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30 2 62 9 cm Stock Photos and Images

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30 2 62 9 cm Stock Photos and Images

Colonel Nathan Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American Painting, American primitive, early American, high society, Nathan Beckwith, painting, plain style, portrait Stock Photo
RM2HB274A–Colonel Nathan Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American Painting, American primitive, early American, high society, Nathan Beckwith, painting, plain style, portrait
Inspired by Colonel Nathan Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American Painting, American primitive, early American, high society, Nathan Beckwith, painting, plain style, portrait, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo
RF2HK53A4–Inspired by Colonel Nathan Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American Painting, American primitive, early American, high society, Nathan Beckwith, painting, plain style, portrait, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Landscapes of the Twelve Months. Artist: Gong Xian (Chinese, 1619-1689). Calligrapher: Zhu Xia (Chinese). Culture: China. Dimensions: 11 7/8 x 24 3/4 in. (30.2 x 62.9 cm). Date: ca. 1685. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB200G–Landscapes of the Twelve Months. Artist: Gong Xian (Chinese, 1619-1689). Calligrapher: Zhu Xia (Chinese). Culture: China. Dimensions: 11 7/8 x 24 3/4 in. (30.2 x 62.9 cm). Date: ca. 1685. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by William Archer Shee (1810–1899), the Artist's Son, ca. 1820, Oil on canvas, 30 x 24 3/4 in. (76.2 x 62.9 cm), Paintings, Sir Martin Archer Shee (Irish, Dublin 1769–1850 Brighton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW8JMM–Art inspired by William Archer Shee (1810–1899), the Artist's Son, ca. 1820, Oil on canvas, 30 x 24 3/4 in. (76.2 x 62.9 cm), Paintings, Sir Martin Archer Shee (Irish, Dublin 1769–1850 Brighton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Honoré Daumier, French, 1808–1879 Head of an Old Woman, ca. 1856–60 Oil on panel 21.9 x 16.5 cm. (8 5/8 x 6 1/2 in.) frame: 30.5 x 36.0 x 6.5 cm. (12 x 14 3/16 x 2 9/16 in.) The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.8 Maison (1968) I-108 . circa 1856–60 8 1856, Daumier, Head of an Old Woman Stock Photo
RMMW4A9W–. English: Honoré Daumier, French, 1808–1879 Head of an Old Woman, ca. 1856–60 Oil on panel 21.9 x 16.5 cm. (8 5/8 x 6 1/2 in.) frame: 30.5 x 36.0 x 6.5 cm. (12 x 14 3/16 x 2 9/16 in.) The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.8 Maison (1968) I-108 . circa 1856–60 8 1856, Daumier, Head of an Old Woman
Inspired by Betsey Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American primitive, black, bonnet, book, cap, chair, collar, crossed arms, early American, high society, lace, linen, oil, painting, plain style, portrait, puritan, seated, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo
RF2HK53A3–Inspired by Betsey Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American primitive, black, bonnet, book, cap, chair, collar, crossed arms, early American, high society, lace, linen, oil, painting, plain style, portrait, puritan, seated, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Seated Amitabha with Attendants, c. 1100s. Tibet, Western Himalayas, from Tabo Monastery, 12th century. Thanka: color on fabric; image: 78.2 x 62.9 cm (30 13/16 x 24 3/4 in.); overall: 100 x 66.7 cm (39 3/8 x 26 1/4 in.). Stock Photo
RM2H112F1–Seated Amitabha with Attendants, c. 1100s. Tibet, Western Himalayas, from Tabo Monastery, 12th century. Thanka: color on fabric; image: 78.2 x 62.9 cm (30 13/16 x 24 3/4 in.); overall: 100 x 66.7 cm (39 3/8 x 26 1/4 in.).
Mitteilungen der Deutschen Dendrologischen Gesellschaft . Pseudotsuga Douglasii. Saat aus Nr. 9 Colville (Washington) 1910. (Phot. Mai 1912.). Pseudotsuga Douglasii. Saat aus Nr. 10 Chelan (Washington) 1910. (Phot. Mai 1912.) 62 Fr. Graf von Berg: 1912. werde, hat die am stärksten wachsende 25—50 cm hohe Nr. 4 aus Pecos (New-Mexiko) doch 20 7o braun erfrorene Gipfel und Nr. 3 aus San Isabel (Colorado)mit dem nächst stärksten Wuchs dieser Gruppe 13 — 30 cm Höhe, auch ^j^ % braunerfrorene Gipfel. Von den anderen haben Nr. 7 Lolo (Montana) 23—48 cm hoch 1/2 Vo ^^^Nr. 10 Chelan (Washington) i ^/g Stock Photo
RM2AXBMKB–Mitteilungen der Deutschen Dendrologischen Gesellschaft . Pseudotsuga Douglasii. Saat aus Nr. 9 Colville (Washington) 1910. (Phot. Mai 1912.). Pseudotsuga Douglasii. Saat aus Nr. 10 Chelan (Washington) 1910. (Phot. Mai 1912.) 62 Fr. Graf von Berg: 1912. werde, hat die am stärksten wachsende 25—50 cm hohe Nr. 4 aus Pecos (New-Mexiko) doch 20 7o braun erfrorene Gipfel und Nr. 3 aus San Isabel (Colorado)mit dem nächst stärksten Wuchs dieser Gruppe 13 — 30 cm Höhe, auch ^j^ % braunerfrorene Gipfel. Von den anderen haben Nr. 7 Lolo (Montana) 23—48 cm hoch 1/2 Vo ^^^Nr. 10 Chelan (Washington) i ^/g
Betsey Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American primitive, black, bonnet, book, cap, chair, collar, crossed arms, early American, high society, lace, linen, oil, painting, plain style, portrait, puritan, seated, stiff, uptight, woman, women and books Stock Photo
RM2HB274C–Betsey Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American primitive, black, bonnet, book, cap, chair, collar, crossed arms, early American, high society, lace, linen, oil, painting, plain style, portrait, puritan, seated, stiff, uptight, woman, women and books
Portrait of a Man, Oil on canvas, 30 x 24 3/4 in. (76.2 x 62.9 cm), Paintings, George Romney (British, Beckside, Lancashire 1734 Stock Photo
RMKC6ND1–Portrait of a Man, Oil on canvas, 30 x 24 3/4 in. (76.2 x 62.9 cm), Paintings, George Romney (British, Beckside, Lancashire 1734
Portrait of a Man. Artist: George Romney (British, Beckside, Lancashire 1734-1802 Kendal, Cumbria). Dimensions: 30 x 24 3/4 in. (76.2 x 62.9 cm). The costume, a white linen shirt, cravat, and vest, and a brown coat with gold braid and gilt buttons, suggests a possible date, but the sitter's identity may never be known. The dark background adds a sense of gravity. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAN1AJ–Portrait of a Man. Artist: George Romney (British, Beckside, Lancashire 1734-1802 Kendal, Cumbria). Dimensions: 30 x 24 3/4 in. (76.2 x 62.9 cm). The costume, a white linen shirt, cravat, and vest, and a brown coat with gold braid and gilt buttons, suggests a possible date, but the sitter's identity may never be known. The dark background adds a sense of gravity. Museum: Metropolitan Museum of Art, New York, USA.
Essay on the reverse of the 30-sol coin of the constitutional type, 1791, Dupré, Augustin or Auguste, Engraver in medals, Array, Numismatics, Currency, Dimensions - Work: Height: 3.3 cm, Width: 2.9 cm, Weight (type dimension): 3.62 g Stock Photo
RM2T8X519–Essay on the reverse of the 30-sol coin of the constitutional type, 1791, Dupré, Augustin or Auguste, Engraver in medals, Array, Numismatics, Currency, Dimensions - Work: Height: 3.3 cm, Width: 2.9 cm, Weight (type dimension): 3.62 g
Art inspired by Colonel Nathan Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American Painting, American primitive, early American, high society, Nathan Beckwith, painting, plain style, portrait, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HKK87A–Art inspired by Colonel Nathan Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American Painting, American primitive, early American, high society, Nathan Beckwith, painting, plain style, portrait, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Garden Design for Northwick Park, William E. Emes, 1729/30–1803, British, 1778, Pen and black ink, gray wash, and graphite on medium, moderately textured, cream laid paper, Sheet: 17 1/2 × 25 7/16 inches (44.5 × 64.6 cm), Contemporary drawn border: 16 7/8 × 25 3/16 inches (42.9 × 64 cm), and Image: 16 7/16 × 24 3/4 inches (41.8 × 62.9 cm), architectural subject Stock Photo
RM2DJ8CCC–Garden Design for Northwick Park, William E. Emes, 1729/30–1803, British, 1778, Pen and black ink, gray wash, and graphite on medium, moderately textured, cream laid paper, Sheet: 17 1/2 × 25 7/16 inches (44.5 × 64.6 cm), Contemporary drawn border: 16 7/8 × 25 3/16 inches (42.9 × 64 cm), and Image: 16 7/16 × 24 3/4 inches (41.8 × 62.9 cm), architectural subject
Art inspired by Portrait of a Man, Oil on canvas, 30 x 24 3/4 in. (76.2 x 62.9 cm), Paintings, George Romney (British, Beckside, Lancashire 1734–1802 Kendal, Cumbria), The costume, a white linen shirt, cravat, and vest, and a brown coat with gold braid and gilt buttons, suggests a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTY3C5–Art inspired by Portrait of a Man, Oil on canvas, 30 x 24 3/4 in. (76.2 x 62.9 cm), Paintings, George Romney (British, Beckside, Lancashire 1734–1802 Kendal, Cumbria), The costume, a white linen shirt, cravat, and vest, and a brown coat with gold braid and gilt buttons, suggests a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Frame by Nicolas-Quinibert Foliot, Armchair (part of a set), French, Paris, Frame by Nicolas-Quinibert Foliot (1706–1776, warden 1750/52), ca. 1754–56, French, Paris, Carved and gilded beech; wool and silk tapestry, 40 1/2 x 30 3/4 x 24 3/4 in. (102.9 x 78.1 x 62.9 cm Stock Photo
RM2B0H79F–Frame by Nicolas-Quinibert Foliot, Armchair (part of a set), French, Paris, Frame by Nicolas-Quinibert Foliot (1706–1776, warden 1750/52), ca. 1754–56, French, Paris, Carved and gilded beech; wool and silk tapestry, 40 1/2 x 30 3/4 x 24 3/4 in. (102.9 x 78.1 x 62.9 cm
Art inspired by Betsey Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American primitive, black, bonnet, book, cap, chair, collar, crossed arms, early American, high society, lace, linen, oil, painting, plain style, portrait, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HKK87C–Art inspired by Betsey Beckwith, Ammi Phillips, American, 1788-1865, Oil on canvas, ca. 1817, 30 1/2 x 24 9/16 in., 77.4 x 62.4 cm, American primitive, black, bonnet, book, cap, chair, collar, crossed arms, early American, high society, lace, linen, oil, painting, plain style, portrait, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Honoré Daumier, French, 1808–1879 Head of an Old Woman, ca. 1856–60 Oil on panel 21.9 x 16.5 cm. (8 5/8 x 6 1/2 in.) frame: 30.5 x 36.0 x 6.5 cm. (12 x 14 3/16 x 2 9/16 in.) The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.8 Maison (1968) I-108 . circa 1856–60 8 1856, Daumier, Head of an Old Woman Stock Photo
RMMX17JX–. English: Honoré Daumier, French, 1808–1879 Head of an Old Woman, ca. 1856–60 Oil on panel 21.9 x 16.5 cm. (8 5/8 x 6 1/2 in.) frame: 30.5 x 36.0 x 6.5 cm. (12 x 14 3/16 x 2 9/16 in.) The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.8 Maison (1968) I-108 . circa 1856–60 8 1856, Daumier, Head of an Old Woman
Art inspired by 清 倣龔賢 十二月令山水圖 冊, Landscapes of the Twelve Months, Qing dynasty (1644–1911), ca. 1685, China, Album of twelve painting leaves; ink on paper, 11 7/8 x 24 3/4 in. (30.2 x 62.9 cm), Paintings, Gong Xian (Chinese, 1619–1689, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW3295–Art inspired by 清 倣龔賢 十二月令山水圖 冊, Landscapes of the Twelve Months, Qing dynasty (1644–1911), ca. 1685, China, Album of twelve painting leaves; ink on paper, 11 7/8 x 24 3/4 in. (30.2 x 62.9 cm), Paintings, Gong Xian (Chinese, 1619–1689, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of a Lady, John Russell, 1745–1806, British, 1768, Oil on canvas, Support (PTG): 24 3/4 x 30 inches (62.9 x 76.2 cm), crest, Georgian, oval, portrait, silk, woman Stock Photo
RM2DHTHWM–Portrait of a Lady, John Russell, 1745–1806, British, 1768, Oil on canvas, Support (PTG): 24 3/4 x 30 inches (62.9 x 76.2 cm), crest, Georgian, oval, portrait, silk, woman
Study for 'An Apotheosis of a Saint' (for San Bernardino dei Morti, Milan), c. 1695. Sebastiano Ricci (Italian, 1659-1734). Oil on canvas; framed: 96.5 x 81.9 x 6.4 cm (38 x 32 1/4 x 2 1/2 in.); unframed: 78.5 x 62.8 cm (30 7/8 x 24 3/4 in.). Stock Photo
RM2H110W3–Study for 'An Apotheosis of a Saint' (for San Bernardino dei Morti, Milan), c. 1695. Sebastiano Ricci (Italian, 1659-1734). Oil on canvas; framed: 96.5 x 81.9 x 6.4 cm (38 x 32 1/4 x 2 1/2 in.); unframed: 78.5 x 62.8 cm (30 7/8 x 24 3/4 in.).
. Bonner zoologische Monographien. Zoology. BONNER ZOOLOGISCHE MONOGRAPHIEN Nr. 55/2009 Measurements. (Moyo) HB 62-66; T 28-33; HF 8- 10; E 12-14; FA 53-59; SK 19.5-21.2; XZ 9.0-9.8; XMST 8.8-9.2; CM^ 6.7-7.3; M^M^ 7.0-7.4. The population at Moyo includes both gray and ru- fous phases in both sexes. RHINOLOPHIDAE All species Rinnolophus (the only genus, with nearly 30 species in Africa, and far more from Europe to Japan and Australia), show a conspicuous sail-like connecting-process rising out of the flat, centrally- notched fleshy plate between the tiny eyes. Ears with- out tragus pick up ech Stock Photo
RMRHDMGM–. Bonner zoologische Monographien. Zoology. BONNER ZOOLOGISCHE MONOGRAPHIEN Nr. 55/2009 Measurements. (Moyo) HB 62-66; T 28-33; HF 8- 10; E 12-14; FA 53-59; SK 19.5-21.2; XZ 9.0-9.8; XMST 8.8-9.2; CM^ 6.7-7.3; M^M^ 7.0-7.4. The population at Moyo includes both gray and ru- fous phases in both sexes. RHINOLOPHIDAE All species Rinnolophus (the only genus, with nearly 30 species in Africa, and far more from Europe to Japan and Australia), show a conspicuous sail-like connecting-process rising out of the flat, centrally- notched fleshy plate between the tiny eyes. Ears with- out tragus pick up ech
The Spanish Singer (Le Guitarrero). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 12 1/8 x 9 5/8 in. (30.8 x 24.4 cm) sheet: 13 7/16 x 10 5/16 in. (34.2 x 26.2 cm). Date: 1861-62. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAB2W2–The Spanish Singer (Le Guitarrero). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 12 1/8 x 9 5/8 in. (30.8 x 24.4 cm) sheet: 13 7/16 x 10 5/16 in. (34.2 x 26.2 cm). Date: 1861-62. Museum: Metropolitan Museum of Art, New York, USA.
. English: Honoré Daumier, French, 1808–1879 Head of an Old Woman, ca. 1856–60 Oil on panel 21.9 x 16.5 cm. (8 5/8 x 6 1/2 in.) frame: 30.5 x 36.0 x 6.5 cm. (12 x 14 3/16 x 2 9/16 in.) The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.8 Maison (1968) I-108 . circa 1856–60 7 1856, Daumier, Head of an Old Woman Stock Photo
RMMY6BK0–. English: Honoré Daumier, French, 1808–1879 Head of an Old Woman, ca. 1856–60 Oil on panel 21.9 x 16.5 cm. (8 5/8 x 6 1/2 in.) frame: 30.5 x 36.0 x 6.5 cm. (12 x 14 3/16 x 2 9/16 in.) The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.8 Maison (1968) I-108 . circa 1856–60 7 1856, Daumier, Head of an Old Woman
. English: Portrait of Sir Abraham Hume of Wormleybury (1749-1838), in a blue coat, oil on canvas 30 x 24¾ in. (76.2 x 62.9 cm.). Provenance: with Agnew's, London, 1914. Anonymous sale; Sotheby's, London, 18 October 1989, lot 271, as 'Attributed to Romney' (£2,420). Anonymous sale; Christie's, New York, 3 April 2002, lot 87 ($22,325). . Unknown date. George Romney  (1734–1802)   Description British portrait painter Date of birth/death 26 December 1734 (in Julian calendar) / 15 December 1734 (in Julian calendar) 15 November 1802 Location of birth/death Dalton-in-Furness (then in Lancashi Stock Photo
RMMN04W2–. English: Portrait of Sir Abraham Hume of Wormleybury (1749-1838), in a blue coat, oil on canvas 30 x 24¾ in. (76.2 x 62.9 cm.). Provenance: with Agnew's, London, 1914. Anonymous sale; Sotheby's, London, 18 October 1989, lot 271, as 'Attributed to Romney' (£2,420). Anonymous sale; Christie's, New York, 3 April 2002, lot 87 ($22,325). . Unknown date. George Romney  (1734–1802)   Description British portrait painter Date of birth/death 26 December 1734 (in Julian calendar) / 15 December 1734 (in Julian calendar) 15 November 1802 Location of birth/death Dalton-in-Furness (then in Lancashi
Self-Portrait, Sir David Wilkie, 1785–1841, British, ca. 1840, Oil on canvas, Support (PTG): 30 x 24 3/4 inches (76.2 x 62.9 cm), artist, brown, coat, collar, man, painter, portrait, self-portrait, waistcoat Stock Photo
RM2DHTFPP–Self-Portrait, Sir David Wilkie, 1785–1841, British, ca. 1840, Oil on canvas, Support (PTG): 30 x 24 3/4 inches (76.2 x 62.9 cm), artist, brown, coat, collar, man, painter, portrait, self-portrait, waistcoat
Betsey Beckwith Ammi Phillips (American, 1788-1865). Betsey Beckwith, ca. 1817. Oil on canvas, 30 1/2 x 24 9/16 in. (77.4 x 62.4 cm). This portrait depicts one half of a prominent couple from Dutchess Country. Nathan Beckwith was a land surveyor and his wife was the sister of Mary Lyon, founder of Mount Holyoke, the first American women's college. Their social status as rural gentry is suggested by their dignified pasture and the attractive painted Federal-style chairs. Ammi Phillips was an itinerant painter who sought commissions in New York, western Connecticut, and Massachusetts. Apparentl Stock Photo
RM2M92BY2–Betsey Beckwith Ammi Phillips (American, 1788-1865). Betsey Beckwith, ca. 1817. Oil on canvas, 30 1/2 x 24 9/16 in. (77.4 x 62.4 cm). This portrait depicts one half of a prominent couple from Dutchess Country. Nathan Beckwith was a land surveyor and his wife was the sister of Mary Lyon, founder of Mount Holyoke, the first American women's college. Their social status as rural gentry is suggested by their dignified pasture and the attractive painted Federal-style chairs. Ammi Phillips was an itinerant painter who sought commissions in New York, western Connecticut, and Massachusetts. Apparentl
Zebra, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), 1803, Oil on canvas, Support (PTG): 24 3/4 x 30 inches (62.9 x 76.2 cm), animal art, boulders, cave, landscape, light, menagerie, zebra (mammal Stock Photo
RM2DJ498N–Zebra, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), 1803, Oil on canvas, Support (PTG): 24 3/4 x 30 inches (62.9 x 76.2 cm), animal art, boulders, cave, landscape, light, menagerie, zebra (mammal
Artist: Charles Willson Peale, American, 1741–1827, Subject: Sophia Gough Carroll, American, 1772–1816, Mrs. James Maccubin Carroll (Sophia Gough) (1772-1816), ca. 1790, Oil on canvas, 30 × 24 3/4 in. (76.2 × 62.9 cm), American, 18th century, Paintings Stock Photo
RM2DT5PGD–Artist: Charles Willson Peale, American, 1741–1827, Subject: Sophia Gough Carroll, American, 1772–1816, Mrs. James Maccubin Carroll (Sophia Gough) (1772-1816), ca. 1790, Oil on canvas, 30 × 24 3/4 in. (76.2 × 62.9 cm), American, 18th century, Paintings
Seated Amitabha with Attendants, c. 1100s. Tibet, Western Himalayas, from Tabo Monastery, 12th century. Thanka: color on fabric; image: 78.2 x 62.9 cm (30 13/16 x 24 3/4 in.); overall: 100 x 66.7 cm (39 3/8 x 26 1/4 in Stock Photo
RMRY6K7N–Seated Amitabha with Attendants, c. 1100s. Tibet, Western Himalayas, from Tabo Monastery, 12th century. Thanka: color on fabric; image: 78.2 x 62.9 cm (30 13/16 x 24 3/4 in.); overall: 100 x 66.7 cm (39 3/8 x 26 1/4 in
John Singer Sargent, (artist), American, 1856 - 1925, Street in Venice, 1882, oil on wood, overall: 45.1 x 53.9 cm (17 3/4 x 21 1/4 in.), framed: 65.41 × 76.2 × 7.62 cm (25 3/4 × 30 × 3 in Stock Photo
RM2DCEHY1–John Singer Sargent, (artist), American, 1856 - 1925, Street in Venice, 1882, oil on wood, overall: 45.1 x 53.9 cm (17 3/4 x 21 1/4 in.), framed: 65.41 × 76.2 × 7.62 cm (25 3/4 × 30 × 3 in
Fragment with Roundel and L-Shaped Band with Interlace Ornament. Dimensions: Textile: L. 17 11/16 in. (44.9 cm) W. 25 9/16 in. (64.9 cm) Mount: L. 24 1/2 in. (62.2 cm) W. 30 1/2 in. (77.5 cm) D. 1 1/8 in. (2.9 cm). Date: 3rd-6th century. Interlace is a type of pattern formed by bands that seem to pass over and under one another. This fragment displays a highly complex and beautiful interlace roundel. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAXY17–Fragment with Roundel and L-Shaped Band with Interlace Ornament. Dimensions: Textile: L. 17 11/16 in. (44.9 cm) W. 25 9/16 in. (64.9 cm) Mount: L. 24 1/2 in. (62.2 cm) W. 30 1/2 in. (77.5 cm) D. 1 1/8 in. (2.9 cm). Date: 3rd-6th century. Interlace is a type of pattern formed by bands that seem to pass over and under one another. This fragment displays a highly complex and beautiful interlace roundel. Museum: Metropolitan Museum of Art, New York, USA.
Betsey Beckwith Ammi Phillips (American, 1788-1865). Betsey Beckwith, ca. 1817. Oil on canvas, 30 1/2 x 24 9/16 in. (77.4 x 62.4 cm). This portrait depicts one half of a prominent couple from Dutchess Country. Nathan Beckwith was a land surveyor and his wife was the sister of Mary Lyon, founder of Mount Holyoke, the first American women's college. Their social status as rural gentry is suggested by their dignified pasture and the attractive painted Federal-style chairs. Ammi Phillips was an itinerant painter who sought commissions in New York, western Connecticut, and Massachusetts. Apparentl Stock Photo
RM2M92C17–Betsey Beckwith Ammi Phillips (American, 1788-1865). Betsey Beckwith, ca. 1817. Oil on canvas, 30 1/2 x 24 9/16 in. (77.4 x 62.4 cm). This portrait depicts one half of a prominent couple from Dutchess Country. Nathan Beckwith was a land surveyor and his wife was the sister of Mary Lyon, founder of Mount Holyoke, the first American women's college. Their social status as rural gentry is suggested by their dignified pasture and the attractive painted Federal-style chairs. Ammi Phillips was an itinerant painter who sought commissions in New York, western Connecticut, and Massachusetts. Apparentl
American 19th Century, (artist), Watermelon on a Plate, mid 19th century, oil on canvas, overall: 45.7 x 61 cm (18 x 24 in.), framed: 62.2 x 76.8 x 9.8 cm (24 1/2 x 30 1/4 x 3 7/8 in Stock Photo
RM2DCEHHC–American 19th Century, (artist), Watermelon on a Plate, mid 19th century, oil on canvas, overall: 45.7 x 61 cm (18 x 24 in.), framed: 62.2 x 76.8 x 9.8 cm (24 1/2 x 30 1/4 x 3 7/8 in
'The Seven Sleepers of Ephesus', Folio from a Falnama (Book of Omens). Dimensions: Painting: H. 23 in. (58.4 cm) W. 17 3/4 in. (45.1 cm) Mat : H. 28 in. (71.1 cm) W. 22 in. (55.9 cm) Frame: H. 30 1/2 in. (77.5 cm) W. 24 1/2 in. (62.2 cm). Date: 1550s. This exceptionally large folio depicts seven Christian men, known as the Seven Sleepers and their dog Qitmir, who escaped persecution by miraculously sleeping in a cave for 309 years. The contrasts between the dark cave and the colorful rocks, the commotion outside and the peaceful sleepers inside reinforce the narrative. The crowned figu Stock Photo
RMPB1ABT–'The Seven Sleepers of Ephesus', Folio from a Falnama (Book of Omens). Dimensions: Painting: H. 23 in. (58.4 cm) W. 17 3/4 in. (45.1 cm) Mat : H. 28 in. (71.1 cm) W. 22 in. (55.9 cm) Frame: H. 30 1/2 in. (77.5 cm) W. 24 1/2 in. (62.2 cm). Date: 1550s. This exceptionally large folio depicts seven Christian men, known as the Seven Sleepers and their dog Qitmir, who escaped persecution by miraculously sleeping in a cave for 309 years. The contrasts between the dark cave and the colorful rocks, the commotion outside and the peaceful sleepers inside reinforce the narrative. The crowned figu
Colonel Nathan Beckwith Ammi Phillips (American, 1788-1865). Colonel Nathan Beckwith, ca. 1817. Oil on canvas, 30 1/2 x 24 9/16 in. (77.4 x 62.4 cm). This portrait depicts one half of a prominent couple from Dutchess Country. Nathan Beckwith was a land surveyor and his wife was the sister of Mary Lyon, founder of Mount Holyoke, the first American women's college. Their social status as rural gentry is suggested by their dignified posture and the attractive painted Federal-style chairs. Ammi Phillips was an itinerant painter who sought commissions in New York, western Connecticut, and Massachu Stock Photo
RM2M92BYA–Colonel Nathan Beckwith Ammi Phillips (American, 1788-1865). Colonel Nathan Beckwith, ca. 1817. Oil on canvas, 30 1/2 x 24 9/16 in. (77.4 x 62.4 cm). This portrait depicts one half of a prominent couple from Dutchess Country. Nathan Beckwith was a land surveyor and his wife was the sister of Mary Lyon, founder of Mount Holyoke, the first American women's college. Their social status as rural gentry is suggested by their dignified posture and the attractive painted Federal-style chairs. Ammi Phillips was an itinerant painter who sought commissions in New York, western Connecticut, and Massachu
Jean Honoré Fragonard, (painter), French, 1732 - 1806, Love the Sentinel, c. 1773/1776, oil on canvas, overall (oval): 56.2 x 47.3 cm (22 1/8 x 18 5/8 in.), framed: 77.5 x 62.9 x 8.3 cm (30 1/2 x 24 3/4 x 3 1/4 in Stock Photo
RM2DCA5GF–Jean Honoré Fragonard, (painter), French, 1732 - 1806, Love the Sentinel, c. 1773/1776, oil on canvas, overall (oval): 56.2 x 47.3 cm (22 1/8 x 18 5/8 in.), framed: 77.5 x 62.9 x 8.3 cm (30 1/2 x 24 3/4 x 3 1/4 in
'Muhammad Revives the Sick Boy', Folio from a Falnama (Book of Omens) of Ja'far al-Sadiq. Dimensions: Painting: H. 23 1/16 in. (58.6 cm) W. 17in. (43.2cm) Mat : H. 28 in. (71.1 cm) W. 22 in. (55.9 cm) Frame: H. 30 1/2 in. (77.5 cm) W. 24 1/2 in. (62.2 cm). Date: 1550s. This illustration belonged to a Falnama, or book of divination, which was used to predict the future and tell fortunes. Once believed to be a depiction of Jesus raising Lazarus from the dead, the subject matter has now been identified as an event from the life of the Prophet Muhammad, who is shown veiled (a pictorial conv Stock Photo
RMPAXMPB–'Muhammad Revives the Sick Boy', Folio from a Falnama (Book of Omens) of Ja'far al-Sadiq. Dimensions: Painting: H. 23 1/16 in. (58.6 cm) W. 17in. (43.2cm) Mat : H. 28 in. (71.1 cm) W. 22 in. (55.9 cm) Frame: H. 30 1/2 in. (77.5 cm) W. 24 1/2 in. (62.2 cm). Date: 1550s. This illustration belonged to a Falnama, or book of divination, which was used to predict the future and tell fortunes. Once believed to be a depiction of Jesus raising Lazarus from the dead, the subject matter has now been identified as an event from the life of the Prophet Muhammad, who is shown veiled (a pictorial conv
Study for 'An Apotheosis of a Saint' (for San Bernardino dei Morti, Milan), c. 1695. Sebastiano Ricci (Italian, 1659-1734). Oil on canvas; framed: 96.5 x 81.9 x 6.4 cm (38 x 32 1/4 x 2 1/2 in.); unframed: 78.5 x 62.8 cm (30 7/8 x 24 3/4 in Stock Photo
RMRY5FFP–Study for 'An Apotheosis of a Saint' (for San Bernardino dei Morti, Milan), c. 1695. Sebastiano Ricci (Italian, 1659-1734). Oil on canvas; framed: 96.5 x 81.9 x 6.4 cm (38 x 32 1/4 x 2 1/2 in.); unframed: 78.5 x 62.8 cm (30 7/8 x 24 3/4 in
Colonel Nathan Beckwith Ammi Phillips (American, 1788-1865). Colonel Nathan Beckwith, ca. 1817. Oil on canvas, 30 1/2 x 24 9/16 in. (77.4 x 62.4 cm). This portrait depicts one half of a prominent couple from Dutchess Country. Nathan Beckwith was a land surveyor and his wife was the sister of Mary Lyon, founder of Mount Holyoke, the first American women's college. Their social status as rural gentry is suggested by their dignified posture and the attractive painted Federal-style chairs. Ammi Phillips was an itinerant painter who sought commissions in New York, western Connecticut, and Massachu Stock Photo
RM2M92BYC–Colonel Nathan Beckwith Ammi Phillips (American, 1788-1865). Colonel Nathan Beckwith, ca. 1817. Oil on canvas, 30 1/2 x 24 9/16 in. (77.4 x 62.4 cm). This portrait depicts one half of a prominent couple from Dutchess Country. Nathan Beckwith was a land surveyor and his wife was the sister of Mary Lyon, founder of Mount Holyoke, the first American women's college. Their social status as rural gentry is suggested by their dignified posture and the attractive painted Federal-style chairs. Ammi Phillips was an itinerant painter who sought commissions in New York, western Connecticut, and Massachu
Bohnstedt Alfred (1854-1906), Hubertus Bridge in the Berlin-Grunewald villa colony. Monthly competition April 1890 (04.1890): floor plan, outline side view, longitudinal section; 2 scale strips. Light pressure on paper, 41.9 x 30.2 cm (including scan edges) Bohnstedt Alfred (1854-1906): Hubertus-Brücke in der Villenkolonie Berlin-Grunewald. Monatskonkurrenz April 1890 Stock Photo
RM2JMWKG3–Bohnstedt Alfred (1854-1906), Hubertus Bridge in the Berlin-Grunewald villa colony. Monthly competition April 1890 (04.1890): floor plan, outline side view, longitudinal section; 2 scale strips. Light pressure on paper, 41.9 x 30.2 cm (including scan edges) Bohnstedt Alfred (1854-1906): Hubertus-Brücke in der Villenkolonie Berlin-Grunewald. Monatskonkurrenz April 1890
Mrs. Gabriel Manigault. Artist: Jeremiah Theus (American, Chur, 1716-1774 Charleston, South Carolina). Dimensions: 30 x 24 3/4 in. (76.2 x 62.9 cm). Date: 1757. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA9CA1–Mrs. Gabriel Manigault. Artist: Jeremiah Theus (American, Chur, 1716-1774 Charleston, South Carolina). Dimensions: 30 x 24 3/4 in. (76.2 x 62.9 cm). Date: 1757. Museum: Metropolitan Museum of Art, New York, USA.
Study for 'An Apotheosis of a Saint' (for San Bernardino dei Morti, Milan), c. 1695. Sebastiano Ricci (Italian, 1659-1734). Oil on canvas; framed: 96.5 x 81.9 x 6.4 cm (38 x 32 1/4 x 2 1/2 in.); unframed: 78.5 x 62.8 cm (30 7/8 x 24 3/4 in Stock Photo
RMRY5FFK–Study for 'An Apotheosis of a Saint' (for San Bernardino dei Morti, Milan), c. 1695. Sebastiano Ricci (Italian, 1659-1734). Oil on canvas; framed: 96.5 x 81.9 x 6.4 cm (38 x 32 1/4 x 2 1/2 in.); unframed: 78.5 x 62.8 cm (30 7/8 x 24 3/4 in
Portrait of an Official, 1700s-1800s. Korea, Joseon dynasty (1392-1910). Ink and color on silk; framed: 159.5 x 91 cm (62 13/16 x 35 13/16 in.); painting only: 146 x 76.6 cm (57 1/2 x 30 3/16 in.); with borders: 156.3 x 86.5 cm (61 9/16 x 34 1/16 in Stock Photo
RMRY6K31–Portrait of an Official, 1700s-1800s. Korea, Joseon dynasty (1392-1910). Ink and color on silk; framed: 159.5 x 91 cm (62 13/16 x 35 13/16 in.); painting only: 146 x 76.6 cm (57 1/2 x 30 3/16 in.); with borders: 156.3 x 86.5 cm (61 9/16 x 34 1/16 in
Louis François Roubiliac, Attributed to Francis Xavier Vispré, active 1730–1790, Formerly attributed to Francis Cotes RA, 1726–1770, British, ca. 1760, Pastel on moderately textured, wove paper, mounted to canvas, Sheet: 24 1/2 × 21 1/2 inches (62.2 × 54.6 cm) and Frame: 30 1/4 x 27 1/2 x 2 1/2 inches (76.8 x 69.9 x 6.4 cm), portrait Stock Photo
RM2DHTK60–Louis François Roubiliac, Attributed to Francis Xavier Vispré, active 1730–1790, Formerly attributed to Francis Cotes RA, 1726–1770, British, ca. 1760, Pastel on moderately textured, wove paper, mounted to canvas, Sheet: 24 1/2 × 21 1/2 inches (62.2 × 54.6 cm) and Frame: 30 1/4 x 27 1/2 x 2 1/2 inches (76.8 x 69.9 x 6.4 cm), portrait
Coverlet. Dated: c. 1940. Dimensions: overall: 30 x 22.9 cm (11 13/16 x 9 in.) Original IAD Object: 53' wide; 62 1/2' long. Medium: gouache and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Elizabeth Valentine. Stock Photo
RMR32HCM–Coverlet. Dated: c. 1940. Dimensions: overall: 30 x 22.9 cm (11 13/16 x 9 in.) Original IAD Object: 53' wide; 62 1/2' long. Medium: gouache and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Elizabeth Valentine.
Alfred the Great Dividing His Loaf with the Pilgrim, William Sharp, 1749–1824, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), 1782, Engraving on moderately thick, slightly textured, blued white, laid paper, mounted on, thick, rough, blued white, laid paper, Mount: 22 1/16 × 30 inches (56 × 76.2 cm), Sheet: 19 1/4 × 24 11/16 inches (48.9 × 62.7 cm), and Image: 17 1/16 × 23 1/2 inches (43.3 × 59.7 cm Stock Photo
RM2DJ34CC–Alfred the Great Dividing His Loaf with the Pilgrim, William Sharp, 1749–1824, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), 1782, Engraving on moderately thick, slightly textured, blued white, laid paper, mounted on, thick, rough, blued white, laid paper, Mount: 22 1/16 × 30 inches (56 × 76.2 cm), Sheet: 19 1/4 × 24 11/16 inches (48.9 × 62.7 cm), and Image: 17 1/16 × 23 1/2 inches (43.3 × 59.7 cm
清 倣龔賢 十二月令山水圖 冊, Landscapes of the Twelve Months, Gong Xian, ca. 1685 Stock Photo
RMKC6N61–清 倣龔賢 十二月令山水圖 冊, Landscapes of the Twelve Months, Gong Xian, ca. 1685
William Archer Shee (1810–1899), the Artist's Son, Sir Martin Archer Shee, ca. 1820 Stock Photo
RMKC6A20–William Archer Shee (1810–1899), the Artist's Son, Sir Martin Archer Shee, ca. 1820
Cased Pair of Percussion Pistols, Louis-Julien Gastinne-Renette, mid-19th century Stock Photo
RMKC3MNM–Cased Pair of Percussion Pistols, Louis-Julien Gastinne-Renette, mid-19th century
Watermelon on a Plate. Dated: mid 19th century. Dimensions: overall: 45.7 x 61 cm (18 x 24 in.) framed: 62.2 x 76.8 x 9.8 cm (24 1/2 x 30 1/4 x 3 7/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: American 19th Century. Stock Photo
RMPMA23T–Watermelon on a Plate. Dated: mid 19th century. Dimensions: overall: 45.7 x 61 cm (18 x 24 in.) framed: 62.2 x 76.8 x 9.8 cm (24 1/2 x 30 1/4 x 3 7/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: American 19th Century.
Love the Sentinel. Dated: c. 1773/1776. Dimensions: overall (oval): 56.2 x 47.3 cm (22 1/8 x 18 5/8 in.) framed: 77.5 x 62.9 x 8.3 cm (30 1/2 x 24 3/4 x 3 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: FRAGONARD, JEAN-HONORE. JEAN-HONORE FRAGONARD. Stock Photo
RMPM23DC–Love the Sentinel. Dated: c. 1773/1776. Dimensions: overall (oval): 56.2 x 47.3 cm (22 1/8 x 18 5/8 in.) framed: 77.5 x 62.9 x 8.3 cm (30 1/2 x 24 3/4 x 3 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: FRAGONARD, JEAN-HONORE. JEAN-HONORE FRAGONARD.
Man and Trees, Florida. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 21 x 15 5/8 in. (53.3 x 39.7 cm) Mat: 28 × 22 in. (71.1 × 55.9 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm). Date: 1917. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA98T1–Man and Trees, Florida. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 21 x 15 5/8 in. (53.3 x 39.7 cm) Mat: 28 × 22 in. (71.1 × 55.9 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm). Date: 1917. Museum: Metropolitan Museum of Art, New York, USA.
Pair of Knives (Dha) with Sheath. Culture: Burmese. Dimensions: H. with sheath 12 5/8 in. (32.1 cm); knife (a); H. without sheath 11 7/8 in. (30.2 cm); W. 1 1/8 in. (2.9 cm); Wt. 4.3 oz. (121.9 g); knife (b); H. without sheath 11 7/8 in. (30.2 cm); W. 1 1/8 in. (2.9 cm); Wt. 4.2 oz. (119.1 g); sheath (c); Wt. 2.2 oz. (62.4 g). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB0YDN–Pair of Knives (Dha) with Sheath. Culture: Burmese. Dimensions: H. with sheath 12 5/8 in. (32.1 cm); knife (a); H. without sheath 11 7/8 in. (30.2 cm); W. 1 1/8 in. (2.9 cm); Wt. 4.3 oz. (121.9 g); knife (b); H. without sheath 11 7/8 in. (30.2 cm); W. 1 1/8 in. (2.9 cm); Wt. 4.2 oz. (119.1 g); sheath (c); Wt. 2.2 oz. (62.4 g). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Camp at Lake O'Hara. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 15 3/4 x 21 in. (40 x 53.3 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm). Date: 1916. During a visit to the United States and Canada in 1916, Sargent traveled west to the Rocky Mountains. He visited Glacier Park, Montana, before heading to British Columbia. He spent at least a month painting landscape scenes in Yoho National Park, including this watercolor. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPANMT2–Camp at Lake O'Hara. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 15 3/4 x 21 in. (40 x 53.3 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm). Date: 1916. During a visit to the United States and Canada in 1916, Sargent traveled west to the Rocky Mountains. He visited Glacier Park, Montana, before heading to British Columbia. He spent at least a month painting landscape scenes in Yoho National Park, including this watercolor. Museum: Metropolitan Museum of Art, New York, USA.
Venetian Canal. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 15 3/4 x 21 in. (40 x 53.3 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm). Date: 1913. Like many of his contemporaries, Sargent was captivated by Venice and visited the city frequently between 1898 and 1913. For the focal point of this watercolor, he chose the relatively obscure yet picturesque tower of the Church of San Barnaba. He positioned himself close to the water, as if in a gondola, to present a view looking down Stock Photo
RMPAKN7X–Venetian Canal. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 15 3/4 x 21 in. (40 x 53.3 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm). Date: 1913. Like many of his contemporaries, Sargent was captivated by Venice and visited the city frequently between 1898 and 1913. For the focal point of this watercolor, he chose the relatively obscure yet picturesque tower of the Church of San Barnaba. He positioned himself close to the water, as if in a gondola, to present a view looking down
Mountain Stream. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 13 11/16 x 21 in. (34.8 x 53.3 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm). Date: ca. 1912-14. 'Mountain Stream' is one of Sargent's most dazzling images based on the theme of flowing water. This exhibition watercolor, which the artist sold to the Metropolitan, differs from his many anonymous views of streams in its inclusion of a bather, which suggests a specific time and place. However, its precise setting cannot Stock Photo
RMPAAP6C–Mountain Stream. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 13 11/16 x 21 in. (34.8 x 53.3 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm). Date: ca. 1912-14. 'Mountain Stream' is one of Sargent's most dazzling images based on the theme of flowing water. This exhibition watercolor, which the artist sold to the Metropolitan, differs from his many anonymous views of streams in its inclusion of a bather, which suggests a specific time and place. However, its precise setting cannot
In the Generalife. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 14 3/4 x 17 7/8 in. (37.5 x 45.4 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm). Date: 1912. In 1912 Sargent made several watercolors in the gardens of the Generalife, the former summer palace of the Moorish sultans at the Alhambra in Granada, Spain. Surrounded by the lush foliage and tiled paths is Sargent's sister Emily, an amateur artist, sketching at her easel. The young woman looking on at the left is Jane de Gle Stock Photo
RMPAADX3–In the Generalife. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 14 3/4 x 17 7/8 in. (37.5 x 45.4 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm). Date: 1912. In 1912 Sargent made several watercolors in the gardens of the Generalife, the former summer palace of the Moorish sultans at the Alhambra in Granada, Spain. Surrounded by the lush foliage and tiled paths is Sargent's sister Emily, an amateur artist, sketching at her easel. The young woman looking on at the left is Jane de Gle
The Spanish Singer (Le Guitarrero). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 11 5/8 x 9 9/16in. (29.5 x 24.3cm) sheet: 18 3/16 x 13 1/4in. (46.2 x 33.7cm). Series/Portfolio: Strolin Edition of 1905. Date: 1861-62. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB59EF–The Spanish Singer (Le Guitarrero). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 11 5/8 x 9 9/16in. (29.5 x 24.3cm) sheet: 18 3/16 x 13 1/4in. (46.2 x 33.7cm). Series/Portfolio: Strolin Edition of 1905. Date: 1861-62. Museum: Metropolitan Museum of Art, New York, USA.
The Death of Atilius Regulus. Dated: c. 1662. Dimensions: plate: 46.4 × 72.9 cm (18 1/4 × 28 11/16 in.) sheet: 53.4 × 75.7 cm (21 × 29 13/16 in.). Medium: etching with drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: SALVATOR ROSA. Stock Photo
RMR33EF7–The Death of Atilius Regulus. Dated: c. 1662. Dimensions: plate: 46.4 × 72.9 cm (18 1/4 × 28 11/16 in.) sheet: 53.4 × 75.7 cm (21 × 29 13/16 in.). Medium: etching with drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: SALVATOR ROSA.
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