37 5 49 5 cm hi-res stock photography and images

Art inspired by A Party of Merrymakers, ca. 1635–38, Oil on wood, 14 3/4 x 19 1/2 in. (37.5 x 49.5 cm), Paintings, Pieter Jansz. Quast (Dutch, Amsterdam (?) 1605/6–1647 Amsterdam), Viewers of the time would have taken in at a glance not only the off-key carousing but also signs—the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8J95–Art inspired by A Party of Merrymakers, ca. 1635–38, Oil on wood, 14 3/4 x 19 1/2 in. (37.5 x 49.5 cm), Paintings, Pieter Jansz. Quast (Dutch, Amsterdam (?) 1605/6–1647 Amsterdam), Viewers of the time would have taken in at a glance not only the off-key carousing but also signs—the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Egypt, handwriting, hieratic, papyrus, 19 x 37.8 cm, maximum object dimensions, 18 x 49.5 cm per frame Stock Photo

RM2B0G60J–Egypt, handwriting, hieratic, papyrus, 19 x 37.8 cm, maximum object dimensions, 18 x 49.5 cm per frame

Reverse cassetta frame. Culture: Italian, Naples (?). Dimensions: 49.5 x 60.5, 30.6 x 42, 37.2 x 48.3 cm.. Date: 1630-40. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAXRKT–Reverse cassetta frame. Culture: Italian, Naples (?). Dimensions: 49.5 x 60.5, 30.6 x 42, 37.2 x 48.3 cm.. Date: 1630-40. Museum: Metropolitan Museum of Art, New York, USA.

Fragment, 17th century, Made in Iran, Silk, 19 3/8 x 14 5/8 in. (49.2 x 37.1 cm), Textiles Stock Photo

RM2B0N7MY–Fragment, 17th century, Made in Iran, Silk, 19 3/8 x 14 5/8 in. (49.2 x 37.1 cm), Textiles

. English: (Artist) signed by Sayyid Ali; (Patron) Shah Tahmasp; Iran; circa 1540; Ink, opaque watercolor and gold on paper; H x W: 37.2 x 23.9 cm (14 5/8 x 9 7/16 in); Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler . 5 November 2008, 12:41:49. Mir Sayyid Ali 21 A School Scene By Mir Sayyid Ali, Iran, Tabriz, ca. 1540, Freer Stock Photo

RMMW0E5T–. English: (Artist) signed by Sayyid Ali; (Patron) Shah Tahmasp; Iran; circa 1540; Ink, opaque watercolor and gold on paper; H x W: 37.2 x 23.9 cm (14 5/8 x 9 7/16 in); Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler . 5 November 2008, 12:41:49. Mir Sayyid Ali 21 A School Scene By Mir Sayyid Ali, Iran, Tabriz, ca. 1540, Freer

ROCROY. Map information: Title: ROCROY. 60.98.1. Date of publication: [about 1690] Item type: 1 map Medium: ink and wash Dimensions: 37 x 49.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F9WP–ROCROY. Map information: Title: ROCROY. 60.98.1. Date of publication: [about 1690] Item type: 1 map Medium: ink and wash Dimensions: 37 x 49.5 cm Former owner: George III, King of Great Britain, 1738-1820

A large Indian miniature, India, Lucknow, 18th century Gouache on paper. A lightly clad, female Indian, sitting under a baldachin, making her toilet, surrounded by five female servants. Surrounding, golden floral border. In a mount and framed behind glass. Framed dimensions 37.5 x 49 cm. historic, historical, 18th century, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, painting, paintings, picture in frame, pictures, framed, illustrations, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMT3BYNW–A large Indian miniature, India, Lucknow, 18th century Gouache on paper. A lightly clad, female Indian, sitting under a baldachin, making her toilet, surrounded by five female servants. Surrounding, golden floral border. In a mount and framed behind glass. Framed dimensions 37.5 x 49 cm. historic, historical, 18th century, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, painting, paintings, picture in frame, pictures, framed, illustrations, Additional-Rights-Clearance-Info-Not-Available

Christ as the Man of Sorrows; Quentin Metsys (Netherlandish, 1465 or 1466 - 1530); Belgium; 1520–1530; Oil on panel; 49.5 × 37 cm (19 1/2 × 14 9/16 in.) Stock Photo

RF2AAJC2W–Christ as the Man of Sorrows; Quentin Metsys (Netherlandish, 1465 or 1466 - 1530); Belgium; 1520–1530; Oil on panel; 49.5 × 37 cm (19 1/2 × 14 9/16 in.)

Sidewall And Border (USA); machine-printed; 94 x 49 cm (37 x 19 5/16 in.) Stock Photo

RM2PMKXX2–Sidewall And Border (USA); machine-printed; 94 x 49 cm (37 x 19 5/16 in.)

The Adoration of the Kings, and Christ on the Cross - 1465 75 - tempera su tavola 37,5 x 49,5 cm - azyBonfigli Benedetto Stock Photo

RF2HGKXM6–The Adoration of the Kings, and Christ on the Cross - 1465 75 - tempera su tavola 37,5 x 49,5 cm - azyBonfigli Benedetto

Sidewall (USA); machine-printed; 37 x 49 cm (14 9/16 x 19 5/16 in.) Stock Photo

RM2PMHMNP–Sidewall (USA); machine-printed; 37 x 49 cm (14 9/16 x 19 5/16 in.)

Ballszene - 1908 - Tempera e pastello ad oil on carta on cartoncino 49,5 x 37,1 cm - Von Werefkin Marianne Stock Photo

RF2HBTFAM–Ballszene - 1908 - Tempera e pastello ad oil on carta on cartoncino 49,5 x 37,1 cm - Von Werefkin Marianne

Poster printed in Algiers announcing: 'The victory of the united nations is now certain' 49.5 x 37.5 cm 1944 France - World War II Private collection Stock Photo

RM2K2K420–Poster printed in Algiers announcing: 'The victory of the united nations is now certain' 49.5 x 37.5 cm 1944 France - World War II Private collection

'Elisha Kirkall after Willem van de Velde the Elder, Fight against Seven Algerines, 1720s, mezzotint and etching printed in green and black on laid paper, image: 44 x 31.1 cm (17 5/16 x 12 1/4 in.) sheet: 49.8 x 37.2 cm (19 5/8 x 14 5/8 in.), Paul Mellon Fund, 2001.118.17.6' Stock Photo

RM2REJMHH–'Elisha Kirkall after Willem van de Velde the Elder, Fight against Seven Algerines, 1720s, mezzotint and etching printed in green and black on laid paper, image: 44 x 31.1 cm (17 5/16 x 12 1/4 in.) sheet: 49.8 x 37.2 cm (19 5/8 x 14 5/8 in.), Paul Mellon Fund, 2001.118.17.6'

Joaquin Sorolla y Bastida (1863-1923). Girl (Nina). 1882. Oil on canvas. 49,5 x 37,5 cm. Joaquin Sorolla y Bastida was a Spanish painter of the late Stock Photo

RM2JDFCBK–Joaquin Sorolla y Bastida (1863-1923). Girl (Nina). 1882. Oil on canvas. 49,5 x 37,5 cm. Joaquin Sorolla y Bastida was a Spanish painter of the late

Chest-on-frame MET 225080 2029 American, Chest-on-frame, 1705?25, Painted yellow poplar, chestnut, birch, ash, oak, white cedar, 37 x 30 1/4 x 19 1/2 in. (94 x 76.8 x 49.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.15a?d) Stock Photo

RMKNE192–Chest-on-frame MET 225080 2029 American, Chest-on-frame, 1705?25, Painted yellow poplar, chestnut, birch, ash, oak, white cedar, 37 x 30 1/4 x 19 1/2 in. (94 x 76.8 x 49.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.15a?d)

. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT. 42 16.5N LONO. 70 08.5W DEPTH 25.8 METERS NUMBER OF OBSERVRTIONS = 4450 OBSERVATION PERIOD 22/VIII/67 TO 25/VIII/67 MEAN VARIANCE ST-DEV SKEW KURT MAX MIN CM/SEC I CM/SEC )2 CM/SEC CM/SEC CM/SEC S U V 21.50 2.53 -8.30 73.91 287.49 173.35 8.60 16.96 13.17 .361 -.034 .020 20 76 45 47.84 5.66 44.65 -33.95 37.67 -40.93 S = SPEED U = EAST-WEST COMPONENT OF VELOCITY, EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY. NORTH = POSITIVE V ijiu â¢ â ? CO Â§340 â¢ Iâ cc Stock Photo

RMPFY6FE–. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT. 42 16.5N LONO. 70 08.5W DEPTH 25.8 METERS NUMBER OF OBSERVRTIONS = 4450 OBSERVATION PERIOD 22/VIII/67 TO 25/VIII/67 MEAN VARIANCE ST-DEV SKEW KURT MAX MIN CM/SEC I CM/SEC )2 CM/SEC CM/SEC CM/SEC S U V 21.50 2.53 -8.30 73.91 287.49 173.35 8.60 16.96 13.17 .361 -.034 .020 20 76 45 47.84 5.66 44.65 -33.95 37.67 -40.93 S = SPEED U = EAST-WEST COMPONENT OF VELOCITY, EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY. NORTH = POSITIVE V ijiu â¢ â ? CO Â§340 â¢ Iâ cc

Art inspired by Reverse cassetta frame, 1630–40, Italian, Naples (?), Poplar, 49.5 x 60.5, 30.6 x 42, 37.2 x 48.3 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYFXE–Art inspired by Reverse cassetta frame, 1630–40, Italian, Naples (?), Poplar, 49.5 x 60.5, 30.6 x 42, 37.2 x 48.3 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Ovolo frame, 1670–80, Southern France, or Piedmont, Lime (?). Oak feather keys., 37.5 x 49.2, 27.8 x 39.7, 30 x 42 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYG91–Art inspired by Ovolo frame, 1670–80, Southern France, or Piedmont, Lime (?). Oak feather keys., 37.5 x 49.2, 27.8 x 39.7, 30 x 42 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Policeman, 1922, oil on pavatex, 49 x 37.5 cm, signed and dated lower right: E.Schöttli, 22 [Kurrentschrift], Emanuel Schöttli, Basel 1895–1926 Basel Stock Photo

RM2A2NWGP–Policeman, 1922, oil on pavatex, 49 x 37.5 cm, signed and dated lower right: E.Schöttli, 22 [Kurrentschrift], Emanuel Schöttli, Basel 1895–1926 Basel

Art inspired by Crouching Tiger, n.d., Pen and black ink, black chalk, on wax paper, 19 5/16 x 14 9/16 in. (49.1 x 37 cm), Drawings, Evert Louis van Muyden (Swiss, Albano Laziale 1853–1922 Orsay, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXE36–Art inspired by Crouching Tiger, n.d., Pen and black ink, black chalk, on wax paper, 19 5/16 x 14 9/16 in. (49.1 x 37 cm), Drawings, Evert Louis van Muyden (Swiss, Albano Laziale 1853–1922 Orsay, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Design for an Altar. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: sheet: 19 5/8 x 14 7/8 in. (49.9 x 37.8 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANNT7–Design for an Altar. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: sheet: 19 5/8 x 14 7/8 in. (49.9 x 37.8 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Belisarius, 1806, Engraving with etching, image: 19 5/16 x 14 7/8 in. (49 x 37.8 cm), Prints, Auguste Gaspard Louis Boucher Desnoyers (French, Paris 1779–1857 Paris), After baron François Gérard (French, Rome 1770–1837 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW78KT–Art inspired by Belisarius, 1806, Engraving with etching, image: 19 5/16 x 14 7/8 in. (49 x 37.8 cm), Prints, Auguste Gaspard Louis Boucher Desnoyers (French, Paris 1779–1857 Paris), After baron François Gérard (French, Rome 1770–1837 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMMY3AFM–. English: (Artist) signed by Sayyid Ali; (Patron) Shah Tahmasp; Iran; circa 1540; Ink, opaque watercolor and gold on paper; H x W: 37.2 x 23.9 cm (14 5/8 x 9 7/16 in); Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler . 5 November 2008, 12:41:49. Mir Sayyid Ali 19 A School Scene By Mir Sayyid Ali, Iran, Tabriz, ca. 1540, Freer

Art inspired by VII. Linger Longer, Loo, 1898, Lithograph printed with beige tint stone on vellum, 19-5/8 x 14-7/8 in. (49.8 x 37.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW511M–Art inspired by VII. Linger Longer, Loo, 1898, Lithograph printed with beige tint stone on vellum, 19-5/8 x 14-7/8 in. (49.8 x 37.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

PLAN D'AUXONNE. Map information: Title: PLAN D'AUXONNE. 59.37. Date of publication: [about 1720] Item type: 1 map Medium: ink and wash Dimensions: 36.5 x 49.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F8WT–PLAN D'AUXONNE. Map information: Title: PLAN D'AUXONNE. 59.37. Date of publication: [about 1720] Item type: 1 map Medium: ink and wash Dimensions: 36.5 x 49.6 cm Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Holy Family on the Steps, 1668, Engraving and etching, sheet: 14 5/8 x 19 1/2 in. (37.2 x 49.5 cm), Prints, Claudine Bouzonnet Stella (French, Lyons 1636–1697 Paris), After Nicolas Poussin (French, Les Andelys 1594–1665 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5Y4C–Art inspired by Holy Family on the Steps, 1668, Engraving and etching, sheet: 14 5/8 x 19 1/2 in. (37.2 x 49.5 cm), Prints, Claudine Bouzonnet Stella (French, Lyons 1636–1697 Paris), After Nicolas Poussin (French, Les Andelys 1594–1665 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Frieze (USA); machine-printed paper; 95 x 49 cm (37 3/8 x 19 5/16 in.) Stock Photo

RM2PME7JG–Frieze (USA); machine-printed paper; 95 x 49 cm (37 3/8 x 19 5/16 in.)

Art inspired by I. Sur la Scene, 1898, Lithograph printed with beige tint stone on laid paper, 19-5/8 x 14-7/8 in. (49.8 x 37.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXA5N–Art inspired by I. Sur la Scene, 1898, Lithograph printed with beige tint stone on laid paper, 19-5/8 x 14-7/8 in. (49.8 x 37.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Paysage au Moulin (Windmill Landscape), 18th century, Etching and engraving, Sheet: 19 5/8 x 14 3/4 in. (49.8 x 37.4 cm) trimmed, Prints, Pierre François Laurent (French, Marseille 1739–1809 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW82P3–Art inspired by Paysage au Moulin (Windmill Landscape), 18th century, Etching and engraving, Sheet: 19 5/8 x 14 3/4 in. (49.8 x 37.4 cm) trimmed, Prints, Pierre François Laurent (French, Marseille 1739–1809 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Chest-on-frame MET 11528 2029 American, Chest-on-frame, 1705?25, Painted yellow poplar, chestnut, birch, ash, oak, white cedar, 37 x 30 1/4 x 19 1/2 in. (94 x 76.8 x 49.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.15a?d) Stock Photo

RMKNE19C–Chest-on-frame MET 11528 2029 American, Chest-on-frame, 1705?25, Painted yellow poplar, chestnut, birch, ash, oak, white cedar, 37 x 30 1/4 x 19 1/2 in. (94 x 76.8 x 49.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.15a?d)

Anthropomorph, India, 1500–500 B.C., India, Copper, H. 19 1/2 in. (49.5 cm); W. 14 3/4 in. (37.5 cm), Metalwork Stock Photo

RM2B0HGNT–Anthropomorph, India, 1500–500 B.C., India, Copper, H. 19 1/2 in. (49.5 cm); W. 14 3/4 in. (37.5 cm), Metalwork

Burgonet. Culture: German. Dimensions: H. 19 7/16 in. (49.4 cm); W. 11 3/4 in. (29.8 cm); D. 14 3/4 in. (37.5 cm); Wt. 6 lb. 6 oz. (2892 g). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANM41–Burgonet. Culture: German. Dimensions: H. 19 7/16 in. (49.4 cm); W. 11 3/4 in. (29.8 cm); D. 14 3/4 in. (37.5 cm); Wt. 6 lb. 6 oz. (2892 g). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

RMMWNE8F–. English: (Artist) signed by Sayyid Ali; (Patron) Shah Tahmasp; Iran; circa 1540; Ink, opaque watercolor and gold on paper; H x W: 37.2 x 23.9 cm (14 5/8 x 9 7/16 in); Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler . 5 November 2008, 12:41:49. Mir Sayyid Ali 21 A School Scene By Mir Sayyid Ali, Iran, Tabriz, ca. 1540, Freer

Liebe in Leid, 1924. Signiert. Lithographie. Exemplar 56/60. 49 x 37,5 cm. 1924 10 Ernst Barlach Liebe in Leid Stock Photo

RMP78GG2–Liebe in Leid, 1924. Signiert. Lithographie. Exemplar 56/60. 49 x 37,5 cm. 1924 10 Ernst Barlach Liebe in Leid

Near Edinbro. Visual Material information: Title: Near Edinbro. 49.68.o. Date of publication: [about 1750-1780] Item type: 1 drawing Medium: watercolour over pencil Dimensions: sheet 24.5 x 37.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F3KP–Near Edinbro. Visual Material information: Title: Near Edinbro. 49.68.o. Date of publication: [about 1750-1780] Item type: 1 drawing Medium: watercolour over pencil Dimensions: sheet 24.5 x 37.3 cm Former owner: George III, King of Great Britain, 1738-1820

Border (France); block-printed; 125.5 x 37 cm (49 7/16 x 14 9/16 in.) Stock Photo

RM2PMDFYY–Border (France); block-printed; 125.5 x 37 cm (49 7/16 x 14 9/16 in.)

Art inspired by Paysage au Pont et au Pigeonnier (Landscape with a Bridge and a Dovecote), 18th century, Etching and engraving, Sheet: 19 1/2 x 14 3/4 in. (49.5 x 37.4 cm) trimmed, Prints, Pierre François Laurent (French, Marseille 1739–1809 Paris), After François Boucher (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW82PF–Art inspired by Paysage au Pont et au Pigeonnier (Landscape with a Bridge and a Dovecote), 18th century, Etching and engraving, Sheet: 19 1/2 x 14 3/4 in. (49.5 x 37.4 cm) trimmed, Prints, Pierre François Laurent (French, Marseille 1739–1809 Paris), After François Boucher (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Chest-on-frame MET DT320114 2029 American, Chest-on-frame, 1705?25, Painted yellow poplar, chestnut, birch, ash, oak, white cedar, 37 x 30 1/4 x 19 1/2 in. (94 x 76.8 x 49.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.15a?d) Stock Photo

RMKNAWX7–Chest-on-frame MET DT320114 2029 American, Chest-on-frame, 1705?25, Painted yellow poplar, chestnut, birch, ash, oak, white cedar, 37 x 30 1/4 x 19 1/2 in. (94 x 76.8 x 49.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.15a?d)

Band, 6th–7th century, Attributed to Egypt, Linen, wool, 37 3/8 in. high 19 5/16 in. wide (95 cm high 49 cm wide), Textiles Stock Photo

RM2B0N6C3–Band, 6th–7th century, Attributed to Egypt, Linen, wool, 37 3/8 in. high 19 5/16 in. wide (95 cm high 49 cm wide), Textiles

Paysage au Moulin (Windmill Landscape). Artist: After François Boucher (French, Paris 1703-1770 Paris); Pierre François Laurent (French, Marseille 1739-1809 Paris). Dimensions: Sheet: 19 5/8 x 14 3/4 in. (49.8 x 37.4 cm) trimmed. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB5315–Paysage au Moulin (Windmill Landscape). Artist: After François Boucher (French, Paris 1703-1770 Paris); Pierre François Laurent (French, Marseille 1739-1809 Paris). Dimensions: Sheet: 19 5/8 x 14 3/4 in. (49.8 x 37.4 cm) trimmed. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

. Deutsch: Hubertusjagd in der Eifel. Öl auf Leinwand, 36,5 x 49 cm, signiert und datiert »F. v. Wille 97« . 1897 37 Fritz von Wille 0244 Stock Photo

RMMYXM00–. Deutsch: Hubertusjagd in der Eifel. Öl auf Leinwand, 36,5 x 49 cm, signiert und datiert »F. v. Wille 97« . 1897 37 Fritz von Wille 0244

Plan du Chasteau de RuÃàsselsheim Map information: Title: Plan du Chasteau de RuÃàsselsheim 94.52.b. Date of publication: 16 Dec., 1688. Item type: 1 plan Medium: ink and watercolour Dimensions: 37 x 49.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9G0GC–Plan du Chasteau de RuÃàsselsheim Map information: Title: Plan du Chasteau de RuÃàsselsheim 94.52.b. Date of publication: 16 Dec., 1688. Item type: 1 plan Medium: ink and watercolour Dimensions: 37 x 49.5 cm Former owner: George III, King of Great Britain, 1738-1820

Sidewall (USA); machine-printed paper, varnish; 37 x 49 cm (14 9/16 x 19 5/16 in.) Stock Photo

RM2PMGGWB–Sidewall (USA); machine-printed paper, varnish; 37 x 49 cm (14 9/16 x 19 5/16 in.)

Art inspired by The Cumaean Sibyl (after Michelangelo), 1767, Red chalk, Sheet: 19 5/16 x 14 9/16 in. (49 x 37 cm), Drawings, Jean Robert Ango (French, active Rome, 1759–70, died after 1773), Little is known about Ango, who was a French draftsman active in Rome in the 1760s. He, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW85TC–Art inspired by The Cumaean Sibyl (after Michelangelo), 1767, Red chalk, Sheet: 19 5/16 x 14 9/16 in. (49 x 37 cm), Drawings, Jean Robert Ango (French, active Rome, 1759–70, died after 1773), Little is known about Ango, who was a French draftsman active in Rome in the 1760s. He, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Chest-on-frame MET 85J ACF3107R5 2029 American, Chest-on-frame, 1705?25, Painted yellow poplar, chestnut, birch, ash, oak, white cedar, 37 x 30 1/4 x 19 1/2 in. (94 x 76.8 x 49.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.15a?d) Stock Photo

RMKNE194–Chest-on-frame MET 85J ACF3107R5 2029 American, Chest-on-frame, 1705?25, Painted yellow poplar, chestnut, birch, ash, oak, white cedar, 37 x 30 1/4 x 19 1/2 in. (94 x 76.8 x 49.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.15a?d)

Art inspired by A Gathering at Wood's Edge, ca. 1770–73, Red chalk, 14 3/4 x 19 3/8 in. (37.5 x 49.2 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Unlike the majority of Fragonard's red chalk landscapes, made during a summer at Tivoli in 1760, this drawing is a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW552D–Art inspired by A Gathering at Wood's Edge, ca. 1770–73, Red chalk, 14 3/4 x 19 3/8 in. (37.5 x 49.2 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Unlike the majority of Fragonard's red chalk landscapes, made during a summer at Tivoli in 1760, this drawing is a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Side Chair, 1860–70, Made in New York, New York, United States, American, Maple, 37 3/16 x 21 x 19 1/2 in. (94.5 x 53.3 x 49.5 cm), Furniture, Léon Marcotte (1824–1887), This side chair is part of a suite of Louis XVI–style furniture that John Taylor Johnston (1820–1893, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW1YXA–Art inspired by Side Chair, 1860–70, Made in New York, New York, United States, American, Maple, 37 3/16 x 21 x 19 1/2 in. (94.5 x 53.3 x 49.5 cm), Furniture, Léon Marcotte (1824–1887), This side chair is part of a suite of Louis XVI–style furniture that John Taylor Johnston (1820–1893, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Robert Feke, Portrait of Mrs. William Bowdoin (née Phebe Murdock), 1748, oil on canvas, 49 3/4 in. x 40 3/8 in. (126.37 cm x 102.5 cm Stock Photo

RM2B0BX5P–Robert Feke, Portrait of Mrs. William Bowdoin (née Phebe Murdock), 1748, oil on canvas, 49 3/4 in. x 40 3/8 in. (126.37 cm x 102.5 cm

Angel announcing the Birth of Samson, from the Story of Samson. Artist: Anonymous, French, 16th century; Rue de Montorgueil. Dimensions: sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm). Publisher: Published by Denis Fonteney (French, died 1583). Date: ca. 1560-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1WAF–Angel announcing the Birth of Samson, from the Story of Samson. Artist: Anonymous, French, 16th century; Rue de Montorgueil. Dimensions: sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm). Publisher: Published by Denis Fonteney (French, died 1583). Date: ca. 1560-80. Museum: Metropolitan Museum of Art, New York, USA.

N/A. English: The Madonna by Giovanni Battista Salvi, called Sassoferrato, oil on canvas, 49.5 by 37.5 cm. . Giovanni Battista Salvi, called Sassoferrato 5 'The Madonna' by Giovanni Battista Salvi, called Sassoferrato Stock Photo

RMP5H0B2–N/A. English: The Madonna by Giovanni Battista Salvi, called Sassoferrato, oil on canvas, 49.5 by 37.5 cm. . Giovanni Battista Salvi, called Sassoferrato 5 'The Madonna' by Giovanni Battista Salvi, called Sassoferrato

The Ground Plot of the Abbey of St Albans Anno 1719. Author Stukeley, William 15.49.d. Date of publication: 1719. Item type: 1 drawing Medium: pen and brown ink Dimensions: sheet 30.5 x 18.9 cm, on support sheet 37.4 x 27 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9H3HB–The Ground Plot of the Abbey of St Albans Anno 1719. Author Stukeley, William 15.49.d. Date of publication: 1719. Item type: 1 drawing Medium: pen and brown ink Dimensions: sheet 30.5 x 18.9 cm, on support sheet 37.4 x 27 cm Former owner: George III, King of Great Britain, 1738-1820

Ceiling Paper (USA); machine-printed paper, textured; 94 x 49.5 cm (37 x 19 1/2 in.) Stock Photo

RM2PMFYWC–Ceiling Paper (USA); machine-printed paper, textured; 94 x 49.5 cm (37 x 19 1/2 in.)

Art inspired by Side Chair, ca. 1860, Made in New York, New York, United States, American, Maple, 37 3/16 x 21 x 19 1/2 in. (94.5 x 53.3 x 49.5 cm), Furniture, Léon Marcotte (1824–1887), This side chair is part of a suite of Louis XVI–style furniture that John Taylor Johnston (1820–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW1YW5–Art inspired by Side Chair, ca. 1860, Made in New York, New York, United States, American, Maple, 37 3/16 x 21 x 19 1/2 in. (94.5 x 53.3 x 49.5 cm), Furniture, Léon Marcotte (1824–1887), This side chair is part of a suite of Louis XVI–style furniture that John Taylor Johnston (1820–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, 1494(?), Tempera on wood, Overall 20 3/4 x 14 5/8 in. (52.7 x 37.1 cm); painted surface 19 3/8 x 14 in. (49.2 x 35.6 cm), Paintings, Attributed to the Maestro delle Storie del Pane (Italian (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8R73–Art inspired by Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, 1494(?), Tempera on wood, Overall 20 3/4 x 14 5/8 in. (52.7 x 37.1 cm); painted surface 19 3/8 x 14 in. (49.2 x 35.6 cm), Paintings, Attributed to the Maestro delle Storie del Pane (Italian (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Fragment, 18th century, Attributed to India, Cotton, metal wrapped thread; plain weave, embroidered, 49.5 in. high 17.37 in. wide (125.7 cm high 44.1 cm wide), Textiles-Embroidered Stock Photo

RM2B0J170–Fragment, 18th century, Attributed to India, Cotton, metal wrapped thread; plain weave, embroidered, 49.5 in. high 17.37 in. wide (125.7 cm high 44.1 cm wide), Textiles-Embroidered

Marriage of Samson and the Philistine, from the Story of Samson. Artist: Anonymous, French, 16th century; Rue de Montorgueil. Dimensions: sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm). Publisher: Published by Denis Fonteney (French, died 1583). Date: ca. 1560-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA94NM–Marriage of Samson and the Philistine, from the Story of Samson. Artist: Anonymous, French, 16th century; Rue de Montorgueil. Dimensions: sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm). Publisher: Published by Denis Fonteney (French, died 1583). Date: ca. 1560-80. Museum: Metropolitan Museum of Art, New York, USA.

Still Life with Stoneware Jug and Pipes. Español: Naturaleza muerta con jarra de gres, óleo sobre tabla, 49,5 x 37 cm, Ámsterdam, Rijksmuseum . 1647. Jan Jansz. Treck 702 Jan treck-bodegon Stock Photo

RMMP7P5F–Still Life with Stoneware Jug and Pipes. Español: Naturaleza muerta con jarra de gres, óleo sobre tabla, 49,5 x 37 cm, Ámsterdam, Rijksmuseum . 1647. Jan Jansz. Treck 702 Jan treck-bodegon

Arc de Lazare aÃÄ Rome Author Hegi, Franz 81.44.e. Place of publication: [Nuremberg and Zurich] Publisher: [Frauenholz and Pfenninger] Date of publication: [approximately 1795] Item type: 1 print Medium: hand-coloured aquatint and etching Dimensions: platemark 37.5 x 49.7 cm, on sheet 40.8 x 51.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FN87–Arc de Lazare aÃÄ Rome Author Hegi, Franz 81.44.e. Place of publication: [Nuremberg and Zurich] Publisher: [Frauenholz and Pfenninger] Date of publication: [approximately 1795] Item type: 1 print Medium: hand-coloured aquatint and etching Dimensions: platemark 37.5 x 49.7 cm, on sheet 40.8 x 51.8 cm Former owner: George III, King of Great Britain, 1738-1820

Ceiling Paper (USA); machine-printed paper, liquid mica; 94 x 49.5 cm (37 x 19 1/2 in.) Stock Photo

RM2PMDYR3–Ceiling Paper (USA); machine-printed paper, liquid mica; 94 x 49.5 cm (37 x 19 1/2 in.)

Art inspired by Saint Justina of Padua, 1490s, Oil on wood, Overall, with added strips, 19 1/2 x 15 1/8 in. (49.5 x 38.4 cm); painted surface 19 1/8 x 14 3/4 in. (48.6 x 37.5 cm), Paintings, Bartolomeo Montagna (Bartolomeo Cincani) (Italian, Vicentine, before 1459–1523), A fragment, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY2N4–Art inspired by Saint Justina of Padua, 1490s, Oil on wood, Overall, with added strips, 19 1/2 x 15 1/8 in. (49.5 x 38.4 cm); painted surface 19 1/8 x 14 3/4 in. (48.6 x 37.5 cm), Paintings, Bartolomeo Montagna (Bartolomeo Cincani) (Italian, Vicentine, before 1459–1523), A fragment, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Fratricide, 1911, drypoint on Zanders laid paper (Wz r.), Proof, 2nd condition (from 2), sheet: 37.5 x 49.5 cm (largest mass) |, Image: 23 x 28 cm, L. inscribed with a pencil in pencil: proof, r., Signed below: Lovis Corinth, Lovis Corinth, Tapiau/Ostpreussen (heute Gwardjesk, Russland) 1858–1925 Zandvoort Stock Photo

RM2A2P0CR–Fratricide, 1911, drypoint on Zanders laid paper (Wz r.), Proof, 2nd condition (from 2), sheet: 37.5 x 49.5 cm (largest mass) |, Image: 23 x 28 cm, L. inscribed with a pencil in pencil: proof, r., Signed below: Lovis Corinth, Lovis Corinth, Tapiau/Ostpreussen (heute Gwardjesk, Russland) 1858–1925 Zandvoort

Art inspired by Burgonet, 17th century, German, Steel, leather, H. 19 7/16 in. (49.4 cm); W. 11 3/4 in. (29.8 cm); D. 14 3/4 in. (37.5 cm); Wt. 6 lb. 6 oz. (2892 g), Helmets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTT7HD–Art inspired by Burgonet, 17th century, German, Steel, leather, H. 19 7/16 in. (49.4 cm); W. 11 3/4 in. (29.8 cm); D. 14 3/4 in. (37.5 cm); Wt. 6 lb. 6 oz. (2892 g), Helmets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Battle against the Philistines, from the Story of Samson. Artist: Anonymous, French, 16th century; Rue de Montorgueil. Dimensions: sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm). Publisher: Published by Denis Fonteney (French, died 1583). Date: ca. 1560-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKXTJ–Battle against the Philistines, from the Story of Samson. Artist: Anonymous, French, 16th century; Rue de Montorgueil. Dimensions: sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm). Publisher: Published by Denis Fonteney (French, died 1583). Date: ca. 1560-80. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Plate depicting a lady with parasol, ca. 1734–37, Chinese, for Dutch market, Hard-paste porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), Overall: 4 1/8 × 19 1/2 in. (10.5 × 49.5 cm), Ceramics-Porcelain-Export, After a design by Cornelis, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3WDK–Art inspired by Plate depicting a lady with parasol, ca. 1734–37, Chinese, for Dutch market, Hard-paste porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), Overall: 4 1/8 × 19 1/2 in. (10.5 × 49.5 cm), Ceramics-Porcelain-Export, After a design by Cornelis, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Mantel clock, Clockmaker: Étienne I Le Noir (French, 1675–1739), ca. 1745–49, French, Paris, Gilt bronze, porcelain, Overall: 17 3/16 × 14 3/4 × 8 in. (43.7 × 37.5 × 20.3 cm), Horology, Clockmaker: Étienne I Le Noir (French, 1675–1739, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3WCD–Art inspired by Mantel clock, Clockmaker: Étienne I Le Noir (French, 1675–1739), ca. 1745–49, French, Paris, Gilt bronze, porcelain, Overall: 17 3/16 × 14 3/4 × 8 in. (43.7 × 37.5 × 20.3 cm), Horology, Clockmaker: Étienne I Le Noir (French, 1675–1739, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Junge Frau bei der Morgentoilette in elegantem Boudoir. Signiert. Öl/Holz. 49,5 x 37 cm . by 1890. Frans (François) Joseph Corneille Haseleer (1804–1890) Frans Haseleer Junge Frau bei der Morgentoilette Stock Photo

RMMMXNHF–. Junge Frau bei der Morgentoilette in elegantem Boudoir. Signiert. Öl/Holz. 49,5 x 37 cm . by 1890. Frans (François) Joseph Corneille Haseleer (1804–1890) Frans Haseleer Junge Frau bei der Morgentoilette

Twickenham Author Pickett, William 30.19.c. Place of publication: London Publisher: Pub July 1799 by W. Pickett Drawing Master No 480 Strand, Date of publication: [July 1799] Item type: 1 print Medium: aquatint and etching Dimensions: plate 32 x 44.5 cm, on sheet 37.1 x 49.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HKAX–Twickenham Author Pickett, William 30.19.c. Place of publication: London Publisher: Pub July 1799 by W. Pickett Drawing Master No 480 Strand, Date of publication: [July 1799] Item type: 1 print Medium: aquatint and etching Dimensions: plate 32 x 44.5 cm, on sheet 37.1 x 49.9 cm Former owner: George III, King of Great Britain, 1738-1820

Ceiling Paper (USA); machine-printed; 37.5 x 49.5 cm (14 3/4 x 19 1/2 in.) Stock Photo

RM2PMEYPR–Ceiling Paper (USA); machine-printed; 37.5 x 49.5 cm (14 3/4 x 19 1/2 in.)

Four Pieces of Brigandine Armor, Chinese, 18th–19th century, Chinese, Piece (a); H. 14 5/8 in. (37.1 cm); W. 16 1/4 in. (41.3 cm); Wt. 1 lb. 8.2 oz. (686.1 g); piece (b); H. 14 5/8 in. (37.1 cm); W. 15 in. (38.1 cm); Wt. 1 lb. 6.2 oz. (629.4 g); piece (c); H. 20 in. (50.8 cm); W. 20 in. (50.8 cm); Wt. 1 lb. 15.9 oz. (904.3 g); piece (d); H. 19 1/2 in. (49.5 cm); W. 21 1/2 in. (54.6 cm); Wt. 2 lb. 1.1 oz. (938.4 g), Armor for Man Stock Photo

RM2B0MN37–Four Pieces of Brigandine Armor, Chinese, 18th–19th century, Chinese, Piece (a); H. 14 5/8 in. (37.1 cm); W. 16 1/4 in. (41.3 cm); Wt. 1 lb. 8.2 oz. (686.1 g); piece (b); H. 14 5/8 in. (37.1 cm); W. 15 in. (38.1 cm); Wt. 1 lb. 6.2 oz. (629.4 g); piece (c); H. 20 in. (50.8 cm); W. 20 in. (50.8 cm); Wt. 1 lb. 15.9 oz. (904.3 g); piece (d); H. 19 1/2 in. (49.5 cm); W. 21 1/2 in. (54.6 cm); Wt. 2 lb. 1.1 oz. (938.4 g), Armor for Man

Robert Earl of Lindsey', 1742, paper, copperplate engraving, height 49.8 cm, width 32.5 cm, plate size 37.6×23.5 cm, fine arts, aristocracy, estate of Constantin von Wurzbach, human, portrait, The Vienna Collection Stock Photo

RM2T8XJTK–Robert Earl of Lindsey', 1742, paper, copperplate engraving, height 49.8 cm, width 32.5 cm, plate size 37.6×23.5 cm, fine arts, aristocracy, estate of Constantin von Wurzbach, human, portrait, The Vienna Collection

Design for diffusing light. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 14 5/8 x 19 1/2 in. (37.1 x 49.5 cm) Design: 12 11/16 x 16 1/2 in. (32.2 x 41.9 cm). Maker: Tiffany Studios (1902-32). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAX8H5–Design for diffusing light. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 14 5/8 x 19 1/2 in. (37.1 x 49.5 cm) Design: 12 11/16 x 16 1/2 in. (32.2 x 41.9 cm). Maker: Tiffany Studios (1902-32). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Grand Piano, ca. 1815–20, Vienna, Austria, Austrian, Wood, various materials, L. 223.4 cm (88 in.); W. 126.4 cm (49 3/4 in.); Diam. 32 cm (12 1/2 in.); H. 93.7 cm (37 in.); 3-octave span 47.7 cm (18 3/4 in.); Sounding L. (1) f4, 5.5 striking, .5 cm; (2) c2, 27 striking, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0FME–Art inspired by Grand Piano, ca. 1815–20, Vienna, Austria, Austrian, Wood, various materials, L. 223.4 cm (88 in.); W. 126.4 cm (49 3/4 in.); Diam. 32 cm (12 1/2 in.); H. 93.7 cm (37 in.); 3-octave span 47.7 cm (18 3/4 in.); Sounding L. (1) f4, 5.5 striking, .5 cm; (2) c2, 27 striking, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Deutsch: Urfttal mit Haus Neubenden. Öl auf Pappe, 32,5 x 49 cm, signiert »F. v. W.«, bezeichnet und datiert »Urft 16.3.06« . 16 March 1906 37 Fritz von Wille 0208 Stock Photo

RMMYXKX2–. Deutsch: Urfttal mit Haus Neubenden. Öl auf Pappe, 32,5 x 49 cm, signiert »F. v. W.«, bezeichnet und datiert »Urft 16.3.06« . 16 March 1906 37 Fritz von Wille 0208

Art inspired by Portions of a Field Armor, dated 1524, probably Augsburg, German, probably Augsburg, Steel, leather, H. as mounted 29 3/4 in. (75.57 cm); Wt. 28 lb. (12.7 kg); breastplate (c): 14 3/4 × 14 3/4 × 7 11/16 in. (37.5 × 37.5 × 19.5 cm); Wt. 6 lb. 14 oz. (3112 g); tassets (d, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2WA4–Art inspired by Portions of a Field Armor, dated 1524, probably Augsburg, German, probably Augsburg, Steel, leather, H. as mounted 29 3/4 in. (75.57 cm); Wt. 28 lb. (12.7 kg); breastplate (c): 14 3/4 × 14 3/4 × 7 11/16 in. (37.5 × 37.5 × 19.5 cm); Wt. 6 lb. 14 oz. (3112 g); tassets (d, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

VeuÃàe et Perspective de la Maison scize aÃÄ Brunay du coÃÇteÃÅ du Jardin Author Silvestre, IsraeÃàl 65.44. Place of publication: [Paris] Publisher: [IsraeÃàl Silvestre?] Avec Privilege du Roy, Date of publication: 1691. Item type: 1 print Medium: etching and engraving Dimensions: platemark 37.5 x 49 cm, on sheet 38.5 x 51 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FC4F–VeuÃàe et Perspective de la Maison scize aÃÄ Brunay du coÃÇteÃÅ du Jardin Author Silvestre, IsraeÃàl 65.44. Place of publication: [Paris] Publisher: [IsraeÃàl Silvestre?] Avec Privilege du Roy, Date of publication: 1691. Item type: 1 print Medium: etching and engraving Dimensions: platemark 37.5 x 49 cm, on sheet 38.5 x 51 cm Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Scenes from a Legend; Coats of Arms, Tempera on wood, embossed gilt and silver ornament, (a) 15 1/2 x 46 in. (39.4 x 116.8 cm); end panels, with coats of arms: (b) overall 15 5/8 x 18 3/4 in. (39.7 x 47.6 cm), painted surface 14 7/8 x 18 in. (37.8 x 45.7 cm); (c, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8HHR–Art inspired by Scenes from a Legend; Coats of Arms, Tempera on wood, embossed gilt and silver ornament, (a) 15 1/2 x 46 in. (39.4 x 116.8 cm); end panels, with coats of arms: (b) overall 15 5/8 x 18 3/4 in. (39.7 x 47.6 cm), painted surface 14 7/8 x 18 in. (37.8 x 45.7 cm); (c, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Ceiling Paper (USA); machine-printed paper; 94.5 x 49 cm (37 3/16 x 19 5/16 in.) Stock Photo

RM2PME9PF–Ceiling Paper (USA); machine-printed paper; 94.5 x 49 cm (37 3/16 x 19 5/16 in.)

Art inspired by Spearhead with bent tang and slotted blade, Early Bronze Age III, ca. 2300–2000 B.C., Central Anatolia, Hattian, Copper alloy, 14.76 x 2.24 in. (37.49 x 5.69 cm), Metalwork-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4XHT–Art inspired by Spearhead with bent tang and slotted blade, Early Bronze Age III, ca. 2300–2000 B.C., Central Anatolia, Hattian, Copper alloy, 14.76 x 2.24 in. (37.49 x 5.69 cm), Metalwork-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Marriage of Samson and the Philistine, from the Story of Samson, ca. 1560–80, Woodcut with pochoir (stencil) and hand coloring, sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm), Prints, Anonymous, French, 16th century, Rue de Montorgueil, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW761T–Art inspired by Marriage of Samson and the Philistine, from the Story of Samson, ca. 1560–80, Woodcut with pochoir (stencil) and hand coloring, sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm), Prints, Anonymous, French, 16th century, Rue de Montorgueil, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

John Dryden, Jakob Houbraken (1698-1780), engraver, 1743, paper, engraving, height 49.9 cm, width 32.5 cm, plate size 37.8×23.7 cm, Fine Arts, Estate of Constantin von Wurzbach, portrait, human being, The Vienna Collection Stock Photo

RM2T8XM6X–John Dryden, Jakob Houbraken (1698-1780), engraver, 1743, paper, engraving, height 49.9 cm, width 32.5 cm, plate size 37.8×23.7 cm, Fine Arts, Estate of Constantin von Wurzbach, portrait, human being, The Vienna Collection

Belisarius. Artist: Auguste Gaspard Louis Boucher Desnoyers (French, Paris 1779-1857 Paris); After baron François Gérard (French, Rome 1770-1837 Paris). Dimensions: image: 19 5/16 x 14 7/8 in. (49 x 37.8 cm) plate: 21 5/8 x 15 3/4 in. (55 x 40 cm) sheet: 22 1/16 x 16 15/16 in. (56 x 43 cm). Date: 1806. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAX71N–Belisarius. Artist: Auguste Gaspard Louis Boucher Desnoyers (French, Paris 1779-1857 Paris); After baron François Gérard (French, Rome 1770-1837 Paris). Dimensions: image: 19 5/16 x 14 7/8 in. (49 x 37.8 cm) plate: 21 5/8 x 15 3/4 in. (55 x 40 cm) sheet: 22 1/16 x 16 15/16 in. (56 x 43 cm). Date: 1806. Museum: Metropolitan Museum of Art, New York, USA.

Painting; oil on canvas; overall: 125.5 x 95 cm (49 7/16 x 37 3/8 in.) framed: 148.9 x 119.4 cm (58 5/8 x 47 in.); 19 Portrait of a Young Woman in White A14142 Stock Photo

RMP01K31–Painting; oil on canvas; overall: 125.5 x 95 cm (49 7/16 x 37 3/8 in.) framed: 148.9 x 119.4 cm (58 5/8 x 47 in.); 19 Portrait of a Young Woman in White A14142

VeuÃàe du chaÃÇteau de Meudon du coÃÇteÃÅ du Jardin, appartenant aÃÄ Monseigneur le Marquis de Louvois Author Silvestre, IsraeÃàl 66.11.b.5 Place of publication: [Paris] Publisher: [I. Silvestre] Auec Priuilege du Roy., Date of publication: [1688 c.] Item type: 1 print Medium: etching and engraving Dimensions: platemark 37.9 x 49.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FCBR–VeuÃàe du chaÃÇteau de Meudon du coÃÇteÃÅ du Jardin, appartenant aÃÄ Monseigneur le Marquis de Louvois Author Silvestre, IsraeÃàl 66.11.b.5 Place of publication: [Paris] Publisher: [I. Silvestre] Auec Priuilege du Roy., Date of publication: [1688 c.] Item type: 1 print Medium: etching and engraving Dimensions: platemark 37.9 x 49.3 cm Former owner: George III, King of Great Britain, 1738-1820

Ceiling Paper (USA); machine-printed paper, ungrounded, liquid mica; 94 x 49 cm (37 x 19 5/16 in.) Stock Photo

RM2PMENXY–Ceiling Paper (USA); machine-printed paper, ungrounded, liquid mica; 94 x 49 cm (37 x 19 5/16 in.)

Art inspired by Battle against the Philistines, from the Story of Samson, ca. 1560–80, Woodcut with pochoir (stencil) and hand coloring, sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm), Prints, Anonymous, French, 16th century, Rue de Montorgueil, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7621–Art inspired by Battle against the Philistines, from the Story of Samson, ca. 1560–80, Woodcut with pochoir (stencil) and hand coloring, sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm), Prints, Anonymous, French, 16th century, Rue de Montorgueil, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Sir Kenelm Digby, Jakob Houbraken (1698-1780), engraver, 1748, paper, copperplate engraving, height 49.9 cm, width 32.5 cm, plate size 37.7×23.7 cm, Fine Arts, Nobility, Estate of Constantin von Wurzbach, portrait, man, The Vienna Collection Stock Photo

RM2T8XM5R–Sir Kenelm Digby, Jakob Houbraken (1698-1780), engraver, 1748, paper, copperplate engraving, height 49.9 cm, width 32.5 cm, plate size 37.7×23.7 cm, Fine Arts, Nobility, Estate of Constantin von Wurzbach, portrait, man, The Vienna Collection

Landscape with Wine Harvest. Artist: Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596-1669 Rome). Dimensions: Sheet: 14 9/16 x 19 5/16 in. (37 x 49 cm). Date: ca. 1630. A work of the artist's mature years, this composition was probably a presentation piece for a patron, judging from its high degree of finish and virtuoso technique. The drawing was painted almost entirely with the tip of the brush to obtain delicately pictorial effects of light (for example, in the rays emanating from between the clouds and in the highlights on the bark of the trees), and an atmospheric conception Stock Photo

RMPAJ9A0–Landscape with Wine Harvest. Artist: Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596-1669 Rome). Dimensions: Sheet: 14 9/16 x 19 5/16 in. (37 x 49 cm). Date: ca. 1630. A work of the artist's mature years, this composition was probably a presentation piece for a patron, judging from its high degree of finish and virtuoso technique. The drawing was painted almost entirely with the tip of the brush to obtain delicately pictorial effects of light (for example, in the rays emanating from between the clouds and in the highlights on the bark of the trees), and an atmospheric conception

Painting; oil on canvas; overall: 95.5 x 101 cm (37 5/8 x 39 3/4 in.) framed: 121 x 126.1 x 7 cm (47 5/8 x 49 5/8 x 2 3/4 in.); 592 The Artist's Wife Fishing A20548 Stock Photo

RMPC4706–Painting; oil on canvas; overall: 95.5 x 101 cm (37 5/8 x 39 3/4 in.) framed: 121 x 126.1 x 7 cm (47 5/8 x 49 5/8 x 2 3/4 in.); 592 The Artist's Wife Fishing A20548

. English: Creation Date: 1855 Display Dimensions: 14 9/16 in. x 19 5/8 in. (37 cm x 49.85 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1018 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:07:50. English: thesandiegomuseumofartcollection 845 Maharaja Takhat Singh and Prince Bhavani Singh ride with their retainers (6125057918) Stock Photo

RMMP3J5B–. English: Creation Date: 1855 Display Dimensions: 14 9/16 in. x 19 5/8 in. (37 cm x 49.85 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1018 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:07:50. English: thesandiegomuseumofartcollection 845 Maharaja Takhat Singh and Prince Bhavani Singh ride with their retainers (6125057918)

A VIEW OF ROSS, On the River Wye, Herefordshire. Author Lambe, Richard 15.97.2. Place of publication: [London] Publisher: Published July 10th 1810 by R. Lambe 39, Fleet Street., Date of publication: [Jule 10 1810] Item type: 1 print Medium: etching with hand-colouring Dimensions: platemark 35.1 x 43 cm, on sheet 37 x 49.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9H55W–A VIEW OF ROSS, On the River Wye, Herefordshire. Author Lambe, Richard 15.97.2. Place of publication: [London] Publisher: Published July 10th 1810 by R. Lambe 39, Fleet Street., Date of publication: [Jule 10 1810] Item type: 1 print Medium: etching with hand-colouring Dimensions: platemark 35.1 x 43 cm, on sheet 37 x 49.5 cm Former owner: George III, King of Great Britain, 1738-1820

. English: Creation Date: ca. 1880 Display Dimensions: 14 23/32 in. x 19 1/2 in. (37.4 cm x 49.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.651 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:33. English: thesandiegomuseumofartcollection 1193 Tiger hunt with a river in the background (6125098352) Stock Photo

RMMNXWEJ–. English: Creation Date: ca. 1880 Display Dimensions: 14 23/32 in. x 19 1/2 in. (37.4 cm x 49.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.651 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:33. English: thesandiegomuseumofartcollection 1193 Tiger hunt with a river in the background (6125098352)

Border Or Sidewall (USA); machine-printed paper; 95.5 x 49.5 cm (37 5/8 x 19 1/2 in.) Stock Photo

RM2PMGNE4–Border Or Sidewall (USA); machine-printed paper; 95.5 x 49.5 cm (37 5/8 x 19 1/2 in.)

Art inspired by Angel announcing the Birth of Samson, from the Story of Samson, ca. 1560–80, Woodcut with pochoir (stencil) and hand coloring, sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm), Prints, Anonymous, French, 16th century, Rue de Montorgueil, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW700Y–Art inspired by Angel announcing the Birth of Samson, from the Story of Samson, ca. 1560–80, Woodcut with pochoir (stencil) and hand coloring, sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm), Prints, Anonymous, French, 16th century, Rue de Montorgueil, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Elevation for a Portico of Doric Order, late 18th–early 19th century, Pen and brown ink, brush and brown and gray wash, over graphite, 14 3/4 x 19 9/16 in. (37.5 x 49.7 cm), Drawings, Anonymous, Italian, 18th or early 19th century, possibly Venetian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5T32–Art inspired by Elevation for a Portico of Doric Order, late 18th–early 19th century, Pen and brown ink, brush and brown and gray wash, over graphite, 14 3/4 x 19 9/16 in. (37.5 x 49.7 cm), Drawings, Anonymous, Italian, 18th or early 19th century, possibly Venetian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Design for diffusing light, late 19th–early 20th century, Made in New York, United States, American, Watercolor, black ink, and graphite on paper in original mat, Overall: 14 5/8 x 19 1/2 in. (37.1 x 49.5 cm), Drawings, Tiffany Studios (1902–32, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9JC4–Art inspired by Design for diffusing light, late 19th–early 20th century, Made in New York, United States, American, Watercolor, black ink, and graphite on paper in original mat, Overall: 14 5/8 x 19 1/2 in. (37.1 x 49.5 cm), Drawings, Tiffany Studios (1902–32, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Samson and the Lion, from the Story of Samson, ca. 1560–80, Woodcut with pochoir (stencil) and hand coloring, sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm), Prints, Anonymous, French, 16th century, Rue de Montorgueil, This hand-coloured print depicts an episode from the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW761W–Art inspired by Samson and the Lion, from the Story of Samson, ca. 1560–80, Woodcut with pochoir (stencil) and hand coloring, sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm), Prints, Anonymous, French, 16th century, Rue de Montorgueil, This hand-coloured print depicts an episode from the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

THOMAS HOWARD EARL OF ARUNDEL', Jakob Houbraken (1698-1780), copper engraver, 1744, paper, copperplate engraving, height 49, 9 cm, width 32, 4 cm, plate size 37, 4×23, 5 cm, Inscription, 'J. Houbraken sculps. Amst. 1743', 'In the Collection of Dr. Mead.', 'P. P. Rubens pinxit.', 'Impensis J. & P. Knapton Londini 1744.', Fine Arts, Aristocracy, Estate Constantin von Wurzbach, portrait, man, The Vienna Collection Stock Photo

RM2T8XX2B–THOMAS HOWARD EARL OF ARUNDEL', Jakob Houbraken (1698-1780), copper engraver, 1744, paper, copperplate engraving, height 49, 9 cm, width 32, 4 cm, plate size 37, 4×23, 5 cm, Inscription, 'J. Houbraken sculps. Amst. 1743', 'In the Collection of Dr. Mead.', 'P. P. Rubens pinxit.', 'Impensis J. & P. Knapton Londini 1744.', Fine Arts, Aristocracy, Estate Constantin von Wurzbach, portrait, man, The Vienna Collection

Plate depicting a lady with parasol. Artist: After a design by Cornelis Pronk (Dutch, Amsterdam 1691-1759 Amsterdam). Culture: Chinese, for Dutch market. Dimensions: Overall: 4 1/8 × 19 1/2 in. (10.5 × 49.5 cm). Date: ca. 1734-37. The Dutch East India Company, which dominated the export of Chinese porcelains to Europe in the seventeenth and early eighteenth centuries, commissioned the Dutch artist Cornelis Pronk (1691-1759) to supply designs that could be copied on porcelain intended for export. This design of a lady with a parasol was one of Pronk's most popular compositions, and was employe Stock Photo

RMPAA8G9–Plate depicting a lady with parasol. Artist: After a design by Cornelis Pronk (Dutch, Amsterdam 1691-1759 Amsterdam). Culture: Chinese, for Dutch market. Dimensions: Overall: 4 1/8 × 19 1/2 in. (10.5 × 49.5 cm). Date: ca. 1734-37. The Dutch East India Company, which dominated the export of Chinese porcelains to Europe in the seventeenth and early eighteenth centuries, commissioned the Dutch artist Cornelis Pronk (1691-1759) to supply designs that could be copied on porcelain intended for export. This design of a lady with a parasol was one of Pronk's most popular compositions, and was employe

Art inspired by Landscape with Wine Harvest, ca. 1630, Brush and gray wash, touches of pen and brown ink, over traces of black chalk, with an illusionistic frame drawn in yellow and brown wash, Sheet: 14 9/16 x 19 5/16 in. (37 x 49 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5N44–Art inspired by Landscape with Wine Harvest, ca. 1630, Brush and gray wash, touches of pen and brown ink, over traces of black chalk, with an illusionistic frame drawn in yellow and brown wash, Sheet: 14 9/16 x 19 5/16 in. (37 x 49 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

37 5 49 5 cm Stock Photos and Images

37 5 49 5 cm Stock Photos and Images

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