31 1 4 x 27 hi-res stock photography and images

Young Girls, Mary Cassatt (American, 1844-1926), about 1900, pastel on paper, 25 x 20-3/4 in. 31-1/4 x 27 in. (framed Stock Photo

RM2A2W72G–Young Girls, Mary Cassatt (American, 1844-1926), about 1900, pastel on paper, 25 x 20-3/4 in. 31-1/4 x 27 in. (framed

Inspired by Prometheus Bound, John Flaxman, British, 1755-1826, Pencil and pen drawing on wove paper, Sheet: 11 x 12 1/4 in., 27.9 x 31.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK59F6–Inspired by Prometheus Bound, John Flaxman, British, 1755-1826, Pencil and pen drawing on wove paper, Sheet: 11 x 12 1/4 in., 27.9 x 31.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

The Courtesan Takao Leaving Against a Window. Artist: Okumura Masanobu (Japanese, 1686-1764). Culture: Japan. Dimensions: 11 x 12 1/4 in. (27.9 x 31.1 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFD78D–The Courtesan Takao Leaving Against a Window. Artist: Okumura Masanobu (Japanese, 1686-1764). Culture: Japan. Dimensions: 11 x 12 1/4 in. (27.9 x 31.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

. English: Series Title: Shahnama Creation Date: 16th century Display Dimensions: 12 3/8 in. x 10 31/32 in. (31.4 cm x 27.86 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.64 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 14:58:57. English: thesandiegomuseumofartcollection 773 Koran Frontispiece (two sections) (6124498873) Stock Photo

RMMP95W5–. English: Series Title: Shahnama Creation Date: 16th century Display Dimensions: 12 3/8 in. x 10 31/32 in. (31.4 cm x 27.86 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.64 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 14:58:57. English: thesandiegomuseumofartcollection 773 Koran Frontispiece (two sections) (6124498873)

The North Side. Author Hulsberg, Henry 27.29.2.a. Place of publication: [London] Publisher: [unknown publisher]., Date of publication: [1725 c.] Item type: 1 print Medium: etching Dimensions: platemark 26.4 x 31.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HHJ8–The North Side. Author Hulsberg, Henry 27.29.2.a. Place of publication: [London] Publisher: [unknown publisher]., Date of publication: [1725 c.] Item type: 1 print Medium: etching Dimensions: platemark 26.4 x 31.0 cm Former owner: George III, King of Great Britain, 1738-1820

. English: Display Artist: Ram Gopal Vijayavargiya Creation Date: 20th century Display Dimensions: 11 27/32 in. x 16 11/16 in. (30.1 cm x 42.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.732 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 16 May 2002, 11:59:31. English: thesandiegomuseumofartcollection 1212 Umed Singh hunting deer and boar (6124561193) Stock Photo

RMMNTNJA–. English: Display Artist: Ram Gopal Vijayavargiya Creation Date: 20th century Display Dimensions: 11 27/32 in. x 16 11/16 in. (30.1 cm x 42.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.732 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 16 May 2002, 11:59:31. English: thesandiegomuseumofartcollection 1212 Umed Singh hunting deer and boar (6124561193)

An SA unit flag Double-sided, multi-piece, red cotton construction with applied black swastika on white circle. Piped black wool upper corner panel with white chain stitched '21/27', five additional red wool corner panels descending below. Four chain stitched in white '7', '31/117', '1/224', '1/21' and the fifth in silver chain stitch '8/118'. Hoist edge retains seven brass attachment rings and one steel clip. Approximately 130 x 110 cm. USA-lot, see page 4. historic, historical, 20th century, 1930s, 1940s, storm battalion, stormtroopers, armed and uniformed branch of the N, Editorial-Use-Only Stock Photo

RMTABCBR–An SA unit flag Double-sided, multi-piece, red cotton construction with applied black swastika on white circle. Piped black wool upper corner panel with white chain stitched '21/27', five additional red wool corner panels descending below. Four chain stitched in white '7', '31/117', '1/224', '1/21' and the fifth in silver chain stitch '8/118'. Hoist edge retains seven brass attachment rings and one steel clip. Approximately 130 x 110 cm. USA-lot, see page 4. historic, historical, 20th century, 1930s, 1940s, storm battalion, stormtroopers, armed and uniformed branch of the N, Editorial-Use-Only

Embroidered Picture (England or United States); silk embroidery on silk foundation; Frame H x W: 27.3 x 31.1 cm (10 3/4 x 12 1/4 in.) Stock Photo

RM2PMHA74–Embroidered Picture (England or United States); silk embroidery on silk foundation; Frame H x W: 27.3 x 31.1 cm (10 3/4 x 12 1/4 in.)

'Louis-Marin Bonnet, The Fine Musetioners, 1775, chalk manner with applied gold leaf on laid paper, image: 27.9 x 34.5 cm (11 x 13 9/16 in.) sheet: 31.4 x 37.5 cm (12 3/8 x 14 3/4 in.), Gift of Ivan E. and Winifred Phillips in honor of Margaret Morgan Grasselli, 2004.1.1' Stock Photo

RM2REK7H9–'Louis-Marin Bonnet, The Fine Musetioners, 1775, chalk manner with applied gold leaf on laid paper, image: 27.9 x 34.5 cm (11 x 13 9/16 in.) sheet: 31.4 x 37.5 cm (12 3/8 x 14 3/4 in.), Gift of Ivan E. and Winifred Phillips in honor of Margaret Morgan Grasselli, 2004.1.1'

Baluster from the Chicago Stock Exchange Building, Chicago MET 223683 310 Maker: Louis Henry Sullivan, American, Boston, Massachusetts 1856?1924 Chicago, Illinois, Maker: Dankmar Adler, American, 1844?1900, Baluster from the Chicago Stock Exchange Building, Chicago, 1893, Copper-plated cast iron, 31 3/4 x 10 7/8 x 1 1/8 in. (80.6 x 27.6 x 2.9 cm). The Metropolitan Museum of Art, New York. Purchase, Emily Crane Chadbourne Bequest and Mr. and Mrs. James Biddle Gift, by exchange, 1972 (1972.50.6) Stock Photo

RMKNDFJJ–Baluster from the Chicago Stock Exchange Building, Chicago MET 223683 310 Maker: Louis Henry Sullivan, American, Boston, Massachusetts 1856?1924 Chicago, Illinois, Maker: Dankmar Adler, American, 1844?1900, Baluster from the Chicago Stock Exchange Building, Chicago, 1893, Copper-plated cast iron, 31 3/4 x 10 7/8 x 1 1/8 in. (80.6 x 27.6 x 2.9 cm). The Metropolitan Museum of Art, New York. Purchase, Emily Crane Chadbourne Bequest and Mr. and Mrs. James Biddle Gift, by exchange, 1972 (1972.50.6)

Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 Stock Photo

RMW27192–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39

Christ Crucified Between the Two Thieves MET DP-1360-002 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photo

RMKND5NX–Christ Crucified Between the Two Thieves MET DP-1360-002 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol

. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Geo/ Can Murchisonia attenuata (Hall, Trans. Alb. Inst. Vol. 4, )(1. ,3. page 27, 1856;—Whitfield, Bull. 3, Am. ,,, Mus. Nat. Hist. N. Y. p. 88, plate 9, fig. 13, i^ 1882). Collett's Indiana Report, 1883, page }nci,l3V^ 31,%m, plate 32, fig. IZ, enlarged six times, type specimen imperfect, from the Subcarboniferous of Sper- genHill. Ind.—X/. Murchisonia bellicincta, Hall. Pal. N. Y. Vol. 1, 1847, 11 ^^^K w^^ ^^^^ identifies Emmons' Pleuroto- II.O. ^.^^ ^^^^ Stock Photo

RMPFXGJ5–. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Geo/ Can Murchisonia attenuata (Hall, Trans. Alb. Inst. Vol. 4, )(1. ,3. page 27, 1856;—Whitfield, Bull. 3, Am. ,,, Mus. Nat. Hist. N. Y. p. 88, plate 9, fig. 13, i^ 1882). Collett's Indiana Report, 1883, page }nci,l3V^ 31,%m, plate 32, fig. IZ, enlarged six times, type specimen imperfect, from the Subcarboniferous of Sper- genHill. Ind.—X/. Murchisonia bellicincta, Hall. Pal. N. Y. Vol. 1, 1847, 11 ^^^K w^^ ^^^^ identifies Emmons' Pleuroto- II.O. ^.^^ ^^^^

Christ Crucified Between the Two Thieves MET DP-1360-004 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photo

RMKND5NW–Christ Crucified Between the Two Thieves MET DP-1360-004 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol

RFT0TC77–Illustration Xray Icon

Stencil, Japan, 19th century, Japan, Paper, 12 1/2 x 16 1/4 in. (31.75 x 41.27 cm), Stencils Stock Photo

RM2B0JDKK–Stencil, Japan, 19th century, Japan, Paper, 12 1/2 x 16 1/4 in. (31.75 x 41.27 cm), Stencils

Art inspired by Prometheus Bound, John Flaxman, British, 1755-1826, Pencil and pen drawing on wove paper, Sheet: 11 x 12 1/4 in., 27.9 x 31.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKKBN8–Art inspired by Prometheus Bound, John Flaxman, British, 1755-1826, Pencil and pen drawing on wove paper, Sheet: 11 x 12 1/4 in., 27.9 x 31.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Falling Woman (Stürzende Frau). Artist: Ernst Barlach (German, Wedel 1870-1938 Rostock). Dimensions: image: 10 3/4 x 12 1/2 inches (27.3 x 31.8 cm). Series/Portfolio: Der Tote Tag. Date: 1912. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB9RKG–Falling Woman (Stürzende Frau). Artist: Ernst Barlach (German, Wedel 1870-1938 Rostock). Dimensions: image: 10 3/4 x 12 1/2 inches (27.3 x 31.8 cm). Series/Portfolio: Der Tote Tag. Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Wolf Hunt, 1725, Etching, sheet: 12 1/4 x 10 7/8 in. (31.1 x 27.7 cm), Prints, Jean-Baptiste Oudry (French, Paris 1686–1755 Beauvais, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXKB0–Art inspired by Wolf Hunt, 1725, Etching, sheet: 12 1/4 x 10 7/8 in. (31.1 x 27.7 cm), Prints, Jean-Baptiste Oudry (French, Paris 1686–1755 Beauvais, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Tomb at Folsham Abbey. Visual Material information: Title: Tomb at Folsham Abbey. ; 31.27. Place of publication: [London] Publisher: Sumptibus Societatis Antiquari√¶, Date of publication: [1790 c.] Item type: 1 print Medium: etching Dimensions: sheet 20.4 x 31.9 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HKNK–Tomb at Folsham Abbey. Visual Material information: Title: Tomb at Folsham Abbey. ; 31.27. Place of publication: [London] Publisher: Sumptibus Societatis Antiquari√¶, Date of publication: [1790 c.] Item type: 1 print Medium: etching Dimensions: sheet 20.4 x 31.9 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Falling Woman (Stürzende Frau), 1912, Lithograph, image: 10 3/4 x 12 1/2 inches (27.3 x 31.8 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW633R–Art inspired by Falling Woman (Stürzende Frau), 1912, Lithograph, image: 10 3/4 x 12 1/2 inches (27.3 x 31.8 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. English: Creation Date: ca. 1850 Display Dimensions: 12 1/4 in. x 8 27/32 in. (31.1 cm x 22.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1434 Collection: The San Diego Museum of Art . 15 April 2003, 12:00:51. English: thesandiegomuseumofartcollection A man and woman of the Comicoply caste (6125146754) Stock Photo

RMMMGX47–. English: Creation Date: ca. 1850 Display Dimensions: 12 1/4 in. x 8 27/32 in. (31.1 cm x 22.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1434 Collection: The San Diego Museum of Art . 15 April 2003, 12:00:51. English: thesandiegomuseumofartcollection A man and woman of the Comicoply caste (6125146754)

Art inspired by Salvator Rosa frame, mid-18th century, Italian, Naples, Poplar back frame with ebonized pearwood upper moldings, 44.4 x 38.7, 27.7 x 22.3, 31 x 25.1 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYF1M–Art inspired by Salvator Rosa frame, mid-18th century, Italian, Naples, Poplar back frame with ebonized pearwood upper moldings, 44.4 x 38.7, 27.7 x 22.3, 31 x 25.1 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMTABCBN–An SA unit flag Double-sided, multi-piece, red cotton construction with applied black swastika on white circle. Piped black wool upper corner panel with white chain stitched '21/27', five additional red wool corner panels descending below. Four chain stitched in white '7', '31/117', '1/224', '1/21' and the fifth in silver chain stitch '8/118'. Hoist edge retains seven brass attachment rings and one steel clip. Approximately 130 x 110 cm. USA-lot, see page 4. historic, historical, 20th century, 1930s, 1940s, storm battalion, stormtroopers, armed and uniformed branch of the N, Editorial-Use-Only

Art inspired by The Courtesan Takao Leaving Against a Window, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, 11 x 12 1/4 in. (27.9 x 31.1 cm), Prints, Okumura Masanobu (Japanese, 1686–1764, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3JNG–Art inspired by The Courtesan Takao Leaving Against a Window, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, 11 x 12 1/4 in. (27.9 x 31.1 cm), Prints, Okumura Masanobu (Japanese, 1686–1764, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Drawing, Designs for Chimney Mantels for the Hôtel de Pomponne, Place des Victoires, Paris; Designed by Gilles-Marie Oppenord (French, 1672–1742); France; pen with brush and black, red ink, graphite on two sheets of joined cream laid paper; 79.1 x 27.4 cm (31 1/8 x 10 13/16 in.) Stock Photo

RM2PMDMYE–Drawing, Designs for Chimney Mantels for the Hôtel de Pomponne, Place des Victoires, Paris; Designed by Gilles-Marie Oppenord (French, 1672–1742); France; pen with brush and black, red ink, graphite on two sheets of joined cream laid paper; 79.1 x 27.4 cm (31 1/8 x 10 13/16 in.)

Art inspired by Weislingen attacked by Goetz's Men, 1836–43, Lithograph; second state of two, 12 1/4 x 10 11/16 in. (31.1 x 27.2 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), The subject for this print is based on a scene in Goethe's play (published, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW559B–Art inspired by Weislingen attacked by Goetz's Men, 1836–43, Lithograph; second state of two, 12 1/4 x 10 11/16 in. (31.1 x 27.2 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), The subject for this print is based on a scene in Goethe's play (published, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMW2719A–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77

Art inspired by Baluster from the Chicago Stock Exchange Building, Chicago, 1893, Made in Chicago, Illinois, United States, American, Copper-plated cast iron, 31 3/4 x 10 7/8 x 1 1/8 in. (80.6 x 27.6 x 2.9 cm), Architecture, Louis Henry Sullivan (American, Boston, Massachusetts 1856–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9G2A–Art inspired by Baluster from the Chicago Stock Exchange Building, Chicago, 1893, Made in Chicago, Illinois, United States, American, Copper-plated cast iron, 31 3/4 x 10 7/8 x 1 1/8 in. (80.6 x 27.6 x 2.9 cm), Architecture, Louis Henry Sullivan (American, Boston, Massachusetts 1856–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Christ Crucified Between the Two Thieves MET DP-1360-003 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photo

RMKND5NT–Christ Crucified Between the Two Thieves MET DP-1360-003 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol

Art inspired by Marble head of a veiled goddess, Hellenistic, late 4th or 3rd century B.C., Greek, Marble, Overall: 12 7/8 x 11 x 12 1/4 in. (32.7 x 27.9 x 31.1 cm), Stone Sculpture, Despite its worn condition, this head radiates with the serenity and power of Late Classical art. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4EK7–Art inspired by Marble head of a veiled goddess, Hellenistic, late 4th or 3rd century B.C., Greek, Marble, Overall: 12 7/8 x 11 x 12 1/4 in. (32.7 x 27.9 x 31.1 cm), Stone Sculpture, Despite its worn condition, this head radiates with the serenity and power of Late Classical art. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Christ Crucified Between the Two Thieves MET DP-1360-001 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photo

RMKND5MB–Christ Crucified Between the Two Thieves MET DP-1360-001 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol

Art inspired by The Interrupted Sleep, 1750, Oil on canvas, Overall 32 1/4 x 29 5/8 in. (81.9 x 75.2 cm); painted surface (irregular oval) 31 x 27 3/4 in. (78.7 x 70.5 cm), Paintings, François Boucher (French, Paris 1703–1770 Paris), Boucher was an artist of incomparable virtuosity and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY084–Art inspired by The Interrupted Sleep, 1750, Oil on canvas, Overall 32 1/4 x 29 5/8 in. (81.9 x 75.2 cm); painted surface (irregular oval) 31 x 27 3/4 in. (78.7 x 70.5 cm), Paintings, François Boucher (French, Paris 1703–1770 Paris), Boucher was an artist of incomparable virtuosity and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMPFXGHX–. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Geo/ Can Murchisonia attenuata (Hall, Trans. Alb. Inst. Vol. 4, )(1. ,3. page 27, 1856;—Whitfield, Bull. 3, Am. ,,, Mus. Nat. Hist. N. Y. p. 88, plate 9, fig. 13, i^ 1882). Collett's Indiana Report, 1883, page }nci,l3V^ 31,%m, plate 32, fig. IZ, enlarged six times, type specimen imperfect, from the Subcarboniferous of Sper- genHill. Ind.—X/. Murchisonia bellicincta, Hall. Pal. N. Y. Vol. 1, 1847, 11 ^^^K w^^ ^^^^ identifies Emmons' Pleuroto- II.O. ^.^^ ^^^^

Piece, French, 1705–15, French, Silk, Overall: 31 1/4 x 11 in. (79.4 x 27.9 cm), Textiles-Woven Stock Photo

RM2B0JGGJ–Piece, French, 1705–15, French, Silk, Overall: 31 1/4 x 11 in. (79.4 x 27.9 cm), Textiles-Woven

Art inspired by Georgia O'Keeffe, 1925–27, Alabaster, H. 22-3/4 x W. 7-3/4 x D. 12-1/4 in. (57.8 x 19.7 x 31.1 cm); including 5-3/4 in. high base., Sculpture, Gaston Lachaise (American (born France) 1882–1935), This bust of O'Keeffe (1887–1986) is one of more than seventy-five, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0ENK–Art inspired by Georgia O'Keeffe, 1925–27, Alabaster, H. 22-3/4 x W. 7-3/4 x D. 12-1/4 in. (57.8 x 19.7 x 31.1 cm); including 5-3/4 in. high base., Sculpture, Gaston Lachaise (American (born France) 1882–1935), This bust of O'Keeffe (1887–1986) is one of more than seventy-five, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Section of the Loggia in the Villa of Pope Julius [III.]. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 12-1/4 x 15-7/8 in. (31.1 x 40.4 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA92WB–Section of the Loggia in the Villa of Pope Julius [III.]. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 12-1/4 x 15-7/8 in. (31.1 x 40.4 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Faust and Mephistopheles in the Hartz Mountains (Goethe, Faust), 1825–27, Lithograph; seventh state of seven, Sheet: 19 1/4 x 12 9/16 in. (48.9 x 31.9 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW552E–Art inspired by Faust and Mephistopheles in the Hartz Mountains (Goethe, Faust), 1825–27, Lithograph; seventh state of seven, Sheet: 19 1/4 x 12 9/16 in. (48.9 x 31.9 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

TOTTENHAM COURT CHAPEL. Author Malpas, Edward 27.31.b. Place of publication: [London] Publisher: Accor.g to Act May. 29., Date of publication: 1775. Item type: 1 print Medium: etching and engraving Dimensions: sheet 29.8 x 32.4 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HHK1–TOTTENHAM COURT CHAPEL. Author Malpas, Edward 27.31.b. Place of publication: [London] Publisher: Accor.g to Act May. 29., Date of publication: 1775. Item type: 1 print Medium: etching and engraving Dimensions: sheet 29.8 x 32.4 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820

Art inspired by The Crucifixion, ca. 1315, Tempera on panel, Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 in. (38.4 x 27 cm); right wing, overall, with engaged frame, 15 x 10 5/8 in. (38.1 x 27 cm), Paintings, Segna di Buonaventura (Italian, active Siena by 1298–died 1326/31, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYDEC–Art inspired by The Crucifixion, ca. 1315, Tempera on panel, Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 in. (38.4 x 27 cm); right wing, overall, with engaged frame, 15 x 10 5/8 in. (38.1 x 27 cm), Paintings, Segna di Buonaventura (Italian, active Siena by 1298–died 1326/31, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on canvas; overall: 45.1 x 54.9 cm (17 3/4 x 21 5/8 in.) framed: 70.8 x 80.6 x 5.7 cm (27 7/8 x 31 3/4 x 2 1/4 in.); Orchard in Bloom, Louveciennes 1872. 1007 Camille Pissarro, Le verger (The Orchard), 1872 Stock Photo

RMMNTDPP–Painting; oil on canvas; overall: 45.1 x 54.9 cm (17 3/4 x 21 5/8 in.) framed: 70.8 x 80.6 x 5.7 cm (27 7/8 x 31 3/4 x 2 1/4 in.); Orchard in Bloom, Louveciennes 1872. 1007 Camille Pissarro, Le verger (The Orchard), 1872

RFT0TB9H–Illustration Xray Icon

Upholstery Textile (France); wool warp, linen weft; Warp x Weft (A): 57.8 × 71.8 cm (22 3/4 × 28 1/4 in.) Warp x Weft (B): 31.8 × 69.2 cm (12 1/2 × 27 1/4 in.); 1975-6-1-a,b Stock Photo

RM2PMJB4M–Upholstery Textile (France); wool warp, linen weft; Warp x Weft (A): 57.8 × 71.8 cm (22 3/4 × 28 1/4 in.) Warp x Weft (B): 31.8 × 69.2 cm (12 1/2 × 27 1/4 in.); 1975-6-1-a,b

Effects of the rays of Effects of the rays of radium on plants . effectsofraysofr1908gage Year: 1908 142 EFFECTS OF RADIUM RAYS IN THE SOIL June 8. Heights of seedlings above the surface of the soil as follows : A i,Soo,ooo X 1 41,50 mm. 2 35.00 3 44-50 4 45-oo 5 47-oo 6 47.00 7 38-00 8 53-50 9 53-50 10 4500 11 57.00 12 37'Oo Av 54.^.00 mm. 45.30 mm. B C D 1,500,000 X Radio-tellurium Control 51.00 mm. 53.00 mm. 13.00 mm 40.00 32.00 33-50 41.00 50.00 31.00 40-50 45-50 injured 36.00 47.00 39-00 48.00 48.00 injured 54-50 65-50 23.00 48.00 injured injured 52.50 27.00 39-50 30.00 50.00 33-00 40.00 Stock Photo

RMRYR55N–Effects of the rays of Effects of the rays of radium on plants . effectsofraysofr1908gage Year: 1908 142 EFFECTS OF RADIUM RAYS IN THE SOIL June 8. Heights of seedlings above the surface of the soil as follows : A i,Soo,ooo X 1 41,50 mm. 2 35.00 3 44-50 4 45-oo 5 47-oo 6 47.00 7 38-00 8 53-50 9 53-50 10 4500 11 57.00 12 37'Oo Av 54.^.00 mm. 45.30 mm. B C D 1,500,000 X Radio-tellurium Control 51.00 mm. 53.00 mm. 13.00 mm 40.00 32.00 33-50 41.00 50.00 31.00 40-50 45-50 injured 36.00 47.00 39-00 48.00 48.00 injured 54-50 65-50 23.00 48.00 injured injured 52.50 27.00 39-50 30.00 50.00 33-00 40.00

. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Acad. Nat. Sci. Phila. 1868, Coal measures.) Pal. Ohio, Vol. 2, 1875, page 381, 384, wood-cut of caudal vertebrae; plate 27, fig. 5 ; 31, fig. 1; 32, fig. 1; 33, fig. 2; 34, fig. 4; 35, fig, 5.— XIIL For other Hgures seepage 486. Cope . PaLOhio^TL ^^^l.X^yih S. CEstocephalus rectidens, Cope. Trans. Amer. Philos. Soc. 1874; Pal. Ohio, Vol. 2, 1875, p. 386, pi. 27, figs. 3, 4. Coal meas- ures of Ohio. XIIL Ogygia ? klotzi, Kominger. Proc. Acad. Nat. Sc. Phil. J Stock Photo

RMPFXJY7–. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Acad. Nat. Sci. Phila. 1868, Coal measures.) Pal. Ohio, Vol. 2, 1875, page 381, 384, wood-cut of caudal vertebrae; plate 27, fig. 5 ; 31, fig. 1; 32, fig. 1; 33, fig. 2; 34, fig. 4; 35, fig, 5.— XIIL For other Hgures seepage 486. Cope . PaLOhio^TL ^^^l.X^yih S. CEstocephalus rectidens, Cope. Trans. Amer. Philos. Soc. 1874; Pal. Ohio, Vol. 2, 1875, p. 386, pi. 27, figs. 3, 4. Coal meas- ures of Ohio. XIIL Ogygia ? klotzi, Kominger. Proc. Acad. Nat. Sc. Phil. J

Altar Cloth, Japan, 19th century, Japan, Silk, 27 3/4 x 26 1/2 in. (70.48 x 67.31 cm), Textiles-Woven Stock Photo

RM2B0H5JE–Altar Cloth, Japan, 19th century, Japan, Silk, 27 3/4 x 26 1/2 in. (70.48 x 67.31 cm), Textiles-Woven

Faust and Mephistopheles in the Hartz Mountains (Goethe, Faust). Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Sheet: 19 1/4 x 12 9/16 in. (48.9 x 31.9 cm) Image: 9 3/4 × 8 1/4 in. (24.8 × 21 cm). Series/Portfolio: Faust. Date: 1825-27. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1XR3–Faust and Mephistopheles in the Hartz Mountains (Goethe, Faust). Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Sheet: 19 1/4 x 12 9/16 in. (48.9 x 31.9 cm) Image: 9 3/4 × 8 1/4 in. (24.8 × 21 cm). Series/Portfolio: Faust. Date: 1825-27. Museum: Metropolitan Museum of Art, New York, USA.

SOUTH FRONT OF CLAREMONT Author Havell, Daniel 40.19.g. Place of publication: London Publisher: Published Decr 31 1817 by Burkitt , Hudson 85 Cheapside., Date of publication: [December 31 1817] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 27.4 x 34.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HR6W–SOUTH FRONT OF CLAREMONT Author Havell, Daniel 40.19.g. Place of publication: London Publisher: Published Decr 31 1817 by Burkitt , Hudson 85 Cheapside., Date of publication: [December 31 1817] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 27.4 x 34.2 cm Former owner: George III, King of Great Britain, 1738-1820

Art inspired by The Life of the Virgin, after 1521, Oil on wood, Central panel, overall, with engaged frame, 12 3/8 x 10 1/8 in. (31.4 x 25.7 cm), painted surface 9 1/8 x 6 7/8 in. (23.2 x 17.5 cm); each wing, overall, with engaged frame, 12 3/8 x 5 in. (31.4 x 12.7 cm), painted, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8H5E–Art inspired by The Life of the Virgin, after 1521, Oil on wood, Central panel, overall, with engaged frame, 12 3/8 x 10 1/8 in. (31.4 x 25.7 cm), painted surface 9 1/8 x 6 7/8 in. (23.2 x 17.5 cm); each wing, overall, with engaged frame, 12 3/8 x 5 in. (31.4 x 12.7 cm), painted, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. English: Varuna, India, Rajasthan, Bundi, South Asia; Opaque watercolor and gold on paper; Sheet: 7 3/4 x 10 3/4 in. (19.69 x 27.31 cm); Image: 6 1/2 x 9 1/2 in. (16.51 x 24.13 cm); Gift of the Felix and Helen Juda Foundation; (M.72.4.2) . between 1675 and 1700. unknown author 1225 Varunadeva Stock Photo

RMMNY457–. English: Varuna, India, Rajasthan, Bundi, South Asia; Opaque watercolor and gold on paper; Sheet: 7 3/4 x 10 3/4 in. (19.69 x 27.31 cm); Image: 6 1/2 x 9 1/2 in. (16.51 x 24.13 cm); Gift of the Felix and Helen Juda Foundation; (M.72.4.2) . between 1675 and 1700. unknown author 1225 Varunadeva

Art inspired by Limestone head of a bearded male with a wreath of flowers, Archaic, 6th century B.C., Cypriot, Limestone, Overall: 14 x 11 x 12 1/4 in. (35.6 x 27.9 x 31.1 cm), Stone Sculpture, Bearded head wearing frontlet of flowers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW43W7–Art inspired by Limestone head of a bearded male with a wreath of flowers, Archaic, 6th century B.C., Cypriot, Limestone, Overall: 14 x 11 x 12 1/4 in. (35.6 x 27.9 x 31.1 cm), Stone Sculpture, Bearded head wearing frontlet of flowers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. English: Series Title: Banabedha, prithviraj raso Creation Date: ca. 1680 Display Dimensions: 9 31/32 in. x 16 1/4 in. (25.3 cm x 41.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.609 Collection: The San Diego Museum of Art . 27 July 2001, 11:17:47. English: thesandiegomuseumofartcollection A sage by a fountain, a tiger looking out from a cave, women inside a palace (6124553933) Stock Photo

RMMMH1PT–. English: Series Title: Banabedha, prithviraj raso Creation Date: ca. 1680 Display Dimensions: 9 31/32 in. x 16 1/4 in. (25.3 cm x 41.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.609 Collection: The San Diego Museum of Art . 27 July 2001, 11:17:47. English: thesandiegomuseumofartcollection A sage by a fountain, a tiger looking out from a cave, women inside a palace (6124553933)

RFT0TBE4–Illustration Xray Icon

. English: Creation Date: ca. 1780 Display Dimensions: 12 1/4 in. x 7 27/32 in. (31.1 cm x 19.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.553 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 October 2001, 12:45:45. English: thesandiegomuseumofartcollection 1209 Two sepoys with rifles on their shoulders with fixed bayonets (6124549595) Stock Photo

RMMNP2DP–. English: Creation Date: ca. 1780 Display Dimensions: 12 1/4 in. x 7 27/32 in. (31.1 cm x 19.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.553 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 October 2001, 12:45:45. English: thesandiegomuseumofartcollection 1209 Two sepoys with rifles on their shoulders with fixed bayonets (6124549595)

Watercolor, Interior of a Library; Unknown (English); brush and watercolor, graphite on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 21.3 x 31.6 cm (8 3/8 x 12 7/16 in.); Thaw Collection; 2007-27-28 Stock Photo

RM2PMC6DW–Watercolor, Interior of a Library; Unknown (English); brush and watercolor, graphite on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 21.3 x 31.6 cm (8 3/8 x 12 7/16 in.); Thaw Collection; 2007-27-28

. English: Accession Number: 1957.208 Display Artist: Katsushika Hokusai Display Title: Six women playing with poem cards Series Title: '[Untitled, series of three pictures of women]' Suite Name: '[Untitled, series of three pictures of women]' Creation Date: 1823 Medium: Woodblock Height: 8 1/16 in. Width: 10 3/4 in. Display Dimensions: 8 1/16 in. x 10 3/4 in. (20.48 cm x 27.31 cm) Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'Poetry clubs were popular among the citizens of Edo. These clubs were open to anyone who was well-educated and literate, regardless of ones gender or soc Stock Photo

RMMP8RAF–. English: Accession Number: 1957.208 Display Artist: Katsushika Hokusai Display Title: Six women playing with poem cards Series Title: '[Untitled, series of three pictures of women]' Suite Name: '[Untitled, series of three pictures of women]' Creation Date: 1823 Medium: Woodblock Height: 8 1/16 in. Width: 10 3/4 in. Display Dimensions: 8 1/16 in. x 10 3/4 in. (20.48 cm x 27.31 cm) Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'Poetry clubs were popular among the citizens of Edo. These clubs were open to anyone who was well-educated and literate, regardless of ones gender or soc

Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 Â» VarÃ³n 2 25 Â» Â» 3 23 Â» Â» 4 10 Â» Â» 5 23 >â > Â» 6 32 Â» Â» 7 19 Â» >; 8 49 Â» Â» 9 17 Â» Â» 10 50 Â» Mujer 11 25 Â» VarÃ³n 12 2 i: Â» Â» 13 9 Â» Â» 14 10 Â» Â» 15 12 Â» Â» 16 ? Â» X- 17 27 Â» >â / 18 10 meses Â» 19 14 aÃ±os Ã-- 20 10 ?â Â» 21 31 Â» Mujer 22 10 Â» Â» 23 12 Â» VarÃ³n 24 9 Â» >> 25 10 Â» Â» 1 y2 mes 2 meses 5 aÃ±os 3 meses 2 Â» 2 Â» 2 Â» 2 4 4 2 4 4 4 4 Â» 2 meses 1 mes 1 Â» 2 meses 4 Â» 4 aÃ±os 3 Stock Photo

RMT23C62–Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 Â» VarÃ³n 2 25 Â» Â» 3 23 Â» Â» 4 10 Â» Â» 5 23 >â > Â» 6 32 Â» Â» 7 19 Â» >; 8 49 Â» Â» 9 17 Â» Â» 10 50 Â» Mujer 11 25 Â» VarÃ³n 12 2 i: Â» Â» 13 9 Â» Â» 14 10 Â» Â» 15 12 Â» Â» 16 ? Â» X- 17 27 Â» >â / 18 10 meses Â» 19 14 aÃ±os Ã-- 20 10 ?â Â» 21 31 Â» Mujer 22 10 Â» Â» 23 12 Â» VarÃ³n 24 9 Â» >> 25 10 Â» Â» 1 y2 mes 2 meses 5 aÃ±os 3 meses 2 Â» 2 Â» 2 Â» 2 4 4 2 4 4 4 4 Â» 2 meses 1 mes 1 Â» 2 meses 4 Â» 4 aÃ±os 3

. English: Series Title: Kalighat Album Suite Name: Kalighat Album Creation Date: ca. 1880 Creation Place/Subject: India State-Province: West Bengal Court: Kalighat School: Kalighat Media & Support: Watercolor on paper Display Dimensions: 17 7/8 in. x 10 21/32 in. (45.4 cm x 27.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1450 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> Label Copy: VISIONS OF THE GREAT GODDESS September 2004 Kalighat paintings were a bold new phenomenon. They might have sold fo Stock Photo

RMMNX3NX–. English: Series Title: Kalighat Album Suite Name: Kalighat Album Creation Date: ca. 1880 Creation Place/Subject: India State-Province: West Bengal Court: Kalighat School: Kalighat Media & Support: Watercolor on paper Display Dimensions: 17 7/8 in. x 10 21/32 in. (45.4 cm x 27.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1450 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> Label Copy: VISIONS OF THE GREAT GODDESS September 2004 Kalighat paintings were a bold new phenomenon. They might have sold fo

. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Oesto. 488. Acad. Nat. Sci. Phila. 1868, Coal measures.) Pal. Ohio, Vol. 2, 1875, page 381, 384, wood-cut of caudal vertebrae; plate 27, fig. 5 ; 31, fig. 1; 32, fig. 1; 33, fig. 2; 34, fig. 4; 35, fig, 5.— XIIL For other Hgures seepage 486. Cope . PaLOhio^TL ^^^l.X^yih S. CEstocephalus rectidens, Cope. Trans. Amer. Philos. Soc. 1874; Pal. Ohio, Vol. 2, 1875, p. 386, pi. 27, figs. 3, 4. Coal meas- ures of Ohio. XIIL Ogygia ? klotzi, Kominger. Proc. Acad. Nat. Stock Photo

RMPFXJYA–. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Oesto. 488. Acad. Nat. Sci. Phila. 1868, Coal measures.) Pal. Ohio, Vol. 2, 1875, page 381, 384, wood-cut of caudal vertebrae; plate 27, fig. 5 ; 31, fig. 1; 32, fig. 1; 33, fig. 2; 34, fig. 4; 35, fig, 5.— XIIL For other Hgures seepage 486. Cope . PaLOhio^TL ^^^l.X^yih S. CEstocephalus rectidens, Cope. Trans. Amer. Philos. Soc. 1874; Pal. Ohio, Vol. 2, 1875, p. 386, pi. 27, figs. 3, 4. Coal meas- ures of Ohio. XIIL Ogygia ? klotzi, Kominger. Proc. Acad. Nat.

Ernest Haskell, Lady with Hat, 1896, oil on canvas, 10 3/4 in. x 9 1/2 in. (27.31 cm x 24.13 cm Stock Photo

RM2B0C1X4–Ernest Haskell, Lady with Hat, 1896, oil on canvas, 10 3/4 in. x 9 1/2 in. (27.31 cm x 24.13 cm

Rocaille cartouches with flowers. Culture: French, probably Beauvais. Designer: After designs by Pierre Edmé Babel (French, Paris 1720-1775 Paris). Dimensions: Back: H. 27 1/2 x W. 25 1/4 in. (69.9 x 64.1 cm); seat: H. 29 x W. 31 in. (73.7 x 78.7 cm). Manufactory: Probably manufactured in the Beauvais. Date: ca. 1735-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA9D7B–Rocaille cartouches with flowers. Culture: French, probably Beauvais. Designer: After designs by Pierre Edmé Babel (French, Paris 1720-1775 Paris). Dimensions: Back: H. 27 1/2 x W. 25 1/4 in. (69.9 x 64.1 cm); seat: H. 29 x W. 31 in. (73.7 x 78.7 cm). Manufactory: Probably manufactured in the Beauvais. Date: ca. 1735-50. Museum: Metropolitan Museum of Art, New York, USA.

FRONT VIEW OF CLAREMONT Author Havell, Daniel 40.19.f. Place of publication: London Publisher: Published Decr 31 1817 by Burkitt , Hudson 85 Cheapside., Date of publication: [December 31 1817] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 27.4 x 34.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HR73–FRONT VIEW OF CLAREMONT Author Havell, Daniel 40.19.f. Place of publication: London Publisher: Published Decr 31 1817 by Burkitt , Hudson 85 Cheapside., Date of publication: [December 31 1817] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 27.4 x 34.2 cm Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Funerary Portrait of Jacques Damala, ca. 1889, French, Paris, Marble, Overall (wt confirmed): 11 x 18 1/8 x 12 1/4 in., 97lb. (27.9 x 46 x 31.1 cm, 439kg), Sculpture, Sarah Bernhardt (French, Paris 1844–1923 Paris), Few realize that the great tragic actress Sarah, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW40G9–Art inspired by Funerary Portrait of Jacques Damala, ca. 1889, French, Paris, Marble, Overall (wt confirmed): 11 x 18 1/8 x 12 1/4 in., 97lb. (27.9 x 46 x 31.1 cm, 439kg), Sculpture, Sarah Bernhardt (French, Paris 1844–1923 Paris), Few realize that the great tragic actress Sarah, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Barbier. Louis, Alexandre. 31 ans, né à Jussecourt (Marne). Comptable. Anarchiste. 27/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4RY4–Art inspired by Barbier. Louis, Alexandre. 31 ans, né à Jussecourt (Marne). Comptable. Anarchiste. 27/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RFT0TBX2–Illustration Xray Icon

Young Girls, Mary Cassatt (American, 1844-1926), about 1900, pastel on paper, 25 x 20-3/4 in. 31-1/4 x 27 in. (framed), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B95JKG–Young Girls, Mary Cassatt (American, 1844-1926), about 1900, pastel on paper, 25 x 20-3/4 in. 31-1/4 x 27 in. (framed), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Drawing, A Study Interior at St. Polten; Matthäus Kern; brush and watercolor on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 24.6 x 31.4 cm (9 11/16 x 12 3/8 in.); Thaw Collection; 2007-27-19 Stock Photo

RM2PMCEG2–Drawing, A Study Interior at St. Polten; Matthäus Kern; brush and watercolor on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 24.6 x 31.4 cm (9 11/16 x 12 3/8 in.); Thaw Collection; 2007-27-19

Art inspired by Saint Benedict, 1320s, Tempera on wood, gold ground, Overall, with framing elements, 49 x 20 7/8 in. (124.5 x 53 cm); Saint Benedict, painted surface 27 7/8 x 16 in. (70.8 x 40.6 cm); pinnacle, painted surface 10 1/4 x 15 3/8 in. (26 x 39.1 cm), Paintings, Segna di, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY4R0–Art inspired by Saint Benedict, 1320s, Tempera on wood, gold ground, Overall, with framing elements, 49 x 20 7/8 in. (124.5 x 53 cm); Saint Benedict, painted surface 27 7/8 x 16 in. (70.8 x 40.6 cm); pinnacle, painted surface 10 1/4 x 15 3/8 in. (26 x 39.1 cm), Paintings, Segna di, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Dreer's wholesale catalog for florists and market gardeners : 1943 winter - spring - summer . Pointed Labels. Painted, forfpl pot and garden plants. Pot Labels Size Pointed Pot Lobed 4 x 5 x 6 x 10 x inches inches inches inches 100 1000 $0.30 $2.00 .30 2.25 .35 2.50 .55 4.50 Garden Labels 8x % inches 65 5.50 10 x 7/8 inches 80 6.50 12 x I Vs inches 1.00 10.00 18 in. x 1% in. x Vs in. for field-grown plants, unpainted 3.00 27.50 Wired Labels. Fitted with wire for attaching to roses, shrubs, trees, jt- etc. 31/2 x % inches. 100 for 35c; ^ 1000 for $2.50. Label Pencils. "Rainproof.' Wired Stock Photo

RMMACKBP–. Dreer's wholesale catalog for florists and market gardeners : 1943 winter - spring - summer . Pointed Labels. Painted, forfpl pot and garden plants. Pot Labels Size Pointed Pot Lobed 4 x 5 x 6 x 10 x inches inches inches inches 100 1000 $0.30 $2.00 .30 2.25 .35 2.50 .55 4.50 Garden Labels 8x % inches 65 5.50 10 x 7/8 inches 80 6.50 12 x I Vs inches 1.00 10.00 18 in. x 1% in. x Vs in. for field-grown plants, unpainted 3.00 27.50 Wired Labels. Fitted with wire for attaching to roses, shrubs, trees, jt- etc. 31/2 x % inches. 100 for 35c; ^ 1000 for $2.50. Label Pencils. "Rainproof.' Wired

Inspired by Head, Greek, c.900–31 BC, Late Classical period, 480–323 BC, or early Hellenistic, 323–31 BC, late 4th century BC, Marble, Greece, Europe, Sculpture, stone & mineral, approximate: 10 1/2 x 9 1/2 x 10 3/4 in. (26.7 x 24.1 x 27.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK68KN–Inspired by Head, Greek, c.900–31 BC, Late Classical period, 480–323 BC, or early Hellenistic, 323–31 BC, late 4th century BC, Marble, Greece, Europe, Sculpture, stone & mineral, approximate: 10 1/2 x 9 1/2 x 10 3/4 in. (26.7 x 24.1 x 27.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Art inspired by Section of the Loggia in the Villa of Pope Julius III., 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 12-1/4 x 15-7/8 in. (31.1 x 40.4 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5EHM–Art inspired by Section of the Loggia in the Villa of Pope Julius III., 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 12-1/4 x 15-7/8 in. (31.1 x 40.4 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Denkschriften - Österreichische Akademie der Wissenschaften. Eigenbewegungen derFixsterne. - 233 3 12 -^20-^20^10^10^=^ X^oX^i)— A32-X^32 + -^10-^10 5 150 5 XiO A40 Aio Xio = -^50-^ 50 -X5.2X52 — ^54 A54 + A30X30 + J^soXag 9 1890 408240 9 270 2 1 4 -<^21-^21 ^^10-^10 — -^Sl-^ai"!" -^33-^33 " -^11-^11 15 150 5 7 1 1 *? ^ Xi A41 Alo -Xio = X^iXf,i — X53X53 — XssA^Ö + ^31^1 + 27 1512 163296 3 1 25 + X33X33 + Xi^Xii 54 12 -X42 -X42 -A^lO Xii) =Z A52A52 — -X54A54 + 2 A32-^32 7 1134 1 1 49 -^43 -X43 Aio -X^io = X53A53 — X^öXss + X33X33 18 648 9 A44 -X44 Ato -Xio =: -X55A55 . Stock Photo

RMPFDW96–. Denkschriften - Österreichische Akademie der Wissenschaften. Eigenbewegungen derFixsterne. - 233 3 12 -^20-^20^10^10^=^ X^oX^i)— A32-X^32 + -^10-^10 5 150 5 XiO A40 Aio Xio = -^50-^ 50 -X5.2X52 — ^54 A54 + A30X30 + J^soXag 9 1890 408240 9 270 2 1 4 -<^21-^21 ^^10-^10 — -^Sl-^ai"!" -^33-^33 " -^11-^11 15 150 5 7 1 1 *? ^ Xi A41 Alo -Xio = X^iXf,i — X53X53 — XssA^Ö + ^31^1 + 27 1512 163296 3 1 25 + X33X33 + Xi^Xii 54 12 -X42 -X42 -A^lO Xii) =Z A52A52 — -X54A54 + 2 A32-^32 7 1134 1 1 49 -^43 -X43 Aio -X^io = X53A53 — X^öXss + X33X33 18 648 9 A44 -X44 Ato -Xio =: -X55A55 .

Anders Leonard Zorn, Anatole France, 1906, etching on cream laid paper, 14 1/4 in. x 10 3/4 in. (36.2 cm x 27.31 cm Stock Photo

RM2B0C433–Anders Leonard Zorn, Anatole France, 1906, etching on cream laid paper, 14 1/4 in. x 10 3/4 in. (36.2 cm x 27.31 cm

Art inspired by Head, Greek, c.900-31 BC, Late Classical period, 480-323 BC, or early Hellenistic, 323-31 BC, late 4th century BC, Marble, Greece, Europe, Sculpture, stone & mineral, approximate: 10 1/2 x 9 1/2 x 10 3/4 in. (26.7 x 24.1 x 27.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKMG50–Art inspired by Head, Greek, c.900-31 BC, Late Classical period, 480-323 BC, or early Hellenistic, 323-31 BC, late 4th century BC, Marble, Greece, Europe, Sculpture, stone & mineral, approximate: 10 1/2 x 9 1/2 x 10 3/4 in. (26.7 x 24.1 x 27.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Marble head of a veiled goddess. Culture: Greek. Dimensions: Overall: 12 7/8 x 11 x 12 1/4 in. (32.7 x 27.9 x 31.1 cm). Date: late 4th or 3rd century B.C.. Despite its worn condition, this head radiates with the serenity and power of Late Classical art. The series of holes drilled in the hair probably held a metal diadem or wreath. The goddess Demeter may be represented. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKXWH–Marble head of a veiled goddess. Culture: Greek. Dimensions: Overall: 12 7/8 x 11 x 12 1/4 in. (32.7 x 27.9 x 31.1 cm). Date: late 4th or 3rd century B.C.. Despite its worn condition, this head radiates with the serenity and power of Late Classical art. The series of holes drilled in the hair probably held a metal diadem or wreath. The goddess Demeter may be represented. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Saint Silvester Gozzolini, 1320s, Tempera on wood, gold ground, Overall, with framing elements, 49 x 21 in. (124.5 x 53.3 cm); Saint Silvester, painted surface 27 7/8 x 16 1/4 in. (70.8 X 41.3 cm); pinnacle, painted surface 10 x 15 5/8 in. (25.4 x 39.7 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8KE1–Art inspired by Saint Silvester Gozzolini, 1320s, Tempera on wood, gold ground, Overall, with framing elements, 49 x 21 in. (124.5 x 53.3 cm); Saint Silvester, painted surface 27 7/8 x 16 1/4 in. (70.8 X 41.3 cm); pinnacle, painted surface 10 x 15 5/8 in. (25.4 x 39.7 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Front View of ST BREVALS CASTLE Gloucestershire. Author Manskirch, Franz Joseph 13.87.b. Place of publication: London Publisher: Pubd Octr 1 1798 at Ackermann's Gallery, 101 Strand., Date of publication: [October 1 1798] Item type: 1 print Medium: soft-ground etching Dimensions: sheet 27.8 x 31.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9H06M–Front View of ST BREVALS CASTLE Gloucestershire. Author Manskirch, Franz Joseph 13.87.b. Place of publication: London Publisher: Pubd Octr 1 1798 at Ackermann's Gallery, 101 Strand., Date of publication: [October 1 1798] Item type: 1 print Medium: soft-ground etching Dimensions: sheet 27.8 x 31.4 cm Former owner: George III, King of Great Britain, 1738-1820

Inspired by Half Armor, Italian, 1600–10, Steel with gilding, modern leather, and fabric, Made in Italy, Europe, Arms & armor, 26 1/2 x 27 1/2 x 12 1/4 in. (67.3 x 69.9 x 31.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK5X3R–Inspired by Half Armor, Italian, 1600–10, Steel with gilding, modern leather, and fabric, Made in Italy, Europe, Arms & armor, 26 1/2 x 27 1/2 x 12 1/4 in. (67.3 x 69.9 x 31.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RFT0TBPY–Illustration Xray Icon

Bound Print, Design for Ceiling Ornament; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Franz Xaver Andreas Jungwierth (German, 1720–1790); Germany; engraving on white laid paper; 27.9 x 38.8 cm (11 1/16 x 15 1/4 in) Plate: 25.6 x 31.3 cm (10 1/4 x 12 1/4 in) Stock Photo

RM2PMH7GF–Bound Print, Design for Ceiling Ornament; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Franz Xaver Andreas Jungwierth (German, 1720–1790); Germany; engraving on white laid paper; 27.9 x 38.8 cm (11 1/16 x 15 1/4 in) Plate: 25.6 x 31.3 cm (10 1/4 x 12 1/4 in)

. Fig :5. Seasonal variation .n depth distribution of Raja Irachyurops. The widths oj the Polygons a^e P-portional to the ^ ^ percentage depth-frequency distribution when the observations are graphed m 50 m. classes. Table 6. Captures of Raja brachyurops less than 10 cm. wide Station WS87 WS90 WS94 WS9S WS109 WS76S WS797 48 51 51 WS867 Date 3. iv. 27 7. iv. 27 16. iv. 27 17. iv. 27 26. iv. 27 17. X. 31 20. xii. 31 3. v. 26 4. V. 26 4. V. 26 30. iii. 32 Numbers, size I of 4 cm. I of 5 cm. I of <S cm. I of < 5 cm. 3 of <5 cm. I of 9 cm. 1 of 5 cm. 2 of 7-5 cm. I of 7 cm. 9 of 4(5)-9 cm. Stock Photo

RMMCR9DR–. Fig :5. Seasonal variation .n depth distribution of Raja Irachyurops. The widths oj the Polygons a^e P-portional to the ^ ^ percentage depth-frequency distribution when the observations are graphed m 50 m. classes. Table 6. Captures of Raja brachyurops less than 10 cm. wide Station WS87 WS90 WS94 WS9S WS109 WS76S WS797 48 51 51 WS867 Date 3. iv. 27 7. iv. 27 16. iv. 27 17. iv. 27 26. iv. 27 17. X. 31 20. xii. 31 3. v. 26 4. V. 26 4. V. 26 30. iii. 32 Numbers, size I of 4 cm. I of 5 cm. I of <S cm. I of < 5 cm. 3 of <5 cm. I of 9 cm. 1 of 5 cm. 2 of 7-5 cm. I of 7 cm. 9 of 4(5)-9 cm.

. Cultivation of Tobacco in Sumatra. Tobacco. TEMPERATfRE AXD RAINFALLâContinued. Penang. Straits Settlements. latitude J- X,. longitude 101- E.âCoutinue<l. INXHE3 OF RAINFALL. Tear. 1882. 1883. 1884. 1885. 1887. Mean.. JaD. Feb. Mar. Apr. May. Jane. July. Aiig. Sept. 7.39 2.76 3.62 .27 5!73 7.70 1.50 1.35 2.87 1.44 2.16 6.47 3.46 10.99 .39 1.92 .32 5.71 4.12 6.70 6.76 2.72 5.04 4.58 2.63 3.80 5. 17.78 9.83 10. 23 6.87 11.53 14.76 5.21 5.83 3.16 9.47 7.38 7.17 7.64 5.86 6.83 11.11 2.66 16.03 16.53 6.78 11.60 14.29 15.17 23.39 11. 83 6. 37 9.84 18.16 19.76 21.67 31. 52 11.98 14. 63 18. 82 Oc Stock Photo

RMPFX4RE–. Cultivation of Tobacco in Sumatra. Tobacco. TEMPERATfRE AXD RAINFALLâContinued. Penang. Straits Settlements. latitude J- X,. longitude 101- E.âCoutinue<l. INXHE3 OF RAINFALL. Tear. 1882. 1883. 1884. 1885. 1887. Mean.. JaD. Feb. Mar. Apr. May. Jane. July. Aiig. Sept. 7.39 2.76 3.62 .27 5!73 7.70 1.50 1.35 2.87 1.44 2.16 6.47 3.46 10.99 .39 1.92 .32 5.71 4.12 6.70 6.76 2.72 5.04 4.58 2.63 3.80 5. 17.78 9.83 10. 23 6.87 11.53 14.76 5.21 5.83 3.16 9.47 7.38 7.17 7.64 5.86 6.83 11.11 2.66 16.03 16.53 6.78 11.60 14.29 15.17 23.39 11. 83 6. 37 9.84 18.16 19.76 21.67 31. 52 11.98 14. 63 18. 82 Oc

Piece, Japan, Edo (1615–1868), Date 18th–19th century, Japan, Silk, 15 1/2 x 10 3/4 in. (39.37 x 27.31 cm), Textiles-Woven Stock Photo

RM2B0JBN4–Piece, Japan, Edo (1615–1868), Date 18th–19th century, Japan, Silk, 15 1/2 x 10 3/4 in. (39.37 x 27.31 cm), Textiles-Woven

Stanza di Venti nel Teatro di Belvedere di Frascati. Artist: Giovanni Battista Falda (Italian, Valduggia 1643-1678 Rome). Dimensions: plate: 12 9/16 x 9 1/4 in. (31.9 x 23.5 cm) sheet: 15 7/16 x 10 7/8 in. (39.2 x 27.6 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAB2E1–Stanza di Venti nel Teatro di Belvedere di Frascati. Artist: Giovanni Battista Falda (Italian, Valduggia 1643-1678 Rome). Dimensions: plate: 12 9/16 x 9 1/4 in. (31.9 x 23.5 cm) sheet: 15 7/16 x 10 7/8 in. (39.2 x 27.6 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Museum: Metropolitan Museum of Art, New York, USA.

The Entrance of PLYMOUTH SOUND and HAMOAZE Author Pye, John 11.84.m.1. Place of publication: [England] Publisher: [William Hay] Date of publication: Published 1st June 1780. Item type: 1 print Medium: etching and engraving Dimensions: platemark 25.3 x 29.6 cm, on sheet 27 x 31.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9G1MW–The Entrance of PLYMOUTH SOUND and HAMOAZE Author Pye, John 11.84.m.1. Place of publication: [England] Publisher: [William Hay] Date of publication: Published 1st June 1780. Item type: 1 print Medium: etching and engraving Dimensions: platemark 25.3 x 29.6 cm, on sheet 27 x 31.4 cm Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Half Armor, Italian, 1600-10, Steel with gilding, modern leather, and fabric, Made in Italy, Europe, Arms & armor, 26 1/2 x 27 1/2 x 12 1/4 in. (67.3 x 69.9 x 31.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKM41J–Art inspired by Half Armor, Italian, 1600-10, Steel with gilding, modern leather, and fabric, Made in Italy, Europe, Arms & armor, 26 1/2 x 27 1/2 x 12 1/4 in. (67.3 x 69.9 x 31.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by The Baptism of Christ, ca. 1390, Made in Lower Austria, Austrian, Pot-metal and colorless glass, vitreous paint and silver stain, 27 15/16 x 12 1/4 in. (71 x 31.1 cm), Glass-Stained, Seven scenes from the private chapel of the Ebreichsdorf castle are installed in the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW06CB–Art inspired by The Baptism of Christ, ca. 1390, Made in Lower Austria, Austrian, Pot-metal and colorless glass, vitreous paint and silver stain, 27 15/16 x 12 1/4 in. (71 x 31.1 cm), Glass-Stained, Seven scenes from the private chapel of the Ebreichsdorf castle are installed in the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Rocaille cartouches with flowers, ca. 1735–50, French, probably Beauvais, Wool, silk (20-22 warps per inch, 8 per cm.), Back: H. 27 1/2 x W. 25 1/4 in. (69.9 x 64.1 cm); seat: H. 29 x W. 31 in. (73.7 x 78.7 cm), Textiles-Tapestries, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWC4J–Art inspired by Rocaille cartouches with flowers, ca. 1735–50, French, probably Beauvais, Wool, silk (20-22 warps per inch, 8 per cm.), Back: H. 27 1/2 x W. 25 1/4 in. (69.9 x 64.1 cm); seat: H. 29 x W. 31 in. (73.7 x 78.7 cm), Textiles-Tapestries, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RFT0TC70–Illustration Xray Icon

Watercolor, A Room in Schloss Buchwald; Attributed to Friedrich Wilhelm Klose; brush and watercolor, gouache on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23 x 30.1 cm (9 1/16 x 11 7/8 in.); Thaw Collection; 2007-27-31 Stock Photo

RM2PMC4AD–Watercolor, A Room in Schloss Buchwald; Attributed to Friedrich Wilhelm Klose; brush and watercolor, gouache on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23 x 30.1 cm (9 1/16 x 11 7/8 in.); Thaw Collection; 2007-27-31

. 1 44 Â» VarÃ³n 2 25 Â» Â» 3 23 Â» Â» 4 10 Â» Â» 5 23 >â > Â» 6 32 Â» Â» 7 19 Â» >; 8 49 Â» Â» 9 17 Â» Â» 10 50 Â» Mujer 11 25 Â» VarÃ³n 12 2 ^i: Â» Â» 13 9 Â» Â» 14 10 Â» Â» 15 12 Â» Â» 16 ? Â» X- 17 27 Â» >â / 18 10 meses Â» 19 14 aÃ±os Ã-- 20 10 ?â Â» 21 31 Â» Mujer 22 10 Â» Â» 23 12 Â» VarÃ³n 24 9 Â» >> 25 10 Â» Â» 1 y2 mes 2 meses 5 aÃ±os 3 meses 2 Â» 2 Â» 2 Â» 2 4 4 2 4 4 4 4 Â» 2 meses 1 mes 1 Â» 2 meses 4 Â» 4 aÃ±os 3 meses 1 Â» Guayra (Paraguay) Eldorado Â» Â» Â» Â» Â» Â» Â» Â» Monte Cario Paraguay Eldorado Â» NOTA ADICIONAL Uno de los autores (Shannon) en compaÃ±Ã- Stock Photo

RMMCMGTG–. 1 44 Â» VarÃ³n 2 25 Â» Â» 3 23 Â» Â» 4 10 Â» Â» 5 23 >â > Â» 6 32 Â» Â» 7 19 Â» >; 8 49 Â» Â» 9 17 Â» Â» 10 50 Â» Mujer 11 25 Â» VarÃ³n 12 2 ^i: Â» Â» 13 9 Â» Â» 14 10 Â» Â» 15 12 Â» Â» 16 ? Â» X- 17 27 Â» >â / 18 10 meses Â» 19 14 aÃ±os Ã-- 20 10 ?â Â» 21 31 Â» Mujer 22 10 Â» Â» 23 12 Â» VarÃ³n 24 9 Â» >> 25 10 Â» Â» 1 y2 mes 2 meses 5 aÃ±os 3 meses 2 Â» 2 Â» 2 Â» 2 4 4 2 4 4 4 4 Â» 2 meses 1 mes 1 Â» 2 meses 4 Â» 4 aÃ±os 3 meses 1 Â» Guayra (Paraguay) Eldorado Â» Â» Â» Â» Â» Â» Â» Â» Monte Cario Paraguay Eldorado Â» NOTA ADICIONAL Uno de los autores (Shannon) en compaÃ±Ã-

. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo

RMPFE8G1–. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27

silver, Anonymous, 16th century, General: 3.1 x 2.7 x 0.1cm 31 x 27 x 1mm, Weight: 4.7g, city coat of arms, Leiden, 1907, 1907 Stock Photo

RM2DCH9D5–silver, Anonymous, 16th century, General: 3.1 x 2.7 x 0.1cm 31 x 27 x 1mm, Weight: 4.7g, city coat of arms, Leiden, 1907, 1907

Saint Silvester Gozzolini. Artist: Segna di Buonaventura (Italian, active Siena by 1298-died 1326/31). Dimensions: Overall, with framing elements, 49 x 21 in. (124.5 x 53.3 cm); Saint Silvester, painted surface 27 7/8 x 16 1/4 in. (70.8 X 41.3 cm); pinnacle, painted surface 10 x 15 5/8 in. (25.4 x 39.7 cm). Date: 1320s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAM4A2–Saint Silvester Gozzolini. Artist: Segna di Buonaventura (Italian, active Siena by 1298-died 1326/31). Dimensions: Overall, with framing elements, 49 x 21 in. (124.5 x 53.3 cm); Saint Silvester, painted surface 27 7/8 x 16 1/4 in. (70.8 X 41.3 cm); pinnacle, painted surface 10 x 15 5/8 in. (25.4 x 39.7 cm). Date: 1320s. Museum: Metropolitan Museum of Art, New York, USA.

VAUXHALL ORCHESTRA, as ILLUMINATED on a GALA NIGHT. Visual Material information: Title: VAUXHALL ORCHESTRA, as ILLUMINATED on a GALA NIGHT. 41.27.i. Place of publication: [London] Publisher: Published as the Act directs Sep. 22, Date of publication: 1813. Item type: 1 print Medium: etching and aquatint Dimensions: platemark 44.4 x 31.4 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HRW3–VAUXHALL ORCHESTRA, as ILLUMINATED on a GALA NIGHT. Visual Material information: Title: VAUXHALL ORCHESTRA, as ILLUMINATED on a GALA NIGHT. 41.27.i. Place of publication: [London] Publisher: Published as the Act directs Sep. 22, Date of publication: 1813. Item type: 1 print Medium: etching and aquatint Dimensions: platemark 44.4 x 31.4 cm. Former owner: George III, King of Great Britain, 1738-1820

RF2HTWANW–Art inspired by Rocaille cartouches with flowers, ca. 1735–50, French, probably Beauvais, Wool, silk (20-22 warps per inch, 8 per cm.), Back: H. 27 1/2 x W. 25 1/4 in. (69.9 x 64.1 cm); seat: H. 29 x W. 31 in. (73.7 x 78.7 cm), Textiles-Tapestries, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RFT0TBBJ–Illustration Xray Icon

Bound Print, Quarter of a Ceiling, Livre de Plafonds (Book of Ceilings); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Franz Xaver Andreas Jungwierth (German, 1720–1790); Germany; engraving on white laid paper; Sheet: 27.4 x 39 cm (10 13/16 x 15 3/8 in.) Platemark: 26 x 31.4 cm (10 1/4 x 12 3/8 in.) Stock Photo

RM2PMHR9X–Bound Print, Quarter of a Ceiling, Livre de Plafonds (Book of Ceilings); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Franz Xaver Andreas Jungwierth (German, 1720–1790); Germany; engraving on white laid paper; Sheet: 27.4 x 39 cm (10 13/16 x 15 3/8 in.) Platemark: 26 x 31.4 cm (10 1/4 x 12 3/8 in.)

. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo

RMPFE8FW–. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3

Piece, China, Qing dynasty (1644–1911), Date 18th–19th century, China, Silk, 13 1/4 x 10 3/4 in. (33.66 x 27.31 cm), Textiles-Tapestries Stock Photo

RM2B0JBX1–Piece, China, Qing dynasty (1644–1911), Date 18th–19th century, China, Silk, 13 1/4 x 10 3/4 in. (33.66 x 27.31 cm), Textiles-Tapestries

31 1 4 x 27 Stock Photos and Images

31 1 4 x 27 Stock Photos and Images

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