39 9 x 30 2 cm hi-res stock photography and images

RM2A2P1NN–Disc tear with two blank escutcheons (Theodor Brand, Christina Kosin), in the upper picture Esther before Ahasver, 1558, feather in brown, remains of a preliminary drawing with black pencil, verso feathers and sketch with feather in purple, sheet: 39.2, 39.9 x 30.2 cm, U. monogrammed: LR [lig.], u, ., inscribed and dated in the cartouche: THEODER BRAND, CHRISTNA KOSIN 1558., Ludwig Ringler, Basel 1536–1606 Basel

Art inspired by Marriage Certificate, ca. 1825, Probably made in Pennsylvania, United States, American, Paper, 11 7/8 x 15 9/16 in. (30.2 x 39.5 cm), Natural Substances, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW28AB–Art inspired by Marriage Certificate, ca. 1825, Probably made in Pennsylvania, United States, American, Paper, 11 7/8 x 15 9/16 in. (30.2 x 39.5 cm), Natural Substances, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Marriage Certificate. Culture: American. Dimensions: 11 7/8 x 15 9/16 in. (30.2 x 39.5 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANH3W–Marriage Certificate. Culture: American. Dimensions: 11 7/8 x 15 9/16 in. (30.2 x 39.5 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Calligraphic Panel, mid-19th century, Attributed to Turkey, Velvet; embroidered in gold, 30 1/2 x 15 9/16 in. (77.5 x 39.5 cm), Textiles-Embroidered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYC5X–Art inspired by Calligraphic Panel, mid-19th century, Attributed to Turkey, Velvet; embroidered in gold, 30 1/2 x 15 9/16 in. (77.5 x 39.5 cm), Textiles-Embroidered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Armchair, ca. 1740, British, Mahogany and tapestry, H. 39 x W. 29-1/2 x D. 30 in. (99.1 x 74.9 x 76.2 cm), Woodwork-Furniture Stock Photo

RMKC431A–Armchair, ca. 1740, British, Mahogany and tapestry, H. 39 x W. 29-1/2 x D. 30 in. (99.1 x 74.9 x 76.2 cm), Woodwork-Furniture

Art inspired by Design for a Gate, 18th century, Graphite, pen and black ink, sheet: 12 3/16 x 15 1/2 in. (30.9 x 39.3 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXFX9–Art inspired by Design for a Gate, 18th century, Graphite, pen and black ink, sheet: 12 3/16 x 15 1/2 in. (30.9 x 39.3 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. English: Display Artist: Bhima Creation Date: ca. 1755 Display Dimensions: 9 1/8 in. x 11 31/32 in. (23.2 cm x 30.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.882 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 13 December 2002, 11:58:39. English: thesandiegomuseumofartcollection 756 Kanvar Prithvi Singh equestrian (6124569701) Stock Photo

RMMNXMNC–. English: Display Artist: Bhima Creation Date: ca. 1755 Display Dimensions: 9 1/8 in. x 11 31/32 in. (23.2 cm x 30.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.882 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 13 December 2002, 11:58:39. English: thesandiegomuseumofartcollection 756 Kanvar Prithvi Singh equestrian (6124569701)

Art inspired by Armchair, ca. 1740, British, Mahogany and tapestry, H. 39 x W. 29-1/2 x D. 30 in. (99.1 x 74.9 x 76.2 cm), Woodwork-Furniture, The tapestry panels displaying bouquets, baskets, and vases of flowers were probably designed by the painter Tobias Stranover (1684–1756), who, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWB2R–Art inspired by Armchair, ca. 1740, British, Mahogany and tapestry, H. 39 x W. 29-1/2 x D. 30 in. (99.1 x 74.9 x 76.2 cm), Woodwork-Furniture, The tapestry panels displaying bouquets, baskets, and vases of flowers were probably designed by the painter Tobias Stranover (1684–1756), who, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Sketch of the Works, which the French made round Wow. Author Eyre, William 109.41.2. Date of publication: 1747 c. Item type: 1 map Medium: pen and ink Dimensions: 30.9 x 39.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FX02–Sketch of the Works, which the French made round Wow. Author Eyre, William 109.41.2. Date of publication: 1747 c. Item type: 1 map Medium: pen and ink Dimensions: 30.9 x 39.0 cm Former owner: George III, King of Great Britain, 1738-1820

'Charles Etienne Pierre Motte after Auguste Jacques Regnier, Tiger Hunt, 1821, lithograph on wove paper, image: 30.2 x 23.4 cm (11 7/8 x 9 3/16 in.) sheet: 39.8 x 28.4 cm (15 11/16 x 11 3/16 in.), Gift of Frank Anderson Trapp, 1999.111.23' Stock Photo

RM2RF3G5A–'Charles Etienne Pierre Motte after Auguste Jacques Regnier, Tiger Hunt, 1821, lithograph on wove paper, image: 30.2 x 23.4 cm (11 7/8 x 9 3/16 in.) sheet: 39.8 x 28.4 cm (15 11/16 x 11 3/16 in.), Gift of Frank Anderson Trapp, 1999.111.23'

Watercolor, A Room in Schloss Buchwald; Attributed to Friedrich Wilhelm Klose; brush and watercolor, gouache on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23 x 30.1 cm (9 1/16 x 11 7/8 in.); Thaw Collection; 2007-27-31 Stock Photo

RM2PMC4AD–Watercolor, A Room in Schloss Buchwald; Attributed to Friedrich Wilhelm Klose; brush and watercolor, gouache on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23 x 30.1 cm (9 1/16 x 11 7/8 in.); Thaw Collection; 2007-27-31

A Boy Holding a Pear (Giacomo Piazzetta?); Giovanni Battista Piazzetta, Italian, 1682 - 1754; about 1737; Black and white chalk Stock Photo

RME74J5W–A Boy Holding a Pear (Giacomo Piazzetta?); Giovanni Battista Piazzetta, Italian, 1682 - 1754; about 1737; Black and white chalk

Design for a Gate. Artist: Anonymous, French, 18th century. Dimensions: sheet: 12 3/16 x 15 1/2 in. (30.9 x 39.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKRPH–Design for a Gate. Artist: Anonymous, French, 18th century. Dimensions: sheet: 12 3/16 x 15 1/2 in. (30.9 x 39.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

RMKC4311–Armchair, ca. 1740, British, Mahogany and tapestry, H. 39 x W. 29-1/2 x D. 30 in. (99.1 x 74.9 x 76.2 cm), Woodwork-Furniture

Painting; oil on canvas; overall: 67.5 x 100 cm (26 9/16 x 39 3/8 in.) framed: 76.8 x 110.2 x 5.3 cm (30 1/4 x 43 3/8 x 2 1/16 in.); 16 Mounting of the Guard A33683 Stock Photo

RMP027TG–Painting; oil on canvas; overall: 67.5 x 100 cm (26 9/16 x 39 3/8 in.) framed: 76.8 x 110.2 x 5.3 cm (30 1/4 x 43 3/8 x 2 1/16 in.); 16 Mounting of the Guard A33683

RF2HTWB3C–Art inspired by Armchair, ca. 1740, British, Mahogany and tapestry, H. 39 x W. 29-1/2 x D. 30 in. (99.1 x 74.9 x 76.2 cm), Woodwork-Furniture, The tapestry panels displaying bouquets, baskets, and vases of flowers were probably designed by the painter Tobias Stranover (1684–1756), who, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Marine . Visual Material information: Title: [Marine]. 124 Supp.fol.70. Date of publication: between 1780 and 1790. Item type: 1 drawing Medium: watercolour over graphite Dimensions: sheet 30.2 x 53 cm, on support 39.9 x 61.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9GT13–Marine . Visual Material information: Title: [Marine]. 124 Supp.fol.70. Date of publication: between 1780 and 1790. Item type: 1 drawing Medium: watercolour over graphite Dimensions: sheet 30.2 x 53 cm, on support 39.9 x 61.7 cm Former owner: George III, King of Great Britain, 1738-1820

'Johann Ulrich Kraus, after Peter Schubert von Ehrenberg, Triumphal Arch for Henry II, 1725, etching and engraving on laid paper, plate: 36.1 x 24.2 cm (14 3/16 x 9 1/2 in.) sheet: 39.8 x 30.1 cm (15 11/16 x 11 7/8 in.), Gift of the Estate of Leo Steinberg, 2011.139.107' Stock Photo

RM2REKHA6–'Johann Ulrich Kraus, after Peter Schubert von Ehrenberg, Triumphal Arch for Henry II, 1725, etching and engraving on laid paper, plate: 36.1 x 24.2 cm (14 3/16 x 9 1/2 in.) sheet: 39.8 x 30.1 cm (15 11/16 x 11 7/8 in.), Gift of the Estate of Leo Steinberg, 2011.139.107'

Drawing, The Music Party; L. Rossi (active in Germany and France, ca. 1850); brush and watercolor, white gouache, graphite on white wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 x 15 5/8 x 1 in.) Sheet: 30.8 x 23.6 cm (12 1/8 x 9 5/16 in.); Thaw Collection; 2007-27-46 Stock Photo

RM2PMC4AA–Drawing, The Music Party; L. Rossi (active in Germany and France, ca. 1850); brush and watercolor, white gouache, graphite on white wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 x 15 5/8 x 1 in.) Sheet: 30.8 x 23.6 cm (12 1/8 x 9 5/16 in.); Thaw Collection; 2007-27-46

The Martyrdom of Saint John, from The Apocalypse, Latin Edition 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 1/4 x 11 15/16 in. (43.8 x 30.3 cm) image: 15 9/16 x 11 1/8 in. (39.5 x 28.2 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMR2MKXJ–The Martyrdom of Saint John, from The Apocalypse, Latin Edition 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 1/4 x 11 15/16 in. (43.8 x 30.3 cm) image: 15 9/16 x 11 1/8 in. (39.5 x 28.2 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.

RMKC4317–Armchair, ca. 1740, British, Mahogany and tapestry, H. 39 x W. 29-1/2 x D. 30 in. (99.1 x 74.9 x 76.2 cm), Woodwork-Furniture

Gustave Doré, French, 1832–1883, The Legend of the Wandering Jew, 9: Secure he stands..., 1856, Wood engraving on wove paper, image: 15 5/8 x 11 7/8 in. (39.7 x 30.2 cm Stock Photo

RM2B0GT4Y–Gustave Doré, French, 1832–1883, The Legend of the Wandering Jew, 9: Secure he stands..., 1856, Wood engraving on wove paper, image: 15 5/8 x 11 7/8 in. (39.7 x 30.2 cm

RF2HTWB3H–Art inspired by Armchair, ca. 1740, British, Mahogany and tapestry, H. 39 x W. 29-1/2 x D. 30 in. (99.1 x 74.9 x 76.2 cm), Woodwork-Furniture, The tapestry panels displaying bouquets, baskets, and vases of flowers were probably designed by the painter Tobias Stranover (1684–1756), who, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Calligraphic Panel, mid-19th century, Attributed to Turkey, Velvet; embroidered in gold, 30 1/2 x 15 9/16 in. (77.5 x 39.5 cm Stock Photo

RMKCD4AE–Calligraphic Panel, mid-19th century, Attributed to Turkey, Velvet; embroidered in gold, 30 1/2 x 15 9/16 in. (77.5 x 39.5 cm

Painting; oil on canvas; overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.); 10 Georgiana, Duchess of Devonshire G-001695-20120430 Stock Photo

RMP01J35–Painting; oil on canvas; overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.); 10 Georgiana, Duchess of Devonshire G-001695-20120430

Design for a Gate, 18th century, Graphite, pen and black ink, sheet: 12 3/16 x 15 1/2 in. (30.9 x 39.3 cm), Drawings, Anonymous Stock Photo

RMKCB3MD–Design for a Gate, 18th century, Graphite, pen and black ink, sheet: 12 3/16 x 15 1/2 in. (30.9 x 39.3 cm), Drawings, Anonymous

LLYN OGWEEN. Author Loutherbourg, Philippe-Jacques de 46.55. Place of publication: [London] Publisher: Published by R. BOWYER, Historic Gallery, Pall Mall, Date of publication: Jany 1 1805. Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 30.9 x 39.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F00J–LLYN OGWEEN. Author Loutherbourg, Philippe-Jacques de 46.55. Place of publication: [London] Publisher: Published by R. BOWYER, Historic Gallery, Pall Mall, Date of publication: Jany 1 1805. Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 30.9 x 39.2 cm Former owner: George III, King of Great Britain, 1738-1820

Palace of the Caesars on the Palatine, 1860, Robert MacPherson, Scottish, 1811–1872, Scotland, Albumen print, 30.7 x 39.9 cm (image, oval), 49.2 x 64.4 cm (paper Stock Photo

RM2A2KB6W–Palace of the Caesars on the Palatine, 1860, Robert MacPherson, Scottish, 1811–1872, Scotland, Albumen print, 30.7 x 39.9 cm (image, oval), 49.2 x 64.4 cm (paper

RF2B9349C–Disc tear with two blank escutcheons (Theodor Brand, Christina Kosin), in the upper picture Esther before Ahasver, 1558, feather in brown, remains of a preliminary drawing with black pencil, verso feathers and sketch with feather in purple, sheet: 39.2, 39.9 x 30.2 cm, U. monogrammed: LR [lig.], u, ., inscribed and dated in the cartouche: THEODER BRAND, CHRISTNA KOSIN 1558., Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dyn

Gustave Doré, French, 1832–1883, The Legend of the Wandering Jew, 1: Since thou art pitiless..., 1856, Wood engraving on wove paper, image: 15 9/16 x 11 7/8 in. (39.6 x 30.2 cm Stock Photo

RM2B0GT4F–Gustave Doré, French, 1832–1883, The Legend of the Wandering Jew, 1: Since thou art pitiless..., 1856, Wood engraving on wove paper, image: 15 9/16 x 11 7/8 in. (39.6 x 30.2 cm

Drawing, The Music Room of Fanny Hensel (née Mendelssohn); Julius Eduard Wilhelm Helfft (German, 1818 – 1894); brush and watercolor, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23.4 x 30 cm (9 3/16 x 11 13/16 in.); Thaw Collection, Gift of Eugene Victor Thaw Art Foundation; 2007-27-41 Stock Photo

RM2PMC7EY–Drawing, The Music Room of Fanny Hensel (née Mendelssohn); Julius Eduard Wilhelm Helfft (German, 1818 – 1894); brush and watercolor, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23.4 x 30 cm (9 3/16 x 11 13/16 in.); Thaw Collection, Gift of Eugene Victor Thaw Art Foundation; 2007-27-41

Boxhill, attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1868, Gray wash, green wash, brown wash, black chalk, and graphite on medium, slightly textured, brown wove paper, Sheet: 9 1/2 x 12 1/8 inches (24.1 x 30.8 cm), landscape, Box Hill, England, Europe, North Downs, Surrey, United Kingdom Stock Photo

RM2DHTNF1–Boxhill, attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1868, Gray wash, green wash, brown wash, black chalk, and graphite on medium, slightly textured, brown wove paper, Sheet: 9 1/2 x 12 1/8 inches (24.1 x 30.8 cm), landscape, Box Hill, England, Europe, North Downs, Surrey, United Kingdom

The Visitor. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: plate: 15 9/16 x 12 1/8 in. (39.5 x 30.8 cm) sheet: 20 1/2 x 15 7/8 in. (52.1 x 40.3 cm). Date: ca. 1881. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFJ3DB–The Visitor. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: plate: 15 9/16 x 12 1/8 in. (39.5 x 30.8 cm) sheet: 20 1/2 x 15 7/8 in. (52.1 x 40.3 cm). Date: ca. 1881. Museum: Metropolitan Museum of Art, New York, USA.

Painting; oil on panel; overall: 78.1 x 63.5 cm (30 3/4 x 25 in.) framed: 99.7 x 85.7 x 8.9 cm (39 1/4 x 33 3/4 x 3 1/2 in.); Portrait of the Artist's Parents . Salomon de Bray & Anna Westerbaen (posthumous) . circa 1664. 1087 Salomondebray&annawesterbaenin1664 Stock Photo

RMMNX1K2–Painting; oil on panel; overall: 78.1 x 63.5 cm (30 3/4 x 25 in.) framed: 99.7 x 85.7 x 8.9 cm (39 1/4 x 33 3/4 x 3 1/2 in.); Portrait of the Artist's Parents . Salomon de Bray & Anna Westerbaen (posthumous) . circa 1664. 1087 Salomondebray&annawesterbaenin1664

A PLAN of his Majesty's NEW PARK, at Richmond in Surrey. Taken Sep. 1754. Author Eyre, Edward 41.15.b.2. Place of publication: [London] Publisher: [unknown publisher] Date of publication: [1754] Item type: 1 map Medium: copperplate engraving Dimensions: 30.6 x 39.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HRJD–A PLAN of his Majesty's NEW PARK, at Richmond in Surrey. Taken Sep. 1754. Author Eyre, Edward 41.15.b.2. Place of publication: [London] Publisher: [unknown publisher] Date of publication: [1754] Item type: 1 map Medium: copperplate engraving Dimensions: 30.6 x 39.9 cm Former owner: George III, King of Great Britain, 1738-1820

Palace of the Caesars on the Palatine, 1860, Robert MacPherson, Scottish, 1811–1872, Scotland, Albumen print, 30.7 x 39.9 cm (image, oval), 49.2 x 64.4 cm (paper), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B8YMY8–Palace of the Caesars on the Palatine, 1860, Robert MacPherson, Scottish, 1811–1872, Scotland, Albumen print, 30.7 x 39.9 cm (image, oval), 49.2 x 64.4 cm (paper), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Bound Print, Section of the Long Side of Entrance Hall at Syon House, Middlesex, in Works in Architecture of Robert and James Adam, Vol. II, 2nd Edition; Designed by Robert Adam (British, 1728–1792), James Adam (Scottish, 1732–1794); Print Maker: Giovanni Battista Piranesi (Italian, 1720–1778); England; etching on cream laid paper; Overall: 30.5 x 68.6 x 99.1 cm (12 x 27 x 39 in.) Image: 70 x 96 cm (27 9/16 x 37 13/16 in.); 1981-36-2-25 Stock Photo

RM2PMC1XM–Bound Print, Section of the Long Side of Entrance Hall at Syon House, Middlesex, in Works in Architecture of Robert and James Adam, Vol. II, 2nd Edition; Designed by Robert Adam (British, 1728–1792), James Adam (Scottish, 1732–1794); Print Maker: Giovanni Battista Piranesi (Italian, 1720–1778); England; etching on cream laid paper; Overall: 30.5 x 68.6 x 99.1 cm (12 x 27 x 39 in.) Image: 70 x 96 cm (27 9/16 x 37 13/16 in.); 1981-36-2-25

The Early Ploughman, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), begun before 1861, Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm), Plate: 7 x 9 15/16 inches (17.8 x 25.2 cm), and Image: 5 3/16 x 7 3/4 inches (13.2 x 19.7 cm), animal art, birds, bridge (built work), castle, cattle, clouds, cows, genre subject, hat, jugs, landscape, light, morning, mountains, oxen, pitcher, plough (agricultural equipment), river, ruins, trees, woman, Perugia Stock Photo

RM2DJ2HDE–The Early Ploughman, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), begun before 1861, Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm), Plate: 7 x 9 15/16 inches (17.8 x 25.2 cm), and Image: 5 3/16 x 7 3/4 inches (13.2 x 19.7 cm), animal art, birds, bridge (built work), castle, cattle, clouds, cows, genre subject, hat, jugs, landscape, light, morning, mountains, oxen, pitcher, plough (agricultural equipment), river, ruins, trees, woman, Perugia

L'Heureuse Fecondite. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); Engraved by Nicolas de Launay (French, Paris, 1739-1792). Dimensions: sheet: 15 1/2 x 21 1/4 in. (39.3 x 54 cm) image: 10 9/16 x 12 in. (26.9 x 30.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Author: After Jean Honoré Fragonard. Engraved by Nicolas de Launay. Nicolas Delaunay after Jean-Honoré Fragonard. Stock Photo

RMR2MMHH–L'Heureuse Fecondite. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); Engraved by Nicolas de Launay (French, Paris, 1739-1792). Dimensions: sheet: 15 1/2 x 21 1/4 in. (39.3 x 54 cm) image: 10 9/16 x 12 in. (26.9 x 30.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Author: After Jean Honoré Fragonard. Engraved by Nicolas de Launay. Nicolas Delaunay after Jean-Honoré Fragonard.

Painting; tempera on poplar panel; painted surface (score lines to score lines): 99.3 × 77.4 cm (39 1/8 × 30 1/2 in.) overall: 108.3 × 79 × 1.5 cm (42 5/8 × 31 1/8 × 9/16 in.) framed: 115.3 x 86 x 8.9 cm (45 3/8 x 33 7/8 x 3 1/2 in.); 23 The Coronation of the Virgin 17997 Stock Photo

RMP01M9E–Painting; tempera on poplar panel; painted surface (score lines to score lines): 99.3 × 77.4 cm (39 1/8 × 30 1/2 in.) overall: 108.3 × 79 × 1.5 cm (42 5/8 × 31 1/8 × 9/16 in.) framed: 115.3 x 86 x 8.9 cm (45 3/8 x 33 7/8 x 3 1/2 in.); 23 The Coronation of the Virgin 17997

A View of The Gate House belonging to The Abby in St. Edmund's Bury in SUFFOLK. Author Kirkall, Elisha 39.13.g. Place of publication: [London?] Publisher: [unknown publisher] Date of publication: [1720-1730s c.] Item type: 1 print Medium: etching Dimensions: sheet 30.2 x 40.9 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HPD6–A View of The Gate House belonging to The Abby in St. Edmund's Bury in SUFFOLK. Author Kirkall, Elisha 39.13.g. Place of publication: [London?] Publisher: [unknown publisher] Date of publication: [1720-1730s c.] Item type: 1 print Medium: etching Dimensions: sheet 30.2 x 40.9 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820

Sievers Carl (1834-1891), church in Oesdorf near Pyrmont (08/30/1881): Perspective view. Pencil on paper, 25.9 x 39.2 cm (including scan edges) Sievers Carl (1834-1891): Kirche, Oesdorf bei Pyrmont Stock Photo

RM2JMPJ5E–Sievers Carl (1834-1891), church in Oesdorf near Pyrmont (08/30/1881): Perspective view. Pencil on paper, 25.9 x 39.2 cm (including scan edges) Sievers Carl (1834-1891): Kirche, Oesdorf bei Pyrmont

Holy Family with Saints Anne, Catherine of Alexandria, and Mary Magdalen, Nosadella (Italian (Bolognese), active about 1550 - 1571), about 1560s, Oil on panel, 100.2 x 77.6 cm (39 7,16 x 30 9,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9CN7G–Holy Family with Saints Anne, Catherine of Alexandria, and Mary Magdalen, Nosadella (Italian (Bolognese), active about 1550 - 1571), about 1560s, Oil on panel, 100.2 x 77.6 cm (39 7,16 x 30 9,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Unknown architect, cornice details of buildings in Schwäbisch Gmünd, Feuchtwangen, Saalfeld and Noyon (without dat.): Details. Ink on transparent, 2 leaves assembled on cardboard, 39.9 x 30.8 cm (including scan edges) N.N. : Gesimsdetails von Gebäuden, Schwäbisch Gmünd, Feuchtwangen, Saalfeld, Noyon Stock Photo

RM2JMW7PC–Unknown architect, cornice details of buildings in Schwäbisch Gmünd, Feuchtwangen, Saalfeld and Noyon (without dat.): Details. Ink on transparent, 2 leaves assembled on cardboard, 39.9 x 30.8 cm (including scan edges) N.N. : Gesimsdetails von Gebäuden, Schwäbisch Gmünd, Feuchtwangen, Saalfeld, Noyon

The Vine, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1852, Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper, Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm), Plate: 11 13/16 x 8 1/2 inches (30 x 21.6 cm), Image: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm), Image: 3 1/2 x 5 1/16 inches (8.9 x 12.8 cm), and Image: 2 1/8 x 4 5/8 inches (5.4 x 11.8 cm), baskets, cape, cherubs, cloak, figures, foliage, food, grapes, ladder, landscape, leaves, light, monarch, religious and mythological subject, specific aspects, allegorical aspects of Stock Photo

RM2DJ42F8–The Vine, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1852, Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper, Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm), Plate: 11 13/16 x 8 1/2 inches (30 x 21.6 cm), Image: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm), Image: 3 1/2 x 5 1/16 inches (8.9 x 12.8 cm), and Image: 2 1/8 x 4 5/8 inches (5.4 x 11.8 cm), baskets, cape, cherubs, cloak, figures, foliage, food, grapes, ladder, landscape, leaves, light, monarch, religious and mythological subject, specific aspects, allegorical aspects of

The Gale, 1926. Arthur John Trevor Briscoe (British, 1873-1943). Etching; sheet: 30 x 39.2 cm (11 13/16 x 15 7/16 in.); image: 25.2 x 35 cm (9 15/16 x 13 3/4 in.). Stock Photo

RM2H12EE2–The Gale, 1926. Arthur John Trevor Briscoe (British, 1873-1943). Etching; sheet: 30 x 39.2 cm (11 13/16 x 15 7/16 in.); image: 25.2 x 35 cm (9 15/16 x 13 3/4 in.).

Fragments (England); cotton; Warp x Weft (a): 107.5 × 70 cm (42 5/16 × 27 9/16 in.) Warp x Weft (b): 91 × 41 cm (35 13/16 × 16 1/8 in.) Warp x Weft (c): 108 × 30 cm (42 1/2 × 11 13/16 in.) Warp x Weft (d): 28 × 30 cm (11 in. × 11 13/16 in.) Repeat H (pattern): 99 cm (39 in.); Bequest of Elinor Merrell; 1995-50-74-a/d Stock Photo

RM2PMEAJ3–Fragments (England); cotton; Warp x Weft (a): 107.5 × 70 cm (42 5/16 × 27 9/16 in.) Warp x Weft (b): 91 × 41 cm (35 13/16 × 16 1/8 in.) Warp x Weft (c): 108 × 30 cm (42 1/2 × 11 13/16 in.) Warp x Weft (d): 28 × 30 cm (11 in. × 11 13/16 in.) Repeat H (pattern): 99 cm (39 in.); Bequest of Elinor Merrell; 1995-50-74-a/d

U. S. Ship North Carolina, 102 Guns. Dimensions: Image: 9 1/8 x 13 1/8 in. (23.2 x 33.3 cm) Sheet: 11 15/16 x 15 1/2 in. (30.3 x 39.4 cm). Publisher: Lithographed and published by Nathaniel Currier (American, Roxbury, Massachusetts 1813-1888 New York). Date: 1843. Proof. A marine print. A three-masted ship faces left with an American flag flying off the stern. The New York City skyline is visible behind the ship; Castle Garden at right. Unlike many Currier prints, this lithograph has not been hand-colored. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPATD08–U. S. Ship North Carolina, 102 Guns. Dimensions: Image: 9 1/8 x 13 1/8 in. (23.2 x 33.3 cm) Sheet: 11 15/16 x 15 1/2 in. (30.3 x 39.4 cm). Publisher: Lithographed and published by Nathaniel Currier (American, Roxbury, Massachusetts 1813-1888 New York). Date: 1843. Proof. A marine print. A three-masted ship faces left with an American flag flying off the stern. The New York City skyline is visible behind the ship; Castle Garden at right. Unlike many Currier prints, this lithograph has not been hand-colored. Museum: Metropolitan Museum of Art, New York, USA.

. English: Francesco Traini, Italian, active 1321–1345 Madonna and Child with Saint Anne, 1340–45 Tempera on wood panel transferred to pressed wood panel 84.9 x 56.0 cm. (33 7/16 x 22 1/16 in.) frame: 101.3 x 76.5 x 14.6 cm. (39 7/8 x 30 1/8 x 5 3/4 in.) Bequest of Frank Jewett Mather Jr. y1963-2 Francesco Traini was the most important artist in mid-fourteenth-century Pisa. This panel, formed the center of an altarpiece in a monastery outside the city; related panels are in the Musée des Beaux-Arts, Nancy, and the Nationalmuseum, Stockholm. The Madonna and Child with Saint Anne is an unusual Stock Photo

RMMNXYC9–. English: Francesco Traini, Italian, active 1321–1345 Madonna and Child with Saint Anne, 1340–45 Tempera on wood panel transferred to pressed wood panel 84.9 x 56.0 cm. (33 7/16 x 22 1/16 in.) frame: 101.3 x 76.5 x 14.6 cm. (39 7/8 x 30 1/8 x 5 3/4 in.) Bequest of Frank Jewett Mather Jr. y1963-2 Francesco Traini was the most important artist in mid-fourteenth-century Pisa. This panel, formed the center of an altarpiece in a monastery outside the city; related panels are in the Musée des Beaux-Arts, Nancy, and the Nationalmuseum, Stockholm. The Madonna and Child with Saint Anne is an unusual

. English: Accession Number: 1957.194 Display Artist: Katsushika Hokusai Display Title: Poem by Sanjo-in Translation(s): Sanjoin Series Title: One-hundred Poems as Explained by the Nurse Suite Name: Hyakunin isshu uba ga etoki Creation Date: 1835 Medium: Woodblock Height: 9 3/4 in. Width: 14 1/2 in. Display Dimensions: 9 3/4 in. x 14 1/2 in. (24.77 cm x 36.83 cm) Publisher: Iseya Sanjiro Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'The poetry anthology, One Hundred Poems, has been a popular source for Japanese art and literature since the thirteenth century. Hokusai invented t Stock Photo

RMMP8PN8–. English: Accession Number: 1957.194 Display Artist: Katsushika Hokusai Display Title: Poem by Sanjo-in Translation(s): Sanjoin Series Title: One-hundred Poems as Explained by the Nurse Suite Name: Hyakunin isshu uba ga etoki Creation Date: 1835 Medium: Woodblock Height: 9 3/4 in. Width: 14 1/2 in. Display Dimensions: 9 3/4 in. x 14 1/2 in. (24.77 cm x 36.83 cm) Publisher: Iseya Sanjiro Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'The poetry anthology, One Hundred Poems, has been a popular source for Japanese art and literature since the thirteenth century. Hokusai invented t

Holy Family with Saints Anne, Catherine of Alexandria, and Mary Magdalen, Nosadella (Italian (Bolognese), active reimagined Stock Photo

RFRAE56E–Holy Family with Saints Anne, Catherine of Alexandria, and Mary Magdalen, Nosadella (Italian (Bolognese), active reimagined

The Vine, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1852, Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé, Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm), Plate: 11 7/8 x 8 9/16 inches (30.1 x 21.7 cm), Image: 8 9/16 x 5 1/16 inches (21.8 x 12.8 cm), Image: 3 1/2 x 5 1/16 inches (8.9 x 12.8 cm), and Image: 2 1/4 x 5 1/16 inches (5.7 x 12.8 cm), Antony and Cleopatra, play by William Shakespeare, baskets, cape, cherubs, cloak, figures, foliage, food, grapes, ladder, landscape, leaves, light, literary Stock Photo

RM2DJ2HDF–The Vine, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1852, Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé, Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm), Plate: 11 7/8 x 8 9/16 inches (30.1 x 21.7 cm), Image: 8 9/16 x 5 1/16 inches (21.8 x 12.8 cm), Image: 3 1/2 x 5 1/16 inches (8.9 x 12.8 cm), and Image: 2 1/4 x 5 1/16 inches (5.7 x 12.8 cm), Antony and Cleopatra, play by William Shakespeare, baskets, cape, cherubs, cloak, figures, foliage, food, grapes, ladder, landscape, leaves, light, literary

Hove To, 1929. Arthur John Trevor Briscoe (British, 1873-1943). Etching; sheet: 23.8 x 39.1 cm (9 3/8 x 15 3/8 in.); platemark: 20.3 x 30.2 cm (8 x 11 7/8 in.). Stock Photo

RM2H12N5T–Hove To, 1929. Arthur John Trevor Briscoe (British, 1873-1943). Etching; sheet: 23.8 x 39.1 cm (9 3/8 x 15 3/8 in.); platemark: 20.3 x 30.2 cm (8 x 11 7/8 in.).

Marriage Certificate, ca. 1825, Probably made in Pennsylvania, United States, American, Paper, 11 7/8 x 15 9/16 in. (30.2 x 39.5 Stock Photo

RMKC2J39–Marriage Certificate, ca. 1825, Probably made in Pennsylvania, United States, American, Paper, 11 7/8 x 15 9/16 in. (30.2 x 39.5

Bound Print, Two Upright Panels, Livre de Paneaux à divers usages (Book of Panels for Various Uses); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723–1796); France; engraving on off-white laid paper; Platemark: 36 x 23.5 cm (14 3/16 x 9 1/4 in.) Sheet: 39.2 x 28.3 cm (15 7/16 x 11 1/8 in.) Album: 3 x 30.3 x 40.1 cm (1 3/16 x 11 15/16 x 15 13/16 in.) Album open: 13.5 x 58.6 x 40 cm (5 5/16 x 23 1/16 x 15 3/4 in.) Stock Photo

RM2PMJ911–Bound Print, Two Upright Panels, Livre de Paneaux à divers usages (Book of Panels for Various Uses); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723–1796); France; engraving on off-white laid paper; Platemark: 36 x 23.5 cm (14 3/16 x 9 1/4 in.) Sheet: 39.2 x 28.3 cm (15 7/16 x 11 1/8 in.) Album: 3 x 30.3 x 40.1 cm (1 3/16 x 11 15/16 x 15 13/16 in.) Album open: 13.5 x 58.6 x 40 cm (5 5/16 x 23 1/16 x 15 3/4 in.)

The Brazen Serpent and the Transfiguration of Christ (disc tear), Monogrammist BH (Austria?, mentioned 1586), 1587, drawing, pen and black ink, 39.2 x 30.9 cm, no collector's stamp Duke Albert of Saxe-Teschen Stock Photo

RM2T8MEGN–The Brazen Serpent and the Transfiguration of Christ (disc tear), Monogrammist BH (Austria?, mentioned 1586), 1587, drawing, pen and black ink, 39.2 x 30.9 cm, no collector's stamp Duke Albert of Saxe-Teschen

Oeuvres de Joseph Vernet...representant divers ports de mer en France et d'Italie. Designer: Designed by Joseph Vernet (French, Avignon 1714-1789 Paris). Dimensions: Overall: 24 13/16 x 19 11/16 x 2 9/16 in. (63 x 50 x 6.5 cm). Engraver: Charles Nicolas Cochin II (French, Paris 1715-1790 Paris) ; (pls. 81-198); Jacques Philippe Le Bas (French, Paris 1707-1783 Paris) ; (pls. 8,9,11,13,69-70,71-72,81-108); Jacques Aliamet (French, Abbeville 1726-1788 Paris) ; (pls. 30,38,39,40,41,42,43,47); A. D. (French, active 18th century) ; (pls. 51,52); F. Basan ; (pls. 1,2); Peter Paul Benazech (British, c Stock Photo

RMPB1R4N–Oeuvres de Joseph Vernet...representant divers ports de mer en France et d'Italie. Designer: Designed by Joseph Vernet (French, Avignon 1714-1789 Paris). Dimensions: Overall: 24 13/16 x 19 11/16 x 2 9/16 in. (63 x 50 x 6.5 cm). Engraver: Charles Nicolas Cochin II (French, Paris 1715-1790 Paris) ; (pls. 81-198); Jacques Philippe Le Bas (French, Paris 1707-1783 Paris) ; (pls. 8,9,11,13,69-70,71-72,81-108); Jacques Aliamet (French, Abbeville 1726-1788 Paris) ; (pls. 30,38,39,40,41,42,43,47); A. D. (French, active 18th century) ; (pls. 51,52); F. Basan ; (pls. 1,2); Peter Paul Benazech (British, c

Young's Night Thoughts, Page 73, 'Draw the dire steel? -- ah no!', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 15 5/8 x 12 inches (39.7 x 30.5 cm), crowns, flames, hands, literary theme, nails, text, thorns Stock Photo

RM2DHX4NP–Young's Night Thoughts, Page 73, 'Draw the dire steel? -- ah no!', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 15 5/8 x 12 inches (39.7 x 30.5 cm), crowns, flames, hands, literary theme, nails, text, thorns

Crescenzio Onofri, (artist), Italian, probably 1632 - 1712 or after, The Flutist, 1696, etching, plate: 24.7 x 30 cm (9 3/4 x 11 13/16 in.), sheet: 31.7 x 39 cm (12 1/2 x 15 3/8 in Stock Photo

RM2DCF34R–Crescenzio Onofri, (artist), Italian, probably 1632 - 1712 or after, The Flutist, 1696, etching, plate: 24.7 x 30 cm (9 3/4 x 11 13/16 in.), sheet: 31.7 x 39 cm (12 1/2 x 15 3/8 in

Triptych with the Adoration of the Magi , c. 1424. Austria, Salzburg, 15th century. Tempera and gold on wood (oak); overall: 49.7 x 77.2 cm (19 9/16 x 30 3/8 in.); unframed: 39 x 31.7 cm (15 3/8 x 12 1/2 in Stock Photo

RMRY317X–Triptych with the Adoration of the Magi , c. 1424. Austria, Salzburg, 15th century. Tempera and gold on wood (oak); overall: 49.7 x 77.2 cm (19 9/16 x 30 3/8 in.); unframed: 39 x 31.7 cm (15 3/8 x 12 1/2 in

On the River, c. 1900. Attributed to Henri-Edmond Cross (French, 1856-1910). Oil on canvas; framed: 100.3 x 100.9 cm (39 1/2 x 39 3/4 in.); unframed: 80.5 x 77 cm (31 11/16 x 30 5/16 in.). Stock Photo

RM2H0Y1N7–On the River, c. 1900. Attributed to Henri-Edmond Cross (French, 1856-1910). Oil on canvas; framed: 100.3 x 100.9 cm (39 1/2 x 39 3/4 in.); unframed: 80.5 x 77 cm (31 11/16 x 30 5/16 in.).

Fragments, Birds; Made by Bromley Hall (United Kingdom); England; cotton; Warp x Weft (a): 69.5 × 63.5 cm (27 3/8 in. × 25 in.) Warp x Weft (b): 39 × 33.5 cm (15 3/8 × 13 3/16 in.) Warp x Weft (c): 39.5 × 33.5 cm (15 9/16 × 13 3/16 in.) Warp x Weft (d): 34 × 30 cm (13 3/8 × 11 13/16 in.) Warp x Weft (f): 41 × 18.5 cm (16 1/8 × 7 5/16 in.) Warp x Weft (g): 40.5 × 6 cm (15 15/16 × 2 3/8 in.) Warp x Weft (h): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (i): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (j): 40 × 30 cm (15 3/4 × 11 13/16 in.) Warp x Weft (k): 39 × 39 cm (15 3/8 × 15 3/8 in.); Bequ Stock Photo

RM2PMGNAK–Fragments, Birds; Made by Bromley Hall (United Kingdom); England; cotton; Warp x Weft (a): 69.5 × 63.5 cm (27 3/8 in. × 25 in.) Warp x Weft (b): 39 × 33.5 cm (15 3/8 × 13 3/16 in.) Warp x Weft (c): 39.5 × 33.5 cm (15 9/16 × 13 3/16 in.) Warp x Weft (d): 34 × 30 cm (13 3/8 × 11 13/16 in.) Warp x Weft (f): 41 × 18.5 cm (16 1/8 × 7 5/16 in.) Warp x Weft (g): 40.5 × 6 cm (15 15/16 × 2 3/8 in.) Warp x Weft (h): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (i): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (j): 40 × 30 cm (15 3/4 × 11 13/16 in.) Warp x Weft (k): 39 × 39 cm (15 3/8 × 15 3/8 in.); Bequ

Saint John Before God and the Elders, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.3 cm) plate: 15 1/2 x 10 15/16 in. (39.4 x 27.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRENN0E–Saint John Before God and the Elders, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.3 cm) plate: 15 1/2 x 10 15/16 in. (39.4 x 27.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

The Adoration of the Magi, c. 1424. Austria, Salzburg, 15th century. Tempera and gold on wood (oak); overall: 49.7 x 77.2 cm (19 9/16 x 30 3/8 in.); unframed: 39 x 31.7 cm (15 3/8 x 12 1/2 in Stock Photo

RMRY317N–The Adoration of the Magi, c. 1424. Austria, Salzburg, 15th century. Tempera and gold on wood (oak); overall: 49.7 x 77.2 cm (19 9/16 x 30 3/8 in.); unframed: 39 x 31.7 cm (15 3/8 x 12 1/2 in

The Spirits from the Cities of the Dead, 1885. Félix Hilaire Buhot (French, 1847-1898). Etching, drypoint, aquatint and roulette; sheet: 30.2 x 40.6 cm (11 7/8 x 16 in.); platemark: 29.4 x 39.4 cm (11 9/16 x 15 1/2 in.). Stock Photo

RM2H11RRE–The Spirits from the Cities of the Dead, 1885. Félix Hilaire Buhot (French, 1847-1898). Etching, drypoint, aquatint and roulette; sheet: 30.2 x 40.6 cm (11 7/8 x 16 in.); platemark: 29.4 x 39.4 cm (11 9/16 x 15 1/2 in.).

Fragments, Les Buveurs; France; cotton; Warp x Weft (a): 65.5 x 68.5 cm (25 13/16 x 26 15/16 in.) Warp x Weft (b): 39.5 x 52 cm (15 9/16 x 20 1/2 in.) Warp x Weft (c): 78 x 29.5 cm (30 11/16 x 11 5/8 in.) Warp x Weft (d): 53 x 91 cm (20 7/8 x 35 13/16 in.) Warp x Weft (e): 27 x 52 cm (10 5/8 x 20 1/2 in.) Warp x Weft (f): 59.5 x 53 cm (23 7/16 x 20 7/8 in.) Warp x Weft (g): 27 x 36.5 cm (10 5/8 x 14 3/8 in.) Warp x Weft (h): 30.5 x 39 cm (12 in. x 15 3/8 in.) Warp x Weft (i): 18 x 26 cm (7 1/16 x 10 1/4 in.) Warp x Weft (j): 28 x 23 cm (11 in. x 9 1/16 in.); Bequest of Elinor Merrell; 1995-50- Stock Photo

RM2PMHGTH–Fragments, Les Buveurs; France; cotton; Warp x Weft (a): 65.5 x 68.5 cm (25 13/16 x 26 15/16 in.) Warp x Weft (b): 39.5 x 52 cm (15 9/16 x 20 1/2 in.) Warp x Weft (c): 78 x 29.5 cm (30 11/16 x 11 5/8 in.) Warp x Weft (d): 53 x 91 cm (20 7/8 x 35 13/16 in.) Warp x Weft (e): 27 x 52 cm (10 5/8 x 20 1/2 in.) Warp x Weft (f): 59.5 x 53 cm (23 7/16 x 20 7/8 in.) Warp x Weft (g): 27 x 36.5 cm (10 5/8 x 14 3/8 in.) Warp x Weft (h): 30.5 x 39 cm (12 in. x 15 3/8 in.) Warp x Weft (i): 18 x 26 cm (7 1/16 x 10 1/4 in.) Warp x Weft (j): 28 x 23 cm (11 in. x 9 1/16 in.); Bequest of Elinor Merrell; 1995-50-

Siesta I: pl.3. Dated: 1879. Dimensions: image: 8.6 x 11.4 cm (3 7/16 x 4 1/2 in.) plate: 21 x 30.1 cm (8 1/4 x 11 7/8 in.) sheet: 39.6 x 54.7 cm (15 9/16 x 21 9/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Max Klinger. Stock Photo

RMRGDATP–Siesta I: pl.3. Dated: 1879. Dimensions: image: 8.6 x 11.4 cm (3 7/16 x 4 1/2 in.) plate: 21 x 30.1 cm (8 1/4 x 11 7/8 in.) sheet: 39.6 x 54.7 cm (15 9/16 x 21 9/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Max Klinger.

RMRY7YAT–On the River, c. 1900. Attributed to Henri-Edmond Cross (French, 1856-1910). Oil on canvas; framed: 100.3 x 100.9 cm (39 1/2 x 39 3/4 in.); unframed: 80.5 x 77 cm (31 11/16 x 30 5/16 in

RM2H10T58–The Adoration of the Magi, c. 1424. Austria, Salzburg, 15th century. Tempera and gold on wood (oak); overall: 49.7 x 77.2 cm (19 9/16 x 30 3/8 in.); unframed: 39 x 31.7 cm (15 3/8 x 12 1/2 in.).

$. Annual report of the State Board of Health and Bureau of Vital Statistics of Missouri . 50-59 years.. t^M 40-49 years.. 30-39 years.. lO .. 20-29 years.. W 10-19 years. ■*rt e^ 5-9 years.. . ■t IN 4 years. . • ■ 3 years 2 years 1 year o ^ ^ N Under 1 year t^ CO Total C0C5 (NrtN {»■ -IM (N Mrt cq-H » o o 0 > r-f .ao> ex c a C a IS o It B 10 > Ema XI po O w ce 00 95 N £c c 4O O cQ 51/: o> e r-i u 1 D W ® 0 0 •a c« 0 C PL, 0 0 S 3 H06 CO 1 0)J2 3Eh » x: 0 10 w OS P a c 0 0 0 « 0 c00 06 Si n a a ■a ® s 1cc £1 cc QC B UX! 9 S 0S ? n C0 s 0 I-] 1 C «c■3 Cm 0 a n a C 0cc CO a S > a c Stock Photo$

RM2CH8E4K–. Annual report of the State Board of Health and Bureau of Vital Statistics of Missouri . 50-59 years.. t^M 40-49 years.. 30-39 years.. lO .. 20-29 years.. W 10-19 years. ■*rt e^ 5-9 years.. . ■t IN 4 years. . • ■ 3 years 2 years 1 year o ^ ^ N Under 1 year t^ CO Total C0C5 (NrtN {»■ -IM (N Mrt cq-H » o o 0 > r-f .ao> ex c a C a IS o It B 10 > Ema XI po O w ce 00 95 N £c c 4O O cQ 51/: o> e r-i u 1 D W ® 0 0 •a c« 0 C PL, 0 0 S 3 H06 CO 1 0)J2 3Eh » x: 0 10 w OS P a c 0 0 0 « 0 c00 06 Si n a a ■a ® s 1cc £1 cc QC B UX! 9 S 0S ? n C0 s 0 I-] 1 C «c■3 Cm 0 a n a C 0cc CO a S > a c

Saint John Devouring the Book. Dated: 1498. Dimensions: image: 39.3 x 28.5 cm (15 1/2 x 11 1/4 in.) sheet: 45.9 x 31.2 cm (18 1/16 x 12 5/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Dürer, Albrecht. ALBRECHT DUERER. ALBRECHT DÜRER. Stock Photo

RMRENMEH–Saint John Devouring the Book. Dated: 1498. Dimensions: image: 39.3 x 28.5 cm (15 1/2 x 11 1/4 in.) sheet: 45.9 x 31.2 cm (18 1/16 x 12 5/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Dürer, Albrecht. ALBRECHT DUERER. ALBRECHT DÜRER.

RMRY1M05–The Spirits from the Cities of the Dead, 1885. Félix Hilaire Buhot (French, 1847-1898). Etching, drypoint, aquatint and roulette; sheet: 30.2 x 40.6 cm (11 7/8 x 16 in.); platemark: 29.4 x 39.4 cm (11 9/16 x 15 1/2 in

Claude Monet, (artist), French, 1840 - 1926, Sainte-Adresse, 1867, oil on canvas, overall: 57 x 80 cm (22 7/16 x 31 1/2 in.), framed: 76.2 x 99.7 x 6.9 cm (30 x 39 1/4 x 2 11/16 in Stock Photo

RM2DCDT2X–Claude Monet, (artist), French, 1840 - 1926, Sainte-Adresse, 1867, oil on canvas, overall: 57 x 80 cm (22 7/16 x 31 1/2 in.), framed: 76.2 x 99.7 x 6.9 cm (30 x 39 1/4 x 2 11/16 in

At the Café, c. 1905. Charles Huard (French, 1874-1965). Black crayon and black ink; sheet: 41.2 x 31.8 cm (16 1/4 x 12 1/2 in.); image: 39.7 x 30.9 cm (15 5/8 x 12 3/16 in.). Stock Photo

RM2H1168E–At the Café, c. 1905. Charles Huard (French, 1874-1965). Black crayon and black ink; sheet: 41.2 x 31.8 cm (16 1/4 x 12 1/2 in.); image: 39.7 x 30.9 cm (15 5/8 x 12 3/16 in.).

$. The Biological bulletin. Biology; Zoology; Marine biology. DIFFERENTIATION IN HYDROID COLONIES. 153 Table XI. Measurements in mm. X 95- Hydrotheca. 2 12 24 34 Hcl. at base I. Base of nem. to tip 2. Base of nem. to rear of theca 3. Value of fraction i -=- 2 5 26.4 .19 11' 29.5 â¢37 9 28.5 .31 " 114 I. 2. 8.2 27 "â¢3 -8.7 9^9 28.6 3- .30 â 39 â 35 " 177 I. 2. 3- 8.2 24 â 34 II-3 27.8 .40 12 30.7 .39 9^5 32.3 .29 striithiotiides may exceed 23 cm. in length. Aglaophenia sp. has a particularly stringy, sprawling habit. The character is of no practical value in the present connectio Stock Photo$

RMRHKJ4C–. The Biological bulletin. Biology; Zoology; Marine biology. DIFFERENTIATION IN HYDROID COLONIES. 153 Table XI. Measurements in mm. X 95- Hydrotheca. 2 12 24 34 Hcl. at base I. Base of nem. to tip 2. Base of nem. to rear of theca 3. Value of fraction i -=- 2 5 26.4 .19 11' 29.5 â¢37 9 28.5 .31 " 114 I. 2. 8.2 27 "â¢3 -8.7 9^9 28.6 3- .30 â 39 â 35 " 177 I. 2. 3- 8.2 24 â 34 II-3 27.8 .40 12 30.7 .39 9^5 32.3 .29 striithiotiides may exceed 23 cm. in length. Aglaophenia sp. has a particularly stringy, sprawling habit. The character is of no practical value in the present connectio

Venus in Atrium. Artist: William de Leftwich Dodge (1867-1935). Dimensions: 39 7/8 x 30 in. (99.9 x 76.2 cm). Date: 1908 or 1910. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKYPX–Venus in Atrium. Artist: William de Leftwich Dodge (1867-1935). Dimensions: 39 7/8 x 30 in. (99.9 x 76.2 cm). Date: 1908 or 1910. Museum: Metropolitan Museum of Art, New York, USA.

Robert Street, (artist), American, 1796 - 1865, George Washington Deal, 1834, oil on canvas, overall: 76.2 x 63.5 cm (30 x 25 in.), framed: 88 x 100.3 x 9.5 cm (34 5/8 x 39 1/2 x 3 3/4 in Stock Photo

RM2DC8PJ7–Robert Street, (artist), American, 1796 - 1865, George Washington Deal, 1834, oil on canvas, overall: 76.2 x 63.5 cm (30 x 25 in.), framed: 88 x 100.3 x 9.5 cm (34 5/8 x 39 1/2 x 3 3/4 in

Seated Amitabha with Attendants, c. 1100s. Tibet, Western Himalayas, from Tabo Monastery, 12th century. Thanka: color on fabric; image: 78.2 x 62.9 cm (30 13/16 x 24 3/4 in.); overall: 100 x 66.7 cm (39 3/8 x 26 1/4 in Stock Photo

RMRY6K7N–Seated Amitabha with Attendants, c. 1100s. Tibet, Western Himalayas, from Tabo Monastery, 12th century. Thanka: color on fabric; image: 78.2 x 62.9 cm (30 13/16 x 24 3/4 in.); overall: 100 x 66.7 cm (39 3/8 x 26 1/4 in

American 19th Century, (painter), Portrait of a Man, c. 1835, oil on canvas, overall: 76.9 x 63.2 cm (30 1/4 x 24 7/8 in.), framed: 99.7 x 87.3 x 10.2 cm (39 1/4 x 34 3/8 x 4 in Stock Photo

RM2DCC8T3–American 19th Century, (painter), Portrait of a Man, c. 1835, oil on canvas, overall: 76.9 x 63.2 cm (30 1/4 x 24 7/8 in.), framed: 99.7 x 87.3 x 10.2 cm (39 1/4 x 34 3/8 x 4 in

Virgin and Child, 1400s. Follower of Lorenzo di Credi (Italian, 1459-1537). Oil on wood; framed: 99.7 x 74.9 x 7.6 cm (39 1/4 x 29 1/2 x 3 in.); unframed: 78.4 x 54.5 cm (30 7/8 x 21 7/16 in Stock Photo

RMRY2EGT–Virgin and Child, 1400s. Follower of Lorenzo di Credi (Italian, 1459-1537). Oil on wood; framed: 99.7 x 74.9 x 7.6 cm (39 1/4 x 29 1/2 x 3 in.); unframed: 78.4 x 54.5 cm (30 7/8 x 21 7/16 in

French 19th Century, (artist), Saint John the Baptist Pray for Us, c. 1820, hand-colored woodcut on blue laid paper, image: 34.5 x 26.1 cm (13 9/16 x 10 1/4 in.), sheet: 39.7 x 30.2 cm (15 5/8 x 11 7/8 in Stock Photo

RM2DCBRBX–French 19th Century, (artist), Saint John the Baptist Pray for Us, c. 1820, hand-colored woodcut on blue laid paper, image: 34.5 x 26.1 cm (13 9/16 x 10 1/4 in.), sheet: 39.7 x 30.2 cm (15 5/8 x 11 7/8 in

RM2H10K68–Triptych with the Adoration of the Magi , c. 1424. Austria, Salzburg, 15th century. Tempera and gold on wood (oak); overall: 49.7 x 77.2 cm (19 9/16 x 30 3/8 in.); unframed: 39 x 31.7 cm (15 3/8 x 12 1/2 in.).

Palace of the Caesars on the Palatine. Robert MacPherson; Scottish, 1811-1872. Date: 1860. Dimensions: 30.7 x 39.9 cm (image, oval); 49.2 x 64.4 cm (paper). Albumen print. Origin: Scotland. Museum: The Chicago Art Institute. Stock Photo

RMRXMCWJ–Palace of the Caesars on the Palatine. Robert MacPherson; Scottish, 1811-1872. Date: 1860. Dimensions: 30.7 x 39.9 cm (image, oval); 49.2 x 64.4 cm (paper). Albumen print. Origin: Scotland. Museum: The Chicago Art Institute.

Redpath, (painter), American, active mid 19th century, Mounting of the Guard, mid 19th century, oil on canvas, overall: 67.5 x 100 cm (26 9/16 x 39 3/8 in.), framed: 76.8 x 110.2 x 5.3 cm (30 1/4 x 43 3/8 x 2 1/16 in Stock Photo

RM2DCAM96–Redpath, (painter), American, active mid 19th century, Mounting of the Guard, mid 19th century, oil on canvas, overall: 67.5 x 100 cm (26 9/16 x 39 3/8 in.), framed: 76.8 x 110.2 x 5.3 cm (30 1/4 x 43 3/8 x 2 1/16 in

RM2H112F1–Seated Amitabha with Attendants, c. 1100s. Tibet, Western Himalayas, from Tabo Monastery, 12th century. Thanka: color on fabric; image: 78.2 x 62.9 cm (30 13/16 x 24 3/4 in.); overall: 100 x 66.7 cm (39 3/8 x 26 1/4 in.).

Gainsborough Dupont, (painter), British, 1754 - 1797, Georgiana, Duchess of Devonshire, c. 1787/1796, oil on canvas, overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.), framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in Stock Photo

RM2DCFEKM–Gainsborough Dupont, (painter), British, 1754 - 1797, Georgiana, Duchess of Devonshire, c. 1787/1796, oil on canvas, overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.), framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in

Plinker and Wood Block. Dated: 1935/1942. Dimensions: overall: 39.2 x 30.9 cm (15 7/16 x 12 3/16 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Oscar Bluhme. Stock Photo

RMR2THF5–Plinker and Wood Block. Dated: 1935/1942. Dimensions: overall: 39.2 x 30.9 cm (15 7/16 x 12 3/16 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Oscar Bluhme.

Sir Henry Raeburn, (artist), Scottish, 1756 - 1823, Mrs. George Hill, c. 1790/1800, oil on canvas, overall: 96.9 x 76.6 cm (38 1/8 x 30 3/16 in.), framed: 120.3 x 100.3 x 8.9 cm (47 3/8 x 39 1/2 x 3 1/2 in Stock Photo

RM2DCAM68–Sir Henry Raeburn, (artist), Scottish, 1756 - 1823, Mrs. George Hill, c. 1790/1800, oil on canvas, overall: 96.9 x 76.6 cm (38 1/8 x 30 3/16 in.), framed: 120.3 x 100.3 x 8.9 cm (47 3/8 x 39 1/2 x 3 1/2 in

Matthew Pratt, (painter), American, 1734 - 1805, William Henry Cavendish Bentinck, 3rd Duke of Portland, c. 1774, oil on canvas, overall: 76.3 x 63.2 cm (30 1/16 x 24 7/8 in.), framed: 99.7 x 87 x 2.9 cm (39 1/4 x 34 1/4 x 1 1/8 in Stock Photo

RM2DCFW46–Matthew Pratt, (painter), American, 1734 - 1805, William Henry Cavendish Bentinck, 3rd Duke of Portland, c. 1774, oil on canvas, overall: 76.3 x 63.2 cm (30 1/16 x 24 7/8 in.), framed: 99.7 x 87 x 2.9 cm (39 1/4 x 34 1/4 x 1 1/8 in

Egypt, Sinai and Jerusalem: A Series of Twenty Photographic Views, with Descriptions by Mrs. Poole and Reginald Stuart Poole: Kom Ombo, c. 1858. Francis Frith (British, 1822-1898), William Mackenzie. Albumen print from wet collodion negative; image: 39.5 x 49 cm (15 9/16 x 19 5/16 in.); matted: 61 x 76.2 cm (24 x 30 in Stock Photo

RMRY5GDY–Egypt, Sinai and Jerusalem: A Series of Twenty Photographic Views, with Descriptions by Mrs. Poole and Reginald Stuart Poole: Kom Ombo, c. 1858. Francis Frith (British, 1822-1898), William Mackenzie. Albumen print from wet collodion negative; image: 39.5 x 49 cm (15 9/16 x 19 5/16 in.); matted: 61 x 76.2 cm (24 x 30 in

Study for 'Antiochus and Stratonice', c. 1746. Pompeo Batoni (Italian, 1708-1787). Oil on canvas; framed: 33.3 x 39.5 x 5.4 cm (13 1/8 x 15 9/16 x 2 1/8 in.); unframed: 24.2 x 30.5 cm (9 1/2 x 12 in.). Stock Photo

RM2H116XA–Study for 'Antiochus and Stratonice', c. 1746. Pompeo Batoni (Italian, 1708-1787). Oil on canvas; framed: 33.3 x 39.5 x 5.4 cm (13 1/8 x 15 9/16 x 2 1/8 in.); unframed: 24.2 x 30.5 cm (9 1/2 x 12 in.).

Pa. German Chest. Dated: 1935/1942. Dimensions: overall: 30.2 x 39.5 cm (11 7/8 x 15 9/16 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Betty Jean Davis. Stock Photo

RMR2R076–Pa. German Chest. Dated: 1935/1942. Dimensions: overall: 30.2 x 39.5 cm (11 7/8 x 15 9/16 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Betty Jean Davis.

Cathedral Rocks and Reflections, Yosemite, 1864. Charles Leander Weed (American, 1824-1903). Albumen print from wet collodion negative; image: 51.9 x 39.9 cm (20 7/16 x 15 11/16 in.); paper: 70.8 x 55.4 cm (27 7/8 x 21 13/16 in.); matted: 76.2 x 61 cm (30 x 24 in Stock Photo

RMRY607R–Cathedral Rocks and Reflections, Yosemite, 1864. Charles Leander Weed (American, 1824-1903). Albumen print from wet collodion negative; image: 51.9 x 39.9 cm (20 7/16 x 15 11/16 in.); paper: 70.8 x 55.4 cm (27 7/8 x 21 13/16 in.); matted: 76.2 x 61 cm (30 x 24 in

RM2H11DNP–Virgin and Child, 1400s. Follower of Lorenzo di Credi (Italian, 1459-1537). Oil on wood; framed: 99.7 x 74.9 x 7.6 cm (39 1/4 x 29 1/2 x 3 in.); unframed: 78.4 x 54.5 cm (30 7/8 x 21 7/16 in.).

Bandbox. Dated: c. 1939. Dimensions: overall: 30 x 39.6 cm (11 13/16 x 15 9/16 in.) Original IAD Object: 11 1/2' high; 17' long. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Gilbert Sackerman. Stock Photo

RMR2PH8E–Bandbox. Dated: c. 1939. Dimensions: overall: 30 x 39.6 cm (11 13/16 x 15 9/16 in.) Original IAD Object: 11 1/2' high; 17' long. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Gilbert Sackerman.

The Apocalypse: The Fall of Babylon. Jean Duvet (French, 1485-1561). Engraving; framed: 52.4 x 39.7 x 2.5 cm (20 5/8 x 15 5/8 x 1 in.); unframed: 30.6 x 21.7 cm (12 1/16 x 8 9/16 in.); plate: 30.2 x 21.2 cm (11 7/8 x 8 3/8 in Stock Photo

RMRY3PB3–The Apocalypse: The Fall of Babylon. Jean Duvet (French, 1485-1561). Engraving; framed: 52.4 x 39.7 x 2.5 cm (20 5/8 x 15 5/8 x 1 in.); unframed: 30.6 x 21.7 cm (12 1/16 x 8 9/16 in.); plate: 30.2 x 21.2 cm (11 7/8 x 8 3/8 in

RM2H112P6–Egypt, Sinai and Jerusalem: A Series of Twenty Photographic Views, with Descriptions by Mrs. Poole and Reginald Stuart Poole: Kom Ombo, c. 1858. Francis Frith (British, 1822-1898), William Mackenzie. Albumen print from wet collodion negative; image: 39.5 x 49 cm (15 9/16 x 19 5/16 in.); matted: 61 x 76.2 cm (24 x 30 in.).

The Flutist. Dated: 1696. Dimensions: plate: 24.7 x 30 cm (9 3/4 x 11 13/16 in.) sheet: 31.7 x 39 cm (12 1/2 x 15 3/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CRESCENZIO ONOFRI. Stock Photo

RMR33MDY–The Flutist. Dated: 1696. Dimensions: plate: 24.7 x 30 cm (9 3/4 x 11 13/16 in.) sheet: 31.7 x 39 cm (12 1/2 x 15 3/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CRESCENZIO ONOFRI.

The Apocalypse: The Opening of the Seventh Seal, 1561. Jean Duvet (French, 1485-1561). Engraving; framed: 52.4 x 39.7 x 2.5 cm (20 5/8 x 15 5/8 x 1 in.); unframed: 32.5 x 24.3 cm (12 13/16 x 9 9/16 in.); plate: 30.2 x 21.9 cm (11 7/8 x 8 5/8 in Stock Photo

RMRY2TYT–The Apocalypse: The Opening of the Seventh Seal, 1561. Jean Duvet (French, 1485-1561). Engraving; framed: 52.4 x 39.7 x 2.5 cm (20 5/8 x 15 5/8 x 1 in.); unframed: 32.5 x 24.3 cm (12 13/16 x 9 9/16 in.); plate: 30.2 x 21.9 cm (11 7/8 x 8 5/8 in

RM2H10YPD–Cathedral Rocks and Reflections, Yosemite, 1864. Charles Leander Weed (American, 1824-1903). Albumen print from wet collodion negative; image: 51.9 x 39.9 cm (20 7/16 x 15 11/16 in.); paper: 70.8 x 55.4 cm (27 7/8 x 21 13/16 in.); matted: 76.2 x 61 cm (30 x 24 in.).

39 9 x 30 2 cm Stock Photos and Images

39 9 x 30 2 cm Stock Photos and Images

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