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24 7 28 5 cm Stock Photos and Images

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24 7 28 5 cm Stock Photos and Images

Art inspired by Hollow molding, early 19th century, American, United States, Basswood, 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTYG3X–Art inspired by Hollow molding, early 19th century, American, United States, Basswood, 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unknown Artist, Argus, 1600-1700, black chalk on paper, 11 5/16 in. x 9 1/2 in. (28.7 cm. x 24.1 cm.) Stock Photo
RM2B0BXM1–Unknown Artist, Argus, 1600-1700, black chalk on paper, 11 5/16 in. x 9 1/2 in. (28.7 cm. x 24.1 cm.)
Art inspired by Ovolo frame, 1640–50, French, Oak, 24 x 28.5, 15.7 x 20.3, 17 x 21.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTYEDB–Art inspired by Ovolo frame, 1640–50, French, Oak, 24 x 28.5, 15.7 x 20.3, 17 x 21.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ovolo frame, 1640–50, French, Oak, 24 x 28.5, 15.7 x 20.3, 17 x 21.5 cm., Frames Stock Photo
RMKC572E–Ovolo frame, 1640–50, French, Oak, 24 x 28.5, 15.7 x 20.3, 17 x 21.5 cm., Frames
Inspired by Still Life with Cake, Raphaelle Peale, American, 1774-1825, Oil on panel, 1822, 9 1/2 x 11 5/16 in., 24.1 x 28.7 cm, 1822, apple, berries, cake, food, food and drink, fruit, muerta, naturaleza, painting, realism, still-life, yellow, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo
RF2HK4K3A–Inspired by Still Life with Cake, Raphaelle Peale, American, 1774-1825, Oil on panel, 1822, 9 1/2 x 11 5/16 in., 24.1 x 28.7 cm, 1822, apple, berries, cake, food, food and drink, fruit, muerta, naturaleza, painting, realism, still-life, yellow, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Hugo Simberg, 24.6.1873, Hamina, 12.7.1917, Ähtäri, The Beach, 1895, 28 × 32.5 cm, gouache, ink, watercolour Stock Photo
RM2T8WDA8–Hugo Simberg, 24.6.1873, Hamina, 12.7.1917, Ähtäri, The Beach, 1895, 28 × 32.5 cm, gouache, ink, watercolour
Hollow molding. Culture: American, United States. Dimensions: 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm.. Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB21RN–Hollow molding. Culture: American, United States. Dimensions: 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm.. Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
. Français : Thann, La Vieille Tour - gravure de Charles Pinet (19,5 x 28 cm) . 7 December 2013, 18:59:24. Charles Pinet 592 Thann - la Vieille Tour Stock Photo
RMMWW1WH–. Français : Thann, La Vieille Tour - gravure de Charles Pinet (19,5 x 28 cm) . 7 December 2013, 18:59:24. Charles Pinet 592 Thann - la Vieille Tour
ANTIQVITY HALL Suburbanū: Oxon Author Vertue, George 35.26. Place of publication: [Oxford?] Publisher: by ye Modern Antiquarians calld μιλδαλε. Date of publication: [1722?] Item type: 1 print Medium: etching and engraving Dimensions: platemark 28.2 x 21.8 cm, on sheet 31.7 x 24.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9HN74–ANTIQVITY HALL SuburbanuÃÑ: Oxon Author Vertue, George 35.26. Place of publication: [Oxford?] Publisher: by ye Modern Antiquarians calld ŒºŒπŒªŒ¥Œ±ŒªŒµ. Date of publication: [1722?] Item type: 1 print Medium: etching and engraving Dimensions: platemark 28.2 x 21.8 cm, on sheet 31.7 x 24.5 cm Former owner: George III, King of Great Britain, 1738-1820
Print, Plate in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds); Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 28.2 x 19.4 cm (11 1/8 x 7 5/8 in.) Stock Photo
RM2PMMK5A–Print, Plate in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds); Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 28.2 x 19.4 cm (11 1/8 x 7 5/8 in.)
The Assumption of the Virgin, with the Nativity, the Resurrection, the Adoration of the Magi, the Ascension of Christ, Saint Mark and an Angel, and Saint Luke and an Ox, c. 1510–20, oil on panel, 62.28 × 58.7 cm (24.52 × 23.13 in), Philadelphia Museum of Art[5] More details The Assumption of the Virgin, with the Nativity, the Resurrection, the Adoration of the Magi, the Ascension of Christ, Saint Mark and an Angel, and Saint Luke and an Ox, c. 1510–20, oil on panel, 62.28 × 58.7 cm (24.52 × 23.13 in), Philadelphia Museum of Art[5] Joachim Patinir, Netherlandish (active Antwerp), c. 1485 - 152 Stock Photo
RM2X55DK8–The Assumption of the Virgin, with the Nativity, the Resurrection, the Adoration of the Magi, the Ascension of Christ, Saint Mark and an Angel, and Saint Luke and an Ox, c. 1510–20, oil on panel, 62.28 × 58.7 cm (24.52 × 23.13 in), Philadelphia Museum of Art[5] More details The Assumption of the Virgin, with the Nativity, the Resurrection, the Adoration of the Magi, the Ascension of Christ, Saint Mark and an Angel, and Saint Luke and an Ox, c. 1510–20, oil on panel, 62.28 × 58.7 cm (24.52 × 23.13 in), Philadelphia Museum of Art[5] Joachim Patinir, Netherlandish (active Antwerp), c. 1485 - 152
Jeune fille à la rose - 1877c. - Oil on canvas 28,7 x 24,5 cm - Renoir Auguste Stock Photo
RF2HBTJR7–Jeune fille à la rose - 1877c. - Oil on canvas 28,7 x 24,5 cm - Renoir Auguste
Drawing, Thetis Plunges Achilles in River Styx; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink over traces of graphite on light blue paper; 24.5 x 28.7 cm (9 5/8 x 11 5/16 in.) Stock Photo
RM2PMM4A7–Drawing, Thetis Plunges Achilles in River Styx; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink over traces of graphite on light blue paper; 24.5 x 28.7 cm (9 5/8 x 11 5/16 in.)
'David Lucas after John Constable, River Stour, Suffolk, 1830, mezzotint on laid paper [proof], plate: 17.5 x 25 cm (6 7/8 x 9 13/16 in.) sheet: 21 x 28.9 cm (8 1/4 x 11 3/8 in.), Paul Mellon Fund, 2001.118.24' Stock Photo
RM2RE9HA3–'David Lucas after John Constable, River Stour, Suffolk, 1830, mezzotint on laid paper [proof], plate: 17.5 x 25 cm (6 7/8 x 9 13/16 in.) sheet: 21 x 28.9 cm (8 1/4 x 11 3/8 in.), Paul Mellon Fund, 2001.118.24'
Dorothy True MET DP234818 267441 Dorothy True, 1919, Gelatin silver print, 24.3 x 19.3 cm (9 9/16 x 7 5/8 in.). The Metropolitan Museum of Art, New York. Gift of Paul Rosenfeld, 1928 (28.126) Stock Photo
RMKNPMNY–Dorothy True MET DP234818 267441 Dorothy True, 1919, Gelatin silver print, 24.3 x 19.3 cm (9 9/16 x 7 5/8 in.). The Metropolitan Museum of Art, New York. Gift of Paul Rosenfeld, 1928 (28.126)
The African penguin (Spheniscus demersus), also known as the jackass penguin and black-footed penguin Stock Photo
RMDG8E18–The African penguin (Spheniscus demersus), also known as the jackass penguin and black-footed penguin
Art inspired by Still Life with Cake, Raphaelle Peale, American, 1774-1825, Oil on panel, 1822, 9 1/2 x 11 5/16 in., 24.1 x 28.7 cm, 1822, apple, berries, cake, food, food and drink, fruit, muerta, naturaleza, painting, realism, still-life, yellow, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HKK2CJ–Art inspired by Still Life with Cake, Raphaelle Peale, American, 1774-1825, Oil on panel, 1822, 9 1/2 x 11 5/16 in., 24.1 x 28.7 cm, 1822, apple, berries, cake, food, food and drink, fruit, muerta, naturaleza, painting, realism, still-life, yellow, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Still Life with Cake, Raphaelle Peale, American, 1774-1825, Oil on panel, 1822, 9 1/2 x 11 5/16 in., 24.1 x 28.7 cm, 1822, apple, berries, cake, food, food and drink, fruit, muerta, naturaleza, painting, realism, still-life, yellow Stock Photo
RM2HB1RW8–Still Life with Cake, Raphaelle Peale, American, 1774-1825, Oil on panel, 1822, 9 1/2 x 11 5/16 in., 24.1 x 28.7 cm, 1822, apple, berries, cake, food, food and drink, fruit, muerta, naturaleza, painting, realism, still-life, yellow
Art inspired by Otoe Delegation, 1881, Albumen silver print from glass negative, 24 x 28.8 cm (9 7/16 x 11 5/16 in.), Photographs, Charles Milton Bell (American, 1848–1893), The troubled relationship between native and non-native North Americans was well documented by the camera. In, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTX141–Art inspired by Otoe Delegation, 1881, Albumen silver print from glass negative, 24 x 28.8 cm (9 7/16 x 11 5/16 in.), Photographs, Charles Milton Bell (American, 1848–1893), The troubled relationship between native and non-native North Americans was well documented by the camera. In, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ovolo frame. Culture: French. Dimensions: 24 x 28.5, 15.7 x 20.3, 17 x 21.5 cm.. Date: 1640-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB14X9–Ovolo frame. Culture: French. Dimensions: 24 x 28.5, 15.7 x 20.3, 17 x 21.5 cm.. Date: 1640-50. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Teapot, 1848–51, Made in New York, New York, United States, American, Silver, 8 5/8 x 9 7/16 x 6 1/4 in. (21.9 x 24 x 15.9 cm); 28 oz. 15 dwt. (894.3 g), Silver, Charters, Cann & Dunn (active 1848–1854, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW2HN5–Art inspired by Teapot, 1848–51, Made in New York, New York, United States, American, Silver, 8 5/8 x 9 7/16 x 6 1/4 in. (21.9 x 24 x 15.9 cm); 28 oz. 15 dwt. (894.3 g), Silver, Charters, Cann & Dunn (active 1848–1854, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Français : Thann, La Vieille Tour - gravure de Charles Pinet (19,5 x 28 cm) . 7 December 2013, 18:59:24. Charles Pinet 591 Thann - la Vieille Tour Stock Photo
RMMW1E67–. Français : Thann, La Vieille Tour - gravure de Charles Pinet (19,5 x 28 cm) . 7 December 2013, 18:59:24. Charles Pinet 591 Thann - la Vieille Tour
Art inspired by Breton. Ernest, Jean. 28 ans, 27/10/63. Anarchiste 24/1/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family of scientists and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW4T5C–Art inspired by Breton. Ernest, Jean. 28 ans, 27/10/63. Anarchiste 24/1/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family of scientists and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
YEDDINGHAM BRIDGE. Author Jukes, Francis 45.76. Place of publication: LONDON Publisher: Published April 28th 1785 by F. Jukes., Date of publication: [April 28 1785] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 18 x 24.7 cm, on sheet 24.5 x 36.7 cm sheet Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9EY4T–YEDDINGHAM BRIDGE. Author Jukes, Francis 45.76. Place of publication: LONDON Publisher: Published April 28th 1785 by F. Jukes., Date of publication: [April 28 1785] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 18 x 24.7 cm, on sheet 24.5 x 36.7 cm sheet Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Two Opera Singers, 1749–50, German, Meissen, Hard-paste porcelain, Overall (confirmed): 9 1/2 x 11 3/8 x 6 7/8 in. (24.1 x 28.9 x 17.5 cm), Ceramics-Porcelain, After a composition by Charles Nicolas Cochin II (French, Paris 1715–1790 Paris), This figure group represents, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW3W53–Art inspired by Two Opera Singers, 1749–50, German, Meissen, Hard-paste porcelain, Overall (confirmed): 9 1/2 x 11 3/8 x 6 7/8 in. (24.1 x 28.9 x 17.5 cm), Ceramics-Porcelain, After a composition by Charles Nicolas Cochin II (French, Paris 1715–1790 Paris), This figure group represents, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Elevation of a Wall Monument; Designed by Jean-Charles Delafosse (French, 1734–1791); France; pen and black ink, brush and wash, black chalk on white laid paper; 24.9 x 28.7 cm (9 13/16 x 11 5/16 in.) Stock Photo
RM2PMK11P–Drawing, Elevation of a Wall Monument; Designed by Jean-Charles Delafosse (French, 1734–1791); France; pen and black ink, brush and wash, black chalk on white laid paper; 24.9 x 28.7 cm (9 13/16 x 11 5/16 in.)
Art inspired by Six Angels, ca. 1365, Tempera on wood, gold ground, Top left 9 3/4 x 3 7/8 in. (24.8 x 9.8 cm); center left 11 1/8 x 5 1/4 in. (28.3 x 13.3 cm); bottom left 9 7/8 x 3 7/8 in. (25.1 x 9.8 cm); top right (9 3/4 x 3 7/8 in. (24.8 x 9.8 cm); center right 11 1/8 x 5 1/4 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTYCN3–Art inspired by Six Angels, ca. 1365, Tempera on wood, gold ground, Top left 9 3/4 x 3 7/8 in. (24.8 x 9.8 cm); center left 11 1/8 x 5 1/4 in. (28.3 x 13.3 cm); bottom left 9 7/8 x 3 7/8 in. (25.1 x 9.8 cm); top right (9 3/4 x 3 7/8 in. (24.8 x 9.8 cm); center right 11 1/8 x 5 1/4 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Albert Besnard, Queen Elisabeth of Belgium (La Reine Élisabeth de Belgique), 1917, etching in brown-black on laid paper, plate: 30.7 x 24.6 cm (12 1/16 x 9 11/16 in.) sheet: 41.4 x 33.6 cm (16 5/16 x 13 1/4 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.28.9' Stock Photo
RM2RAGHD5–'Albert Besnard, Queen Elisabeth of Belgium (La Reine Élisabeth de Belgique), 1917, etching in brown-black on laid paper, plate: 30.7 x 24.6 cm (12 1/16 x 9 11/16 in.) sheet: 41.4 x 33.6 cm (16 5/16 x 13 1/4 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.28.9'
Art inspired by Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 9 1/2 in (24.1 cm); L. of head 3 in. (7.6 cm); W. 1 5/16 in. (3.3 cm); Wt. 1 oz. (28.3 g), Archery Equipment-Arrowheads, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTT9BC–Art inspired by Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 9 1/2 in (24.1 cm); L. of head 3 in. (7.6 cm); W. 1 5/16 in. (3.3 cm); Wt. 1 oz. (28.3 g), Archery Equipment-Arrowheads, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dorothy True MET DP234818 267441 Dorothy True, 1919, Gelatin silver print, 24.3 x 19.3 cm (9 9/16 x 7 5/8 in.). The Metropolitan Museum of Art, New York. Gift of Paul Rosenfeld, 1928 (28.126) Stock Photo
RMKP1WX3–Dorothy True MET DP234818 267441 Dorothy True, 1919, Gelatin silver print, 24.3 x 19.3 cm (9 9/16 x 7 5/8 in.). The Metropolitan Museum of Art, New York. Gift of Paul Rosenfeld, 1928 (28.126)
Art inspired by Durieux. Aléxis, Alberic. 20 ans, né le 28/2/74 à Stains (Seine). Verrier. Vol. 24/1/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW4TAY–Art inspired by Durieux. Aléxis, Alberic. 20 ans, né le 28/2/74 à Stains (Seine). Verrier. Vol. 24/1/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The African penguin (Spheniscus demersus), also known as the jackass penguin and black-footed penguin Stock Photo
RMDG8EE2–The African penguin (Spheniscus demersus), also known as the jackass penguin and black-footed penguin
Art inspired by Two-Handled Jar with Lions' Heads, early 15th century, Made in Florence, Italy, Italian, Tin-glazed earthenware, Overall: 9 7/16 x 12 11/16 x 11 1/4 in. (24 x 32.3 x 28.5 cm), Ceramics, This jar, made early in the fifteenth century, includes bold relief ornament of pine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW90K6–Art inspired by Two-Handled Jar with Lions' Heads, early 15th century, Made in Florence, Italy, Italian, Tin-glazed earthenware, Overall: 9 7/16 x 12 11/16 x 11 1/4 in. (24 x 32.3 x 28.5 cm), Ceramics, This jar, made early in the fifteenth century, includes bold relief ornament of pine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Armchair (one of a set of six), 1769–71, British and French, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), 41 5/8 × 28 1/2 × 26 in. (105.7 × 72.4 × 66 cm), Woodwork-Furniture, John Mayhew (British, 1736–1811), and William Ince (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW3YYK–Art inspired by Armchair (one of a set of six), 1769–71, British and French, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), 41 5/8 × 28 1/2 × 26 in. (105.7 × 72.4 × 66 cm), Woodwork-Furniture, John Mayhew (British, 1736–1811), and William Ince (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Figure, Aztec, 14th–15th century, Mexico, Mesoamerica, Aztec, Stone, Length: 24 7/16 in. (62 cm), Width: 11 in. × 5 1/8 in. (28 × 13 cm), Stone-Sculpture Stock Photo
RM2B0N7TE–Figure, Aztec, 14th–15th century, Mexico, Mesoamerica, Aztec, Stone, Length: 24 7/16 in. (62 cm), Width: 11 in. × 5 1/8 in. (28 × 13 cm), Stone-Sculpture
Art inspired by Two Crossbow Nuts, before 1272, Haifa, Western European or Near Eastern, Staghorn, iron alloy, W. 3/4 in. (1.9 cm); Diam. 1 1/8 in. (2.9 cm); Wt. .28 oz. (8 g);W 5/8 in. (1.3 cm); Diam. 1 1/8 in. (2.9 cm); Wt. .24 oz. (7 g), Archery Equipment, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTT6Y7–Art inspired by Two Crossbow Nuts, before 1272, Haifa, Western European or Near Eastern, Staghorn, iron alloy, W. 3/4 in. (1.9 cm); Diam. 1 1/8 in. (2.9 cm); Wt. .28 oz. (8 g);W 5/8 in. (1.3 cm); Diam. 1 1/8 in. (2.9 cm); Wt. .24 oz. (7 g), Archery Equipment, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Woman's head to the left, Marie Lippert-Hoerner (Vienna 1860 - 1932 Vienna), 1882, drawing, pencil, opaque white heightening, 31.5 x 24 cm (12 3/8 x 9 7/16 in.), r.r. 'MH, 8/28/82 Stock Photo
RM2T8M8G5–Woman's head to the left, Marie Lippert-Hoerner (Vienna 1860 - 1932 Vienna), 1882, drawing, pencil, opaque white heightening, 31.5 x 24 cm (12 3/8 x 9 7/16 in.), r.r. 'MH, 8/28/82
Cassetta frame (pair with 1975.1.2169). Culture: Italian, Rome. Dimensions: 28.1 x 24.5, 14.9 x 11.4, 16.4 x 12.7 cm.. Date: 1880-1900, style early 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB1P69–Cassetta frame (pair with 1975.1.2169). Culture: Italian, Rome. Dimensions: 28.1 x 24.5, 14.9 x 11.4, 16.4 x 12.7 cm.. Date: 1880-1900, style early 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Johan Knutson, 28.7.1816, Allerum, Sweden, 13.9.1899, Helsinki, Woman at a well, 1830 - 1899, 19 × 24.5 cm, gouache, watercolour Stock Photo
RM2T8W7JR–Johan Knutson, 28.7.1816, Allerum, Sweden, 13.9.1899, Helsinki, Woman at a well, 1830 - 1899, 19 × 24.5 cm, gouache, watercolour
. Français : Thann, La Vieille Tour - gravure de Charles Pinet (19,5 x 28 cm) . 7 December 2013, 18:59:24. Charles Pinet 517 Thann - la Vieille Tour Stock Photo
RMMY2P1T–. Français : Thann, La Vieille Tour - gravure de Charles Pinet (19,5 x 28 cm) . 7 December 2013, 18:59:24. Charles Pinet 517 Thann - la Vieille Tour
Hollow molding, early 19th century, American, United States, Basswood, 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm., Frames Stock Photo
RMKC575R–Hollow molding, early 19th century, American, United States, Basswood, 33.9 x 37.5, 23 x 26.6, 24.7 x 28.5 cm., Frames
VuÃàe du frontispice du Dome de l'Eglise, et d'une partie des Batiments de L'hotel Royal des Invalides. Author Rigaud, Jacques 65.19.d. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: [between 1700 and 1754] Item type: 1 print Medium: etching and engraving Dimensions: platemark 24.5 x 49 cm, on sheet 28.2 x 52.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9FBGM–VuÃàe du frontispice du Dome de l'Eglise, et d'une partie des Batiments de L'hotel Royal des Invalides. Author Rigaud, Jacques 65.19.d. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: [between 1700 and 1754] Item type: 1 print Medium: etching and engraving Dimensions: platemark 24.5 x 49 cm, on sheet 28.2 x 52.7 cm Former owner: George III, King of Great Britain, 1738-1820
Thomas Rowlandson, Plate 28, from 'World in Miniature', 'World in Miniature', Thomas Rowlandson (British, London 1757–1827 London), 1816, Hand-colored etching, Sheet: 6 7/8 × 9 7/16 in. (17.5 × 24 cm), Prints Stock Photo
RM2B0M8EA–Thomas Rowlandson, Plate 28, from 'World in Miniature', 'World in Miniature', Thomas Rowlandson (British, London 1757–1827 London), 1816, Hand-colored etching, Sheet: 6 7/8 × 9 7/16 in. (17.5 × 24 cm), Prints
Inspired by Head of Christ, French or Flemish, 1500–50, Alabaster, Belgium, Europe, France, Europe, Sculpture, stone & mineral, 9 5/8 x 11 1/4 x 4 7/8 in. (24.4 x 28.6 x 12.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo
RF2HK67F9–Inspired by Head of Christ, French or Flemish, 1500–50, Alabaster, Belgium, Europe, France, Europe, Sculpture, stone & mineral, 9 5/8 x 11 1/4 x 4 7/8 in. (24.4 x 28.6 x 12.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing, Ulysesses Discovers Achilles in Scyros; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink over traces of graphite on light blue laid paper ; 24.7 x 28.5 cm (9 3/4 x 11 1/4 in.) Stock Photo
RM2PMM2KH–Drawing, Ulysesses Discovers Achilles in Scyros; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink over traces of graphite on light blue laid paper ; 24.7 x 28.5 cm (9 3/4 x 11 1/4 in.)
Georgia O'Keeffe MET DP232912 267442 Georgia O'Keeffe, 1918, Platinum-palladium print, 24.5 x 19.6 cm (9 5/8 x 7 11/16 in. ). The Metropolitan Museum of Art, New York. Gift of David A. Schulte, 1928 (28.127.1) Stock Photo
RMKP1WX5–Georgia O'Keeffe MET DP232912 267442 Georgia O'Keeffe, 1918, Platinum-palladium print, 24.5 x 19.6 cm (9 5/8 x 7 11/16 in. ). The Metropolitan Museum of Art, New York. Gift of David A. Schulte, 1928 (28.127.1)
Cabasset. Culture: Italian, Milan. Dimensions: H. 7 9/16 in. (19.2 cm); W. 9 5/8 in. (24.4 cm); D. 11 1/8 in. (28.3 cm); Wt. 2 lb. 9 oz. (1174 g). Date: ca. 1570. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB3XMR–Cabasset. Culture: Italian, Milan. Dimensions: H. 7 9/16 in. (19.2 cm); W. 9 5/8 in. (24.4 cm); D. 11 1/8 in. (28.3 cm); Wt. 2 lb. 9 oz. (1174 g). Date: ca. 1570. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: ca. 1860 Display Dimensions: 14 9/16 in. x 11 7/32 in. (37 cm x 28.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1027 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:24. English: thesandiegomuseumofartcollection 1177 The Maharaja of Gwalior attended by two servants, one chauri bearer, the other h (6124578831) Stock Photo
RMMNXP3K–. English: Creation Date: ca. 1860 Display Dimensions: 14 9/16 in. x 11 7/32 in. (37 cm x 28.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1027 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:24. English: thesandiegomuseumofartcollection 1177 The Maharaja of Gwalior attended by two servants, one chauri bearer, the other h (6124578831)
The Inside View of the Royal Exchange at LONDON = VeuÃàe du dedans de la Bourse Royale a LONDRES. Author Bowles, Thomas 24.11.l. Place of publication: London Publisher: Printed for T. Bowles in St. Paul's Church Yard, John Bowles , Son in Cornhill, Rob. Sayer in Fleet Street , Hen. Overton without Newgate, Date of publication: [between 1740 and 1760] Item type: 1 print Medium: etching and engraving Dimensions: platemark 28.3 x 42.5 cm, on sheet 33.8 x 43.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9HGDB–The Inside View of the Royal Exchange at LONDON = VeuÃàe du dedans de la Bourse Royale a LONDRES. Author Bowles, Thomas 24.11.l. Place of publication: London Publisher: Printed for T. Bowles in St. Paul's Church Yard, John Bowles , Son in Cornhill, Rob. Sayer in Fleet Street , Hen. Overton without Newgate, Date of publication: [between 1740 and 1760] Item type: 1 print Medium: etching and engraving Dimensions: platemark 28.3 x 42.5 cm, on sheet 33.8 x 43.7 cm Former owner: George III, King of Great Britain, 1738-1820
George Bickham, Sr., Medley Print: Sot's Paradise, George Bickham, Sr. (British, London 1684–1758 London), 1706–7, Etching and engraving, printed in black and red ink, Plate: 11 5/16 x 8 11/16 in. (28.7 x 22.1 cm), Sheet: 13 1/4 x 9 3/4 in. (33.6 x 24.7 cm), Prints Stock Photo
RM2B0M2EN–George Bickham, Sr., Medley Print: Sot's Paradise, George Bickham, Sr. (British, London 1684–1758 London), 1706–7, Etching and engraving, printed in black and red ink, Plate: 11 5/16 x 8 11/16 in. (28.7 x 22.1 cm), Sheet: 13 1/4 x 9 3/4 in. (33.6 x 24.7 cm), Prints
Art inspired by Head of Christ, French or Flemish, 1500-50, Alabaster, Belgium, Europe, France, Europe, Sculpture, stone & mineral, 9 5/8 x 11 1/4 x 4 7/8 in. (24.4 x 28.6 x 12.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HKMER9–Art inspired by Head of Christ, French or Flemish, 1500-50, Alabaster, Belgium, Europe, France, Europe, Sculpture, stone & mineral, 9 5/8 x 11 1/4 x 4 7/8 in. (24.4 x 28.6 x 12.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Grobler, railing Neue Schönhauser Straße 5 and 8, Neue Promenade 3, Berlin. (From: Architecton. Sketches from Alt-Berlin, ed. Akad. Architects Association, H.28, (1904-1904): Views. Light printing on paper, 34 x 24.7 cm (incl. Scan edges) Stock Photo
RM2JMY0KR–Grobler, railing Neue Schönhauser Straße 5 and 8, Neue Promenade 3, Berlin. (From: Architecton. Sketches from Alt-Berlin, ed. Akad. Architects Association, H.28, (1904-1904): Views. Light printing on paper, 34 x 24.7 cm (incl. Scan edges)
Art inspired by Cassetta frame, 1800–1900, style early 17th century, Italian, Rome, Poplar back frame with ebony and ebonized pearwood upper moldings; glass; pewter; silver wire., 28.1 x 24.5, 14.9 x 11.4, 16.4 x 12.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW8XKT–Art inspired by Cassetta frame, 1800–1900, style early 17th century, Italian, Rome, Poplar back frame with ebony and ebonized pearwood upper moldings; glass; pewter; silver wire., 28.1 x 24.5, 14.9 x 11.4, 16.4 x 12.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Print, Flowers; Published by Martin Engelbrecht (German, 1684–1756); Germany; engraving on paper; Plate: 14.9 × 20.1 cm (5 7/8 × 7 15/16 in.) Paper: 17.5 × 24.9 cm (6 7/8 × 9 13/16 in.); 1898-28-4 Stock Photo
RM2PMDFM3–Print, Flowers; Published by Martin Engelbrecht (German, 1684–1756); Germany; engraving on paper; Plate: 14.9 × 20.1 cm (5 7/8 × 7 15/16 in.) Paper: 17.5 × 24.9 cm (6 7/8 × 9 13/16 in.); 1898-28-4
Art inspired by Rider for Pitcher No 7082, 1883–91, (none assigned) New York, New York, United States, American, Ink on brown board, Overall: 9 5/8 x 11 5/16 in. (24.4 x 28.7 cm), Drawings, Tiffany & Co. (1837–present, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW2RCX–Art inspired by Rider for Pitcher No 7082, 1883–91, (none assigned) New York, New York, United States, American, Ink on brown board, Overall: 9 5/8 x 11 5/16 in. (24.4 x 28.7 cm), Drawings, Tiffany & Co. (1837–present, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Georgia O'Keeffe MET DP232912 267442 Georgia O'Keeffe, 1918, Platinum-palladium print, 24.5 x 19.6 cm (9 5/8 x 7 11/16 in. ). The Metropolitan Museum of Art, New York. Gift of David A. Schulte, 1928 (28.127.1) Stock Photo
RMKNPMP1–Georgia O'Keeffe MET DP232912 267442 Georgia O'Keeffe, 1918, Platinum-palladium print, 24.5 x 19.6 cm (9 5/8 x 7 11/16 in. ). The Metropolitan Museum of Art, New York. Gift of David A. Schulte, 1928 (28.127.1)
Art inspired by Cassetta frame, 1880–1900, style early 17th century, Italian, Rome, Poplar back frame with ebony and ebonized pearwood upper moldings; glass; pewter; silver wire., 28.1 x 24.5, 14.9 x 11.4, 16.4 x 12.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW8X33–Art inspired by Cassetta frame, 1880–1900, style early 17th century, Italian, Rome, Poplar back frame with ebony and ebonized pearwood upper moldings; glass; pewter; silver wire., 28.1 x 24.5, 14.9 x 11.4, 16.4 x 12.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Goblet (Roemer) MET 195181 188923 Dutch, probably Amsterdam, Goblet (Roemer), early 17th century, Glass, engraved wtih a diamond point, H. 11 1/4 in. (28.6 cm.); Gr. D. 5 7/8 in. (14.9 cm.). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1904 (04.24) Stock Photo
RMKN4TCN–Goblet (Roemer) MET 195181 188923 Dutch, probably Amsterdam, Goblet (Roemer), early 17th century, Glass, engraved wtih a diamond point, H. 11 1/4 in. (28.6 cm.); Gr. D. 5 7/8 in. (14.9 cm.). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1904 (04.24)
Art inspired by Cabasset, ca. 1570, Milan, Italian, Milan, Steel, gold, brass, leather, velvet, H. 7 9/16 in. (19.2 cm); W. 9 5/8 in. (24.4 cm); D. 11 1/8 in. (28.3 cm); Wt. 2 lb. 9 oz. (1174 g), Helmets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW2YM3–Art inspired by Cabasset, ca. 1570, Milan, Italian, Milan, Steel, gold, brass, leather, velvet, H. 7 9/16 in. (19.2 cm); W. 9 5/8 in. (24.4 cm); D. 11 1/8 in. (28.3 cm); Wt. 2 lb. 9 oz. (1174 g), Helmets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Goblet (Roemer) MET DP283120 188923 Dutch, probably Amsterdam, Goblet (Roemer), early 17th century, Glass, engraved wtih a diamond point, H. 11 1/4 in. (28.6 cm.); Gr. D. 5 7/8 in. (14.9 cm.). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1904 (04.24) Stock Photo
RMKNAK8K–Goblet (Roemer) MET DP283120 188923 Dutch, probably Amsterdam, Goblet (Roemer), early 17th century, Glass, engraved wtih a diamond point, H. 11 1/4 in. (28.6 cm.); Gr. D. 5 7/8 in. (14.9 cm.). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1904 (04.24)
Art inspired by The Annunciation to the Shepherds, 1510–92, Pen and brown ink, brush and brown wash, highlighted with white, on green-washed paper, 11-5/16 x 9-1/2 in. (28.7 x 24.1 cm), Drawings, Attributed to Jacopo Bassano (Jacopo da Ponte) (Italian, Bassano del Grappa ca. 1510–1592, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW56GK–Art inspired by The Annunciation to the Shepherds, 1510–92, Pen and brown ink, brush and brown wash, highlighted with white, on green-washed paper, 11-5/16 x 9-1/2 in. (28.7 x 24.1 cm), Drawings, Attributed to Jacopo Bassano (Jacopo da Ponte) (Italian, Bassano del Grappa ca. 1510–1592, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Vertical panels, ca. 1716, German, Westphalia, Silk, metal thread, on linen, a: L. 39 1/2 x W. 9 3/8 inches (100.3 x 23.8 cm); b: L. 28 5/8 x W. 9 1/2 inches (72.7 x 24.1 cm), Textiles-Embroidered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWA1K–Art inspired by Vertical panels, ca. 1716, German, Westphalia, Silk, metal thread, on linen, a: L. 39 1/2 x W. 9 3/8 inches (100.3 x 23.8 cm); b: L. 28 5/8 x W. 9 1/2 inches (72.7 x 24.1 cm), Textiles-Embroidered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for an Alcove with a Coat of Arms Flanked by Putti Bearing a Crown, Supported by Pilasters with Human Heads in Capitals. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 5/16 x 9 3/4 in. (28.7 x 24.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAMBFR–Design for an Alcove with a Coat of Arms Flanked by Putti Bearing a Crown, Supported by Pilasters with Human Heads in Capitals. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 5/16 x 9 3/4 in. (28.7 x 24.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Halberd of Prince Karl Eusebius of Liechtenstein (1611–1684), dated 1632, German, Steel, gold, wood, L. 90 5/8 in. (230.17 cm); L. of head (excluding straps) 24 1/2 in. (62.23 cm); W. 11 5/16 in. (28.73 cm); Wt. 7 lb. 7 oz. (3374 g), Shafted Weapons, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW9K63–Art inspired by Halberd of Prince Karl Eusebius of Liechtenstein (1611–1684), dated 1632, German, Steel, gold, wood, L. 90 5/8 in. (230.17 cm); L. of head (excluding straps) 24 1/2 in. (62.23 cm); W. 11 5/16 in. (28.73 cm); Wt. 7 lb. 7 oz. (3374 g), Shafted Weapons, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Mosaic Icon with the Akra Tapeinosis (Utmost Humiliation), or Man of Sorrows. Mosaic icon, Byzantine, late 13th–early 14th century; icon of Saint Catherine (reverse), late 13th–early 14th century; case, late 14th–17th century1. Mosaic icon, various colored stones, silver, and gold on wood; case, wood, metal, paper identification and silk wrappings for the relics; icon 13 x 19 cm (5 1/8 x 7 1/2 in.) without frame, 23 x 28 cm (9 x 11 in.) with silver frame; case 98.7 x 97.1 cm (38 7/8 x 38 1/4 in.) open, 98.7 x 62.4 cm (38 7/8 x 24 5/8 in.) closed. Basilica di Santa Croce in Gerusalem Stock Photo
RMMX37AM–. English: Mosaic Icon with the Akra Tapeinosis (Utmost Humiliation), or Man of Sorrows. Mosaic icon, Byzantine, late 13th–early 14th century; icon of Saint Catherine (reverse), late 13th–early 14th century; case, late 14th–17th century1. Mosaic icon, various colored stones, silver, and gold on wood; case, wood, metal, paper identification and silk wrappings for the relics; icon 13 x 19 cm (5 1/8 x 7 1/2 in.) without frame, 23 x 28 cm (9 x 11 in.) with silver frame; case 98.7 x 97.1 cm (38 7/8 x 38 1/4 in.) open, 98.7 x 62.4 cm (38 7/8 x 24 5/8 in.) closed. Basilica di Santa Croce in Gerusalem
Art inspired by Stela of Two Brothers, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb, 1912–13, Limestone, paint, H. 72.7 cm (28 5/8 in.); W. 61 cm (24 in.); D. 14 cm (5 1/2 in.), This beautifully executed round-topped stela, reconstructed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW103K–Art inspired by Stela of Two Brothers, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb, 1912–13, Limestone, paint, H. 72.7 cm (28 5/8 in.); W. 61 cm (24 in.); D. 14 cm (5 1/2 in.), This beautifully executed round-topped stela, reconstructed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sword with Scabbard, Indonesian, Gorontalo, 18th–19th century, Gorontalo, Sulawesi Utara, Indonesian, Gorontalo, Wood, tin foil, L. with scabbard 28 3/4 in. (73 cm); L. without scabbard 24 1/8 in. (61.3 cm); W. 5 9/16 in. (14.1 cm); Wt. 1 lb. 0.8 oz. (476.3 g); Wt. of scabbard 5 oz. (141.7 g), Swords Stock Photo
RM2B0MMWM–Sword with Scabbard, Indonesian, Gorontalo, 18th–19th century, Gorontalo, Sulawesi Utara, Indonesian, Gorontalo, Wood, tin foil, L. with scabbard 28 3/4 in. (73 cm); L. without scabbard 24 1/8 in. (61.3 cm); W. 5 9/16 in. (14.1 cm); Wt. 1 lb. 0.8 oz. (476.3 g); Wt. of scabbard 5 oz. (141.7 g), Swords
Art inspired by Madonna and Child with Saints Mary Magdalen and Sebastian, 15th century style, made in the late 19th to early 20th century, Italian, Tempera on wood, gold ground, Overall 43 1/8 x 28 1/2 in. (109.5 x 72.4 cm); painted surface 39 1/4 x 24 5/8 in. (99.7 x 62.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW8R2W–Art inspired by Madonna and Child with Saints Mary Magdalen and Sebastian, 15th century style, made in the late 19th to early 20th century, Italian, Tempera on wood, gold ground, Overall 43 1/8 x 28 1/2 in. (109.5 x 72.4 cm); painted surface 39 1/4 x 24 5/8 in. (99.7 x 62.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N.N., Hygienisches Institut, Berlin. (From: Architecton. Sketches from Alt-Berlin, ed. Akad. Architects Association, H.28, Berlin 1904.) (1904-1904): Floor plan Vestibül, view railing, details 1: 5. Light pressure on paper, 33.8 x 24.7 cm (including scan edges) Stock Photo
RM2JMY0HG–N.N., Hygienisches Institut, Berlin. (From: Architecton. Sketches from Alt-Berlin, ed. Akad. Architects Association, H.28, Berlin 1904.) (1904-1904): Floor plan Vestibül, view railing, details 1: 5. Light pressure on paper, 33.8 x 24.7 cm (including scan edges)
Poelzig Hans (1869-1936), Werkbund exhibition Stuttgart-Weißenhof. Single family house type C 7 (28.04.1927): Diele, bank 1:10. Pencil on transparent, 24 x 34.5 cm (including scan edges) Stock Photo
RM2JMKYYD–Poelzig Hans (1869-1936), Werkbund exhibition Stuttgart-Weißenhof. Single family house type C 7 (28.04.1927): Diele, bank 1:10. Pencil on transparent, 24 x 34.5 cm (including scan edges)
Print, Flowers; Published by Martin Engelbrecht (German, 1684–1756); Germany; engraving on paper; Plate: 14.8 × 20.1 cm (5 13/16 × 7 15/16 in.) Paper: 17.6 × 24.8 cm (6 15/16 × 9 3/4 in.); 1898-28-2 Stock Photo
RM2PMDFTW–Print, Flowers; Published by Martin Engelbrecht (German, 1684–1756); Germany; engraving on paper; Plate: 14.8 × 20.1 cm (5 13/16 × 7 15/16 in.) Paper: 17.6 × 24.8 cm (6 15/16 × 9 3/4 in.); 1898-28-2
Hoffmann Emil (1845-1901), S. Lorenzo in Florence (June 24, 1894): Crushing: Perspective view. Pencil watercolor on the box, 28.7 x 24.5 cm (including scan edges) Hoffmann Emil (1845-1901): S. Lorenzo, Florenz Stock Photo
RM2JMPRAN–Hoffmann Emil (1845-1901), S. Lorenzo in Florence (June 24, 1894): Crushing: Perspective view. Pencil watercolor on the box, 28.7 x 24.5 cm (including scan edges) Hoffmann Emil (1845-1901): S. Lorenzo, Florenz
Unknown architect, Bevern Castle. Erker and Giebel, Lemgo (24.03.1905): Castle: Giebelriss, Lemgo: Erker Breite Straße 10, Giebel Mittelstraße 10. Break break on paper, 35.7 x 28.5 cm (including scan edges) N.N. : Schloss Bevern. Erker und Giebel, Lemgo Stock Photo
RM2JMT7TJ–Unknown architect, Bevern Castle. Erker and Giebel, Lemgo (24.03.1905): Castle: Giebelriss, Lemgo: Erker Breite Straße 10, Giebel Mittelstraße 10. Break break on paper, 35.7 x 28.5 cm (including scan edges) N.N. : Schloss Bevern. Erker und Giebel, Lemgo
Processional Cross, c. 1440-1450. Pietro Vannini (Italian, 1413/14-1495/96). Silver, gilt-silver, and repoussé, over wood; overall: 72.7 x 61 x 12.7 cm (28 5/8 x 24 x 5 in.). Stock Photo
RM2H10FP2–Processional Cross, c. 1440-1450. Pietro Vannini (Italian, 1413/14-1495/96). Silver, gilt-silver, and repoussé, over wood; overall: 72.7 x 61 x 12.7 cm (28 5/8 x 24 x 5 in.).
Goblet (Roemer) MET ES7946 188923 Dutch, probably Amsterdam, Goblet (Roemer), early 17th century, Glass, engraved wtih a diamond point, H. 11 1/4 in. (28.6 cm.); Gr. D. 5 7/8 in. (14.9 cm.). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1904 (04.24) Stock Photo
RMKNFR04–Goblet (Roemer) MET ES7946 188923 Dutch, probably Amsterdam, Goblet (Roemer), early 17th century, Glass, engraved wtih a diamond point, H. 11 1/4 in. (28.6 cm.); Gr. D. 5 7/8 in. (14.9 cm.). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1904 (04.24)
Rider for Pitcher No 7082. Artist: Tiffany & Co. (1837-present). Culture: American. Dimensions: Overall: 9 5/8 x 11 5/16 in. (24.4 x 28.7 cm) Design: 9 5/8 x 9 1/4 in. (24.4 x 23.5 cm). Date: 1883-91. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA98H5–Rider for Pitcher No 7082. Artist: Tiffany & Co. (1837-present). Culture: American. Dimensions: Overall: 9 5/8 x 11 5/16 in. (24.4 x 28.7 cm) Design: 9 5/8 x 9 1/4 in. (24.4 x 23.5 cm). Date: 1883-91. Museum: Metropolitan Museum of Art, New York, USA.
. English: Mosaic Icon with the Akra Tapeinosis (Utmost Humiliation), or Man of Sorrows. Mosaic icon, Byzantine, late 13th–early 14th century; icon of Saint Catherine (reverse), late 13th–early 14th century; case, late 14th–17th century1. Mosaic icon, various colored stones, silver, and gold on wood; case, wood, metal, paper identification and silk wrappings for the relics; icon 13 x 19 cm (5 1/8 x 7 1/2 in.) without frame, 23 x 28 cm (9 x 11 in.) with silver frame; case 98.7 x 97.1 cm (38 7/8 x 38 1/4 in.) open, 98.7 x 62.4 cm (38 7/8 x 24 5/8 in.) closed. Basilica di Santa Croce in Gerusalem Stock Photo
RMMY97FT–. English: Mosaic Icon with the Akra Tapeinosis (Utmost Humiliation), or Man of Sorrows. Mosaic icon, Byzantine, late 13th–early 14th century; icon of Saint Catherine (reverse), late 13th–early 14th century; case, late 14th–17th century1. Mosaic icon, various colored stones, silver, and gold on wood; case, wood, metal, paper identification and silk wrappings for the relics; icon 13 x 19 cm (5 1/8 x 7 1/2 in.) without frame, 23 x 28 cm (9 x 11 in.) with silver frame; case 98.7 x 97.1 cm (38 7/8 x 38 1/4 in.) open, 98.7 x 62.4 cm (38 7/8 x 24 5/8 in.) closed. Basilica di Santa Croce in Gerusalem
Honoré Daumier, The lady of the eggs: Watch out! It's important not to break any of them!, from 'News of the day,' published in Le Charivari, November 24, 1866, 'News of the day' (Actualités), Honoré Daumier (French, Marseilles 1808–1879 Valmondois), November 24, 1866, Lithograph on newsprint; second state of two (Delteil), Image: 9 5/8 × 7 1/2 in. (24.4 × 19 cm), Sheet: 11 5/16 × 11 1/2 in. (28.8 × 29.2 cm), Prints Stock Photo
RM2B0M3RN–Honoré Daumier, The lady of the eggs: Watch out! It's important not to break any of them!, from 'News of the day,' published in Le Charivari, November 24, 1866, 'News of the day' (Actualités), Honoré Daumier (French, Marseilles 1808–1879 Valmondois), November 24, 1866, Lithograph on newsprint; second state of two (Delteil), Image: 9 5/8 × 7 1/2 in. (24.4 × 19 cm), Sheet: 11 5/16 × 11 1/2 in. (28.8 × 29.2 cm), Prints
Art inspired by Saint Catherine of Siena Exchanging Her Heart with Christ, Tempera and gold on wood, Overall, with added strips, 11 3/4 x 9 1/2 in. (29.8 x 24.1 cm); painted surface 11 3/8 x 8 7/8 in. (28.9 x 22.5 cm), Paintings, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW8K4Y–Art inspired by Saint Catherine of Siena Exchanging Her Heart with Christ, Tempera and gold on wood, Overall, with added strips, 11 3/4 x 9 1/2 in. (29.8 x 24.1 cm); painted surface 11 3/8 x 8 7/8 in. (28.9 x 22.5 cm), Paintings, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Elements of an Armor Garniture, 1560, Augsburg, German, Augsburg, Steel, brass, leather, H. of helmet 10 1/2 in. (31.8 cm); face guard with umbril: 7 1/2 x 8 in. (19.1 x 20.3 cm); reinforcing buffe: 9 1/2 x 12 in. (24.1 x 30.5 cm); shoulder defense: 11 x 11 in. (27.9 x, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTTA51–Art inspired by Elements of an Armor Garniture, 1560, Augsburg, German, Augsburg, Steel, brass, leather, H. of helmet 10 1/2 in. (31.8 cm); face guard with umbril: 7 1/2 x 8 in. (19.1 x 20.3 cm); reinforcing buffe: 9 1/2 x 12 in. (24.1 x 30.5 cm); shoulder defense: 11 x 11 in. (27.9 x, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Cuirass (Char-aina), late 18th–early 19th century, Indian or Iranian, Steel, gold, textile, of breastplate H. 13 in. (33 cm); of backplate H. 15 1/2 in. (39.37 cm); of sides H. 9 5/8 in. (24.5 cm); of whole cuirass W. 11 1/4 in. (28.5 cm); of whole cuirass D. 9 1/2 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW2YB7–Art inspired by Cuirass (Char-aina), late 18th–early 19th century, Indian or Iranian, Steel, gold, textile, of breastplate H. 13 in. (33 cm); of backplate H. 15 1/2 in. (39.37 cm); of sides H. 9 5/8 in. (24.5 cm); of whole cuirass W. 11 1/4 in. (28.5 cm); of whole cuirass D. 9 1/2 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Print, Desseins D'Agraffes; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Germany; etching and engraving on off-white laid paper; Platemark: 24.9 x 19 cm (9 13/16 x 7 1/2 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.) Stock Photo
RM2PMFPX3–Print, Desseins D'Agraffes; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Germany; etching and engraving on off-white laid paper; Platemark: 24.9 x 19 cm (9 13/16 x 7 1/2 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)
Art inspired by Portions of a Cuirass, late 16th–17th century, Turkish, Steel, iron, copper alloy, textile, Breastplate: 14 1/8 x 18 1/8 in. (36 x 46 cm); Diam. of center disc (min) 10 7/8 in. (27.61 cm); Diam. of center disc (max) 11 1/8 in. (28.24 cm); Shoulder defense: 4 1/8 x 19 7/, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW2Y28–Art inspired by Portions of a Cuirass, late 16th–17th century, Turkish, Steel, iron, copper alloy, textile, Breastplate: 14 1/8 x 18 1/8 in. (36 x 46 cm); Diam. of center disc (min) 10 7/8 in. (27.61 cm); Diam. of center disc (max) 11 1/8 in. (28.24 cm); Shoulder defense: 4 1/8 x 19 7/, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Square Piano, 1822–27, New York, New York, United States, American, Various materials, L. of case (perpendicular to keyboard, excluding drawer knobs): 63 cm (24-7/8 in.); W.( parallel to keyboard): 172.7 (68 in.); D. of case (without lid): 34 cm (13-3/8 in.); Total H, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW0G8G–Art inspired by Square Piano, 1822–27, New York, New York, United States, American, Various materials, L. of case (perpendicular to keyboard, excluding drawer knobs): 63 cm (24-7/8 in.); W.( parallel to keyboard): 172.7 (68 in.); D. of case (without lid): 34 cm (13-3/8 in.); Total H, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Springtime, 1857. Charles François Daubigny (French, 1817-1878). Etching; sheet: 24 x 32 cm (9 7/16 x 12 5/8 in.); platemark: 21 x 28.2 cm (8 1/4 x 11 1/8 in.). Stock Photo
RM2H11P3K–Springtime, 1857. Charles François Daubigny (French, 1817-1878). Etching; sheet: 24 x 32 cm (9 7/16 x 12 5/8 in.); platemark: 21 x 28.2 cm (8 1/4 x 11 1/8 in.).
Goblet (Roemer) MET DP285413 188923 Dutch, probably Amsterdam, Goblet (Roemer), early 17th century, Glass, engraved wtih a diamond point, H. 11 1/4 in. (28.6 cm.); Gr. D. 5 7/8 in. (14.9 cm.). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1904 (04.24) Stock Photo
RMKNAK8M–Goblet (Roemer) MET DP285413 188923 Dutch, probably Amsterdam, Goblet (Roemer), early 17th century, Glass, engraved wtih a diamond point, H. 11 1/4 in. (28.6 cm.); Gr. D. 5 7/8 in. (14.9 cm.). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1904 (04.24)
The Crucifixion, c. 1370, Francescuccio Ghissi, Italian, active 1359–1395, Italy, Tempera on panel, 72.7 x 50.3 cm (28 5/8 x 19 3/4 in.), With Frame: 81.9 x 61 cm (32 1/4 x 24 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo
RF2B8XJBF–The Crucifixion, c. 1370, Francescuccio Ghissi, Italian, active 1359–1395, Italy, Tempera on panel, 72.7 x 50.3 cm (28 5/8 x 19 3/4 in.), With Frame: 81.9 x 61 cm (32 1/4 x 24 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Teapot. Culture: American. Dimensions: 8 5/8 x 9 7/16 x 6 1/4 in. (21.9 x 24 x 15.9 cm); 28 oz. 15 dwt. (894.3 g). Maker: Charters, Cann & Dunn (active 1848-1854). Retailer: Ball, Tompkins and Black (active 1839-51). Date: 1848-51. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAC1NY–Teapot. Culture: American. Dimensions: 8 5/8 x 9 7/16 x 6 1/4 in. (21.9 x 24 x 15.9 cm); 28 oz. 15 dwt. (894.3 g). Maker: Charters, Cann & Dunn (active 1848-1854). Retailer: Ball, Tompkins and Black (active 1839-51). Date: 1848-51. Museum: Metropolitan Museum of Art, New York, USA.
. English: Mosaic Icon with the Akra Tapeinosis (Utmost Humiliation), or Man of Sorrows. Mosaic icon, Byzantine, late 13th–early 14th century; icon of Saint Catherine (reverse), late 13th–early 14th century; case, late 14th–17th century1. Mosaic icon, various colored stones, silver, and gold on wood; case, wood, metal, paper identification and silk wrappings for the relics; icon 13 x 19 cm (5 1/8 x 7 1/2 in.) without frame, 23 x 28 cm (9 x 11 in.) with silver frame; case 98.7 x 97.1 cm (38 7/8 x 38 1/4 in.) open, 98.7 x 62.4 cm (38 7/8 x 24 5/8 in.) closed. Basilica di Santa Croce in Gerusalem Stock Photo
RMMW72P7–. English: Mosaic Icon with the Akra Tapeinosis (Utmost Humiliation), or Man of Sorrows. Mosaic icon, Byzantine, late 13th–early 14th century; icon of Saint Catherine (reverse), late 13th–early 14th century; case, late 14th–17th century1. Mosaic icon, various colored stones, silver, and gold on wood; case, wood, metal, paper identification and silk wrappings for the relics; icon 13 x 19 cm (5 1/8 x 7 1/2 in.) without frame, 23 x 28 cm (9 x 11 in.) with silver frame; case 98.7 x 97.1 cm (38 7/8 x 38 1/4 in.) open, 98.7 x 62.4 cm (38 7/8 x 24 5/8 in.) closed. Basilica di Santa Croce in Gerusalem
Exotic Helmet with Tengu Mask and Crows, Japanese, 19th century, Japanese, Iron, helmet (a): H. 8 1/4 in. (21 cm); W. 9 1/2 in. (24.1 cm); D. 11 1/4 in. (28.6 cm); Wt. 3 lb. 13.6 oz. (1746 g); front crest (b): H. 3 1/4 in. (8.3 cm); W. 2 11/16 in. (6.8 cm); D. 2 3/8 in. (6 cm); Wt. 8.3 oz. (235 g); right crest (c): H. 7 3/4 in. (19.7 cm); W. 8 1/4 in. (21 cm); D. 1 1/16 in. (2.7 cm); Wt. 5.3 oz. (150 g); left crest (d): H. 7 3/4 in. (19.7 cm); W. 8 1/2 in. (21.6 cm); D. 7/8 in. (2.2 cm); Wt. 5.7 oz. (162 g), Helmets Stock Photo
RM2B0JJ66–Exotic Helmet with Tengu Mask and Crows, Japanese, 19th century, Japanese, Iron, helmet (a): H. 8 1/4 in. (21 cm); W. 9 1/2 in. (24.1 cm); D. 11 1/4 in. (28.6 cm); Wt. 3 lb. 13.6 oz. (1746 g); front crest (b): H. 3 1/4 in. (8.3 cm); W. 2 11/16 in. (6.8 cm); D. 2 3/8 in. (6 cm); Wt. 8.3 oz. (235 g); right crest (c): H. 7 3/4 in. (19.7 cm); W. 8 1/4 in. (21 cm); D. 1 1/16 in. (2.7 cm); Wt. 5.3 oz. (150 g); left crest (d): H. 7 3/4 in. (19.7 cm); W. 8 1/2 in. (21.6 cm); D. 7/8 in. (2.2 cm); Wt. 5.7 oz. (162 g), Helmets
Plate 50 from 'Caricaturana' (Les Robert Macaire). Published in le Charivari, May 28, 1837: Caricaturana (plate 50): Breach of Civil Code Article 24, 1837. Honoré Daumier (French, 1808-1879), Edouard Bouvenne (French). Lithograph hand-colored with watercolor by Edouard Bouvenne; sheet: 35.5 x 26.5 cm (14 x 10 7/16 in.); image: 24 x 23 cm (9 7/16 x 9 1/16 in Stock Photo
RMRY6K9X–Plate 50 from 'Caricaturana' (Les Robert Macaire). Published in le Charivari, May 28, 1837: Caricaturana (plate 50): Breach of Civil Code Article 24, 1837. Honoré Daumier (French, 1808-1879), Edouard Bouvenne (French). Lithograph hand-colored with watercolor by Edouard Bouvenne; sheet: 35.5 x 26.5 cm (14 x 10 7/16 in.); image: 24 x 23 cm (9 7/16 x 9 1/16 in
Portraits of scholars and writers, Eight portraits of scholars and writers. Page 28: Van Beverwijck, physician, Barleaus, scholar, Cats, poet and Brandt, historian. Page 29: Martinet, preacher and physicist, Van Meteren, historian, Heinsius, Professor of Greek and Coornhert, philosopher, poet and writer. Page from Biesiot's Holland's Roem Album., publisher: Biesiot's Stoom-Koekfabriek Holland, in or after 1901, paper, height, 30.6 cm × width, 24.7 cm, height c. 8 cm × width c. 6.5 cm Stock Photo
RM2X6Y28D–Portraits of scholars and writers, Eight portraits of scholars and writers. Page 28: Van Beverwijck, physician, Barleaus, scholar, Cats, poet and Brandt, historian. Page 29: Martinet, preacher and physicist, Van Meteren, historian, Heinsius, Professor of Greek and Coornhert, philosopher, poet and writer. Page from Biesiot's Holland's Roem Album., publisher: Biesiot's Stoom-Koekfabriek Holland, in or after 1901, paper, height, 30.6 cm × width, 24.7 cm, height c. 8 cm × width c. 6.5 cm
Drawing, 'Orchstres places aux Champs elysees, dans le gran carres'; Félix-Jacques Duban (French, 1798 - 1870); France; watercolor, pen and black ink, graphite support: light tan paper mounted on off-white paper; 16.8 x 24 cm (6 5/8 x 9 7/16 in.) mount: 28.6 x 44.3 Stock Photo
RM2PME0XG–Drawing, 'Orchstres places aux Champs elysees, dans le gran carres'; Félix-Jacques Duban (French, 1798 - 1870); France; watercolor, pen and black ink, graphite support: light tan paper mounted on off-white paper; 16.8 x 24 cm (6 5/8 x 9 7/16 in.) mount: 28.6 x 44.3
View from the Louvre, 1882. Maxime Lalanne (French, 1827-1886). Etching; sheet: 24.7 x 35.4 cm (9 3/4 x 13 15/16 in.); platemark: 18.5 x 28.7 cm (7 5/16 x 11 5/16 in.). Stock Photo
RM2H12NA1–View from the Louvre, 1882. Maxime Lalanne (French, 1827-1886). Etching; sheet: 24.7 x 35.4 cm (9 3/4 x 13 15/16 in.); platemark: 18.5 x 28.7 cm (7 5/16 x 11 5/16 in.).
Goblet (Roemer) MET DP285414 188923 Dutch, probably Amsterdam, Goblet (Roemer), early 17th century, Glass, engraved wtih a diamond point, H. 11 1/4 in. (28.6 cm.); Gr. D. 5 7/8 in. (14.9 cm.). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1904 (04.24) Stock Photo
RMKNAK8P–Goblet (Roemer) MET DP285414 188923 Dutch, probably Amsterdam, Goblet (Roemer), early 17th century, Glass, engraved wtih a diamond point, H. 11 1/4 in. (28.6 cm.); Gr. D. 5 7/8 in. (14.9 cm.). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1904 (04.24)
Armchair, Paris, France, about 1730 - 1735, Gessoed and gilded beech, brass casters, modern silk upholstery, 108.5 x 72.3 x 63.4 cm (42 11,16 x 28 7,16 x 24 15,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo
RF2B9CYT8–Armchair, Paris, France, about 1730 - 1735, Gessoed and gilded beech, brass casters, modern silk upholstery, 108.5 x 72.3 x 63.4 cm (42 11,16 x 28 7,16 x 24 15,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Two Crossbow Nuts. Culture: Western European or Near Eastern. Dimensions: 28.99.28: W. 3/4 in. (1.9 cm); Diam. 1 1/8 in. (2.9 cm); Wt. .28 oz. (8 g); 28.99.29: W 5/8 in. (1.3 cm); Diam. 1 1/8 in. (2.9 cm); Wt. .24 oz. (7 g). Date: before 1272. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPATD88–Two Crossbow Nuts. Culture: Western European or Near Eastern. Dimensions: 28.99.28: W. 3/4 in. (1.9 cm); Diam. 1 1/8 in. (2.9 cm); Wt. .28 oz. (8 g); 28.99.29: W 5/8 in. (1.3 cm); Diam. 1 1/8 in. (2.9 cm); Wt. .24 oz. (7 g). Date: before 1272. Museum: Metropolitan Museum of Art, New York, USA.
. English: Display Artist: Kalu ram Creation Date: 1831 Display Dimensions: 9 23/32 in. x 8 5/8 in. (24.7 cm x 21.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.823 Collection: The San Diego Museum of Art . 6 September 2011, 14:28:50. English: thesandiegomuseumofartcollection A raja and his rani (6124566535) Stock Photo
RMMMY8H8–. English: Display Artist: Kalu ram Creation Date: 1831 Display Dimensions: 9 23/32 in. x 8 5/8 in. (24.7 cm x 21.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.823 Collection: The San Diego Museum of Art . 6 September 2011, 14:28:50. English: thesandiegomuseumofartcollection A raja and his rani (6124566535)
Unknown (Korean), Chaekkori Screen, late 19th century, Ink and watercolor on paper, Installed (28 ' angle): 59 1/4 inches × 118 inches × 9 1/2 inches (150.5 × 299.7 × 24.1 cm Stock Photo
RM2A2P9AR–Unknown (Korean), Chaekkori Screen, late 19th century, Ink and watercolor on paper, Installed (28 ' angle): 59 1/4 inches × 118 inches × 9 1/2 inches (150.5 × 299.7 × 24.1 cm
Object ID #18541883; Italy; pen and black ink, gray wash, traces of graphite, ruled border in pen and brown support: white laid paper; 28.6 x 23.8 cm (11 1/4 x 9 3/8 in.) image: 24.4 x 19.5 Mat: 45.7 x 35.6 cm (18 x 14 in.) Stock Photo
RM2PMG47D–Object ID #18541883; Italy; pen and black ink, gray wash, traces of graphite, ruled border in pen and brown support: white laid paper; 28.6 x 23.8 cm (11 1/4 x 9 3/8 in.) image: 24.4 x 19.5 Mat: 45.7 x 35.6 cm (18 x 14 in.)
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