33 9 x 37 5 hi-res stock photography and images

Art inspired by Hollow molding, early 19th century, American, United States, Basswood, 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYG3X–Art inspired by Hollow molding, early 19th century, American, United States, Basswood, 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Hollow molding. Culture: American, United States. Dimensions: 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm.. Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB21RN–Hollow molding. Culture: American, United States. Dimensions: 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm.. Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Hollow molding, early 19th century, American, United States, Basswood, 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm., Frames Stock Photo

RMKC575R–Hollow molding, early 19th century, American, United States, Basswood, 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm., Frames

Art inspired by Jérusalem, Fontaine Arabe, 2, 1854, Salted paper print from paper negative, Image: 33.1 x 23.5 cm (13 1/16 x 9 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872), This photograph presents one of six monumental sabils, or fountains, built by Süleyman the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4ME1–Art inspired by Jérusalem, Fontaine Arabe, 2, 1854, Salted paper print from paper negative, Image: 33.1 x 23.5 cm (13 1/16 x 9 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872), This photograph presents one of six monumental sabils, or fountains, built by Süleyman the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Neptune Fountain in Trento, Rudolf von Alt (Vienna 1812 - 1905 Vienna), around 1865, drawing, watercolour, 33.5 x 37.9 cm, r.r. 'Trento 28361 Stock Photo

RM2T8MA1C–The Neptune Fountain in Trento, Rudolf von Alt (Vienna 1812 - 1905 Vienna), around 1865, drawing, watercolour, 33.5 x 37.9 cm, r.r. 'Trento 28361

Art inspired by A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)”, Edo period (1615–1868), ca. 1794, Japan, Triptych of polychrome woodblock prints; ink and color on paper, A. (left): 14 5/8 x 9 7/8 in. (37.1 x 25.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3NYE–Art inspired by A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)”, Edo period (1615–1868), ca. 1794, Japan, Triptych of polychrome woodblock prints; ink and color on paper, A. (left): 14 5/8 x 9 7/8 in. (37.1 x 25.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Auguste Rodin, The Tempest, French, Auguste Rodin (French, Paris 1840–1917 Meudon), carved before 1910, French, Marble, Overall: 13 5/8 x 14 7/8 x 7 3/4 in., 73lb. (34.6 x 37.8 x 19.7 cm, 33.1126kg), Footprint of sculpture: 14 1/2 x 6 1/2 in. (36.8 x 16.5 cm), Length of rod mount: 2 9/16 in. (6.5 cm), Sculpture Stock Photo

RM2B0KTM0–Auguste Rodin, The Tempest, French, Auguste Rodin (French, Paris 1840–1917 Meudon), carved before 1910, French, Marble, Overall: 13 5/8 x 14 7/8 x 7 3/4 in., 73lb. (34.6 x 37.8 x 19.7 cm, 33.1126kg), Footprint of sculpture: 14 1/2 x 6 1/2 in. (36.8 x 16.5 cm), Length of rod mount: 2 9/16 in. (6.5 cm), Sculpture

. English: Creation Date: ca. 1860 Display Dimensions: 14 9/16 in. x 11 7/32 in. (37 cm x 28.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1027 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:24. English: thesandiegomuseumofartcollection 1177 The Maharaja of Gwalior attended by two servants, one chauri bearer, the other h (6124578831) Stock Photo

RMMNXP3K–. English: Creation Date: ca. 1860 Display Dimensions: 14 9/16 in. x 11 7/32 in. (37 cm x 28.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1027 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:24. English: thesandiegomuseumofartcollection 1177 The Maharaja of Gwalior attended by two servants, one chauri bearer, the other h (6124578831)

The ELEVATION, to the South, of one of the Side BUILDINGS of QUEEN SQUARE in BATH. Author Fourdrinier, Paul 37.26.d.2. Place of publication: [Place of publication not identified] Publisher: [Publisher not identified] ; Date of publication: [after 1728] Item type: 1 print Medium: engraving Dimensions: sheet 17.9 x 33.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HNRP–The ELEVATION, to the South, of one of the Side BUILDINGS of QUEEN SQUARE in BATH. Author Fourdrinier, Paul 37.26.d.2. Place of publication: [Place of publication not identified] Publisher: [Publisher not identified] ; Date of publication: [after 1728] Item type: 1 print Medium: engraving Dimensions: sheet 17.9 x 33.5 cm Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Book of the Dead of Khaemhor, Late Period, Saite, Dynasty 26, 664–525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb, in rubbish in pit, 1923–24, Papyrus, ink, Papyrus: L. 295.5 x W. 37 cm (116 5/16 x 14 9/16 in.); Frame (1): H. 39 × W. 33.5 cm (15 3/8 × 13, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW174P–Art inspired by Book of the Dead of Khaemhor, Late Period, Saite, Dynasty 26, 664–525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb, in rubbish in pit, 1923–24, Papyrus, ink, Papyrus: L. 295.5 x W. 37 cm (116 5/16 x 14 9/16 in.); Frame (1): H. 39 × W. 33.5 cm (15 3/8 × 13, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Wapen van Haarlem afbeelding door Romeyn de Hooghe. - s.l. s.n. 1688. - 1 prent op papier kopergravure moet 25,2 x 37,9 cm blad 33 x 55,5 cm Onderdeel van de randversiering, Stock Photo

RM2TB6MMF–Wapen van Haarlem afbeelding door Romeyn de Hooghe. - s.l. s.n. 1688. - 1 prent op papier kopergravure moet 25,2 x 37,9 cm blad 33 x 55,5 cm Onderdeel van de randversiering,

Calligraphy, Certificate of Authorization for the Title of 'Von' for Johann Ferdinand Richter; Engraved by Franz Mayer (Austrian, active 1700s); Austria; pen and ink, brush and watercolor over engraving on vellum, bound in velvet-covered boards with imperial seal in brass case; (closed): 37 x 33 cm (14 9/16 in. x 13 in.) (diam. of case): 14.9 cm (5 7/8 in.) Stock Photo

RM2PMDH3E–Calligraphy, Certificate of Authorization for the Title of 'Von' for Johann Ferdinand Richter; Engraved by Franz Mayer (Austrian, active 1700s); Austria; pen and ink, brush and watercolor over engraving on vellum, bound in velvet-covered boards with imperial seal in brass case; (closed): 37 x 33 cm (14 9/16 in. x 13 in.) (diam. of case): 14.9 cm (5 7/8 in.)

Card and backgammon table MET ADA3891 Card and backgammon table MET ADA3891 /1425 American, Card and backgammon table, 1760?90, Mahogany, mahogany veneer, rosewood and satinwood inlays, beech, tulip poplar, 28 5/8 x 35 x 33 5/8 in. (72.7 x 88.9 x 85.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1937 (37.122) Stock Photo

RMKNE10E–Card and backgammon table MET ADA3891 Card and backgammon table MET ADA3891 /1425 American, Card and backgammon table, 1760?90, Mahogany, mahogany veneer, rosewood and satinwood inlays, beech, tulip poplar, 28 5/8 x 35 x 33 5/8 in. (72.7 x 88.9 x 85.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1937 (37.122)

Surugadai in Edo (Toto surugadai), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai ?? ??, Japanese, 1760-1849, Publisher: Hibino Yohachi, Japanese, unknown, Japan, Color woodblock print, oban, 25.9 x 37.5 cm (10 3/16 x 14 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B8WNN8–Surugadai in Edo (Toto surugadai), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai ?? ??, Japanese, 1760-1849, Publisher: Hibino Yohachi, Japanese, unknown, Japan, Color woodblock print, oban, 25.9 x 37.5 cm (10 3/16 x 14 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

. Der Boden und die landwirthschaftlichen VerhÃ¤ltnisse des Preussischen Staates.. Agriculture. Tafel I.. OewaimMl GewamiVin GfwannJX TlÃ¤chennachweis Bes..Vom "^^ Â»'^*''^!^m'^ ,C 6"'/ / D 10.2 2 Tilorgenpr. ^ 1 GewannTI D 5/,J Ã¶^ d 5,8 1 BctsDorF 61,8 mmW JStraBufrn. "' anlh oewcoui 1 *^*'-^W^ a b 55 / C Alf / b 6.0 1 IIK GeKraime, 1833,7 1 Gehren. S6,6 c 5.1 1 D Â«,9 3 Z KruntmeBergstÃ¼cke 32,9 d 5.6 1 a fio / 3 Geliren UZZ h 3,n D 35.6) D 33.C D H3,2 1 D 15.6 3 't SpringsUicJte 88,9 â¢HO .- 0 5.9 1 9 â¢i^.2 7 b fii ; 5 SclutndigeEncLeTV 37,7 10.7 1 a 6,7 1 a //,Â« X e 3.',] Stock Photo

RMPFDMA6–. Der Boden und die landwirthschaftlichen VerhÃ¤ltnisse des Preussischen Staates.. Agriculture. Tafel I.. OewaimMl GewamiVin GfwannJX TlÃ¤chennachweis Bes..Vom "^^ Â»'^*''^!^m'^ ,C 6"'/ / D 10.2 2 Tilorgenpr. ^ 1 GewannTI D 5/,J Ã¶^ d 5,8 1 BctsDorF 61,8 mmW JStraBufrn. "' anlh oewcoui 1 *^*'-^W^ a b 55 / C Alf / b 6.0 1 IIK GeKraime, 1833,7 1 Gehren. S6,6 c 5.1 1 D Â«,9 3 Z KruntmeBergstÃ¼cke 32,9 d 5.6 1 a fio / 3 Geliren UZZ h 3,n D 35.6) D 33.C D H3,2 1 D 15.6 3 't SpringsUicJte 88,9 â¢HO .- 0 5.9 1 9 â¢i^.2 7 b fii ; 5 SclutndigeEncLeTV 37,7 10.7 1 a 6,7 1 a //,Â« X e 3.',]

Jérusalem, Fontaine Arabe, 2. Artist: Auguste Salzmann (French, 1824-1872). Dimensions: Image: 33.1 x 23.5 cm (13 1/16 x 9 1/4 in.) Mount: 59.8 x 44.8 cm (23 9/16 x 17 5/8 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1854. This photograph presents one of six monumental sabils, or fountains, built by Süleyman the Magnificent in 1536-37. The fountain satisfied everyday and ritual necessities: water flowed for drinking as well as for the cleansing of the face, hands, and feet before prayer. Salzmann places the arched structure slightly of Stock Photo

RMPA915G–Jérusalem, Fontaine Arabe, 2. Artist: Auguste Salzmann (French, 1824-1872). Dimensions: Image: 33.1 x 23.5 cm (13 1/16 x 9 1/4 in.) Mount: 59.8 x 44.8 cm (23 9/16 x 17 5/8 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1854. This photograph presents one of six monumental sabils, or fountains, built by Süleyman the Magnificent in 1536-37. The fountain satisfied everyday and ritual necessities: water flowed for drinking as well as for the cleansing of the face, hands, and feet before prayer. Salzmann places the arched structure slightly of

Surugadai in Edo (Toto surugadai), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾北斎, Japanese, 1760-1849, Publisher: Hibino Yohachi, Japanese, unknown, Japan, Color woodblock print, oban, 25.9 x 37.5 cm (10 3/16 x 14 3/4 in Stock Photo

RM2A2J97X–Surugadai in Edo (Toto surugadai), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾北斎, Japanese, 1760-1849, Publisher: Hibino Yohachi, Japanese, unknown, Japan, Color woodblock print, oban, 25.9 x 37.5 cm (10 3/16 x 14 3/4 in

. Deutsch: Pelm. Öl auf Holz, 33,5 x 43,5 cm, bezeichnet, datiert und signiert »Pelm 13.9.2 F. v. W.« . 13 September 1902 37 Fritz von Wille 0273 Stock Photo

RMMYXM1C–. Deutsch: Pelm. Öl auf Holz, 33,5 x 43,5 cm, bezeichnet, datiert und signiert »Pelm 13.9.2 F. v. W.« . 13 September 1902 37 Fritz von Wille 0273

THE WEST VIEW OF LAUNCESTON CASTLE, IN THE COUNTY OF CORNWALL. Author Buck, Samuel 9.33.b. Place of publication: [England] Publisher: [publisher not identified] Date of publication: [1734] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.3 x 37.5 cm, on sheet 22.2 x 40 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FWPH–THE WEST VIEW OF LAUNCESTON CASTLE, IN THE COUNTY OF CORNWALL. Author Buck, Samuel 9.33.b. Place of publication: [England] Publisher: [publisher not identified] Date of publication: [1734] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.3 x 37.5 cm, on sheet 22.2 x 40 cm. Former owner: George III, King of Great Britain, 1738-1820

Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 Stock Photo

RMW27192–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39

Textile, La Mort de Didon (The Death of Dido); Made by Petitpierre et Cie; France; cotton; Warp x Weft: 128.5 x 98.5 cm (50 9/16 x 38 3/4 in.) Repeat H: 84.5 cm (33 1/4 in.) Width of plate: 94.5 cm (37 1/4 in.); Bequest of Elinor Merrell; 1995-50-85 Stock Photo

RM2PMKT6A–Textile, La Mort de Didon (The Death of Dido); Made by Petitpierre et Cie; France; cotton; Warp x Weft: 128.5 x 98.5 cm (50 9/16 x 38 3/4 in.) Repeat H: 84.5 cm (33 1/4 in.) Width of plate: 94.5 cm (37 1/4 in.); Bequest of Elinor Merrell; 1995-50-85

Card and backgammon table MET 114561 Card and backgammon table MET 114561 /1425 American, Card and backgammon table, 1760?90, Mahogany, mahogany veneer, rosewood and satinwood inlays, beech, tulip poplar, 28 5/8 x 35 x 33 5/8 in. (72.7 x 88.9 x 85.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1937 (37.122) Stock Photo

RMKNE108–Card and backgammon table MET 114561 Card and backgammon table MET 114561 /1425 American, Card and backgammon table, 1760?90, Mahogany, mahogany veneer, rosewood and satinwood inlays, beech, tulip poplar, 28 5/8 x 35 x 33 5/8 in. (72.7 x 88.9 x 85.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1937 (37.122)

Groups of Mountain Climbers (Shojin tozan), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai ?? ??, Japanese, 1760-1849, Publisher: Hibino Yohachi, Japanese, unknown, Japan, Color woodblock print, oban, 24.6 x 37 cm (9 5/8 x 14 9/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B8WNME–Groups of Mountain Climbers (Shojin tozan), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai ?? ??, Japanese, 1760-1849, Publisher: Hibino Yohachi, Japanese, unknown, Japan, Color woodblock print, oban, 24.6 x 37 cm (9 5/8 x 14 9/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

. Diary, July 16-August 30, 1906 while collecting in Virginia and West Virginia. Herpetology; Herpetologists. N.Y. City, Phila., Conn,, New Jersey. 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Sun rises 59 58 56 55 54 S3 52 51 49 48 47 46 45 44 43 42 41 40 39 39 38 37 36 36 35 34 34 33 32 32 31 Boston, New Eng'., New York, Mich., Wis. Sun Moon Mo. Wk. Sun Si 1 n isJ U XA sets sets rises 6 06 T 4 7 0 X. w. 4 54 Th 4 53 7 ^ 4 F. 4 52 • 0 D S. 4 51 7 J 7 1 6 4 49 7 7 2 7 M. 4 /I p. 7 ^! 7 S rises T. 4 7 7 7 4 8 31 Q w. 4 46 • 0 7 5 9 41 10 Th. 4 44 7 9 7 6 10 44 li F. 4 43 710 7 7 11 Stock Photo

RMPF9HP6–. Diary, July 16-August 30, 1906 while collecting in Virginia and West Virginia. Herpetology; Herpetologists. N.Y. City, Phila., Conn,, New Jersey. 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Sun rises 59 58 56 55 54 S3 52 51 49 48 47 46 45 44 43 42 41 40 39 39 38 37 36 36 35 34 34 33 32 32 31 Boston, New Eng'., New York, Mich., Wis. Sun Moon Mo. Wk. Sun Si 1 n isJ U XA sets sets rises 6 06 T 4 7 0 X. w. 4 54 Th 4 53 7 ^ 4 F. 4 52 • 0 D S. 4 51 7 J 7 1 6 4 49 7 7 2 7 M. 4 /I p. 7 ^! 7 S rises T. 4 7 7 7 4 8 31 Q w. 4 46 • 0 7 5 9 41 10 Th. 4 44 7 9 7 6 10 44 li F. 4 43 710 7 7 11

Preliminary Drawings of Demons. Artist: Kawanabe Kyosai (Japanese, 1831-1889). Culture: Japan. Dimensions: 9 1/8 x 13 1/4 in. (23.2 x 33.7 cm). Date: late 19th century. These sketches in the distinctive drawing style of Kawanabe Kyosai appear to be preliminary drawings for an illustrated book. Like the images of dancers in the Met's collection (37.119.6), they were formerly in the collection of his pupil Mano Kyotei (Yasokichi, 1874/5-1937). Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0FWB–Preliminary Drawings of Demons. Artist: Kawanabe Kyosai (Japanese, 1831-1889). Culture: Japan. Dimensions: 9 1/8 x 13 1/4 in. (23.2 x 33.7 cm). Date: late 19th century. These sketches in the distinctive drawing style of Kawanabe Kyosai appear to be preliminary drawings for an illustrated book. Like the images of dancers in the Met's collection (37.119.6), they were formerly in the collection of his pupil Mano Kyotei (Yasokichi, 1874/5-1937). Museum: Metropolitan Museum of Art, New York, USA.

Groups of Mountain Climbers (Shojin tozan), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾北斎, Japanese, 1760-1849, Publisher: Hibino Yohachi, Japanese, unknown, Japan, Color woodblock print, oban, 24.6 x 37 cm (9 5/8 x 14 9/16 in Stock Photo

RM2A2J974–Groups of Mountain Climbers (Shojin tozan), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾北斎, Japanese, 1760-1849, Publisher: Hibino Yohachi, Japanese, unknown, Japan, Color woodblock print, oban, 24.6 x 37 cm (9 5/8 x 14 9/16 in

Plate X: St Stephen's Chapel, Print made by James Basire, 1730–1802, British, Artist John Topham, 1746–1803, British, Formerly unknown artist, 1795, Line engraving on slightly textured, moderately thick, white wove paper, Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm), Plate: 14 13/16 × 21 5/8 inches (37.6 × 54.9 cm), and Image: 13 1/4 × 20 1/8 inches (33.7 × 51.1 cm), architectural subject, church, City of Westminster, England, House of Commons, London, Palace of Westminster, St. Stephen's Chapel, Palace of Westminster, United Kingdom Stock Photo

RM2DJ4J57–Plate X: St Stephen's Chapel, Print made by James Basire, 1730–1802, British, Artist John Topham, 1746–1803, British, Formerly unknown artist, 1795, Line engraving on slightly textured, moderately thick, white wove paper, Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm), Plate: 14 13/16 × 21 5/8 inches (37.6 × 54.9 cm), and Image: 13 1/4 × 20 1/8 inches (33.7 × 51.1 cm), architectural subject, church, City of Westminster, England, House of Commons, London, Palace of Westminster, St. Stephen's Chapel, Palace of Westminster, United Kingdom

Scolopendrium Vulgare, 1852-1854. Anna Atkins (British, 1799-1871). Cyanotype; image: 33.3 x 22.9 cm (13 1/8 x 9 in.); paper: 48.3 x 37.5 cm (19 x 14 3/4 in.); matted: 61 x 50.8 cm (24 x 20 in.). Stock Photo

RM2H1139D–Scolopendrium Vulgare, 1852-1854. Anna Atkins (British, 1799-1871). Cyanotype; image: 33.3 x 22.9 cm (13 1/8 x 9 in.); paper: 48.3 x 37.5 cm (19 x 14 3/4 in.); matted: 61 x 50.8 cm (24 x 20 in.).

Kano artist After Kano Tan'yū, Sketch for a Painting of Mi Fu Inscribing a Poem on a Rock, Japan, Edo period (1615–1868), Kano artist After Kano Tan'yū (Japanese, 1602–1674), dated 1666, Japan, Hanging scroll mounted as a panel; ink and color on paper, Image: 33 1/8 x 16 1/4 in. (84.1 x 41.3 cm), Overall with mounting: 36 1/2 x 18 7/8 in. (92.7 x 47.9 cm), Framed: 37 3/4 x 19 7/8 in. (95.9 x 50.5 cm), Paintings Stock Photo

RM2B0HFFB–Kano artist After Kano Tan'yū, Sketch for a Painting of Mi Fu Inscribing a Poem on a Rock, Japan, Edo period (1615–1868), Kano artist After Kano Tan'yū (Japanese, 1602–1674), dated 1666, Japan, Hanging scroll mounted as a panel; ink and color on paper, Image: 33 1/8 x 16 1/4 in. (84.1 x 41.3 cm), Overall with mounting: 36 1/2 x 18 7/8 in. (92.7 x 47.9 cm), Framed: 37 3/4 x 19 7/8 in. (95.9 x 50.5 cm), Paintings

RMW2719A–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77

Roman antiquities: or, An account of the manners and customs of the Romans; . yearon their birth-day, by the soldiers and the people in the pro- 1 iotumultu: nam, tu- 3 Liv. i. 37. vi.6. xxxv. 8 qui reliquis verba sa- 11 Sacramento vel -ummultus nonnunquam 2. xi. 2o. cramenti pTxiret. dicere, Liv. iiL 2n.xxi.levior quam bulluin, 4 inter lirones, 9 in verba ejus jura- 38. xxii. 57. xxv. 5Liv. ii. 26. 5 in eos aniinadversum bant. Gell. xvi- 4. 2 ita repentina auxilia est, Plin. Ep. x.33.,39. 10 Feslus in praejura- 12 xxii. 38. Cic. Ofi. uappellabant, Liv. iii.4. 6 Liv. i. 43. tiones, Liv. ii, 45 Stock Photo

RM2AN4CCY–Roman antiquities: or, An account of the manners and customs of the Romans; . yearon their birth-day, by the soldiers and the people in the pro- 1 iotumultu: nam, tu- 3 Liv. i. 37. vi.6. xxxv. 8 qui reliquis verba sa- 11 Sacramento vel -ummultus nonnunquam 2. xi. 2o. cramenti pTxiret. dicere, Liv. iiL 2n.xxi.levior quam bulluin, 4 inter lirones, 9 in verba ejus jura- 38. xxii. 57. xxv. 5Liv. ii. 26. 5 in eos aniinadversum bant. Gell. xvi- 4. 2 ita repentina auxilia est, Plin. Ep. x.33.,39. 10 Feslus in praejura- 12 xxii. 38. Cic. Ofi. uappellabant, Liv. iii.4. 6 Liv. i. 43. tiones, Liv. ii, 45

. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo

RMPFE8G1–. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27

Capital with an Angel Emerging from a Cloud. Culture: French. Dimensions: Overall: 12 7/8 x 12 15/16 x 13 in. (32.7 x 32.9 x 33 cm) Base Diameter: 7 5/16 in. (18.5 cm) Weight: 83lb. (37.6kg). Date: ca. 1150-1200. The angel emerging from a cloud suggests that a figure on a column below completed the composition, perhaps one of the Virgin of the Annunciation. Capitals decorated with similar acanthus foliage are found in other churches in Burgundy, for instance at Avallon, Vezelay, and Donzy-le-Pré. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1BAM–Capital with an Angel Emerging from a Cloud. Culture: French. Dimensions: Overall: 12 7/8 x 12 15/16 x 13 in. (32.7 x 32.9 x 33 cm) Base Diameter: 7 5/16 in. (18.5 cm) Weight: 83lb. (37.6kg). Date: ca. 1150-1200. The angel emerging from a cloud suggests that a figure on a column below completed the composition, perhaps one of the Virgin of the Annunciation. Capitals decorated with similar acanthus foliage are found in other churches in Burgundy, for instance at Avallon, Vezelay, and Donzy-le-Pré. Museum: Metropolitan Museum of Art, New York, USA.

Dr. Johann Henning Kjetil Hjardemaal, 1833. Christen Købke (Danish, 1810-1848). Oil on fabric; framed: 45 x 37 x 7.5 cm (17 11/16 x 14 9/16 x 2 15/16 in.); unframed: 33.5 x 25.6 cm (13 3/16 x 10 1/16 in.). Stock Photo

RM2H110JY–Dr. Johann Henning Kjetil Hjardemaal, 1833. Christen Købke (Danish, 1810-1848). Oil on fabric; framed: 45 x 37 x 7.5 cm (17 11/16 x 14 9/16 x 2 15/16 in.); unframed: 33.5 x 25.6 cm (13 3/16 x 10 1/16 in.).

Linton Park, (artist), American, 1826 - 1906, The Exhumation, c. 1890, oil on canvas, overall: 61 x 83.8 cm (24 x 33 in.), framed: 72.4 x 95.9 x 5 cm (28 1/2 x 37 3/4 x 1 15/16 in Stock Photo

RM2DCF1JE–Linton Park, (artist), American, 1826 - 1906, The Exhumation, c. 1890, oil on canvas, overall: 61 x 83.8 cm (24 x 33 in.), framed: 72.4 x 95.9 x 5 cm (28 1/2 x 37 3/4 x 1 15/16 in

RMRY5YYY–Scolopendrium Vulgare, 1852-1854. Anna Atkins (British, 1799-1871). Cyanotype; image: 33.3 x 22.9 cm (13 1/8 x 9 in.); paper: 48.3 x 37.5 cm (19 x 14 3/4 in.); matted: 61 x 50.8 cm (24 x 20 in

Our young folks [serial] . O R leans)- 33. Dover, Tennessee (D over X S E). 34. Monson (M on sun). 35. i. Alton. 2. Peoria. 3. Dayton. 4. Ga-lena. 5. Kenosha. 6. Winona. 7. Keokuk. 8.Franklin. 9. Madison. 10. Benton. 36. 1. Fulton. 2. Beecher. 3. Dunn. 4.Stone. 5. Haven. 6. Talmadge. 7. Miner. 8.Bellows. 9. Collyer. 10. Walker. 11. DeWitt. 37. Carson City (Car sun city). 38. 1. Love-lies-bleeding. 2. Tomatoes (twomartyrs). 3. Phlox. 4- Flower de Luce. 5. As aMorning Glory. 6. Wall Flower. 39. 1. Ostrich. 2. Hawk. 3. Eagle. 4. Star-ling. 5. Canary. 6. Condor. 7 Penguin. 8.Sparrow. 9. Gull. 10. Stock Photo

RM2AKBPN7–Our young folks [serial] . O R leans)- 33. Dover, Tennessee (D over X S E). 34. Monson (M on sun). 35. i. Alton. 2. Peoria. 3. Dayton. 4. Ga-lena. 5. Kenosha. 6. Winona. 7. Keokuk. 8.Franklin. 9. Madison. 10. Benton. 36. 1. Fulton. 2. Beecher. 3. Dunn. 4.Stone. 5. Haven. 6. Talmadge. 7. Miner. 8.Bellows. 9. Collyer. 10. Walker. 11. DeWitt. 37. Carson City (Car sun city). 38. 1. Love-lies-bleeding. 2. Tomatoes (twomartyrs). 3. Phlox. 4- Flower de Luce. 5. As aMorning Glory. 6. Wall Flower. 39. 1. Ostrich. 2. Hawk. 3. Eagle. 4. Star-ling. 5. Canary. 6. Condor. 7 Penguin. 8.Sparrow. 9. Gull. 10.

RMPF9HP7–. Diary, July 16-August 30, 1906 while collecting in Virginia and West Virginia. Herpetology; Herpetologists. N.Y. City, Phila., Conn,, New Jersey. 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Sun rises 59 58 56 55 54 S3 52 51 49 48 47 46 45 44 43 42 41 40 39 39 38 37 36 36 35 34 34 33 32 32 31 Boston, New Eng'., New York, Mich., Wis. Sun Moon Mo. Wk. Sun Si 1 n isJ U XA sets sets rises 6 06 T 4 7 0 X. w. 4 54 Th 4 53 7 ^ 4 F. 4 52 • 0 D S. 4 51 7 J 7 1 6 4 49 7 7 2 7 M. 4 /I p. 7 ^! 7 S rises T. 4 7 7 7 4 8 31 Q w. 4 46 • 0 7 5 9 41 10 Th. 4 44 7 9 7 6 10 44 li F. 4 43 710 7 7 11

Mandala of Jnanadakini. Culture: Tibet. Dimensions: Image: 29 1/2 x 33 in. (74.9 x 83.8 cm) with traditional textile mount: 54 1/8 x 36 1/4 in. (137.5 x 92.1 cm) Framed: 49 1/2 in. × 37 13/16 in. × 1 in. (125.7 × 96 × 2.5 cm). Date: late 14th century. The central six-armed goddess (devi), Jnanadakini, is surrounded by eight emanations--representations of the devi that correspond to the colors of the mandala's four directional quadrants. Four additional protective goddesses sit within the gateways. Surrounding the mandala are concentric circles that contain lotus petals, vajras, flames, and Stock Photo

RMPAR08N–Mandala of Jnanadakini. Culture: Tibet. Dimensions: Image: 29 1/2 x 33 in. (74.9 x 83.8 cm) with traditional textile mount: 54 1/8 x 36 1/4 in. (137.5 x 92.1 cm) Framed: 49 1/2 in. × 37 13/16 in. × 1 in. (125.7 × 96 × 2.5 cm). Date: late 14th century. The central six-armed goddess (devi), Jnanadakini, is surrounded by eight emanations--representations of the devi that correspond to the colors of the mandala's four directional quadrants. Four additional protective goddesses sit within the gateways. Surrounding the mandala are concentric circles that contain lotus petals, vajras, flames, and

Ah, it's true, my poor old man, you would be the first to whom I would have made to miss his bus. 'But I'll Miss My Bus' 'My Customers Have Never Missed Their Bus', 1893. Henri Gabriel Ibels (French, 1867-1936). Lithograph; sheet: 37.8 x 27.8 cm (14 7/8 x 10 15/16 in.); image: 33 x 23.7 cm (13 x 9 5/16 in.). Stock Photo

RM2H12C3C–Ah, it's true, my poor old man, you would be the first to whom I would have made to miss his bus. 'But I'll Miss My Bus' 'My Customers Have Never Missed Their Bus', 1893. Henri Gabriel Ibels (French, 1867-1936). Lithograph; sheet: 37.8 x 27.8 cm (14 7/8 x 10 15/16 in.); image: 33 x 23.7 cm (13 x 9 5/16 in.).

RMRY6EDM–Dr. Johann Henning Kjetil Hjardemaal, 1833. Christen Købke (Danish, 1810-1848). Oil on fabric; framed: 45 x 37 x 7.5 cm (17 11/16 x 14 9/16 x 2 15/16 in.); unframed: 33.5 x 25.6 cm (13 3/16 x 10 1/16 in

. Palestine : the physical geography and natural history of the Holy Land. Elliot, ii. 224. d Buckingham, Arab Tribes, 469. e Burckhardt, 169, 188. f Sandys, 176. 6 Celsius thinks that the terebinth-tree is indicated in all the following passages:—h>k> oil, Gen. xiv. 6 ; Q>7^*$, a«7im, Isa. i. 29; Q^Sji a-lim, Isa. lvii. 5; V^V* ailun, Josh. xix. 43; 1 Kings iv. 9; VOV> alon, translated plain in thefollowing places : Gen. xii. 6 ; xiii.18; xiv. 13; xviii. 1; Deut. xi. 30; Josh. xix. 33 ; Judges iv. 11; ix. 6, 37 ; 1 Sam. x. 3 ;•Phi. a*ah renclered by oak in Gen. xxxv. 4; Josh. xxiv Stock Photo

RM2AGC4J4–. Palestine : the physical geography and natural history of the Holy Land. Elliot, ii. 224. d Buckingham, Arab Tribes, 469. e Burckhardt, 169, 188. f Sandys, 176. 6 Celsius thinks that the terebinth-tree is indicated in all the following passages:—h>k> oil, Gen. xiv. 6 ; Q>7^*$, a«7im, Isa. i. 29; Q^Sji a-lim, Isa. lvii. 5; V^V* ailun, Josh. xix. 43; 1 Kings iv. 9; VOV> alon, translated plain in thefollowing places : Gen. xii. 6 ; xiii.18; xiv. 13; xviii. 1; Deut. xi. 30; Josh. xix. 33 ; Judges iv. 11; ix. 6, 37 ; 1 Sam. x. 3 ;•Phi. a*ah renclered by oak in Gen. xxxv. 4; Josh. xxiv

. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo

RMPFE8FW–. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3

Crucifix. Culture: Austrian. Dimensions: Overall (Cross with base): 37 3/8 x 23 1/4 x 9 in. (95 x 59 x 22.9 cm) Cross and Corpus without base: 33 7/16 x 23 1/4 x 3 11/16 in. (85 x 59 x 9.4 cm) Corpus only: 19 15/16 x 17 9/16 x 3 1/8 in. (50.6 x 44.6 x 7.9 cm) Cross only: 33 7/16 x 23 1/4 x 9/16 in. (85 x 59 x 1.5 cm) Base only: 3 15/16 x 11 13/16 x 9 in. (10 x 30 x 22.9 cm). Date: ca. 1125-50. His eyes wide open, Jesus appears alive on this Cross, a symbol of the belief that he conquered death. Too large to be a processional cross, this crucifix may have been mounted on a beam or screen o Stock Photo

RMPB1XK4–Crucifix. Culture: Austrian. Dimensions: Overall (Cross with base): 37 3/8 x 23 1/4 x 9 in. (95 x 59 x 22.9 cm) Cross and Corpus without base: 33 7/16 x 23 1/4 x 3 11/16 in. (85 x 59 x 9.4 cm) Corpus only: 19 15/16 x 17 9/16 x 3 1/8 in. (50.6 x 44.6 x 7.9 cm) Cross only: 33 7/16 x 23 1/4 x 9/16 in. (85 x 59 x 1.5 cm) Base only: 3 15/16 x 11 13/16 x 9 in. (10 x 30 x 22.9 cm). Date: ca. 1125-50. His eyes wide open, Jesus appears alive on this Cross, a symbol of the belief that he conquered death. Too large to be a processional cross, this crucifix may have been mounted on a beam or screen o

The Protest, 1893. Félix Vallotton (French, 1865-1925). Woodcut; sheet: 22.9 x 33.5 cm (9 x 13 3/16 in.); image: 20.4 x 31.9 cm (8 1/16 x 12 9/16 in.); secondary support: 37.6 x 58.1 cm (14 13/16 x 22 7/8 in.). Stock Photo

RM2H1143D–The Protest, 1893. Félix Vallotton (French, 1865-1925). Woodcut; sheet: 22.9 x 33.5 cm (9 x 13 3/16 in.); image: 20.4 x 31.9 cm (8 1/16 x 12 9/16 in.); secondary support: 37.6 x 58.1 cm (14 13/16 x 22 7/8 in.).

RMRY6K2J–The Protest, 1893. Félix Vallotton (French, 1865-1925). Woodcut; sheet: 22.9 x 33.5 cm (9 x 13 3/16 in.); image: 20.4 x 31.9 cm (8 1/16 x 12 9/16 in.); secondary support: 37.6 x 58.1 cm (14 13/16 x 22 7/8 in

Sitzungsberichte . i 2 7 +is 37 Kleine cp — 67 —2 —36-8 +468 76°30 K X +54 —2-5 +12-2 —26 Becke <p — 63l/4 -2*6 —36-6 +43*3 763° Volle Punkte X +57-9 -62 +12-5 —33-0 Anmerkung während der Correctur. Die Beobachtungen C. Violas inRendiconti dellAcademia dei Lincei 1899 wurden mir bekannt, als die vor-stehende Mittheilung bereits im Drucke war. Die wieder auf ganz anderemWege ermittelten Axenpositionen Violas stimmen bezüglich Axe B voll-ständig mit meiner Anerabe. Axe A stimmt dagegen nicht 2:11t. 1 A und B nach Tschermaks Mineralog. und petrograph. Mitth.. XII,443, 1891, a und y construir Stock Photo

RM2AWN0MC–Sitzungsberichte . i 2 7 +is 37 Kleine cp — 67 —2 —36-8 +468 76°30 K X +54 —2-5 +12-2 —26 Becke <p — 63l/4 -2*6 —36-6 +43*3 763° Volle Punkte X +57-9 -62 +12-5 —33-0 Anmerkung während der Correctur. Die Beobachtungen C. Violas inRendiconti dellAcademia dei Lincei 1899 wurden mir bekannt, als die vor-stehende Mittheilung bereits im Drucke war. Die wieder auf ganz anderemWege ermittelten Axenpositionen Violas stimmen bezüglich Axe B voll-ständig mit meiner Anerabe. Axe A stimmt dagegen nicht 2:11t. 1 A und B nach Tschermaks Mineralog. und petrograph. Mitth.. XII,443, 1891, a und y construir

Head of a Young Man in a Cap, first half 18th century. Giovanni Battista Piazzetta (Italian, 1682-1754). Black chalk heightened with white chalk, with stumping; sheet: 37.9 x 27.2 cm (14 15/16 x 10 11/16 in.); secondary support: 44.4 x 33.5 cm (17 1/2 x 13 3/16 in Stock Photo

RMRY3X32–Head of a Young Man in a Cap, first half 18th century. Giovanni Battista Piazzetta (Italian, 1682-1754). Black chalk heightened with white chalk, with stumping; sheet: 37.9 x 27.2 cm (14 15/16 x 10 11/16 in.); secondary support: 44.4 x 33.5 cm (17 1/2 x 13 3/16 in

. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >Â» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Stock Photo

RMPFFXNM–. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >Â» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X

Jean-Baptiste-Camille Corot, (artist), French, 1796 - 1875, Italian Woman (La Morieri), c. 1872, oil on canvas, overall: 65.2 × 55.1 cm (25 11/16 × 21 11/16 in.), framed: 94.9 x 84.5 x 11.4 cm (37 3/8 x 33 1/4 x 4 1/2 in Stock Photo

RM2DCAW41–Jean-Baptiste-Camille Corot, (artist), French, 1796 - 1875, Italian Woman (La Morieri), c. 1872, oil on canvas, overall: 65.2 × 55.1 cm (25 11/16 × 21 11/16 in.), framed: 94.9 x 84.5 x 11.4 cm (37 3/8 x 33 1/4 x 4 1/2 in

The Bride Taken Home. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 3/4 × 14 3/4 in. (29.9 × 37.5 cm) Plate: 10 11/16 x 13 3/8 in. (27.1 x 34 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Marriage in the City (Le Mariage à la ville). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPATA3F–The Bride Taken Home. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 3/4 × 14 3/4 in. (29.9 × 37.5 cm) Plate: 10 11/16 x 13 3/8 in. (27.1 x 34 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Marriage in the City (Le Mariage à la ville). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA.

RM2H11CJ6–Head of a Young Man in a Cap, first half 18th century. Giovanni Battista Piazzetta (Italian, 1682-1754). Black chalk heightened with white chalk, with stumping; sheet: 37.9 x 27.2 cm (14 15/16 x 10 11/16 in.); secondary support: 44.4 x 33.5 cm (17 1/2 x 13 3/16 in.).

Petri Artedi renovati pars Iet II[III-V] : i.ebibliotheca et philosophia ichthyologica . Feminx vulvam, ovaria, mammas, foetusque lacte alunt. GE NE RA PISCIUM. h MALACOPTERYGIL 28 Sparus pag. 5J 1 Syngnathus pag. I 29 Scixna 58 a Cobitis 2 30 Perca 39 3 Cyprinus 3 51 Trachinus 40 4 Clupca 6 52 Trigla 42 5 Argentina 8 33 Scorpoena 47 6 Exocoetus 8 34 Cottus 48 7 Coregonus 9 35 Zeus 49 8 Osmerus 10 36 Chxtodon 51 9 Salmo 11 37 Gafterofteus 5i 10 Efo.x 14 IIL BRANCHIOSTEGI. 11 Echeneis 14 38 Baliftes 53546i 12 Coryphxna 13 Ammodytcs 15 16 • 59 Oftracion40 Cvclopterus 14 Pieuronectes 15 Stromateu Stock Photo

RM2ANJ4WK–Petri Artedi renovati pars Iet II[III-V] : i.ebibliotheca et philosophia ichthyologica . Feminx vulvam, ovaria, mammas, foetusque lacte alunt. GE NE RA PISCIUM. h MALACOPTERYGIL 28 Sparus pag. 5J 1 Syngnathus pag. I 29 Scixna 58 a Cobitis 2 30 Perca 39 3 Cyprinus 3 51 Trachinus 40 4 Clupca 6 52 Trigla 42 5 Argentina 8 33 Scorpoena 47 6 Exocoetus 8 34 Cottus 48 7 Coregonus 9 35 Zeus 49 8 Osmerus 10 36 Chxtodon 51 9 Salmo 11 37 Gafterofteus 5i 10 Efo.x 14 IIL BRANCHIOSTEGI. 11 Echeneis 14 38 Baliftes 53546i 12 Coryphxna 13 Ammodytcs 15 16 • 59 Oftracion40 Cvclopterus 14 Pieuronectes 15 Stromateu

Pieter Vanderlyn, (painter), American, c. 1687 - 1778, The Gansevoort Limner, (painter), American, active 1730/1745, Susanna Truax, 1730, oil on bed ticking, overall: 95.9 x 83.8 cm (37 3/4 x 33 in.), framed: 111.1 x 96.5 x 4.1 cm (43 3/4 x 38 x 1 5/8 in Stock Photo

RM2DCEN3A–Pieter Vanderlyn, (painter), American, c. 1687 - 1778, The Gansevoort Limner, (painter), American, active 1730/1745, Susanna Truax, 1730, oil on bed ticking, overall: 95.9 x 83.8 cm (37 3/4 x 33 in.), framed: 111.1 x 96.5 x 4.1 cm (43 3/4 x 38 x 1 5/8 in

Déborah. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 14 5/8 x 9 11/16 in. (37.2 x 24.6 cm) plate: 13 7/16 x 8 7/16 in. (34.2 x 21.5 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA9KDX–Déborah. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 14 5/8 x 9 11/16 in. (37.2 x 24.6 cm) plate: 13 7/16 x 8 7/16 in. (34.2 x 21.5 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

Winding Yarn (Interior of a Nantucket Kitchen), 1872. Eastman Johnson (American, 1824-1906). Oil on board; framed: 70.2 x 85.4 x 10.2 cm (27 5/8 x 33 5/8 x 4 in.); unframed: 37.5 x 54.6 cm (14 3/4 x 21 1/2 in.); former: 52.7 x 69.9 x 5.1 cm (20 3/4 x 27 1/2 x 2 in.). Stock Photo

RM2H10NNM–Winding Yarn (Interior of a Nantucket Kitchen), 1872. Eastman Johnson (American, 1824-1906). Oil on board; framed: 70.2 x 85.4 x 10.2 cm (27 5/8 x 33 5/8 x 4 in.); unframed: 37.5 x 54.6 cm (14 3/4 x 21 1/2 in.); former: 52.7 x 69.9 x 5.1 cm (20 3/4 x 27 1/2 x 2 in.).

Two Figures Framed by a Jeweled Border, 450-550. Egypt, Byzantine period, 5th-6th century. Dyed wool, undyed linen; slit-tapestry weave with supplementary weft wrapping and plain weave headings ; overall: 24.1 x 28.6 cm (9 1/2 x 11 1/4 in.); mounted: 33 x 37.5 cm (13 x 14 3/4 in.). An opulent border of pseudo pearls and gemstones frames this haloed couple. The man wears a 'Phrygian cap,' a Roman symbol of liberty, as well as a belted tunic decorated with prestigious purple roundels and bands (clavi). The woman appears to be spinning. Stock Photo

RM2H0Y2HP–Two Figures Framed by a Jeweled Border, 450-550. Egypt, Byzantine period, 5th-6th century. Dyed wool, undyed linen; slit-tapestry weave with supplementary weft wrapping and plain weave headings ; overall: 24.1 x 28.6 cm (9 1/2 x 11 1/4 in.); mounted: 33 x 37.5 cm (13 x 14 3/4 in.). An opulent border of pseudo pearls and gemstones frames this haloed couple. The man wears a 'Phrygian cap,' a Roman symbol of liberty, as well as a belted tunic decorated with prestigious purple roundels and bands (clavi). The woman appears to be spinning.

The Birth of Krishna, from a Sursagar of Surdas, c. 1700. Northwestern India, Rajasthan, Mewar school, early 18th Century. Opaque watercolor and gold on paper; image: 33.6 x 22.2 cm (13 1/4 x 8 3/4 in.); overall: 37 x 25.4 cm (14 9/16 x 10 in.); with mat: 49 x 36.3 cm (19 5/16 x 14 5/16 in.). The blind poet and Hindu saint Surdas (1578/79–c. 1581), a devotee of Krishna, is shown in the hut at the lower right corner playing cymbals to measure meter as he recites his poem, called Sursagar. Verse 5 is written at the top of the page, and the scenes of festivities surrounding the arrival of the ne Stock Photo

RM2H0Y3CT–The Birth of Krishna, from a Sursagar of Surdas, c. 1700. Northwestern India, Rajasthan, Mewar school, early 18th Century. Opaque watercolor and gold on paper; image: 33.6 x 22.2 cm (13 1/4 x 8 3/4 in.); overall: 37 x 25.4 cm (14 9/16 x 10 in.); with mat: 49 x 36.3 cm (19 5/16 x 14 5/16 in.). The blind poet and Hindu saint Surdas (1578/79–c. 1581), a devotee of Krishna, is shown in the hut at the lower right corner playing cymbals to measure meter as he recites his poem, called Sursagar. Verse 5 is written at the top of the page, and the scenes of festivities surrounding the arrival of the ne

. Prières de tous, huit dizaines d'un chapelet rhythmique. Dessins de Madeleine Lemaire. LÉtui 5 I. Prière de THomme 7 II. Prière de la Femme 9 III. Prière des Epoux 11 IV. Prière de la Vierge 13 V. Prière de lEnfant 15 VI. Prière de lInstituteur 17 VII. Prière du Riche 19 VIII. Prière du Pauvre 21 IX. Prière du Roi 23 X. Prière du Serviteur 25 XI. Prière du Nègre 27 XII. Prière des Bêtes 29 XIII. Prière du Chasseur 31 XIV. Prière du Soleil 33 XV. Prière de la Lune 55 XVI. Prière des Astres 37 XVII. Prière de lAstronome 39 XVIII. Prière de lAveugle 41 A. TABLE ORDINALE Prière du Soldat 43 Priè Stock Photo

RM2AG2Y5K–. Prières de tous, huit dizaines d'un chapelet rhythmique. Dessins de Madeleine Lemaire. LÉtui 5 I. Prière de THomme 7 II. Prière de la Femme 9 III. Prière des Epoux 11 IV. Prière de la Vierge 13 V. Prière de lEnfant 15 VI. Prière de lInstituteur 17 VII. Prière du Riche 19 VIII. Prière du Pauvre 21 IX. Prière du Roi 23 X. Prière du Serviteur 25 XI. Prière du Nègre 27 XII. Prière des Bêtes 29 XIII. Prière du Chasseur 31 XIV. Prière du Soleil 33 XV. Prière de la Lune 55 XVI. Prière des Astres 37 XVII. Prière de lAstronome 39 XVIII. Prière de lAveugle 41 A. TABLE ORDINALE Prière du Soldat 43 Priè

Simon Charles Miger, (artist), French, 1736 - 1820, Adélaïde Labille-Guiard, (artist after), French, 1749 - 1803, Joseph Vien, in or after 1790, engraving on heavy laid paper, plate: 37.6 x 25.5 cm (14 13/16 x 10 1/16 in.), sheet: 46.9 x 33.4 cm (18 7/16 x 13 1/8 in Stock Photo

RM2DC9Y3Y–Simon Charles Miger, (artist), French, 1736 - 1820, Adélaïde Labille-Guiard, (artist after), French, 1749 - 1803, Joseph Vien, in or after 1790, engraving on heavy laid paper, plate: 37.6 x 25.5 cm (14 13/16 x 10 1/16 in.), sheet: 46.9 x 33.4 cm (18 7/16 x 13 1/8 in

John G. Warnicke, (artist), American, died 1818, Alexander Wilson, (artist after), American, 1766 - 1813, Passenger Pigeon, Blue-mountain Warbler, and Hemlock Warbler, published 1808-1814, hand-colored engraving with etching on wove paper, plate: 26 x 33.8 cm (10 1/4 x 13 5/16 in.), sheet: 29.7 x 37 cm (11 11/16 x 14 9/16 in Stock Photo

RM2DCFKF1–John G. Warnicke, (artist), American, died 1818, Alexander Wilson, (artist after), American, 1766 - 1813, Passenger Pigeon, Blue-mountain Warbler, and Hemlock Warbler, published 1808-1814, hand-colored engraving with etching on wove paper, plate: 26 x 33.8 cm (10 1/4 x 13 5/16 in.), sheet: 29.7 x 37 cm (11 11/16 x 14 9/16 in

Landscape after a poem by Wang Wei. Artist: Tang Di (Chinese, ca. 1287-1355). Culture: China. Dimensions: Image: 50 3/4 x 27 1/16 in. (128.9 x 68.7 cm) Overall with mounting: 8 ft. 8 1/8 in. x 33 3/4 in. (264.5 x 85.7 cm) Overall with knobs: 8 ft. 8 1/8 in. x 37 in. (264.5 x 94 cm). Date: dated 1323. Tang Di was one of the first southern scholar-artists to revive the Northern Song landscape traditions of the tenth and eleventh centuries, and this composition is typical of the many large-scale works he produced in emulation of northern prototypes. While Northern Song masters were inclined to Stock Photo

RMPAJ9B6–Landscape after a poem by Wang Wei. Artist: Tang Di (Chinese, ca. 1287-1355). Culture: China. Dimensions: Image: 50 3/4 x 27 1/16 in. (128.9 x 68.7 cm) Overall with mounting: 8 ft. 8 1/8 in. x 33 3/4 in. (264.5 x 85.7 cm) Overall with knobs: 8 ft. 8 1/8 in. x 37 in. (264.5 x 94 cm). Date: dated 1323. Tang Di was one of the first southern scholar-artists to revive the Northern Song landscape traditions of the tenth and eleventh centuries, and this composition is typical of the many large-scale works he produced in emulation of northern prototypes. While Northern Song masters were inclined to

Tivoli, John Robert Cozens, 1752–1797, British, 1778, Pen and black ink, watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper, Mount: 14 5/8 x 21 inches (37.1 x 53.3 cm) and Sheet: 13 x 19 1/4 inches (33 x 48.9 cm), buildings, cities, cliffs, Grand Tour, hills, landscape, trees, Italy, Tivoli Stock Photo

RM2DJ7RPJ–Tivoli, John Robert Cozens, 1752–1797, British, 1778, Pen and black ink, watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper, Mount: 14 5/8 x 21 inches (37.1 x 53.3 cm) and Sheet: 13 x 19 1/4 inches (33 x 48.9 cm), buildings, cities, cliffs, Grand Tour, hills, landscape, trees, Italy, Tivoli

RMRY5TD1–The Birth of Krishna, from a Sursagar of Surdas, c. 1700. Northwestern India, Rajasthan, Mewar school, early 18th Century. Opaque watercolor and gold on paper; image: 33.6 x 22.2 cm (13 1/4 x 8 3/4 in.); overall: 37 x 25.4 cm (14 9/16 x 10 in.); with mat: 49 x 36.3 cm (19 5/16 x 14 5/16 in

RMRY6RGW–Winding Yarn (Interior of a Nantucket Kitchen), 1872. Eastman Johnson (American, 1824-1906). Oil on board; framed: 70.2 x 85.4 x 10.2 cm (27 5/8 x 33 5/8 x 4 in.); unframed: 37.5 x 54.6 cm (14 3/4 x 21 1/2 in.); former: 52.7 x 69.9 x 5.1 cm (20 3/4 x 27 1/2 x 2 in

Hadleigh Castle, Print made by David Lucas, 1802–1881, British, after John Constable, 1776–1837, British, 1830 to 1832, Mezzotint and etching on medium, slightly textured, cream wove paper, Sheet: 13 x 18 inches (33 x 45.7 cm), Plate: 11 x 14 3/4 inches (27.9 x 37.5 cm), and Image: 10 1/2 x 14 1/4 inches (26.7 x 36.2 cm), clouds, dog (animal), rain, rocks (landforms), ruins, shepherd, tree, England, Essex, Europe, Hadleigh Castle, Leigh-on-Sea, United Kingdom Stock Photo

RM2DJ37HM–Hadleigh Castle, Print made by David Lucas, 1802–1881, British, after John Constable, 1776–1837, British, 1830 to 1832, Mezzotint and etching on medium, slightly textured, cream wove paper, Sheet: 13 x 18 inches (33 x 45.7 cm), Plate: 11 x 14 3/4 inches (27.9 x 37.5 cm), and Image: 10 1/2 x 14 1/4 inches (26.7 x 36.2 cm), clouds, dog (animal), rain, rocks (landforms), ruins, shepherd, tree, England, Essex, Europe, Hadleigh Castle, Leigh-on-Sea, United Kingdom

Thaxted Church, Essex, Thomas Hearne, 1744–1817, British, ca. 1800, Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper, Contemporary drawn border: 14 3/4 × 11 1/4 inches (37.5 × 28.6 cm) and Sheet: 13 1/8 x 9 1/2 inches (33.3 x 24.1 cm), arches, architectural subject, cathedral, church, fences, gravestones, leisure, men, path, portals, resting, road, sculptures, spire, stained glass, statues, tree, windows, England, Essex, Europe, Thaxted, Thaxted church, United Kingdom Stock Photo

RM2DHRMBA–Thaxted Church, Essex, Thomas Hearne, 1744–1817, British, ca. 1800, Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper, Contemporary drawn border: 14 3/4 × 11 1/4 inches (37.5 × 28.6 cm) and Sheet: 13 1/8 x 9 1/2 inches (33.3 x 24.1 cm), arches, architectural subject, cathedral, church, fences, gravestones, leisure, men, path, portals, resting, road, sculptures, spire, stained glass, statues, tree, windows, England, Essex, Europe, Thaxted, Thaxted church, United Kingdom

Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope, Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Sir Joshua Reynolds RA, 1723–1792, British, 1789, Stipple engraving and etching on moderately thick, slightly textured, cream laid paper, Sheet: 16 3/4 x 13 1/4 inches (42.5 x 33.7 cm), Plate: 14 13/16 x 11 11/16 inches (37.7 x 29.7 cm), and Image: 11 9/16 x 9 1/8 inches (29.3 x 23.2 cm), boys, children, column (architectural element), costume, countess, curls, curtain, dresses, family, feathers, gowns Stock Photo

RM2DHWTKR–Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope, Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Sir Joshua Reynolds RA, 1723–1792, British, 1789, Stipple engraving and etching on moderately thick, slightly textured, cream laid paper, Sheet: 16 3/4 x 13 1/4 inches (42.5 x 33.7 cm), Plate: 14 13/16 x 11 11/16 inches (37.7 x 29.7 cm), and Image: 11 9/16 x 9 1/8 inches (29.3 x 23.2 cm), boys, children, column (architectural element), costume, countess, curls, curtain, dresses, family, feathers, gowns

. Climatological data, West Virginia. AVERAGE TEMPERATURE WEST VIRGINIAFEBRUARY 1961 s»,5*^ a5 Is >* / I li [+ j /—< / tr / 1-2/1 o o / 1 z r r OS ;X = Of ?1 !oS ,- 4sl V J* /* s / oj. E (A o at-. v 0 A-H +iV C« 3 58 U 33 OO-rf 3 Crl O o a h ffl a e STATION INDEX . jj 1 | I OBSERVATION TIME AND TABLES STATION M COUNTY tii 01 Dl 1600 IP ip CONCORD COLUIQI BAYARD -?? <9 U P9. II ? |B TA H HOWARD H. HAL B»M RALlIGM 37 AT |] 11 19)0 tP n* V. A. HOSPITAL .Ml BARBOUR 10 39 01 9 •?<. 1670 GEORGE R. HiLLYAtO EMM 20 )**9 )» 09 |] *9 600 7A i BINJO* D*?» HARR1 SON 10 *9 09 10 1080 - • c Stock Photo

RM2AFTAMR–. Climatological data, West Virginia. AVERAGE TEMPERATURE WEST VIRGINIAFEBRUARY 1961 s»,5*^ a5 Is >* / I li [+ j /—< / tr / 1-2/1 o o / 1 z r r OS ;X = Of ?1 !oS ,- 4sl V J* /* s / oj. E (A o at-. v 0 A-H +iV C« 3 58 U 33 OO-rf 3 Crl O o a h ffl a e STATION INDEX . jj 1 | I OBSERVATION TIME AND TABLES STATION M COUNTY tii 01 Dl 1600 IP ip CONCORD COLUIQI BAYARD -?? <9 U P9. II ? |B TA H HOWARD H. HAL B»M RALlIGM 37 AT |] 11 19)0 tP n* V. A. HOSPITAL .Ml BARBOUR 10 39 01 9 •?<. 1670 GEORGE R. HiLLYAtO EMM 20 )**9 )» 09 |] *9 600 7A i BINJO* D*?» HARR1 SON 10 *9 09 10 1080 - • c

Woman with Iris (La femme aux iris). Dimensions: 50.5 cm x 37.9 cm, 38 cm x 33.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: Bottini, Georges Alfred. Stock Photo

RMR64K7W–Woman with Iris (La femme aux iris). Dimensions: 50.5 cm x 37.9 cm, 38 cm x 33.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: Bottini, Georges Alfred.

The Boscawen and Sheerness Privateers, Print made by John Boydell, 1720–1804, British, after Charles Brooking, 1723–1759, British, Published by John Boydell, 1720–1804, British, 1753, Etching and line engraving on moderately thick, slightly textured, cream laid paper, laid on mount, Sheet: 14 5/8 x 20 9/16 inches (37.1 x 52.3 cm), Plate: 13 1/4 x 19 inches (33.7 x 48.2 cm), and Image: 11 5/16 x 18 1/16 inches (28.8 x 45.9 cm), battle, cannons (artillery), clouds, damage, destruction, fire, flags, French, galleons, navies, Royal Navy, sails, sea, ships, shipwreck, smoke, war, yachts Stock Photo

RM2DHY0Y1–The Boscawen and Sheerness Privateers, Print made by John Boydell, 1720–1804, British, after Charles Brooking, 1723–1759, British, Published by John Boydell, 1720–1804, British, 1753, Etching and line engraving on moderately thick, slightly textured, cream laid paper, laid on mount, Sheet: 14 5/8 x 20 9/16 inches (37.1 x 52.3 cm), Plate: 13 1/4 x 19 inches (33.7 x 48.2 cm), and Image: 11 5/16 x 18 1/16 inches (28.8 x 45.9 cm), battle, cannons (artillery), clouds, damage, destruction, fire, flags, French, galleons, navies, Royal Navy, sails, sea, ships, shipwreck, smoke, war, yachts

Journal of experimental zoology . 3C O ^ 00 OC 30 00 OO Ci Ci Fio;. 31 ]IelanopIus femur-rubrum; frequency distribution of head-lengthsof 491 spermatozoa from a single testis. Value in /iFrequency 71.41 72 2 ?3.0 73.9 74.7 75.5 76.4 77.2 78.0 78.8 4 1 11 7 W 23 28 26 79.7 80.5 81.3 82.2 83.0 83.8 84.7 85.5 86.3 87.2 37 48 38 32 48 33 30 17 13 17 88.0 88.8 89.6 90.5 91.4 92.2 93.0 93.8 94.6 95.5 16 7 72236342 96.3 97.1 97.9 1 2 1 B, figure 33; 1008 spermatozoa from the same left testis as figure32. The principal modes are at 88.8/x and OO.O/z, giving a ratioof 1.00 : 1.02. Set C, figure 34; 73 Stock Photo

RM2AN5CTP–Journal of experimental zoology . 3C O ^ 00 OC 30 00 OO Ci Ci Fio;. 31 ]IelanopIus femur-rubrum; frequency distribution of head-lengthsof 491 spermatozoa from a single testis. Value in /iFrequency 71.41 72 2 ?3.0 73.9 74.7 75.5 76.4 77.2 78.0 78.8 4 1 11 7 W 23 28 26 79.7 80.5 81.3 82.2 83.0 83.8 84.7 85.5 86.3 87.2 37 48 38 32 48 33 30 17 13 17 88.0 88.8 89.6 90.5 91.4 92.2 93.0 93.8 94.6 95.5 16 7 72236342 96.3 97.1 97.9 1 2 1 B, figure 33; 1008 spermatozoa from the same left testis as figure32. The principal modes are at 88.8/x and OO.O/z, giving a ratioof 1.00 : 1.02. Set C, figure 34; 73

Kitchen Range. Dated: c. 1940. Dimensions: overall: 37.7 x 33.1 cm (14 13/16 x 13 1/16 in.) Original IAD Object: 9' high; 5' deep. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: David Ramage. Stock Photo

RMR2PGA9–Kitchen Range. Dated: c. 1940. Dimensions: overall: 37.7 x 33.1 cm (14 13/16 x 13 1/16 in.) Original IAD Object: 9' high; 5' deep. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: David Ramage.

Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II, Mary Hoare, 1753–1820, British, 1780, Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border, Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm), Contemporary drawn border: 12 3/16 x 14 7/16 inches (31 x 36.7 cm), and Sheet: 10 15/16 x 13 3/16 inches (27.8 x 33.5 cm), brothers, carrying, cave, cloaks, cross-dressing, Cymbeline, Act IV, Scene II, Cymbeline, play by William Stock Photo

RM2DJ8HX3–Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II, Mary Hoare, 1753–1820, British, 1780, Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border, Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm), Contemporary drawn border: 12 3/16 x 14 7/16 inches (31 x 36.7 cm), and Sheet: 10 15/16 x 13 3/16 inches (27.8 x 33.5 cm), brothers, carrying, cave, cloaks, cross-dressing, Cymbeline, Act IV, Scene II, Cymbeline, play by William

Basket, 20th century, 3 11/16 x 13 3/16 in. (9.37 x 33.5 cm), Plant fibers, Ethiopia, 20th century Stock Photo

RM2T91FG7–Basket, 20th century, 3 11/16 x 13 3/16 in. (9.37 x 33.5 cm), Plant fibers, Ethiopia, 20th century

Ontario Sessional Papers, 1893, No.4-5 . .2 1 2 ^ d bc-te 2 a ^ •3 3 3^ :e5 5? ?0 3 ^ X 3 3s u 3 3 0 0 ^ u — •su.ini > ??£ •£ £ u X 33 X 5. ?n 2:ri -81 a^a^dnioo J^ui 03 -3 -3 ^ ^ C s^!? -jnoes UI sapinocgiQ 2 S -s. cS CS X ^ a 33 ^ 3 .^sg u ^ 5^ 03 13 » 33 2 ^ **^ 3 i! ^ ^ a :^ t4 be be 5b oS y 3 0 -5 3 2 s* U 3 S C C I- o 0 13 * c s -a.S D :z 12; ^ Ph a ^ 03 CO l 03 , >i 33 33 6 o»>r. •sujujaj 9^3[d 2c should bi)rds conli|)t in nine! $ t: 03— fc^ 03 1-5 3.a 2 3 33 1 1 030 37 ^««-. -raooajoui ajnsaa ojpasodojd saipauia^j ooSi If link bookkept — recithen bo kei 13 1 > 33 2 5 Stock Photo

RM2AWYNPG–Ontario Sessional Papers, 1893, No.4-5 . .2 1 2 ^ d bc-te 2 a ^ •3 3 3^ :e5 5? ?0 3 ^ X 3 3s u 3 3 0 0 ^ u — •su.ini > ??£ •£ £ u X 33 X 5. ?n 2:ri -81 a^a^dnioo J^ui 03 -3 -3 ^ ^ C s^!? -jnoes UI sapinocgiQ 2 S -s. cS CS X ^ a 33 ^ 3 .^sg u ^ 5^ 03 13 » 33 2 ^ **^ 3 i! ^ ^ a :^ t4 be be 5b oS y 3 0 -5 3 2 s* U 3 S C C I- o 0 13 * c s -a.S D :z 12; ^ Ph a ^ 03 CO l 03 , >i 33 33 6 o»>r. •sujujaj 9^3[d 2c should bi)rds conli|)t in nine! $ t: 03— fc^ 03 1-5 3.a 2 3 33 1 1 030 37 ^««-. -raooajoui ajnsaa ojpasodojd saipauia^j ooSi If link bookkept — recithen bo kei 13 1 > 33 2 5

Trivet. Dated: 1939. Dimensions: overall: 37 x 33.7 cm (14 9/16 x 13 1/4 in.) Original IAD Object: 5 7/8' long; 4 3/8' wide7/8' high. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Milton Bevier. Stock Photo

RMR2MCNM–Trivet. Dated: 1939. Dimensions: overall: 37 x 33.7 cm (14 9/16 x 13 1/4 in.) Original IAD Object: 5 7/8' long; 4 3/8' wide7/8' high. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Milton Bevier.

Goldweight Cluster of Peanuts, 19th-20th century, 3 11/16 x 1 7/8 x 1 5/16 in. (9.37 x 4.76 x 3.33 cm), Brass, Ghana, 19th-20th century Stock Photo

RM2T9180Y–Goldweight Cluster of Peanuts, 19th-20th century, 3 11/16 x 1 7/8 x 1 5/16 in. (9.37 x 4.76 x 3.33 cm), Brass, Ghana, 19th-20th century

The American rowing almanac and oarsman's pocket companion, 1874 . Rises. Sets. Rises. X.York. H. M. H. M. H. M. H. M. 1 Tuesday ;, -j 7 6 33 9 29 11 58 •> Wednesday ., 28 6 31 10 9 ey. 55 3 Thursday 5 29 6 30 10 55 1 58 4 Friday :. 30 6 28 11 53 3 9 g Saturday 5 31 6 26 morn. 4 20 G :;ii :» 32 6 24 f) 55 5 25 7 Monday :, 33 6 23 2 3 6 20 8 Tuesday r. 34 6 21 3 9 7 8 ;i Wednesday. r, 35 6 19 4 12 7 4, Saturday 9 31 13 37 5 39 0 13 7 35 10 5 14 Monday :, 40 6 11 7 57 1(1 37 15 5 41 .-. 42 6 9 .5 7 8 238 50 11 16 16 Wednesday 12 (i 17 Thursday :. 43 6 5 26 morn. ISI.t 5 44 :. 44 ,; 46 2 10 12 Stock Photo

RM2AKY9HY–The American rowing almanac and oarsman's pocket companion, 1874 . Rises. Sets. Rises. X.York. H. M. H. M. H. M. H. M. 1 Tuesday ;, -j 7 6 33 9 29 11 58 •> Wednesday ., 28 6 31 10 9 ey. 55 3 Thursday 5 29 6 30 10 55 1 58 4 Friday :. 30 6 28 11 53 3 9 g Saturday 5 31 6 26 morn. 4 20 G :;ii :» 32 6 24 f) 55 5 25 7 Monday :, 33 6 23 2 3 6 20 8 Tuesday r. 34 6 21 3 9 7 8 ;i Wednesday. r, 35 6 19 4 12 7 4, Saturday 9 31 13 37 5 39 0 13 7 35 10 5 14 Monday :, 40 6 11 7 57 1(1 37 15 5 41 .-. 42 6 9 .5 7 8 238 50 11 16 16 Wednesday 12 (i 17 Thursday :. 43 6 5 26 morn. ISI.t 5 44 :. 44 ,; 46 2 10 12

La promenade du Critique influent. Dated: published 1865. Dimensions: image: 23.9 x 21.9 cm (9 7/16 x 8 5/8 in.) sheet: 33.2 x 29.8 cm (13 1/16 x 11 3/4 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER. Stock Photo

RMPKWXK4–La promenade du Critique influent. Dated: published 1865. Dimensions: image: 23.9 x 21.9 cm (9 7/16 x 8 5/8 in.) sheet: 33.2 x 29.8 cm (13 1/16 x 11 3/4 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The Mills at Montreuil-sur-Mer, Normandy, 1891, Fritz Thaulow, Norwegian, 1847 - 1906, 25 x 33 3/8in. (63.5 x 84.8cm)37 3/16 × 45 13/16 × 3 3/4 in. (94.5 × 116.4 × 9.5 cm) (outer frame), Oil on canvas, Norway, 19th century Stock Photo

RM2T919WD–The Mills at Montreuil-sur-Mer, Normandy, 1891, Fritz Thaulow, Norwegian, 1847 - 1906, 25 x 33 3/8in. (63.5 x 84.8cm)37 3/16 × 45 13/16 × 3 3/4 in. (94.5 × 116.4 × 9.5 cm) (outer frame), Oil on canvas, Norway, 19th century

Allgemeine Encyclopädie der Wissenschaften und Künste in alphabetischer Folge von genannten Schriftstellern . 33. für bic Q?o(h5bc Seipjigö (51° 20) foJgenbe Sljimutalretntel: 3cd a> (a (O (a 3q) ©tunSt CO T 2 T 0 -^T + 2 + X H- fo 3 133° 57 136° 42 139° 20 4 114° 16 117° 42 120 59 124 12 127 23 5 94° 17 98° 8 101 49 105 25 108 58 112 30 116 6 6 74° 49 78° 48 82 36 86 20 90 0 93 40 97 24 101 12 105 11 7 63 54 67 30 71 2 74 35 78 11 81 52 85 43 89 46 94 6 8 52 37 55 48 59 1 62 18 65 44 69 22 73 15 77 30 82 10 9 40 40 43 18 46 3 48 55 52 1 55 24 59 9 63 25 68 20 10 27 49 29 46 31 49 34 2 36 Stock Photo

RM2AJM79N–Allgemeine Encyclopädie der Wissenschaften und Künste in alphabetischer Folge von genannten Schriftstellern . 33. für bic Q?o(h5bc Seipjigö (51° 20) foJgenbe Sljimutalretntel: 3cd a> (a (O (a 3q) ©tunSt CO T 2 T 0 -^T + 2 + X H- fo 3 133° 57 136° 42 139° 20 4 114° 16 117° 42 120 59 124 12 127 23 5 94° 17 98° 8 101 49 105 25 108 58 112 30 116 6 6 74° 49 78° 48 82 36 86 20 90 0 93 40 97 24 101 12 105 11 7 63 54 67 30 71 2 74 35 78 11 81 52 85 43 89 46 94 6 8 52 37 55 48 59 1 62 18 65 44 69 22 73 15 77 30 82 10 9 40 40 43 18 46 3 48 55 52 1 55 24 59 9 63 25 68 20 10 27 49 29 46 31 49 34 2 36

The Exhumation. Dated: c. 1890. Dimensions: overall: 61 x 83.8 cm (24 x 33 in.) framed: 72.4 x 95.9 x 5 cm (28 1/2 x 37 3/4 x 1 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: LINTON PARK. Stock Photo

RMPKN794–The Exhumation. Dated: c. 1890. Dimensions: overall: 61 x 83.8 cm (24 x 33 in.) framed: 72.4 x 95.9 x 5 cm (28 1/2 x 37 3/4 x 1 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: LINTON PARK.

Carnation, Roses, and Tulips (Dianthus caryophyllus, Rosa spp., Tulipa x generiana), 17th century, School of Maria Sibylla Merian, German, 1647-1717, 7 5/8 x 12 in. (19.37 x 30.48 cm) (image)9 1/8 x 13 1/16 in. (23.18 x 33.18 cm) (sheet), Watercolor on paper, Netherlands (?), 17th century Stock Photo

RM2T90W4B–Carnation, Roses, and Tulips (Dianthus caryophyllus, Rosa spp., Tulipa x generiana), 17th century, School of Maria Sibylla Merian, German, 1647-1717, 7 5/8 x 12 in. (19.37 x 30.48 cm) (image)9 1/8 x 13 1/16 in. (23.18 x 33.18 cm) (sheet), Watercolor on paper, Netherlands (?), 17th century

Memoires de la Société de physique et d'histoire naturelle de Genève . 7,t54.34.12,974.37.55,614-45.27,774.51.33,754.55. 9,700.32.23,081. 4-46,56i.5g. 5,25 2.5l.4o,23 2.54.48,293.13.,59,01 CORRECTIOÎIde liiislrument. + 0,47 0,45o,x 1i,i5 0,44o,64o,i4o,560,34- 0,06+ 0,26+ 0,211,880,170,101,382,78 - 0,12+ 3,10+ 1,18+ o,38 - o,i5 - o,i5 - 0,34 - 0,33 - 0,34 - 0,33+ 3,10+ 3,57 - 0,11+ 1,44 + 0,45 - 3,57+ 0,12+ i,«5 la pendule. ?)- 23,02 + 22,93 ?f 23,o3 + 22,95 23,o4 22,g3 22,86 22,962 2,83 -)• 22 ,89 22,8022,60 + 22,55+ 2 2,86 + 22,59 f 22,60 + 22,32 + 22,18 + 21,96 •I- 22,02 + 22,24 JIOÏEJiNE DE Stock Photo

RM2AN3PD3–Memoires de la Société de physique et d'histoire naturelle de Genève . 7,t54.34.12,974.37.55,614-45.27,774.51.33,754.55. 9,700.32.23,081. 4-46,56i.5g. 5,25 2.5l.4o,23 2.54.48,293.13.,59,01 CORRECTIOÎIde liiislrument. + 0,47 0,45o,x 1i,i5 0,44o,64o,i4o,560,34- 0,06+ 0,26+ 0,211,880,170,101,382,78 - 0,12+ 3,10+ 1,18+ o,38 - o,i5 - o,i5 - 0,34 - 0,33 - 0,34 - 0,33+ 3,10+ 3,57 - 0,11+ 1,44 + 0,45 - 3,57+ 0,12+ i,«5 la pendule. ?)- 23,02 + 22,93 ?f 23,o3 + 22,95 23,o4 22,g3 22,86 22,962 2,83 -)• 22 ,89 22,8022,60 + 22,55+ 2 2,86 + 22,59 f 22,60 + 22,32 + 22,18 + 21,96 •I- 22,02 + 22,24 JIOÏEJiNE DE

Edmund Halley. Dated: 1735. Dimensions: plate: 33.8 x 23.2 cm (13 5/16 x 9 1/8 in.) sheet: 37 x 27 cm (14 9/16 x 10 5/8 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: George White after Sir Godfrey Kneller. Stock Photo

RMPKYEA8–Edmund Halley. Dated: 1735. Dimensions: plate: 33.8 x 23.2 cm (13 5/16 x 9 1/8 in.) sheet: 37 x 27 cm (14 9/16 x 10 5/8 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: George White after Sir Godfrey Kneller.

Long-handled Censer, 18th-19th century, Unknown Japanese, 5 5/16 x 13 3/16 x 3 11/16 in. (13.49 x 33.5 x 9.37 cm), Silver with traces of gilding, Japan, 18th-19th century, The long-handled censor is an important symbol of authority, held by high-ranking priests as they lead other monks through the temple to the main worship hall. In Buddhist ritual, the burning of incense before a holy image is one of six devotions considered to be effective in accruing religious merit. The diffusion of fragrant smoke symbolizes the permeation of Buddhism throughout the universe Stock Photo

RM2T90Y13–Long-handled Censer, 18th-19th century, Unknown Japanese, 5 5/16 x 13 3/16 x 3 11/16 in. (13.49 x 33.5 x 9.37 cm), Silver with traces of gilding, Japan, 18th-19th century, The long-handled censor is an important symbol of authority, held by high-ranking priests as they lead other monks through the temple to the main worship hall. In Buddhist ritual, the burning of incense before a holy image is one of six devotions considered to be effective in accruing religious merit. The diffusion of fragrant smoke symbolizes the permeation of Buddhism throughout the universe

The American anti-slavery almanac, for ..: calculated for Boston, New York, and Pittsburgh .. . 1 0 1 53 10 28 55 V? in .^fond. 4 28* 8 15 8 6 10 48 2 57 11 4 1 37 /VtV i 12 Tuesd. 4 28 8 15 46 10 36 3 53 11 38 2 27 **v 13 Wedn. 4 28 8 15 46 10 24 4 48 morn. 3 16 5? 14 Thurs. 4 27 815 5J6 111 12 5 36 0 4 6 x 15 Friday 4 27 8 15 66 12©slo 6 23 23 5 5 °i° 16 Saturd. 4 27 815 66 12 13 7 10 45 6 12 T 3 7 SUM. 4 27 Sl5 66 12 25 7 58 1 7 7 26 8 18 Mond. 4 27 Silo 66 12 39 8 50 1 34 S 36 88n ! 19 Tuesd. 4 27 815 66 12 52 9 42 2 3 9 32 j20 Wedn. 4 27 8.15 66 121 1 6J10 33 2 39 10 25 21 Thurs. 4 27 815 Stock Photo

RM2AM2029–The American anti-slavery almanac, for ..: calculated for Boston, New York, and Pittsburgh .. . 1 0 1 53 10 28 55 V? in .^fond. 4 28* 8 15 8 6 10 48 2 57 11 4 1 37 /VtV i 12 Tuesd. 4 28 8 15 46 10 36 3 53 11 38 2 27 **v 13 Wedn. 4 28 8 15 46 10 24 4 48 morn. 3 16 5? 14 Thurs. 4 27 815 5J6 111 12 5 36 0 4 6 x 15 Friday 4 27 8 15 66 12©slo 6 23 23 5 5 °i° 16 Saturd. 4 27 815 66 12 13 7 10 45 6 12 T 3 7 SUM. 4 27 Sl5 66 12 25 7 58 1 7 7 26 8 18 Mond. 4 27 Silo 66 12 39 8 50 1 34 S 36 88n ! 19 Tuesd. 4 27 815 66 12 52 9 42 2 3 9 32 j20 Wedn. 4 27 8.15 66 121 1 6J10 33 2 39 10 25 21 Thurs. 4 27 815

Ferdinando II, Grand Duke of Tuscany. Dated: before 1691. Dimensions: plate: 33.5 x 24.2 cm (13 3/16 x 9 1/2 in.) sheet: 37 x 26.7 cm (14 9/16 x 10 1/2 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Adriaen Haelwegh. Stock Photo

RMR361GJ–Ferdinando II, Grand Duke of Tuscany. Dated: before 1691. Dimensions: plate: 33.5 x 24.2 cm (13 3/16 x 9 1/2 in.) sheet: 37 x 26.7 cm (14 9/16 x 10 1/2 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Adriaen Haelwegh.

Kanda: Dyers' Quarter, 1857, 11th lunar month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 1/4 x 8 13/16 in. (33.7 x 22.4 cm) (image)14 5/8 × 9 1/2 in. (37.2 × 24.2 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century, Narrow strips of cloth in a variety of blues hang from wooden frames to dry and blow like banners in the wind. They are the work of indigo dyers, most likely destined to be cut into towels, tenugui, which men tie around their heads during autumn festivals. Hiroshige positions us in Kon’ya-chō Stock Photo

RM2T91GMW–Kanda: Dyers' Quarter, 1857, 11th lunar month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 1/4 x 8 13/16 in. (33.7 x 22.4 cm) (image)14 5/8 × 9 1/2 in. (37.2 × 24.2 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century, Narrow strips of cloth in a variety of blues hang from wooden frames to dry and blow like banners in the wind. They are the work of indigo dyers, most likely destined to be cut into towels, tenugui, which men tie around their heads during autumn festivals. Hiroshige positions us in Kon’ya-chō

Astronomie . nift. bor. 23 4 $6 5 M 18 7 818 10 24 5 455 59 iS 5 618 5 II 54 -0 5 1$ 6 3z 6 54 17 717 I I 16 f. 0 S 16 7 307 46 16 016 3 27 8 178 45 iM 0 6,14 II 1 4$ X 7 ET DU REFLUX DE LA MER. 227 Jt/iôMai z8 30 Juin j Hauteur de IdJt pleine rner | Temps: mer. au-deirus de la liante mer, I du poigt tiKe. H. M. 9 ^59 44^ 10 31 11 o 37 7 48 Z9 3^3z z aX 31 2 45 3 2 3 ^33 4Z 3 54 I 4 lé^ 4 2.8 4 49 5 ^3 5 40 5 54 6 166 Z4 6 5z 7 iz 7 49 8 5 8 4z 9 II9 38 10 18 10 49 II z8 11 $4 o 3Ô pi. po. il. 14 o 14 5 13 8 iz 6 13 z 13 313 7 13 II 14 o14 o14 1014 II 14 10 i 15 7 15 II 15 3M 9 M 15 M1414 1313 Stock Photo

RM2AWHJ2G–Astronomie . nift. bor. 23 4 $6 5 M 18 7 818 10 24 5 455 59 iS 5 618 5 II 54 -0 5 1$ 6 3z 6 54 17 717 I I 16 f. 0 S 16 7 307 46 16 016 3 27 8 178 45 iM 0 6,14 II 1 4$ X 7 ET DU REFLUX DE LA MER. 227 Jt/iôMai z8 30 Juin j Hauteur de IdJt pleine rner | Temps: mer. au-deirus de la liante mer, I du poigt tiKe. H. M. 9 ^59 44^ 10 31 11 o 37 7 48 Z9 3^3z z aX 31 2 45 3 2 3 ^33 4Z 3 54 I 4 lé^ 4 2.8 4 49 5 ^3 5 40 5 54 6 166 Z4 6 5z 7 iz 7 49 8 5 8 4z 9 II9 38 10 18 10 49 II z8 11 $4 o 3Ô pi. po. il. 14 o 14 5 13 8 iz 6 13 z 13 313 7 13 II 14 o14 o14 1014 II 14 10 i 15 7 15 II 15 3M 9 M 15 M1414 1313

A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)”, Chōbunsai Eishi Stock Photo

RMKC6KMJ–A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)”, Chōbunsai Eishi

Jérusalem, Fontaine Arabe, 2, Auguste Salzmann, 1854 Stock Photo

RMKC6FJ5–Jérusalem, Fontaine Arabe, 2, Auguste Salzmann, 1854

Susanna Truax. Dated: 1730. Dimensions: overall: 95.9 x 83.8 cm (37 3/4 x 33 in.) framed: 111.1 x 96.5 x 4.1 cm (43 3/4 x 38 x 1 5/8 in.). Medium: oil on bed ticking. Museum: National Gallery of Art, Washington DC. Author: The Gansevoort Limner (Possibly Pieter Vanderlyn). Stock Photo

RMPKY4KR–Susanna Truax. Dated: 1730. Dimensions: overall: 95.9 x 83.8 cm (37 3/4 x 33 in.) framed: 111.1 x 96.5 x 4.1 cm (43 3/4 x 38 x 1 5/8 in.). Medium: oil on bed ticking. Museum: National Gallery of Art, Washington DC. Author: The Gansevoort Limner (Possibly Pieter Vanderlyn).

Book of the Dead of Khaemhor, Late Period, Saite, Dynasty 26, 664–525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb Stock Photo

RMKC7YMK–Book of the Dead of Khaemhor, Late Period, Saite, Dynasty 26, 664–525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb

. Bulletin . DIAGRAMS ILLUSTRATING DESCRIPTIVE TERMS THE HELIOTVPE PRINTING CO., BOSTON PLATE II. 77 PLATE II. CRETACEOUS FORAMLNIFERA. Page. Figs. la,lb. Haplophkagmium concavum Bagg (x 48) 37 Fig. 2. Verneuilina triquetra (V. Munster) (x 14) 30 Fig. 3. Bolivina punctata dOrb (x 142) 33 Figs. 5a, 5b. Vitrewebbina sollasi Chapman (x 3) 35 Figs. 4a, 4b. Vitrewebbina l^vis (Sollas) (x 3) 36 Figs. 4a, 5b (bottom forms). Frondicularia ovata Roemer (x 5) 49 Fig. 4b (bottom form). Frondicularia alata dOrb (x 9) 46 78 U.S. GEOLOGICAL SURVEY BULLETIN NO. 88. PL. II Stock Photo

RM2CE12A5–. Bulletin . DIAGRAMS ILLUSTRATING DESCRIPTIVE TERMS THE HELIOTVPE PRINTING CO., BOSTON PLATE II. 77 PLATE II. CRETACEOUS FORAMLNIFERA. Page. Figs. la,lb. Haplophkagmium concavum Bagg (x 48) 37 Fig. 2. Verneuilina triquetra (V. Munster) (x 14) 30 Fig. 3. Bolivina punctata dOrb (x 142) 33 Figs. 5a, 5b. Vitrewebbina sollasi Chapman (x 3) 35 Figs. 4a, 4b. Vitrewebbina l^vis (Sollas) (x 3) 36 Figs. 4a, 5b (bottom forms). Frondicularia ovata Roemer (x 5) 49 Fig. 4b (bottom form). Frondicularia alata dOrb (x 9) 46 78 U.S. GEOLOGICAL SURVEY BULLETIN NO. 88. PL. II

La Ferme de Brieux (Effect d'orage) (Farm at Brieux in a Storm). Dimensions: plate: 17.9 x 33.3 cm (7 1/16 x 13 1/8 in.) sheet: 24.8 x 37.5 cm (9 3/4 x 14 3/4 in.). Medium: drypoint on wove paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros. Stock Photo

RMPKN82T–La Ferme de Brieux (Effect d'orage) (Farm at Brieux in a Storm). Dimensions: plate: 17.9 x 33.3 cm (7 1/16 x 13 1/8 in.) sheet: 24.8 x 37.5 cm (9 3/4 x 14 3/4 in.). Medium: drypoint on wove paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

RM2CE128T–. Bulletin . DIAGRAMS ILLUSTRATING DESCRIPTIVE TERMS THE HELIOTVPE PRINTING CO., BOSTON PLATE II. 77 PLATE II. CRETACEOUS FORAMLNIFERA. Page. Figs. la,lb. Haplophkagmium concavum Bagg (x 48) 37 Fig. 2. Verneuilina triquetra (V. Munster) (x 14) 30 Fig. 3. Bolivina punctata dOrb (x 142) 33 Figs. 5a, 5b. Vitrewebbina sollasi Chapman (x 3) 35 Figs. 4a, 4b. Vitrewebbina l^vis (Sollas) (x 3) 36 Figs. 4a, 5b (bottom forms). Frondicularia ovata Roemer (x 5) 49 Fig. 4b (bottom form). Frondicularia alata dOrb (x 9) 46 78 U.S. GEOLOGICAL SURVEY BULLETIN NO. 88. PL. II. la

Joseph Vien. Dated: in or after 1790. Dimensions: plate: 37.6 x 25.5 cm (14 13/16 x 10 1/16 in.) sheet: 46.9 x 33.4 cm (18 7/16 x 13 1/8 in.). Medium: engraving on heavy laid paper. Museum: National Gallery of Art, Washington DC. Author: Simon Charles Miger after Adélaïde Labille-Guiard. Stock Photo

RMR35AAT–Joseph Vien. Dated: in or after 1790. Dimensions: plate: 37.6 x 25.5 cm (14 13/16 x 10 1/16 in.) sheet: 46.9 x 33.4 cm (18 7/16 x 13 1/8 in.). Medium: engraving on heavy laid paper. Museum: National Gallery of Art, Washington DC. Author: Simon Charles Miger after Adélaïde Labille-Guiard.

RM2CHKMWJ–. The American journal of anatomy . Portfis. In Ponlis Figs. 4 to 7 Camera lucida tracings of sagittal sections through the rhomben-cephalon of human embryos from Prof. Malls collection. The nucleus facialis(Nu. vn) has been dotted in by profile reconstruction. Fig. 4 33 mm. fetus. X 9.5. (No. 145, si. 19, sect. 3). Fig. 5 35 mm. fetus. X 9.5. (No. 199, si. 37, sect. 1). Fig. 6 50 mm. fetus. X 7.2. (No. 96, slide 48). Fig. 7 115 mm. fetus. X 7.7. (No. 219, si. 40, sect. 4). DEVELOPMENT OF THE NUCLEI PONTUS IN MAN 37 seen in the adult lower animals where the abducens nerve emergesfrom the brain

33 9 x 37 5 Stock Photos and Images

33 9 x 37 5 Stock Photos and Images

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