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27 9 16 x 39 3 8 Stock Photos and Images

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27 9 16 x 39 3 8 Stock Photos and Images

Art inspired by La Rochelle, 1912, Brush and China ink and brown wash, graphite, and charcoal, 27 9/16 x 39 3/8 in. (70 x 100 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTYCYY–Art inspired by La Rochelle, 1912, Brush and China ink and brown wash, graphite, and charcoal, 27 9/16 x 39 3/8 in. (70 x 100 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
La Rochelle. Artist: Paul Signac (French, Paris 1863-1935 Paris). Dimensions: 27 9/16 x 39 3/8 in. (70 x 100 cm). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA91AT–La Rochelle. Artist: Paul Signac (French, Paris 1863-1935 Paris). Dimensions: 27 9/16 x 39 3/8 in. (70 x 100 cm). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.
La Rochelle, 1912, Brush and China ink and brown wash, graphite, and charcoal, 27 9/16 x 39 3/8 in. (70 x 100 cm), Drawings Stock Photo
RMKCD0T4–La Rochelle, 1912, Brush and China ink and brown wash, graphite, and charcoal, 27 9/16 x 39 3/8 in. (70 x 100 cm), Drawings
Art inspired by Head of Christ, from an Icon of the Crucifixion, 12th century, Byzantine, Steatite, light green, Overall: 2 9/16 x 3 1/8 x 3/4in. (6.5 x 7.9 x 1.9cm), Steatites, These two fragments are from icons of the Crucifixion. In the Gospels (Mark 15:39; Matthew 27:54), the Roman, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW906N–Art inspired by Head of Christ, from an Icon of the Crucifixion, 12th century, Byzantine, Steatite, light green, Overall: 2 9/16 x 3 1/8 x 3/4in. (6.5 x 7.9 x 1.9cm), Steatites, These two fragments are from icons of the Crucifixion. In the Gospels (Mark 15:39; Matthew 27:54), the Roman, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
After Winslow Homer, The Summit of Mount Washington (Harper's Weekly, Vol. VIII), After Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), July 10, 1869, Wood engraving, image: 13 3/4 x 9 in. (34.9 x 22.9 cm), sheet: 10 13/16 x 15 5/8 in. (27.5 x 39.7 cm), Prints Stock Photo
RM2B0M1TT–After Winslow Homer, The Summit of Mount Washington (Harper's Weekly, Vol. VIII), After Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), July 10, 1869, Wood engraving, image: 13 3/4 x 9 in. (34.9 x 22.9 cm), sheet: 10 13/16 x 15 5/8 in. (27.5 x 39.7 cm), Prints
Art inspired by Book of the Dead of Khaemhor, Late Period, Saite, Dynasty 26, 664–525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb, in rubbish in pit, 1923–24, Papyrus, ink, Papyrus: L. 295.5 x W. 37 cm (116 5/16 x 14 9/16 in.); Frame (1): H. 39 × W. 33.5 cm (15 3/8 × 13, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW174P–Art inspired by Book of the Dead of Khaemhor, Late Period, Saite, Dynasty 26, 664–525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb, in rubbish in pit, 1923–24, Papyrus, ink, Papyrus: L. 295.5 x W. 37 cm (116 5/16 x 14 9/16 in.); Frame (1): H. 39 × W. 33.5 cm (15 3/8 × 13, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Marguerite Carrière, 1890. Eugène Carrière (French, 1849-1906). Lithograph; sheet: 52.2 x 39.7 cm (20 9/16 x 15 5/8 in.); image: 27.3 x 21.8 cm (10 3/4 x 8 9/16 in.). Stock Photo
RM2H126GG–Marguerite Carrière, 1890. Eugène Carrière (French, 1849-1906). Lithograph; sheet: 52.2 x 39.7 cm (20 9/16 x 15 5/8 in.); image: 27.3 x 21.8 cm (10 3/4 x 8 9/16 in.).
'Jacob Gole after Adriaen van Ostade, Adriaen van Ostade, c. 1700, mezzotint in red on laid paper, plate: 23 x 17.2 cm (9 1/16 x 6 3/4 in.) sheet: 27.2 x 21.5 cm (10 11/16 x 8 7/16 in.), Ailsa Mellon Bruce Fund, 2002.39.2' Stock Photo
RM2REDY2G–'Jacob Gole after Adriaen van Ostade, Adriaen van Ostade, c. 1700, mezzotint in red on laid paper, plate: 23 x 17.2 cm (9 1/16 x 6 3/4 in.) sheet: 27.2 x 21.5 cm (10 11/16 x 8 7/16 in.), Ailsa Mellon Bruce Fund, 2002.39.2'
Drawing, An Art Lesson; Unknown (French); brush and watercolor, gouache on off-white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 13.3 x 25 cm (5 1/4 x 9 13/16 in.); Thaw Collection; 2007-27-81 Stock Photo
RM2PMC6MB–Drawing, An Art Lesson; Unknown (French); brush and watercolor, gouache on off-white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 13.3 x 25 cm (5 1/4 x 9 13/16 in.); Thaw Collection; 2007-27-81
. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo
RMPFE8G1–. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27
Head of Christ, from an Icon of the Crucifixion. Culture: Byzantine. Dimensions: Overall: 2 9/16 x 3 1/8 x 3/4in. (6.5 x 7.9 x 1.9cm). Date: 12th century. These two fragments are from icons of the Crucifixion. In the Gospels (Mark 15:39; Matthew 27:54), the Roman centurion identifies Christ as the Son of God at the Crucifixion. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAKRHX–Head of Christ, from an Icon of the Crucifixion. Culture: Byzantine. Dimensions: Overall: 2 9/16 x 3 1/8 x 3/4in. (6.5 x 7.9 x 1.9cm). Date: 12th century. These two fragments are from icons of the Crucifixion. In the Gospels (Mark 15:39; Matthew 27:54), the Roman centurion identifies Christ as the Son of God at the Crucifixion. Museum: Metropolitan Museum of Art, New York, USA.
Charles Germain de Saint-Aubin, French Theatre (Théatre Français), from Essai de Papilloneries Humaines par Saint Aubin, Charles Germain de Saint-Aubin (French, Paris 1721–1786 Paris), ca. 1756–60, Etching; first state of two, plate: 12 13/16 x 9 3/8 in. (32.5 x 23.8 cm), sheet: 15 1/2 x 10 13/16 in. (39.3 x 27.4 cm), Prints Stock Photo
RM2B0MJA3–Charles Germain de Saint-Aubin, French Theatre (Théatre Français), from Essai de Papilloneries Humaines par Saint Aubin, Charles Germain de Saint-Aubin (French, Paris 1721–1786 Paris), ca. 1756–60, Etching; first state of two, plate: 12 13/16 x 9 3/8 in. (32.5 x 23.8 cm), sheet: 15 1/2 x 10 13/16 in. (39.3 x 27.4 cm), Prints
The Morning of Life, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1860-1861, Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm), Plate: 7 1/8 x 10 1/16 inches (18.1 x 25.6 cm), and Image: 5 3/8 x 8 1/4 inches (13.6 x 20.9 cm), animal art, apples, bank, basket, beams, boys, brook, figures, labor, landscape, light, religious and mythological subject, river, sheep, stream, sun, trees, washing, woman, Redhill Stock Photo
RM2DHXW15–The Morning of Life, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1860-1861, Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm), Plate: 7 1/8 x 10 1/16 inches (18.1 x 25.6 cm), and Image: 5 3/8 x 8 1/4 inches (13.6 x 20.9 cm), animal art, apples, bank, basket, beams, boys, brook, figures, labor, landscape, light, religious and mythological subject, river, sheep, stream, sun, trees, washing, woman, Redhill
Dieppe, La Rue Notre Dame, 1909. Walter Sickert (British, 1860-1942). Etching and aquatint; sheet: 44.6 x 31.5 cm (17 9/16 x 12 3/8 in.); platemark: 39 x 27 cm (15 3/8 x 10 5/8 in.). Stock Photo
RM2H12HJG–Dieppe, La Rue Notre Dame, 1909. Walter Sickert (British, 1860-1942). Etching and aquatint; sheet: 44.6 x 31.5 cm (17 9/16 x 12 3/8 in.); platemark: 39 x 27 cm (15 3/8 x 10 5/8 in.).
Drawing, Salon Siebleben, near Gotha, Germany; Countess Schoenberg (German); brush and watercolor on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 17.2 x 24.9 cm (6 3/4 x 9 13/16 in.); Thaw Collection; 2007-27-60 Stock Photo
RM2PMC7F9–Drawing, Salon Siebleben, near Gotha, Germany; Countess Schoenberg (German); brush and watercolor on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 17.2 x 24.9 cm (6 3/4 x 9 13/16 in.); Thaw Collection; 2007-27-60
. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo
RMPFE8FW–. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3
St. John the Baptist in the Wilderness. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: plate: 15 3/8 x 11 in. (39 x 27.9 cm) sheet: 15 1/2 x 11 1/16 in. (39.4 x 28.1 cm). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMRFD6WA–St. John the Baptist in the Wilderness. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: plate: 15 3/8 x 11 in. (39 x 27.9 cm) sheet: 15 1/2 x 11 1/16 in. (39.4 x 28.1 cm). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.
Opening the Fold, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1880, Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper, Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm), Plate: 6 3/8 x 9 inches (16.2 x 22.9 cm), and Image: 4 5/8 x 6 15/16 inches (11.7 x 17.6 cm), animal art, birds, bugle, clouds, farming, genre subject, hat, herd, hills, horn, labor, landscape, light, mountains, pipe, river, roof, sheep, shepherd, sky, smoke, sunrise, thatch, town, trees Stock Photo
RM2DJ2HDD–Opening the Fold, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1880, Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper, Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm), Plate: 6 3/8 x 9 inches (16.2 x 22.9 cm), and Image: 4 5/8 x 6 15/16 inches (11.7 x 17.6 cm), animal art, birds, bugle, clouds, farming, genre subject, hat, herd, hills, horn, labor, landscape, light, mountains, pipe, river, roof, sheep, shepherd, sky, smoke, sunrise, thatch, town, trees
Waiting for a Bite, 1874. Winslow Homer (American, 1836-1910). Wood engraving; sheet: 27.2 x 39.8 cm (10 11/16 x 15 11/16 in.); image: 23.1 x 35 cm (9 1/8 x 13 3/4 in.). Stock Photo
RM2H12N5H–Waiting for a Bite, 1874. Winslow Homer (American, 1836-1910). Wood engraving; sheet: 27.2 x 39.8 cm (10 11/16 x 15 11/16 in.); image: 23.1 x 35 cm (9 1/8 x 13 3/4 in.).
Drawing, A Study Interior at St. Polten; Matthäus Kern; brush and watercolor on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 24.6 x 31.4 cm (9 11/16 x 12 3/8 in.); Thaw Collection; 2007-27-19 Stock Photo
RM2PMCEG2–Drawing, A Study Interior at St. Polten; Matthäus Kern; brush and watercolor on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 24.6 x 31.4 cm (9 11/16 x 12 3/8 in.); Thaw Collection; 2007-27-19
[Panoramic View of London], 1904. Frank Short (British, 1857-1945), Robert Dunthorn, London. Mezzotint on chine collé; sheet: 27.9 x 39.2 cm (11 x 15 7/16 in.); platemark: 10.1 x 26.4 cm (4 x 10 3/8 in.). Stock Photo
RM2H0YH3H–[Panoramic View of London], 1904. Frank Short (British, 1857-1945), Robert Dunthorn, London. Mezzotint on chine collé; sheet: 27.9 x 39.2 cm (11 x 15 7/16 in.); platemark: 10.1 x 26.4 cm (4 x 10 3/8 in.).
Drawing, A Salon in a Residence of the Duke of Leuchtenberg; Otto Wagner (German, 1803 – 1861); brush and watercolor, gouache on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23.1 x 32.9 cm (9 1/8 x 12 15/16 in.); Thaw Collection; 2007-27-49 Stock Photo
RM2PMED8F–Drawing, A Salon in a Residence of the Duke of Leuchtenberg; Otto Wagner (German, 1803 – 1861); brush and watercolor, gouache on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23.1 x 32.9 cm (9 1/8 x 12 15/16 in.); Thaw Collection; 2007-27-49
Sketch of a Sphinx [?] (verso), c. 1879-80. Luc-Olivier Merson (French, 1846-1920). Black chalk ; sheet: 25.5 x 14.5 cm (10 1/16 x 5 11/16 in.); secondary support: 27.9 x 39 cm (11 x 15 3/8 in.). Stock Photo
RM2H12R63–Sketch of a Sphinx [?] (verso), c. 1879-80. Luc-Olivier Merson (French, 1846-1920). Black chalk ; sheet: 25.5 x 14.5 cm (10 1/16 x 5 11/16 in.); secondary support: 27.9 x 39 cm (11 x 15 3/8 in.).
. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Stock Photo
RMPFFXNM–. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
Fireworks in Rome Over Castel Sant' Angelo. Artist: Adriaen Manglard (French, 1695-1760). Dimensions: Sheet: 11 x 15 3/8 in. (27.9 x 39.1 cm) Plate: 8 15/16 x 12 5/16 in. (22.7 x 31.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMR2KB60–Fireworks in Rome Over Castel Sant' Angelo. Artist: Adriaen Manglard (French, 1695-1760). Dimensions: Sheet: 11 x 15 3/8 in. (27.9 x 39.1 cm) Plate: 8 15/16 x 12 5/16 in. (22.7 x 31.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
The Rising Moon, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1857, Etching and drypoint, with plate tone on thick, smooth, cream wove paper with cream chine collé, Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm), Plate: 7 x 9 13/16 inches (17.8 x 25 cm), and Image: 4 5/8 x 7 1/2 inches (11.8 x 19.1 cm), animal art, barrel, church, clouds, cypress, genre subject, hat, hills, horizon line, house, landscape, moon, moonlight, mountain, night, pond, sheep, shepherd, staff, tower (building division), trees, trough, village Stock Photo
RM2DJ2HG3–The Rising Moon, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1857, Etching and drypoint, with plate tone on thick, smooth, cream wove paper with cream chine collé, Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm), Plate: 7 x 9 13/16 inches (17.8 x 25 cm), and Image: 4 5/8 x 7 1/2 inches (11.8 x 19.1 cm), animal art, barrel, church, clouds, cypress, genre subject, hat, hills, horizon line, house, landscape, moon, moonlight, mountain, night, pond, sheep, shepherd, staff, tower (building division), trees, trough, village
Drawing, Bedroom in a Country Dacha; Unknown; brush and watercolor, pen and blue ink, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 18.3 x 24.3 cm (7 3/16 x 9 9/16 in.); Thaw Collection; 2007-27-25 Stock Photo
RM2PMEGKG–Drawing, Bedroom in a Country Dacha; Unknown; brush and watercolor, pen and blue ink, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 18.3 x 24.3 cm (7 3/16 x 9 9/16 in.); Thaw Collection; 2007-27-25
Capri, 1869. William Stanley Haseltine (American, 1835-1900). Oil on canvas; framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); unframed: 50 x 80 cm (19 11/16 x 31 1/2 in.). Stock Photo
RM2H10TDE–Capri, 1869. William Stanley Haseltine (American, 1835-1900). Oil on canvas; framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); unframed: 50 x 80 cm (19 11/16 x 31 1/2 in.).
Watercolor, A Room in Schloss Buchwald; Attributed to Friedrich Wilhelm Klose; brush and watercolor, gouache on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23 x 30.1 cm (9 1/16 x 11 7/8 in.); Thaw Collection; 2007-27-31 Stock Photo
RM2PMC4AD–Watercolor, A Room in Schloss Buchwald; Attributed to Friedrich Wilhelm Klose; brush and watercolor, gouache on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23 x 30.1 cm (9 1/16 x 11 7/8 in.); Thaw Collection; 2007-27-31
Tail-Piece. Artist: After William Hogarth (British, London 1697-1764 London). Artist and publisher: Engraved and published by Richard Livesay (British, 1753-1823 Southsea). Dimensions: Plate: 7 15/16 x 15 3/8 in. (20.2 x 39.1 cm) Sheet: 9 15/16 x 17 3/4 in. (25.3 x 45.1 cm). Date: November 27, 1781. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA82M2–Tail-Piece. Artist: After William Hogarth (British, London 1697-1764 London). Artist and publisher: Engraved and published by Richard Livesay (British, 1753-1823 Southsea). Dimensions: Plate: 7 15/16 x 15 3/8 in. (20.2 x 39.1 cm) Sheet: 9 15/16 x 17 3/4 in. (25.3 x 45.1 cm). Date: November 27, 1781. Museum: Metropolitan Museum of Art, New York, USA.
The Rising Moon, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1857, Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé, Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm), Plate: 6 15/16 x 9 7/8 inches (17.7 x 25.1 cm), and Image: 4 9/16 x 7 5/8 inches (11.6 x 19.3 cm), animal art, barrel, church, clouds, cypress, genre subject, hat, hills, horizon line, house, landscape, moon, moonlight, mountain, night, pond, sheep, shepherd, staff, tower (building division), trees, trough, village Stock Photo
RM2DHXW0C–The Rising Moon, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1857, Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé, Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm), Plate: 6 15/16 x 9 7/8 inches (17.7 x 25.1 cm), and Image: 4 9/16 x 7 5/8 inches (11.6 x 19.3 cm), animal art, barrel, church, clouds, cypress, genre subject, hat, hills, horizon line, house, landscape, moon, moonlight, mountain, night, pond, sheep, shepherd, staff, tower (building division), trees, trough, village
Marguerite Carrière, 1890. Eugène Carrière (French, 1849-1906). Lithograph; sheet: 52.2 x 39.7 cm (20 9/16 x 15 5/8 in.); image: 27.3 x 21.8 cm (10 3/4 x 8 9/16 in Stock Photo
RMRY30P1–Marguerite Carrière, 1890. Eugène Carrière (French, 1849-1906). Lithograph; sheet: 52.2 x 39.7 cm (20 9/16 x 15 5/8 in.); image: 27.3 x 21.8 cm (10 3/4 x 8 9/16 in
A Painter, 1855. Ernest Meissonier (French, 1815-1891). Oil on mahogany; framed: 39 x 33.5 x 6.5 cm (15 3/8 x 13 3/16 x 2 9/16 in.); unframed: 27 x 21.1 cm (10 5/8 x 8 5/16 in.). Stock Photo
RM2H10DWK–A Painter, 1855. Ernest Meissonier (French, 1815-1891). Oil on mahogany; framed: 39 x 33.5 x 6.5 cm (15 3/8 x 13 3/16 x 2 9/16 in.); unframed: 27 x 21.1 cm (10 5/8 x 8 5/16 in.).
Drawing, Interior of a Man's Living Room; S. Tolstoi (Russian, active 1850–1899); brush and watercolor on heavy wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 24.9 x 35.3 cm (9 13/16 x 13 7/8 in.); Thaw Collection; 2007-27-55 Stock Photo
RM2PMCAAC–Drawing, Interior of a Man's Living Room; S. Tolstoi (Russian, active 1850–1899); brush and watercolor on heavy wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 24.9 x 35.3 cm (9 13/16 x 13 7/8 in.); Thaw Collection; 2007-27-55
De Vocis Auditusque. Author: Written by Giulio Casserio (Casserius). Dimensions: Overall: 15 3/8 x 10 5/8 x 1 1/2 in. (39.1 x 27 x 3.8 cm) page: 14 15/16 x 10 in. (37.9 x 25.4 cm). Published in: Ferrara. Date: 1601. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB1NN9–De Vocis Auditusque. Author: Written by Giulio Casserio (Casserius). Dimensions: Overall: 15 3/8 x 10 5/8 x 1 1/2 in. (39.1 x 27 x 3.8 cm) page: 14 15/16 x 10 in. (37.9 x 25.4 cm). Published in: Ferrara. Date: 1601. Museum: Metropolitan Museum of Art, New York, USA.
Waiting for a Bite, 1874. Winslow Homer (American, 1836-1910). Wood engraving; sheet: 27.2 x 39.8 cm (10 11/16 x 15 11/16 in.); image: 23.1 x 35 cm (9 1/8 x 13 3/4 in Stock Photo
RMRY6MXG–Waiting for a Bite, 1874. Winslow Homer (American, 1836-1910). Wood engraving; sheet: 27.2 x 39.8 cm (10 11/16 x 15 11/16 in.); image: 23.1 x 35 cm (9 1/8 x 13 3/4 in
Edward Savage, (artist), American, 1761 - 1817, The Washington Family, 1798, engraving, image: 47.94 x 62.39 cm (18 7/8 x 24 9/16 in.), sheet: 53.02 x 69.06 cm (20 7/8 x 27 3/16 in Stock Photo
RM2DCFD05–Edward Savage, (artist), American, 1761 - 1817, The Washington Family, 1798, engraving, image: 47.94 x 62.39 cm (18 7/8 x 24 9/16 in.), sheet: 53.02 x 69.06 cm (20 7/8 x 27 3/16 in
Heaven and Hell, c. 1850. Octave Tassaert (French, 1800-1874). Oil on fabric; framed: 121 x 90.5 x 6.5 cm (47 5/8 x 35 5/8 x 2 9/16 in.); unframed: 100 x 69.5 cm (39 3/8 x 27 3/8 in.). Stock Photo
RM2H111KC–Heaven and Hell, c. 1850. Octave Tassaert (French, 1800-1874). Oil on fabric; framed: 121 x 90.5 x 6.5 cm (47 5/8 x 35 5/8 x 2 9/16 in.); unframed: 100 x 69.5 cm (39 3/8 x 27 3/8 in.).
Literary Gathering, 1700s. Korea, Joseon dynasty (1392-1910). Hanging scroll with calligraphy, ink on paper; painting only: 39.5 x 56.4 cm (15 9/16 x 22 3/16 in.); overall: 121 x 69 cm (47 5/8 x 27 3/16 in Stock Photo
RMRY60KC–Literary Gathering, 1700s. Korea, Joseon dynasty (1392-1910). Hanging scroll with calligraphy, ink on paper; painting only: 39.5 x 56.4 cm (15 9/16 x 22 3/16 in.); overall: 121 x 69 cm (47 5/8 x 27 3/16 in
Drawing, A French Restoration Bedroom; Bouilhet (French); brush and watercolor over graphite on white wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 x 15 5/8 x 1 in.) Sheet: 21.5 x 16.7 cm (8 7/16 x 6 9/16 in.); Thaw Collection; 2007-27-5 Stock Photo
RM2PMC1C8–Drawing, A French Restoration Bedroom; Bouilhet (French); brush and watercolor over graphite on white wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 x 15 5/8 x 1 in.) Sheet: 21.5 x 16.7 cm (8 7/16 x 6 9/16 in.); Thaw Collection; 2007-27-5
Drawing, A Studio in the Villa Medici, Rome; Attributed to Joseph-Eugène Lacroix (French, 1814 - 1873); brush and watercolor with scraping for highlights on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 22.8 x 32.9 cm (9 x 12 15/16 in.); Thaw Collection; 2007-27-15 Stock Photo
RM2PMEAPJ–Drawing, A Studio in the Villa Medici, Rome; Attributed to Joseph-Eugène Lacroix (French, 1814 - 1873); brush and watercolor with scraping for highlights on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 22.8 x 32.9 cm (9 x 12 15/16 in.); Thaw Collection; 2007-27-15
Drawing, The Music Party; L. Rossi (active in Germany and France, ca. 1850); brush and watercolor, white gouache, graphite on white wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 x 15 5/8 x 1 in.) Sheet: 30.8 x 23.6 cm (12 1/8 x 9 5/16 in.); Thaw Collection; 2007-27-46 Stock Photo
RM2PMC4AA–Drawing, The Music Party; L. Rossi (active in Germany and France, ca. 1850); brush and watercolor, white gouache, graphite on white wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 x 15 5/8 x 1 in.) Sheet: 30.8 x 23.6 cm (12 1/8 x 9 5/16 in.); Thaw Collection; 2007-27-46
The Betrayal of Christ. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 15 9/16 x 10 7/8 in. (39.5 x 27.7 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMRENN39–The Betrayal of Christ. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 15 9/16 x 10 7/8 in. (39.5 x 27.7 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Masters of the Poster: Poster for Exhibition of Artistic Posters of Wilhelm Söborg , c. 1895. Paul Gustav Fischer (Danish, 1860-1934), Soborg, Copenhagen. Color lithograph; sheet: 39.9 x 28.9 cm (15 11/16 x 11 3/8 in.); image: 27.6 x 20 cm (10 7/8 x 7 7/8 in.). Stock Photo
RM2H12TEJ–Masters of the Poster: Poster for Exhibition of Artistic Posters of Wilhelm Söborg , c. 1895. Paul Gustav Fischer (Danish, 1860-1934), Soborg, Copenhagen. Color lithograph; sheet: 39.9 x 28.9 cm (15 11/16 x 11 3/8 in.); image: 27.6 x 20 cm (10 7/8 x 7 7/8 in.).
Sketch of a Sphinx [?] (verso), c. 1879-80. Luc-Olivier Merson (French, 1846-1920). Black chalk ; sheet: 25.5 x 14.5 cm (10 1/16 x 5 11/16 in.); secondary support: 27.9 x 39 cm (11 x 15 3/8 in Stock Photo
RMRY60MA–Sketch of a Sphinx [?] (verso), c. 1879-80. Luc-Olivier Merson (French, 1846-1920). Black chalk ; sheet: 25.5 x 14.5 cm (10 1/16 x 5 11/16 in.); secondary support: 27.9 x 39 cm (11 x 15 3/8 in
Capri, 1869. William Stanley Haseltine (American, 1835-1900). Oil on canvas; framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); unframed: 50 x 80 cm (19 11/16 x 31 1/2 in Stock Photo
RMRY5C6C–Capri, 1869. William Stanley Haseltine (American, 1835-1900). Oil on canvas; framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); unframed: 50 x 80 cm (19 11/16 x 31 1/2 in
A Painter, 1855. Ernest Meissonier (French, 1815-1891). Oil on mahogany; framed: 39 x 33.5 x 6.5 cm (15 3/8 x 13 3/16 x 2 9/16 in.); unframed: 27 x 21.1 cm (10 5/8 x 8 5/16 in Stock Photo
RMRY5RBT–A Painter, 1855. Ernest Meissonier (French, 1815-1891). Oil on mahogany; framed: 39 x 33.5 x 6.5 cm (15 3/8 x 13 3/16 x 2 9/16 in.); unframed: 27 x 21.1 cm (10 5/8 x 8 5/16 in
Drawing, The Artist's Drawing Room on Lake Constance; Louise Cochelet (French, 1785 – 1835); brush and brown wash, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 19.2 x 25.6 cm (7 9/16 x 10 1/16 in.); Thaw Collection; 2007-27-1 Stock Photo
RM2PMC39R–Drawing, The Artist's Drawing Room on Lake Constance; Louise Cochelet (French, 1785 – 1835); brush and brown wash, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 19.2 x 25.6 cm (7 9/16 x 10 1/16 in.); Thaw Collection; 2007-27-1
The Pyramid of Gaius Cestius, from Vedute di Roma (Roman Views). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 20 11/16 x 27 9/16 in. (52.5 x 70 cm) Plate: 15 3/8 x 21 1/4 in. (39 x 54 cm). Series/Portfolio: Vedute di Roma. Date: ca. 1756. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAJP3P–The Pyramid of Gaius Cestius, from Vedute di Roma (Roman Views). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 20 11/16 x 27 9/16 in. (52.5 x 70 cm) Plate: 15 3/8 x 21 1/4 in. (39 x 54 cm). Series/Portfolio: Vedute di Roma. Date: ca. 1756. Museum: Metropolitan Museum of Art, New York, USA.
The Rest on the Flight into Egypt (recto), c. 1879-80. Luc-Olivier Merson (French, 1846-1920). Gray and graphite wash, with scraping and traces of black chalk; sheet: 14.5 x 25.5 cm (5 11/16 x 10 1/16 in.); secondary support: 27.9 x 39 cm (11 x 15 3/8 in.). Stock Photo
RM2H12BXR–The Rest on the Flight into Egypt (recto), c. 1879-80. Luc-Olivier Merson (French, 1846-1920). Gray and graphite wash, with scraping and traces of black chalk; sheet: 14.5 x 25.5 cm (5 11/16 x 10 1/16 in.); secondary support: 27.9 x 39 cm (11 x 15 3/8 in.).
Heaven and Hell, c. 1850. Octave Tassaert (French, 1800-1874). Oil on fabric; framed: 121 x 90.5 x 6.5 cm (47 5/8 x 35 5/8 x 2 9/16 in.); unframed: 100 x 69.5 cm (39 3/8 x 27 3/8 in Stock Photo
RMRY5FCK–Heaven and Hell, c. 1850. Octave Tassaert (French, 1800-1874). Oil on fabric; framed: 121 x 90.5 x 6.5 cm (47 5/8 x 35 5/8 x 2 9/16 in.); unframed: 100 x 69.5 cm (39 3/8 x 27 3/8 in
Drawing, A Small Salon in the Montpensier Wing, Palais Royal; Jules Frédéric Bouchet (French, 1799 – 1860); brush and watercolor, white gouache, graphite on white wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.) Sheet: 18.2 x 24.4 cm (7 3/16 x 9 5/8 in.); Thaw Collection; 2007-27-10 Stock Photo
RM2PMCCJG–Drawing, A Small Salon in the Montpensier Wing, Palais Royal; Jules Frédéric Bouchet (French, 1799 – 1860); brush and watercolor, white gouache, graphite on white wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.) Sheet: 18.2 x 24.4 cm (7 3/16 x 9 5/8 in.); Thaw Collection; 2007-27-10
Saint John Before God and the Elders, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.3 cm) plate: 15 1/2 x 10 15/16 in. (39.4 x 27.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMRENN0E–Saint John Before God and the Elders, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.3 cm) plate: 15 1/2 x 10 15/16 in. (39.4 x 27.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
The Rest on the Flight into Egypt (recto); Sketch of a Sphinx [?] (verso), c. 1879-80. Luc-Olivier Merson (French, 1846-1920). Gray and graphite wash, with scraping and traces of black chalk; sheet: 14.5 x 25.5 cm (5 11/16 x 10 1/16 in.); secondary support: 27.9 x 39 cm (11 x 15 3/8 in.). Stock Photo
RM2H0Y0NR–The Rest on the Flight into Egypt (recto); Sketch of a Sphinx [?] (verso), c. 1879-80. Luc-Olivier Merson (French, 1846-1920). Gray and graphite wash, with scraping and traces of black chalk; sheet: 14.5 x 25.5 cm (5 11/16 x 10 1/16 in.); secondary support: 27.9 x 39 cm (11 x 15 3/8 in.).
Masters of the Poster: Poster for Exhibition of Artistic Posters of Wilhelm Söborg , c. 1895. Paul Gustav Fischer (Danish, 1860-1934), Soborg, Copenhagen. Color lithograph; sheet: 39.9 x 28.9 cm (15 11/16 x 11 3/8 in.); image: 27.6 x 20 cm (10 7/8 x 7 7/8 in Stock Photo
RMRY7B96–Masters of the Poster: Poster for Exhibition of Artistic Posters of Wilhelm Söborg , c. 1895. Paul Gustav Fischer (Danish, 1860-1934), Soborg, Copenhagen. Color lithograph; sheet: 39.9 x 28.9 cm (15 11/16 x 11 3/8 in.); image: 27.6 x 20 cm (10 7/8 x 7 7/8 in
Drawing, The Salon in the Montpensier Wing, Palais Royal; Jules Frédéric Bouchet (French, 1799 – 1860); brush and watercolor, white gouache, graphite on tan wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.) Sheet: 16.5 x 23 cm (6 1/2 x 9 1/16 in.) ; Thaw Collection; 2007-27-11 Stock Photo
RM2PMC8Y7–Drawing, The Salon in the Montpensier Wing, Palais Royal; Jules Frédéric Bouchet (French, 1799 – 1860); brush and watercolor, white gouache, graphite on tan wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.) Sheet: 16.5 x 23 cm (6 1/2 x 9 1/16 in.) ; Thaw Collection; 2007-27-11
Charles Louis Clérisseau, (artist), French, 1722 - 1820, L'Ordre Corinthian, in or before 1768, pen and gray ink and gray wash over graphite on laid paper, sheet: 39.5 x 25.3 cm (15 9/16 x 9 15/16 in.), page size: 42.5 x 27.7 cm (16 3/4 x 10 7/8 in Stock Photo
RM2DCA58P–Charles Louis Clérisseau, (artist), French, 1722 - 1820, L'Ordre Corinthian, in or before 1768, pen and gray ink and gray wash over graphite on laid paper, sheet: 39.5 x 25.3 cm (15 9/16 x 9 15/16 in.), page size: 42.5 x 27.7 cm (16 3/4 x 10 7/8 in
The Martyrdom of Saint John, from The Apocalypse, Latin Edition 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 1/4 x 11 15/16 in. (43.8 x 30.3 cm) image: 15 9/16 x 11 1/8 in. (39.5 x 28.2 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMR2MKXJ–The Martyrdom of Saint John, from The Apocalypse, Latin Edition 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 1/4 x 11 15/16 in. (43.8 x 30.3 cm) image: 15 9/16 x 11 1/8 in. (39.5 x 28.2 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.
The Rest on the Flight into Egypt (recto); Sketch of a Sphinx [?] (verso), c. 1879-80. Luc-Olivier Merson (French, 1846-1920). Gray and graphite wash, with scraping and traces of black chalk; sheet: 14.5 x 25.5 cm (5 11/16 x 10 1/16 in.); secondary support: 27.9 x 39 cm (11 x 15 3/8 in Stock Photo
RMRY60MC–The Rest on the Flight into Egypt (recto); Sketch of a Sphinx [?] (verso), c. 1879-80. Luc-Olivier Merson (French, 1846-1920). Gray and graphite wash, with scraping and traces of black chalk; sheet: 14.5 x 25.5 cm (5 11/16 x 10 1/16 in.); secondary support: 27.9 x 39 cm (11 x 15 3/8 in
A Merchant's Office, Thomas Rowlandson, 1756–1827, British, 1789, Watercolor with pen and black, brown, and gray ink over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 10 15/16 x 13 1/8 inches (27.8 x 33.3 cm) and Mount: 15 9/16 x 17 9/16 inches (39.5 x 44.6 cm), chair, desks, genre subject, men, merchant, office, quills, reading, shelves, hanging, spectacles, stools, writing - materials and instruments Stock Photo
RM2DJ4Y8K–A Merchant's Office, Thomas Rowlandson, 1756–1827, British, 1789, Watercolor with pen and black, brown, and gray ink over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 10 15/16 x 13 1/8 inches (27.8 x 33.3 cm) and Mount: 15 9/16 x 17 9/16 inches (39.5 x 44.6 cm), chair, desks, genre subject, men, merchant, office, quills, reading, shelves, hanging, spectacles, stools, writing - materials and instruments
Landscape. George Percival Gaskell (British, 1868-1934). Aquatint with etching and roulette on chine collé; sheet: 22.8 x 29 cm (9 x 11 7/16 in.); image: 20.3 x 27.4 cm (8 x 10 13/16 in.); secondary support: 29.9 x 39.5 cm (11 3/4 x 15 9/16 in.). Stock Photo
RM2H0Y104–Landscape. George Percival Gaskell (British, 1868-1934). Aquatint with etching and roulette on chine collé; sheet: 22.8 x 29 cm (9 x 11 7/16 in.); image: 20.3 x 27.4 cm (8 x 10 13/16 in.); secondary support: 29.9 x 39.5 cm (11 3/4 x 15 9/16 in.).
Drawing, The Music Room of Fanny Hensel (née Mendelssohn); Julius Eduard Wilhelm Helfft (German, 1818 – 1894); brush and watercolor, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23.4 x 30 cm (9 3/16 x 11 13/16 in.); Thaw Collection, Gift of Eugene Victor Thaw Art Foundation; 2007-27-41 Stock Photo
RM2PMC7EY–Drawing, The Music Room of Fanny Hensel (née Mendelssohn); Julius Eduard Wilhelm Helfft (German, 1818 – 1894); brush and watercolor, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23.4 x 30 cm (9 3/16 x 11 13/16 in.); Thaw Collection, Gift of Eugene Victor Thaw Art Foundation; 2007-27-41
Fire-Works on the Night of the Fourth of July - Drawn by Winslow Homer (Harper's Weekly, Vol. XII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/8 x 13 3/4 in. (23.2 x 34.9 cm) sheet: 10 11/16 x 15 11/16 in. (27.1 x 39.8 cm). Date: July 11, 1868. Museum: Metropolitan Museum of Art, New York, USA. Author: Winslow Homer. after Winslow Homer. Stock Photo
RMRFH4M0–Fire-Works on the Night of the Fourth of July - Drawn by Winslow Homer (Harper's Weekly, Vol. XII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/8 x 13 3/4 in. (23.2 x 34.9 cm) sheet: 10 11/16 x 15 11/16 in. (27.1 x 39.8 cm). Date: July 11, 1868. Museum: Metropolitan Museum of Art, New York, USA. Author: Winslow Homer. after Winslow Homer.
The Right Honorable Charles Townsend, Esquire, Late Chancellor of the Exchequer, John Dixon, ca. 1740–1811, Irish, after Sir Joshua Reynolds RA, 1723–1792, British, Published by William Wynne Ryland, 1732–1783, British, 1770, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 15 9/16 x 10 7/8 inches (39.5 x 27.7 cm) and Image: 14 5/16 x 10 7/8 inches (36.3 x 27.7 cm), chancellor, cravat, curls, exchequer, gaze, man, nobleman, oval, portrait, posing, robes, solemn, wig Stock Photo
RM2DJ2A3E–The Right Honorable Charles Townsend, Esquire, Late Chancellor of the Exchequer, John Dixon, ca. 1740–1811, Irish, after Sir Joshua Reynolds RA, 1723–1792, British, Published by William Wynne Ryland, 1732–1783, British, 1770, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 15 9/16 x 10 7/8 inches (39.5 x 27.7 cm) and Image: 14 5/16 x 10 7/8 inches (36.3 x 27.7 cm), chancellor, cravat, curls, exchequer, gaze, man, nobleman, oval, portrait, posing, robes, solemn, wig
Invocation to the Divinities who preside over Agriculture from Virgil's 'Georgics', after 1798. Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824). Black chalk on off-white laid paper; sheet: 27 x 38.3 cm (10 5/8 x 15 1/16 in.); secondary support: 28.2 x 39.5 cm (11 1/8 x 15 9/16 in.). Stock Photo
RM2H0Y1WR–Invocation to the Divinities who preside over Agriculture from Virgil's 'Georgics', after 1798. Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824). Black chalk on off-white laid paper; sheet: 27 x 38.3 cm (10 5/8 x 15 1/16 in.); secondary support: 28.2 x 39.5 cm (11 1/8 x 15 9/16 in.).
La Sagesse, late 18th- early 19th century. Alexandre-Evariste Fragonard (French, 1781-1850). Graphite, pen and black ink, and gray and black washes; sheet: 39.4 x 27.8 cm (15 1/2 x 10 15/16 in.); secondary support: 39.6 x 28 cm (15 9/16 x 11 in.); tertiary support: 49.2 x 36.3 cm (19 3/8 x 14 5/16 in.). Fragonard’s grisaille drawing portrays a sculpted personification of Wisdom, identified by the inscription “Sagesse” along her forehead. She is seated on a stone throne, decorated with two other female personifications on either side. Characterized as a righteous woman, Wisdom lifts her right Stock Photo
RM2H0YX5P–La Sagesse, late 18th- early 19th century. Alexandre-Evariste Fragonard (French, 1781-1850). Graphite, pen and black ink, and gray and black washes; sheet: 39.4 x 27.8 cm (15 1/2 x 10 15/16 in.); secondary support: 39.6 x 28 cm (15 9/16 x 11 in.); tertiary support: 49.2 x 36.3 cm (19 3/8 x 14 5/16 in.). Fragonard’s grisaille drawing portrays a sculpted personification of Wisdom, identified by the inscription “Sagesse” along her forehead. She is seated on a stone throne, decorated with two other female personifications on either side. Characterized as a righteous woman, Wisdom lifts her right
Fragments, Birds; Made by Bromley Hall (United Kingdom); England; cotton; Warp x Weft (a): 69.5 × 63.5 cm (27 3/8 in. × 25 in.) Warp x Weft (b): 39 × 33.5 cm (15 3/8 × 13 3/16 in.) Warp x Weft (c): 39.5 × 33.5 cm (15 9/16 × 13 3/16 in.) Warp x Weft (d): 34 × 30 cm (13 3/8 × 11 13/16 in.) Warp x Weft (f): 41 × 18.5 cm (16 1/8 × 7 5/16 in.) Warp x Weft (g): 40.5 × 6 cm (15 15/16 × 2 3/8 in.) Warp x Weft (h): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (i): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (j): 40 × 30 cm (15 3/4 × 11 13/16 in.) Warp x Weft (k): 39 × 39 cm (15 3/8 × 15 3/8 in.); Bequ Stock Photo
RM2PMGNAK–Fragments, Birds; Made by Bromley Hall (United Kingdom); England; cotton; Warp x Weft (a): 69.5 × 63.5 cm (27 3/8 in. × 25 in.) Warp x Weft (b): 39 × 33.5 cm (15 3/8 × 13 3/16 in.) Warp x Weft (c): 39.5 × 33.5 cm (15 9/16 × 13 3/16 in.) Warp x Weft (d): 34 × 30 cm (13 3/8 × 11 13/16 in.) Warp x Weft (f): 41 × 18.5 cm (16 1/8 × 7 5/16 in.) Warp x Weft (g): 40.5 × 6 cm (15 15/16 × 2 3/8 in.) Warp x Weft (h): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (i): 41 × 34 cm (16 1/8 × 13 3/8 in.) Warp x Weft (j): 40 × 30 cm (15 3/4 × 11 13/16 in.) Warp x Weft (k): 39 × 39 cm (15 3/8 × 15 3/8 in.); Bequ
Food warmer with insert. Culture: Austrian, Vienna. Dimensions: Overall (confirmed): 15 9/16 x 6 5/16 x 6 11/16 in. (39.5 x 16 x 17 cm); Insert: Overall (confirmed): 8 9/16 x 4 1/4 x 3 1/2 in. (21.7 x 10.8 x 8.9 cm); Other (without cover): 11 in. (27.9cm). Factory: Vienna. Factory director: Du Paquier period (1718-1744). Date: ca. 1730-35. This vessel was probably intended to be used in the intimate living quarters of a house, which, in the eighteenth century would have been far removed from the kitchen. The porcelain insert once held a metal liner where the food was placed. The heat source Stock Photo
RMPB55BJ–Food warmer with insert. Culture: Austrian, Vienna. Dimensions: Overall (confirmed): 15 9/16 x 6 5/16 x 6 11/16 in. (39.5 x 16 x 17 cm); Insert: Overall (confirmed): 8 9/16 x 4 1/4 x 3 1/2 in. (21.7 x 10.8 x 8.9 cm); Other (without cover): 11 in. (27.9cm). Factory: Vienna. Factory director: Du Paquier period (1718-1744). Date: ca. 1730-35. This vessel was probably intended to be used in the intimate living quarters of a house, which, in the eighteenth century would have been far removed from the kitchen. The porcelain insert once held a metal liner where the food was placed. The heat source
Edmund Burke Esqr., Print made by James Hardy, active 1770s, after Sir Joshua Reynolds RA, 1723–1792, British, ca. 1780, Stipple engraving on moderately thick, moderately textured, beige laid paper, Sheet: 15 9/16 x 11 13/16 inches (39.5 x 30 cm), Plate: 14 13/16 x 10 7/8 inches (37.7 x 27.7 cm), and Image: 10 3/4 x 8 7/8 inches (27.3 x 22.5 cm), author, coat, collar, cravat, lace, politician, portrait, posing, solemn, wig Stock Photo
RM2DHWTAN–Edmund Burke Esqr., Print made by James Hardy, active 1770s, after Sir Joshua Reynolds RA, 1723–1792, British, ca. 1780, Stipple engraving on moderately thick, moderately textured, beige laid paper, Sheet: 15 9/16 x 11 13/16 inches (39.5 x 30 cm), Plate: 14 13/16 x 10 7/8 inches (37.7 x 27.7 cm), and Image: 10 3/4 x 8 7/8 inches (27.3 x 22.5 cm), author, coat, collar, cravat, lace, politician, portrait, posing, solemn, wig
Fragments, Les Buveurs; France; cotton; Warp x Weft (a): 65.5 x 68.5 cm (25 13/16 x 26 15/16 in.) Warp x Weft (b): 39.5 x 52 cm (15 9/16 x 20 1/2 in.) Warp x Weft (c): 78 x 29.5 cm (30 11/16 x 11 5/8 in.) Warp x Weft (d): 53 x 91 cm (20 7/8 x 35 13/16 in.) Warp x Weft (e): 27 x 52 cm (10 5/8 x 20 1/2 in.) Warp x Weft (f): 59.5 x 53 cm (23 7/16 x 20 7/8 in.) Warp x Weft (g): 27 x 36.5 cm (10 5/8 x 14 3/8 in.) Warp x Weft (h): 30.5 x 39 cm (12 in. x 15 3/8 in.) Warp x Weft (i): 18 x 26 cm (7 1/16 x 10 1/4 in.) Warp x Weft (j): 28 x 23 cm (11 in. x 9 1/16 in.); Bequest of Elinor Merrell; 1995-50- Stock Photo
RM2PMHGTH–Fragments, Les Buveurs; France; cotton; Warp x Weft (a): 65.5 x 68.5 cm (25 13/16 x 26 15/16 in.) Warp x Weft (b): 39.5 x 52 cm (15 9/16 x 20 1/2 in.) Warp x Weft (c): 78 x 29.5 cm (30 11/16 x 11 5/8 in.) Warp x Weft (d): 53 x 91 cm (20 7/8 x 35 13/16 in.) Warp x Weft (e): 27 x 52 cm (10 5/8 x 20 1/2 in.) Warp x Weft (f): 59.5 x 53 cm (23 7/16 x 20 7/8 in.) Warp x Weft (g): 27 x 36.5 cm (10 5/8 x 14 3/8 in.) Warp x Weft (h): 30.5 x 39 cm (12 in. x 15 3/8 in.) Warp x Weft (i): 18 x 26 cm (7 1/16 x 10 1/4 in.) Warp x Weft (j): 28 x 23 cm (11 in. x 9 1/16 in.); Bequest of Elinor Merrell; 1995-50-
Dead Stag. Dated: 1857. Dimensions: image: 18 x 24.2 cm (7 1/16 x 9 1/2 in.) mount: 27.8 x 39 cm (10 15/16 x 15 3/8 in.). Medium: albumen print from a collodion negative mounted on paper. Museum: National Gallery of Art, Washington DC. Author: Captain Horatio Ross. Stock Photo
RMR33KTH–Dead Stag. Dated: 1857. Dimensions: image: 18 x 24.2 cm (7 1/16 x 9 1/2 in.) mount: 27.8 x 39 cm (10 15/16 x 15 3/8 in.). Medium: albumen print from a collodion negative mounted on paper. Museum: National Gallery of Art, Washington DC. Author: Captain Horatio Ross.
Viscountess Duncannon, Print made by Joseph Grozer, ca. 1755–1798, British, after Sir Joshua Reynolds RA, 1723–1792, British, ca. 1785, Mezzotint and etching on moderately thick, moderately textured, cream laid paper, Sheet: 16 5/16 x 11 11/16 inches (41.4 x 29.7 cm), Plate: 15 3/8 x 10 13/16 inches (39 x 27.4 cm), and Image: 14 1/8 x 10 13/16 inches (35.9 x 27.4 cm), countess, curls, fichu, flowers (plants), nobility, portrait, shawl, trees, woman Stock Photo
RM2DHWTF7–Viscountess Duncannon, Print made by Joseph Grozer, ca. 1755–1798, British, after Sir Joshua Reynolds RA, 1723–1792, British, ca. 1785, Mezzotint and etching on moderately thick, moderately textured, cream laid paper, Sheet: 16 5/16 x 11 11/16 inches (41.4 x 29.7 cm), Plate: 15 3/8 x 10 13/16 inches (39 x 27.4 cm), and Image: 14 1/8 x 10 13/16 inches (35.9 x 27.4 cm), countess, curls, fichu, flowers (plants), nobility, portrait, shawl, trees, woman
. Catalogue no. 16, spring/summer / R. H. Macy & Co.. 14.74 48B28I42 9 ft. x 12 ft 17.48 48B28 1 36 II ft, 3 in. x 12 ft 24.74 We consider this rug in every sense thehighest form of rug making. Tiie weave isexcepticnally clcse aini makes for dtirabilitvami conlitiued color wear. The blendings y<nwill TKite are uncommonly harmonious.48B28I37 27 x 60 in. Price each $ 1.89 48B28I38 36 x 72 in. Price 3.24 48B28I 39 8 ft. 3 in. x 10 ft. 6 in. 14.74 48B28I40 9 ft. X 12 ft. Price 17.48 48B28 I 4 I 11 ft. 3 in. X 12 ft 24 74 282 YOUR MONEY WILL BE PROMPTLY REFUNDED FOR ANY GOODS NOT PERFECTLY SATI Stock Photo
RM2AFN83P–. Catalogue no. 16, spring/summer / R. H. Macy & Co.. 14.74 48B28I42 9 ft. x 12 ft 17.48 48B28 1 36 II ft, 3 in. x 12 ft 24.74 We consider this rug in every sense thehighest form of rug making. Tiie weave isexcepticnally clcse aini makes for dtirabilitvami conlitiued color wear. The blendings y<nwill TKite are uncommonly harmonious.48B28I37 27 x 60 in. Price each $ 1.89 48B28I38 36 x 72 in. Price 3.24 48B28I 39 8 ft. 3 in. x 10 ft. 6 in. 14.74 48B28I40 9 ft. X 12 ft. Price 17.48 48B28 I 4 I 11 ft. 3 in. X 12 ft 24 74 282 YOUR MONEY WILL BE PROMPTLY REFUNDED FOR ANY GOODS NOT PERFECTLY SATI
St. James Street. Artist: After James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: sheet: 15 9/16 x 10 11/16 in. (39.5 x 27.2 cm) image: 11 x 6 in. (28 x 15.3 cm). Date: 1878. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMRG8439–St. James Street. Artist: After James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: sheet: 15 9/16 x 10 11/16 in. (39.5 x 27.2 cm) image: 11 x 6 in. (28 x 15.3 cm). Date: 1878. Museum: Metropolitan Museum of Art, New York, USA.
Portrait of Fuseli, Print made by William Bromley, 1769–1842, British, after Johann Heinrich Lips, 1758–1817, Swiss, undated, Line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper, Sheet: 15 11/16 x 11 inches (39.8 x 27.9 cm), Plate: 10 7/8 x 9 1/16 inches (27.6 x 23 cm), and Image: 7 5/8 x 6 7/16 inches (19.4 x 16.3 cm), artist, bracelet (jewelry), chair, coat, costume, cravat, man, oval, painter, portrait, profile (figure Stock Photo
RM2DHY0X4–Portrait of Fuseli, Print made by William Bromley, 1769–1842, British, after Johann Heinrich Lips, 1758–1817, Swiss, undated, Line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper, Sheet: 15 11/16 x 11 inches (39.8 x 27.9 cm), Plate: 10 7/8 x 9 1/16 inches (27.6 x 23 cm), and Image: 7 5/8 x 6 7/16 inches (19.4 x 16.3 cm), artist, bracelet (jewelry), chair, coat, costume, cravat, man, oval, painter, portrait, profile (figure
Comparative tests of induction wattmeters . rei^^ —If).—J i ^ 1 1. ^s/»s^ o^ Schaeffer Induction Y.attraeter Type E. Data showing the effect of change of load at normalvoltage, Tonity power factor, and 153/^ normal frequency.Potential = 113.2 voltsTemperature = 63.60F.Power factor = .99Frequency = 80 cycles/sec. Current Watt-hoursmeasured Watt-hoursregistered ef registered 15.53 142.0 166.0 116.9 12.85 117.0 137.2 117.5 10.16 93.8 110.6 118.0 7.48 69.5 82.6 119.0 5.0 4-7.8 55.3 115.8 4.03 57.5 39.3 104.9 3.01 27.9 32.6 117.0 2.02 19.0 21.3 112.1 1.08 9.04 10.7 118.3 4 ^x F ^ ^ i ?* Schaeffer Stock Photo
RM2ANDEPT–Comparative tests of induction wattmeters . rei^^ —If).—J i ^ 1 1. ^s/»s^ o^ Schaeffer Induction Y.attraeter Type E. Data showing the effect of change of load at normalvoltage, Tonity power factor, and 153/^ normal frequency.Potential = 113.2 voltsTemperature = 63.60F.Power factor = .99Frequency = 80 cycles/sec. Current Watt-hoursmeasured Watt-hoursregistered ef registered 15.53 142.0 166.0 116.9 12.85 117.0 137.2 117.5 10.16 93.8 110.6 118.0 7.48 69.5 82.6 119.0 5.0 4-7.8 55.3 115.8 4.03 57.5 39.3 104.9 3.01 27.9 32.6 117.0 2.02 19.0 21.3 112.1 1.08 9.04 10.7 118.3 4 ^x F ^ ^ i ?* Schaeffer
Stanza di Venti nel Teatro di Belvedere di Frascati. Artist: Giovanni Battista Falda (Italian, Valduggia 1643-1678 Rome). Dimensions: plate: 12 9/16 x 9 1/4 in. (31.9 x 23.5 cm) sheet: 15 7/16 x 10 7/8 in. (39.2 x 27.6 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAB2E1–Stanza di Venti nel Teatro di Belvedere di Frascati. Artist: Giovanni Battista Falda (Italian, Valduggia 1643-1678 Rome). Dimensions: plate: 12 9/16 x 9 1/4 in. (31.9 x 23.5 cm) sheet: 15 7/16 x 10 7/8 in. (39.2 x 27.6 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Museum: Metropolitan Museum of Art, New York, USA.
Mrs. Gulston, Print made by Richard Earlom, 1743–1822, British, after Hugh Douglas Hamilton, 1739–1808, British, Published by Robert Sayer, 1725–1794, British, 1771, Mezzotint and etching on medium, moderately textured, cream laid paper, Sheet: 15 13/16 x 11 1/8 inches (40.1 x 28.3 cm), Plate: 15 9/16 x 10 7/8 inches (39.5 x 27.7 cm), and Image: 14 1/8 x 10 7/8 inches (35.9 x 27.7 cm), bow (costume accessory), bust, cap (headgear), cape (outerwear), chair, costume, frills, lace, nobility, oval, portrait, ruffle, woman Stock Photo
RM2DHWWYK–Mrs. Gulston, Print made by Richard Earlom, 1743–1822, British, after Hugh Douglas Hamilton, 1739–1808, British, Published by Robert Sayer, 1725–1794, British, 1771, Mezzotint and etching on medium, moderately textured, cream laid paper, Sheet: 15 13/16 x 11 1/8 inches (40.1 x 28.3 cm), Plate: 15 9/16 x 10 7/8 inches (39.5 x 27.7 cm), and Image: 14 1/8 x 10 7/8 inches (35.9 x 27.7 cm), bow (costume accessory), bust, cap (headgear), cape (outerwear), chair, costume, frills, lace, nobility, oval, portrait, ruffle, woman
Carnegie Institution of Washington publication . IFFUSION OF GASES THROUGH Table 3—< Continued. Date. Hour. Barometer. H. t. Observed mXio6. Computed)»X 106. A mXio6. A. m. Apr. i ? 3 30 75-37 51.40 17.6 6455 6402 + 53 2 5 oo 75 97 49 92 15.9 6304 6367 - 63 3 • 3 30 76 71 49 18 .6.3 6202 6332 -130 4 4 oo 77 07 48 68 16.3 6139 6297 -158 5 4 oo 75 27 48 80 17.2 6137 6262 -125 6 • 3 45 75 3i 49 64 19.5 6197 6227 - 30 7 3 oo 75 47 50 08 20.2 6238 6192 + 46 8 • 4 30 76 43 49 39 18.0 6195 6157 + 38 9 • 4 30 76 28 48 49 17.0 6101 6122 - 21 IO . 4 00 76 86 48 34 19.0 6045 6087 — 42 11 . 3 30 77 25 Stock Photo
RM2AKNFGM–Carnegie Institution of Washington publication . IFFUSION OF GASES THROUGH Table 3—< Continued. Date. Hour. Barometer. H. t. Observed mXio6. Computed)»X 106. A mXio6. A. m. Apr. i ? 3 30 75-37 51.40 17.6 6455 6402 + 53 2 5 oo 75 97 49 92 15.9 6304 6367 - 63 3 • 3 30 76 71 49 18 .6.3 6202 6332 -130 4 4 oo 77 07 48 68 16.3 6139 6297 -158 5 4 oo 75 27 48 80 17.2 6137 6262 -125 6 • 3 45 75 3i 49 64 19.5 6197 6227 - 30 7 3 oo 75 47 50 08 20.2 6238 6192 + 46 8 • 4 30 76 43 49 39 18.0 6195 6157 + 38 9 • 4 30 76 28 48 49 17.0 6101 6122 - 21 IO . 4 00 76 86 48 34 19.0 6045 6087 — 42 11 . 3 30 77 25
'Jahangir and His Vizier, I'timad al-Daula', Folio from the Shah Jahan Album. Artist: Manohar (active ca. 1582-1624). Calligrapher: Mir 'Ali Haravi (d. ca. 1550). Dimensions: 15 3/8 x 10 3/16in. (39 x 25.9cm) Mat: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm) Frame: 20 1/4 x 15 1/4 in. (51.4 x 38.7 cm). Date: recto: ca. 1615; verso: ca. 1530-45. While Jahangir (r. 1605-27) and l'timad al-Daula (a title meaning 'reliance of the state') greet each other formally in this painting, they had a warm personal relationship, for in 1611 l'timad al-Daula's daughter had married Jahangir. By virtue of this conn Stock Photo
RMPB1XK3–'Jahangir and His Vizier, I'timad al-Daula', Folio from the Shah Jahan Album. Artist: Manohar (active ca. 1582-1624). Calligrapher: Mir 'Ali Haravi (d. ca. 1550). Dimensions: 15 3/8 x 10 3/16in. (39 x 25.9cm) Mat: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm) Frame: 20 1/4 x 15 1/4 in. (51.4 x 38.7 cm). Date: recto: ca. 1615; verso: ca. 1530-45. While Jahangir (r. 1605-27) and l'timad al-Daula (a title meaning 'reliance of the state') greet each other formally in this painting, they had a warm personal relationship, for in 1611 l'timad al-Daula's daughter had married Jahangir. By virtue of this conn
David Garrick, Esq., John Dixon, ca. 1740–1811, Irish, after Thomas Hudson, 1701–1779, British, Published by Robert Wilkinson, 1758–1825, British, 1779, Mezzotint on moderately thick, textured, beige laid paper, Sheet: 19 15/16 x 14 1/8 inches (50.6 x 35.9 cm), Plate: 15 9/16 x 10 15/16 inches (39.5 x 27.8 cm), and Image: 14 3/16 x 10 15/16 inches (36.1 x 27.8 cm), actor, book, buttons, cuffs, embroidery, gaze, jacket, portrait, posing, sitting, solemn, theater, wig Stock Photo
RM2DJ8650–David Garrick, Esq., John Dixon, ca. 1740–1811, Irish, after Thomas Hudson, 1701–1779, British, Published by Robert Wilkinson, 1758–1825, British, 1779, Mezzotint on moderately thick, textured, beige laid paper, Sheet: 19 15/16 x 14 1/8 inches (50.6 x 35.9 cm), Plate: 15 9/16 x 10 15/16 inches (39.5 x 27.8 cm), and Image: 14 3/16 x 10 15/16 inches (36.1 x 27.8 cm), actor, book, buttons, cuffs, embroidery, gaze, jacket, portrait, posing, sitting, solemn, theater, wig
The American anti-slavery almanac, for ..: calculated for Boston, New York, and Pittsburgh .. . 1 0 1 53 10 28 55 V? in .^fond. 4 28* 8 15 8 6 10 48 2 57 11 4 1 37 /VtV i 12 Tuesd. 4 28 8 15 46 10 36 3 53 11 38 2 27 **v 13 Wedn. 4 28 8 15 46 10 24 4 48 morn. 3 16 5? 14 Thurs. 4 27 815 5J6 111 12 5 36 0 4 6 x 15 Friday 4 27 8 15 66 12©slo 6 23 23 5 5 °i° 16 Saturd. 4 27 815 66 12 13 7 10 45 6 12 T 3 7 SUM. 4 27 Sl5 66 12 25 7 58 1 7 7 26 8 18 Mond. 4 27 Silo 66 12 39 8 50 1 34 S 36 88n ! 19 Tuesd. 4 27 815 66 12 52 9 42 2 3 9 32 j20 Wedn. 4 27 8.15 66 121 1 6J10 33 2 39 10 25 21 Thurs. 4 27 815 Stock Photo
RM2AM2029–The American anti-slavery almanac, for ..: calculated for Boston, New York, and Pittsburgh .. . 1 0 1 53 10 28 55 V? in .^fond. 4 28* 8 15 8 6 10 48 2 57 11 4 1 37 /VtV i 12 Tuesd. 4 28 8 15 46 10 36 3 53 11 38 2 27 **v 13 Wedn. 4 28 8 15 46 10 24 4 48 morn. 3 16 5? 14 Thurs. 4 27 815 5J6 111 12 5 36 0 4 6 x 15 Friday 4 27 8 15 66 12©slo 6 23 23 5 5 °i° 16 Saturd. 4 27 815 66 12 13 7 10 45 6 12 T 3 7 SUM. 4 27 Sl5 66 12 25 7 58 1 7 7 26 8 18 Mond. 4 27 Silo 66 12 39 8 50 1 34 S 36 88n ! 19 Tuesd. 4 27 815 66 12 52 9 42 2 3 9 32 j20 Wedn. 4 27 8.15 66 121 1 6J10 33 2 39 10 25 21 Thurs. 4 27 815
The Washington Family. Dimensions: image: 47.94 x 62.39 cm (18 7/8 x 24 9/16 in.) sheet: 53.02 x 69.06 cm (20 7/8 x 27 3/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Edward Savage. Stock Photo
RMRFD912–The Washington Family. Dimensions: image: 47.94 x 62.39 cm (18 7/8 x 24 9/16 in.) sheet: 53.02 x 69.06 cm (20 7/8 x 27 3/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Edward Savage.
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens, Print made by Jacob Bonneau, 1741–1786, British, after Samuel Wale RA, 1721–1786, British, and after John Gwynn RA, 1713–1786, British, 1751, Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper, Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm), Plate: 9 3/4 x 12 3/16 inches (24.8 x 31 cm), and Image: 8 7/16 x 10 5/8 inches (21.5 x 27 cm), arches, architectural subject, ball, children, columns, concave mirrors, costume, designs, discussion, dog (animal Stock Photo
RM2DJ4CX7–One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens, Print made by Jacob Bonneau, 1741–1786, British, after Samuel Wale RA, 1721–1786, British, and after John Gwynn RA, 1713–1786, British, 1751, Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper, Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm), Plate: 9 3/4 x 12 3/16 inches (24.8 x 31 cm), and Image: 8 7/16 x 10 5/8 inches (21.5 x 27 cm), arches, architectural subject, ball, children, columns, concave mirrors, costume, designs, discussion, dog (animal
The Great metropolis : or, guide to New-York for 1847 . sterd runs high.0 enters ft. 4 sets 10 23.St. George.Spica ITC south 117.St. Mark.D in apogee. Dft. S gr- elong. 9 sets 9 41. SUNRis. & Sets. North. Moon d Pla Y- m. b m. a s. 5 46 6 23 4 20 7 24 24 5 44 6 24 4 53 8 21 m 9 56 5 4.3 6 25 5 16| 9 19 m 10 27 5 41 0 20 5 39 10 16 nt 10 57 5 40 0 27 6 1 11 12 t 11 30 ) 38 6 28 6 24 mor. t ev. 3 5 36 6 29 6 47 0 5 3 0 43 5 35 6 30 7 9 0 56; VS 1 32 5 33 6 3J 32 1 42 2 31 5 32 6 32 54 2 25 3 52 5 30 6 33 8 10 3 5 5 14 5 28 0 34 8 3 3 43 X 6 29 5 27 0 35 9 0 4 2l! T 7 28 5 25 6 30 9 21 4 59 T Stock Photo
RM2AMYXJ7–The Great metropolis : or, guide to New-York for 1847 . sterd runs high.0 enters ft. 4 sets 10 23.St. George.Spica ITC south 117.St. Mark.D in apogee. Dft. S gr- elong. 9 sets 9 41. SUNRis. & Sets. North. Moon d Pla Y- m. b m. a s. 5 46 6 23 4 20 7 24 24 5 44 6 24 4 53 8 21 m 9 56 5 4.3 6 25 5 16| 9 19 m 10 27 5 41 0 20 5 39 10 16 nt 10 57 5 40 0 27 6 1 11 12 t 11 30 ) 38 6 28 6 24 mor. t ev. 3 5 36 6 29 6 47 0 5 3 0 43 5 35 6 30 7 9 0 56; VS 1 32 5 33 6 3J 32 1 42 2 31 5 32 6 32 54 2 25 3 52 5 30 6 33 8 10 3 5 5 14 5 28 0 34 8 3 3 43 X 6 29 5 27 0 35 9 0 4 2l! T 7 28 5 25 6 30 9 21 4 59 T
The Beast with Two Horns Like a Lamb, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm) plate: 15 3/8 x 11 in. (39.1 x 27.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMRENKG1–The Beast with Two Horns Like a Lamb, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm) plate: 15 3/8 x 11 in. (39.1 x 27.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Lovelace in Prison, Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after John Francis Rigaud, 1742–1810, French, active in Britain (from 1771), Published by William Dickinson, 1746–1823, British, 1788, Stipple engraving and etching on moderately thick, moderately textured, cream laid paper, Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm), Plate: 14 x 14 15/16 inches (35.5 x 38 cm), and Image: 10 5/8 x 12 9/16 inches (27 x 31.9 cm), bars, chain, correctional institution, costume, feathers, gatehouse, hat, ink bottle, interior, literary theme, love Stock Photo
RM2DHXNAR–Lovelace in Prison, Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after John Francis Rigaud, 1742–1810, French, active in Britain (from 1771), Published by William Dickinson, 1746–1823, British, 1788, Stipple engraving and etching on moderately thick, moderately textured, cream laid paper, Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm), Plate: 14 x 14 15/16 inches (35.5 x 38 cm), and Image: 10 5/8 x 12 9/16 inches (27 x 31.9 cm), bars, chain, correctional institution, costume, feathers, gatehouse, hat, ink bottle, interior, literary theme, love
The American anti-slavery almanac, for ..: calculated for Boston, New York, and Pittsburgh .. . .Wedn.l7 31 5:S 57 6 10 6 0 8 29 3 3 8 20 H lS,Thurs.i7 32 5:8 56 6 11 5 32 9 11 4 6 9 12 I 14 Friday J7 32 58 55 6 11 5 3 9 57 5 13 9 57 f 15SatHrd.i7 33 5|8 55 6 12 4 34 10 4S 6 20 10 39 t 16 SUN. 7 33 58 55 6 12 4 5 11 42 $ sets. 11 19 t l7|Mond. 7 33 58 54 6 13 3 36 33a 4 51a 11 59 >? ISTuesd. 7 S3 5 3 54 6 13 3 6 1 35 5 59 S9a >? 19,Weiln.J7 33 5!3 53 6 13 2 36 2 31 7 12 1 20 /VW 20Thurs. 7 33 58 53 6 13 2 6 3 25 8 27. 2 2 /vw 21 Friday7 S3 5!s 53 6 14 1 36 4 16 9 42 2 45 X 22Sat.ird 7 33 Stock Photo
RM2AM1MCJ–The American anti-slavery almanac, for ..: calculated for Boston, New York, and Pittsburgh .. . .Wedn.l7 31 5:S 57 6 10 6 0 8 29 3 3 8 20 H lS,Thurs.i7 32 5:8 56 6 11 5 32 9 11 4 6 9 12 I 14 Friday J7 32 58 55 6 11 5 3 9 57 5 13 9 57 f 15SatHrd.i7 33 5|8 55 6 12 4 34 10 4S 6 20 10 39 t 16 SUN. 7 33 58 55 6 12 4 5 11 42 $ sets. 11 19 t l7|Mond. 7 33 58 54 6 13 3 36 33a 4 51a 11 59 >? ISTuesd. 7 S3 5 3 54 6 13 3 6 1 35 5 59 S9a >? 19,Weiln.J7 33 5!3 53 6 13 2 36 2 31 7 12 1 20 /VW 20Thurs. 7 33 58 53 6 13 2 6 3 25 8 27. 2 2 /vw 21 Friday7 S3 5!s 53 6 14 1 36 4 16 9 42 2 45 X 22Sat.ird 7 33
Speculum Romanae Magnificentiae: Triumph of Marcus Aurelius. Artist: Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome (?)). Dimensions: sheet: 16 3/4 x 11 1/8 in. (42.5 x 28.2 cm) mount: 21 5/16 x 15 9/16 in. (54.2 x 39.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1560. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the p Stock Photo
RMRFBJMB–Speculum Romanae Magnificentiae: Triumph of Marcus Aurelius. Artist: Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome (?)). Dimensions: sheet: 16 3/4 x 11 1/8 in. (42.5 x 28.2 cm) mount: 21 5/16 x 15 9/16 in. (54.2 x 39.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1560. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the p
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens, Print made by Jacob Bonneau, 1741–1786, British, after Samuel Wale RA, 1721–1786, British, and after John Gwynn RA, 1713–1786, British, 1751, Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper, Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm), Plate: 8 7/8 x 10 11/16 inches (22.5 x 27.1 cm), and Image: 8 1/2 x 10 5/16 inches (21.6 x 26.2 cm), animals, arches, architectural subject, canes, chandeliers, children, cloaks, columns, concave mirrors, costume Stock Photo
RM2DJ4D0F–One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens, Print made by Jacob Bonneau, 1741–1786, British, after Samuel Wale RA, 1721–1786, British, and after John Gwynn RA, 1713–1786, British, 1751, Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper, Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm), Plate: 8 7/8 x 10 11/16 inches (22.5 x 27.1 cm), and Image: 8 1/2 x 10 5/16 inches (21.6 x 26.2 cm), animals, arches, architectural subject, canes, chandeliers, children, cloaks, columns, concave mirrors, costume
Manual of the Bouton Foundry Company, 1887 . 0. Span DEPTH, 10 INCHES | Safe Load IN Feet. Safe Load in Tons for Plates of the following-Thickness. for each 1 in.thickness ofwood in tons X % H % I % Of 2,000 lbs. 8 •J.09 3.12 4.18 5.21 6.25 0.937 0.85 0.75 0.68 0.62 0.58 0.530 0.50 0.468 0.44 0.417 0.392 0.375 9 1.85 2.75 3.70 4.58 5.50 10 1.67 2.50 8.34 4.17 5.00 11 1.50 2.28 3.00 2.80 4.56 12 1.39 2.10 2.78 3.50 4.20 13 1.27 1.92 2.54 3.20 3.S4 14 1.18 1.78 2.36 2.97 3.56 15 1.11 1.67 2.22 2.75 3.34 16 1.04 1.53 2.08 2.55 3.06 17 0.96 1.46 1.92 2.40 2.92 18 0.92 1.38 1.84 2.2s 2.76 19 0.88 1 Stock Photo
RM2AKP2NT–Manual of the Bouton Foundry Company, 1887 . 0. Span DEPTH, 10 INCHES | Safe Load IN Feet. Safe Load in Tons for Plates of the following-Thickness. for each 1 in.thickness ofwood in tons X % H % I % Of 2,000 lbs. 8 •J.09 3.12 4.18 5.21 6.25 0.937 0.85 0.75 0.68 0.62 0.58 0.530 0.50 0.468 0.44 0.417 0.392 0.375 9 1.85 2.75 3.70 4.58 5.50 10 1.67 2.50 8.34 4.17 5.00 11 1.50 2.28 3.00 2.80 4.56 12 1.39 2.10 2.78 3.50 4.20 13 1.27 1.92 2.54 3.20 3.S4 14 1.18 1.78 2.36 2.97 3.56 15 1.11 1.67 2.22 2.75 3.34 16 1.04 1.53 2.08 2.55 3.06 17 0.96 1.46 1.92 2.40 2.92 18 0.92 1.38 1.84 2.2s 2.76 19 0.88 1
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: Image: 20 11/16 in. × 34 in. (52.5 × 86.3 cm) Plate: 25 7/16 × 37 1/16 in. (64.6 × 94.2 cm) Sheet: 27 3/8 x 39 3/16 in. (69.5 x 99.5 cm) Chine collé: 24 5/16 × 35 13/16 in. (61.7 × 90.9 cm). Engraver: James Stephenson (British, Manchester 1808-1886 London). Publisher: Henry Graves & Company (London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: March 1, 1866. Here, Hamlet's rejected lover, her mind unh Stock Photo
RMPARTYX–Ophelia (Shakespeare, Hamlet, Act 4, Scene 7). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: Image: 20 11/16 in. × 34 in. (52.5 × 86.3 cm) Plate: 25 7/16 × 37 1/16 in. (64.6 × 94.2 cm) Sheet: 27 3/8 x 39 3/16 in. (69.5 x 99.5 cm) Chine collé: 24 5/16 × 35 13/16 in. (61.7 × 90.9 cm). Engraver: James Stephenson (British, Manchester 1808-1886 London). Publisher: Henry Graves & Company (London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: March 1, 1866. Here, Hamlet's rejected lover, her mind unh
Laurence Sterne, A.M., Edward Fisher, 1722–1785, British, after Sir Joshua Reynolds RA, 1723–1792, British, 1760, Mezzotint on moderatley thick, slightly textured, beige laid paper, Sheet: 15 5/8 x 11 3/4 inches (39.7 x 29.9 cm), Plate: 14 15/16 x 10 13/16 inches (38 x 27.5 cm), and Image: 13 5/16 x 10 7/8 inches (33.8 x 27.6 cm), author, cloak, curls, desk, drapery, garter, gaze, gesturing, leg, mantle, papers, poet, portrait, posing, quills, robe, sitting, sleeves, smiling, Sterne, Laurence (1713–1768), writer and Church of England clergyman, vicar, wig Stock Photo
RM2DHXEG6–Laurence Sterne, A.M., Edward Fisher, 1722–1785, British, after Sir Joshua Reynolds RA, 1723–1792, British, 1760, Mezzotint on moderatley thick, slightly textured, beige laid paper, Sheet: 15 5/8 x 11 3/4 inches (39.7 x 29.9 cm), Plate: 14 15/16 x 10 13/16 inches (38 x 27.5 cm), and Image: 13 5/16 x 10 7/8 inches (33.8 x 27.6 cm), author, cloak, curls, desk, drapery, garter, gaze, gesturing, leg, mantle, papers, poet, portrait, posing, quills, robe, sitting, sleeves, smiling, Sterne, Laurence (1713–1768), writer and Church of England clergyman, vicar, wig
Charity Hospital Report 1920 . rthritis, Deformans 6 is 26 s II 110 i 4 l«! 18 ?: m 5 ?i 17 ?1 1 r. 2 i; l- ?1 ? s i ii 17 S 266 e 4 .,i E 38 80 r2 716 88 re 11613 I 726 ?J. 1 1 ! 17 7 7 3 1 130 39 1 17 H 23 1 1 l 1 1 ...... 29 Ik 2 - 1 1 4 3I tea 26 I20 59 26 -7 1 .-. 1 1 39 id e j ? • i 6 i II 89 6 1 9 I 29 5 :: 84 l 2 • t 31 8 i 16 8 2 1 18 2 r» I l 5 a 13 5 i ts 6 1 ] 2 1 7 2 1 -: 1 i >; x2 i 2 1 14 3 1 2 1 i 1 6 9 21 30 IS 22 27 1 1 6 7 7 a 8 3 :: 1 1 1 1 1 1 » -. s H 5 :S - 5 7 5 x Pneumonia RJBPOBT » RECORD BOOM km; TIIK Vi ); i :?? ,, MEDICAt W ••??i CUssiflcfttlon Mid Dlagt WII8C Stock Photo
RM2AN8DJA–Charity Hospital Report 1920 . rthritis, Deformans 6 is 26 s II 110 i 4 l«! 18 ?: m 5 ?i 17 ?1 1 r. 2 i; l- ?1 ? s i ii 17 S 266 e 4 .,i E 38 80 r2 716 88 re 11613 I 726 ?J. 1 1 ! 17 7 7 3 1 130 39 1 17 H 23 1 1 l 1 1 ...... 29 Ik 2 - 1 1 4 3I tea 26 I20 59 26 -7 1 .-. 1 1 39 id e j ? • i 6 i II 89 6 1 9 I 29 5 :: 84 l 2 • t 31 8 i 16 8 2 1 18 2 r» I l 5 a 13 5 i ts 6 1 ] 2 1 7 2 1 -: 1 i >; x2 i 2 1 14 3 1 2 1 i 1 6 9 21 30 IS 22 27 1 1 6 7 7 a 8 3 :: 1 1 1 1 1 1 » -. s H 5 :S - 5 7 5 x Pneumonia RJBPOBT » RECORD BOOM km; TIIK Vi ); i :?? ,, MEDICAt W ••??i CUssiflcfttlon Mid Dlagt WII8C
The Scales of Marriage. Dated: c. 1592. Dimensions: plate: 24.2 x 17.1 cm (9 1/2 x 6 3/4 in.) sheet: 39.7 x 27.1 cm (15 5/8 x 10 11/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hendrick Goltzius, after Karel van Mander I. Stock Photo
RMR361DT–The Scales of Marriage. Dated: c. 1592. Dimensions: plate: 24.2 x 17.1 cm (9 1/2 x 6 3/4 in.) sheet: 39.7 x 27.1 cm (15 5/8 x 10 11/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hendrick Goltzius, after Karel van Mander I.
Plan of the West India Docks, Print made by Benjamin Baker, 1766–1841, British, after Ralph Walker, active 1768–1796, Published by Benjamin Baker, 1766–1841, British, 1802, Etching, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm), Plate: 11 9/16 x 15 5/8 inches (29.4 x 39.7 cm), and Image: 10 3/4 x 14 15/16 inches (27.3 x 38 cm), architectural subject, buildings, canal, docks, map, marine art, masts, merchants, plan (drawing), port, river, roads, scale (rule), sea, ships, streets, wharf, Dogs, Isle of, England, Europe, Greater Stock Photo
RM2DJ365G–Plan of the West India Docks, Print made by Benjamin Baker, 1766–1841, British, after Ralph Walker, active 1768–1796, Published by Benjamin Baker, 1766–1841, British, 1802, Etching, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm), Plate: 11 9/16 x 15 5/8 inches (29.4 x 39.7 cm), and Image: 10 3/4 x 14 15/16 inches (27.3 x 38 cm), architectural subject, buildings, canal, docks, map, marine art, masts, merchants, plan (drawing), port, river, roads, scale (rule), sea, ships, streets, wharf, Dogs, Isle of, England, Europe, Greater
Head of Christ, from an Icon of the Crucifixion, 12th century Stock Photo
RMKCE3FT–Head of Christ, from an Icon of the Crucifixion, 12th century
Book of the Dead of Khaemhor, Late Period, Saite, Dynasty 26, 664–525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb Stock Photo
RMKC7YMK–Book of the Dead of Khaemhor, Late Period, Saite, Dynasty 26, 664–525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb
.. Handy notes and queries . — — i—i 1-16 2.88 1 1-16 49. 4.35 3 41 tf 5.75 .06 .056 X 52. 4.83 3 85 3-16 8.65 .134 .105 3-16 54 9 5.40 4.29 X 11.48 .235 .187 # 57 65 6. 4. 73 5-16 14.36 .375 .295 5-16 60.5 0.00 5.20 % 17.28 .54 .424 X 53.45 7.27 5.70 7-16 20.19 .735 .575 7-16 66.35 7.90 6 29 X 23.1 .960 .75 % 69.3 8.64 C.So 9-16 26. 1.21 .95 9-16 72.15 9 28 7.30 > & 28.85 1.51 1 17 % 75.1 10.15 8. 11-16 31.68 1.81 1.42 11-16 77 95 10.95 S.6 X 34.57 2.15 1 7 X 80.75 11.70 9.24 13-16 36.46 2.54 2. 13-16 83 60 12.60 9. So % 40.39 2.95 2.3 % 86.58 13.46 10.55, 15-6 43.27 , 3.37 2.64 15-16 09.4 Stock Photo
RM2AJ62N1–.. Handy notes and queries . — — i—i 1-16 2.88 1 1-16 49. 4.35 3 41 tf 5.75 .06 .056 X 52. 4.83 3 85 3-16 8.65 .134 .105 3-16 54 9 5.40 4.29 X 11.48 .235 .187 # 57 65 6. 4. 73 5-16 14.36 .375 .295 5-16 60.5 0.00 5.20 % 17.28 .54 .424 X 53.45 7.27 5.70 7-16 20.19 .735 .575 7-16 66.35 7.90 6 29 X 23.1 .960 .75 % 69.3 8.64 C.So 9-16 26. 1.21 .95 9-16 72.15 9 28 7.30 > & 28.85 1.51 1 17 % 75.1 10.15 8. 11-16 31.68 1.81 1.42 11-16 77 95 10.95 S.6 X 34.57 2.15 1 7 X 80.75 11.70 9.24 13-16 36.46 2.54 2. 13-16 83 60 12.60 9. So % 40.39 2.95 2.3 % 86.58 13.46 10.55, 15-6 43.27 , 3.37 2.64 15-16 09.4
When Your Purse Is Empty, You Eat Bones Not Bacon. Dated: c. 1592. Dimensions: plate: 24 x 17.2 cm (9 7/16 x 6 3/4 in.) sheet: 39.7 x 27.4 cm (15 5/8 x 10 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hendrick Goltzius, after Karel van Mander I. Stock Photo
RMR31M6D–When Your Purse Is Empty, You Eat Bones Not Bacon. Dated: c. 1592. Dimensions: plate: 24 x 17.2 cm (9 7/16 x 6 3/4 in.) sheet: 39.7 x 27.4 cm (15 5/8 x 10 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hendrick Goltzius, after Karel van Mander I.
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