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25 19 6 cm Stock Photos and Images
Art inspired by The Parable of the Good Samaritan, 1549, Etching, Sheet: 9 13/16 x 7 11/16 in. (25 x 19.6 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-parable-of-the-good-samaritan-1549-etching-sheet-9-1316-x-7-1116-in-25-x-196-cm-prints-after-maarten-van-heemskerck-netherlandish-heemskerck-14981574-haarlem-dirk-volckertsz-coornhert-netherlandish-amsterdam-1519221590-gouda-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008749.htmlRF2HW7TAN–Art inspired by The Parable of the Good Samaritan, 1549, Etching, Sheet: 9 13/16 x 7 11/16 in. (25 x 19.6 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Christ Before Herod, Flemish, Leuven, ca. 1520–25, Flemish, Leuven, Stained glass, Overall: 27 × 19 in. (68.6 × 48.3 cm), Glass-Stained Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-herod-flemish-leuven-ca-152025-flemish-leuven-stained-glass-overall-27-19-in-686-483-cm-glass-stained-image344657518.htmlRM2B0ME52–Christ Before Herod, Flemish, Leuven, ca. 1520–25, Flemish, Leuven, Stained glass, Overall: 27 × 19 in. (68.6 × 48.3 cm), Glass-Stained
The Parable of the Good Samaritan. Artist: Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda); After Maarten van Heemskerck (Netherlandish, Heemskerck 1498-1574 Haarlem). Dimensions: Sheet: 9 13/16 x 7 11/16 in. (25 x 19.6 cm). Date: 1549. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-good-samaritan-artist-dirk-volckertsz-coornhert-netherlandish-amsterdam-151922-1590-gouda-after-maarten-van-heemskerck-netherlandish-heemskerck-1498-1574-haarlem-dimensions-sheet-9-1316-x-7-1116-in-25-x-196-cm-date-1549-museum-metropolitan-museum-of-art-new-york-usa-image213317213.htmlRMPB1C7W–The Parable of the Good Samaritan. Artist: Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda); After Maarten van Heemskerck (Netherlandish, Heemskerck 1498-1574 Haarlem). Dimensions: Sheet: 9 13/16 x 7 11/16 in. (25 x 19.6 cm). Date: 1549. Museum: Metropolitan Museum of Art, New York, USA.
Stela with a dedication to the goddess Hathor and Hathoric symbols, Stone / limestone, 19 x 25 x 6 cm, 1292–1190 B, Nineteenth, 19th,Dynasty, New Kingdom, Deir el-Medina, Egypt (Museo Egizio di Torino Italy) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stela-with-a-dedication-to-the-goddess-hathor-and-hathoric-symbols-stone-limestone-19-x-25-x-6-cm-12921190-b-nineteenth-19thdynasty-new-kingdom-deir-el-medina-egypt-museo-egizio-di-torino-italy-image459393026.htmlRM2HKB4DP–Stela with a dedication to the goddess Hathor and Hathoric symbols, Stone / limestone, 19 x 25 x 6 cm, 1292–1190 B, Nineteenth, 19th,Dynasty, New Kingdom, Deir el-Medina, Egypt (Museo Egizio di Torino Italy)
. Deutsch: Andachtsbildchen, Chromolithographie um 1900, 6 x 9 cm . turn of the 19/20th century. Unknown 25 B07 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-andachtsbildchen-chromolithographie-um-1900-6-x-9-cm-turn-of-the-1920th-century-unknown-25-b07-image207906416.htmlRMP26XN4–. Deutsch: Andachtsbildchen, Chromolithographie um 1900, 6 x 9 cm . turn of the 19/20th century. Unknown 25 B07
![MEKELNBURG DUCATUS. Author Merian, Matthaeus 101.10. Place of publication: [Frankfurt] Publisher: [Matthaeus Merian] Date of publication: [about 1633.] Item type: 1 map Medium: copperplate engraving Dimensions: 19.6 x 25.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HH92/mekelnburg-ducatus-author-merian-matthaeus-10110-place-of-publication-frankfurt-publisher-matthaeus-merian-date-of-publication-about-1633-item-type-1-map-medium-copperplate-engraving-dimensions-196-x-252-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HH92.jpg "MEKELNBURG DUCATUS. Author Merian, Matthaeus 101.10. Place of publication: [Frankfurt] Publisher: [Matthaeus Merian] Date of publication: [about 1633.] Item type: 1 map Medium: copperplate engraving Dimensions: 19.6 x 25.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
MEKELNBURG DUCATUS. Author Merian, Matthaeus 101.10. Place of publication: [Frankfurt] Publisher: [Matthaeus Merian] Date of publication: [about 1633.] Item type: 1 map Medium: copperplate engraving Dimensions: 19.6 x 25.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mekelnburg-ducatus-author-merian-matthaeus-10110-place-of-publication-frankfurt-publisher-matthaeus-merian-date-of-publication-about-1633-item-type-1-map-medium-copperplate-engraving-dimensions-196-x-252-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401757134.htmlRM2E9HH92–MEKELNBURG DUCATUS. Author Merian, Matthaeus 101.10. Place of publication: [Frankfurt] Publisher: [Matthaeus Merian] Date of publication: [about 1633.] Item type: 1 map Medium: copperplate engraving Dimensions: 19.6 x 25.2 cm Former owner: George III, King of Great Britain, 1738-1820
![Fishing scene, No. 1 / EB [monogram] ; after E.B. Bensell. Abstract/medium: 1 print : chromolithograph ; sheet 19.6 x 25.9 cm. Stock Photo](https://c8.alamy.com/comp/WB7DH2/fishing-scene-no-1-eb-monogram-after-eb-bensell-abstractmedium-1-print-chromolithograph-sheet-196-x-259-cm-WB7DH2.jpg "Fishing scene, No. 1 / EB [monogram] ; after E.B. Bensell. Abstract/medium: 1 print : chromolithograph ; sheet 19.6 x 25.9 cm. Stock Photo")
Fishing scene, No. 1 / EB [monogram] ; after E.B. Bensell. Abstract/medium: 1 print : chromolithograph ; sheet 19.6 x 25.9 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fishing-scene-no-1-eb-monogram-after-eb-bensell-abstractmedium-1-print-chromolithograph-sheet-196-x-259-cm-image265081070.htmlRMWB7DH2–Fishing scene, No. 1 / EB [monogram] ; after E.B. Bensell. Abstract/medium: 1 print : chromolithograph ; sheet 19.6 x 25.9 cm.
Adolf Hitler - his personal watercolour paintbox,A rectangular metal box,the exterior lacquered in black,manufactured by 'Redeker & Hennis' in 1910 in Nuremberg.Exemplar for classes,characterised 'Für Lehrzwecke'(for teaching purposes),the interior painted in white,remnants of a glued piece of paper inscribed with the colour descriptions.With it a small brush and fragments of the colours.Dimensions when opened 25 x 19.6 cm.Provenance: It was taken from Hitler's private residence near the Prinzregentenplatz in Munich by the Belgian war correspondent R,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-adolf-hitler-his-personal-watercolour-paintboxa-rectangular-metal-51499358.htmlRMCYNYXP–Adolf Hitler - his personal watercolour paintbox,A rectangular metal box,the exterior lacquered in black,manufactured by 'Redeker & Hennis' in 1910 in Nuremberg.Exemplar for classes,characterised 'Für Lehrzwecke'(for teaching purposes),the interior painted in white,remnants of a glued piece of paper inscribed with the colour descriptions.With it a small brush and fragments of the colours.Dimensions when opened 25 x 19.6 cm.Provenance: It was taken from Hitler's private residence near the Prinzregentenplatz in Munich by the Belgian war correspondent R,Additional-Rights-Clearences-Not Available
188087 Dutch, Enkhuizen, Acorn-top spoon, probably 1688, Silver, Overall: 7 3/4 ? 2 3/8 in. (19.7 ? 6 cm). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/188087-dutch-enkhuizen-acorn-top-spoon-probably-1688-silver-overall-7-34-2-38-in-197-6-cm-image231091970.htmlRMRBY44J–188087 Dutch, Enkhuizen, Acorn-top spoon, probably 1688, Silver, Overall: 7 3/4 ? 2 3/8 in. (19.7 ? 6 cm).
Adoration of the Magi; Andrea Mantegna (Italian (Paduan), about 1431 - 1506); Italy; about 1495 - 1505; Distemper on linen; 48.6 × 65.6 cm (19 1/8 × 25 13/16 in.); 85.PA.417 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adoration-of-the-magi-andrea-mantegna-italian-paduan-about-1431-1506-italy-about-1495-1505-distemper-on-linen-486-656-cm-19-18-25-1316-in-85pa417-image597364028.htmlRM2WKT7WG–Adoration of the Magi; Andrea Mantegna (Italian (Paduan), about 1431 - 1506); Italy; about 1495 - 1505; Distemper on linen; 48.6 × 65.6 cm (19 1/8 × 25 13/16 in.); 85.PA.417
Scrapbook; block-printed, machine-printed, and flocked samples; Overall: 65 x 49.5 x 6 cm (25 9/16 x 19 1/2 x 2 3/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scrapbook-block-printed-machine-printed-and-flocked-samples-overall-65-x-495-x-6-cm-25-916-x-19-12-x-2-38-in-image546160932.htmlRM2PMFNRG–Scrapbook; block-printed, machine-printed, and flocked samples; Overall: 65 x 49.5 x 6 cm (25 9/16 x 19 1/2 x 2 3/8 in.)
'Jean-Auguste-Dominique Ingres, Philippe Mengin de Bionval, 1812, graphite on wove paper, overall: 25.6 x 19.6 cm (10 1/16 x 7 11/16 in.), Woodner Collection, 1991.182.21' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-auguste-dominique-ingres-philippe-mengin-de-bionval-1812-graphite-on-wove-paper-overall-256-x-196-cm-10-116-x-7-1116-in-woodner-collection-199118221-image559706732.htmlRM2REGRJ4–'Jean-Auguste-Dominique Ingres, Philippe Mengin de Bionval, 1812, graphite on wove paper, overall: 25.6 x 19.6 cm (10 1/16 x 7 11/16 in.), Woodner Collection, 1991.182.21'
![The east front of Theatre Royal from Bow Street; figures standing beneath the entrance portico and on the street; nearby buildings and shop fronts to the right of the theatre. Theatre Royal from Bow street. 101 Strand LONDON., [October 1 1809]. 1 print : etching and aquatint with hand-colouring ; sheet 13.3 x 21.6 cm. Source: Maps.K.Top.25.19.1.d. Stock Photo](https://c8.alamy.com/comp/R587B7/the-east-front-of-theatre-royal-from-bow-street-figures-standing-beneath-the-entrance-portico-and-on-the-street-nearby-buildings-and-shop-fronts-to-the-right-of-the-theatre-theatre-royal-from-bow-street-101-strand-london-october-1-1809-1-print-etching-and-aquatint-with-hand-colouring-sheet-133-x-216-cm-source-mapsktop25191d-R587B7.jpg "The east front of Theatre Royal from Bow Street; figures standing beneath the entrance portico and on the street; nearby buildings and shop fronts to the right of the theatre. Theatre Royal from Bow street. 101 Strand LONDON., [October 1 1809]. 1 print : etching and aquatint with hand-colouring ; sheet 13.3 x 21.6 cm. Source: Maps.K.Top.25.19.1.d. Stock Photo")
The east front of Theatre Royal from Bow Street; figures standing beneath the entrance portico and on the street; nearby buildings and shop fronts to the right of the theatre. Theatre Royal from Bow street. 101 Strand LONDON., [October 1 1809]. 1 print : etching and aquatint with hand-colouring ; sheet 13.3 x 21.6 cm. Source: Maps.K.Top.25.19.1.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-east-front-of-theatre-royal-from-bow-street-figures-standing-beneath-the-entrance-portico-and-on-the-street-nearby-buildings-and-shop-fronts-to-the-right-of-the-theatre-theatre-royal-from-bow-street-101-strand-london-october-1-1809-1-print-etching-and-aquatint-with-hand-colouring-sheet-133-x-216-cm-source-mapsktop25191d-image226989483.htmlRMR587B7–The east front of Theatre Royal from Bow Street; figures standing beneath the entrance portico and on the street; nearby buildings and shop fronts to the right of the theatre. Theatre Royal from Bow street. 101 Strand LONDON., [October 1 1809]. 1 print : etching and aquatint with hand-colouring ; sheet 13.3 x 21.6 cm. Source: Maps.K.Top.25.19.1.d.
![Curtiss V-1400 Engine:;Type: V-type, 12 cylinders, water-cooled;Mfg. No. 9;Power rating: 496 kw (665 hp);Bore and Stroke: 12.382 cm (4.875 in.) x 15.875 cm (6.25 in.);Displacement: 22.95 liters (1400 cu. in.);Curtiss-Reed Propeller:;Design: EX-32995;Two-Blades, Fixed-Pitch;Serial No.: M-455;Material: Duralumin;Diameter: 237 cm (92 in.);Pitch: 284 cm (112 in.);Wingspan: 6.71 m (22 ft.) upper;6.1 m (20 ft.) lower;Length: 6.01 m (19 ft. 8 1/2 in.);Height: 2.46 m (8 ft. 1 in.);Weight: Empty: 975 kg (2150 lb.);Gross: 1152 kg (2539 l". On Oct. 26, 1925, U.S. Army Lt. James H. Doolittle flew the Stock Photo](https://c8.alamy.com/comp/2GGBP0A/curtiss-v-1400-enginetype-v-type-12-cylinders-water-cooledmfg-no-9power-rating-496-kw-665-hpbore-and-stroke-12382-cm-4875-in-x-15875-cm-625-indisplacement-2295-liters-1400-cu-incurtiss-reed-propellerdesign-ex-32995two-blades-fixed-pitchserial-no-m-455material-duralumindiameter-237-cm-92-inpitch-284-cm-112-inwingspan-671-m-22-ft-upper61-m-20-ft-lowerlength-601-m-19-ft-8-12-inheight-246-m-8-ft-1-inweight-empty-975-kg-2150-lbgross-1152-kg-2539-lquot-on-oct-26-1925-us-army-lt-james-h-doolittle-flew-the-2GGBP0A.jpg "Curtiss V-1400 Engine:;Type: V-type, 12 cylinders, water-cooled;Mfg. No. 9;Power rating: 496 kw (665 hp);Bore and Stroke: 12.382 cm (4.875 in.) x 15.875 cm (6.25 in.);Displacement: 22.95 liters (1400 cu. in.);Curtiss-Reed Propeller:;Design: EX-32995;Two-Blades, Fixed-Pitch;Serial No.: M-455;Material: Duralumin;Diameter: 237 cm (92 in.);Pitch: 284 cm (112 in.);Wingspan: 6.71 m (22 ft.) upper;6.1 m (20 ft.) lower;Length: 6.01 m (19 ft. 8 1/2 in.);Height: 2.46 m (8 ft. 1 in.);Weight: Empty: 975 kg (2150 lb.);Gross: 1152 kg (2539 l". On Oct. 26, 1925, U.S. Army Lt. James H. Doolittle flew the Stock Photo")
Curtiss V-1400 Engine:;Type: V-type, 12 cylinders, water-cooled;Mfg. No. 9;Power rating: 496 kw (665 hp);Bore and Stroke: 12.382 cm (4.875 in.) x 15.875 cm (6.25 in.);Displacement: 22.95 liters (1400 cu. in.);Curtiss-Reed Propeller:;Design: EX-32995;Two-Blades, Fixed-Pitch;Serial No.: M-455;Material: Duralumin;Diameter: 237 cm (92 in.);Pitch: 284 cm (112 in.);Wingspan: 6.71 m (22 ft.) upper;6.1 m (20 ft.) lower;Length: 6.01 m (19 ft. 8 1/2 in.);Height: 2.46 m (8 ft. 1 in.);Weight: Empty: 975 kg (2150 lb.);Gross: 1152 kg (2539 l". On Oct. 26, 1925, U.S. Army Lt. James H. Doolittle flew the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/curtiss-v-1400-enginetype-v-type-12-cylinders-water-cooledmfg-no-9power-rating-496-kw-665-hpbore-and-stroke-12382-cm-4875-in-x-15875-cm-625-indisplacement-2295-liters-1400-cu-incurtiss-reed-propellerdesign-ex-32995two-blades-fixed-pitchserial-no-m-455material-duralumindiameter-237-cm-92-inpitch-284-cm-112-inwingspan-671-m-22-ft-upper61-m-20-ft-lowerlength-601-m-19-ft-8-12-inheight-246-m-8-ft-1-inweight-empty-975-kg-2150-lbgross-1152-kg-2539-lquot-on-oct-26-1925-us-army-lt-james-h-doolittle-flew-the-image440352426.htmlRM2GGBP0A–Curtiss V-1400 Engine:;Type: V-type, 12 cylinders, water-cooled;Mfg. No. 9;Power rating: 496 kw (665 hp);Bore and Stroke: 12.382 cm (4.875 in.) x 15.875 cm (6.25 in.);Displacement: 22.95 liters (1400 cu. in.);Curtiss-Reed Propeller:;Design: EX-32995;Two-Blades, Fixed-Pitch;Serial No.: M-455;Material: Duralumin;Diameter: 237 cm (92 in.);Pitch: 284 cm (112 in.);Wingspan: 6.71 m (22 ft.) upper;6.1 m (20 ft.) lower;Length: 6.01 m (19 ft. 8 1/2 in.);Height: 2.46 m (8 ft. 1 in.);Weight: Empty: 975 kg (2150 lb.);Gross: 1152 kg (2539 l". On Oct. 26, 1925, U.S. Army Lt. James H. Doolittle flew the
Armchair MET 2511519new 183 American, Armchair, 1750?65, Walnut, yellow pine, 42 1/2 x 32 1/2 x 21 in. (108 x 82.6 x 53.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1925 (25.115.19) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-2511519new-183-american-armchair-175065-walnut-yellow-168098619.htmlRMKNDFE3–Armchair MET 2511519new 183 American, Armchair, 1750?65, Walnut, yellow pine, 42 1/2 x 32 1/2 x 21 in. (108 x 82.6 x 53.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1925 (25.115.19)
Numbers collection 1-28 3D rendering Small size 6 cm.Resoluton 300 ppi.With Clipping Path. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/numbers-collection-1-28-3d-rendering-small-size-6-cmresoluton-300-ppiwith-clipping-path-image243109163.htmlRFT3EG63–Numbers collection 1-28 3D rendering Small size 6 cm.Resoluton 300 ppi.With Clipping Path.
Adoration of the Magi; Andrea Mantegna, Italian (Paduan) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adoration-of-the-magi-andrea-mantegna-italian-paduan-image60296622.htmlRMDE2MXP–Adoration of the Magi; Andrea Mantegna, Italian (Paduan)
The Hoopoe is the National bird of Isreal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-hoopoe-is-the-national-bird-of-isreal-90033879.htmlRFF6DB3K–The Hoopoe is the National bird of Isreal
. Denkschriften - Österreichische Akademie der Wissenschaften. '48 A. D efa ii t, Tabelle 20. Selbständige Gezeit des Kanalteils II Mitschwingungsgezeit des Kanalteils I (Nordsee) unter Einwirkung der perio- (englischer Kanal) mit der selbständigen dischen Kraft 7 cos (at + p). Gezeit des Kanalteils II. Quer- schnitt '7 km:' 2A7) cm 2-ri cm 17 0 500 + 2 21 1 a — 0 472 + 0 98 -t- 3 19 18 — 0 444 -+- 1 16 + 4 35 18 (? — 0 416 + 1 24 -f- 5 59 19 — 0 385 -f- 1 25 + 6 84 19 <7 — 0 323 + 0 79 -1- 7 63 20 — 0 199 Hh 0 44 + 8 07 21 + 0 121 H- 0 12 + 8 19 22 + 0 525 — 0 50 -t- 7 69 23 -t- 0 942 — 0 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/denkschriften-sterreichische-akademie-der-wissenschaften-48-a-d-efa-ii-t-tabelle-20-selbstndige-gezeit-des-kanalteils-ii-mitschwingungsgezeit-des-kanalteils-i-nordsee-unter-einwirkung-der-perio-englischer-kanal-mit-der-selbstndigen-dischen-kraft-7-cos-at-p-gezeit-des-kanalteils-ii-quer-schnitt-7-km-2a7-cm-2-ri-cm-17-0-500-2-21-1-a-0-472-0-98-t-3-19-18-0-444-1-16-4-35-18-0-416-1-24-f-5-59-19-0-385-f-1-25-6-84-19-lt7-0-323-0-79-1-7-63-20-0-199-hh-0-44-8-07-21-0-121-h-0-12-8-19-22-0-525-0-50-t-7-69-23-t-0-942-0-image216166348.htmlRMPFK6AM–. Denkschriften - Österreichische Akademie der Wissenschaften. '48 A. D efa ii t, Tabelle 20. Selbständige Gezeit des Kanalteils II Mitschwingungsgezeit des Kanalteils I (Nordsee) unter Einwirkung der perio- (englischer Kanal) mit der selbständigen dischen Kraft 7 cos (at + p). Gezeit des Kanalteils II. Quer- schnitt '7 km:' 2A7) cm 2-ri cm 17 0 500 + 2 21 1 a — 0 472 + 0 98 -t- 3 19 18 — 0 444 -+- 1 16 + 4 35 18 (? — 0 416 + 1 24 -f- 5 59 19 — 0 385 -f- 1 25 + 6 84 19 <7 — 0 323 + 0 79 -1- 7 63 20 — 0 199 Hh 0 44 + 8 07 21 + 0 121 H- 0 12 + 8 19 22 + 0 525 — 0 50 -t- 7 69 23 -t- 0 942 — 0
Art inspired by Knight, Death, and the Devil, 1513, Engraving, Sheet: 9 13/16 x 7 11/16 in. (25 x 19.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Dürer's Knight, Death, and the Devil is one of three large prints of 1513–14 known as his Meisterstiche (master, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-knight-death-and-the-devil-1513-engraving-sheet-9-1316-x-7-1116-in-25-x-196-cm-prints-albrecht-drer-german-nuremberg-14711528-nuremberg-drers-knight-death-and-the-devil-is-one-of-three-large-prints-of-151314-known-as-his-meisterstiche-master-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462800452.htmlRF2HTXAKG–Art inspired by Knight, Death, and the Devil, 1513, Engraving, Sheet: 9 13/16 x 7 11/16 in. (25 x 19.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Dürer's Knight, Death, and the Devil is one of three large prints of 1513–14 known as his Meisterstiche (master, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Claude Monet, French, 1840–1926, Seascape, Storm, 1866, Oil on canvas, 19 3/16 x 25 7/16 in. (48.7 x 64.6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/claude-monet-french-18401926-seascape-storm-1866-oil-on-canvas-19-316-x-25-716-in-487-x-646-cm-image344574252.htmlRM2B0GKY8–Claude Monet, French, 1840–1926, Seascape, Storm, 1866, Oil on canvas, 19 3/16 x 25 7/16 in. (48.7 x 64.6 cm
The Fish-monger. Artist: Torii Kiyonaga (Japanese, 1752-1815). Culture: Japan. Dimensions: H. 10 1/16 in. (25.6 cm); W. 7 9/16 in. (19.2 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fish-monger-artist-torii-kiyonaga-japanese-1752-1815-culture-japan-dimensions-h-10-116-in-256-cm-w-7-916-in-192-cm-museum-metropolitan-museum-of-art-new-york-usa-image213121080.htmlRMPAME34–The Fish-monger. Artist: Torii Kiyonaga (Japanese, 1752-1815). Culture: Japan. Dimensions: H. 10 1/16 in. (25.6 cm); W. 7 9/16 in. (19.2 cm). Museum: Metropolitan Museum of Art, New York, USA.
Stela with a dedication to the goddess Hathor and Hathoric symbols, Stone / limestone, 19 x 25 x 6 cm, 1292–1190 B, Nineteenth, 19th,Dynasty, New Kingdom, Deir el-Medina, Egypt (Museo Egizio di Torino Italy) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stela-with-a-dedication-to-the-goddess-hathor-and-hathoric-symbols-stone-limestone-19-x-25-x-6-cm-12921190-b-nineteenth-19thdynasty-new-kingdom-deir-el-medina-egypt-museo-egizio-di-torino-italy-image459393024.htmlRM2HKB4DM–Stela with a dedication to the goddess Hathor and Hathoric symbols, Stone / limestone, 19 x 25 x 6 cm, 1292–1190 B, Nineteenth, 19th,Dynasty, New Kingdom, Deir el-Medina, Egypt (Museo Egizio di Torino Italy)
. English: Creation Date: ca. 1700 Display Dimensions: 12 19/32 in. x 10 in. (32 cm x 25.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.675 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:28. English: thesandiegomuseumofartcollection 776 Krishna comes to the lovesick Radha (6124558137) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-creation-date-ca-1700-display-dimensions-12-1932-in-x-10-in-32-cm-x-254-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990675-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-142928-english-thesandiegomuseumofartcollection-776-krishna-comes-to-the-lovesick-radha-6124558137-image185821691.htmlRMMP8WCY–. English: Creation Date: ca. 1700 Display Dimensions: 12 19/32 in. x 10 in. (32 cm x 25.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.675 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:28. English: thesandiegomuseumofartcollection 776 Krishna comes to the lovesick Radha (6124558137)
![Antient Fortress of Kildrummy. Author Mitchell, Edward 49.3.d.1. Place of publication: [Scotland?] Publisher: [publisher not identified] Date of publication: [about 1793] Item type: 1 print Medium: etching Dimensions: sheet 19.6 x 25 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F2ER/antient-fortress-of-kildrummy-author-mitchell-edward-493d1-place-of-publication-scotland-publisher-publisher-not-identified-date-of-publication-about-1793-item-type-1-print-medium-etching-dimensions-sheet-196-x-25-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F2ER.jpg "Antient Fortress of Kildrummy. Author Mitchell, Edward 49.3.d.1. Place of publication: [Scotland?] Publisher: [publisher not identified] Date of publication: [about 1793] Item type: 1 print Medium: etching Dimensions: sheet 19.6 x 25 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Antient Fortress of Kildrummy. Author Mitchell, Edward 49.3.d.1. Place of publication: [Scotland?] Publisher: [publisher not identified] Date of publication: [about 1793] Item type: 1 print Medium: etching Dimensions: sheet 19.6 x 25 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antient-fortress-of-kildrummy-author-mitchell-edward-493d1-place-of-publication-scotland-publisher-publisher-not-identified-date-of-publication-about-1793-item-type-1-print-medium-etching-dimensions-sheet-196-x-25-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401701631.htmlRM2E9F2ER–Antient Fortress of Kildrummy. Author Mitchell, Edward 49.3.d.1. Place of publication: [Scotland?] Publisher: [publisher not identified] Date of publication: [about 1793] Item type: 1 print Medium: etching Dimensions: sheet 19.6 x 25 cm Former owner: George III, King of Great Britain, 1738-1820
![Fishing scene, No. 2 / EB [monogram] ; after E.B. Bensell. Abstract/medium: 1 print : chromolithograph ; sheet 19.6 x 25.8 cm. Stock Photo](https://c8.alamy.com/comp/WB7DH3/fishing-scene-no-2-eb-monogram-after-eb-bensell-abstractmedium-1-print-chromolithograph-sheet-196-x-258-cm-WB7DH3.jpg "Fishing scene, No. 2 / EB [monogram] ; after E.B. Bensell. Abstract/medium: 1 print : chromolithograph ; sheet 19.6 x 25.8 cm. Stock Photo")
Fishing scene, No. 2 / EB [monogram] ; after E.B. Bensell. Abstract/medium: 1 print : chromolithograph ; sheet 19.6 x 25.8 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fishing-scene-no-2-eb-monogram-after-eb-bensell-abstractmedium-1-print-chromolithograph-sheet-196-x-258-cm-image265081071.htmlRMWB7DH3–Fishing scene, No. 2 / EB [monogram] ; after E.B. Bensell. Abstract/medium: 1 print : chromolithograph ; sheet 19.6 x 25.8 cm.
Adolf Hitler - his personal watercolour paintbox,A rectangular metal box,the exterior lacquered in black,manufactured by 'Redeker & Hennis' in 1910 in Nuremberg.Exemplar for classes,characterised 'Für Lehrzwecke'(for teaching purposes),the interior painted in white,remnants of a glued piece of paper inscribed with the colour descriptions.With it a small brush and fragments of the colours.Dimensions when opened 25 x 19.6 cm.Provenance: It was taken from Hitler's private residence near the Prinzregentenplatz in Munich by the Belgian war correspondent R,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-adolf-hitler-his-personal-watercolour-paintboxa-rectangular-metal-51499360.htmlRMCYNYXT–Adolf Hitler - his personal watercolour paintbox,A rectangular metal box,the exterior lacquered in black,manufactured by 'Redeker & Hennis' in 1910 in Nuremberg.Exemplar for classes,characterised 'Für Lehrzwecke'(for teaching purposes),the interior painted in white,remnants of a glued piece of paper inscribed with the colour descriptions.With it a small brush and fragments of the colours.Dimensions when opened 25 x 19.6 cm.Provenance: It was taken from Hitler's private residence near the Prinzregentenplatz in Munich by the Belgian war correspondent R,Additional-Rights-Clearences-Not Available
187154 Artist: Master of the Aeneid, active ca. 1530?40, Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), probably ca. 1530?35, Painted enamel on copper, partly gilt, 7 3/4 x 8 1/2 in. (19.7 x 21.6 cm). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/187154-artist-master-of-the-aeneid-active-ca-153040-aeneas-erects-a-tomb-to-his-nurse-caieta-and-flees-the-country-of-circe-aeneid-book-vii-probably-ca-153035-painted-enamel-on-copper-partly-gilt-7-34-x-8-12-in-197-x-216-cm-image231097112.htmlRMRBYAM8–187154 Artist: Master of the Aeneid, active ca. 1530?40, Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), probably ca. 1530?35, Painted enamel on copper, partly gilt, 7 3/4 x 8 1/2 in. (19.7 x 21.6 cm).
Clock (France); Produced by Alphonse Giroux & Cie; gilt bronze; 46.6 x 25.5 x 19.5 cm (18 3/8 x 10 1/16 x 7 11/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clock-france-produced-by-alphonse-giroux-cie-gilt-bronze-466-x-255-x-195-cm-18-38-x-10-116-x-7-1116-in-image546113233.htmlRM2PMDH01–Clock (France); Produced by Alphonse Giroux & Cie; gilt bronze; 46.6 x 25.5 x 19.5 cm (18 3/8 x 10 1/16 x 7 11/16 in.)
'David Lucas after John Constable, Noon, 1830, mezzotint on laid paper, plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.), Paul Mellon Fund, 2001.118.23' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-lucas-after-john-constable-noon-1830-mezzotint-on-laid-paper-plate-185-x-255-cm-7-516-x-10-116-in-sheet-195-x-306-cm-7-1116-x-12-116-in-paul-mellon-fund-200111823-image559548134.htmlRM2RE9H9X–'David Lucas after John Constable, Noon, 1830, mezzotint on laid paper, plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.), Paul Mellon Fund, 2001.118.23'
A coloured east view of the church at Kentish Town. A small, grey stone chapel behind a wooden fence; figures standing by an open gate; trees to the left; grass in the foreground. Inscribed with title in brown ink on verso. Inscribed 'N12943' and '5'' in brown ink on verso. East view of the Church at Kentish Town. Around 1770-1790. 1 drawing : pen and ink with watercolour within a washline mount ; sheet 19.6 x 25 cm. Source: Maps K.Top.30.6.b. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-coloured-east-view-of-the-church-at-kentish-town-a-small-grey-stone-chapel-behind-a-wooden-fence-figures-standing-by-an-open-gate-trees-to-the-left-grass-in-the-foreground-inscribed-with-title-in-brown-ink-on-verso-inscribed-n12943-and-5-in-brown-ink-on-verso-east-view-of-the-church-at-kentish-town-around-1770-1790-1-drawing-pen-and-ink-with-watercolour-within-a-washline-mount-sheet-196-x-25-cm-source-maps-ktop306b-image226826406.htmlRMR50RB2–A coloured east view of the church at Kentish Town. A small, grey stone chapel behind a wooden fence; figures standing by an open gate; trees to the left; grass in the foreground. Inscribed with title in brown ink on verso. Inscribed 'N12943' and '5'' in brown ink on verso. East view of the Church at Kentish Town. Around 1770-1790. 1 drawing : pen and ink with watercolour within a washline mount ; sheet 19.6 x 25 cm. Source: Maps K.Top.30.6.b.
Armchair MET MM47030 183 American, Armchair, 1750?65, Walnut, yellow pine, 42 1/2 x 32 1/2 x 21 in. (108 x 82.6 x 53.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1925 (25.115.19) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-mm47030-183-american-armchair-175065-walnut-yellow-pine-168098616.htmlRMKNDFE0–Armchair MET MM47030 183 American, Armchair, 1750?65, Walnut, yellow pine, 42 1/2 x 32 1/2 x 21 in. (108 x 82.6 x 53.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1925 (25.115.19)
The hoopoe (Upupa epops) is a colourful bird found across Afro-Eurasia, notable for its distinctive 'crown' of feathers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-hoopoe-upupa-epops-is-a-colourful-bird-found-across-afro-eurasia-94108435.htmlRFFD307F–The hoopoe (Upupa epops) is a colourful bird found across Afro-Eurasia, notable for its distinctive 'crown' of feathers
. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STRTISTICS OF CURRENTS LBT. 42 16.5N LONG. DEPTH 10.6 METERS NUMBER OF OBSERVATIONS = OBSERVATION PERIOD 22/VIII/67 TO 25/VIII/67 70 08.5W 4400 MEAN VARIANCE CM/SEC (CM/SEC 12 ST-DEV CM/SEC SKEW KURT MAX CM/SEC MIN CM/SEC S 29.01 145.63 U 1.27 578.06 V 4.30 389.33 12.07 24.04 19.73 .426 -.498 -.372 2.87 2.26 2.51 87.45 56.87 65.35 6.69 -72.27 -62.91 S = SPEED U = ERST-WEST COMPONENT OF VELOCITY. EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELXITY, NORTH = POSITIVE V 270. 15 30 45 60 SPEED [CM/ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/current-meter-observations-in-massachusetts-bay-oceanographic-buoys-oceanographic-instruments-strtistics-of-currents-lbt-42-165n-long-depth-106-meters-number-of-observations-=-observation-period-22viii67-to-25viii67-70-085w-4400-mean-variance-cmsec-cmsec-12-st-dev-cmsec-skew-kurt-max-cmsec-min-cmsec-s-2901-14563-u-127-57806-v-430-38933-1207-2404-1973-426-498-372-287-226-251-8745-5687-6535-669-7227-6291-s-=-speed-u-=-erst-west-component-of-velocity-east-=-positive-u-v-=-north-south-component-of-velxity-north-=-positive-v-270-15-30-45-60-speed-cm-image216342108.htmlRMPFY6FT–. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STRTISTICS OF CURRENTS LBT. 42 16.5N LONG. DEPTH 10.6 METERS NUMBER OF OBSERVATIONS = OBSERVATION PERIOD 22/VIII/67 TO 25/VIII/67 70 08.5W 4400 MEAN VARIANCE CM/SEC (CM/SEC 12 ST-DEV CM/SEC SKEW KURT MAX CM/SEC MIN CM/SEC S 29.01 145.63 U 1.27 578.06 V 4.30 389.33 12.07 24.04 19.73 .426 -.498 -.372 2.87 2.26 2.51 87.45 56.87 65.35 6.69 -72.27 -62.91 S = SPEED U = ERST-WEST COMPONENT OF VELOCITY. EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELXITY, NORTH = POSITIVE V 270. 15 30 45 60 SPEED [CM/
Art inspired by Castellamarre, Panorama, ca. 1870, Albumen silver print, Image: 19.6 × 25 cm (7 11/16 × 9 13/16 in.), Photographs, Unknown (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-castellamarre-panorama-ca-1870-albumen-silver-print-image-196-25-cm-7-1116-9-1316-in-photographs-unknown-italian-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462793903.htmlRF2HTX29K–Art inspired by Castellamarre, Panorama, ca. 1870, Albumen silver print, Image: 19.6 × 25 cm (7 11/16 × 9 13/16 in.), Photographs, Unknown (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Chase, French, Nantes or Rouen, 1815–25, French, Nantes or Rouen, Cotton, L. 19 x W. 34 1/2 inches, 48.3 x 87.6 cm, Textiles-Printed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-chase-french-nantes-or-rouen-181525-french-nantes-or-rouen-cotton-l-19-x-w-34-12-inches-483-x-876-cm-textiles-printed-image344613760.htmlRM2B0JEA8–The Chase, French, Nantes or Rouen, 1815–25, French, Nantes or Rouen, Cotton, L. 19 x W. 34 1/2 inches, 48.3 x 87.6 cm, Textiles-Printed
Scene with Apollo? Orpheus?. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 7-11/16 x 10-3/16 in. (19.6 x 25.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-with-apollo-orpheus-artist-anonymous-italian-roman-bolognese-17th-century-dimensions-7-1116-x-10-316-in-196-x-259-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212908932.htmlRMPAAREC–Scene with Apollo? Orpheus?. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 7-11/16 x 10-3/16 in. (19.6 x 25.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: Display Artist: Muhammad Baksh Creation Date: ca. 1880 Display Dimensions: 10 in. x 7 9/16 in. (25.4 cm x 19.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1259 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:34. English: thesandiegomuseumofartcollection 1041 Raja Tikka Raghunath Singh and his brother Hardit Singh (6125132512) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-display-artist-muhammad-baksh-creation-date-ca-1880-display-dimensions-10-in-x-7-916-in-254-cm-x-192-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901259-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143234-english-thesandiegomuseumofartcollection-1041-raja-tikka-raghunath-singh-and-his-brother-hardit-singh-6125132512-image185555198.htmlRMMNTNFA–. English: Display Artist: Muhammad Baksh Creation Date: ca. 1880 Display Dimensions: 10 in. x 7 9/16 in. (25.4 cm x 19.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1259 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:34. English: thesandiegomuseumofartcollection 1041 Raja Tikka Raghunath Singh and his brother Hardit Singh (6125132512)
![A Survey of the two Branches of ye Trent Map information: Title: A Survey of the two Branches of ye Trent ; 6.19. Place of publication: [London] Publisher: [T. Jersey]., Date of publication: [1750 c.] Item type: 1 map Medium: copperplate engraving Dimensions: 25.6 x 27.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F975/a-survey-of-the-two-branches-of-ye-trent-map-information-title-a-survey-of-the-two-branches-of-ye-trent-619-place-of-publication-london-publisher-t-jersey-date-of-publication-1750-c-item-type-1-map-medium-copperplate-engraving-dimensions-256-x-276-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F975.jpg "A Survey of the two Branches of ye Trent Map information: Title: A Survey of the two Branches of ye Trent ; 6.19. Place of publication: [London] Publisher: [T. Jersey]., Date of publication: [1750 c.] Item type: 1 map Medium: copperplate engraving Dimensions: 25.6 x 27.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A Survey of the two Branches of ye Trent Map information: Title: A Survey of the two Branches of ye Trent ; 6.19. Place of publication: [London] Publisher: [T. Jersey]., Date of publication: [1750 c.] Item type: 1 map Medium: copperplate engraving Dimensions: 25.6 x 27.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-survey-of-the-two-branches-of-ye-trent-map-information-title-a-survey-of-the-two-branches-of-ye-trent-619-place-of-publication-london-publisher-t-jersey-date-of-publication-1750-c-item-type-1-map-medium-copperplate-engraving-dimensions-256-x-276-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401706905.htmlRM2E9F975–A Survey of the two Branches of ye Trent Map information: Title: A Survey of the two Branches of ye Trent ; 6.19. Place of publication: [London] Publisher: [T. Jersey]., Date of publication: [1750 c.] Item type: 1 map Medium: copperplate engraving Dimensions: 25.6 x 27.6 cm Former owner: George III, King of Great Britain, 1738-1820
Kudde paarden Kudde paarden met paardendrijvers en een hond op de voorgrond. Manufacturer : schilder: anoniemprentmaker: Christian Rugendas (vermeld op object)naar schilderij van: Georg Philipp Rugendas (I) (vermeld op object) Dating: 1800 - 1900 en/of 1706 Physical kenmerken: mezzotint achter glas Material: glas olieverf Techniek: mezzotint Dimensions: b 25,5 cm. × h 19,5 cm. doos: h 3,6 cm. × b 32,5 cm. × d 26,2 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kudde-paarden-kudde-paarden-met-paardendrijvers-en-een-hond-op-de-voorgrond-manufacturer-schilder-anoniemprentmaker-christian-rugendas-vermeld-op-objectnaar-schilderij-van-georg-philipp-rugendas-i-vermeld-op-object-dating-1800-1900-enof-1706-physical-kenmerken-mezzotint-achter-glas-material-glas-olieverf-techniek-mezzotint-dimensions-b-255-cm-h-195-cm-doos-h-36-cm-b-325-cm-d-262-cm-image348531583.htmlRM2B70YGF–Kudde paarden Kudde paarden met paardendrijvers en een hond op de voorgrond. Manufacturer : schilder: anoniemprentmaker: Christian Rugendas (vermeld op object)naar schilderij van: Georg Philipp Rugendas (I) (vermeld op object) Dating: 1800 - 1900 en/of 1706 Physical kenmerken: mezzotint achter glas Material: glas olieverf Techniek: mezzotint Dimensions: b 25,5 cm. × h 19,5 cm. doos: h 3,6 cm. × b 32,5 cm. × d 26,2 cm.
Five service pieces, of the German Zeppelin Shipping Line Heinrich & Co., Selb. Ivory coloured glazed porcelain with gold etched border décor set off in blue, and the emblem of the German Zeppelin Shipping Line. On the bottom in green underglaze the manufacturer's mark with legend in red 'Heinrich-Elfenbein-Porzellan' and 'Eigentum der Deutschen Zeppelin-Reederei' (Property of the German Zeppelin Shipping Line). Consisting of a coffee pot with lid (height 19.5 cm), coffee cup with saucer (height 6 cm/diameter 15.5 cm), dinner plate (diameter 25.5, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/five-service-pieces-of-the-german-zeppelin-shipping-line-heinrich-co-selb-ivory-coloured-glazed-porcelain-with-gold-etched-border-dcor-set-off-in-blue-and-the-emblem-of-the-german-zeppelin-shipping-line-on-the-bottom-in-green-underglaze-the-manufacturers-mark-with-legend-in-red-heinrich-elfenbein-porzellan-and-eigentum-der-deutschen-zeppelin-reederei-property-of-the-german-zeppelin-shipping-line-consisting-of-a-coffee-pot-with-lid-height-195-cm-coffee-cup-with-saucer-height-6-cmdiameter-155-cm-dinner-plate-diameter-255-additional-rights-clearance-info-not-available-image243069577.htmlRMT3CNM9–Five service pieces, of the German Zeppelin Shipping Line Heinrich & Co., Selb. Ivory coloured glazed porcelain with gold etched border décor set off in blue, and the emblem of the German Zeppelin Shipping Line. On the bottom in green underglaze the manufacturer's mark with legend in red 'Heinrich-Elfenbein-Porzellan' and 'Eigentum der Deutschen Zeppelin-Reederei' (Property of the German Zeppelin Shipping Line). Consisting of a coffee pot with lid (height 19.5 cm), coffee cup with saucer (height 6 cm/diameter 15.5 cm), dinner plate (diameter 25.5, Additional-Rights-Clearance-Info-Not-Available
Archive image from page 34 of Current meter observations in Massachusetts. Current meter observations in Massachusetts Bay currentmeterobse00halp Year: 1972 ( STRTISTICS OF CURRENTS LBT. 42 16.5N LONG. DEPTH 10.6 METERS NUMBER OF OBSERVATIONS = OBSERVATION PERIOD 22/VIII/67 TO 25/VIII/67 70 08.5W 4400 MEAN VARIANCE CM/SEC (CM/SEC 12 ST-DEV CM/SEC SKEW KURT MAX CM/SEC MIN CM/SEC S 29.01 145.63 U 1.27 578.06 V 4.30 389.33 12.07 24.04 19.73 .426 -.498 -.372 2.87 2.26 2.51 87.45 56.87 65.35 6.69 -72.27 -62.91 S = SPEED U = ERST-WEST COMPONENT OF VELOCITY. EAST = POSITIVE U V = NORTH-SOUTH COMPONE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-34-of-current-meter-observations-in-massachusetts-current-meter-observations-in-massachusetts-bay-currentmeterobse00halp-year-1972-strtistics-of-currents-lbt-42-165n-long-depth-106-meters-number-of-observations-=-observation-period-22viii67-to-25viii67-70-085w-4400-mean-variance-cmsec-cmsec-12-st-dev-cmsec-skew-kurt-max-cmsec-min-cmsec-s-2901-14563-u-127-57806-v-430-38933-1207-2404-1973-426-498-372-287-226-251-8745-5687-6535-669-7227-6291-s-=-speed-u-=-erst-west-component-of-velocity-east-=-positive-u-v-=-north-south-compone-image264027794.htmlRMW9FE42–Archive image from page 34 of Current meter observations in Massachusetts. Current meter observations in Massachusetts Bay currentmeterobse00halp Year: 1972 ( STRTISTICS OF CURRENTS LBT. 42 16.5N LONG. DEPTH 10.6 METERS NUMBER OF OBSERVATIONS = OBSERVATION PERIOD 22/VIII/67 TO 25/VIII/67 70 08.5W 4400 MEAN VARIANCE CM/SEC (CM/SEC 12 ST-DEV CM/SEC SKEW KURT MAX CM/SEC MIN CM/SEC S 29.01 145.63 U 1.27 578.06 V 4.30 389.33 12.07 24.04 19.73 .426 -.498 -.372 2.87 2.26 2.51 87.45 56.87 65.35 6.69 -72.27 -62.91 S = SPEED U = ERST-WEST COMPONENT OF VELOCITY. EAST = POSITIVE U V = NORTH-SOUTH COMPONE
Drawing, Design for a Fan Embroidery, Unfinished; France; sharp stylus on oiled paper mounted on black paper; 19.6 × 25.9 cm (7 11/16 × 10 3/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-a-fan-embroidery-unfinished-france-sharp-stylus-on-oiled-paper-mounted-on-black-paper-196-259-cm-7-1116-10-316-in-image546204214.htmlRM2PMHN1A–Drawing, Design for a Fan Embroidery, Unfinished; France; sharp stylus on oiled paper mounted on black paper; 19.6 × 25.9 cm (7 11/16 × 10 3/16 in.)
'John Downman, Portrait of a Woman in Profile, 1791, black chalk and watercolor, image (oval): 23.3 x 19.8 cm (9 3/16 x 7 13/16 in.) sheet: 25.5 x 20.6 cm (10 1/16 x 8 1/8 in.), Ailsa Mellon Bruce Collection, 1970.17.147' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-downman-portrait-of-a-woman-in-profile-1791-black-chalk-and-watercolor-image-oval-233-x-198-cm-9-316-x-7-1316-in-sheet-255-x-206-cm-10-116-x-8-18-in-ailsa-mellon-bruce-collection-197017147-image560021073.htmlRM2RF34GH–'John Downman, Portrait of a Woman in Profile, 1791, black chalk and watercolor, image (oval): 23.3 x 19.8 cm (9 3/16 x 7 13/16 in.) sheet: 25.5 x 20.6 cm (10 1/16 x 8 1/8 in.), Ailsa Mellon Bruce Collection, 1970.17.147'
Casimir le Conte, after Boulanger MET DP813238 377896 Artist: Charles Meryon, French, 1821?1868, Artist: After Gustave Boulanger, French, Paris 1824?1888 Paris, Casimir le Conte, after Boulanger, 1856, Etching on laid paper, plate: 13 7/8 x 10 1/16 in. (35.2 x 25.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.14.1) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-casimir-le-conte-after-boulanger-met-dp813238-377896-artist-charles-168493948.htmlRMKP3FN0–Casimir le Conte, after Boulanger MET DP813238 377896 Artist: Charles Meryon, French, 1821?1868, Artist: After Gustave Boulanger, French, Paris 1824?1888 Paris, Casimir le Conte, after Boulanger, 1856, Etching on laid paper, plate: 13 7/8 x 10 1/16 in. (35.2 x 25.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.14.1)
Art inspired by Tabernacle frame, 16th century, Spanish, Walnut, 42.5 x 31.1, 25.6 x 17.8, 28.6 x 19.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-tabernacle-frame-16th-century-spanish-walnut-425-x-311-256-x-178-286-x-197-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462824947.htmlRF2HTYDXB–Art inspired by Tabernacle frame, 16th century, Spanish, Walnut, 42.5 x 31.1, 25.6 x 17.8, 28.6 x 19.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Passover Mass, early 16th century, feather in brown, washed in gray, bordered with a dark brown line, sheet: 19.2 x 25.6 cm, unsigned, Anonym, Oberrhein (Basel), Anfang 16. Jh Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-passover-mass-early-16th-century-feather-in-brown-washed-in-gray-bordered-with-a-dark-brown-line-sheet-192-x-256-cm-unsigned-anonym-oberrhein-basel-anfang-16-jh-image328710574.htmlRM2A2P1KA–The Passover Mass, early 16th century, feather in brown, washed in gray, bordered with a dark brown line, sheet: 19.2 x 25.6 cm, unsigned, Anonym, Oberrhein (Basel), Anfang 16. Jh
Study of Figures. Artist: attributed to Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 10 1/16 x 7 5/8 in. (25.6 x 19.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-of-figures-artist-attributed-to-jean-auguste-dominique-ingres-french-montauban-1780-1867-paris-dimensions-10-116-x-7-58-in-256-x-194-cm-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image213151915.htmlRMPANWCB–Study of Figures. Artist: attributed to Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 10 1/16 x 7 5/8 in. (25.6 x 19.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1685 Display Dimensions: 10 3/32 in. x 7 25/32 in. (25.6 cm x 19.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1150 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:55. English: thesandiegomuseumofartcollection 1032 Punyaki Ragini of Bhairava (6125127334) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-ragamala-suite-name-ragamala-creation-date-ca-1685-display-dimensions-10-332-in-x-7-2532-in-256-cm-x-198-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901150-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143255-english-thesandiegomuseumofartcollection-1032-punyaki-ragini-of-bhairava-6125127334-image185553616.htmlRMMNTKET–. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1685 Display Dimensions: 10 3/32 in. x 7 25/32 in. (25.6 cm x 19.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1150 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:55. English: thesandiegomuseumofartcollection 1032 Punyaki Ragini of Bhairava (6125127334)
![THE EAST VIEW OF BUTLEY PRIORY, IN THE COUNTY OF SUFFOLK. Author Buck, Nathaniel 39.49.a. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.6 x 37.0 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HPK8/the-east-view-of-butley-priory-in-the-county-of-suffolk-author-buck-nathaniel-3949a-place-of-publication-london-publisher-publishd-according-to-act-of-parliamt-march-25th-date-of-publication-1738-item-type-1-print-medium-etching-dimensions-platemark-196-x-370-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HPK8.jpg "THE EAST VIEW OF BUTLEY PRIORY, IN THE COUNTY OF SUFFOLK. Author Buck, Nathaniel 39.49.a. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.6 x 37.0 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE EAST VIEW OF BUTLEY PRIORY, IN THE COUNTY OF SUFFOLK. Author Buck, Nathaniel 39.49.a. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.6 x 37.0 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-east-view-of-butley-priory-in-the-county-of-suffolk-author-buck-nathaniel-3949a-place-of-publication-london-publisher-publishd-according-to-act-of-parliamt-march-25th-date-of-publication-1738-item-type-1-print-medium-etching-dimensions-platemark-196-x-370-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401761340.htmlRM2E9HPK8–THE EAST VIEW OF BUTLEY PRIORY, IN THE COUNTY OF SUFFOLK. Author Buck, Nathaniel 39.49.a. Place of publication: [London] Publisher: Publish'd according to Act of Parliam.t March 25.th, Date of publication: 1738. Item type: 1 print Medium: etching Dimensions: platemark 19.6 x 37.0 cm. Former owner: George III, King of Great Britain, 1738-1820
Plate with Ecce gay Bord van faïence met voorstellingen uit het leven van Christus naar gravures van Hendrick Goltzius. Manufacturer : plateelbakkerij: De Roos (toegeschreven aan)plateelbakkerij: De Witte Starre (toegeschreven aan)eigenaar plateelbakkerij: Dammas Hofdijcknaar prent van: Hendrick GoltziusPlaats manufacture: Delft Dating: ca. 1700 - ca. 1725 Physical kenmerken: geglazuurd aardewerk (faience) Material: faience Dimensions: d 25,5 cm. Subject: Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-with-ecce-gay-bord-van-faence-met-voorstellingen-uit-het-leven-van-christus-naar-gravures-van-hendrick-goltzius-manufacturer-plateelbakkerij-de-roos-toegeschreven-aanplateelbakkerij-de-witte-starre-toegeschreven-aaneigenaar-plateelbakkerij-dammas-hofdijcknaar-prent-van-hendrick-goltziusplaats-manufacture-delft-dating-ca-1700-ca-1725-physical-kenmerken-geglazuurd-aardewerk-faience-material-faience-dimensions-d-255-cm-subject-pilate-showing-christ-to-the-people-ostentatio-christi-ecce-homo-john-194-6-image348220431.htmlRM2B6EPKY–Plate with Ecce gay Bord van faïence met voorstellingen uit het leven van Christus naar gravures van Hendrick Goltzius. Manufacturer : plateelbakkerij: De Roos (toegeschreven aan)plateelbakkerij: De Witte Starre (toegeschreven aan)eigenaar plateelbakkerij: Dammas Hofdijcknaar prent van: Hendrick GoltziusPlaats manufacture: Delft Dating: ca. 1700 - ca. 1725 Physical kenmerken: geglazuurd aardewerk (faience) Material: faience Dimensions: d 25,5 cm. Subject: Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6)
Five service pieces, of the German Zeppelin Shipping Line Heinrich & Co., Selb. Ivory coloured glazed porcelain with gold etched border décor set off in blue, and the emblem of the German Zeppelin Shipping Line. On the bottom in green underglaze the manufacturer's mark with legend in red 'Heinrich-Elfenbein-Porzellan' and 'Eigentum der Deutschen Zeppelin-Reederei' (Property of the German Zeppelin Shipping Line). Consisting of a coffee pot with lid (height 19.5 cm), coffee cup with saucer (height 6 cm/diameter 15.5 cm), dinner plate (diameter 25.5, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/five-service-pieces-of-the-german-zeppelin-shipping-line-heinrich-co-selb-ivory-coloured-glazed-porcelain-with-gold-etched-border-dcor-set-off-in-blue-and-the-emblem-of-the-german-zeppelin-shipping-line-on-the-bottom-in-green-underglaze-the-manufacturers-mark-with-legend-in-red-heinrich-elfenbein-porzellan-and-eigentum-der-deutschen-zeppelin-reederei-property-of-the-german-zeppelin-shipping-line-consisting-of-a-coffee-pot-with-lid-height-195-cm-coffee-cup-with-saucer-height-6-cmdiameter-155-cm-dinner-plate-diameter-255-additional-rights-clearance-info-not-available-image243069573.htmlRMT3CNM5–Five service pieces, of the German Zeppelin Shipping Line Heinrich & Co., Selb. Ivory coloured glazed porcelain with gold etched border décor set off in blue, and the emblem of the German Zeppelin Shipping Line. On the bottom in green underglaze the manufacturer's mark with legend in red 'Heinrich-Elfenbein-Porzellan' and 'Eigentum der Deutschen Zeppelin-Reederei' (Property of the German Zeppelin Shipping Line). Consisting of a coffee pot with lid (height 19.5 cm), coffee cup with saucer (height 6 cm/diameter 15.5 cm), dinner plate (diameter 25.5, Additional-Rights-Clearance-Info-Not-Available
Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-240-of-the-directional-spectrum-of-a-the-directional-spectrum-of-a-wind-generated-sea-as-determined-from-data-obtained-by-the-stereo-wave-observation-project-directionalspect00chas-year-1957-cm-13-12-11-10-9-8-7-6-5-4-3-2-1-0-10-fl-cz-c3-x-c4-0-c5-rn-gtv-0-0-n-ce-0-x-0-0-i0-20-30-1-1-ii-ik-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-figure-1130-cp-and-yp-as-a-function-of-k-229-image242266434.htmlRMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
Print, Martyrdom of St. Andrew; Gérard Audran (Flemish, active in France, 1640–1703); engraving on paper; 49.4 × 63.6 cm (19 7/16 × 25 1/16 in.); 1896-31-61 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-martyrdom-of-st-andrew-grard-audran-flemish-active-in-france-16401703-engraving-on-paper-494-636-cm-19-716-25-116-in-1896-31-61-image546250151.htmlRM2PMKRHY–Print, Martyrdom of St. Andrew; Gérard Audran (Flemish, active in France, 1640–1703); engraving on paper; 49.4 × 63.6 cm (19 7/16 × 25 1/16 in.); 1896-31-61
!['David Lucas after John Constable, Stoke-by-Neyland, 1830, mezzotint on laid paper [proof], plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.), Paul Mellon Fund, 2001.118.27' Stock Photo](https://c8.alamy.com/comp/2RE9H7J/david-lucas-after-john-constable-stoke-by-neyland-1830-mezzotint-on-laid-paper-proof-plate-185-x-252-cm-7-516-x-9-1516-in-sheet-193-x-306-cm-7-58-x-12-116-in-paul-mellon-fund-200111827-2RE9H7J.jpg "'David Lucas after John Constable, Stoke-by-Neyland, 1830, mezzotint on laid paper [proof], plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.), Paul Mellon Fund, 2001.118.27' Stock Photo")
'David Lucas after John Constable, Stoke-by-Neyland, 1830, mezzotint on laid paper [proof], plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.), Paul Mellon Fund, 2001.118.27' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-lucas-after-john-constable-stoke-by-neyland-1830-mezzotint-on-laid-paper-proof-plate-185-x-252-cm-7-516-x-9-1516-in-sheet-193-x-306-cm-7-58-x-12-116-in-paul-mellon-fund-200111827-image559548070.htmlRM2RE9H7J–'David Lucas after John Constable, Stoke-by-Neyland, 1830, mezzotint on laid paper [proof], plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.), Paul Mellon Fund, 2001.118.27'
Casimir le Conte, after Boulanger MET DP813238 377896 Artist: Charles Meryon, French, 1821?1868, Artist: After Gustave Boulanger, French, Paris 1824?1888 Paris, Casimir le Conte, after Boulanger, 1856, Etching on laid paper, plate: 13 7/8 x 10 1/16 in. (35.2 x 25.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.14.1) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-casimir-le-conte-after-boulanger-met-dp813238-377896-artist-charles-168349656.htmlRMKNTYKM–Casimir le Conte, after Boulanger MET DP813238 377896 Artist: Charles Meryon, French, 1821?1868, Artist: After Gustave Boulanger, French, Paris 1824?1888 Paris, Casimir le Conte, after Boulanger, 1856, Etching on laid paper, plate: 13 7/8 x 10 1/16 in. (35.2 x 25.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.14.1)
Art inspired by Portrait of a Man, 18th century, Red chalk, 10 1/16 x 7 11/16 in. (25.6 x 19.5 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-man-18th-century-red-chalk-10-116-x-7-1116-in-256-x-195-cm-drawings-anonymous-french-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462808053.htmlRF2HTXMB1–Art inspired by Portrait of a Man, 18th century, Red chalk, 10 1/16 x 7 11/16 in. (25.6 x 19.5 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Vase with love motifs, Italian, Deruta, ca. 1470–90, Italian, Deruta, Maiolica (tin-glazed earthenware), Overall: 10 1/8 × 7 1/2 × 11 1/4 in. (25.7 × 19.1 × 28.6 cm), Ceramics-Pottery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vase-with-love-motifs-italian-deruta-ca-147090-italian-deruta-maiolica-tin-glazed-earthenware-overall-10-18-7-12-11-14-in-257-191-286-cm-ceramics-pottery-image344644470.htmlRM2B0KWF2–Vase with love motifs, Italian, Deruta, ca. 1470–90, Italian, Deruta, Maiolica (tin-glazed earthenware), Overall: 10 1/8 × 7 1/2 × 11 1/4 in. (25.7 × 19.1 × 28.6 cm), Ceramics-Pottery
Rosalie Léon. Artist: André-Adolphe-Eugène Disdéri (French, Paris 1819-1889 Paris). Dimensions: Image: 7 1/2 × 10 1/16 in. (19 × 25.6 cm) Album page: 10 3/8 × 13 3/4 in. (26.3 × 35 cm). Date: 1866. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rosalie-lon-artist-andr-adolphe-eugne-disdri-french-paris-1819-1889-paris-dimensions-image-7-12-10-116-in-19-256-cm-album-page-10-38-13-34-in-263-35-cm-date-1866-museum-metropolitan-museum-of-art-new-york-usa-image213113104.htmlRMPAM3X8–Rosalie Léon. Artist: André-Adolphe-Eugène Disdéri (French, Paris 1819-1889 Paris). Dimensions: Image: 7 1/2 × 10 1/16 in. (19 × 25.6 cm) Album page: 10 3/8 × 13 3/4 in. (26.3 × 35 cm). Date: 1866. Museum: Metropolitan Museum of Art, New York, USA.
. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1685 Display Dimensions: 10 3/32 in. x 7 23/32 in. (25.6 cm x 19.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1151 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:55. English: thesandiegomuseumofartcollection 1236 Vihagra Ragaputra of Sri (6125127342) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-ragamala-suite-name-ragamala-creation-date-ca-1685-display-dimensions-10-332-in-x-7-2332-in-256-cm-x-196-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901151-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143255-english-thesandiegomuseumofartcollection-1236-vihagra-ragaputra-of-sri-6125127342-image185608954.htmlRMMNY636–. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1685 Display Dimensions: 10 3/32 in. x 7 23/32 in. (25.6 cm x 19.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1151 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:32:55. English: thesandiegomuseumofartcollection 1236 Vihagra Ragaputra of Sri (6125127342)
![THE NORTH VIEW OF HADLEIGH CASTLE, IN THE COUNTY OF ESSEX. Author Buck, Samuel 13.37. Place of publication: [London] Publisher: Publish'd according to Act of Parliament March 25.th, Date of publication: 1738. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.5 x 36.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GXM8/the-north-view-of-hadleigh-castle-in-the-county-of-essex-author-buck-samuel-1337-place-of-publication-london-publisher-publishd-according-to-act-of-parliament-march-25th-date-of-publication-1738-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-195-x-366-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GXM8.jpg "THE NORTH VIEW OF HADLEIGH CASTLE, IN THE COUNTY OF ESSEX. Author Buck, Samuel 13.37. Place of publication: [London] Publisher: Publish'd according to Act of Parliament March 25.th, Date of publication: 1738. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.5 x 36.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE NORTH VIEW OF HADLEIGH CASTLE, IN THE COUNTY OF ESSEX. Author Buck, Samuel 13.37. Place of publication: [London] Publisher: Publish'd according to Act of Parliament March 25.th, Date of publication: 1738. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.5 x 36.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-north-view-of-hadleigh-castle-in-the-county-of-essex-author-buck-samuel-1337-place-of-publication-london-publisher-publishd-according-to-act-of-parliament-march-25th-date-of-publication-1738-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-195-x-366-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401742552.htmlRM2E9GXM8–THE NORTH VIEW OF HADLEIGH CASTLE, IN THE COUNTY OF ESSEX. Author Buck, Samuel 13.37. Place of publication: [London] Publisher: Publish'd according to Act of Parliament March 25.th, Date of publication: 1738. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.5 x 36.6 cm. Former owner: George III, King of Great Britain, 1738-1820
Kastanjevaas versierd met griffioenen Kastanjevaas versierd met griffioenen. Manufacturer : Porceleinfabriek aan den AmstelPlaats manufacture: Nederland Dating: ca. 1810 Dimensions: vaas: h 29,8 cm. × b 25,7 cm. × d 18,5 cm. tussenring: h 7 cm. × b 20 cm. × d 19,3 cm. tussenstuk: h 14,6 cm. × b 25,5 cm. × d 19 cm. deksel: h 4 cm. × d 4,4 cm. geheel: h 44 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kastanjevaas-versierd-met-griffioenen-kastanjevaas-versierd-met-griffioenen-manufacturer-porceleinfabriek-aan-den-amstelplaats-manufacture-nederland-dating-ca-1810-dimensions-vaas-h-298-cm-b-257-cm-d-185-cm-tussenring-h-7-cm-b-20-cm-d-193-cm-tussenstuk-h-146-cm-b-255-cm-d-19-cm-deksel-h-4-cm-d-44-cm-geheel-h-44-cm-image348496536.htmlRM2B6YATT–Kastanjevaas versierd met griffioenen Kastanjevaas versierd met griffioenen. Manufacturer : Porceleinfabriek aan den AmstelPlaats manufacture: Nederland Dating: ca. 1810 Dimensions: vaas: h 29,8 cm. × b 25,7 cm. × d 18,5 cm. tussenring: h 7 cm. × b 20 cm. × d 19,3 cm. tussenstuk: h 14,6 cm. × b 25,5 cm. × d 19 cm. deksel: h 4 cm. × d 4,4 cm. geheel: h 44 cm.
Five service pieces, of the German Zeppelin Shipping Line Heinrich & Co., Selb. Ivory coloured glazed porcelain with gold etched border décor set off in blue, and the emblem of the German Zeppelin Shipping Line. On the bottom in green underglaze the manufacturer's mark with legend in red 'Heinrich-Elfenbein-Porzellan' and 'Eigentum der Deutschen Zeppelin-Reederei' (Property of the German Zeppelin Shipping Line). Consisting of a coffee pot with lid (height 19.5 cm), coffee cup with saucer (height 6 cm/diameter 15.5 cm), dinner plate (diameter 25.5, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/five-service-pieces-of-the-german-zeppelin-shipping-line-heinrich-co-selb-ivory-coloured-glazed-porcelain-with-gold-etched-border-dcor-set-off-in-blue-and-the-emblem-of-the-german-zeppelin-shipping-line-on-the-bottom-in-green-underglaze-the-manufacturers-mark-with-legend-in-red-heinrich-elfenbein-porzellan-and-eigentum-der-deutschen-zeppelin-reederei-property-of-the-german-zeppelin-shipping-line-consisting-of-a-coffee-pot-with-lid-height-195-cm-coffee-cup-with-saucer-height-6-cmdiameter-155-cm-dinner-plate-diameter-255-additional-rights-clearance-info-not-available-image243069575.htmlRMT3CNM7–Five service pieces, of the German Zeppelin Shipping Line Heinrich & Co., Selb. Ivory coloured glazed porcelain with gold etched border décor set off in blue, and the emblem of the German Zeppelin Shipping Line. On the bottom in green underglaze the manufacturer's mark with legend in red 'Heinrich-Elfenbein-Porzellan' and 'Eigentum der Deutschen Zeppelin-Reederei' (Property of the German Zeppelin Shipping Line). Consisting of a coffee pot with lid (height 19.5 cm), coffee cup with saucer (height 6 cm/diameter 15.5 cm), dinner plate (diameter 25.5, Additional-Rights-Clearance-Info-Not-Available
![Discovery reports (1935-1936) Discovery reports discoveryreports11inst Year: 1935-1936 APPENDIX: VALIDITY OF METHOD 507 Whilst the consecutive indicator samples were being taken the Continuous Plankton Recorder was also working. It was not however intended that the indicator series should 17455 MILLION5 1500 1000 500 4500 4000 3500 3000 2500 2000 -1500 000 500 2 3 4 5 H0UR o o en 1 1 1 1 1 1 1 rz—ri 1 1 T7—ri 1 1 1 1 1 1 1 r 6 7 8 9 10 II 12 13 [14] 15 16 17 [l8j 19 20 21 22 23 24 25 26 C0N5ECUTIVE INDICATOR HAUL5 I mile EACH ▲ ▲ ▲ ▲ o o CU o o o CJ o o CM a a n OJ Fig. 30. Histograms s Stock Photo](https://c8.alamy.com/comp/T1JJBF/discovery-reports-1935-1936-discovery-reports-discoveryreports11inst-year-1935-1936-appendix-validity-of-method-507-whilst-the-consecutive-indicator-samples-were-being-taken-the-continuous-plankton-recorder-was-also-working-it-was-not-however-intended-that-the-indicator-series-should-17455-million5-1500-1000-500-4500-4000-3500-3000-2500-2000-1500-000-500-2-3-4-5-h0ur-o-o-en-1-1-1-1-1-1-1-rzri-1-1-t7ri-1-1-1-1-1-1-1-r-6-7-8-9-10-ii-12-13-14-15-16-17-l8j-19-20-21-22-23-24-25-26-c0n5ecutive-indicator-haul5-i-mile-each-o-o-cu-o-o-o-cj-o-o-cm-a-a-n-oj-fig-30-histograms-s-T1JJBF.jpg "Discovery reports (1935-1936) Discovery reports discoveryreports11inst Year: 1935-1936 APPENDIX: VALIDITY OF METHOD 507 Whilst the consecutive indicator samples were being taken the Continuous Plankton Recorder was also working. It was not however intended that the indicator series should 17455 MILLION5 1500 1000 500 4500 4000 3500 3000 2500 2000 -1500 000 500 2 3 4 5 H0UR o o en 1 1 1 1 1 1 1 rz—ri 1 1 T7—ri 1 1 1 1 1 1 1 r 6 7 8 9 10 II 12 13 [14] 15 16 17 [l8j 19 20 21 22 23 24 25 26 C0N5ECUTIVE INDICATOR HAUL5 I mile EACH ▲ ▲ ▲ ▲ o o CU o o o CJ o o CM a a n OJ Fig. 30. Histograms s Stock Photo")
Discovery reports (1935-1936) Discovery reports discoveryreports11inst Year: 1935-1936 APPENDIX: VALIDITY OF METHOD 507 Whilst the consecutive indicator samples were being taken the Continuous Plankton Recorder was also working. It was not however intended that the indicator series should 17455 MILLION5 1500 1000 500 4500 4000 3500 3000 2500 2000 -1500 000 500 2 3 4 5 H0UR o o en 1 1 1 1 1 1 1 rz—ri 1 1 T7—ri 1 1 1 1 1 1 1 r 6 7 8 9 10 II 12 13 [14] 15 16 17 [l8j 19 20 21 22 23 24 25 26 C0N5ECUTIVE INDICATOR HAUL5 I mile EACH ▲ ▲ ▲ ▲ o o CU o o o CJ o o CM a a n OJ Fig. 30. Histograms s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/discovery-reports-1935-1936-discovery-reports-discoveryreports11inst-year-1935-1936-appendix-validity-of-method-507-whilst-the-consecutive-indicator-samples-were-being-taken-the-continuous-plankton-recorder-was-also-working-it-was-not-however-intended-that-the-indicator-series-should-17455-million5-1500-1000-500-4500-4000-3500-3000-2500-2000-1500-000-500-2-3-4-5-h0ur-o-o-en-1-1-1-1-1-1-1-rzri-1-1-t7ri-1-1-1-1-1-1-1-r-6-7-8-9-10-ii-12-13-14-15-16-17-l8j-19-20-21-22-23-24-25-26-c0n5ecutive-indicator-haul5-i-mile-each-o-o-cu-o-o-o-cj-o-o-cm-a-a-n-oj-fig-30-histograms-s-image241969379.htmlRMT1JJBF–Discovery reports (1935-1936) Discovery reports discoveryreports11inst Year: 1935-1936 APPENDIX: VALIDITY OF METHOD 507 Whilst the consecutive indicator samples were being taken the Continuous Plankton Recorder was also working. It was not however intended that the indicator series should 17455 MILLION5 1500 1000 500 4500 4000 3500 3000 2500 2000 -1500 000 500 2 3 4 5 H0UR o o en 1 1 1 1 1 1 1 rz—ri 1 1 T7—ri 1 1 1 1 1 1 1 r 6 7 8 9 10 II 12 13 [14] 15 16 17 [l8j 19 20 21 22 23 24 25 26 C0N5ECUTIVE INDICATOR HAUL5 I mile EACH ▲ ▲ ▲ ▲ o o CU o o o CJ o o CM a a n OJ Fig. 30. Histograms s
Drawing, Study for a Kneeling Woman; Francis Augustus Lathrop (American, 1849 - 1909); USA; charcoal on tracing paper; 25.6 × 19.8 cm (10 1/16 × 7 13/16 in.); 1914-38-41 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-for-a-kneeling-woman-francis-augustus-lathrop-american-1849-1909-usa-charcoal-on-tracing-paper-256-198-cm-10-116-7-1316-in-1914-38-41-image546255069.htmlRM2PMM1WH–Drawing, Study for a Kneeling Woman; Francis Augustus Lathrop (American, 1849 - 1909); USA; charcoal on tracing paper; 25.6 × 19.8 cm (10 1/16 × 7 13/16 in.); 1914-38-41
'John Downman, Portrait of a Woman with a Blue Sash, 1791, black chalk and watercolor, image (oval): 23.2 x 19.6 cm (9 1/8 x 7 11/16 in.) sheet: 25.6 x 20.6 cm (10 1/16 x 8 1/8 in.), Ailsa Mellon Bruce Collection, 1970.17.148' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-downman-portrait-of-a-woman-with-a-blue-sash-1791-black-chalk-and-watercolor-image-oval-232-x-196-cm-9-18-x-7-1116-in-sheet-256-x-206-cm-10-116-x-8-18-in-ailsa-mellon-bruce-collection-197017148-image560021077.htmlRM2RF34GN–'John Downman, Portrait of a Woman with a Blue Sash, 1791, black chalk and watercolor, image (oval): 23.2 x 19.6 cm (9 1/8 x 7 11/16 in.) sheet: 25.6 x 20.6 cm (10 1/16 x 8 1/8 in.), Ailsa Mellon Bruce Collection, 1970.17.148'
Fertilization of Egypt (Erasmus Darwin, The Botanic Garden) MET DP816711 383667 Artist: William Blake, British, London 1757?1827 London, Artist: After Henry Fuseli, Swiss, Z?rich 1741?1825 London, Fertilization of Egypt (Erasmus Darwin, The Botanic Garden), 1791, Engraving, image: 7 5/8 x 6 in. (19.4 x 15.2 cm) sheet: 10 1/8 x 7 13/16 in. (25.7 x 19.8 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 (68.540.10) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-fertilization-of-egypt-erasmus-darwin-the-botanic-garden-met-dp816711-168380462.htmlRMKNXAYX–Fertilization of Egypt (Erasmus Darwin, The Botanic Garden) MET DP816711 383667 Artist: William Blake, British, London 1757?1827 London, Artist: After Henry Fuseli, Swiss, Z?rich 1741?1825 London, Fertilization of Egypt (Erasmus Darwin, The Botanic Garden), 1791, Engraving, image: 7 5/8 x 6 in. (19.4 x 15.2 cm) sheet: 10 1/8 x 7 13/16 in. (25.7 x 19.8 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 (68.540.10)
Art inspired by Designs for Four Candle Fixtures, 19th century, Pen and brown ink, sheet: 7 5/8 x 10 1/16 in. (19.4 x 25.6 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-designs-for-four-candle-fixtures-19th-century-pen-and-brown-ink-sheet-7-58-x-10-116-in-194-x-256-cm-drawings-anonymous-french-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462962444.htmlRF2HW5N90–Art inspired by Designs for Four Candle Fixtures, 19th century, Pen and brown ink, sheet: 7 5/8 x 10 1/16 in. (19.4 x 25.6 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Etched and published by Matthew Darly, Plate 66. Arm Chair, 1754, Etching and Engraving, Plate: 10 1/16 × 7 1/2 in. (25.6 × 19 cm), Sheet: 11 1/2 × 9 3/16 in. (29.2 × 23.3 cm), Book: 12 in. × 9 13/16 in. × 1 3/16 in. (30.5 × 25 × 3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etched-and-published-by-matthew-darly-plate-66-arm-chair-1754-etching-and-engraving-plate-10-116-7-12-in-256-19-cm-sheet-11-12-9-316-in-292-233-cm-book-12-in-9-1316-in-1-316-in-305-25-3-cm-image344639724.htmlRM2B0KKDG–Etched and published by Matthew Darly, Plate 66. Arm Chair, 1754, Etching and Engraving, Plate: 10 1/16 × 7 1/2 in. (25.6 × 19 cm), Sheet: 11 1/2 × 9 3/16 in. (29.2 × 23.3 cm), Book: 12 in. × 9 13/16 in. × 1 3/16 in. (30.5 × 25 × 3 cm
L'Enfant Trouvé:-a Sample of Roman Charity!-or-the Misfortune of Not Being Born with Marks of 'the Talents'. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: sheet (clipped impression): 10 1/16 x 14 in. (25.6 x 35.6 cm). Publisher: Hannah Humphrey (London). Date: May 19, 1808. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lenfant-trouv-a-sample-of-roman-charity!-or-the-misfortune-of-not-being-born-with-marks-of-the-talents-artist-james-gillray-british-chelsea-1756-1815-london-dimensions-sheet-clipped-impression-10-116-x-14-in-256-x-356-cm-publisher-hannah-humphrey-london-date-may-19-1808-museum-metropolitan-museum-of-art-new-york-usa-image213207258.htmlRMPATC0X–L'Enfant Trouvé:-a Sample of Roman Charity!-or-the Misfortune of Not Being Born with Marks of 'the Talents'. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: sheet (clipped impression): 10 1/16 x 14 in. (25.6 x 35.6 cm). Publisher: Hannah Humphrey (London). Date: May 19, 1808. Museum: Metropolitan Museum of Art, New York, USA.
Self portrait of Joshua Reynolds *enamel on copper *25.7 x 19.6 cm *404282 *signed and dated 1804 Self portrait of Joshua Reynolds, by Henry Bone 1110 Self portrait of Joshua Reynolds, by Henry Bone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-of-joshua-reynolds-enamel-on-copper-257-x-196-cm-404282-signed-and-dated-1804-self-portrait-of-joshua-reynolds-by-henry-bone-1110-self-portrait-of-joshua-reynolds-by-henry-bone-image185775646.htmlRMMP6PME–Self portrait of Joshua Reynolds *enamel on copper *25.7 x 19.6 cm *404282 *signed and dated 1804 Self portrait of Joshua Reynolds, by Henry Bone 1110 Self portrait of Joshua Reynolds, by Henry Bone
![East view of the Church at Kentish Town. Visual Material information: Title: East view of the Church at Kentish Town. 30.6.b. Date of publication: [around 1770-1790] Item type: 1 drawing Medium: pen and ink with watercolour within a washline mount Dimensions: sheet 19.6 x 25 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HKK8/east-view-of-the-church-at-kentish-town-visual-material-information-title-east-view-of-the-church-at-kentish-town-306b-date-of-publication-around-1770-1790-item-type-1-drawing-medium-pen-and-ink-with-watercolour-within-a-washline-mount-dimensions-sheet-196-x-25-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HKK8.jpg "East view of the Church at Kentish Town. Visual Material information: Title: East view of the Church at Kentish Town. 30.6.b. Date of publication: [around 1770-1790] Item type: 1 drawing Medium: pen and ink with watercolour within a washline mount Dimensions: sheet 19.6 x 25 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
East view of the Church at Kentish Town. Visual Material information: Title: East view of the Church at Kentish Town. 30.6.b. Date of publication: [around 1770-1790] Item type: 1 drawing Medium: pen and ink with watercolour within a washline mount Dimensions: sheet 19.6 x 25 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/east-view-of-the-church-at-kentish-town-visual-material-information-title-east-view-of-the-church-at-kentish-town-306b-date-of-publication-around-1770-1790-item-type-1-drawing-medium-pen-and-ink-with-watercolour-within-a-washline-mount-dimensions-sheet-196-x-25-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401758988.htmlRM2E9HKK8–East view of the Church at Kentish Town. Visual Material information: Title: East view of the Church at Kentish Town. 30.6.b. Date of publication: [around 1770-1790] Item type: 1 drawing Medium: pen and ink with watercolour within a washline mount Dimensions: sheet 19.6 x 25 cm Former owner: George III, King of Great Britain, 1738-1820
Halfbolvormmige koelvat van Engels hardgebakken aardewerk, faience fine van Pont-aux-Choux Halfbolvormig koelvat van hardgebakken aardewerk. Het vat staat op een geprofileerde voet en heeft twee schelpvormige handvatten. De gegolfde buitenzijde wordt door eenvoudige lijstversiering verdeeld in zes gelijke vakken met een grond van strepen en stippen in reliëf. De bovenrand is gegolfd. Bij het koelvat hoort een tweede koelvat met invnr. BK-NM-12216-A. Manufacturer : anoniemPlaats manufacture: Frankrijk Dating: ca. 1760 - ca. 1780 Material: aardewerk Dimensions: h 18,0 cm. × b 25,6 cm. × d 19, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/halfbolvormmige-koelvat-van-engels-hardgebakken-aardewerk-faience-fine-van-pont-aux-choux-halfbolvormig-koelvat-van-hardgebakken-aardewerk-het-vat-staat-op-een-geprofileerde-voet-en-heeft-twee-schelpvormige-handvatten-de-gegolfde-buitenzijde-wordt-door-eenvoudige-lijstversiering-verdeeld-in-zes-gelijke-vakken-met-een-grond-van-strepen-en-stippen-in-relif-de-bovenrand-is-gegolfd-bij-het-koelvat-hoort-een-tweede-koelvat-met-invnr-bk-nm-12216-a-manufacturer-anoniemplaats-manufacture-frankrijk-dating-ca-1760-ca-1780-material-aardewerk-dimensions-h-180-cm-b-256-cm-d-19-image348424581.htmlRM2B6T331–Halfbolvormmige koelvat van Engels hardgebakken aardewerk, faience fine van Pont-aux-Choux Halfbolvormig koelvat van hardgebakken aardewerk. Het vat staat op een geprofileerde voet en heeft twee schelpvormige handvatten. De gegolfde buitenzijde wordt door eenvoudige lijstversiering verdeeld in zes gelijke vakken met een grond van strepen en stippen in reliëf. De bovenrand is gegolfd. Bij het koelvat hoort een tweede koelvat met invnr. BK-NM-12216-A. Manufacturer : anoniemPlaats manufacture: Frankrijk Dating: ca. 1760 - ca. 1780 Material: aardewerk Dimensions: h 18,0 cm. × b 25,6 cm. × d 19,
Textile (India); cotton; Warp x Weft: 50.2 x 41.6 cm (19 3/4 x 16 3/8 in.) Repeat: 39.4 x 25.4 cm (15 1/2 x 10 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/textile-india-cotton-warp-x-weft-502-x-416-cm-19-34-x-16-38-in-repeat-394-x-254-cm-15-12-x-10-in-image546195377.htmlRM2PMH9NN–Textile (India); cotton; Warp x Weft: 50.2 x 41.6 cm (19 3/4 x 16 3/8 in.) Repeat: 39.4 x 25.4 cm (15 1/2 x 10 in.)
Candlestick MET DP147880 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-candlestick-met-dp147880-1322-maker-myer-myers-17231795-candlestick-168117374.htmlRMKNEBBX–Candlestick MET DP147880 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2)
Art inspired by The Deposition, 1510–20, Made in Antwerp (?), Netherlands, South Netherlandish, Oak, Overall: 25 7/16 x 16 x 7 1/2 in. (64.6 x 40.6 x 19 cm), Sculpture-Wood, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-deposition-151020-made-in-antwerp-netherlands-south-netherlandish-oak-overall-25-716-x-16-x-7-12-in-646-x-406-x-19-cm-sculpture-wood-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830477.htmlRF2HTYMYW–Art inspired by The Deposition, 1510–20, Made in Antwerp (?), Netherlands, South Netherlandish, Oak, Overall: 25 7/16 x 16 x 7 1/2 in. (64.6 x 40.6 x 19 cm), Sculpture-Wood, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pair of andirons, Northern Italian, possibly 1777, Northern Italian, Iron, copper, Overall (.59): 25 7/8 × 17 3/4 × 7 3/4 in. (65.7 × 45.1 × 19.7 cm), Overall (.60): 26 × 18 3/4 × 8 in. (66 × 47.6 × 20.3 cm), Metalwork-Iron Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pair-of-andirons-northern-italian-possibly-1777-northern-italian-iron-copper-overall-59-25-78-17-34-7-34-in-657-451-197-cm-overall-60-26-18-34-8-in-66-476-203-cm-metalwork-iron-image344587466.htmlRM2B0H8R6–Pair of andirons, Northern Italian, possibly 1777, Northern Italian, Iron, copper, Overall (.59): 25 7/8 × 17 3/4 × 7 3/4 in. (65.7 × 45.1 × 19.7 cm), Overall (.60): 26 × 18 3/4 × 8 in. (66 × 47.6 × 20.3 cm), Metalwork-Iron
Portrait of Michelangelo. Artist: Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua); After painting by Marcello Venusti (Italian, Mazzo di Valtellina (Sondrio) ca. 1512-1579 Rome). Dimensions: sheet: 10 3/16 x 7 11/16 in. (25.9 x 19.6 cm) borderline/sheet. Date: after 1564. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-michelangelo-artist-engraved-by-giorgio-ghisi-italian-mantua-ca-1520-1582-mantua-after-painting-by-marcello-venusti-italian-mazzo-di-valtellina-sondrio-ca-1512-1579-rome-dimensions-sheet-10-316-x-7-1116-in-259-x-196-cm-borderlinesheet-date-after-1564-museum-metropolitan-museum-of-art-new-york-usa-image225390628.htmlRMR2KC18–Portrait of Michelangelo. Artist: Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua); After painting by Marcello Venusti (Italian, Mazzo di Valtellina (Sondrio) ca. 1512-1579 Rome). Dimensions: sheet: 10 3/16 x 7 11/16 in. (25.9 x 19.6 cm) borderline/sheet. Date: after 1564. Museum: Metropolitan Museum of Art, New York, USA.
Nederlands: Self-portrait. 1905. charcoal and white chalk on paper. Height: 25 cm (9.8 in); Width: 19.5 cm (7.6 in). Bern, Eberhard W. Kornfeld. 1905 211 Self-portrait by Theo van Doesburg (Bern) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nederlands-self-portrait-1905-charcoal-and-white-chalk-on-paper-height-25-cm-98-in-width-195-cm-76-in-bern-eberhard-w-kornfeld-1905-211-self-portrait-by-theo-van-doesburg-bern-image210879733.htmlRMP72B71–Nederlands: Self-portrait. 1905. charcoal and white chalk on paper. Height: 25 cm (9.8 in); Width: 19.5 cm (7.6 in). Bern, Eberhard W. Kornfeld. 1905 211 Self-portrait by Theo van Doesburg (Bern)
![A PROSPECT of Matlock Bath &c. from the Lover's Walk. Author VivareÃÄs, FrancÃßois 11.19.e Place of publication: [London] Publisher: Publish'd Aug.t 25.th, Date of publication: 1743. Item type: 1 print Medium: etching and engraving Dimensions: platemark 39.6 x 55.8 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G16C/a-prospect-of-matlock-bath-c-from-the-lovers-walk-author-vivares-francois-1119e-place-of-publication-london-publisher-publishd-augt-25th-date-of-publication-1743-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-396-x-558-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G16C.jpg "A PROSPECT of Matlock Bath &c. from the Lover's Walk. Author VivareÃÄs, FrancÃßois 11.19.e Place of publication: [London] Publisher: Publish'd Aug.t 25.th, Date of publication: 1743. Item type: 1 print Medium: etching and engraving Dimensions: platemark 39.6 x 55.8 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A PROSPECT of Matlock Bath &c. from the Lover's Walk. Author VivareÃÄs, FrancÃßois 11.19.e Place of publication: [London] Publisher: Publish'd Aug.t 25.th, Date of publication: 1743. Item type: 1 print Medium: etching and engraving Dimensions: platemark 39.6 x 55.8 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-prospect-of-matlock-bath-c-from-the-lovers-walk-author-vivares-francois-1119e-place-of-publication-london-publisher-publishd-augt-25th-date-of-publication-1743-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-396-x-558-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401722564.htmlRM2E9G16C–A PROSPECT of Matlock Bath &c. from the Lover's Walk. Author VivareÃÄs, FrancÃßois 11.19.e Place of publication: [London] Publisher: Publish'd Aug.t 25.th, Date of publication: 1743. Item type: 1 print Medium: etching and engraving Dimensions: platemark 39.6 x 55.8 cm. Former owner: George III, King of Great Britain, 1738-1820
Print, Design for Carriage from the Coronation of Louis XVI, June 11th, 1775; Print Maker: Jean Louis Prieur, French (1732 - 1795); etching on paper; 49.6 × 64.3 cm (19 1/2 × 25 5/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-design-for-carriage-from-the-coronation-of-louis-xvi-june-11th-1775-print-maker-jean-louis-prieur-french-1732-1795-etching-on-paper-496-643-cm-19-12-25-516-in-image546235544.htmlRM2PMK508–Print, Design for Carriage from the Coronation of Louis XVI, June 11th, 1775; Print Maker: Jean Louis Prieur, French (1732 - 1795); etching on paper; 49.6 × 64.3 cm (19 1/2 × 25 5/16 in.)
Candlestick MET DP147881 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-candlestick-met-dp147881-1322-maker-myer-myers-17231795-candlestick-168117385.htmlRMKNEBC9–Candlestick MET DP147881 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2)
Art inspired by Trees Beside a Pond, 1820–78, Watercolor over graphite, 10 x 7 3/4 in. (25.5 x 19.6 cm), Drawings, Louis-Antoine-Léon Riesener (French, Paris 1808–1878 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-trees-beside-a-pond-182078-watercolor-over-graphite-10-x-7-34-in-255-x-196-cm-drawings-louis-antoine-lon-riesener-french-paris-18081878-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952307.htmlRF2HW58AY–Art inspired by Trees Beside a Pond, 1820–78, Watercolor over graphite, 10 x 7 3/4 in. (25.5 x 19.6 cm), Drawings, Louis-Antoine-Léon Riesener (French, Paris 1808–1878 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Church Interior, Anonymous, Drawing, Black pen, Watercolor, Body colors, 25.3 x 19.6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/church-interior-anonymous-drawing-black-pen-watercolor-body-colors-253-x-196-cm-image573322951.htmlRM2T8N37K–Church Interior, Anonymous, Drawing, Black pen, Watercolor, Body colors, 25.3 x 19.6 cm
Helmet (Kulah Khud). Culture: Persian. Dimensions: H. including mail 21 1/2 in. (54.6 cm); H. including nasal 10 in. (25.4 cm); H. excluding mail and nasal 6 in. (15.2 cm); Diam. 7 1/2 in. (19.1 cm); Wt. 3 lbs. 4.4 oz. (1485.5 g). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/helmet-kulah-khud-culture-persian-dimensions-h-including-mail-21-12-in-546-cm-h-including-nasal-10-in-254-cm-h-excluding-mail-and-nasal-6-in-152-cm-diam-7-12-in-191-cm-wt-3-lbs-44-oz-14855-g-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213206192.htmlRMPATAJT–Helmet (Kulah Khud). Culture: Persian. Dimensions: H. including mail 21 1/2 in. (54.6 cm); H. including nasal 10 in. (25.4 cm); H. excluding mail and nasal 6 in. (15.2 cm); Diam. 7 1/2 in. (19.1 cm); Wt. 3 lbs. 4.4 oz. (1485.5 g). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Deutsch: 'Eva', Holzschnitt in Farbe auf Japan, im Stock monogrammiert, Nachlaßstempel, wohl posthumer Druck, Stockmaße 19,1 x 16,6 cm, Blattmaße 25,8 x 22,5 cm . before 1934 19 Broncia Koller-Pinell Eva Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-eva-holzschnitt-in-farbe-auf-japan-im-stock-monogrammiert-nachlastempel-wohl-posthumer-druck-stockmae-191-x-166-cm-blattmae-258-x-225-cm-before-1934-19-broncia-koller-pinell-eva-image210890657.htmlRMP72W55–Deutsch: 'Eva', Holzschnitt in Farbe auf Japan, im Stock monogrammiert, Nachlaßstempel, wohl posthumer Druck, Stockmaße 19,1 x 16,6 cm, Blattmaße 25,8 x 22,5 cm . before 1934 19 Broncia Koller-Pinell Eva
![Frier Bacon's Study &c. Author Green, Benjamin 34.34.a. Place of publication: [London] Publisher: [publisher not identified] Date of publication: [around 1780?] Item type: 1 print Medium: etching Dimensions: platemark 16.4 x 21.6 cm, on sheet 19.5 x 25.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HMM6/frier-bacons-study-c-author-green-benjamin-3434a-place-of-publication-london-publisher-publisher-not-identified-date-of-publication-around-1780-item-type-1-print-medium-etching-dimensions-platemark-164-x-216-cm-on-sheet-195-x-254-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HMM6.jpg "Frier Bacon's Study &c. Author Green, Benjamin 34.34.a. Place of publication: [London] Publisher: [publisher not identified] Date of publication: [around 1780?] Item type: 1 print Medium: etching Dimensions: platemark 16.4 x 21.6 cm, on sheet 19.5 x 25.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Frier Bacon's Study &c. Author Green, Benjamin 34.34.a. Place of publication: [London] Publisher: [publisher not identified] Date of publication: [around 1780?] Item type: 1 print Medium: etching Dimensions: platemark 16.4 x 21.6 cm, on sheet 19.5 x 25.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frier-bacons-study-c-author-green-benjamin-3434a-place-of-publication-london-publisher-publisher-not-identified-date-of-publication-around-1780-item-type-1-print-medium-etching-dimensions-platemark-164-x-216-cm-on-sheet-195-x-254-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401759798.htmlRM2E9HMM6–Frier Bacon's Study &c. Author Green, Benjamin 34.34.a. Place of publication: [London] Publisher: [publisher not identified] Date of publication: [around 1780?] Item type: 1 print Medium: etching Dimensions: platemark 16.4 x 21.6 cm, on sheet 19.5 x 25.4 cm Former owner: George III, King of Great Britain, 1738-1820
Sidewall (possibly USA); block-printed; a,b) Overall: 17 x 25.5 cm (6 11/16 x 10 1/16 in.) c) Overall: 19.5 x 9 cm (7 11/16 x 3 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sidewall-possibly-usa-block-printed-ab-overall-17-x-255-cm-6-1116-x-10-116-in-c-overall-195-x-9-cm-7-1116-x-3-916-in-image546141414.htmlRM2PMETXE–Sidewall (possibly USA); block-printed; a,b) Overall: 17 x 25.5 cm (6 11/16 x 10 1/16 in.) c) Overall: 19.5 x 9 cm (7 11/16 x 3 9/16 in.)
Candlestick MET DP251709 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-candlestick-met-dp251709-1322-maker-myer-myers-17231795-candlestick-168032681.htmlRMKNAFB5–Candlestick MET DP251709 1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2)
Art inspired by Robert Nanteuil, Engraving, image: 10 x 7 11/16 in. (25.4 x 19.6 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris), After Robert Nanteuil (French, Reims 1623–1678 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-robert-nanteuil-engraving-image-10-x-7-1116-in-254-x-196-cm-prints-grard-edelinck-dutch-antwerp-16401707-paris-after-robert-nanteuil-french-reims-16231678-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462810471.htmlRF2HTXRDB–Art inspired by Robert Nanteuil, Engraving, image: 10 x 7 11/16 in. (25.4 x 19.6 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris), After Robert Nanteuil (French, Reims 1623–1678 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Adam and Eve, Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1504, print, copper engraving, sheet: 25.6 x 19.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adam-and-eve-albrecht-drer-nuremberg-1471-1528-nuremberg-1504-print-copper-engraving-sheet-256-x-194-cm-image573341488.htmlRM2T8NXWM–Adam and Eve, Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1504, print, copper engraving, sheet: 25.6 x 19.4 cm
The finding of Moses who is rescued from the Nile by the maidservants of Pharaoh's daughter. Artist: Bartolomeo Biscaino (Italian, Genoa 1629-1657 Genoa). Dimensions: Sheet: 7 11/16 x 9 15/16 in. (19.6 x 25.2 cm) Plate: 7 5/16 × 9 5/16 in. (18.5 × 23.7 cm). Publisher: Daman (active 1640-60); Remondini (Bassano, Italy). Date: 1650-57. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-finding-of-moses-who-is-rescued-from-the-nile-by-the-maidservants-of-pharaohs-daughter-artist-bartolomeo-biscaino-italian-genoa-1629-1657-genoa-dimensions-sheet-7-1116-x-9-1516-in-196-x-252-cm-plate-7-516-9-516-in-185-237-cm-publisher-daman-active-1640-60-remondini-bassano-italy-date-1650-57-museum-metropolitan-museum-of-art-new-york-usa-image225390581.htmlRMR2KBYH–The finding of Moses who is rescued from the Nile by the maidservants of Pharaoh's daughter. Artist: Bartolomeo Biscaino (Italian, Genoa 1629-1657 Genoa). Dimensions: Sheet: 7 11/16 x 9 15/16 in. (19.6 x 25.2 cm) Plate: 7 5/16 × 9 5/16 in. (18.5 × 23.7 cm). Publisher: Daman (active 1640-60); Remondini (Bassano, Italy). Date: 1650-57. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on cardboard; overall: 65.6 x 50.4 cm (25 13/16 x 19 13/16 in.) framed: 91.4 x 76.2 cm (36 x 30 in.); 37 Alfred la Guigne sc001341 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-cardboard-overall-656-x-504-cm-25-1316-x-19-1316-in-framed-914-x-762-cm-36-x-30-in-37-alfred-la-guigne-sc001341-image184882081.htmlRMMMP2YD–Painting; oil on cardboard; overall: 65.6 x 50.4 cm (25 13/16 x 19 13/16 in.) framed: 91.4 x 76.2 cm (36 x 30 in.); 37 Alfred la Guigne sc001341
![Mausoleum in Cobham Park the seat of Lord Darnley. Visual Material information: Title: Mausoleum in Cobham Park the seat of Lord Darnley. 17.32.c. Date of publication: [after 1783] Item type: 1 drawing Medium: black chalk, pencil and monochrome wash Dimensions: sheet 19.9 x 25.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H7RD/mausoleum-in-cobham-park-the-seat-of-lord-darnley-visual-material-information-title-mausoleum-in-cobham-park-the-seat-of-lord-darnley-1732c-date-of-publication-after-1783-item-type-1-drawing-medium-black-chalk-pencil-and-monochrome-wash-dimensions-sheet-199-x-256-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H7RD.jpg "Mausoleum in Cobham Park the seat of Lord Darnley. Visual Material information: Title: Mausoleum in Cobham Park the seat of Lord Darnley. 17.32.c. Date of publication: [after 1783] Item type: 1 drawing Medium: black chalk, pencil and monochrome wash Dimensions: sheet 19.9 x 25.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Mausoleum in Cobham Park the seat of Lord Darnley. Visual Material information: Title: Mausoleum in Cobham Park the seat of Lord Darnley. 17.32.c. Date of publication: [after 1783] Item type: 1 drawing Medium: black chalk, pencil and monochrome wash Dimensions: sheet 19.9 x 25.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mausoleum-in-cobham-park-the-seat-of-lord-darnley-visual-material-information-title-mausoleum-in-cobham-park-the-seat-of-lord-darnley-1732c-date-of-publication-after-1783-item-type-1-drawing-medium-black-chalk-pencil-and-monochrome-wash-dimensions-sheet-199-x-256-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401749697.htmlRM2E9H7RD–Mausoleum in Cobham Park the seat of Lord Darnley. Visual Material information: Title: Mausoleum in Cobham Park the seat of Lord Darnley. 17.32.c. Date of publication: [after 1783] Item type: 1 drawing Medium: black chalk, pencil and monochrome wash Dimensions: sheet 19.9 x 25.6 cm Former owner: George III, King of Great Britain, 1738-1820
Drawing, Water color; Night Fishing at the Entrance to a Cave; Designed by Saverio della Gatta (Italian, 1777 - 1829); Italy; pen and black ink and water colors on wove paper.; 19.9 × 25.6 cm (7 13/16 × 10 1/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-water-color-night-fishing-at-the-entrance-to-a-cave-designed-by-saverio-della-gatta-italian-1777-1829-italy-pen-and-black-ink-and-water-colors-on-wove-paper-199-256-cm-7-1316-10-116-in-image546168992.htmlRM2PMG43C–Drawing, Water color; Night Fishing at the Entrance to a Cave; Designed by Saverio della Gatta (Italian, 1777 - 1829); Italy; pen and black ink and water colors on wove paper.; 19.9 × 25.6 cm (7 13/16 × 10 1/16 in.)
Candlestick MET DP251702 Candlestick MET DP251702 /1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-candlestick-met-dp251702-candlestick-met-dp251702-1322-maker-myer-168032680.htmlRMKNAFB4–Candlestick MET DP251702 Candlestick MET DP251702 /1322 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 9 15/16 x 5 1/16 in. (25.2 x 12.9 cm); 19 oz. 4 dwt. (596.6 g) Without bobeche: 9 11/16 in. (24.6 cm); 17 oz. 4 dwt. (535.7 g) Bobeche: 1 3/4 x 2 7/8 in. (4.4 x 7.3 cm); 1 oz. 19 dwt. (60.9 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.2)
Art inspired by The Summer Shower, or Mademoiselle Par, a Pluye, May 16, 1786, Etching, hand colored, image: 7 11/16 x 9 15/16 in. (19.6 x 25.2 cm), Prints, Anonymous, British, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-summer-shower-or-mademoiselle-par-a-pluye-may-16-1786-etching-hand-colored-image-7-1116-x-9-1516-in-196-x-252-cm-prints-anonymous-british-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462962164.htmlRF2HW5MY0–Art inspired by The Summer Shower, or Mademoiselle Par, a Pluye, May 16, 1786, Etching, hand colored, image: 7 11/16 x 9 15/16 in. (19.6 x 25.2 cm), Prints, Anonymous, British, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Alvar Cawén, 8.6.1886, Korpilahti, 3.3.1935, Helsinki, Boy, Brittany, 1912, 25 × 19 cm, colour crayon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alvar-cawn-861886-korpilahti-331935-helsinki-boy-brittany-1912-25-19-cm-colour-crayon-image573415783.htmlRM2T8W9K3–Alvar Cawén, 8.6.1886, Korpilahti, 3.3.1935, Helsinki, Boy, Brittany, 1912, 25 × 19 cm, colour crayon
The Triumphal Arch, from Grotteschi (Grotesques). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 19 1/2 x 25 7/16 in. (49.5 x 64.6 cm) Plate: 15 3/8 x 21 5/16 in. (39 x 54.2 cm). Publisher: Giovanni Bouchard (French, ca. 1716-1795). Series/Portfolio: Grotteschi (Grotesques). Date: ca. 1748. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-triumphal-arch-from-grotteschi-grotesques-artist-giovanni-battista-piranesi-italian-mogliano-veneto-1720-1778-rome-dimensions-sheet-19-12-x-25-716-in-495-x-646-cm-plate-15-38-x-21-516-in-39-x-542-cm-publisher-giovanni-bouchard-french-ca-1716-1795-seriesportfolio-grotteschi-grotesques-date-ca-1748-museum-metropolitan-museum-of-art-new-york-usa-image225416619.htmlRMR2MH5F–The Triumphal Arch, from Grotteschi (Grotesques). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 19 1/2 x 25 7/16 in. (49.5 x 64.6 cm) Plate: 15 3/8 x 21 5/16 in. (39 x 54.2 cm). Publisher: Giovanni Bouchard (French, ca. 1716-1795). Series/Portfolio: Grotteschi (Grotesques). Date: ca. 1748. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on cardboard; overall: 65.6 x 50.4 cm (25 13/16 x 19 13/16 in.) framed: 91.4 x 76.2 cm (36 x 30 in.); 38 Alfred la Guigne sc001341 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-cardboard-overall-656-x-504-cm-25-1316-x-19-1316-in-framed-914-x-762-cm-36-x-30-in-38-alfred-la-guigne-sc001341-image214234538.htmlRMPCF69E–Painting; oil on cardboard; overall: 65.6 x 50.4 cm (25 13/16 x 19 13/16 in.) framed: 91.4 x 76.2 cm (36 x 30 in.); 38 Alfred la Guigne sc001341
Search Results for 25 19 6 cm Stock Photos and Images (1,293)
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