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25 4 x 19 3 cm Stock Photos and Images
Art inspired by Elisabeth Höusermann, 1850s–60s, Albumen silver print from glass negative, 25.4 x 19.3 cm. (10 x 7 5/8 in.), Photographs, Franz Antoine (Austrian, 1814–1882, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-elisabeth-husermann-1850s60s-albumen-silver-print-from-glass-negative-254-x-193-cm-10-x-7-58-in-photographs-franz-antoine-austrian-18141882-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462792421.htmlRF2HTX0CN–Art inspired by Elisabeth Höusermann, 1850s–60s, Albumen silver print from glass negative, 25.4 x 19.3 cm. (10 x 7 5/8 in.), Photographs, Franz Antoine (Austrian, 1814–1882, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Madonna and Child *oil on panel *25,4 x 19,3 cm *circa 1520 Madonna and Child.. Madonna and Child. The German art historian Max Jakob Friedländer discovered more than 20 period copies of a now-lost original by Gossaert from 1520 (See Other versions below). circa 1520. 698 Jan Gossaert - madonna met kind - Mauritshuis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-oil-on-panel-254-x-193-cm-circa-1520-madonna-and-child-madonna-and-child-the-german-art-historian-max-jakob-friedlnder-discovered-more-than-20-period-copies-of-a-now-lost-original-by-gossaert-from-1520-see-other-versions-below-circa-1520-698-jan-gossaert-madonna-met-kind-mauritshuis-image185698065.htmlRMMP37NN–Madonna and Child *oil on panel *25,4 x 19,3 cm *circa 1520 Madonna and Child.. Madonna and Child. The German art historian Max Jakob Friedländer discovered more than 20 period copies of a now-lost original by Gossaert from 1520 (See Other versions below). circa 1520. 698 Jan Gossaert - madonna met kind - Mauritshuis
Elisabeth Höusermann, 1850s–60s, Albumen silver print from glass negative, 25.4 x 19.3 cm. (10 x 7 5/8 in.), Photographs, Franz Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-elisabeth-husermann-1850s60s-albumen-silver-print-from-glass-negative-162402925.htmlRMKC62GD–Elisabeth Höusermann, 1850s–60s, Albumen silver print from glass negative, 25.4 x 19.3 cm. (10 x 7 5/8 in.), Photographs, Franz
Walnut Armchair. Dated: c. 1936. Dimensions: overall: 25.4 x 19.3 cm (10 x 7 5/8 in.) Original IAD Object: none given. Medium: pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Simon Weiss. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/walnut-armchair-dated-c-1936-dimensions-overall-254-x-193-cm-10-x-7-58-in-original-iad-object-none-given-medium-pen-and-ink-on-paper-museum-national-gallery-of-art-washington-dc-author-simon-weiss-image225467499.htmlRMR2PX2K–Walnut Armchair. Dated: c. 1936. Dimensions: overall: 25.4 x 19.3 cm (10 x 7 5/8 in.) Original IAD Object: none given. Medium: pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Simon Weiss.
Piece, Japan, 19th century, Japan, Silk, 25 x 7 3/4 in. (63.50 x 19.68 cm), Textiles-Woven Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-japan-19th-century-japan-silk-25-x-7-34-in-6350-x-1968-cm-textiles-woven-image344583333.htmlRM2B0H3FH–Piece, Japan, 19th century, Japan, Silk, 25 x 7 3/4 in. (63.50 x 19.68 cm), Textiles-Woven
Inspired by Wallpaper, Paper, ca. 1900, 19 3/4 x 25 1/8 in., 50.2 x 63.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-wallpaper-paper-ca-1900-19-34-x-25-18-in-502-x-638-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459266393.htmlRF2HK5AY5–Inspired by Wallpaper, Paper, ca. 1900, 19 3/4 x 25 1/8 in., 50.2 x 63.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Madonna and Child - 1520c. - oil on wood 25,4 x 19,3 cm - Gossaert Jan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-1520c-oil-on-wood-254-x-193-cm-gossaert-jan-image457726238.htmlRF2HGK6DJ–Madonna and Child - 1520c. - oil on wood 25,4 x 19,3 cm - Gossaert Jan
. Brücke in Sevilla. Öl auf Holz. 25,3 x 19,4 cm. Rechts unten signiert und ortsbezeichnet 'Sevilla'. . by 1925 68 Manuel Garcia y Rodriguez Bridge in Sevilla Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brcke-in-sevilla-l-auf-holz-253-x-194-cm-rechts-unten-signiert-und-ortsbezeichnet-sevilla-by-1925-68-manuel-garcia-y-rodriguez-bridge-in-sevilla-image206537228.htmlRMP00G9G–. Brücke in Sevilla. Öl auf Holz. 25,3 x 19,4 cm. Rechts unten signiert und ortsbezeichnet 'Sevilla'. . by 1925 68 Manuel Garcia y Rodriguez Bridge in Sevilla
![The FRONT ELEVATION of BROMLEY COLLEGE, Kent. Author Bayly, J. 16.32.1.a. Place of publication: [Canterbury] Publisher: [E. Hasted] Date of publication: [1778-1799] Item type: 1 print Medium: etching and engraving Dimensions: sheet 19.4 x 25.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H5HT/the-front-elevation-of-bromley-college-kent-author-bayly-j-16321a-place-of-publication-canterbury-publisher-e-hasted-date-of-publication-1778-1799-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-194-x-253-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H5HT.jpg "The FRONT ELEVATION of BROMLEY COLLEGE, Kent. Author Bayly, J. 16.32.1.a. Place of publication: [Canterbury] Publisher: [E. Hasted] Date of publication: [1778-1799] Item type: 1 print Medium: etching and engraving Dimensions: sheet 19.4 x 25.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
The FRONT ELEVATION of BROMLEY COLLEGE, Kent. Author Bayly, J. 16.32.1.a. Place of publication: [Canterbury] Publisher: [E. Hasted] Date of publication: [1778-1799] Item type: 1 print Medium: etching and engraving Dimensions: sheet 19.4 x 25.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-front-elevation-of-bromley-college-kent-author-bayly-j-16321a-place-of-publication-canterbury-publisher-e-hasted-date-of-publication-1778-1799-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-194-x-253-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401747972.htmlRM2E9H5HT–The FRONT ELEVATION of BROMLEY COLLEGE, Kent. Author Bayly, J. 16.32.1.a. Place of publication: [Canterbury] Publisher: [E. Hasted] Date of publication: [1778-1799] Item type: 1 print Medium: etching and engraving Dimensions: sheet 19.4 x 25.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
38 porcelain pieces from the service aboard of the Dornier DO X 1929., White, glazed porcelain with decorative lines as well as a stylised, winged globe in gold and red. On the bottom manufacturer's mark in underglaze green 'Gräf & Krippner Selb Bavaria' as well as the golden silhouette of the hydroplane over 'DO X 1929' and most of them inscribed 'Decoration by Marcel Dornier Langenargen'. Consisting of: 19 dining plates, diameter 25.4 cm. Nine dessert plates, diameter 20.3 cm. Two ashtrays, 10.4 x 11.4 cm. Also nine knife rests, with only golden manufactory m, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-38-porcelain-pieces-from-the-service-aboard-of-the-dornier-do-x-1929-31482000.htmlRMBR63H4–38 porcelain pieces from the service aboard of the Dornier DO X 1929., White, glazed porcelain with decorative lines as well as a stylised, winged globe in gold and red. On the bottom manufacturer's mark in underglaze green 'Gräf & Krippner Selb Bavaria' as well as the golden silhouette of the hydroplane over 'DO X 1929' and most of them inscribed 'Decoration by Marcel Dornier Langenargen'. Consisting of: 19 dining plates, diameter 25.4 cm. Nine dessert plates, diameter 20.3 cm. Two ashtrays, 10.4 x 11.4 cm. Also nine knife rests, with only golden manufactory m,
187154 Artist: Master of the Aeneid, active ca. 1530?40, Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), probably ca. 1530?35, Painted enamel on copper, partly gilt, 7 3/4 x 8 1/2 in. (19.7 x 21.6 cm). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/187154-artist-master-of-the-aeneid-active-ca-153040-aeneas-erects-a-tomb-to-his-nurse-caieta-and-flees-the-country-of-circe-aeneid-book-vii-probably-ca-153035-painted-enamel-on-copper-partly-gilt-7-34-x-8-12-in-197-x-216-cm-image231097112.htmlRMRBYAM8–187154 Artist: Master of the Aeneid, active ca. 1530?40, Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), probably ca. 1530?35, Painted enamel on copper, partly gilt, 7 3/4 x 8 1/2 in. (19.7 x 21.6 cm).
Drawing, Saint Magdalen Repenting; Italy; black chalk on gray paper with white heightening; 25.8 x 19.7 cm (10 3/16 x 7 3/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-saint-magdalen-repenting-italy-black-chalk-on-gray-paper-with-white-heightening-258-x-197-cm-10-316-x-7-34-in-image546115421.htmlRM2PMDKP5–Drawing, Saint Magdalen Repenting; Italy; black chalk on gray paper with white heightening; 25.8 x 19.7 cm (10 3/16 x 7 3/4 in.)
'Nicolaes Lauwers, after Sir Peter Paul Rubens, The Adoration of the Magi with Torches, engraving on laid paper, plate: 60.7 x 45.4 cm (23 7/8 x 17 7/8 in.) sheet: 65.5 x 50.2 cm (25 13/16 x 19 3/4 in.), Gift of David P. Tunick, 2009.127.21' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nicolaes-lauwers-after-sir-peter-paul-rubens-the-adoration-of-the-magi-with-torches-engraving-on-laid-paper-plate-607-x-454-cm-23-78-x-17-78-in-sheet-655-x-502-cm-25-1316-x-19-34-in-gift-of-david-p-tunick-200912721-image559760338.htmlRM2REK80J–'Nicolaes Lauwers, after Sir Peter Paul Rubens, The Adoration of the Magi with Torches, engraving on laid paper, plate: 60.7 x 45.4 cm (23 7/8 x 17 7/8 in.) sheet: 65.5 x 50.2 cm (25 13/16 x 19 3/4 in.), Gift of David P. Tunick, 2009.127.21'
Cylinder box with lid MET DP20657 251899 Cylinder box with lid, Bronze, Diam.: 7 3/4 x 3/4 in. (19.7 x 1.9 cm). The Metropolitan Museum of Art, New York. Fletcher Fund, 1925 (25.78.119a, b) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cylinder-box-with-lid-met-dp20657-251899-cylinder-box-with-lid-bronze-168457176.htmlRMKP1TRM–Cylinder box with lid MET DP20657 251899 Cylinder box with lid, Bronze, Diam.: 7 3/4 x 3/4 in. (19.7 x 1.9 cm). The Metropolitan Museum of Art, New York. Fletcher Fund, 1925 (25.78.119a, b)
Joan Miró. (Spanish, 1893-1983). Acrobats in the Night Garden. 1948. Lithograph, composition: 21 3/4 x 16 1/8' (55.2 x 41.1 cm); sheet: 25 7/8 x 19 5/8' (65.7 x 49.8 cm). Publisher: Maeght Éditeur, Paris. Printer: Mourlot Frères, Paris, Paris. Edition: 75. Abby Aldrich Rockefeller Fund. © 2008 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-joan-mir-spanish-1893-1983-acrobats-in-the-night-garden-1948-lithograph-166920878.htmlRMKKFW7X–Joan Miró. (Spanish, 1893-1983). Acrobats in the Night Garden. 1948. Lithograph, composition: 21 3/4 x 16 1/8' (55.2 x 41.1 cm); sheet: 25 7/8 x 19 5/8' (65.7 x 49.8 cm). Publisher: Maeght Éditeur, Paris. Printer: Mourlot Frères, Paris, Paris. Edition: 75. Abby Aldrich Rockefeller Fund. © 2008 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris
Adoration of the Magi; Andrea Mantegna, Italian (Paduan) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adoration-of-the-magi-andrea-mantegna-italian-paduan-image60296622.htmlRMDE2MXP–Adoration of the Magi; Andrea Mantegna, Italian (Paduan)
Panel with Marine Deity. Culture: Pakistan (ancient region of Gandhara). Dimensions: 7 3/4 x 10 in. (19.7 x 25.4 cm). Date: 1st century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-with-marine-deity-culture-pakistan-ancient-region-of-gandhara-dimensions-7-34-x-10-in-197-x-254-cm-date-1st-century-museum-metropolitan-museum-of-art-new-york-usa-image213162818.htmlRMPAPB9P–Panel with Marine Deity. Culture: Pakistan (ancient region of Gandhara). Dimensions: 7 3/4 x 10 in. (19.7 x 25.4 cm). Date: 1st century. Museum: Metropolitan Museum of Art, New York, USA.
Piece, Japan, 19th century, Japan, Silk, Brocaded, 25 3/4 x 7 3/4 in. (65.41 x 19.68 cm), Textiles-Woven Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-japan-19th-century-japan-silk-brocaded-25-34-x-7-34-in-6541-x-1968-cm-textiles-woven-image344604613.htmlRM2B0J2KH–Piece, Japan, 19th century, Japan, Silk, Brocaded, 25 3/4 x 7 3/4 in. (65.41 x 19.68 cm), Textiles-Woven
Inspired by Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-wallpaper-paper-ca-1890-19-58-x-25-34-in-498-x-654-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459266310.htmlRF2HK5AT6–Inspired by Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
English: The Bath by Pierre Bonnard, 1942, gouache, pastel and colored crayon on paper, 19 3/4 x 25 5/8 in. (50.2 x 65.4 cm) . 1942 8 The Bath by Pierre Bonnard, 1942, gouache, pastel and colored crayon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-bath-by-pierre-bonnard-1942-gouache-pastel-and-colored-crayon-on-paper-19-34-x-25-58-in-502-x-654-cm-1942-8-the-bath-by-pierre-bonnard-1942-gouache-pastel-and-colored-crayon-image210918416.htmlRMP744GG–English: The Bath by Pierre Bonnard, 1942, gouache, pastel and colored crayon on paper, 19 3/4 x 25 5/8 in. (50.2 x 65.4 cm) . 1942 8 The Bath by Pierre Bonnard, 1942, gouache, pastel and colored crayon
![THE NORTH VIEW OF SANFORD CASTLE IN THE COUNTY OF DORSET. Author Buck, Samuel 12.25.a. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1733] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19 x 37.3 cm, on sheet 44.4 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GH6D/the-north-view-of-sanford-castle-in-the-county-of-dorset-author-buck-samuel-1225a-place-of-publication-england-publisher-samuel-and-nathaniel-buck-date-of-publication-1733-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-19-x-373-cm-on-sheet-444-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GH6D.jpg "THE NORTH VIEW OF SANFORD CASTLE IN THE COUNTY OF DORSET. Author Buck, Samuel 12.25.a. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1733] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19 x 37.3 cm, on sheet 44.4 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE NORTH VIEW OF SANFORD CASTLE IN THE COUNTY OF DORSET. Author Buck, Samuel 12.25.a. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1733] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19 x 37.3 cm, on sheet 44.4 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-north-view-of-sanford-castle-in-the-county-of-dorset-author-buck-samuel-1225a-place-of-publication-england-publisher-samuel-and-nathaniel-buck-date-of-publication-1733-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-19-x-373-cm-on-sheet-444-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401735109.htmlRM2E9GH6D–THE NORTH VIEW OF SANFORD CASTLE IN THE COUNTY OF DORSET. Author Buck, Samuel 12.25.a. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1733] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19 x 37.3 cm, on sheet 44.4 cm. Former owner: George III, King of Great Britain, 1738-1820
38 porcelain pieces from the service aboard of the Dornier DO X 1929., White, glazed porcelain with decorative lines as well as a stylised, winged globe in gold and red. On the bottom manufacturer's mark in underglaze green 'Gräf & Krippner Selb Bavaria' as well as the golden silhouette of the hydroplane over 'DO X 1929' and most of them inscribed 'Decoration by Marcel Dornier Langenargen'. Consisting of: 19 dining plates, diameter 25.4 cm. Nine dessert plates, diameter 20.3 cm. Two ashtrays, 10.4 x 11.4 cm. Also nine knife rests, with only golden manufactory m, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-38-porcelain-pieces-from-the-service-aboard-of-the-dornier-do-x-1929-31482005.htmlRMBR63H9–38 porcelain pieces from the service aboard of the Dornier DO X 1929., White, glazed porcelain with decorative lines as well as a stylised, winged globe in gold and red. On the bottom manufacturer's mark in underglaze green 'Gräf & Krippner Selb Bavaria' as well as the golden silhouette of the hydroplane over 'DO X 1929' and most of them inscribed 'Decoration by Marcel Dornier Langenargen'. Consisting of: 19 dining plates, diameter 25.4 cm. Nine dessert plates, diameter 20.3 cm. Two ashtrays, 10.4 x 11.4 cm. Also nine knife rests, with only golden manufactory m,
Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-240-of-the-directional-spectrum-of-a-the-directional-spectrum-of-a-wind-generated-sea-as-determined-from-data-obtained-by-the-stereo-wave-observation-project-directionalspect00chas-year-1957-cm-13-12-11-10-9-8-7-6-5-4-3-2-1-0-10-fl-cz-c3-x-c4-0-c5-rn-gtv-0-0-n-ce-0-x-0-0-i0-20-30-1-1-ii-ik-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-figure-1130-cp-and-yp-as-a-function-of-k-229-image242266434.htmlRMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
Drawing, Design for a Dining Table on Carved Base; Designed by A.N. Davenport Co.; pen and black ink on thin, cream paper; 19.7 x 25.4 cm (7 3/4 x 10 in. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-a-dining-table-on-carved-base-designed-by-an-davenport-co-pen-and-black-ink-on-thin-cream-paper-197-x-254-cm-7-34-x-10-in-image546145681.htmlRM2PMF2AW–Drawing, Design for a Dining Table on Carved Base; Designed by A.N. Davenport Co.; pen and black ink on thin, cream paper; 19.7 x 25.4 cm (7 3/4 x 10 in. )
Textile (India); cotton; Warp x Weft: 50.2 x 41.6 cm (19 3/4 x 16 3/8 in.) Repeat: 39.4 x 25.4 cm (15 1/2 x 10 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/textile-india-cotton-warp-x-weft-502-x-416-cm-19-34-x-16-38-in-repeat-394-x-254-cm-15-12-x-10-in-image546195377.htmlRM2PMH9NN–Textile (India); cotton; Warp x Weft: 50.2 x 41.6 cm (19 3/4 x 16 3/8 in.) Repeat: 39.4 x 25.4 cm (15 1/2 x 10 in.)
Cylinder box with lid MET DP20657 251899 Cylinder box with lid, Bronze, Diam.: 7 3/4 x 3/4 in. (19.7 x 1.9 cm). The Metropolitan Museum of Art, New York. Fletcher Fund, 1925 (25.78.119a, b) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cylinder-box-with-lid-met-dp20657-251899-cylinder-box-with-lid-bronze-168299264.htmlRMKNPKC0–Cylinder box with lid MET DP20657 251899 Cylinder box with lid, Bronze, Diam.: 7 3/4 x 3/4 in. (19.7 x 1.9 cm). The Metropolitan Museum of Art, New York. Fletcher Fund, 1925 (25.78.119a, b)
Drawing, Mountain Landscape; brush and black ink on silk, mounted, and with a gray brocade mat; 27.2 x 25.9 cm (10 11/16 x 10 3/16 in.), mat: 49 x 37.5 cm (19 5/16 x 14 3/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-mountain-landscape-brush-and-black-ink-on-silk-mounted-and-with-a-gray-brocade-mat-272-x-259-cm-10-1116-x-10-316-in-mat-49-x-375-cm-19-516-x-14-34-in-image546229687.htmlRM2PMJWF3–Drawing, Mountain Landscape; brush and black ink on silk, mounted, and with a gray brocade mat; 27.2 x 25.9 cm (10 11/16 x 10 3/16 in.), mat: 49 x 37.5 cm (19 5/16 x 14 3/4 in.)
Candlestick MET DP147880 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-candlestick-met-dp147880-1322-maker-myer-myers-17231795-candlestick-168117374.htmlRMKNEBBX–Candlestick MET DP147880 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2)
The Spinner. Artist: Quirijn van Brekelenkam (Dutch, Zwammerdam (?), after 1622-ca. 1669 Leiden). Dimensions: 19 x 25 1/4 in. (48.3 x 64.1 cm). Date: 1653. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-spinner-artist-quirijn-van-brekelenkam-dutch-zwammerdam-after-1622-ca-1669-leiden-dimensions-19-x-25-14-in-483-x-641-cm-date-1653-museum-metropolitan-museum-of-art-new-york-usa-image213298064.htmlRMPB0FT0–The Spinner. Artist: Quirijn van Brekelenkam (Dutch, Zwammerdam (?), after 1622-ca. 1669 Leiden). Dimensions: 19 x 25 1/4 in. (48.3 x 64.1 cm). Date: 1653. Museum: Metropolitan Museum of Art, New York, USA.
Piece, Italian or Spanish, 16th century, Italian or Spanish, Silk, L. 19 3/8 x W. 10 inches (49.2 x 25.4 cm), Textiles-Woven Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-italian-or-spanish-16th-century-italian-or-spanish-silk-l-19-38-x-w-10-inches-492-x-254-cm-textiles-woven-image344603189.htmlRM2B0J0TN–Piece, Italian or Spanish, 16th century, Italian or Spanish, Silk, L. 19 3/8 x W. 10 inches (49.2 x 25.4 cm), Textiles-Woven
Inspired by Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-wallpaper-paper-ca-1890-19-58-x-25-34-in-498-x-654-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459266322.htmlRF2HK5ATJ–Inspired by Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Paul Gavarni, French, 1804–1866, Marchand de casseroles, 1814–1866, Lithograph on paper, image: 10 1/16 x 7 3/4 in. (25.5 x 19.7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-gavarni-french-18041866-marchand-de-casseroles-18141866-lithograph-on-paper-image-10-116-x-7-34-in-255-x-197-cm-image344572293.htmlRM2B0GHD9–Paul Gavarni, French, 1804–1866, Marchand de casseroles, 1814–1866, Lithograph on paper, image: 10 1/16 x 7 3/4 in. (25.5 x 19.7 cm
Painting; oil on canvas; overall: 64.1 x 122.2 cm (25 1/4 x 48 1/8 in.) framed: 74.3 x 132.1 x 4.6 cm (29 1/4 x 52 x 1 13/16 in.); 19 Ralph Wheelock's Farm G-05238-002 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-641-x-1222-cm-25-14-x-48-18-in-framed-743-x-1321-x-46-cm-29-14-x-52-x-1-1316-in-19-ralph-wheelocks-farm-g-05238-002-image206561460.htmlRMP01K70–Painting; oil on canvas; overall: 64.1 x 122.2 cm (25 1/4 x 48 1/8 in.) framed: 74.3 x 132.1 x 4.6 cm (29 1/4 x 52 x 1 13/16 in.); 19 Ralph Wheelock's Farm G-05238-002
Paul Gavarni, French, 1804–1866, Balayeur des rues, 1814–1866, Lithograph on paper, image: 10 1/16 x 7 3/4 in. (25.5 x 19.7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-gavarni-french-18041866-balayeur-des-rues-18141866-lithograph-on-paper-image-10-116-x-7-34-in-255-x-197-cm-image344572294.htmlRM2B0GHDA–Paul Gavarni, French, 1804–1866, Balayeur des rues, 1814–1866, Lithograph on paper, image: 10 1/16 x 7 3/4 in. (25.5 x 19.7 cm
![THE SOUTH WEST VIEW OF BINHAM PRIORY, IN THE COUNTY OF NORFOLK Author Buck, Samuel 31.45.3. Place of publication: [London] Publisher: Publishd according to Act of Parliam.t Mar. 25, Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HKYG/the-south-west-view-of-binham-priory-in-the-county-of-norfolk-author-buck-samuel-31453-place-of-publication-london-publisher-publishd-according-to-act-of-parliamt-mar-25-date-of-publication-1738-item-type-1-print-medium-etching-dimensions-platemark-194-x-373-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HKYG.jpg "THE SOUTH WEST VIEW OF BINHAM PRIORY, IN THE COUNTY OF NORFOLK Author Buck, Samuel 31.45.3. Place of publication: [London] Publisher: Publishd according to Act of Parliam.t Mar. 25, Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE SOUTH WEST VIEW OF BINHAM PRIORY, IN THE COUNTY OF NORFOLK Author Buck, Samuel 31.45.3. Place of publication: [London] Publisher: Publishd according to Act of Parliam.t Mar. 25, Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-south-west-view-of-binham-priory-in-the-county-of-norfolk-author-buck-samuel-31453-place-of-publication-london-publisher-publishd-according-to-act-of-parliamt-mar-25-date-of-publication-1738-item-type-1-print-medium-etching-dimensions-platemark-194-x-373-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401759220.htmlRM2E9HKYG–THE SOUTH WEST VIEW OF BINHAM PRIORY, IN THE COUNTY OF NORFOLK Author Buck, Samuel 31.45.3. Place of publication: [London] Publisher: Publishd according to Act of Parliam.t Mar. 25, Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820
38 porcelain pieces from the service aboard of the Dornier DO X 1929., White, glazed porcelain with decorative lines as well as a stylised, winged globe in gold and red. On the bottom manufacturer's mark in underglaze green 'Gräf & Krippner Selb Bavaria' as well as the golden silhouette of the hydroplane over 'DO X 1929' and most of them inscribed 'Decoration by Marcel Dornier Langenargen'. Consisting of: 19 dining plates, diameter 25.4 cm. Nine dessert plates, diameter 20.3 cm. Two ashtrays, 10.4 x 11.4 cm. Also nine knife rests, with only golden manufactory m, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-38-porcelain-pieces-from-the-service-aboard-of-the-dornier-do-x-1929-31482097.htmlRMBR63MH–38 porcelain pieces from the service aboard of the Dornier DO X 1929., White, glazed porcelain with decorative lines as well as a stylised, winged globe in gold and red. On the bottom manufacturer's mark in underglaze green 'Gräf & Krippner Selb Bavaria' as well as the golden silhouette of the hydroplane over 'DO X 1929' and most of them inscribed 'Decoration by Marcel Dornier Langenargen'. Consisting of: 19 dining plates, diameter 25.4 cm. Nine dessert plates, diameter 20.3 cm. Two ashtrays, 10.4 x 11.4 cm. Also nine knife rests, with only golden manufactory m,
Drawing, Elevation of the Facade of a Theater, Paris; Designed by Cesare Recanatini (Italian, 1823–1893); Italy; pen and ink with sepia and gray washes on cream-colored paper; L x W: 25.8 × 19.7 cm (10 3/16 × 7 3/4 in.); Bequest of Erskine Hewitt; 1938-57-1424 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-elevation-of-the-facade-of-a-theater-paris-designed-by-cesare-recanatini-italian-18231893-italy-pen-and-ink-with-sepia-and-gray-washes-on-cream-colored-paper-l-x-w-258-197-cm-10-316-7-34-in-bequest-of-erskine-hewitt-1938-57-1424-image546126815.htmlRM2PME693–Drawing, Elevation of the Facade of a Theater, Paris; Designed by Cesare Recanatini (Italian, 1823–1893); Italy; pen and ink with sepia and gray washes on cream-colored paper; L x W: 25.8 × 19.7 cm (10 3/16 × 7 3/4 in.); Bequest of Erskine Hewitt; 1938-57-1424
Candlestick MET DP147881 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-candlestick-met-dp147881-1322-maker-myer-myers-17231795-candlestick-168117385.htmlRMKNEBC9–Candlestick MET DP147881 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2)
Candlestick MET DP251709 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-candlestick-met-dp251709-1322-maker-myer-myers-17231795-candlestick-168032681.htmlRMKNAFB5–Candlestick MET DP251709 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2)
Grill. Culture: Spanish. Dimensions: Overall: 19 x 10 3/16 x 1 1/4 in. (48.3 x 25.8 x 3.2 cm). Date: 12th-13th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grill-culture-spanish-dimensions-overall-19-x-10-316-x-1-14-in-483-x-258-x-32-cm-date-12th-13th-century-museum-metropolitan-museum-of-art-new-york-usa-image213149374.htmlRMPANP5J–Grill. Culture: Spanish. Dimensions: Overall: 19 x 10 3/16 x 1 1/4 in. (48.3 x 25.8 x 3.2 cm). Date: 12th-13th century. Museum: Metropolitan Museum of Art, New York, USA.
Inspired by Wallpaper, Paper, ca. 1870-1890, 19 3/4 x 25 1/2 in., 50.2 x 64.8 cm, decorative, floral, flower, pattern, vines, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-wallpaper-paper-ca-1870-1890-19-34-x-25-12-in-502-x-648-cm-decorative-floral-flower-pattern-vines-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459266308.htmlRF2HK5AT4–Inspired by Wallpaper, Paper, ca. 1870-1890, 19 3/4 x 25 1/2 in., 50.2 x 64.8 cm, decorative, floral, flower, pattern, vines, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Painting; oil on paper on canvas; overall: 19.7 x 25.7 cm (7 3/4 x 10 1/8 in.) framed: 34.3 x 40.6 x 6.4 cm (13 1/2 x 16 x 2 1/2 in.); 606 Three Peaches on a Plate A14830 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-paper-on-canvas-overall-197-x-257-cm-7-34-x-10-18-in-framed-343-x-406-x-64-cm-13-12-x-16-x-2-12-in-606-three-peaches-on-a-plate-a14830-image214001801.htmlRMPC4HDD–Painting; oil on paper on canvas; overall: 19.7 x 25.7 cm (7 3/4 x 10 1/8 in.) framed: 34.3 x 40.6 x 6.4 cm (13 1/2 x 16 x 2 1/2 in.); 606 Three Peaches on a Plate A14830
Mitre Shaped Cap, Peruvian, 11th–early 14th century, Peru, Peruvian, Cotton, camelid hair, H. 7 3/4 x W. 10 in. (19.7 x 25.4 cm), Textiles-Woven Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mitre-shaped-cap-peruvian-11thearly-14th-century-peru-peruvian-cotton-camelid-hair-h-7-34-x-w-10-in-197-x-254-cm-textiles-woven-image344638311.htmlRM2B0KHK3–Mitre Shaped Cap, Peruvian, 11th–early 14th century, Peru, Peruvian, Cotton, camelid hair, H. 7 3/4 x W. 10 in. (19.7 x 25.4 cm), Textiles-Woven
![The North East View of Pennarth Castle, in the County of Glamorgan. Author Buck, Samuel 47.54. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1741. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F125/the-north-east-view-of-pennarth-castle-in-the-county-of-glamorgan-author-buck-samuel-4754-place-of-publication-london-publisher-publishd-according-to-act-of-parliamt-march-25th-date-of-publication-1741-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-194-x-373-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F125.jpg "The North East View of Pennarth Castle, in the County of Glamorgan. Author Buck, Samuel 47.54. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1741. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
The North East View of Pennarth Castle, in the County of Glamorgan. Author Buck, Samuel 47.54. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1741. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-north-east-view-of-pennarth-castle-in-the-county-of-glamorgan-author-buck-samuel-4754-place-of-publication-london-publisher-publishd-according-to-act-of-parliamt-march-25th-date-of-publication-1741-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-194-x-373-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401700493.htmlRM2E9F125–The North East View of Pennarth Castle, in the County of Glamorgan. Author Buck, Samuel 47.54. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1741. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820
Drawing, Floral design for printed textile; Designed by Louis-Albert DuBois (Swiss, 1752–1818); France; brush and gouache, graphite on white wove paper; Sheet: 27.4 x 21.2 cm (10 13/16 x 8 3/8 in.) Image: 25 x 19.3 cm (9 13/16 x 7 5/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-floral-design-for-printed-textile-designed-by-louis-albert-dubois-swiss-17521818-france-brush-and-gouache-graphite-on-white-wove-paper-sheet-274-x-212-cm-10-1316-x-8-38-in-image-25-x-193-cm-9-1316-x-7-58-in-image546223295.htmlRM2PMJHAR–Drawing, Floral design for printed textile; Designed by Louis-Albert DuBois (Swiss, 1752–1818); France; brush and gouache, graphite on white wove paper; Sheet: 27.4 x 21.2 cm (10 13/16 x 8 3/8 in.) Image: 25 x 19.3 cm (9 13/16 x 7 5/8 in.)
Candlestick MET DP251702 Candlestick MET DP251702 /1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-candlestick-met-dp251702-candlestick-met-dp251702-1322-maker-myer-168032680.htmlRMKNAFB4–Candlestick MET DP251702 Candlestick MET DP251702 /1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2)
The Solitary Woman (Das einsame Weib). Artist: Wilhelm Lehmbruck (German, Duisburg 1881-1919 Berlin). Dimensions: plate: 19 x 19 3/4 inches (48 x 25 cm). Date: 1914. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-solitary-woman-das-einsame-weib-artist-wilhelm-lehmbruck-german-duisburg-1881-1919-berlin-dimensions-plate-19-x-19-34-inches-48-x-25-cm-date-1914-museum-metropolitan-museum-of-art-new-york-usa-image212935576.htmlRMPAC1E0–The Solitary Woman (Das einsame Weib). Artist: Wilhelm Lehmbruck (German, Duisburg 1881-1919 Berlin). Dimensions: plate: 19 x 19 3/4 inches (48 x 25 cm). Date: 1914. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-wallpaper-paper-ca-1890-19-58-x-25-34-in-498-x-654-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459574909.htmlRF2HKKCDH–Art inspired by Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Painting; oil on canvas; overall: 47.6 x 34 cm (18 3/4 x 13 3/8 in.) framed: 65.6 x 49.2 x 4.4 cm (25 13/16 x 19 3/8 x 1 3/4 in.); Still Life with Figs and Bread 919 Natura morta amb figues i pa -meléndez Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-476-x-34-cm-18-34-x-13-38-in-framed-656-x-492-x-44-cm-25-1316-x-19-38-x-1-34-in-still-life-with-figs-and-bread-919-natura-morta-amb-figues-i-pa-melndez-image185868794.htmlRMMPB1F6–Painting; oil on canvas; overall: 47.6 x 34 cm (18 3/4 x 13 3/8 in.) framed: 65.6 x 49.2 x 4.4 cm (25 13/16 x 19 3/8 x 1 3/4 in.); Still Life with Figs and Bread 919 Natura morta amb figues i pa -meléndez
Pleasures of Summer', French, probably Nantes or possibly Rouen, 1815–25, French, probably Nantes or possibly Rouen, Cotton, L. 19 3/4 x W. 29 1/4 inches, 50.2 x 74.3 cm, Textiles-Printed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pleasures-of-summer-french-probably-nantes-or-possibly-rouen-181525-french-probably-nantes-or-possibly-rouen-cotton-l-19-34-x-w-29-14-inches-502-x-743-cm-textiles-printed-image344615100.htmlRM2B0JG24–Pleasures of Summer', French, probably Nantes or possibly Rouen, 1815–25, French, probably Nantes or possibly Rouen, Cotton, L. 19 3/4 x W. 29 1/4 inches, 50.2 x 74.3 cm, Textiles-Printed
![The East View of Swansea Castle, in the County of Glamorgan. Author Buck, Samuel 47.42.d. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1741. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F0RW/the-east-view-of-swansea-castle-in-the-county-of-glamorgan-author-buck-samuel-4742d-place-of-publication-london-publisher-publishd-according-to-act-of-parliamt-march-25th-date-of-publication-1741-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-194-x-373-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F0RW.jpg "The East View of Swansea Castle, in the County of Glamorgan. Author Buck, Samuel 47.42.d. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1741. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
The East View of Swansea Castle, in the County of Glamorgan. Author Buck, Samuel 47.42.d. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1741. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-east-view-of-swansea-castle-in-the-county-of-glamorgan-author-buck-samuel-4742d-place-of-publication-london-publisher-publishd-according-to-act-of-parliamt-march-25th-date-of-publication-1741-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-194-x-373-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401700317.htmlRM2E9F0RW–The East View of Swansea Castle, in the County of Glamorgan. Author Buck, Samuel 47.42.d. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1741. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820
Drawing, Tree with Two Trunks; Frederic Edwin Church (American, 1826–1900); USA; graphite on paper.; Sheet: 38.8 x 25.8 cm (15 1/4 x 10 3/16 in.) Frame H x W x D: 50.2 x 39.7 cm (19 3/4 x 15 5/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-tree-with-two-trunks-frederic-edwin-church-american-18261900-usa-graphite-on-paper-sheet-388-x-258-cm-15-14-x-10-316-in-frame-h-x-w-x-d-502-x-397-cm-19-34-x-15-58-in-image546255621.htmlRM2PMM2H9–Drawing, Tree with Two Trunks; Frederic Edwin Church (American, 1826–1900); USA; graphite on paper.; Sheet: 38.8 x 25.8 cm (15 1/4 x 10 3/16 in.) Frame H x W x D: 50.2 x 39.7 cm (19 3/4 x 15 5/8 in.)
Portrait of Rikyu (?). Artist: Shibata Zeshin (Japanese, 1807-1891). Culture: Japan. Dimensions: 7 3/4 x 10 in. (19.7 x 25.4 cm). Date: ca. 1875. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-rikyu-artist-shibata-zeshin-japanese-1807-1891-culture-japan-dimensions-7-34-x-10-in-197-x-254-cm-date-ca-1875-museum-metropolitan-museum-of-art-new-york-usa-image213112404.htmlRMPAM318–Portrait of Rikyu (?). Artist: Shibata Zeshin (Japanese, 1807-1891). Culture: Japan. Dimensions: 7 3/4 x 10 in. (19.7 x 25.4 cm). Date: ca. 1875. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-wallpaper-paper-ca-1890-19-58-x-25-34-in-498-x-654-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459574958.htmlRF2HKKCFA–Art inspired by Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
English: The Kiss in the Field by Edvard Munch, 1943, woodcut printed in red-brown with watercolor on wove paper, block 40.4 x 49 cm (15 7/8 x 19 5/16 in.), overall 53.8 x 64.1 cm (21 3/16 x 25 1/4 in.), National Gallery of Art, Washington . 1943 36 The Kiss in the Field by Edvard Munch, 1943, woodcut printed in red-brown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-kiss-in-the-field-by-edvard-munch-1943-woodcut-printed-in-red-brown-with-watercolor-on-wove-paper-block-404-x-49-cm-15-78-x-19-516-in-overall-538-x-641-cm-21-316-x-25-14-in-national-gallery-of-art-washington-1943-36-the-kiss-in-the-field-by-edvard-munch-1943-woodcut-printed-in-red-brown-image210894018.htmlRMP731D6–English: The Kiss in the Field by Edvard Munch, 1943, woodcut printed in red-brown with watercolor on wove paper, block 40.4 x 49 cm (15 7/8 x 19 5/16 in.), overall 53.8 x 64.1 cm (21 3/16 x 25 1/4 in.), National Gallery of Art, Washington . 1943 36 The Kiss in the Field by Edvard Munch, 1943, woodcut printed in red-brown
Pillow cover, Italian, 16th century, Italian, Silk on linen, L. 17 1/2 x W. 25 1/4 inches (64.1 x 44.5 cm); L. 19 x W. 12 3/4 inches (48.3 x 34.9 cm), Textiles-Embroidered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pillow-cover-italian-16th-century-italian-silk-on-linen-l-17-12-x-w-25-14-inches-641-x-445-cm-l-19-x-w-12-34-inches-483-x-349-cm-textiles-embroidered-image344616488.htmlRM2B0JHRM–Pillow cover, Italian, 16th century, Italian, Silk on linen, L. 17 1/2 x W. 25 1/4 inches (64.1 x 44.5 cm); L. 19 x W. 12 3/4 inches (48.3 x 34.9 cm), Textiles-Embroidered
. English: Series Title: Shahnama of Ferdowsi Creation Date: ca. 1440 Display Dimensions: 10 1/8 in. x 7 3/4 in. (25.72 cm x 19.69 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.57 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 12:23:47. English: thesandiegomuseumofartcollection 1171 The Death of Shirin (6125039644) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-shahnama-of-ferdowsi-creation-date-ca-1440-display-dimensions-10-18-in-x-7-34-in-2572-cm-x-1969-cm-credit-line-gift-of-edwin-binney-3rd-accession-number-197157-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-1-october-2001-122347-english-thesandiegomuseumofartcollection-1171-the-death-of-shirin-6125039644-image185826152.htmlRMMP9348–. English: Series Title: Shahnama of Ferdowsi Creation Date: ca. 1440 Display Dimensions: 10 1/8 in. x 7 3/4 in. (25.72 cm x 19.69 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.57 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 12:23:47. English: thesandiegomuseumofartcollection 1171 The Death of Shirin (6125039644)
Argilano tötet den Pagen Solimans, Lesbino; in der Glorie vertreibt der heilige Michael die bösen Dämonen, Bernardo Castello (Genua 1557 - 1629 Genua), Zeichnung, Kreide; Feder; gray wash; weiss gehöht; das rechts obere Eck abgerissen, 25.4 x 19.3 cm, l.u. Herzog Albert von Sachsen-Teschen, 'Argillano killing Suleiman's page must be on foot not on horseback; the Horse, of the page must be there near him dead; and Suleiman who comes to his aid; the thought e, listesso p.that there is nothing more remarkable in this song; if he, likes it like this Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/argilano-ttet-den-pagen-solimans-lesbino-in-der-glorie-vertreibt-der-heilige-michael-die-bsen-dmonen-bernardo-castello-genua-1557-1629-genua-zeichnung-kreide-feder-gray-wash-weiss-gehht-das-rechts-obere-eck-abgerissen-254-x-193-cm-lu-herzog-albert-von-sachsen-teschen-argillano-killing-suleimans-page-must-be-on-foot-not-on-horseback-the-horse-of-the-page-must-be-there-near-him-dead-and-suleiman-who-comes-to-his-aid-the-thought-e-listesso-pthat-there-is-nothing-more-remarkable-in-this-song-if-he-likes-it-like-this-image573305510.htmlRM2T8M90P–Argilano tötet den Pagen Solimans, Lesbino; in der Glorie vertreibt der heilige Michael die bösen Dämonen, Bernardo Castello (Genua 1557 - 1629 Genua), Zeichnung, Kreide; Feder; gray wash; weiss gehöht; das rechts obere Eck abgerissen, 25.4 x 19.3 cm, l.u. Herzog Albert von Sachsen-Teschen, 'Argillano killing Suleiman's page must be on foot not on horseback; the Horse, of the page must be there near him dead; and Suleiman who comes to his aid; the thought e, listesso p.that there is nothing more remarkable in this song; if he, likes it like this
. English: Indian and Himalayan Art A Lion Kills Prasenajit in the Jungle From a dispersed series of the Syanmantaka Jewel Story from the Bhagavata Purana Made in Nepal Early Shah Dynasty (1769-present), c. 1775 Artist/maker unknown, Nepalese Opaque watercolor on paper 19 x 25 1/4 inches (48.3 x 64.1 cm) Currently not on view 1994-148-613 Stella Kramrisch Collection, 1994 . circa 1775. Made in Nepal 20 A Lion Kills Prasenajit in the Jungle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-indian-and-himalayan-art-a-lion-kills-prasenajit-in-the-jungle-from-a-dispersed-series-of-the-syanmantaka-jewel-story-from-the-bhagavata-purana-made-in-nepal-early-shah-dynasty-1769-present-c-1775-artistmaker-unknown-nepalese-opaque-watercolor-on-paper-19-x-25-14-inches-483-x-641-cm-currently-not-on-view-1994-148-613-stella-kramrisch-collection-1994-circa-1775-made-in-nepal-20-a-lion-kills-prasenajit-in-the-jungle-image188138353.htmlRMMX2CAW–. English: Indian and Himalayan Art A Lion Kills Prasenajit in the Jungle From a dispersed series of the Syanmantaka Jewel Story from the Bhagavata Purana Made in Nepal Early Shah Dynasty (1769-present), c. 1775 Artist/maker unknown, Nepalese Opaque watercolor on paper 19 x 25 1/4 inches (48.3 x 64.1 cm) Currently not on view 1994-148-613 Stella Kramrisch Collection, 1994 . circa 1775. Made in Nepal 20 A Lion Kills Prasenajit in the Jungle
Alfred Sisley, The Bridge at Villeneuve-la-Garenne, Alfred Sisley (British, Paris 1839–1899 Moret-sur-Loing), 1872, Oil on canvas, 19 1/2 x 25 3/4 in. (49.5 x 65.4 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alfred-sisley-the-bridge-at-villeneuve-la-garenne-alfred-sisley-british-paris-18391899-moret-sur-loing-1872-oil-on-canvas-19-12-x-25-34-in-495-x-654-cm-paintings-image344639455.htmlRM2B0KK3Y–Alfred Sisley, The Bridge at Villeneuve-la-Garenne, Alfred Sisley (British, Paris 1839–1899 Moret-sur-Loing), 1872, Oil on canvas, 19 1/2 x 25 3/4 in. (49.5 x 65.4 cm), Paintings
![THE WEST VIEW OF ST. EDMUND'S BURY ABBY, IN THE COUNTY OF SUFFOLK. Author Buck, Nathaniel 39.13.h. Place of publication: [London] Publisher: publish'd according to Act of Parliam.t March 25., Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HPD5/the-west-view-of-st-edmunds-bury-abby-in-the-county-of-suffolk-author-buck-nathaniel-3913h-place-of-publication-london-publisher-publishd-according-to-act-of-parliamt-march-25-date-of-publication-1738-item-type-1-print-medium-etching-dimensions-platemark-194-x-373-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HPD5.jpg "THE WEST VIEW OF ST. EDMUND'S BURY ABBY, IN THE COUNTY OF SUFFOLK. Author Buck, Nathaniel 39.13.h. Place of publication: [London] Publisher: publish'd according to Act of Parliam.t March 25., Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE WEST VIEW OF ST. EDMUND'S BURY ABBY, IN THE COUNTY OF SUFFOLK. Author Buck, Nathaniel 39.13.h. Place of publication: [London] Publisher: publish'd according to Act of Parliam.t March 25., Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-west-view-of-st-edmunds-bury-abby-in-the-county-of-suffolk-author-buck-nathaniel-3913h-place-of-publication-london-publisher-publishd-according-to-act-of-parliamt-march-25-date-of-publication-1738-item-type-1-print-medium-etching-dimensions-platemark-194-x-373-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401761169.htmlRM2E9HPD5–THE WEST VIEW OF ST. EDMUND'S BURY ABBY, IN THE COUNTY OF SUFFOLK. Author Buck, Nathaniel 39.13.h. Place of publication: [London] Publisher: publish'd according to Act of Parliam.t March 25., Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.3 cm. Former owner: George III, King of Great Britain, 1738-1820
Wild boar, drawing, black chalk, heightened with white, 19.4 x 25.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wild-boar-drawing-black-chalk-heightened-with-white-194-x-253-cm-image573314081.htmlRM2T8MKXW–Wild boar, drawing, black chalk, heightened with white, 19.4 x 25.3 cm
Print, St. Mark (S.Marcvs), 1650; Print Maker: Cornelis Visscher (Netherlandish, 1619 or 1629 – 1662); Netherlands; engraving on off-white laid paper; Paper: 25.4 x 19.8 cm (10 x 7 13/16 in.) Plate: 22.9 x 18.8 cm (9 x 7 3/8 in.); Bequest of George Campbell Cooper; 1896-3-206 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-st-mark-smarcvs-1650-print-maker-cornelis-visscher-netherlandish-1619-or-1629-1662-netherlands-engraving-on-off-white-laid-paper-paper-254-x-198-cm-10-x-7-1316-in-plate-229-x-188-cm-9-x-7-38-in-bequest-of-george-campbell-cooper-1896-3-206-image546130184.htmlRM2PMEAHC–Print, St. Mark (S.Marcvs), 1650; Print Maker: Cornelis Visscher (Netherlandish, 1619 or 1629 – 1662); Netherlands; engraving on off-white laid paper; Paper: 25.4 x 19.8 cm (10 x 7 13/16 in.) Plate: 22.9 x 18.8 cm (9 x 7 3/8 in.); Bequest of George Campbell Cooper; 1896-3-206
Wallpaper, Paper, ca. 1900, 19 3/4 x 25 1/8 in., 50.2 x 63.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wallpaper-paper-ca-1900-19-34-x-25-18-in-502-x-638-cm-image454284692.htmlRM2HB2CN8–Wallpaper, Paper, ca. 1900, 19 3/4 x 25 1/8 in., 50.2 x 63.8 cm
Print, Design for Cartouche Evoking the Sea; Designed by Jacques de Lajoüe (French, 1687–1761); Engraved by Charles Nicolas Cochin the younger (1715 - 1790); France; engraving on white laid paper; Platemark: 25.5 x 19 cm (10 1/16 x 7 1/2 in.) Sheet: 33.3 x 24.4 cm (13 1/8 x 9 5/8 in.), print is tipped into sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-design-for-cartouche-evoking-the-sea-designed-by-jacques-de-lajoe-french-16871761-engraved-by-charles-nicolas-cochin-the-younger-1715-1790-france-engraving-on-white-laid-paper-platemark-255-x-19-cm-10-116-x-7-12-in-sheet-333-x-244-cm-13-18-x-9-58-in-print-is-tipped-into-sheet-image546248733.htmlRM2PMKNR9–Print, Design for Cartouche Evoking the Sea; Designed by Jacques de Lajoüe (French, 1687–1761); Engraved by Charles Nicolas Cochin the younger (1715 - 1790); France; engraving on white laid paper; Platemark: 25.5 x 19 cm (10 1/16 x 7 1/2 in.) Sheet: 33.3 x 24.4 cm (13 1/8 x 9 5/8 in.), print is tipped into sheet
Drawing, An Art Lesson; Unknown (French); brush and watercolor, gouache on off-white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 13.3 x 25 cm (5 1/4 x 9 13/16 in.); Thaw Collection; 2007-27-81 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-an-art-lesson-unknown-french-brush-and-watercolor-gouache-on-off-white-wove-paper-frame-h-x-w-x-d-397-x-502-x-25-cm-15-58-x-19-34-x-1-in-sheet-133-x-25-cm-5-14-x-9-1316-in-thaw-collection-2007-27-81-image546083227.htmlRM2PMC6MB–Drawing, An Art Lesson; Unknown (French); brush and watercolor, gouache on off-white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 13.3 x 25 cm (5 1/4 x 9 13/16 in.); Thaw Collection; 2007-27-81
Drawing, Bedroom in a Country Dacha; Unknown; brush and watercolor, pen and blue ink, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 18.3 x 24.3 cm (7 3/16 x 9 9/16 in.); Thaw Collection; 2007-27-25 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-bedroom-in-a-country-dacha-unknown-brush-and-watercolor-pen-and-blue-ink-graphite-on-white-wove-paper-frame-h-x-w-x-d-397-x-502-x-25-cm-15-58-x-19-34-x-1-in-sheet-183-x-243-cm-7-316-x-9-916-in-thaw-collection-2007-27-25-image546134948.htmlRM2PMEGKG–Drawing, Bedroom in a Country Dacha; Unknown; brush and watercolor, pen and blue ink, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 18.3 x 24.3 cm (7 3/16 x 9 9/16 in.); Thaw Collection; 2007-27-25
![[Japanese Woman in Traditional Dress]. Artist: Suzuki Shin'ichi (Japanese, 1835-1919). Dimensions: 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PAXYH9/japanese-woman-in-traditional-dress-artist-suzuki-shinichi-japanese-1835-1919-dimensions-252-x-197-cm-9-1516-x-7-34-in-date-1870s-museum-metropolitan-museum-of-art-new-york-usa-PAXYH9.jpg "[Japanese Woman in Traditional Dress]. Artist: Suzuki Shin'ichi (Japanese, 1835-1919). Dimensions: 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[Japanese Woman in Traditional Dress]. Artist: Suzuki Shin'ichi (Japanese, 1835-1919). Dimensions: 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japanese-woman-in-traditional-dress-artist-suzuki-shinichi-japanese-1835-1919-dimensions-252-x-197-cm-9-1516-x-7-34-in-date-1870s-museum-metropolitan-museum-of-art-new-york-usa-image213263381.htmlRMPAXYH9–[Japanese Woman in Traditional Dress]. Artist: Suzuki Shin'ichi (Japanese, 1835-1919). Dimensions: 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA.
Drawing, Design for a Painted Ceiling with Alternative Suggestions, Possibly for the Entrance Hall; Designed by Frederick Crace (English, 1779–1859); Client: George IV, King of England; England; brush and watercolor, pen and black ink on white wove paper mounted on heavy white wove paper; 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-a-painted-ceiling-with-alternative-suggestions-possibly-for-the-entrance-hall-designed-by-frederick-crace-english-17791859-client-george-iv-king-of-england-england-brush-and-watercolor-pen-and-black-ink-on-white-wove-paper-mounted-on-heavy-white-wove-paper-255-x-197-cm-10-116-x-7-34-in-mat-356-x-457-cm-14-x-18-in-image546142053.htmlRM2PMEWN9–Drawing, Design for a Painted Ceiling with Alternative Suggestions, Possibly for the Entrance Hall; Designed by Frederick Crace (English, 1779–1859); Client: George IV, King of England; England; brush and watercolor, pen and black ink on white wove paper mounted on heavy white wove paper; 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)
Art inspired by Wallpaper, Paper, ca. 1900, 19 3/4 x 25 1/8 in., 50.2 x 63.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-wallpaper-paper-ca-1900-19-34-x-25-18-in-502-x-638-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459574991.htmlRF2HKKCGF–Art inspired by Wallpaper, Paper, ca. 1900, 19 3/4 x 25 1/8 in., 50.2 x 63.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Frontispiece for a History of Peter the Great; Jean-Jacques-François Le Barbier (French, 1738 – 1826); France; pen and brown ink, brush and orange wash, black chalk, engraving (portrait) on white laid paper laid down on blue paper mount; 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.) mount: 25. x 19.3 cm Mat: 35.6 x 45.7 cm (14 x 18 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-frontispiece-for-a-history-of-peter-the-great-jean-jacques-franois-le-barbier-french-1738-1826-france-pen-and-brown-ink-brush-and-orange-wash-black-chalk-engraving-portrait-on-white-laid-paper-laid-down-on-blue-paper-mount-194-x-137-cm-7-58-x-5-38-in-mount-25-x-193-cm-mat-356-x-457-cm-14-x-18-in-image546101380.htmlRM2PMD1TM–Drawing, Frontispiece for a History of Peter the Great; Jean-Jacques-François Le Barbier (French, 1738 – 1826); France; pen and brown ink, brush and orange wash, black chalk, engraving (portrait) on white laid paper laid down on blue paper mount; 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.) mount: 25. x 19.3 cm Mat: 35.6 x 45.7 cm (14 x 18 in.)
Art inspired by Fragment, late 16th century, Italian, Silk, Overall: 19 3/4 x 10 in. (50.2 x 25.4 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fragment-late-16th-century-italian-silk-overall-19-34-x-10-in-502-x-254-cm-textiles-woven-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778435.htmlRF2HTWAH7–Art inspired by Fragment, late 16th century, Italian, Silk, Overall: 19 3/4 x 10 in. (50.2 x 25.4 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, The Artist's Drawing Room on Lake Constance; Louise Cochelet (French, 1785 – 1835); brush and brown wash, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 19.2 x 25.6 cm (7 9/16 x 10 1/16 in.); Thaw Collection; 2007-27-1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-the-artists-drawing-room-on-lake-constance-louise-cochelet-french-1785-1835-brush-and-brown-wash-graphite-on-white-wove-paper-frame-h-x-w-x-d-397-x-502-x-25-cm-15-58-x-19-34-x-1-in-sheet-192-x-256-cm-7-916-x-10-116-in-thaw-collection-2007-27-1-image546080579.htmlRM2PMC39R–Drawing, The Artist's Drawing Room on Lake Constance; Louise Cochelet (French, 1785 – 1835); brush and brown wash, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 19.2 x 25.6 cm (7 9/16 x 10 1/16 in.); Thaw Collection; 2007-27-1
Inspired by Silhouette of Miss Jane Ann MacKenzie, Paper, wood, pigment, ca. 1830, 7 3/4 x 10 in., 19.7 x 25.4 cm, broom, childhood, hobby horse, innocent, little girl, play, toys, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-silhouette-of-miss-jane-ann-mackenzie-paper-wood-pigment-ca-1830-7-34-x-10-in-197-x-254-cm-broom-childhood-hobby-horse-innocent-little-girl-play-toys-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257266.htmlRF2HK4Y96–Inspired by Silhouette of Miss Jane Ann MacKenzie, Paper, wood, pigment, ca. 1830, 7 3/4 x 10 in., 19.7 x 25.4 cm, broom, childhood, hobby horse, innocent, little girl, play, toys, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Art inspired by Fragment, 17th century, Spanish or Italian, Silk, metal thread, Overall: 10 x 19 3/4 in. (25.4 x 50.2 cm), Textiles-Velvets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fragment-17th-century-spanish-or-italian-silk-metal-thread-overall-10-x-19-34-in-254-x-502-cm-textiles-velvets-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778323.htmlRF2HTWAD7–Art inspired by Fragment, 17th century, Spanish or Italian, Silk, metal thread, Overall: 10 x 19 3/4 in. (25.4 x 50.2 cm), Textiles-Velvets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Indian and Himalayan Art A Lion Kills Prasenajit in the Jungle From a dispersed series of the Syanmantaka Jewel Story from the Bhagavata Purana Made in Nepal Early Shah Dynasty (1769-present), c. 1775 Artist/maker unknown, Nepalese Opaque watercolor on paper 19 x 25 1/4 inches (48.3 x 64.1 cm) Currently not on view 1994-148-613 Stella Kramrisch Collection, 1994 . circa 1775. Made in Nepal 18 A Lion Kills Prasenajit in the Jungle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-indian-and-himalayan-art-a-lion-kills-prasenajit-in-the-jungle-from-a-dispersed-series-of-the-syanmantaka-jewel-story-from-the-bhagavata-purana-made-in-nepal-early-shah-dynasty-1769-present-c-1775-artistmaker-unknown-nepalese-opaque-watercolor-on-paper-19-x-25-14-inches-483-x-641-cm-currently-not-on-view-1994-148-613-stella-kramrisch-collection-1994-circa-1775-made-in-nepal-18-a-lion-kills-prasenajit-in-the-jungle-image188901056.htmlRMMY9568–. English: Indian and Himalayan Art A Lion Kills Prasenajit in the Jungle From a dispersed series of the Syanmantaka Jewel Story from the Bhagavata Purana Made in Nepal Early Shah Dynasty (1769-present), c. 1775 Artist/maker unknown, Nepalese Opaque watercolor on paper 19 x 25 1/4 inches (48.3 x 64.1 cm) Currently not on view 1994-148-613 Stella Kramrisch Collection, 1994 . circa 1775. Made in Nepal 18 A Lion Kills Prasenajit in the Jungle
Art inspired by Panel with Marine Deity, 1st century, Pakistan (ancient region of Gandhara), Schist, 7 3/4 x 10 in. (19.7 x 25.4 cm), Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-panel-with-marine-deity-1st-century-pakistan-ancient-region-of-gandhara-schist-7-34-x-10-in-197-x-254-cm-sculpture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462757556.htmlRF2HTTBYG–Art inspired by Panel with Marine Deity, 1st century, Pakistan (ancient region of Gandhara), Schist, 7 3/4 x 10 in. (19.7 x 25.4 cm), Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Chlori Imp. Castrum vulgo Clorendon Aug. 25. 1723. Author Stukeley, William 43.52.b. Place of publication: [England] Publisher: [printed for the author] Date of publication: [1724] Item type: 1 print Medium: etching Dimensions: sheet 17.4 x 27.2 cm, on sheet 19.3 x 29.8 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9EM9D/chlori-imp-castrum-vulgo-clorendon-aug-25-1723-author-stukeley-william-4352b-place-of-publication-england-publisher-printed-for-the-author-date-of-publication-1724-item-type-1-print-medium-etching-dimensions-sheet-174-x-272-cm-on-sheet-193-x-298-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9EM9D.jpg "Chlori Imp. Castrum vulgo Clorendon Aug. 25. 1723. Author Stukeley, William 43.52.b. Place of publication: [England] Publisher: [printed for the author] Date of publication: [1724] Item type: 1 print Medium: etching Dimensions: sheet 17.4 x 27.2 cm, on sheet 19.3 x 29.8 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Chlori Imp. Castrum vulgo Clorendon Aug. 25. 1723. Author Stukeley, William 43.52.b. Place of publication: [England] Publisher: [printed for the author] Date of publication: [1724] Item type: 1 print Medium: etching Dimensions: sheet 17.4 x 27.2 cm, on sheet 19.3 x 29.8 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chlori-imp-castrum-vulgo-clorendon-aug-25-1723-author-stukeley-william-4352b-place-of-publication-england-publisher-printed-for-the-author-date-of-publication-1724-item-type-1-print-medium-etching-dimensions-sheet-174-x-272-cm-on-sheet-193-x-298-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401693641.htmlRM2E9EM9D–Chlori Imp. Castrum vulgo Clorendon Aug. 25. 1723. Author Stukeley, William 43.52.b. Place of publication: [England] Publisher: [printed for the author] Date of publication: [1724] Item type: 1 print Medium: etching Dimensions: sheet 17.4 x 27.2 cm, on sheet 19.3 x 29.8 cm. Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Queen Anne frame, ca. 1720, British, Lime; beech feather keys., 30.4 x 25.5, 22 x 17.3, 24 x 19.2 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-queen-anne-frame-ca-1720-british-lime-beech-feather-keys-304-x-255-22-x-173-24-x-192-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826560.htmlRF2HTYG00–Art inspired by Queen Anne frame, ca. 1720, British, Lime; beech feather keys., 30.4 x 25.5, 22 x 17.3, 24 x 19.2 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wallpaper-paper-ca-1890-19-58-x-25-34-in-498-x-654-cm-image454284676.htmlRM2HB2CMM–Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm
Farm laborer with rain coat (mino). Artist: Suzuki Shin'ichi (Japanese, 1835-1919). Dimensions: 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/farm-laborer-with-rain-coat-mino-artist-suzuki-shinichi-japanese-1835-1919-dimensions-252-x-197-cm-9-1516-x-7-34-in-date-1870s-museum-metropolitan-museum-of-art-new-york-usa-image213204740.htmlRMPAT8R0–Farm laborer with rain coat (mino). Artist: Suzuki Shin'ichi (Japanese, 1835-1919). Dimensions: 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA.
![Print, Differents Desseins de Sallieres [Various Designs for Salt Dishes], pl. 63 in Oeuvre de Juste-Aurele Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Etched by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; Platemark: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.) Image: 23.5 x 17.9 cm (9 1/4 x 7 1/16 in.) Stock Photo](https://c8.alamy.com/comp/2PMCKCY/print-differents-desseins-de-sallieres-various-designs-for-salt-dishes-pl-63-in-oeuvre-de-juste-aurele-meissonnier-designed-by-juste-aurle-meissonnier-french-b-italy-16951750-etched-by-gabriel-huquier-french-16951772-france-etching-on-off-white-laid-paper-platemark-255-x-197-cm-10-116-x-7-34-in-image-235-x-179-cm-9-14-x-7-116-in-2PMCKCY.jpg "Print, Differents Desseins de Sallieres [Various Designs for Salt Dishes], pl. 63 in Oeuvre de Juste-Aurele Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Etched by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; Platemark: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.) Image: 23.5 x 17.9 cm (9 1/4 x 7 1/16 in.) Stock Photo")
Print, Differents Desseins de Sallieres [Various Designs for Salt Dishes], pl. 63 in Oeuvre de Juste-Aurele Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Etched by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; Platemark: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.) Image: 23.5 x 17.9 cm (9 1/4 x 7 1/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-differents-desseins-de-sallieres-various-designs-for-salt-dishes-pl-63-in-oeuvre-de-juste-aurele-meissonnier-designed-by-juste-aurle-meissonnier-french-b-italy-16951750-etched-by-gabriel-huquier-french-16951772-france-etching-on-off-white-laid-paper-platemark-255-x-197-cm-10-116-x-7-34-in-image-235-x-179-cm-9-14-x-7-116-in-image546093211.htmlRM2PMCKCY–Print, Differents Desseins de Sallieres [Various Designs for Salt Dishes], pl. 63 in Oeuvre de Juste-Aurele Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Etched by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; Platemark: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.) Image: 23.5 x 17.9 cm (9 1/4 x 7 1/16 in.)
. English: Indian and Himalayan Art A Lion Kills Prasenajit in the Jungle From a dispersed series of the Syanmantaka Jewel Story from the Bhagavata Purana Made in Nepal Early Shah Dynasty (1769-present), c. 1775 Artist/maker unknown, Nepalese Opaque watercolor on paper 19 x 25 1/4 inches (48.3 x 64.1 cm) Currently not on view 1994-148-613 Stella Kramrisch Collection, 1994 . circa 1775. Made in Nepal 20 A Lion Kills Prasenajit in the Jungle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-indian-and-himalayan-art-a-lion-kills-prasenajit-in-the-jungle-from-a-dispersed-series-of-the-syanmantaka-jewel-story-from-the-bhagavata-purana-made-in-nepal-early-shah-dynasty-1769-present-c-1775-artistmaker-unknown-nepalese-opaque-watercolor-on-paper-19-x-25-14-inches-483-x-641-cm-currently-not-on-view-1994-148-613-stella-kramrisch-collection-1994-circa-1775-made-in-nepal-20-a-lion-kills-prasenajit-in-the-jungle-image187624604.htmlRMMW712M–. English: Indian and Himalayan Art A Lion Kills Prasenajit in the Jungle From a dispersed series of the Syanmantaka Jewel Story from the Bhagavata Purana Made in Nepal Early Shah Dynasty (1769-present), c. 1775 Artist/maker unknown, Nepalese Opaque watercolor on paper 19 x 25 1/4 inches (48.3 x 64.1 cm) Currently not on view 1994-148-613 Stella Kramrisch Collection, 1994 . circa 1775. Made in Nepal 20 A Lion Kills Prasenajit in the Jungle
![THE NORTH WEST VIEW OF MIDDLETON ABBY, IN THE COUNTY OF DORSET. Author Buck, Samuel 12.21. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1733] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.5 x 37.3 cm, on sheet 25.4 x 39 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GH6G/the-north-west-view-of-middleton-abby-in-the-county-of-dorset-author-buck-samuel-1221-place-of-publication-england-publisher-samuel-and-nathaniel-buck-date-of-publication-1733-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-195-x-373-cm-on-sheet-254-x-39-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GH6G.jpg "THE NORTH WEST VIEW OF MIDDLETON ABBY, IN THE COUNTY OF DORSET. Author Buck, Samuel 12.21. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1733] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.5 x 37.3 cm, on sheet 25.4 x 39 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE NORTH WEST VIEW OF MIDDLETON ABBY, IN THE COUNTY OF DORSET. Author Buck, Samuel 12.21. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1733] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.5 x 37.3 cm, on sheet 25.4 x 39 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-north-west-view-of-middleton-abby-in-the-county-of-dorset-author-buck-samuel-1221-place-of-publication-england-publisher-samuel-and-nathaniel-buck-date-of-publication-1733-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-195-x-373-cm-on-sheet-254-x-39-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401735112.htmlRM2E9GH6G–THE NORTH WEST VIEW OF MIDDLETON ABBY, IN THE COUNTY OF DORSET. Author Buck, Samuel 12.21. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1733] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.5 x 37.3 cm, on sheet 25.4 x 39 cm. Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Queen Anne frame, ca. 1720, British, Lime; beech feather keys, 30.4 x 25.5, 22 x 17.3, 24 x 19.2 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-queen-anne-frame-ca-1720-british-lime-beech-feather-keys-304-x-255-22-x-173-24-x-192-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462825697.htmlRF2HTYEW5–Art inspired by Queen Anne frame, ca. 1720, British, Lime; beech feather keys, 30.4 x 25.5, 22 x 17.3, 24 x 19.2 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wallpaper-paper-ca-1890-19-58-x-25-34-in-498-x-654-cm-image454284658.htmlRM2HB2CM2–Wallpaper, Paper, ca. 1890, 19 5/8 x 25 3/4 in., 49.8 x 65.4 cm
Art inspired by Wallpaper, Paper, ca. 1870-1890, 19 3/4 x 25 1/2 in., 50.2 x 64.8 cm, decorative, floral, flower, pattern, vines, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-wallpaper-paper-ca-1870-1890-19-34-x-25-12-in-502-x-648-cm-decorative-floral-flower-pattern-vines-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459574911.htmlRF2HKKCDK–Art inspired by Wallpaper, Paper, ca. 1870-1890, 19 3/4 x 25 1/2 in., 50.2 x 64.8 cm, decorative, floral, flower, pattern, vines, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Brazier, 13th century, Spanish, Wrought iron, Overall: 10 x 14 3/4 x 19 in. (25.4 x 37.5 x 48.3 cm), Metalwork-Iron, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-brazier-13th-century-spanish-wrought-iron-overall-10-x-14-34-x-19-in-254-x-375-x-483-cm-metalwork-iron-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462839445.htmlRF2HW04C5–Art inspired by Brazier, 13th century, Spanish, Wrought iron, Overall: 10 x 14 3/4 x 19 in. (25.4 x 37.5 x 48.3 cm), Metalwork-Iron, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Pot, 4th–7th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Earthenware, Overall: 10 x 7 3/4 in. (25.4 x 19.7 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pot-4th7th-century-made-in-kharga-oasis-byzantine-egypt-coptic-earthenware-overall-10-x-7-34-in-254-x-197-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462844222.htmlRF2HW0AEP–Art inspired by Pot, 4th–7th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Earthenware, Overall: 10 x 7 3/4 in. (25.4 x 19.7 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[Two Japanese Women in Traditional Dress with Fan and Screen]. Artist: Suzuki Shin'ichi (Japanese, 1835-1919). Dimensions: 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PAXTYB/two-japanese-women-in-traditional-dress-with-fan-and-screen-artist-suzuki-shinichi-japanese-1835-1919-dimensions-252-x-197-cm-9-1516-x-7-34-in-date-1870s-museum-metropolitan-museum-of-art-new-york-usa-PAXTYB.jpg "[Two Japanese Women in Traditional Dress with Fan and Screen]. Artist: Suzuki Shin'ichi (Japanese, 1835-1919). Dimensions: 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[Two Japanese Women in Traditional Dress with Fan and Screen]. Artist: Suzuki Shin'ichi (Japanese, 1835-1919). Dimensions: 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-japanese-women-in-traditional-dress-with-fan-and-screen-artist-suzuki-shinichi-japanese-1835-1919-dimensions-252-x-197-cm-9-1516-x-7-34-in-date-1870s-museum-metropolitan-museum-of-art-new-york-usa-image213261311.htmlRMPAXTYB–[Two Japanese Women in Traditional Dress with Fan and Screen]. Artist: Suzuki Shin'ichi (Japanese, 1835-1919). Dimensions: 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Spinner, 1653, Oil on wood, 19 x 25 1/4 in. (48.3 x 64.1 cm), Paintings, Quirijn van Brekelenkam (Dutch, Zwammerdam (?), after 1622–ca. 1669 Leiden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-spinner-1653-oil-on-wood-19-x-25-14-in-483-x-641-cm-paintings-quirijn-van-brekelenkam-dutch-zwammerdam-after-1622ca-1669-leiden-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814247.htmlRF2HTY087–Art inspired by The Spinner, 1653, Oil on wood, 19 x 25 1/4 in. (48.3 x 64.1 cm), Paintings, Quirijn van Brekelenkam (Dutch, Zwammerdam (?), after 1622–ca. 1669 Leiden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Solitary Woman (Das einsame Weib), 1914, Drypoint, plate: 19 x 19 3/4 inches (48 x 25 cm), Prints, Wilhelm Lehmbruck (German, Duisburg 1881–1919 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-solitary-woman-das-einsame-weib-1914-drypoint-plate-19-x-19-34-inches-48-x-25-cm-prints-wilhelm-lehmbruck-german-duisburg-18811919-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970089.htmlRF2HW6321–Art inspired by The Solitary Woman (Das einsame Weib), 1914, Drypoint, plate: 19 x 19 3/4 inches (48 x 25 cm), Prints, Wilhelm Lehmbruck (German, Duisburg 1881–1919 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Trees Beside a Pond, 1820–78, Watercolor over graphite, 10 x 7 3/4 in. (25.5 x 19.6 cm), Drawings, Louis-Antoine-Léon Riesener (French, Paris 1808–1878 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-trees-beside-a-pond-182078-watercolor-over-graphite-10-x-7-34-in-255-x-196-cm-drawings-louis-antoine-lon-riesener-french-paris-18081878-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952307.htmlRF2HW58AY–Art inspired by Trees Beside a Pond, 1820–78, Watercolor over graphite, 10 x 7 3/4 in. (25.5 x 19.6 cm), Drawings, Louis-Antoine-Léon Riesener (French, Paris 1808–1878 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Print, Ornamental Design with Triangular Purple and Red leaves, from Nouvelle suite de cahiers de flerurs naturelle a l'usage des dessinateurs et des peintres, No.1; Designed by Jean-Baptiste Pillement (French, 1728–1808); Etched by Anne Allen (English, active France, ca. 1750–1810); France; etching with colored inks à la poupé on cream laid paper tipped in cream paper; Sheet: 25.1 x 19.7 cm (9 7/8 x 7 3/4 in.) Platemark: 20 x 14 cm (7 7/8 x 5 1/2 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-ornamental-design-with-triangular-purple-and-red-leaves-from-nouvelle-suite-de-cahiers-de-flerurs-naturelle-a-lusage-des-dessinateurs-et-des-peintres-no1-designed-by-jean-baptiste-pillement-french-17281808-etched-by-anne-allen-english-active-france-ca-17501810-france-etching-with-colored-inks-la-poup-on-cream-laid-paper-tipped-in-cream-paper-sheet-251-x-197-cm-9-78-x-7-34-in-platemark-20-x-14-cm-7-78-x-5-12-in-image546238577.htmlRM2PMK8TH–Print, Ornamental Design with Triangular Purple and Red leaves, from Nouvelle suite de cahiers de flerurs naturelle a l'usage des dessinateurs et des peintres, No.1; Designed by Jean-Baptiste Pillement (French, 1728–1808); Etched by Anne Allen (English, active France, ca. 1750–1810); France; etching with colored inks à la poupé on cream laid paper tipped in cream paper; Sheet: 25.1 x 19.7 cm (9 7/8 x 7 3/4 in.) Platemark: 20 x 14 cm (7 7/8 x 5 1/2 in.)
Art inspired by Grill, 12th–13th century, Made in León, Spain, Spanish, Iron, Overall: 19 x 10 3/16 x 1 1/4 in. (48.3 x 25.8 x 3.2 cm), Metalwork-Iron, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-grill-12th13th-century-made-in-len-spain-spanish-iron-overall-19-x-10-316-x-1-14-in-483-x-258-x-32-cm-metalwork-iron-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462834402.htmlRF2HTYX02–Art inspired by Grill, 12th–13th century, Made in León, Spain, Spanish, Iron, Overall: 19 x 10 3/16 x 1 1/4 in. (48.3 x 25.8 x 3.2 cm), Metalwork-Iron, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Bride Box, 1820–25, Made in Lancaster County, Pennsylvania, United States, American, Pine, 8 1/4 x 19 3/16 x 12 in. (21 x 48.7 x 30.5 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bride-box-182025-made-in-lancaster-county-pennsylvania-united-states-american-pine-8-14-x-19-316-x-12-in-21-x-487-x-305-cm-furniture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462875774.htmlRF2HW1PNJ–Art inspired by Bride Box, 1820–25, Made in Lancaster County, Pennsylvania, United States, American, Pine, 8 1/4 x 19 3/16 x 12 in. (21 x 48.7 x 30.5 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Indian and Himalayan Art A Lion Kills Prasenajit in the Jungle From a dispersed series of the Syanmantaka Jewel Story from the Bhagavata Purana Made in Nepal Early Shah Dynasty (1769-present), c. 1775 Artist/maker unknown, Nepalese Opaque watercolor on paper 19 x 25 1/4 inches (48.3 x 64.1 cm) Currently not on view 1994-148-613 Stella Kramrisch Collection, 1994 . circa 1775. Made in Nepal 20 A Lion Kills Prasenajit in the Jungle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-indian-and-himalayan-art-a-lion-kills-prasenajit-in-the-jungle-from-a-dispersed-series-of-the-syanmantaka-jewel-story-from-the-bhagavata-purana-made-in-nepal-early-shah-dynasty-1769-present-c-1775-artistmaker-unknown-nepalese-opaque-watercolor-on-paper-19-x-25-14-inches-483-x-641-cm-currently-not-on-view-1994-148-613-stella-kramrisch-collection-1994-circa-1775-made-in-nepal-20-a-lion-kills-prasenajit-in-the-jungle-image184879401.htmlRMMMNYFN–. English: Indian and Himalayan Art A Lion Kills Prasenajit in the Jungle From a dispersed series of the Syanmantaka Jewel Story from the Bhagavata Purana Made in Nepal Early Shah Dynasty (1769-present), c. 1775 Artist/maker unknown, Nepalese Opaque watercolor on paper 19 x 25 1/4 inches (48.3 x 64.1 cm) Currently not on view 1994-148-613 Stella Kramrisch Collection, 1994 . circa 1775. Made in Nepal 20 A Lion Kills Prasenajit in the Jungle
Art inspired by The Bone Player, 1857, Hand-colored lithograph, image: 25 x 19 3/4 in. (63.5 x 50.2 cm), Prints, After William Sidney Mount (American, Setauket, New York 1807–1868 Setauket, New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-bone-player-1857-hand-colored-lithograph-image-25-x-19-34-in-635-x-502-cm-prints-after-william-sidney-mount-american-setauket-new-york-18071868-setauket-new-york-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801596.htmlRF2HTXC4C–Art inspired by The Bone Player, 1857, Hand-colored lithograph, image: 25 x 19 3/4 in. (63.5 x 50.2 cm), Prints, After William Sidney Mount (American, Setauket, New York 1807–1868 Setauket, New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Late PAUL WHITHEAD'S Twickenham Comm. Author Jukes, Francis 30.19.bb. Place of publication: London Publisher: 1786 by F. Jukes No 3 Howland Street, Date of publication: [1786] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: plate 20 x 25 cm, on sheet 24.4 x 35.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HKAA/late-paul-whitheads-twickenham-comm-author-jukes-francis-3019bb-place-of-publication-london-publisher-1786-by-f-jukes-no-3-howland-street-date-of-publication-1786-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-plate-20-x-25-cm-on-sheet-244-x-351-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HKAA.jpg "Late PAUL WHITHEAD'S Twickenham Comm. Author Jukes, Francis 30.19.bb. Place of publication: London Publisher: 1786 by F. Jukes No 3 Howland Street, Date of publication: [1786] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: plate 20 x 25 cm, on sheet 24.4 x 35.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Late PAUL WHITHEAD'S Twickenham Comm. Author Jukes, Francis 30.19.bb. Place of publication: London Publisher: 1786 by F. Jukes No 3 Howland Street, Date of publication: [1786] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: plate 20 x 25 cm, on sheet 24.4 x 35.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/late-paul-whitheads-twickenham-comm-author-jukes-francis-3019bb-place-of-publication-london-publisher-1786-by-f-jukes-no-3-howland-street-date-of-publication-1786-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-plate-20-x-25-cm-on-sheet-244-x-351-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401758738.htmlRM2E9HKAA–Late PAUL WHITHEAD'S Twickenham Comm. Author Jukes, Francis 30.19.bb. Place of publication: London Publisher: 1786 by F. Jukes No 3 Howland Street, Date of publication: [1786] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: plate 20 x 25 cm, on sheet 24.4 x 35.1 cm Former owner: George III, King of Great Britain, 1738-1820
Wallpaper, Paper, ca. 1870-1890, 19 3/4 x 25 1/2 in., 50.2 x 64.8 cm, decorative, floral, flower, pattern, vines Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wallpaper-paper-ca-1870-1890-19-34-x-25-12-in-502-x-648-cm-decorative-floral-flower-pattern-vines-image454284672.htmlRM2HB2CMG–Wallpaper, Paper, ca. 1870-1890, 19 3/4 x 25 1/2 in., 50.2 x 64.8 cm, decorative, floral, flower, pattern, vines
Search Results for 25 4 x 19 3 cm Stock Photos and Images (903)
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