ink-and-color-on-silk-overall-1944-x-61-cm-76-916-x-24-in-painting-only-106-x-42-cm-41-34-x-16-916-in-image240461307.html
RMRY5XRR–Oni Nembutsu, Standing with Head Raised and Howling, late 19th-early 20th century. Shonen Suzuki (Japanese, 1849-1918). Hanging scroll; ink and color on silk; overall: 194.4 x 61 cm (76 9/16 x 24 in.); painting only: 106 x 42 cm (41 3/4 x 16 9/16 in
Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-a-hat-reading-andre-en-chapeau-lisant-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-16-116-x-19-34-in-408-x-502-cm-image350109457.html
RF2B9GT55–Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm)
. A history of Section 647, United States army ambulance service with the French army. ce. Enlisted October 3, 1917.Joined the section on November 8, 1917. R. Donnell Harris, Private First Class, 569 FifthAvenue, New York City. Was with Section 11, Norton-Harjes Ambulance Service. Enlisted September 12, 1917.Joined the section November 8, 1917. Has received theCroix de Guerre in the Volunteer Service. Albert LaFleur, Private First Class, 3 HancockStreet, Worcester, Massachusetts. Enlisted June 11, 1917.Was with the U. S. A. A. S. in Allentown. Joined thesection February 4, 1918. Mark E. Kerr, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-history-of-section-647-united-states-army-ambulance-service-with-the-french-army-ce-enlisted-october-3-1917joined-the-section-on-november-8-1917-r-donnell-harris-private-first-class-569-fifthavenue-new-york-city-was-with-section-11-norton-harjes-ambulance-service-enlisted-september-12-1917joined-the-section-november-8-1917-has-received-thecroix-de-guerre-in-the-volunteer-service-albert-lafleur-private-first-class-3-hancockstreet-worcester-massachusetts-enlisted-june-11-1917was-with-the-u-s-a-a-s-in-allentown-joined-thesection-february-4-1918-mark-e-kerr-image336907609.html
RM2AG3D2H–. A history of Section 647, United States army ambulance service with the French army. ce. Enlisted October 3, 1917.Joined the section on November 8, 1917. R. Donnell Harris, Private First Class, 569 FifthAvenue, New York City. Was with Section 11, Norton-Harjes Ambulance Service. Enlisted September 12, 1917.Joined the section November 8, 1917. Has received theCroix de Guerre in the Volunteer Service. Albert LaFleur, Private First Class, 3 HancockStreet, Worcester, Massachusetts. Enlisted June 11, 1917.Was with the U. S. A. A. S. in Allentown. Joined thesection February 4, 1918. Mark E. Kerr,
Girl in a Sailor's Blouse. Artist: Amedeo Modigliani (Italian, Livorno 1884-1920 Paris). Dimensions: 25 3/4 × 18 1/4 in. (65.4 × 46.4 cm). Date: 1918. From March 1918 until May 1919 the ailing Modigliani lived in the south of France-mainly in Nice-to recuperate in the healthy climate. Lacking his usual coterie of friends, he employed local young servants, shopgirls, and children as models. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girl-in-a-sailors-blouse-artist-amedeo-modigliani-italian-livorno-1884-1920-paris-dimensions-25-34-18-14-in-654-464-cm-date-1918-from-march-1918-until-may-1919-the-ailing-modigliani-lived-in-the-south-of-france-mainly-in-nice-to-recuperate-in-the-healthy-climate-lacking-his-usual-coterie-of-friends-he-employed-local-young-servants-shopgirls-and-children-as-models-museum-metropolitan-museum-of-art-new-york-usa-image213304111.html
RMPB0RFY–Girl in a Sailor's Blouse. Artist: Amedeo Modigliani (Italian, Livorno 1884-1920 Paris). Dimensions: 25 3/4 × 18 1/4 in. (65.4 × 46.4 cm). Date: 1918. From March 1918 until May 1919 the ailing Modigliani lived in the south of France-mainly in Nice-to recuperate in the healthy climate. Lacking his usual coterie of friends, he employed local young servants, shopgirls, and children as models. Museum: Metropolitan Museum of Art, New York, USA.
Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602682579.html
RF2X0EFNR–Coolidge, AZ., U.S.A., 3/16/2024. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
Exterior view of the Menier Chocolate Plant located outside Paris, in Seine, France. The photograph was taken by Sgt. G. Ryden on January 3, 1919. This image was given the subject number 4-8540 and the photographer code is 3-1-19. It was officially issued on December 2, 1918, and recorded as 1204-N9. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/exterior-view-of-the-menier-chocolate-plant-located-outside-paris-in-seine-france-the-photograph-was-taken-by-sgt-g-ryden-on-january-3-1919-this-image-was-given-the-subject-number-4-8540-and-the-photographer-code-is-3-1-19-it-was-officially-issued-on-december-2-1918-and-recorded-as-1204-n9-image558500810.html
RM2RCHWDE–Exterior view of the Menier Chocolate Plant located outside Paris, in Seine, France. The photograph was taken by Sgt. G. Ryden on January 3, 1919. This image was given the subject number 4-8540 and the photographer code is 3-1-19. It was officially issued on December 2, 1918, and recorded as 1204-N9.
. Fig. 25. Barhel of Idiacanthtis niger. (x i|.) Macrostomias longibarbatus, Brauer. Brauer, 1902, Zool. Anz. xxv, p. 283; ' Voldivia' Tiefsee-Fische, p. 52, pi. iii, fig. 2. St. 281. 12. viii. 27. 00° 46' 00" S, 5° 49' 15" E. Young-fish trawl, 850-950 (-0) m.: i specimen, 95 mm. Hab. Atlantic and Indian Oceans. Stomias ferox, Reinhardt, 1842. Ege, 1918, Rep. Danish Ocean. Exped. (1908-10), n. A, 4, p. 3. 10. X 25. 41° 37' 15" N, 12° 30' 20" W. 2 m. tow-net, horizontal, 900 (-0) m.: i specimen, 88 mm. Hab. North Atlantic. Stomias affinis, Glinther. Gunther, 1887, Deep-Sea F Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-25-barhel-of-idiacanthtis-niger-x-i-macrostomias-longibarbatus-brauer-brauer-1902-zool-anz-xxv-p-283-voldivia-tiefsee-fische-p-52-pi-iii-fig-2-st-281-12-viii-27-00-46-00quot-s-5-49-15quot-e-young-fish-trawl-850-950-0-m-i-specimen-95-mm-hab-atlantic-and-indian-oceans-stomias-ferox-reinhardt-1842-ege-1918-rep-danish-ocean-exped-1908-10-n-a-4-p-3-10-x-25-41-37-15quot-n-12-30-20quot-w-2-m-tow-net-horizontal-900-0-m-i-specimen-88-mm-hab-north-atlantic-stomias-affinis-glinther-gunther-1887-deep-sea-f-image179932089.html
RMMCMH61–. Fig. 25. Barhel of Idiacanthtis niger. (x i|.) Macrostomias longibarbatus, Brauer. Brauer, 1902, Zool. Anz. xxv, p. 283; ' Voldivia' Tiefsee-Fische, p. 52, pi. iii, fig. 2. St. 281. 12. viii. 27. 00° 46' 00" S, 5° 49' 15" E. Young-fish trawl, 850-950 (-0) m.: i specimen, 95 mm. Hab. Atlantic and Indian Oceans. Stomias ferox, Reinhardt, 1842. Ege, 1918, Rep. Danish Ocean. Exped. (1908-10), n. A, 4, p. 3. 10. X 25. 41° 37' 15" N, 12° 30' 20" W. 2 m. tow-net, horizontal, 900 (-0) m.: i specimen, 88 mm. Hab. North Atlantic. Stomias affinis, Glinther. Gunther, 1887, Deep-Sea F
Gold Signet Ring of Michael Zorianos MET LC 18 145 42 s3 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gold-signet-ring-of-michael-zorianos-met-lc-18-145-42-s3-465925-byzantine-168092919.html
RMKND86F–Gold Signet Ring of Michael Zorianos MET LC 18 145 42 s3 465925 Byzantine, Gold Signet Ring of Michael Zorianos, ca. 1300, Gold, 9/16 ? 15/16 in., 0.882oz. (1.4 ? 2.4 cm, 25g) Bezel: 9/16 ? 1/2 in. (1.4 ? 1.3 cm) Inside circumference: 2 1/4 in. (5.7 cm) . The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.42)
Fontainebleau Forest: Carrefour de l'Epine (La Forêt de Fontainebleau: Carrefour de l'Epine), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 4.5 x 10.3 cm (1 3/4 x 4 1/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fontainebleau-forest-carrefour-de-lepine-la-fort-de-fontainebleau-carrefour-de-lepine-1890-auguste-louis-lepre-french-1849-1918-a-desmoulins-published-in-revue-illustre-1887-90-wood-engraving-from-bound-volume-of-34-image-45-x-103-cm-1-34-x-4-116-in-image240479859.html
RMRY6PEB–Fontainebleau Forest: Carrefour de l'Epine (La Forêt de Fontainebleau: Carrefour de l'Epine), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 4.5 x 10.3 cm (1 3/4 x 4 1/16 in
Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-a-hat-reading-andre-en-chapeau-lisant-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-16-116-x-19-34-in-408-x-502-cm-image350109454.html
RF2B9GT52–Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm)
. Canadian grocer January-March 1918. The Submarine Menace necessitates the prohibitionof export of all foodstuffsfrom the United Kingdom. SPRATTS DOG CAKES Poultry Foods, Canaryand Parrot Mixtures pending the removal ofthe embargo, can be ob-tained from SPRATTS PATENT (America) LTD.Newark, New Jersey. London (Eng.), Spratts Patent Limited,24-25, Fenchurch Street, E.C. 3. Wheil in need of Wrapping PaperTwines &Cordage B roomsrushesaskets Grocers Sundries Walter Woods & Co. Hamilton & Winnipeg CANADIAN U ROC K R. While Flour Standards May Change,Our Policy Still Stands. > 1 ?7S ® • CANADA ^4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canadian-grocer-january-march-1918-the-submarine-menace-necessitates-the-prohibitionof-export-of-all-foodstuffsfrom-the-united-kingdom-spratts-dog-cakes-poultry-foods-canaryand-parrot-mixtures-pending-the-removal-ofthe-embargo-can-be-ob-tained-from-spratts-patent-america-ltdnewark-new-jersey-london-eng-spratts-patent-limited24-25-fenchurch-street-ec-3-wheil-in-need-of-wrapping-papertwines-cordage-b-roomsrushesaskets-grocers-sundries-walter-woods-co-hamilton-winnipeg-canadian-u-roc-k-r-while-flour-standards-may-changeour-policy-still-stands-gt-1-7s-canada-4-image336718723.html
RM2AFPT4K–. Canadian grocer January-March 1918. The Submarine Menace necessitates the prohibitionof export of all foodstuffsfrom the United Kingdom. SPRATTS DOG CAKES Poultry Foods, Canaryand Parrot Mixtures pending the removal ofthe embargo, can be ob-tained from SPRATTS PATENT (America) LTD.Newark, New Jersey. London (Eng.), Spratts Patent Limited,24-25, Fenchurch Street, E.C. 3. Wheil in need of Wrapping PaperTwines &Cordage B roomsrushesaskets Grocers Sundries Walter Woods & Co. Hamilton & Winnipeg CANADIAN U ROC K R. While Flour Standards May Change,Our Policy Still Stands. > 1 ?7S ® • CANADA ^4
Mohnköpfe (Poppyheads) (Dress or Furnishing Fabric). Designed by Koloman Moser (Austrian, 1868-1918); Produced by Johan Backhausen und Söhne (Austrian, founded 1849); Austria, Vienna. Date: 1900. Dimensions: 182.9 × 113 cm (72 × 44 1/2 in.) Repeat: 45.5 × 29.8 cm (17 7/8 × 11 3/4 in.). Silk, wild silk, and cotton, satin weave self-patterned by ground weft floats. Origin: Vienna. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mohnkpfe-poppyheads-dress-or-furnishing-fabric-designed-by-koloman-moser-austrian-1868-1918-produced-by-johan-backhausen-und-shne-austrian-founded-1849-austria-vienna-date-1900-dimensions-1829-113-cm-72-44-12-in-repeat-455-298-cm-17-78-11-34-in-silk-wild-silk-and-cotton-satin-weave-self-patterned-by-ground-weft-floats-origin-vienna-museum-the-chicago-art-institute-image240027873.html
RMRXE601–Mohnköpfe (Poppyheads) (Dress or Furnishing Fabric). Designed by Koloman Moser (Austrian, 1868-1918); Produced by Johan Backhausen und Söhne (Austrian, founded 1849); Austria, Vienna. Date: 1900. Dimensions: 182.9 × 113 cm (72 × 44 1/2 in.) Repeat: 45.5 × 29.8 cm (17 7/8 × 11 3/4 in.). Silk, wild silk, and cotton, satin weave self-patterned by ground weft floats. Origin: Vienna. Museum: The Chicago Art Institute.
Coolidge, AZ., U.S.A., 3/16/2024.. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602642822.html
RF2X0CN1X–Coolidge, AZ., U.S.A., 3/16/2024.. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
Pvt. R. W. Young from Philadelphia is seen in this photo dated November 29, 1918. The image shows butcher saws numbered 1 and 2, as well as dehorning saws numbered 3 and 4. The butcher saw blades are blued and polished. The photo was passed by the M.I.D. censor on December 2, 1918. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pvt-r-w-young-from-philadelphia-is-seen-in-this-photo-dated-november-29-1918-the-image-shows-butcher-saws-numbered-1-and-2-as-well-as-dehorning-saws-numbered-3-and-4-the-butcher-saw-blades-are-blued-and-polished-the-photo-was-passed-by-the-mid-censor-on-december-2-1918-image558119795.html
RM2RC0FDR–Pvt. R. W. Young from Philadelphia is seen in this photo dated November 29, 1918. The image shows butcher saws numbered 1 and 2, as well as dehorning saws numbered 3 and 4. The butcher saw blades are blued and polished. The photo was passed by the M.I.D. censor on December 2, 1918.
Broadside with two love ballads (corridos), figures dancing upper left and a woman wearing a shawl and skirt lower right MET DP868545 737811 Artist: Jos? Guadalupe Posada, Mexican, 1851?1913, Publisher: Antonio Vanegas Arroyo, 1850?1917, Mexican, Broadside with two love ballads (corridos), figures dancing upper left and a woman wearing a shawl and skirt lower right, ca. 1918 (published), Photo-relief and letterpress on gray paper, Sheet: 12 in. ? 7 3/4 in. (30.5 ? 19.7 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1946 (46.46.194) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-broadside-with-two-love-ballads-corridos-figures-dancing-upper-left-168092010.html
RMKND722–Broadside with two love ballads (corridos), figures dancing upper left and a woman wearing a shawl and skirt lower right MET DP868545 737811 Artist: Jos? Guadalupe Posada, Mexican, 1851?1913, Publisher: Antonio Vanegas Arroyo, 1850?1917, Mexican, Broadside with two love ballads (corridos), figures dancing upper left and a woman wearing a shawl and skirt lower right, ca. 1918 (published), Photo-relief and letterpress on gray paper, Sheet: 12 in. ? 7 3/4 in. (30.5 ? 19.7 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1946 (46.46.194)
Fontainebleau Forest: Manufacturer of Slats (La Forêt de Fontainebleau: Le Fabricant de lattes), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 7.4 x 9.5 cm (2 15/16 x 3 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fontainebleau-forest-manufacturer-of-slats-la-fort-de-fontainebleau-le-fabricant-de-lattes-1890-auguste-louis-lepre-french-1849-1918-a-desmoulins-published-in-revue-illustre-1887-90-wood-engraving-from-bound-volume-of-34-image-74-x-95-cm-2-1516-x-3-34-in-image240479901.html
RMRY6PFW–Fontainebleau Forest: Manufacturer of Slats (La Forêt de Fontainebleau: Le Fabricant de lattes), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 7.4 x 9.5 cm (2 15/16 x 3 3/4 in
Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-auguste-renoir-andre-in-a-hat-reading-andre-en-chapeau-lisant-pierre-auguste-renoir-c-1918-oil-on-canvas-overall-16-116-x-19-34-in-408-x-502-cm-image350109464.html
RF2B9GT5C–Pierre-Auguste Renoir: Andrée in a Hat, Reading (Andrée en chapeau, lisant), Pierre-Auguste Renoir, c. 1918, Oil on canvas, Overall: 16 1/16 x 19 3/4 in. (40.8 x 50.2 cm)
. Canadian foundryman (1918). j/yML BL-^ 1 ?— »fMI.3 4. The Hawley-Schwartz Furnace The Only Perfect Melter All metal from 50 lbs. to 10,000 lbs.Is Absolutely Uniform Write for catalog and complete information The Hawley Down Draft Furnace Co. Easton, Penn., U.S.A.. Highest Quality Foundry Brushes We can meet every foundry brushrequirement on the shortest notice. Youcan rely upon our lines to give the bestof satisfaction from every point of view.Get your next supply from us—or giveus a trial order. The Manufacturers Brush CLEVELAND - OHIO19 Warren St., New York Co. Bent HandUWashout. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canadian-foundryman-1918-jyml-bl-1-fmi3-4-the-hawley-schwartz-furnace-the-only-perfect-melter-all-metal-from-50-lbs-to-10000-lbsis-absolutely-uniform-write-for-catalog-and-complete-information-the-hawley-down-draft-furnace-co-easton-penn-usa-highest-quality-foundry-brushes-we-can-meet-every-foundry-brushrequirement-on-the-shortest-notice-youcan-rely-upon-our-lines-to-give-the-bestof-satisfaction-from-every-point-of-viewget-your-next-supply-from-usor-giveus-a-trial-order-the-manufacturers-brush-cleveland-ohio19-warren-st-new-york-co-bent-handuwashout-image336890707.html
RM2AG2KEY–. Canadian foundryman (1918). j/yML BL-^ 1 ?— »fMI.3 4. The Hawley-Schwartz Furnace The Only Perfect Melter All metal from 50 lbs. to 10,000 lbs.Is Absolutely Uniform Write for catalog and complete information The Hawley Down Draft Furnace Co. Easton, Penn., U.S.A.. Highest Quality Foundry Brushes We can meet every foundry brushrequirement on the shortest notice. Youcan rely upon our lines to give the bestof satisfaction from every point of view.Get your next supply from us—or giveus a trial order. The Manufacturers Brush CLEVELAND - OHIO19 Warren St., New York Co. Bent HandUWashout.
The Charge. Dated: 1918. Dimensions: image: 25.08 × 40.96 cm (9 7/8 × 16 1/8 in.) sheet: 28.26 × 43.34 cm (11 1/8 × 17 1/16 in.) support: 37.15 × 55.25 cm (14 5/8 × 21 3/4 in.). Medium: lithograph in black on chine collé. Museum: National Gallery of Art, Washington DC. Author: George Bellows. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-charge-dated-1918-dimensions-image-2508-4096-cm-9-78-16-18-in-sheet-2826-4334-cm-11-18-17-116-in-support-3715-5525-cm-14-58-21-34-in-medium-lithograph-in-black-on-chine-coll-museum-national-gallery-of-art-washington-dc-author-george-bellows-image225459095.html
RMR2PFAF–The Charge. Dated: 1918. Dimensions: image: 25.08 × 40.96 cm (9 7/8 × 16 1/8 in.) sheet: 28.26 × 43.34 cm (11 1/8 × 17 1/16 in.) support: 37.15 × 55.25 cm (14 5/8 × 21 3/4 in.). Medium: lithograph in black on chine collé. Museum: National Gallery of Art, Washington DC. Author: George Bellows.
Coolidge, AZ., U.S.A., 3/16/2024.. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coolidge-az-usa-3162024-casa-grande-ruins-national-monument-in-1918-mystery-surrounds-this-unique-circa-1350-ad-4-story-caliche-image602644468.html
RF2X0CR4M–Coolidge, AZ., U.S.A., 3/16/2024.. Casa Grande Ruins National Monument in 1918. Mystery surrounds this unique circa 1350 A.D. 4-story “caliche”
A photograph taken in 1918 shows the view of St. Dezier, France during World War One. The picture captures the town's buildings and streets. It is marked with the description symbol 'EU' and was photoshoot by photographer RECO. The image is part of the collection numbered 5108, with additional notes from CNOTES indicating that it was taken from a distance of 3-4. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-photograph-taken-in-1918-shows-the-view-of-st-dezier-france-during-world-war-one-the-picture-captures-the-towns-buildings-and-streets-it-is-marked-with-the-description-symbol-eu-and-was-photoshoot-by-photographer-reco-the-image-is-part-of-the-collection-numbered-5108-with-additional-notes-from-cnotes-indicating-that-it-was-taken-from-a-distance-of-3-4-image558333967.html
RM2RCA8JR–A photograph taken in 1918 shows the view of St. Dezier, France during World War One. The picture captures the town's buildings and streets. It is marked with the description symbol 'EU' and was photoshoot by photographer RECO. The image is part of the collection numbered 5108, with additional notes from CNOTES indicating that it was taken from a distance of 3-4.
Canapé executé pour Mr. le Comte de Bielenski, from 'Oeuvre de Juste Aurele Meissonnier' MET DP830899 377493 Artist: Juste Aur?le Meissonnier, French, Turin 1695?1750 Paris, Engraver: Gabriel Huquier, French, Orl?ans 1695?1772 Paris, Publisher: Gabriel Huquier, French, Orl?ans 1695?1772 Paris, Canap? execut? pour Mr. le Comte de Bielenski, from 'Oeuvre de Juste Aurele Meissonnier', ca. 1742?48, Etching and engraving, Plate: 12 1/2 ? 14 5/16 in. (31.7 ? 36.4 cm) Sheet: 22 3/4 ? 17 in. (57.8 ? 43.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.62.5.51) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-canap-execut-pour-mr-le-comte-de-bielenski-from-oeuvre-de-juste-aurele-168036114.html
RMKNAKNP–Canapé executé pour Mr. le Comte de Bielenski, from 'Oeuvre de Juste Aurele Meissonnier' MET DP830899 377493 Artist: Juste Aur?le Meissonnier, French, Turin 1695?1750 Paris, Engraver: Gabriel Huquier, French, Orl?ans 1695?1772 Paris, Publisher: Gabriel Huquier, French, Orl?ans 1695?1772 Paris, Canap? execut? pour Mr. le Comte de Bielenski, from 'Oeuvre de Juste Aurele Meissonnier', ca. 1742?48, Etching and engraving, Plate: 12 1/2 ? 14 5/16 in. (31.7 ? 36.4 cm) Sheet: 22 3/4 ? 17 in. (57.8 ? 43.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.62.5.51)
Fontainebleau Forest: Valley of the Solle (La Forêt de Fontainebleau: La Vallée de la Solle), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 4.3 x 16.1 cm (1 11/16 x 6 5/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fontainebleau-forest-valley-of-the-solle-la-fort-de-fontainebleau-la-valle-de-la-solle-1890-auguste-louis-lepre-french-1849-1918-a-desmoulins-published-in-revue-illustre-1887-90-wood-engraving-from-bound-volume-of-34-image-43-x-161-cm-1-1116-x-6-516-in-image240479882.html
RMRY6PF6–Fontainebleau Forest: Valley of the Solle (La Forêt de Fontainebleau: La Vallée de la Solle), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 4.3 x 16.1 cm (1 11/16 x 6 5/16 in
Nils von Dardel, David Sprengel, 1880-1941, writer, critic, painting, 1918, Watercolor, Height, 49.5 cm (19.4 inches), Width, 36.5 cm (14.3 inches), Inscriptions, Inscription, Dardel 1918, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nils-von-dardel-david-sprengel-1880-1941-writer-critic-painting-1918-watercolor-height-495-cm-194-inches-width-365-cm-143-inches-inscriptions-inscription-dardel-1918-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349932257.html
RF2B98P4H–Nils von Dardel, David Sprengel, 1880-1941, writer, critic, painting, 1918, Watercolor, Height, 49.5 cm (19.4 inches), Width, 36.5 cm (14.3 inches), Inscriptions, Inscription, Dardel 1918, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
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