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23 1 4 x 16 7 8 Stock Photos and Images
Stencil, Japan, 19th century, Japan, Paper, silk, 23 1/8 x 16 3/4 in. (58.7 x 42.5 cm), Stencils Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stencil-japan-19th-century-japan-paper-silk-23-18-x-16-34-in-587-x-425-cm-stencils-image344613062.htmlRM2B0JDDA–Stencil, Japan, 19th century, Japan, Paper, silk, 23 1/8 x 16 3/4 in. (58.7 x 42.5 cm), Stencils
Inspired by Pierrot, James Abbott McNeill Whistler, American, 1834-1903, Etching, 9 1/8 x 6 7/16 in., 23.2 x 16.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-pierrot-james-abbott-mcneill-whistler-american-1834-1903-etching-9-18-x-6-716-in-232-x-164-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459264869.htmlRF2HK590N–Inspired by Pierrot, James Abbott McNeill Whistler, American, 1834-1903, Etching, 9 1/8 x 6 7/16 in., 23.2 x 16.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Candlestick. Culture: Spanish. Dimensions: Overall: 9 1/16 x 7 5/8 in. (23 x 19.4 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/candlestick-culture-spanish-dimensions-overall-9-116-x-7-58-in-23-x-194-cm-date-15th-century-museum-metropolitan-museum-of-art-new-york-usa-image212910841.htmlRMPAAWXH–Candlestick. Culture: Spanish. Dimensions: Overall: 9 1/16 x 7 5/8 in. (23 x 19.4 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 33 x 40.6 cm (13 x 16 in.) framed: 52.4 x 60 x 5.7 cm (20 5/8 x 23 5/8 x 2 1/4 in.); 1875 Morisot Laundry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-33-x-406-cm-13-x-16-in-framed-524-x-60-x-57-cm-20-58-x-23-58-x-2-14-in-1875-morisot-laundry-image184971208.htmlRMMMX4JG–Painting; oil on canvas; overall: 33 x 40.6 cm (13 x 16 in.) framed: 52.4 x 60 x 5.7 cm (20 5/8 x 23 5/8 x 2 1/4 in.); 1875 Morisot Laundry
![Trinity Hall, Cambridge. Author Harraden, Richard 8.50.k. Place of publication: [London , Cambridge] Publisher: Published 1 May 1799, by R. Harraden at London , Cambridge., Date of publication: [1799.] Item type: 1 print Medium: etching and aquatint Dimensions: sheet 16.4 x 23.7 [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FKX8/trinity-hall-cambridge-author-harraden-richard-850k-place-of-publication-london-cambridge-publisher-published-1-may-1799-by-r-harraden-at-london-cambridge-date-of-publication-1799-item-type-1-print-medium-etching-and-aquatint-dimensions-sheet-164-x-237-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FKX8.jpg "Trinity Hall, Cambridge. Author Harraden, Richard 8.50.k. Place of publication: [London , Cambridge] Publisher: Published 1 May 1799, by R. Harraden at London , Cambridge., Date of publication: [1799.] Item type: 1 print Medium: etching and aquatint Dimensions: sheet 16.4 x 23.7 [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Trinity Hall, Cambridge. Author Harraden, Richard 8.50.k. Place of publication: [London , Cambridge] Publisher: Published 1 May 1799, by R. Harraden at London , Cambridge., Date of publication: [1799.] Item type: 1 print Medium: etching and aquatint Dimensions: sheet 16.4 x 23.7 [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trinity-hall-cambridge-author-harraden-richard-850k-place-of-publication-london-cambridge-publisher-published-1-may-1799-by-r-harraden-at-london-cambridge-date-of-publication-1799-item-type-1-print-medium-etching-and-aquatint-dimensions-sheet-164-x-237-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401715280.htmlRM2E9FKX8–Trinity Hall, Cambridge. Author Harraden, Richard 8.50.k. Place of publication: [London , Cambridge] Publisher: Published 1 May 1799, by R. Harraden at London , Cambridge., Date of publication: [1799.] Item type: 1 print Medium: etching and aquatint Dimensions: sheet 16.4 x 23.7 [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820
Eugen Sandow, full-length portrait, standing, left profile, wearing fig leaf and flexing muscle with fist raised to forehead Abstract/medium: 1 photograph : albumen silver print, 15 x 8 cm (5 3/4 x 3 13/16 in.) photographic print on card 23 x 13 cm (9 1/8 x 4 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eugen-sandow-full-length-portrait-standing-left-profile-wearing-fig-leaf-and-flexing-muscle-with-fist-raised-to-forehead-abstractmedium-1-photograph-albumen-silver-print-15-x-8-cm-5-34-x-3-1316-in-photographic-print-on-card-23-x-13-cm-9-18-x-4-78-in-image265044851.htmlRMWB5RBF–Eugen Sandow, full-length portrait, standing, left profile, wearing fig leaf and flexing muscle with fist raised to forehead Abstract/medium: 1 photograph : albumen silver print, 15 x 8 cm (5 3/4 x 3 13/16 in.) photographic print on card 23 x 13 cm (9 1/8 x 4 7/8 in.)
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image235128797.htmlRMRJF151–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/irish-members-in-their-seats-in-the-house-of-parliament-1886-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoher-image330688927.htmlRM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
1875 Morisot Laundry. Painting; oil on canvas; overall: 33 x 40.6 cm (13 x 16 in.) framed: 52.4 x 60 x 5.7 cm (20 5/8 x 23 5/8 x 2 1/4 in.); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1875-morisot-laundry-painting-oil-on-canvas-overall-33-x-406-cm-13-x-16-in-framed-524-x-60-x-57-cm-20-58-x-23-58-x-2-14-in-image210329391.htmlRMP6597Y–1875 Morisot Laundry. Painting; oil on canvas; overall: 33 x 40.6 cm (13 x 16 in.) framed: 52.4 x 60 x 5.7 cm (20 5/8 x 23 5/8 x 2 1/4 in.);
Ruins of Karnac from Egypt and Nubia, Volume I: Ruins of Karnac, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43 x 60.4 cm (16 15/16 x 23 3/4 in.); image: 35.2 x 51 cm (13 7/8 x 20 1/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruins-of-karnac-from-egypt-and-nubia-volume-i-ruins-of-karnac-1847-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-43-x-604-cm-16-1516-x-23-34-in-image-352-x-51-cm-13-78-x-20-116-in-image349560291.htmlRM2B8KRM3–Ruins of Karnac from Egypt and Nubia, Volume I: Ruins of Karnac, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43 x 60.4 cm (16 15/16 x 23 3/4 in.); image: 35.2 x 51 cm (13 7/8 x 20 1/16 in.).
Print, Ornament Panel with Apollo on his Chariot, pl. 23 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Laureolli; Published by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; 11.9 x 20.7 cm (4 11/16 x 8 1/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-ornament-panel-with-apollo-on-his-chariot-pl-23-in-oeuvre-de-juste-aurle-meissonnier-designed-by-juste-aurle-meissonnier-french-b-italy-16951750-engraved-by-laureolli-published-by-gabriel-huquier-french-16951772-france-etching-on-off-white-laid-paper-119-x-207-cm-4-1116-x-8-18-in-image546089481.htmlRM2PMCEKN–Print, Ornament Panel with Apollo on his Chariot, pl. 23 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Laureolli; Published by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; 11.9 x 20.7 cm (4 11/16 x 8 1/8 in.)
Merry Company in an Arbor; Adriaen van de Venne, Dutch, 1589 - 1662; 1615; Oil on panel; Unframed: 16.4 x 23 cm (6 7/16 x 9 1/16 in.), Framed: 24.1 x 30.8 x 2.5 cm (9 1/2 x 12 1/8 x 1 in.); 83.PB.364.1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/merry-company-in-an-arbor-adriaen-van-de-venne-dutch-1589-1662-1615-oil-on-panel-unframed-164-x-23-cm-6-716-x-9-116-in-framed-241-x-308-x-25-cm-9-12-x-12-18-x-1-in-83pb3641-image597364161.htmlRM2WKT829–Merry Company in an Arbor; Adriaen van de Venne, Dutch, 1589 - 1662; 1615; Oil on panel; Unframed: 16.4 x 23 cm (6 7/16 x 9 1/16 in.), Framed: 24.1 x 30.8 x 2.5 cm (9 1/2 x 12 1/8 x 1 in.); 83.PB.364.1
'Peter De Wint, Landscape, 0, watercolor, Overall: 20.7 x 28.4 cm (8 1/8 x 11 3/16 in.) support: 23.8 x 31.5 cm (9 3/8 x 12 3/8 in.), Gift of Gerald B. Snedeker, 1971.53.1' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peter-de-wint-landscape-0-watercolor-overall-207-x-284-cm-8-18-x-11-316-in-support-238-x-315-cm-9-38-x-12-38-in-gift-of-gerald-b-snedeker-1971531-image559621334.htmlRM2RECXM6–'Peter De Wint, Landscape, 0, watercolor, Overall: 20.7 x 28.4 cm (8 1/8 x 11 3/16 in.) support: 23.8 x 31.5 cm (9 3/8 x 12 3/8 in.), Gift of Gerald B. Snedeker, 1971.53.1'
Female figure MET DP124716 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-female-figure-met-dp124716-251429-italic-female-figure-5th-century-168468914.htmlRMKP2BPX–Female figure MET DP124716 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96)
Ants; Unknown; England, Europe; about 1250 - 1260; Pen-and-ink drawings tinted with body color and translucent washes on parchment; Leaf: 21 x 15.7 cm (8 1/4 x 6 3/16 in.); 2007.16.23 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ants-unknown-england-europe-about-1250-1260-pen-and-ink-drawings-tinted-with-body-color-and-translucent-washes-on-parchment-leaf-21-x-157-cm-8-14-x-6-316-in-20071623-image212362000.htmlRMP9DWW4–Ants; Unknown; England, Europe; about 1250 - 1260; Pen-and-ink drawings tinted with body color and translucent washes on parchment; Leaf: 21 x 15.7 cm (8 1/4 x 6 3/16 in.); 2007.16.23
![. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo](https://c8.alamy.com/comp/PFYFDM/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-PFYFDM.jpg ". Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo")
. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-image216349104.htmlRMPFYFDM–. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx:
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496945.htmlRFT0W3PW–Illustration Xray Icon
After Henry Stull, American, 1851–1913, Salvator, 1890, Photogravure on paper, Overall: 18 7/16 x 23 1/4 in. (46.8 x 59 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-henry-stull-american-18511913-salvator-1890-photogravure-on-paper-overall-18-716-x-23-14-in-468-x-59-cm-image344572117.htmlRM2B0GH71–After Henry Stull, American, 1851–1913, Salvator, 1890, Photogravure on paper, Overall: 18 7/16 x 23 1/4 in. (46.8 x 59 cm
Art inspired by Pharmacy Jar, 15th century, French, Earthenware, Overall: 9 1/8 x 4 7/16 in. (23.1 x 11.2 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pharmacy-jar-15th-century-french-earthenware-overall-9-18-x-4-716-in-231-x-112-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462833784.htmlRF2HTYW60–Art inspired by Pharmacy Jar, 15th century, French, Earthenware, Overall: 9 1/8 x 4 7/16 in. (23.1 x 11.2 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pharmacy Jar. Culture: French. Dimensions: Overall: 9 1/8 x 4 7/16 in. (23.1 x 11.2 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pharmacy-jar-culture-french-dimensions-overall-9-18-x-4-716-in-231-x-112-cm-date-15th-century-museum-metropolitan-museum-of-art-new-york-usa-image212901437.htmlRMPAADXN–Pharmacy Jar. Culture: French. Dimensions: Overall: 9 1/8 x 4 7/16 in. (23.1 x 11.2 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 79.8 x 63.8 cm (31 7/16 x 25 1/8 in.) framed: 111.1 x 95.3 cm (43 3/4 x 37 1/2 in.); 23 Cassat - The Loge NGA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-798-x-638-cm-31-716-x-25-18-in-framed-1111-x-953-cm-43-34-x-37-12-in-23-cassat-the-loge-nga-image210946415.htmlRMP75C8F–Painting; oil on canvas; overall: 79.8 x 63.8 cm (31 7/16 x 25 1/8 in.) framed: 111.1 x 95.3 cm (43 3/4 x 37 1/2 in.); 23 Cassat - The Loge NGA
Pierrot James Abbott McNeill Whistler (American, 1834-1903).. Etching, 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). American Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierrot-james-abbott-mcneill-whistler-american-1834-1903-etching-9-18-x-6-716-in-232-x-164-cm-american-art-image504725953.htmlRM2M9472W–Pierrot James Abbott McNeill Whistler (American, 1834-1903).. Etching, 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). American Art
Akan peoples; Ghana; Late 17th-early 18th century; Ceramic; H x W x D: 23 x 10.4 x 11.2 cm (9 1/16 x 4 1/8 x 4 7/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/akan-peoples-ghana-late-17th-early-18th-century-ceramic-h-x-w-x-d-23-x-104-x-112-cm-9-116-x-4-18-x-4-716-in-image353573465.htmlRM2BF6JFN–Akan peoples; Ghana; Late 17th-early 18th century; Ceramic; H x W x D: 23 x 10.4 x 11.2 cm (9 1/16 x 4 1/8 x 4 7/16 in.)
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image387336939.htmlRM2DE4M63–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-240-of-the-directional-spectrum-of-a-the-directional-spectrum-of-a-wind-generated-sea-as-determined-from-data-obtained-by-the-stereo-wave-observation-project-directionalspect00chas-year-1957-cm-13-12-11-10-9-8-7-6-5-4-3-2-1-0-10-fl-cz-c3-x-c4-0-c5-rn-gtv-0-0-n-ce-0-x-0-0-i0-20-30-1-1-ii-ik-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-figure-1130-cp-and-yp-as-a-function-of-k-229-image242266434.htmlRMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
Sidewall (possibly USA); block-printed on handmade paper; a) Overall: 65 x 50 cm (25 9/16 x 19 11/16 in.) b) Overall: 18 x 23.5 cm (7 1/16 x 9 1/4 in.) c) Overall: 7.5 x 21 cm (2 15/16 x 8 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-possibly-usa-block-printed-on-handmade-paper-a-overall-65-x-50-cm-25-916-x-19-1116-in-b-overall-18-x-235-cm-7-116-x-9-14-in-c-overall-75-x-21-cm-2-1516-x-8-14-in-image546109040.htmlRM2PMDBJ8–Sidewall (possibly USA); block-printed on handmade paper; a) Overall: 65 x 50 cm (25 9/16 x 19 11/16 in.) b) Overall: 18 x 23.5 cm (7 1/16 x 9 1/4 in.) c) Overall: 7.5 x 21 cm (2 15/16 x 8 1/4 in.)
'Jean-Baptiste-Camille Corot, Souvenir of Italy (Souvenir d'Italie), 1866, etching, plate: 31.8 x 23.9 cm (12 1/2 x 9 7/16 in.) sheet: 50.2 x 34.3 cm (19 3/4 x 13 1/2 in.), Rosenwald Collection, 1943.3.2824' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-baptiste-camille-corot-souvenir-of-italy-souvenir-ditalie-1866-etching-plate-318-x-239-cm-12-12-x-9-716-in-sheet-502-x-343-cm-19-34-x-13-12-in-rosenwald-collection-194332824-image560339964.htmlRM2RFHK9G–'Jean-Baptiste-Camille Corot, Souvenir of Italy (Souvenir d'Italie), 1866, etching, plate: 31.8 x 23.9 cm (12 1/2 x 9 7/16 in.) sheet: 50.2 x 34.3 cm (19 3/4 x 13 1/2 in.), Rosenwald Collection, 1943.3.2824'
Female figure MET DP124727 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-female-figure-met-dp124727-251429-italic-female-figure-5th-century-168301344.htmlRMKNPP28–Female figure MET DP124727 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96)
Jean Fautrier. (French, 1898-1964). Otages fond noir (Hostages Black Ground). (1944-47, printed c. 1962). Etching, relief printed, plate: 9 1/4 x 12 9/16' (23.5 x 31.9 cm); sheet: 14 7/8 x 21 15/16' (37.8 x 55.8 cm). Publisher: Édition Couturier, Paris. Printer: Jacques David, Paris. Edition: 50. Arthur B. Stanton Fund. © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-jean-fautrier-french-1898-1964-otages-fond-noir-hostages-black-ground-166919058.htmlRMKKFPXX–Jean Fautrier. (French, 1898-1964). Otages fond noir (Hostages Black Ground). (1944-47, printed c. 1962). Etching, relief printed, plate: 9 1/4 x 12 9/16' (23.5 x 31.9 cm); sheet: 14 7/8 x 21 15/16' (37.8 x 55.8 cm). Publisher: Édition Couturier, Paris. Printer: Jacques David, Paris. Edition: 50. Arthur B. Stanton Fund. © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris
![. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo](https://c8.alamy.com/comp/PFE8G1/denkschriften-sterreichische-akademie-der-wissenschaften-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-PFE8G1.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo")
. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/denkschriften-sterreichische-akademie-der-wissenschaften-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-image216058305.htmlRMPFE8G1–. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496848.htmlRFT0W3KC–Illustration Xray Icon
Joseph Sheene, English, apprenticed 1677; died 1700, Jug and Cover, 1698/99, Silver, 9 1/16 x 7 5/8 x 3 7/8 in. (23 x 19.4 x 9.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-sheene-english-apprenticed-1677-died-1700-jug-and-cover-169899-silver-9-116-x-7-58-x-3-78-in-23-x-194-x-98-cm-image344572419.htmlRM2B0GHHR–Joseph Sheene, English, apprenticed 1677; died 1700, Jug and Cover, 1698/99, Silver, 9 1/16 x 7 5/8 x 3 7/8 in. (23 x 19.4 x 9.8 cm
Art inspired by View in Calcutta, 1858–61, Albumen silver print, Image: 18.1 x 23.4 cm (7 1/8 x 9 3/16 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-view-in-calcutta-185861-albumen-silver-print-image-181-x-234-cm-7-18-x-9-316-in-photographs-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462793289.htmlRF2HTX1FN–Art inspired by View in Calcutta, 1858–61, Albumen silver print, Image: 18.1 x 23.4 cm (7 1/8 x 9 3/16 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[Effluvia from a Hand Resting on a Photographic Plate]. Artist: Adrien Majewski (French). Dimensions: 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.). Date: 1898-99. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PAPR8N/effluvia-from-a-hand-resting-on-a-photographic-plate-artist-adrien-majewski-french-dimensions-237-x-158-cm-9-516-x-6-14-in-date-1898-99-museum-metropolitan-museum-of-art-new-york-usa-PAPR8N.jpg "[Effluvia from a Hand Resting on a Photographic Plate]. Artist: Adrien Majewski (French). Dimensions: 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.). Date: 1898-99. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[Effluvia from a Hand Resting on a Photographic Plate]. Artist: Adrien Majewski (French). Dimensions: 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.). Date: 1898-99. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/effluvia-from-a-hand-resting-on-a-photographic-plate-artist-adrien-majewski-french-dimensions-237-x-158-cm-9-516-x-6-14-in-date-1898-99-museum-metropolitan-museum-of-art-new-york-usa-image213172197.htmlRMPAPR8N–[Effluvia from a Hand Resting on a Photographic Plate]. Artist: Adrien Majewski (French). Dimensions: 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.). Date: 1898-99. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 98.4 x 75.3 cm (38 3/4 x 29 5/8 in.) framed: 123 x 99.1 x 7.3 cm (48 7/16 x 39 x 2 7/8 in.); 23 The Annunciation sc983 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-984-x-753-cm-38-34-x-29-58-in-framed-123-x-991-x-73-cm-48-716-x-39-x-2-78-in-23-the-annunciation-sc983-image206562257.htmlRMP01M7D–Painting; oil on canvas; overall: 98.4 x 75.3 cm (38 3/4 x 29 5/8 in.) framed: 123 x 99.1 x 7.3 cm (48 7/16 x 39 x 2 7/8 in.); 23 The Annunciation sc983
Lampas with animals in squares, late 1200s - 1300s. Probably Iran. Lampas and taqueté: silk and metal thread; overall: 23.2 x 10.7 cm (9 1/8 x 4 3/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lampas-with-animals-in-squares-late-1200s-1300s-probably-iran-lampas-and-taquet-silk-and-metal-thread-overall-232-x-107-cm-9-18-x-4-316-in-image448132440.htmlRM2H125E0–Lampas with animals in squares, late 1200s - 1300s. Probably Iran. Lampas and taqueté: silk and metal thread; overall: 23.2 x 10.7 cm (9 1/8 x 4 3/16 in.).
(Artist) James McNeill Whistler; United States; 1883-1884; Oil on wood panel; H x W: 13.8 x 23.5 cm (5 7/16 x 9 1/4 in); Gift of Charles Lang Freer Low Tide Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1883-1884-oil-on-wood-panel-h-x-w-138-x-235-cm-5-716-x-9-14-in-gift-of-charles-lang-freer-low-tide-image352223933.htmlRM2BD1565–(Artist) James McNeill Whistler; United States; 1883-1884; Oil on wood panel; H x W: 13.8 x 23.5 cm (5 7/16 x 9 1/4 in); Gift of Charles Lang Freer Low Tide
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image261850251.htmlRMW608JK–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Effects of the rays of Effects of the rays of radium on plants . effectsofraysofr1908gage Year: 1908 EXPOSED WATER AND FRESHLY FALLEN RAIN 159 of the other two. On April 17 measurements of the heights of the seedHngs were recorded as follows : RaBr, RaBr, No. 1,500,000 X 10,000 X Control I 29.50 mm. 18.00 mm. 16.50 mm. 2 23.00 12.50 25.00 3 25.00 18.50 4-50 4 not up 23.00 15-50 5 25.00 not up 10.50 6 16.00 13.00 7-50 7 not up 13.00 5.00 8 12.00 20.00 118.00 mm. 15-50 130.50 mm. 100.00 mm. 21.75 ^'^^^' 16.86 mm.. 12.50 mm. The relative heights of the plants in the three cultures remained as ab Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/effects-of-the-rays-of-effects-of-the-rays-of-radium-on-plants-effectsofraysofr1908gage-year-1908-exposed-water-and-freshly-fallen-rain-159-of-the-other-two-on-april-17-measurements-of-the-heights-of-the-seedhngs-were-recorded-as-follows-rabr-rabr-no-1500000-x-10000-x-control-i-2950-mm-1800-mm-1650-mm-2-2300-1250-2500-3-2500-1850-4-50-4-not-up-2300-15-50-5-2500-not-up-1050-6-1600-1300-7-50-7-not-up-1300-500-8-1200-2000-11800-mm-15-50-13050-mm-10000-mm-2175-1686-mm-1250-mm-the-relative-heights-of-the-plants-in-the-three-cultures-remained-as-ab-image240840749.htmlRMRYR6R9–Effects of the rays of Effects of the rays of radium on plants . effectsofraysofr1908gage Year: 1908 EXPOSED WATER AND FRESHLY FALLEN RAIN 159 of the other two. On April 17 measurements of the heights of the seedHngs were recorded as follows : RaBr, RaBr, No. 1,500,000 X 10,000 X Control I 29.50 mm. 18.00 mm. 16.50 mm. 2 23.00 12.50 25.00 3 25.00 18.50 4-50 4 not up 23.00 15-50 5 25.00 not up 10.50 6 16.00 13.00 7-50 7 not up 13.00 5.00 8 12.00 20.00 118.00 mm. 15-50 130.50 mm. 100.00 mm. 21.75 ^'^^^' 16.86 mm.. 12.50 mm. The relative heights of the plants in the three cultures remained as ab
Print, Title page, Plate 1 from 'Nouvelle suite de cahiers chinois a l'usage des dessinateurs et des peintres' No.3, Inventes et dessines par Jean Pillement. Graves par Anne Allen.; Designed by Jean-Baptiste Pillement (French, 1728–1808); Printed by Anne Allen (English, active France, ca. 1750–1810); France; etching with colored inks à la poupé on off-white laid paper; 19.3 x 13.7 cm (7 5/8 x 5 3/8 in.) Platemark: 19.3 x 13.7 cm (7 5/8 x 5 3/8 in.) 23.5 x 18.5 cm (9 1/4 x 7 5/16 in.) Mount: 24.8 x 19.9 cm (9 3/4 x 7 13/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-title-page-plate-1-from-nouvelle-suite-de-cahiers-chinois-a-lusage-des-dessinateurs-et-des-peintres-no3-inventes-et-dessines-par-jean-pillement-graves-par-anne-allen-designed-by-jean-baptiste-pillement-french-17281808-printed-by-anne-allen-english-active-france-ca-17501810-france-etching-with-colored-inks-la-poup-on-off-white-laid-paper-193-x-137-cm-7-58-x-5-38-in-platemark-193-x-137-cm-7-58-x-5-38-in-235-x-185-cm-9-14-x-7-516-in-mount-248-x-199-cm-9-34-x-7-1316-in-image546242148.htmlRM2PMKDC4–Print, Title page, Plate 1 from 'Nouvelle suite de cahiers chinois a l'usage des dessinateurs et des peintres' No.3, Inventes et dessines par Jean Pillement. Graves par Anne Allen.; Designed by Jean-Baptiste Pillement (French, 1728–1808); Printed by Anne Allen (English, active France, ca. 1750–1810); France; etching with colored inks à la poupé on off-white laid paper; 19.3 x 13.7 cm (7 5/8 x 5 3/8 in.) Platemark: 19.3 x 13.7 cm (7 5/8 x 5 3/8 in.) 23.5 x 18.5 cm (9 1/4 x 7 5/16 in.) Mount: 24.8 x 19.9 cm (9 3/4 x 7 13/16 in.)
'Paul Gavarni, Gulliver Awed by Three Giant Beggars in the Land of Brobdingnag, 1862, pen and brown ink with watercolor and gouache over graphite on wove paper, laid down, sheet: 23.2 x 16.4 cm (9 1/8 x 6 7/16 in.), Ailsa Mellon Bruce Fund, 2009.26.1' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-gavarni-gulliver-awed-by-three-giant-beggars-in-the-land-of-brobdingnag-1862-pen-and-brown-ink-with-watercolor-and-gouache-over-graphite-on-wove-paper-laid-down-sheet-232-x-164-cm-9-18-x-6-716-in-ailsa-mellon-bruce-fund-2009261-image559763350.htmlRM2REKBT6–'Paul Gavarni, Gulliver Awed by Three Giant Beggars in the Land of Brobdingnag, 1862, pen and brown ink with watercolor and gouache over graphite on wove paper, laid down, sheet: 23.2 x 16.4 cm (9 1/8 x 6 7/16 in.), Ailsa Mellon Bruce Fund, 2009.26.1'
Female figure MET DP124727 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-female-figure-met-dp124727-251429-italic-female-figure-5th-century-168458780.htmlRMKP1XW0–Female figure MET DP124727 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96)
![. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo](https://c8.alamy.com/comp/PFE8FW/denkschriften-sterreichische-akademie-der-wissenschaften-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-1-37-71-1-19-21-40-16-59-10-2-56-8-95-34-94-2-57-76-3-23-25-3-3-PFE8FW.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo")
. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/denkschriften-sterreichische-akademie-der-wissenschaften-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-1-37-71-1-19-21-40-16-59-10-2-56-8-95-34-94-2-57-76-3-23-25-3-3-image216058301.htmlRMPFE8FW–. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496398.htmlRFT0W33A–Illustration Xray Icon
Charles Frederick Kandler I, British, born 1695; first mark entered 1727, Coffeepot, c. 1730, Silver and wood, 9 3/8 x 7 1/2 x 4 5/16 in. (23.8 x 19.1 x 11 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-frederick-kandler-i-british-born-1695-first-mark-entered-1727-coffeepot-c-1730-silver-and-wood-9-38-x-7-12-x-4-516-in-238-x-191-x-11-cm-image344572858.htmlRM2B0GJ5E–Charles Frederick Kandler I, British, born 1695; first mark entered 1727, Coffeepot, c. 1730, Silver and wood, 9 3/8 x 7 1/2 x 4 5/16 in. (23.8 x 19.1 x 11 cm
Art inspired by Pierrot, James Abbott McNeill Whistler, American, 1834-1903, Etching, 9 1/8 x 6 7/16 in., 23.2 x 16.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pierrot-james-abbott-mcneill-whistler-american-1834-1903-etching-9-18-x-6-716-in-232-x-164-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459574097.htmlRF2HKKBCH–Art inspired by Pierrot, James Abbott McNeill Whistler, American, 1834-1903, Etching, 9 1/8 x 6 7/16 in., 23.2 x 16.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Elevation for the Episcopal Palace at Cahors, France. Artist: Anonymous, French, 18th century. Dimensions: 9 1/4 x 16 7/8 in. (23.5 x 42.9 cm). Date: mid-18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elevation-for-the-episcopal-palace-at-cahors-france-artist-anonymous-french-18th-century-dimensions-9-14-x-16-78-in-235-x-429-cm-date-mid-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image212894659.htmlRMPAA58K–Elevation for the Episcopal Palace at Cahors, France. Artist: Anonymous, French, 18th century. Dimensions: 9 1/4 x 16 7/8 in. (23.5 x 42.9 cm). Date: mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 41 x 51 cm (16 1/8 x 20 1/16 in.) framed: 64.1 x 73.7 x 8.3 cm (25 1/4 x 29 x 3 1/4 in.); 23 The Leland Sisters F-001810-20120814 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-41-x-51-cm-16-18-x-20-116-in-framed-641-x-737-x-83-cm-25-14-x-29-x-3-14-in-23-the-leland-sisters-f-001810-20120814-image206562401.htmlRMP01MCH–Painting; oil on canvas; overall: 41 x 51 cm (16 1/8 x 20 1/16 in.) framed: 64.1 x 73.7 x 8.3 cm (25 1/4 x 29 x 3 1/4 in.); 23 The Leland Sisters F-001810-20120814
Box (1 of 2), early 1700s. Bagard (French). Wood; overall: 37.5 x 23.8 x 11.2 cm (14 3/4 x 9 3/8 x 4 7/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/box-1-of-2-early-1700s-bagard-french-wood-overall-375-x-238-x-112-cm-14-34-x-9-38-x-4-716-in-image448142722.htmlRM2H12JH6–Box (1 of 2), early 1700s. Bagard (French). Wood; overall: 37.5 x 23.8 x 11.2 cm (14 3/4 x 9 3/8 x 4 7/16 in.).
Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-92-of-diptera-argentine-1900-diptera-argentine-dipteraargentine01shan-year-1900-r-c-shannon-y-e-del-ponte-721-el-dorado-1-44-varn-2-25-3-23-4-10-5-23-gt-gt-6-32-7-19-gt-8-49-9-17-10-50-mujer-11-25-varn-12-2-i-13-9-14-10-15-12-16-x-17-27-gt-18-10-meses-19-14-aos-20-10-21-31-mujer-22-10-23-12-varn-24-9-gtgt-25-10-1-y2-mes-2-meses-5-aos-3-meses-2-2-2-2-4-4-2-4-4-4-4-2-meses-1-mes-1-2-meses-4-4-aos-3-image242249898.htmlRMT23C62–Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3
Pitcher (France); glass; 23.1 x 10.2 x 19.9 cm (9 1/8 x 4 x 7 13/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pitcher-france-glass-231-x-102-x-199-cm-9-18-x-4-x-7-1316-in-image546127500.htmlRM2PME75G–Pitcher (France); glass; 23.1 x 10.2 x 19.9 cm (9 1/8 x 4 x 7 13/16 in.)
'Jean-Baptiste-Camille Corot, Italian Landscape, c. 1865, etching on wove paper, plate: 15.8 x 23 cm (6 1/4 x 9 1/16 in.) sheet: 16 x 23.2 cm (6 5/16 x 9 1/8 in.), Gift of Gaillard F. Ravenel and Frances P. Smyth-Ravenel, 2000.7.10' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-baptiste-camille-corot-italian-landscape-c-1865-etching-on-wove-paper-plate-158-x-23-cm-6-14-x-9-116-in-sheet-16-x-232-cm-6-516-x-9-18-in-gift-of-gaillard-f-ravenel-and-frances-p-smyth-ravenel-2000710-image560340344.htmlRM2RFHKR4–'Jean-Baptiste-Camille Corot, Italian Landscape, c. 1865, etching on wove paper, plate: 15.8 x 23 cm (6 1/4 x 9 1/16 in.) sheet: 16 x 23.2 cm (6 5/16 x 9 1/8 in.), Gift of Gaillard F. Ravenel and Frances P. Smyth-Ravenel, 2000.7.10'
Female figure MET DP124716 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-female-figure-met-dp124716-251429-italic-female-figure-5th-century-168301499.htmlRMKNPP7R–Female figure MET DP124716 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96)
. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/decapoda-natantia-of-the-coasts-of-ireland-decapoda-crustacea-and-irish-decapoda-natantia-1-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-28-29-30-31-32-33-34-35-36-37-38-39-40-41-42-43-44-45-46-47-48-49-50-51-52-53-54-o-o-3-3-o-o-u-h-lt-lt-lt-j-gt-ce-d-u-1-cs-o-o-o-o-o-o-a-u-a-a-eg-pq-id-ed-s-eft-fcf-9i-a-c8-c-o-m-so-lt11-oi-a-a-09-in-a-et-cn-5-73-2-0-in-d-c3-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-image216094528.htmlRMPFFXNM–. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496626.htmlRFT0W3BE–Illustration Xray Icon
Two Thatched Cottages (Les deux chaumières), Armand Seguin (French, 1869-1903), about 1893-1894, oil on canvas, 23-5/8 x 35-7/16 in. (canvas) 31-3/4 x 43-1/2 in. (framed), signed L.L. with initials: AS, European Painting and Sculpture 1800-1945 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-thatched-cottages-les-deux-chaumires-armand-seguin-french-1869-1903-about-1893-1894-oil-on-canvas-23-58-x-35-716-in-canvas-31-34-x-43-12-in-framed-signed-ll-with-initials-as-european-painting-and-sculpture-1800-1945-image328775642.htmlRM2A2W0K6–Two Thatched Cottages (Les deux chaumières), Armand Seguin (French, 1869-1903), about 1893-1894, oil on canvas, 23-5/8 x 35-7/16 in. (canvas) 31-3/4 x 43-1/2 in. (framed), signed L.L. with initials: AS, European Painting and Sculpture 1800-1945
Art inspired by Candlestick, 15th century, Spanish, Silver, silver-gilt, champlevé enamel, Overall: 9 1/16 x 7 5/8 in. (23 x 19.4 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-candlestick-15th-century-spanish-silver-silver-gilt-champlev-enamel-overall-9-116-x-7-58-in-23-x-194-cm-metalwork-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836051.htmlRF2HW002Y–Art inspired by Candlestick, 15th century, Spanish, Silver, silver-gilt, champlevé enamel, Overall: 9 1/16 x 7 5/8 in. (23 x 19.4 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Trouville. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 6 1/4 x 9 5/16 in. (15.8 x 23.7 cm) (trimmed to plateline). Date: 1884. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trouville-artist-charles-adams-platt-american-new-york-1861-1933-dimensions-plate-6-14-x-9-516-in-158-x-237-cm-trimmed-to-plateline-date-1884-museum-metropolitan-museum-of-art-new-york-usa-image213423052.htmlRMPB677T–Trouville. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 6 1/4 x 9 5/16 in. (15.8 x 23.7 cm) (trimmed to plateline). Date: 1884. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on panel; overall: 44.6 x 66.7 cm (17 9/16 x 26 1/4 in.) framed: 58.7 x 80.7 cm (23 1/8 x 31 3/4 in.); English: Moses Striking the Rock 1624. 1274 Moses Striking the Rock Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-panel-overall-446-x-667-cm-17-916-x-26-14-in-framed-587-x-807-cm-23-18-x-31-34-in-english-moses-striking-the-rock-1624-1274-moses-striking-the-rock-image185615284.htmlRMMNYE58–Painting; oil on panel; overall: 44.6 x 66.7 cm (17 9/16 x 26 1/4 in.) framed: 58.7 x 80.7 cm (23 1/8 x 31 3/4 in.); English: Moses Striking the Rock 1624. 1274 Moses Striking the Rock
Senator Thomas Hart Benton, 1820s. Matthew Harris Jouett (American, 1787/88-1827). Oil on wood; unframed: 71.4 x 59.6 cm (28 1/8 x 23 7/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/senator-thomas-hart-benton-1820s-matthew-harris-jouett-american-178788-1827-oil-on-wood-unframed-714-x-596-cm-28-18-x-23-716-in-image448123099.htmlRM2H11NGB–Senator Thomas Hart Benton, 1820s. Matthew Harris Jouett (American, 1787/88-1827). Oil on wood; unframed: 71.4 x 59.6 cm (28 1/8 x 23 7/16 in.).
Textile (France); cotton; Warp x Weft: 59 x 88 cm (23 1/4 x 34 5/8 in.) Repeat H: 24 cm (9 7/16 in.); Bequest of Elinor Merrell; 1995-50-244 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-france-cotton-warp-x-weft-59-x-88-cm-23-14-x-34-58-in-repeat-h-24-cm-9-716-in-bequest-of-elinor-merrell-1995-50-244-image546236736.htmlRM2PMK6ET–Textile (France); cotton; Warp x Weft: 59 x 88 cm (23 1/4 x 34 5/8 in.) Repeat H: 24 cm (9 7/16 in.); Bequest of Elinor Merrell; 1995-50-244
'Jacob Gole after Adriaen van Ostade, Adriaen van Ostade, c. 1700, mezzotint in red on laid paper, plate: 23 x 17.2 cm (9 1/16 x 6 3/4 in.) sheet: 27.2 x 21.5 cm (10 11/16 x 8 7/16 in.), Ailsa Mellon Bruce Fund, 2002.39.2' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacob-gole-after-adriaen-van-ostade-adriaen-van-ostade-c-1700-mezzotint-in-red-on-laid-paper-plate-23-x-172-cm-9-116-x-6-34-in-sheet-272-x-215-cm-10-1116-x-8-716-in-ailsa-mellon-bruce-fund-2002392-image559643576.htmlRM2REDY2G–'Jacob Gole after Adriaen van Ostade, Adriaen van Ostade, c. 1700, mezzotint in red on laid paper, plate: 23 x 17.2 cm (9 1/16 x 6 3/4 in.) sheet: 27.2 x 21.5 cm (10 11/16 x 8 7/16 in.), Ailsa Mellon Bruce Fund, 2002.39.2'
Fragment of a bronze military diploma MET DP105609 251396 Roman, Fragment of a bronze military diploma, A.D. 113/14, Bronze, Overall: 3 1/16 x 2 3/4 x 1/16 in. (7.8 x 7 x 0.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.52) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-fragment-of-a-bronze-military-diploma-met-dp105609-251396-roman-fragment-168458584.htmlRMKP1XJ0–Fragment of a bronze military diploma MET DP105609 251396 Roman, Fragment of a bronze military diploma, A.D. 113/14, Bronze, Overall: 3 1/16 x 2 3/4 x 1/16 in. (7.8 x 7 x 0.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.52)
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496505.htmlRFT0W375–Illustration Xray Icon
Aquamanile in the Form of a Lion, North German, ca. 1200, North German, Copper alloy, Overall: 9 1/8 x 8 15/16 x 3 3/4 in. (23.2 x 22.7 x 9.5 cm), Thickness PD: 3/50-1/10 in. (0.15-0.25 cm), Weight PD: 84.3oz. (2391g), Metalwork-Copper alloy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aquamanile-in-the-form-of-a-lion-north-german-ca-1200-north-german-copper-alloy-overall-9-18-x-8-1516-x-3-34-in-232-x-227-x-95-cm-thickness-pd-350-110-in-015-025-cm-weight-pd-843oz-2391g-metalwork-copper-alloy-image344664651.htmlRM2B0MR7R–Aquamanile in the Form of a Lion, North German, ca. 1200, North German, Copper alloy, Overall: 9 1/8 x 8 15/16 x 3 3/4 in. (23.2 x 22.7 x 9.5 cm), Thickness PD: 3/50-1/10 in. (0.15-0.25 cm), Weight PD: 84.3oz. (2391g), Metalwork-Copper alloy
Art inspired by Art Furniture, 1877, Illustrations: lithography, printed in brown ink, 9 5/16 x 13 3/8 x 1/4 in. (23.6 x 33.9 x 0.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-art-furniture-1877-illustrations-lithography-printed-in-brown-ink-9-516-x-13-38-x-14-in-236-x-339-x-07-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799817.htmlRF2HTX9TW–Art inspired by Art Furniture, 1877, Illustrations: lithography, printed in brown ink, 9 5/16 x 13 3/8 x 1/4 in. (23.6 x 33.9 x 0.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Reliquary, Hand from. Culture: French. Dimensions: Overall: 9 1/8 x 4 13/16 x 1 7/8 in. (23.2 x 12.3 x 4.7 cm). Date: 13th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reliquary-hand-from-culture-french-dimensions-overall-9-18-x-4-1316-x-1-78-in-232-x-123-x-47-cm-date-13th-century-museum-metropolitan-museum-of-art-new-york-usa-image213332938.htmlRMPB249E–Reliquary, Hand from. Culture: French. Dimensions: Overall: 9 1/8 x 4 13/16 x 1 7/8 in. (23.2 x 12.3 x 4.7 cm). Date: 13th century. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 50.7 x 63 cm (19 15/16 x 24 13/16 in.) framed: 58.9 x 72.4 x 6 cm (23 3/16 x 28 1/2 x 2 3/8 in.); 502 Prize Bull E11433 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-507-x-63-cm-19-1516-x-24-1316-in-framed-589-x-724-x-6-cm-23-316-x-28-12-x-2-38-in-502-prize-bull-e11433-image213975204.htmlRMPC3BFG–Painting; oil on canvas; overall: 50.7 x 63 cm (19 15/16 x 24 13/16 in.) framed: 58.9 x 72.4 x 6 cm (23 3/16 x 28 1/2 x 2 3/8 in.); 502 Prize Bull E11433
Bottle, 800-1500. Peru, Chimú, 9th-15th Century. Pottery; overall: 40.1 x 25.7 x 23.5 cm (15 13/16 x 10 1/8 x 9 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bottle-800-1500-peru-chim-9th-15th-century-pottery-overall-401-x-257-x-235-cm-15-1316-x-10-18-x-9-14-in-image448149418.htmlRM2H12Y4A–Bottle, 800-1500. Peru, Chimú, 9th-15th Century. Pottery; overall: 40.1 x 25.7 x 23.5 cm (15 13/16 x 10 1/8 x 9 1/4 in.).
![Stand [for Bottles] (England); copper, silver; 20 x 23.5 x 14.5 cm (7 7/8 x 9 1/4 x 5 11/16 in.); Bequest of Walter Phelps Warren; 1986-61-19 Stock Photo](https://c8.alamy.com/comp/2PMG293/stand-for-bottles-england-copper-silver-20-x-235-x-145-cm-7-78-x-9-14-x-5-1116-in-bequest-of-walter-phelps-warren-1986-61-19-2PMG293.jpg "Stand [for Bottles] (England); copper, silver; 20 x 23.5 x 14.5 cm (7 7/8 x 9 1/4 x 5 11/16 in.); Bequest of Walter Phelps Warren; 1986-61-19 Stock Photo")
Stand [for Bottles] (England); copper, silver; 20 x 23.5 x 14.5 cm (7 7/8 x 9 1/4 x 5 11/16 in.); Bequest of Walter Phelps Warren; 1986-61-19 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stand-for-bottles-england-copper-silver-20-x-235-x-145-cm-7-78-x-9-14-x-5-1116-in-bequest-of-walter-phelps-warren-1986-61-19-image546167583.htmlRM2PMG293–Stand [for Bottles] (England); copper, silver; 20 x 23.5 x 14.5 cm (7 7/8 x 9 1/4 x 5 11/16 in.); Bequest of Walter Phelps Warren; 1986-61-19
'Albert Besnard, Madeleine Lemaire, 1900, etching and aquatint on laid paper, plate: 17.7 x 23.1 cm (6 15/16 x 9 1/8 in.) sheet: 34.4 x 50 cm (13 9/16 x 19 11/16 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.59.24' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-besnard-madeleine-lemaire-1900-etching-and-aquatint-on-laid-paper-plate-177-x-231-cm-6-1516-x-9-18-in-sheet-344-x-50-cm-13-916-x-19-1116-in-gift-of-mr-and-mrs-daniel-bell-in-honor-of-the-50th-anniversary-of-the-national-gallery-of-art-19925924-image557243272.htmlRM2RAGHDC–'Albert Besnard, Madeleine Lemaire, 1900, etching and aquatint on laid paper, plate: 17.7 x 23.1 cm (6 15/16 x 9 1/8 in.) sheet: 34.4 x 50 cm (13 9/16 x 19 11/16 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.59.24'
Fragment of a bronze military diploma MET DP20613 251396 Roman, Fragment of a bronze military diploma, A.D. 113/14, Bronze, Overall: 3 1/16 x 2 3/4 x 1/16 in. (7.8 x 7 x 0.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.52) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-fragment-of-a-bronze-military-diploma-met-dp20613-251396-roman-fragment-168301075.htmlRMKNPNMK–Fragment of a bronze military diploma MET DP20613 251396 Roman, Fragment of a bronze military diploma, A.D. 113/14, Bronze, Overall: 3 1/16 x 2 3/4 x 1/16 in. (7.8 x 7 x 0.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.52)
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496293.htmlRFT0W2YH–Illustration Xray Icon
Pierrot, James Abbott McNeill Whistler, American, 1834-1903, Etching, 9 1/8 x 6 7/16 in., 23.2 x 16.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierrot-james-abbott-mcneill-whistler-american-1834-1903-etching-9-18-x-6-716-in-232-x-164-cm-image454283661.htmlRM2HB2BCD–Pierrot, James Abbott McNeill Whistler, American, 1834-1903, Etching, 9 1/8 x 6 7/16 in., 23.2 x 16.4 cm
Art inspired by Platter, 1815–30, Made in Paris, France, French, Porcelain, 1 3/4 x 14 1/16 x 9 3/8 in. (4.4 x 35.7 x 23.8 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-platter-181530-made-in-paris-france-french-porcelain-1-34-x-14-116-x-9-38-in-44-x-357-x-238-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462890029.htmlRF2HW2CXN–Art inspired by Platter, 1815–30, Made in Paris, France, French, Porcelain, 1 3/4 x 14 1/16 x 9 3/8 in. (4.4 x 35.7 x 23.8 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Reliquary. Culture: Italian. Dimensions: Overall: 16 15/16 x 9 1/8 x 7 5/8 in. (43 x 23.2 x 19.4 cm). Date: 15th century, with modern additions. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reliquary-culture-italian-dimensions-overall-16-1516-x-9-18-x-7-58-in-43-x-232-x-194-cm-date-15th-century-with-modern-additions-museum-metropolitan-museum-of-art-new-york-usa-image213153545.htmlRMPANYEH–Reliquary. Culture: Italian. Dimensions: Overall: 16 15/16 x 9 1/8 x 7 5/8 in. (43 x 23.2 x 19.4 cm). Date: 15th century, with modern additions. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 26 x 34.7 cm (10 1/4 x 13 11/16 in.) framed: 46 x 54.6 x 7.9 cm (18 1/8 x 21 1/2 x 3 1/8 in.); 23 The Grand Canal A27813 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-26-x-347-cm-10-14-x-13-1116-in-framed-46-x-546-x-79-cm-18-18-x-21-12-x-3-18-in-23-the-grand-canal-a27813-image206562355.htmlRMP01MAY–Painting; oil on canvas; overall: 26 x 34.7 cm (10 1/4 x 13 11/16 in.) framed: 46 x 54.6 x 7.9 cm (18 1/8 x 21 1/2 x 3 1/8 in.); 23 The Grand Canal A27813
Bottle, c. 200–400. Peru, Chimu, 3rd-4th Century. Pottery; overall: 23.2 x 11.7 x 11.6 cm (9 1/8 x 4 5/8 x 4 9/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bottle-c-200400-peru-chimu-3rd-4th-century-pottery-overall-232-x-117-x-116-cm-9-18-x-4-58-x-4-916-in-image448125875.htmlRM2H11W3F–Bottle, c. 200–400. Peru, Chimu, 3rd-4th Century. Pottery; overall: 23.2 x 11.7 x 11.6 cm (9 1/8 x 4 5/8 x 4 9/16 in.).
Wood Block (France); wood and brass; 48 x 23.5 x 4 cm (18 7/8 x 9 1/4 x 1 9/16 in.); Purchased, in memory of Paul Tuckerman; 1956-165-1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wood-block-france-wood-and-brass-48-x-235-x-4-cm-18-78-x-9-14-x-1-916-in-purchased-in-memory-of-paul-tuckerman-1956-165-1-image546107473.htmlRM2PMD9J9–Wood Block (France); wood and brass; 48 x 23.5 x 4 cm (18 7/8 x 9 1/4 x 1 9/16 in.); Purchased, in memory of Paul Tuckerman; 1956-165-1
'Schelte Adams Bolswert after Sir Peter Paul Rubens, Christ Crucified between Two Thieves, 1640s, engraving on laid paper, plate: 60.7 x 43.4 cm (23 7/8 x 17 1/16 in.) sheet: 65.7 x 47.2 cm (25 7/8 x 18 9/16 in.), Ailsa Mellon Bruce Fund, 2000.31.1' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schelte-adams-bolswert-after-sir-peter-paul-rubens-christ-crucified-between-two-thieves-1640s-engraving-on-laid-paper-plate-607-x-434-cm-23-78-x-17-116-in-sheet-657-x-472-cm-25-78-x-18-916-in-ailsa-mellon-bruce-fund-2000311-image560017991.htmlRM2RF30JF–'Schelte Adams Bolswert after Sir Peter Paul Rubens, Christ Crucified between Two Thieves, 1640s, engraving on laid paper, plate: 60.7 x 43.4 cm (23 7/8 x 17 1/16 in.) sheet: 65.7 x 47.2 cm (25 7/8 x 18 9/16 in.), Ailsa Mellon Bruce Fund, 2000.31.1'
Fragment of a bronze military diploma MET DP105609 251396 Roman, Fragment of a bronze military diploma, A.D. 113/14, Bronze, Overall: 3 1/16 x 2 3/4 x 1/16 in. (7.8 x 7 x 0.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.52) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-fragment-of-a-bronze-military-diploma-met-dp105609-251396-roman-fragment-168301074.htmlRMKNPNMJ–Fragment of a bronze military diploma MET DP105609 251396 Roman, Fragment of a bronze military diploma, A.D. 113/14, Bronze, Overall: 3 1/16 x 2 3/4 x 1/16 in. (7.8 x 7 x 0.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.52)
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496736.htmlRFT0W3FC–Illustration Xray Icon
Carnations, Marie Lippert-Hoerner (Vienna 1860 - 1932 Vienna), drawing, preliminary pencil drawing, 23.5 x 30.9 cm (9 1/4 x 12 3/16 in.), l.l. '8.7.87. 7 Vienna'; r.b. '4.VIII. 86 7 Aflenz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carnations-marie-lippert-hoerner-vienna-1860-1932-vienna-drawing-preliminary-pencil-drawing-235-x-309-cm-9-14-x-12-316-in-ll-8787-7-vienna-rb-4viii-86-7-aflenz-image573304998.htmlRM2T8M8AE–Carnations, Marie Lippert-Hoerner (Vienna 1860 - 1932 Vienna), drawing, preliminary pencil drawing, 23.5 x 30.9 cm (9 1/4 x 12 3/16 in.), l.l. '8.7.87. 7 Vienna'; r.b. '4.VIII. 86 7 Aflenz
Art inspired by Effluvia from a Hand Resting on a Photographic Plate, 1898–99, Gelatin silver print, 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.), Photographs, Adrien Majewski (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-effluvia-from-a-hand-resting-on-a-photographic-plate-189899-gelatin-silver-print-237-x-158-cm-9-516-x-6-14-in-photographs-adrien-majewski-french-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938842.htmlRF2HW4K62–Art inspired by Effluvia from a Hand Resting on a Photographic Plate, 1898–99, Gelatin silver print, 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.), Photographs, Adrien Majewski (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for a Stage Set at the Opéra, Paris: Tent and Overturned Wagon. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 9 7/8 x 9 3/16 in. (25.1 x 23.4 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-stage-set-at-the-opra-paris-tent-and-overturned-wagon-artist-eugne-cicri-french-paris-1813-1890-fontainebleau-dimensions-irregular-sheet-9-78-x-9-316-in-251-x-234-cm-date-1830-90-museum-metropolitan-museum-of-art-new-york-usa-image213329463.htmlRMPB1YWB–Design for a Stage Set at the Opéra, Paris: Tent and Overturned Wagon. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 9 7/8 x 9 3/16 in. (25.1 x 23.4 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on panel; overall: 58.8 x 47.8 cm (23 1/8 x 18 13/16 in.) framed: 75.4 x 65.3 x 7 cm (29 11/16 x 25 11/16 x 2 3/4 in.); Bernardino Luini - The Magdalen - WGA13766 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-panel-overall-588-x-478-cm-23-18-x-18-1316-in-framed-754-x-653-x-7-cm-29-1116-x-25-1116-x-2-34-in-bernardino-luini-the-magdalen-wga13766-image184914012.htmlRMMMRFKT–Painting; oil on panel; overall: 58.8 x 47.8 cm (23 1/8 x 18 13/16 in.) framed: 75.4 x 65.3 x 7 cm (29 11/16 x 25 11/16 x 2 3/4 in.); Bernardino Luini - The Magdalen - WGA13766
Farmer, 1760-1765. England, Derby, mid-18th century. Soft-paste porcelain; overall: 23.5 x 11.2 x 10.5 cm (9 1/4 x 4 7/16 x 4 1/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farmer-1760-1765-england-derby-mid-18th-century-soft-paste-porcelain-overall-235-x-112-x-105-cm-9-14-x-4-716-x-4-18-in-image448082784.htmlRM2H0YX4G–Farmer, 1760-1765. England, Derby, mid-18th century. Soft-paste porcelain; overall: 23.5 x 11.2 x 10.5 cm (9 1/4 x 4 7/16 x 4 1/8 in.).
Drawing, Design for a Round Table on Triangular Base; Designed by A.N. Davenport Co.; pen and black ink on thin, cream paper; 21.0 x 23.7 cm (8 1/4 x 9 5/16 in. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-a-round-table-on-triangular-base-designed-by-an-davenport-co-pen-and-black-ink-on-thin-cream-paper-210-x-237-cm-8-14-x-9-516-in-image546147271.htmlRM2PMF4BK–Drawing, Design for a Round Table on Triangular Base; Designed by A.N. Davenport Co.; pen and black ink on thin, cream paper; 21.0 x 23.7 cm (8 1/4 x 9 5/16 in. )
'Albert Besnard, Eve before the Apple Tree (Eve de dos devant le pommier), 1892, etching in black on thin cream laid paper, plate: 17.9 x 23.9 cm (7 1/16 x 9 7/16 in.) sheet: 25.3 x 32.8 cm (9 15/16 x 12 15/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1994.4.16' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-besnard-eve-before-the-apple-tree-eve-de-dos-devant-le-pommier-1892-etching-in-black-on-thin-cream-laid-paper-plate-179-x-239-cm-7-116-x-9-716-in-sheet-253-x-328-cm-9-1516-x-12-1516-in-gift-of-mr-and-mrs-daniel-bell-1994416-image557243222.htmlRM2RAGHBJ–'Albert Besnard, Eve before the Apple Tree (Eve de dos devant le pommier), 1892, etching in black on thin cream laid paper, plate: 17.9 x 23.9 cm (7 1/16 x 9 7/16 in.) sheet: 25.3 x 32.8 cm (9 15/16 x 12 15/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1994.4.16'
Fragment of a bronze military diploma MET DP105610 251396 Roman, Fragment of a bronze military diploma, A.D. 113/14, Bronze, Overall: 3 1/16 x 2 3/4 x 1/16 in. (7.8 x 7 x 0.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.52) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-fragment-of-a-bronze-military-diploma-met-dp105610-251396-roman-fragment-168301088.htmlRMKNPNN4–Fragment of a bronze military diploma MET DP105610 251396 Roman, Fragment of a bronze military diploma, A.D. 113/14, Bronze, Overall: 3 1/16 x 2 3/4 x 1/16 in. (7.8 x 7 x 0.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.52)
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496699.htmlRFT0W3E3–Illustration Xray Icon
The Last Judgment, Charles Filiger (French, 1863-1928), about 1892-1894, gouache, silver, and gold on cardboard, 16-3/4 x 10 x 1/8 in. (proper left panel) 16-1/2 x 10-1/8 x 1/8 in. (proper right panel) 23-1/2 x 26-7/8 x 1-1/4 in. (framed), Signed in red paint on the right panel, lower left: FILIGER Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-last-judgment-charles-filiger-french-1863-1928-about-1892-1894-gouache-silver-and-gold-on-cardboard-16-34-x-10-x-18-in-proper-left-panel-16-12-x-10-18-x-18-in-proper-right-panel-23-12-x-26-78-x-1-14-in-framed-signed-in-red-paint-on-the-right-panel-lower-left-filiger-image328780251.htmlRM2A2W6FR–The Last Judgment, Charles Filiger (French, 1863-1928), about 1892-1894, gouache, silver, and gold on cardboard, 16-3/4 x 10 x 1/8 in. (proper left panel) 16-1/2 x 10-1/8 x 1/8 in. (proper right panel) 23-1/2 x 26-7/8 x 1-1/4 in. (framed), Signed in red paint on the right panel, lower left: FILIGER
Art inspired by Door handle, 15th century, German, Iron, Overall: 9 5/16 x 1 13/16 x 3 1/4 in. (23.7 x 4.6 x 8.3 cm), Metalwork-Iron, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-door-handle-15th-century-german-iron-overall-9-516-x-1-1316-x-3-14-in-237-x-46-x-83-cm-metalwork-iron-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462837675.htmlRF2HW024Y–Art inspired by Door handle, 15th century, German, Iron, Overall: 9 5/16 x 1 13/16 x 3 1/4 in. (23.7 x 4.6 x 8.3 cm), Metalwork-Iron, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ. Artist: Anonymous, Italian, 16th to early 17th century. Dimensions: sheet: 9 1/8 x 4 7/16 in. (23.2 x 11.2 cm). Date: 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-temporary-structure-consisting-of-two-angels-carring-the-medici-coat-of-arms-crowned-by-the-figure-of-christ-artist-anonymous-italian-16th-to-early-17th-century-dimensions-sheet-9-18-x-4-716-in-232-x-112-cm-date-16th-early-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212934770.htmlRMPAC0D6–Design for a (Temporary?) Structure consisting of Two Angels carring the Medici Coat of Arms crowned by the Figure of Christ. Artist: Anonymous, Italian, 16th to early 17th century. Dimensions: sheet: 9 1/8 x 4 7/16 in. (23.2 x 11.2 cm). Date: 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on panel; overall: 23.6 x 15 cm (9 5/16 x 5 7/8 in.) framed: 42.2 x 33.3 x 5.7 cm (16 5/8 x 13 1/8 x 2 1/4 in.); 23 The Flight into Egypt C17511 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-panel-overall-236-x-15-cm-9-516-x-5-78-in-framed-422-x-333-x-57-cm-16-58-x-13-18-x-2-14-in-23-the-flight-into-egypt-c17511-image206562351.htmlRMP01MAR–Painting; oil on panel; overall: 23.6 x 15 cm (9 5/16 x 5 7/8 in.) framed: 42.2 x 33.3 x 5.7 cm (16 5/8 x 13 1/8 x 2 1/4 in.); 23 The Flight into Egypt C17511
Figure, 317-987. Mexico, Jaina, Campeche, Maya, 4th-10th Century. Terracotta; overall: 23.5 x 10.5 x 7.5 cm (9 1/4 x 4 1/8 x 2 15/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-317-987-mexico-jaina-campeche-maya-4th-10th-century-terracotta-overall-235-x-105-x-75-cm-9-14-x-4-18-x-2-1516-in-image448150565.htmlRM2H130H9–Figure, 317-987. Mexico, Jaina, Campeche, Maya, 4th-10th Century. Terracotta; overall: 23.5 x 10.5 x 7.5 cm (9 1/4 x 4 1/8 x 2 15/16 in.).
Chrysanthemum Luncheon Knife; Manufactured by Tiffany and Co. (United States); USA; silver, steel; L x W x D: 23 x 2.2 x 1.4 cm (9 1/16 x 7/8 x 9/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chrysanthemum-luncheon-knife-manufactured-by-tiffany-and-co-united-states-usa-silver-steel-l-x-w-x-d-23-x-22-x-14-cm-9-116-x-78-x-916-in-image546153040.htmlRM2PMFBNM–Chrysanthemum Luncheon Knife; Manufactured by Tiffany and Co. (United States); USA; silver, steel; L x W x D: 23 x 2.2 x 1.4 cm (9 1/16 x 7/8 x 9/16 in.)
'Jacobus Houbraken after Sir Anthony van Dyck, Algernon Percy, Earl of Northumberland, 1738, engraving and etching on laid paper, plate: 37.5 x 23.6 cm (14 3/4 x 9 5/16 in.) sheet: 44.2 x 30.1 cm (17 3/8 x 11 7/8 in.), Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.203.5' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacobus-houbraken-after-sir-anthony-van-dyck-algernon-percy-earl-of-northumberland-1738-engraving-and-etching-on-laid-paper-plate-375-x-236-cm-14-34-x-9-516-in-sheet-442-x-301-cm-17-38-x-11-78-in-gift-of-henry-and-judith-rice-millon-in-honor-of-the-50th-anniversary-of-the-national-gallery-of-art-19912035-image559534605.htmlRM2RE902N–'Jacobus Houbraken after Sir Anthony van Dyck, Algernon Percy, Earl of Northumberland, 1738, engraving and etching on laid paper, plate: 37.5 x 23.6 cm (14 3/4 x 9 5/16 in.) sheet: 44.2 x 30.1 cm (17 3/8 x 11 7/8 in.), Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.203.5'
Fragment of a bronze military diploma MET DP20613 251396 Roman, Fragment of a bronze military diploma, A.D. 113/14, Bronze, Overall: 3 1/16 x 2 3/4 x 1/16 in. (7.8 x 7 x 0.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.52) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-fragment-of-a-bronze-military-diploma-met-dp20613-251396-roman-fragment-168458585.htmlRMKP1XJ1–Fragment of a bronze military diploma MET DP20613 251396 Roman, Fragment of a bronze military diploma, A.D. 113/14, Bronze, Overall: 3 1/16 x 2 3/4 x 1/16 in. (7.8 x 7 x 0.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.52)
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