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22 2 x 15 6 cm Stock Photos and Images
Art inspired by Portrait of Cardinal Guido Bentivoglio, 1633, Engraving, sheet: 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-cardinal-guido-bentivoglio-1633-engraving-sheet-8-34-x-6-18-in-222-x-156-cm-prints-claude-mellan-french-abbeville-15981688-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462993647.htmlRF2HW753B–Art inspired by Portrait of Cardinal Guido Bentivoglio, 1633, Engraving, sheet: 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Studio of a Painter, Benjamin-Eugène Fichel, French, 1826-1895, Oil on panel, France, 1869, 8 3/4 x 6 1/8 in., 22.2 x 15.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/studio-of-a-painter-benjamin-eugne-fichel-french-1826-1895-oil-on-panel-france-1869-8-34-x-6-18-in-222-x-156-cm-image454270972.htmlRM2HB1R78–Studio of a Painter, Benjamin-Eugène Fichel, French, 1826-1895, Oil on panel, France, 1869, 8 3/4 x 6 1/8 in., 22.2 x 15.6 cm
Studio of a Painter Benjamin-Eugène Fichel (French, 1826-1895). , 1869. Oil on panel, 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm). European Art 1869 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/studio-of-a-painter-benjamin-eugne-fichel-french-1826-1895-1869-oil-on-panel-8-34-x-6-18-in-222-x-156-cm-european-art-1869-image504706664.htmlRM2M93AE0–Studio of a Painter Benjamin-Eugène Fichel (French, 1826-1895). , 1869. Oil on panel, 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm). European Art 1869
Compote. Culture: American. Dimensions: 6 x 9 x 10 3/4 in. (15.2 x 22.9 x 27.3 cm). Date: 1835-45. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/compote-culture-american-dimensions-6-x-9-x-10-34-in-152-x-229-x-273-cm-date-1835-45-museum-metropolitan-museum-of-art-new-york-usa-image213321591.htmlRMPB1HT7–Compote. Culture: American. Dimensions: 6 x 9 x 10 3/4 in. (15.2 x 22.9 x 27.3 cm). Date: 1835-45. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: late 16th century Display Dimensions: 9 1/16 in. x 6 13/32 in. (23 cm x 16.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.265 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 2 October 2001, 11:22:15. English: thesandiegomuseumofartcollection 1098 Scene in a bath house (6124528743) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-late-16th-century-display-dimensions-9-116-in-x-6-1332-in-23-cm-x-163-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990265-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-2-october-2001-112215-english-thesandiegomuseumofartcollection-1098-scene-in-a-bath-house-6124528743-image185844349.htmlRMMP9XA5–. English: Creation Date: late 16th century Display Dimensions: 9 1/16 in. x 6 13/32 in. (23 cm x 16.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.265 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 2 October 2001, 11:22:15. English: thesandiegomuseumofartcollection 1098 Scene in a bath house (6124528743)
Napoleon I., 15.8.1769 - 5.5. 1821, French Emperor 2.12.1804 - 22.6.1815, 'Tiddy Doll', political caricature by James Gillray, 25,2 cm x 35,3 cm, coloured aquatinta, London, 1806, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-napoleon-i-1581769-55-1821-french-emperor-2121804-2261815-tiddy-doll-48690779.htmlRMCR61GB–Napoleon I., 15.8.1769 - 5.5. 1821, French Emperor 2.12.1804 - 22.6.1815, 'Tiddy Doll', political caricature by James Gillray, 25,2 cm x 35,3 cm, coloured aquatinta, London, 1806,
(Artist) James McNeill Whistler; United States; 1859; Drypoint on paper; H x W: 22.7 x 15.2 cm (8 15/16 x 6 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1859-drypoint-on-paper-h-x-w-227-x-152-cm-8-1516-x-6-in-gift-of-charles-lang-freer-image353506249.htmlRM2BF3GR5–(Artist) James McNeill Whistler; United States; 1859; Drypoint on paper; H x W: 22.7 x 15.2 cm (8 15/16 x 6 in); Gift of Charles Lang Freer
Drawing, Alterations to 14-15-16 Washington Square, New York, NY, Sketch No. 23; Firm: Maynicke & Franke; USA; graphite on cream paper mounted on board; Mat: 56 x 71 cm (22 1/16 x 27 15/16 in.) 47.6 x 61.2 cm (18 3/4 x 24 1/8 in.); 1923-43-1-a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-alterations-to-14-15-16-washington-square-new-york-ny-sketch-no-23-firm-maynicke-franke-usa-graphite-on-cream-paper-mounted-on-board-mat-56-x-71-cm-22-116-x-27-1516-in-476-x-612-cm-18-34-x-24-18-in-1923-43-1-a-image546111464.htmlRM2PMDEMT–Drawing, Alterations to 14-15-16 Washington Square, New York, NY, Sketch No. 23; Firm: Maynicke & Franke; USA; graphite on cream paper mounted on board; Mat: 56 x 71 cm (22 1/16 x 27 15/16 in.) 47.6 x 61.2 cm (18 3/4 x 24 1/8 in.); 1923-43-1-a
Figure of Christ; Manuel Álvarez Bravo (Mexican, 1902 - 2002); 1930s; Gelatin silver print; 22.2 x 15.4 cm (8 3/4 x 6 1/16 in.); 92.XM.23.5 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-of-christ-manuel-lvarez-bravo-mexican-1902-2002-1930s-gelatin-silver-print-222-x-154-cm-8-34-x-6-116-in-92xm235-image597364586.htmlRM2WKT8HE–Figure of Christ; Manuel Álvarez Bravo (Mexican, 1902 - 2002); 1930s; Gelatin silver print; 22.2 x 15.4 cm (8 3/4 x 6 1/16 in.); 92.XM.23.5
'Jan Verkolje I, A Spaniel Jumping, 1680, mezzotint on laid paper, plate: 12.3 x 15.4 cm (4 13/16 x 6 1/16 in.) sheet: 13 x 16 cm (5 1/8 x 6 5/16 in.), Ailsa Mellon Bruce Fund, 1984.22.2' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-verkolje-i-a-spaniel-jumping-1680-mezzotint-on-laid-paper-plate-123-x-154-cm-4-1316-x-6-116-in-sheet-13-x-16-cm-5-18-x-6-516-in-ailsa-mellon-bruce-fund-1984222-image559844911.htmlRM2RER3W3–'Jan Verkolje I, A Spaniel Jumping, 1680, mezzotint on laid paper, plate: 12.3 x 15.4 cm (4 13/16 x 6 1/16 in.) sheet: 13 x 16 cm (5 1/8 x 6 5/16 in.), Ailsa Mellon Bruce Fund, 1984.22.2'
Figure Group: The Flute Lesson (Le Flûteur) (one of a pair); Sèvres Manufactory (French, 1756 - present), Modelled under the direction of Étienne-Maurice Falconet (French, 1716 - 1791), After engraved designs of François Boucher (French, 1703 - 1770); Sèvres, France; about 1757 - 1766; Soft-paste biscuit porcelain; traces of red pigment; 22.3 x 25.4 x 15.2 cm (8 3/4 x 10 x 6 in.); 70.DE.98.1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-group-the-flute-lesson-le-flteur-one-of-a-pair-svres-manufactory-french-1756-present-modelled-under-the-direction-of-tienne-maurice-falconet-french-1716-1791-after-engraved-designs-of-franois-boucher-french-1703-1770-svres-france-about-1757-1766-soft-paste-biscuit-porcelain-traces-of-red-pigment-223-x-254-x-152-cm-8-34-x-10-x-6-in-70de981-image333546757.htmlRM2AAJA85–Figure Group: The Flute Lesson (Le Flûteur) (one of a pair); Sèvres Manufactory (French, 1756 - present), Modelled under the direction of Étienne-Maurice Falconet (French, 1716 - 1791), After engraved designs of François Boucher (French, 1703 - 1770); Sèvres, France; about 1757 - 1766; Soft-paste biscuit porcelain; traces of red pigment; 22.3 x 25.4 x 15.2 cm (8 3/4 x 10 x 6 in.); 70.DE.98.1
![Curtiss V-1400 Engine:;Type: V-type, 12 cylinders, water-cooled;Mfg. No. 9;Power rating: 496 kw (665 hp);Bore and Stroke: 12.382 cm (4.875 in.) x 15.875 cm (6.25 in.);Displacement: 22.95 liters (1400 cu. in.);Curtiss-Reed Propeller:;Design: EX-32995;Two-Blades, Fixed-Pitch;Serial No.: M-455;Material: Duralumin;Diameter: 237 cm (92 in.);Pitch: 284 cm (112 in.);Wingspan: 6.71 m (22 ft.) upper;6.1 m (20 ft.) lower;Length: 6.01 m (19 ft. 8 1/2 in.);Height: 2.46 m (8 ft. 1 in.);Weight: Empty: 975 kg (2150 lb.);Gross: 1152 kg (2539 l". On Oct. 26, 1925, U.S. Army Lt. James H. Doolittle flew the Stock Photo](https://c8.alamy.com/comp/2GGBP0A/curtiss-v-1400-enginetype-v-type-12-cylinders-water-cooledmfg-no-9power-rating-496-kw-665-hpbore-and-stroke-12382-cm-4875-in-x-15875-cm-625-indisplacement-2295-liters-1400-cu-incurtiss-reed-propellerdesign-ex-32995two-blades-fixed-pitchserial-no-m-455material-duralumindiameter-237-cm-92-inpitch-284-cm-112-inwingspan-671-m-22-ft-upper61-m-20-ft-lowerlength-601-m-19-ft-8-12-inheight-246-m-8-ft-1-inweight-empty-975-kg-2150-lbgross-1152-kg-2539-lquot-on-oct-26-1925-us-army-lt-james-h-doolittle-flew-the-2GGBP0A.jpg "Curtiss V-1400 Engine:;Type: V-type, 12 cylinders, water-cooled;Mfg. No. 9;Power rating: 496 kw (665 hp);Bore and Stroke: 12.382 cm (4.875 in.) x 15.875 cm (6.25 in.);Displacement: 22.95 liters (1400 cu. in.);Curtiss-Reed Propeller:;Design: EX-32995;Two-Blades, Fixed-Pitch;Serial No.: M-455;Material: Duralumin;Diameter: 237 cm (92 in.);Pitch: 284 cm (112 in.);Wingspan: 6.71 m (22 ft.) upper;6.1 m (20 ft.) lower;Length: 6.01 m (19 ft. 8 1/2 in.);Height: 2.46 m (8 ft. 1 in.);Weight: Empty: 975 kg (2150 lb.);Gross: 1152 kg (2539 l". On Oct. 26, 1925, U.S. Army Lt. James H. Doolittle flew the Stock Photo")
Curtiss V-1400 Engine:;Type: V-type, 12 cylinders, water-cooled;Mfg. No. 9;Power rating: 496 kw (665 hp);Bore and Stroke: 12.382 cm (4.875 in.) x 15.875 cm (6.25 in.);Displacement: 22.95 liters (1400 cu. in.);Curtiss-Reed Propeller:;Design: EX-32995;Two-Blades, Fixed-Pitch;Serial No.: M-455;Material: Duralumin;Diameter: 237 cm (92 in.);Pitch: 284 cm (112 in.);Wingspan: 6.71 m (22 ft.) upper;6.1 m (20 ft.) lower;Length: 6.01 m (19 ft. 8 1/2 in.);Height: 2.46 m (8 ft. 1 in.);Weight: Empty: 975 kg (2150 lb.);Gross: 1152 kg (2539 l". On Oct. 26, 1925, U.S. Army Lt. James H. Doolittle flew the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/curtiss-v-1400-enginetype-v-type-12-cylinders-water-cooledmfg-no-9power-rating-496-kw-665-hpbore-and-stroke-12382-cm-4875-in-x-15875-cm-625-indisplacement-2295-liters-1400-cu-incurtiss-reed-propellerdesign-ex-32995two-blades-fixed-pitchserial-no-m-455material-duralumindiameter-237-cm-92-inpitch-284-cm-112-inwingspan-671-m-22-ft-upper61-m-20-ft-lowerlength-601-m-19-ft-8-12-inheight-246-m-8-ft-1-inweight-empty-975-kg-2150-lbgross-1152-kg-2539-lquot-on-oct-26-1925-us-army-lt-james-h-doolittle-flew-the-image440352426.htmlRM2GGBP0A–Curtiss V-1400 Engine:;Type: V-type, 12 cylinders, water-cooled;Mfg. No. 9;Power rating: 496 kw (665 hp);Bore and Stroke: 12.382 cm (4.875 in.) x 15.875 cm (6.25 in.);Displacement: 22.95 liters (1400 cu. in.);Curtiss-Reed Propeller:;Design: EX-32995;Two-Blades, Fixed-Pitch;Serial No.: M-455;Material: Duralumin;Diameter: 237 cm (92 in.);Pitch: 284 cm (112 in.);Wingspan: 6.71 m (22 ft.) upper;6.1 m (20 ft.) lower;Length: 6.01 m (19 ft. 8 1/2 in.);Height: 2.46 m (8 ft. 1 in.);Weight: Empty: 975 kg (2150 lb.);Gross: 1152 kg (2539 l". On Oct. 26, 1925, U.S. Army Lt. James H. Doolittle flew the
Ewer MET LC-84 2 13-001 186687 possibly Italian, Venice, Ewer, 16th century, Maiolica (tin-glazed earthenware), Overall (confirmed): 8 11/16 x 5 3/4 x 5 15/16 in. (22.1 x 14.6 x 15.1 cm). The Metropolitan Museum of Art, New York. Purchase, 1884 (84.2.13) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ewer-met-lc-84-2-13-001-186687-possibly-italian-venice-ewer-16th-century-168083829.htmlRMKNCTHW–Ewer MET LC-84 2 13-001 186687 possibly Italian, Venice, Ewer, 16th century, Maiolica (tin-glazed earthenware), Overall (confirmed): 8 11/16 x 5 3/4 x 5 15/16 in. (22.1 x 14.6 x 15.1 cm). The Metropolitan Museum of Art, New York. Purchase, 1884 (84.2.13)
. Minnesota mushrooms ... Botany; Mushrooms. SADDLE FUNGI 143 Leotia lubrica Cap 5-15 mm., wide, S-10 mm. tall, yellow to yellowish green or dark green, smooth but often fold- ed and wavy at the margin, gelatinous, in- flated, hemispheric; stem 1-6 cm. by 3-S mm., yellowish to greenish, powdered, hollow; spores clear or greenish, oblong, 2- 4-celled, 18-22 X 4-5;U.. The name refers to the slimy texture. On the ground in woods, often on sandy soil; not tested. CUDONIA Resembling Le- otia, but the cap fleshy, with the margin free from the stem but rolled inward. The cap is more or less globose. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minnesota-mushrooms-botany-mushrooms-saddle-fungi-143-leotia-lubrica-cap-5-15-mm-wide-s-10-mm-tall-yellow-to-yellowish-green-or-dark-green-smooth-but-often-fold-ed-and-wavy-at-the-margin-gelatinous-in-flated-hemispheric-stem-1-6-cm-by-3-s-mm-yellowish-to-greenish-powdered-hollow-spores-clear-or-greenish-oblong-2-4-celled-18-22-x-4-5u-the-name-refers-to-the-slimy-texture-on-the-ground-in-woods-often-on-sandy-soil-not-tested-cudonia-resembling-le-otia-but-the-cap-fleshy-with-the-margin-free-from-the-stem-but-rolled-inward-the-cap-is-more-or-less-globose-image216455240.htmlRMPG4AT8–. Minnesota mushrooms ... Botany; Mushrooms. SADDLE FUNGI 143 Leotia lubrica Cap 5-15 mm., wide, S-10 mm. tall, yellow to yellowish green or dark green, smooth but often fold- ed and wavy at the margin, gelatinous, in- flated, hemispheric; stem 1-6 cm. by 3-S mm., yellowish to greenish, powdered, hollow; spores clear or greenish, oblong, 2- 4-celled, 18-22 X 4-5;U.. The name refers to the slimy texture. On the ground in woods, often on sandy soil; not tested. CUDONIA Resembling Le- otia, but the cap fleshy, with the margin free from the stem but rolled inward. The cap is more or less globose.
Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-240-of-the-directional-spectrum-of-a-the-directional-spectrum-of-a-wind-generated-sea-as-determined-from-data-obtained-by-the-stereo-wave-observation-project-directionalspect00chas-year-1957-cm-13-12-11-10-9-8-7-6-5-4-3-2-1-0-10-fl-cz-c3-x-c4-0-c5-rn-gtv-0-0-n-ce-0-x-0-0-i0-20-30-1-1-ii-ik-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-figure-1130-cp-and-yp-as-a-function-of-k-229-image242266434.htmlRMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
Art inspired by The Sacrifice of Iphigenia, 1810, Brush and brown ink with brown wash, 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm), Drawings, Jean Michel Moreau the Younger (French, Paris 1741–1814 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-sacrifice-of-iphigenia-1810-brush-and-brown-ink-with-brown-wash-8-34-x-6-18-in-222-x-156-cm-drawings-jean-michel-moreau-the-younger-french-paris-17411814-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950555.htmlRF2HW564B–Art inspired by The Sacrifice of Iphigenia, 1810, Brush and brown ink with brown wash, 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm), Drawings, Jean Michel Moreau the Younger (French, Paris 1741–1814 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Édouard Manet, French, 1832–1883, At the Prado (2nd plate), 1865, Etching and aquatint on paper, plate: 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/douard-manet-french-18321883-at-the-prado-2nd-plate-1865-etching-and-aquatint-on-paper-plate-8-34-x-6-18-in-222-x-156-cm-image344575982.htmlRM2B0GP52–Édouard Manet, French, 1832–1883, At the Prado (2nd plate), 1865, Etching and aquatint on paper, plate: 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm
![MALTA. Author Hogenberg, Frans 84.96.2. Place of publication: [Cologne?] Publisher: [publisher not identified] Date of publication: [1572?] Item type: 1 print Medium: hand-coloured engraving and etching Dimensions: sheet 15.4 x 22.6 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FPT6/malta-author-hogenberg-frans-84962-place-of-publication-cologne-publisher-publisher-not-identified-date-of-publication-1572-item-type-1-print-medium-hand-coloured-engraving-and-etching-dimensions-sheet-154-x-226-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FPT6.jpg "MALTA. Author Hogenberg, Frans 84.96.2. Place of publication: [Cologne?] Publisher: [publisher not identified] Date of publication: [1572?] Item type: 1 print Medium: hand-coloured engraving and etching Dimensions: sheet 15.4 x 22.6 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
MALTA. Author Hogenberg, Frans 84.96.2. Place of publication: [Cologne?] Publisher: [publisher not identified] Date of publication: [1572?] Item type: 1 print Medium: hand-coloured engraving and etching Dimensions: sheet 15.4 x 22.6 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/malta-author-hogenberg-frans-84962-place-of-publication-cologne-publisher-publisher-not-identified-date-of-publication-1572-item-type-1-print-medium-hand-coloured-engraving-and-etching-dimensions-sheet-154-x-226-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401717574.htmlRM2E9FPT6–MALTA. Author Hogenberg, Frans 84.96.2. Place of publication: [Cologne?] Publisher: [publisher not identified] Date of publication: [1572?] Item type: 1 print Medium: hand-coloured engraving and etching Dimensions: sheet 15.4 x 22.6 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Vulcan. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 8-15/16 x 6-3/8 in. (22.75 x 16.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vulcan-artist-anonymous-italian-roman-bolognese-17th-century-dimensions-8-1516-x-6-38-in-2275-x-162-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212894551.htmlRMPAA54R–Vulcan. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 8-15/16 x 6-3/8 in. (22.75 x 16.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: Odilon Redon, French, 1840–1916 Vase of Flowers, ca. 1900-10 Pastel on board 46.2 x 38.7 cm. (18 3/16 x 15 1/4 in.) frame: 66.6 × 56.3 × 4 cm (26 1/4 × 22 3/16 × 1 9/16 in.) Gift of Edward R. Schaible, Class of 1934 x1985-15 . circa 1900-10 10 1900, Redon, Odilon, Vase of Flowers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-odilon-redon-french-18401916-vase-of-flowers-ca-1900-10-pastel-on-board-462-x-387-cm-18-316-x-15-14-in-frame-666-563-4-cm-26-14-22-316-1-916-in-gift-of-edward-r-schaible-class-of-1934-x1985-15-circa-1900-10-10-1900-redon-odilon-vase-of-flowers-image188850794.htmlRMMY6W36–. English: Odilon Redon, French, 1840–1916 Vase of Flowers, ca. 1900-10 Pastel on board 46.2 x 38.7 cm. (18 3/16 x 15 1/4 in.) frame: 66.6 × 56.3 × 4 cm (26 1/4 × 22 3/16 × 1 9/16 in.) Gift of Edward R. Schaible, Class of 1934 x1985-15 . circa 1900-10 10 1900, Redon, Odilon, Vase of Flowers
Napoleon I., 15.8.1769 - 5.5. 1821, French Emperor 2.12.1804 - 22.6.1815, 'Evacuation of Malta', political caricature by James Gillray, 25,2 cm x 35,3 cm, coloured aquatinta, London, 1803, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-napoleon-i-1581769-55-1821-french-emperor-2121804-2261815-evacuation-48690680.htmlRMCR61CT–Napoleon I., 15.8.1769 - 5.5. 1821, French Emperor 2.12.1804 - 22.6.1815, 'Evacuation of Malta', political caricature by James Gillray, 25,2 cm x 35,3 cm, coloured aquatinta, London, 1803,
(Artist) James McNeill Whistler; United States; 1860; Drypoint on paper; H x W: 22.5 x 15.2 cm (8 7/8 x 6 in); Gift of Charles Lang Freer Axenfeld Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1860-drypoint-on-paper-h-x-w-225-x-152-cm-8-78-x-6-in-gift-of-charles-lang-freer-axenfeld-image352196647.htmlRM2BCYXBK–(Artist) James McNeill Whistler; United States; 1860; Drypoint on paper; H x W: 22.5 x 15.2 cm (8 7/8 x 6 in); Gift of Charles Lang Freer Axenfeld
Painting, Sunlight and Shadow; Winslow Homer (American, 1836–1910); USA; brush and oil paint on canvas; 40.2 x 57.6 cm (15 13/16 x 22 11/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-sunlight-and-shadow-winslow-homer-american-18361910-usa-brush-and-oil-paint-on-canvas-402-x-576-cm-15-1316-x-22-1116-in-image546117881.htmlRM2PMDPX1–Painting, Sunlight and Shadow; Winslow Homer (American, 1836–1910); USA; brush and oil paint on canvas; 40.2 x 57.6 cm (15 13/16 x 22 11/16 in.)
'Albert Besnard, Frontispiece for 'L'Affaire Clémenceau', 1905, etching in black on cream laid paper, plate: 22.2 x 15.2 cm (8 3/4 x 6 in.) sheet: 27.8 x 17.9 cm (10 15/16 x 7 1/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1993.71.8' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-besnard-frontispiece-for-laffaire-clmenceau-1905-etching-in-black-on-cream-laid-paper-plate-222-x-152-cm-8-34-x-6-in-sheet-278-x-179-cm-10-1516-x-7-116-in-gift-of-mr-and-mrs-daniel-bell-1993718-image557243242.htmlRM2RAGHCA–'Albert Besnard, Frontispiece for 'L'Affaire Clémenceau', 1905, etching in black on cream laid paper, plate: 22.2 x 15.2 cm (8 3/4 x 6 in.) sheet: 27.8 x 17.9 cm (10 15/16 x 7 1/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1993.71.8'
Ewer MET LC-84 2 13-002 186687 possibly Italian, Venice, Ewer, 16th century, Maiolica (tin-glazed earthenware), Overall (confirmed): 8 11/16 x 5 3/4 x 5 15/16 in. (22.1 x 14.6 x 15.1 cm). The Metropolitan Museum of Art, New York. Purchase, 1884 (84.2.13) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ewer-met-lc-84-2-13-002-186687-possibly-italian-venice-ewer-16th-century-168083963.htmlRMKNCTPK–Ewer MET LC-84 2 13-002 186687 possibly Italian, Venice, Ewer, 16th century, Maiolica (tin-glazed earthenware), Overall (confirmed): 8 11/16 x 5 3/4 x 5 15/16 in. (22.1 x 14.6 x 15.1 cm). The Metropolitan Museum of Art, New York. Purchase, 1884 (84.2.13)
. Danmarks fauna; illustrerede haandbøger over den danske dyreverden... 43 Udbredt, men ret sjælden, hyppigst på øerne og i Østjyl- land (J, 0). Imago på pileløv, ved træsaft eller på blomster, f. eks. af skærmplanter; især fra midt i juli til midt i aug., truffet i parring sent på eftermiddagen ved roden af piletræer. Yngler i pil, såvel i stammer af levende træer som i 7-8 cm tykke, levende grene. Udviklingen mindst toårig, oftest vist- nok treårig. Larven lever (fig. 6, p. 15), når den bliver ældre,. Fig. 22. Aromia moschata S- x 2. i veddet, hvor også puppehulen dannes i bunden af en lodre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/danmarks-fauna-illustrerede-haandbger-over-den-danske-dyreverden-43-udbredt-men-ret-sjlden-hyppigst-p-erne-og-i-stjyl-land-j-0-imago-p-pilelv-ved-trsaft-eller-p-blomster-f-eks-af-skrmplanter-isr-fra-midt-i-juli-til-midt-i-aug-truffet-i-parring-sent-p-eftermiddagen-ved-roden-af-piletrer-yngler-i-pil-svel-i-stammer-af-levende-trer-som-i-7-8-cm-tykke-levende-grene-udviklingen-mindst-torig-oftest-vist-nok-trerig-larven-lever-fig-6-p-15-nr-den-bliver-ldre-fig-22-aromia-moschata-s-x-2-i-veddet-hvor-ogs-puppehulen-dannes-i-bunden-af-en-lodre-image216127720.htmlRMPFHD34–. Danmarks fauna; illustrerede haandbøger over den danske dyreverden... 43 Udbredt, men ret sjælden, hyppigst på øerne og i Østjyl- land (J, 0). Imago på pileløv, ved træsaft eller på blomster, f. eks. af skærmplanter; især fra midt i juli til midt i aug., truffet i parring sent på eftermiddagen ved roden af piletræer. Yngler i pil, såvel i stammer af levende træer som i 7-8 cm tykke, levende grene. Udviklingen mindst toårig, oftest vist- nok treårig. Larven lever (fig. 6, p. 15), når den bliver ældre,. Fig. 22. Aromia moschata S- x 2. i veddet, hvor også puppehulen dannes i bunden af en lodre
Discovery reports (1940) Discovery reports discoveryreports19inst Year: 1940 THE SOUTHERN SEA LION i49 which is completed by the time the foetus is a little over 50 cm. With considerable reservations the period may be estimated at four months, judging from the size of foetuses at successive periods (Table X). Table X List of foetuses in monthly succession No. of female Date Length of female Length of foetus No. of foetus* 436 22. V 190-5 10-2 — 439 25. V 175-3 12-8 — 440 26. V 170-2 10-3 — 441 6. vi 163-8 15-6 — 1114 8. vi 190-4 107 1148 1129 8. vi 170-1 14-0 1130 1131 8. vi 1777 13-3 '39 11 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/discovery-reports-1940-discovery-reports-discoveryreports19inst-year-1940-the-southern-sea-lion-i49-which-is-completed-by-the-time-the-foetus-is-a-little-over-50-cm-with-considerable-reservations-the-period-may-be-estimated-at-four-months-judging-from-the-size-of-foetuses-at-successive-periods-table-x-table-x-list-of-foetuses-in-monthly-succession-no-of-female-date-length-of-female-length-of-foetus-no-of-foetus-436-22-v-190-5-10-2-439-25-v-175-3-12-8-440-26-v-170-2-10-3-441-6-vi-163-8-15-6-1114-8-vi-190-4-107-1148-1129-8-vi-170-1-14-0-1130-1131-8-vi-1777-13-3-39-11-image241947274.htmlRMT1HJ62–Discovery reports (1940) Discovery reports discoveryreports19inst Year: 1940 THE SOUTHERN SEA LION i49 which is completed by the time the foetus is a little over 50 cm. With considerable reservations the period may be estimated at four months, judging from the size of foetuses at successive periods (Table X). Table X List of foetuses in monthly succession No. of female Date Length of female Length of foetus No. of foetus* 436 22. V 190-5 10-2 — 439 25. V 175-3 12-8 — 440 26. V 170-2 10-3 — 441 6. vi 163-8 15-6 — 1114 8. vi 190-4 107 1148 1129 8. vi 170-1 14-0 1130 1131 8. vi 1777 13-3 '39 11
Art inspired by Limestone statuette of a temple boy, Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, Overall: 12 3/4 x 8 3/4 x 6 1/8 in. (32.4 x 22.2 x 15.6 cm), Stone Sculpture, Figure with chain of pendants over left shoulder, holding a dove, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-limestone-statuette-of-a-temple-boy-hellenistic-4th3rd-century-bc-cypriot-limestone-overall-12-34-x-8-34-x-6-18-in-324-x-222-x-156-cm-stone-sculpture-figure-with-chain-of-pendants-over-left-shoulder-holding-a-dove-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462926545.htmlRF2HW43EW–Art inspired by Limestone statuette of a temple boy, Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, Overall: 12 3/4 x 8 3/4 x 6 1/8 in. (32.4 x 22.2 x 15.6 cm), Stone Sculpture, Figure with chain of pendants over left shoulder, holding a dove, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Piece, German, early 18th century, German, Linen, 6 x 9 inches (15.2 x 22.9 cm), Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-german-early-18th-century-german-linen-6-x-9-inches-152-x-229-cm-textiles-woven-image344615519.htmlRM2B0JGH3–Piece, German, early 18th century, German, Linen, 6 x 9 inches (15.2 x 22.9 cm), Textiles-Woven
![Colney Chapel House, the seat of the Margrave of Anspach Herts on the road from Shenley Hill. Visual Material information: Title: Colney Chapel House, the seat of the Margrave of Anspach Herts on the road from Shenley Hill. 15.63.2. Date of publication: [about 1796] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 18.1 x 22.1 cm, with attached title on sheet 2.6 x 22.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H4BN/colney-chapel-house-the-seat-of-the-margrave-of-anspach-herts-on-the-road-from-shenley-hill-visual-material-information-title-colney-chapel-house-the-seat-of-the-margrave-of-anspach-herts-on-the-road-from-shenley-hill-15632-date-of-publication-about-1796-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-181-x-221-cm-with-attached-title-on-sheet-26-x-226-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H4BN.jpg "Colney Chapel House, the seat of the Margrave of Anspach Herts on the road from Shenley Hill. Visual Material information: Title: Colney Chapel House, the seat of the Margrave of Anspach Herts on the road from Shenley Hill. 15.63.2. Date of publication: [about 1796] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 18.1 x 22.1 cm, with attached title on sheet 2.6 x 22.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Colney Chapel House, the seat of the Margrave of Anspach Herts on the road from Shenley Hill. Visual Material information: Title: Colney Chapel House, the seat of the Margrave of Anspach Herts on the road from Shenley Hill. 15.63.2. Date of publication: [about 1796] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 18.1 x 22.1 cm, with attached title on sheet 2.6 x 22.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colney-chapel-house-the-seat-of-the-margrave-of-anspach-herts-on-the-road-from-shenley-hill-visual-material-information-title-colney-chapel-house-the-seat-of-the-margrave-of-anspach-herts-on-the-road-from-shenley-hill-15632-date-of-publication-about-1796-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-181-x-221-cm-with-attached-title-on-sheet-26-x-226-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401747017.htmlRM2E9H4BN–Colney Chapel House, the seat of the Margrave of Anspach Herts on the road from Shenley Hill. Visual Material information: Title: Colney Chapel House, the seat of the Margrave of Anspach Herts on the road from Shenley Hill. 15.63.2. Date of publication: [about 1796] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 18.1 x 22.1 cm, with attached title on sheet 2.6 x 22.6 cm Former owner: George III, King of Great Britain, 1738-1820
Drapery Study. Artist: Anonymous, Italian, Florentine, second half of the 16th century. Dimensions: 8-15/16 x 6-3/8 in. (22.75 x 16.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drapery-study-artist-anonymous-italian-florentine-second-half-of-the-16th-century-dimensions-8-1516-x-6-38-in-2275-x-162-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212900806.htmlRMPAAD46–Drapery Study. Artist: Anonymous, Italian, Florentine, second half of the 16th century. Dimensions: 8-15/16 x 6-3/8 in. (22.75 x 16.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: Odilon Redon, French, 1840–1916 Vase of Flowers, ca. 1900-10 Pastel on board 46.2 x 38.7 cm. (18 3/16 x 15 1/4 in.) frame: 66.6 × 56.3 × 4 cm (26 1/4 × 22 3/16 × 1 9/16 in.) Gift of Edward R. Schaible, Class of 1934 x1985-15 . circa 1900-10 11 1900, Redon, Odilon, Vase of Flowers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-odilon-redon-french-18401916-vase-of-flowers-ca-1900-10-pastel-on-board-462-x-387-cm-18-316-x-15-14-in-frame-666-563-4-cm-26-14-22-316-1-916-in-gift-of-edward-r-schaible-class-of-1934-x1985-15-circa-1900-10-11-1900-redon-odilon-vase-of-flowers-image187573275.htmlRMMW4KHF–. English: Odilon Redon, French, 1840–1916 Vase of Flowers, ca. 1900-10 Pastel on board 46.2 x 38.7 cm. (18 3/16 x 15 1/4 in.) frame: 66.6 × 56.3 × 4 cm (26 1/4 × 22 3/16 × 1 9/16 in.) Gift of Edward R. Schaible, Class of 1934 x1985-15 . circa 1900-10 11 1900, Redon, Odilon, Vase of Flowers
Napoleon I., 15.8.1769 - 5.5.1821, Emperor of the French 2.12.1804 - 22.6.1815, political caricature, wanted poster Niklas Bonaparte, called Napoleon, violet father, Prince Lamballe by grace of Devil, coloured, 33,5 cm x 19,5 cm, Buchdrucker Ernst Littfas, Berlin, circa 1810 / 1815, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-napoleon-i-1581769-551821-emperor-of-the-french-2121804-2261815-political-48690835.htmlRMCR61JB–Napoleon I., 15.8.1769 - 5.5.1821, Emperor of the French 2.12.1804 - 22.6.1815, political caricature, wanted poster Niklas Bonaparte, called Napoleon, violet father, Prince Lamballe by grace of Devil, coloured, 33,5 cm x 19,5 cm, Buchdrucker Ernst Littfas, Berlin, circa 1810 / 1815, ,
(Artist) James McNeill Whistler; United States; 1861; Drypoint on paper; H x W (overall): 22.6 x 15.2 cm (8 7/8 x 6 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1861-drypoint-on-paper-h-x-w-overall-226-x-152-cm-8-78-x-6-in-gift-of-charles-lang-freer-image353516044.htmlRM2BF4190–(Artist) James McNeill Whistler; United States; 1861; Drypoint on paper; H x W (overall): 22.6 x 15.2 cm (8 7/8 x 6 in); Gift of Charles Lang Freer
Print, 'The Microscope', Spooner's Transformations, No. 2; Published by William Spooner (England, active 1830 – 1854); England; lithograph, watercolor; (mount) 28.6 x 22.7 cm (11 1/4 x 8 15/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-the-microscope-spooners-transformations-no-2-published-by-william-spooner-england-active-1830-1854-england-lithograph-watercolor-mount-286-x-227-cm-11-14-x-8-1516-in-image546204436.htmlRM2PMHN98–Print, 'The Microscope', Spooner's Transformations, No. 2; Published by William Spooner (England, active 1830 – 1854); England; lithograph, watercolor; (mount) 28.6 x 22.7 cm (11 1/4 x 8 15/16 in.)
'Francis Seymour Haden, The Three Cows, 1877, drypoint in black on laid paper, plate: 13.9 x 20.1 cm (5 1/2 x 7 15/16 in.) sheet: 17 x 22.5 cm (6 11/16 x 8 7/8 in.), Gift of Mrs. Robert A. Hauslohner, 1991.116.44' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francis-seymour-haden-the-three-cows-1877-drypoint-in-black-on-laid-paper-plate-139-x-201-cm-5-12-x-7-1516-in-sheet-17-x-225-cm-6-1116-x-8-78-in-gift-of-mrs-robert-a-hauslohner-199111644-image559536772.htmlRM2RE92T4–'Francis Seymour Haden, The Three Cows, 1877, drypoint in black on laid paper, plate: 13.9 x 20.1 cm (5 1/2 x 7 15/16 in.) sheet: 17 x 22.5 cm (6 11/16 x 8 7/8 in.), Gift of Mrs. Robert A. Hauslohner, 1991.116.44'
Faucet (one of a pair) MET DP108694 189792 French, Faucet (one of a pair), 1725?50, Gilt bronze, Overall (confirmed): 9 x 6 x 1 3/4 in., 4.7lb. (22.9 x 15.2 x 4.4 cm, 2.1092kg). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.510.37a, c) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-faucet-one-of-a-pair-met-dp108694-189792-french-faucet-one-of-a-pair-168003871.htmlRMKN96J7–Faucet (one of a pair) MET DP108694 189792 French, Faucet (one of a pair), 1725?50, Gilt bronze, Overall (confirmed): 9 x 6 x 1 3/4 in., 4.7lb. (22.9 x 15.2 x 4.4 cm, 2.1092kg). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.510.37a, c)
Inspired by Studio of a Painter, Benjamin-Eugène Fichel, French, 1826-1895, Oil on panel, France, 1869, 8 3/4 x 6 1/8 in., 22.2 x 15.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-studio-of-a-painter-benjamin-eugne-fichel-french-1826-1895-oil-on-panel-france-1869-8-34-x-6-18-in-222-x-156-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459250209.htmlRF2HK4J95–Inspired by Studio of a Painter, Benjamin-Eugène Fichel, French, 1826-1895, Oil on panel, France, 1869, 8 3/4 x 6 1/8 in., 22.2 x 15.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Fragment, Italian, 17th century, Italian, Silk, Overall: 6 x 8 3/4 in. (15.2 x 22.2 cm), Textiles-Velvets Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-italian-17th-century-italian-silk-overall-6-x-8-34-in-152-x-222-cm-textiles-velvets-image344611127.htmlRM2B0JB07–Fragment, Italian, 17th century, Italian, Silk, Overall: 6 x 8 3/4 in. (15.2 x 22.2 cm), Textiles-Velvets
Marine Gustave Courbet (French, 1819-1877).. Oil, 9 x 6 in. (22.9 x 15.2 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marine-gustave-courbet-french-1819-1877-oil-9-x-6-in-229-x-152-cm-european-art-image504727338.htmlRM2M948TA–Marine Gustave Courbet (French, 1819-1877).. Oil, 9 x 6 in. (22.9 x 15.2 cm). European Art
The Good Shepherd. Artist: Gottfried Eichler the Younger (German, Augsburg 1715-1770 Augsburg). Dimensions: Sheet: 8 3/4 x 6 3/16 in. (22.2 x 15.7 cm). Date: 1715-70. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-good-shepherd-artist-gottfried-eichler-the-younger-german-augsburg-1715-1770-augsburg-dimensions-sheet-8-34-x-6-316-in-222-x-157-cm-date-1715-70-museum-metropolitan-museum-of-art-new-york-usa-image213145682.htmlRMPANHDP–The Good Shepherd. Artist: Gottfried Eichler the Younger (German, Augsburg 1715-1770 Augsburg). Dimensions: Sheet: 8 3/4 x 6 3/16 in. (22.2 x 15.7 cm). Date: 1715-70. Museum: Metropolitan Museum of Art, New York, USA.
. English: Odilon Redon, French, 1840–1916 Vase of Flowers, ca. 1900-10 Pastel on board 46.2 x 38.7 cm. (18 3/16 x 15 1/4 in.) frame: 66.6 × 56.3 × 4 cm (26 1/4 × 22 3/16 × 1 9/16 in.) Gift of Edward R. Schaible, Class of 1934 x1985-15 . circa 1900-10 11 1900, Redon, Odilon, Vase of Flowers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-odilon-redon-french-18401916-vase-of-flowers-ca-1900-10-pastel-on-board-462-x-387-cm-18-316-x-15-14-in-frame-666-563-4-cm-26-14-22-316-1-916-in-gift-of-edward-r-schaible-class-of-1934-x1985-15-circa-1900-10-11-1900-redon-odilon-vase-of-flowers-image188134510.htmlRMMX27DJ–. English: Odilon Redon, French, 1840–1916 Vase of Flowers, ca. 1900-10 Pastel on board 46.2 x 38.7 cm. (18 3/16 x 15 1/4 in.) frame: 66.6 × 56.3 × 4 cm (26 1/4 × 22 3/16 × 1 9/16 in.) Gift of Edward R. Schaible, Class of 1934 x1985-15 . circa 1900-10 11 1900, Redon, Odilon, Vase of Flowers
Napoleon I., 15.8.1769 - 5.5.1821, Emperor of France 2.12.1804 - 22.6.1815, scene, 'Apres vous, Sire', block print after lithograph by Nicolas-Tousaint Charlet, circa 1840, 97 x 56 cm, Deutsches Tapetenmuseum Kassel, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/napoleon-i-1581769-551821-emperor-of-france-2121804-2261815-scene-image7988827.htmlRMAFMKHC–Napoleon I., 15.8.1769 - 5.5.1821, Emperor of France 2.12.1804 - 22.6.1815, scene, 'Apres vous, Sire', block print after lithograph by Nicolas-Tousaint Charlet, circa 1840, 97 x 56 cm, Deutsches Tapetenmuseum Kassel,
(Artist) James McNeill Whistler; United States; 1859; Drypoint on paper; H x W (image): 22.6 x 15.2 cm (8 7/8 x 6 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1859-drypoint-on-paper-h-x-w-image-226-x-152-cm-8-78-x-6-in-gift-of-charles-lang-freer-image353515467.htmlRM2BF40GB–(Artist) James McNeill Whistler; United States; 1859; Drypoint on paper; H x W (image): 22.6 x 15.2 cm (8 7/8 x 6 in); Gift of Charles Lang Freer
Drawing, St. Peter and St. Agatha; Pietro Novelli (Italian, 1603 - 1647); Italy; pen and brown ink, red chalk, brush and gray wash on laid paper; 22.8 x 15.2 cm (9 x 6 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-st-peter-and-st-agatha-pietro-novelli-italian-1603-1647-italy-pen-and-brown-ink-red-chalk-brush-and-gray-wash-on-laid-paper-228-x-152-cm-9-x-6-in-image546196652.htmlRM2PMHBB8–Drawing, St. Peter and St. Agatha; Pietro Novelli (Italian, 1603 - 1647); Italy; pen and brown ink, red chalk, brush and gray wash on laid paper; 22.8 x 15.2 cm (9 x 6 in.)
'Philip Dawe after Henry Robert Morland, The Oyster Woman, 1769, mezzotint on laid paper, plate: 50.6 x 35.5 cm (19 15/16 x 14 in.) sheet: 57.2 x 43 cm (22 1/2 x 16 15/16 in.), Gaillard F. Ravenel and Frances P. Smyth-Ravenel Fund, 2002.65.1' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philip-dawe-after-henry-robert-morland-the-oyster-woman-1769-mezzotint-on-laid-paper-plate-506-x-355-cm-19-1516-x-14-in-sheet-572-x-43-cm-22-12-x-16-1516-in-gaillard-f-ravenel-and-frances-p-smyth-ravenel-fund-2002651-image559649675.htmlRM2REE6TB–'Philip Dawe after Henry Robert Morland, The Oyster Woman, 1769, mezzotint on laid paper, plate: 50.6 x 35.5 cm (19 15/16 x 14 in.) sheet: 57.2 x 43 cm (22 1/2 x 16 15/16 in.), Gaillard F. Ravenel and Frances P. Smyth-Ravenel Fund, 2002.65.1'
Design for Brougham, no. 3774a MET MM10324 378343 Manufacturer: Brewster & Co., American, New York, Artist: Herman Stahmer, American, 1857?1894, Design for Brougham, no. 3774a, 1882, Pen and black ink, watercolor and gouache with gum arabic, sheet: 6 3/8 x 8 15/16 in. (16.2 x 22.7 cm). The Metropolitan Museum of Art, New York. Gift of William Brewster, 1923 (23.112.268) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-brougham-no-3774a-met-mm10324-378343-manufacturer-brewster-168035080.htmlRMKNAJCT–Design for Brougham, no. 3774a MET MM10324 378343 Manufacturer: Brewster & Co., American, New York, Artist: Herman Stahmer, American, 1857?1894, Design for Brougham, no. 3774a, 1882, Pen and black ink, watercolor and gouache with gum arabic, sheet: 6 3/8 x 8 15/16 in. (16.2 x 22.7 cm). The Metropolitan Museum of Art, New York. Gift of William Brewster, 1923 (23.112.268)
Art inspired by Studio of a Painter, Benjamin-Eugène Fichel, French, 1826-1895, Oil on panel, France, 1869, 8 3/4 x 6 1/8 in., 22.2 x 15.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-studio-of-a-painter-benjamin-eugne-fichel-french-1826-1895-oil-on-panel-france-1869-8-34-x-6-18-in-222-x-156-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566780.htmlRF2HKK238–Art inspired by Studio of a Painter, Benjamin-Eugène Fichel, French, 1826-1895, Oil on panel, France, 1869, 8 3/4 x 6 1/8 in., 22.2 x 15.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Piece, European, 18th century (?), European, Silk and metal thread, bobbin lace, L. 22 x W. 6 inches (55.9 x 15.2 cm), Textiles-Laces Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-european-18th-century-european-silk-and-metal-thread-bobbin-lace-l-22-x-w-6-inches-559-x-152-cm-textiles-laces-image344617946.htmlRM2B0JKKP–Piece, European, 18th century (?), European, Silk and metal thread, bobbin lace, L. 22 x W. 6 inches (55.9 x 15.2 cm), Textiles-Laces
Bead Stringers James Abbott McNeill Whistler (American, 1834-1903). , 1886. Etching, 8 15/16 x 6 in. (22.7 x 15.2 cm). American Art 1886 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bead-stringers-james-abbott-mcneill-whistler-american-1834-1903-1886-etching-8-1516-x-6-in-227-x-152-cm-american-art-1886-image504726165.htmlRM2M947AD–Bead Stringers James Abbott McNeill Whistler (American, 1834-1903). , 1886. Etching, 8 15/16 x 6 in. (22.7 x 15.2 cm). American Art 1886
Panel fragments with hunting scenes. Culture: Iran. Dimensions: H. 2.24 x W. 6.22 in. (5.69 x 15.8 cm). Date: ca. 8th-7th century B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-fragments-with-hunting-scenes-culture-iran-dimensions-h-224-x-w-622-in-569-x-158-cm-date-ca-8th-7th-century-bc-museum-metropolitan-museum-of-art-new-york-usa-image213400198.htmlRMPB563J–Panel fragments with hunting scenes. Culture: Iran. Dimensions: H. 2.24 x W. 6.22 in. (5.69 x 15.8 cm). Date: ca. 8th-7th century B.C.. Museum: Metropolitan Museum of Art, New York, USA.
. English: Odilon Redon, French, 1840–1916 Vase of Flowers, ca. 1900-10 Pastel on board 46.2 x 38.7 cm. (18 3/16 x 15 1/4 in.) frame: 66.6 × 56.3 × 4 cm (26 1/4 × 22 3/16 × 1 9/16 in.) Gift of Edward R. Schaible, Class of 1934 x1985-15 . circa 1900-10. 11 1900, Redon, Odilon, Vase of Flowers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-odilon-redon-french-18401916-vase-of-flowers-ca-1900-10-pastel-on-board-462-x-387-cm-18-316-x-15-14-in-frame-666-563-4-cm-26-14-22-316-1-916-in-gift-of-edward-r-schaible-class-of-1934-x1985-15-circa-1900-10-11-1900-redon-odilon-vase-of-flowers-image184849546.htmlRMMMMHDE–. English: Odilon Redon, French, 1840–1916 Vase of Flowers, ca. 1900-10 Pastel on board 46.2 x 38.7 cm. (18 3/16 x 15 1/4 in.) frame: 66.6 × 56.3 × 4 cm (26 1/4 × 22 3/16 × 1 9/16 in.) Gift of Edward R. Schaible, Class of 1934 x1985-15 . circa 1900-10. 11 1900, Redon, Odilon, Vase of Flowers
(Artist) James McNeill Whistler; United States; 1860; Drypoint on paper; H x W (overall): 22.6 x 15.2 cm (8 7/8 x 6 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1860-drypoint-on-paper-h-x-w-overall-226-x-152-cm-8-78-x-6-in-gift-of-charles-lang-freer-image353515615.htmlRM2BF40NK–(Artist) James McNeill Whistler; United States; 1860; Drypoint on paper; H x W (overall): 22.6 x 15.2 cm (8 7/8 x 6 in); Gift of Charles Lang Freer
Drawing, Portrait of a Man; Jean-Baptiste Joseph Wicar (French, 1762 – 1834); France; graphite on light blue laid paper; Overall: 22.2 x 15.9 cm (8 3/4 x 6 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-portrait-of-a-man-jean-baptiste-joseph-wicar-french-1762-1834-france-graphite-on-light-blue-laid-paper-overall-222-x-159-cm-8-34-x-6-14-in-image546103708.htmlRM2PMD4RT–Drawing, Portrait of a Man; Jean-Baptiste Joseph Wicar (French, 1762 – 1834); France; graphite on light blue laid paper; Overall: 22.2 x 15.9 cm (8 3/4 x 6 1/4 in.)
'Angelica Kauffmann, Johann Winckelmann, 1780, engraving and etching in brown on laid paper, plate: 21.6 x 15.9 cm (8 1/2 x 6 1/4 in.) sheet: 52.3 x 36.3 cm (20 9/16 x 14 5/16 in.), Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.203.22' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelica-kauffmann-johann-winckelmann-1780-engraving-and-etching-in-brown-on-laid-paper-plate-216-x-159-cm-8-12-x-6-14-in-sheet-523-x-363-cm-20-916-x-14-516-in-gift-of-henry-and-judith-rice-millon-in-honor-of-the-50th-anniversary-of-the-national-gallery-of-art-199120322-image559642776.htmlRM2REDX20–'Angelica Kauffmann, Johann Winckelmann, 1780, engraving and etching in brown on laid paper, plate: 21.6 x 15.9 cm (8 1/2 x 6 1/4 in.) sheet: 52.3 x 36.3 cm (20 9/16 x 14 5/16 in.), Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.203.22'
Glass fragmentary beaker with painted decoration MET DP123997 251165 Roman, Glass fragmentary beaker with painted decoration, ca. 2nd century A.D., Glass, Overall (22.2.36): 3 15/16 x 2 1/2 in. (10 x 6.4 cm) Overall (22.2.37): 5 5/16 x 2 3/4 in. (13.5 x 7 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (22.2.36, .37) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-glass-fragmentary-beaker-with-painted-decoration-met-dp123997-251165-168037946.htmlRMKNAP36–Glass fragmentary beaker with painted decoration MET DP123997 251165 Roman, Glass fragmentary beaker with painted decoration, ca. 2nd century A.D., Glass, Overall (22.2.36): 3 15/16 x 2 1/2 in. (10 x 6.4 cm) Overall (22.2.37): 5 5/16 x 2 3/4 in. (13.5 x 7 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (22.2.36, .37)
Inspired by Marine, Gustave Courbet, French, 1819-1877, Oil, 9 x 6 in., 22.9 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-marine-gustave-courbet-french-1819-1877-oil-9-x-6-in-229-x-152-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459250030.htmlRF2HK4J2P–Inspired by Marine, Gustave Courbet, French, 1819-1877, Oil, 9 x 6 in., 22.9 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Fragment, Italian, Venice, 17th century, Italian, Venice, Silk, bobbin lace, L. 8 3/4 x W. 6 inches (22.2 x 15.2 cm), Textiles-Laces Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-italian-venice-17th-century-italian-venice-silk-bobbin-lace-l-8-34-x-w-6-inches-222-x-152-cm-textiles-laces-image344617692.htmlRM2B0JKAM–Fragment, Italian, Venice, 17th century, Italian, Venice, Silk, bobbin lace, L. 8 3/4 x W. 6 inches (22.2 x 15.2 cm), Textiles-Laces
Coat of Arms with a Skull, 1503. Albrecht Dürer (German, 1471-1528). Engraving; sheet: 22.2 x 15.9 cm (8 3/4 x 6 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-with-a-skull-1503-albrecht-drer-german-1471-1528-engraving-sheet-222-x-159-cm-8-34-x-6-14-in-image448104691.htmlRM2H10X2Y–Coat of Arms with a Skull, 1503. Albrecht Dürer (German, 1471-1528). Engraving; sheet: 22.2 x 15.9 cm (8 3/4 x 6 1/4 in.).
The Nativity. Artist: After Abraham Bloemaert (Netherlandish, Gorinchem 1566-1651 Utrecht); Jacob Matham (Netherlandish, Haarlem 1571-1631 Haarlem). Dimensions: sheet: 9 x 6 in. (22.9 x 15.2 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nativity-artist-after-abraham-bloemaert-netherlandish-gorinchem-1566-1651-utrecht-jacob-matham-netherlandish-haarlem-1571-1631-haarlem-dimensions-sheet-9-x-6-in-229-x-152-cm-museum-metropolitan-museum-of-art-new-york-usa-image212872353.htmlRMPA94T1–The Nativity. Artist: After Abraham Bloemaert (Netherlandish, Gorinchem 1566-1651 Utrecht); Jacob Matham (Netherlandish, Haarlem 1571-1631 Haarlem). Dimensions: sheet: 9 x 6 in. (22.9 x 15.2 cm). Museum: Metropolitan Museum of Art, New York, USA.
The Banks of the Marne at Dawn; Albert Dubois-Pillet, French, 1846 - 1890; France, Europe; about 1888; Watercolor over traces of black chalk; 15.8 x 22.2 cm (6 1/4 x 8 3/4 in.); 2008.25 Albert Dubois-Pillet The Banks on the Marne at Dawn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-banks-of-the-marne-at-dawn-albert-dubois-pillet-french-1846-1890-france-europe-about-1888-watercolor-over-traces-of-black-chalk-158-x-222-cm-6-14-x-8-34-in-200825-albert-dubois-pillet-the-banks-on-the-marne-at-dawn-image184884197.htmlRMMMP5K1–The Banks of the Marne at Dawn; Albert Dubois-Pillet, French, 1846 - 1890; France, Europe; about 1888; Watercolor over traces of black chalk; 15.8 x 22.2 cm (6 1/4 x 8 3/4 in.); 2008.25 Albert Dubois-Pillet The Banks on the Marne at Dawn
(Artist) James McNeill Whistler; United States; 1859; Etching on paper; H x W: 15.2 x 22.4 cm (6 x 8 13/16 in); Gift of Charles Lang Freer Longshore men Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1859-etching-on-paper-h-x-w-152-x-224-cm-6-x-8-1316-in-gift-of-charles-lang-freer-longshore-men-image352213014.htmlRM2BD0K86–(Artist) James McNeill Whistler; United States; 1859; Etching on paper; H x W: 15.2 x 22.4 cm (6 x 8 13/16 in); Gift of Charles Lang Freer Longshore men
Drawing, Design for Oval Writing Table with Blotter and Letter Opener Atop; Designed by A.N. Davenport Co.; pen and black ink, graphite on thin cream paper; 15.2 x 22.2 cm (6 x 8 3/4 in. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-oval-writing-table-with-blotter-and-letter-opener-atop-designed-by-an-davenport-co-pen-and-black-ink-graphite-on-thin-cream-paper-152-x-222-cm-6-x-8-34-in-image546112893.htmlRM2PMDGFW–Drawing, Design for Oval Writing Table with Blotter and Letter Opener Atop; Designed by A.N. Davenport Co.; pen and black ink, graphite on thin cream paper; 15.2 x 22.2 cm (6 x 8 3/4 in. )
'George Cuitt the Younger, Riveaux, 1825, etching on papier mince, plate: 25.2 x 31.4 cm (9 15/16 x 12 3/8 in.) Overall: 31.3 x 42.3 cm (12 5/16 x 16 5/8 in.) overall (mat size): 40.6 x 55.9 cm (16 x 22 in.), Dr. and Mrs. Ronald R. Lubritz Fund, 1976.9.3' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-cuitt-the-younger-riveaux-1825-etching-on-papier-mince-plate-252-x-314-cm-9-1516-x-12-38-in-overall-313-x-423-cm-12-516-x-16-58-in-overall-mat-size-406-x-559-cm-16-x-22-in-dr-and-mrs-ronald-r-lubritz-fund-197693-image559844694.htmlRM2RER3HA–'George Cuitt the Younger, Riveaux, 1825, etching on papier mince, plate: 25.2 x 31.4 cm (9 15/16 x 12 3/8 in.) Overall: 31.3 x 42.3 cm (12 5/16 x 16 5/8 in.) overall (mat size): 40.6 x 55.9 cm (16 x 22 in.), Dr. and Mrs. Ronald R. Lubritz Fund, 1976.9.3'
Candlestick MET DP147870 1223 Maker: Cornelius Kierstede, 1674?ca. 1757, Candlestick, ca. 1705, Silver, Overall: 11 7/16 x 6 1/2 x 6 1/2 in. (29.1 x 16.5 x 16.5 cm); 25 6 oz. (808.3 g) Without bobeche: H. 10 15/16 in. (27.8 cm); 22 oz. 17 dwt. (710.9 g) Bobeche: 2 1/4 x 2 13/16 x 2 13/16 in. (5.7 x 7.1 x 7.1 cm); 3 oz. 3 dwt. (97.4 g). The Metropolitan Museum of Art, New York. Gift of Robert L. Cammann, 1957 (57.153a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-candlestick-met-dp147870-1223-maker-cornelius-kierstede-1674ca-1757-168117339.htmlRMKNEBAK–Candlestick MET DP147870 1223 Maker: Cornelius Kierstede, 1674?ca. 1757, Candlestick, ca. 1705, Silver, Overall: 11 7/16 x 6 1/2 x 6 1/2 in. (29.1 x 16.5 x 16.5 cm); 25 6 oz. (808.3 g) Without bobeche: H. 10 15/16 in. (27.8 cm); 22 oz. 17 dwt. (710.9 g) Bobeche: 2 1/4 x 2 13/16 x 2 13/16 in. (5.7 x 7.1 x 7.1 cm); 3 oz. 3 dwt. (97.4 g). The Metropolitan Museum of Art, New York. Gift of Robert L. Cammann, 1957 (57.153a, b)
Inspired by Bead Stringers, James Abbott McNeill Whistler, American, 1834-1903, Etching, 1886, 8 15/16 x 6 in., 22.7 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-bead-stringers-james-abbott-mcneill-whistler-american-1834-1903-etching-1886-8-1516-x-6-in-227-x-152-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459265258.htmlRF2HK59EJ–Inspired by Bead Stringers, James Abbott McNeill Whistler, American, 1834-1903, Etching, 1886, 8 15/16 x 6 in., 22.7 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
John Bridge, British, 1755–1834, Mess Kit, 1824/25, Silver, 4 7/8 x 9 x 6 in. (12.4 x 22.9 x 15.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-bridge-british-17551834-mess-kit-182425-silver-4-78-x-9-x-6-in-124-x-229-x-152-cm-image344581217.htmlRM2B0H0T1–John Bridge, British, 1755–1834, Mess Kit, 1824/25, Silver, 4 7/8 x 9 x 6 in. (12.4 x 22.9 x 15.2 cm
Böhmer Franz (1907-1943), Runow (1939-1939): Views of the tower, bell. Pencil on transparent, 15.2 x 22.6 cm (including scan edges) Böhmer & Petrich : Feierstätte Runow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bhmer-franz-1907-1943-runow-1939-1939-views-of-the-tower-bell-pencil-on-transparent-152-x-226-cm-including-scan-edges-bhmer-petrich-feiersttte-runow-image477591216.htmlRM2JN04D4–Böhmer Franz (1907-1943), Runow (1939-1939): Views of the tower, bell. Pencil on transparent, 15.2 x 22.6 cm (including scan edges) Böhmer & Petrich : Feierstätte Runow
Saint Martin and the Beggar. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 8-7/8 x 6 in. (22.5 x 15.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-martin-and-the-beggar-artist-anonymous-italian-roman-bolognese-17th-century-dimensions-8-78-x-6-in-225-x-152-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212911069.htmlRMPAAX6N–Saint Martin and the Beggar. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 8-7/8 x 6 in. (22.5 x 15.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 142.1 x 210.1 cm (55 15/16 x 82 11/16 in.) framed: 163.8 x 231.6 x 7.6 cm (64 1/2 x 91 3/16 x 3 in.); 22 Solitude E10768 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-1421-x-2101-cm-55-1516-x-82-1116-in-framed-1638-x-2316-x-76-cm-64-12-x-91-316-x-3-in-22-solitude-e10768-image206561797.htmlRMP01KK1–Painting; oil on canvas; overall: 142.1 x 210.1 cm (55 15/16 x 82 11/16 in.) framed: 163.8 x 231.6 x 7.6 cm (64 1/2 x 91 3/16 x 3 in.); 22 Solitude E10768
(Artist) James McNeill Whistler; United States; 1859; Drypoint on paper; H x W (image): 22.7 x 15.2 cm (8 15/16 x 6 in); Gift of Charles Lang Freer Arthur Haden Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1859-drypoint-on-paper-h-x-w-image-227-x-152-cm-8-1516-x-6-in-gift-of-charles-lang-freer-arthur-haden-image352165397.htmlRM2BCXEFH–(Artist) James McNeill Whistler; United States; 1859; Drypoint on paper; H x W (image): 22.7 x 15.2 cm (8 15/16 x 6 in); Gift of Charles Lang Freer Arthur Haden
Print, Cut-out Construction: Ménagerie; Published by Epinal; France; hand-colored lithograph ; 49 x 39.3 cm (19 5/16 x 15 1/2 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-cut-out-construction-mnagerie-published-by-epinal-france-hand-colored-lithograph-49-x-393-cm-19-516-x-15-12-in-mat-559-x-406-cm-22-x-16-in-image546233024.htmlRM2PMK1P8–Print, Cut-out Construction: Ménagerie; Published by Epinal; France; hand-colored lithograph ; 49 x 39.3 cm (19 5/16 x 15 1/2 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.)
'George Cuitt the Younger, Riveaux, 1825, etching on papier mince, plate: 25.2 x 31.4 cm (9 15/16 x 12 3/8 in.) Overall: 31.3 x 42.3 cm (12 5/16 x 16 5/8 in.) overall (mat size): 40.6 x 55.9 cm (16 x 22 in.), Dr. and Mrs. Ronald R. Lubritz Fund, 1976.9.3' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-cuitt-the-younger-riveaux-1825-etching-on-papier-mince-plate-252-x-314-cm-9-1516-x-12-38-in-overall-313-x-423-cm-12-516-x-16-58-in-overall-mat-size-406-x-559-cm-16-x-22-in-dr-and-mrs-ronald-r-lubritz-fund-197693-image559842811.htmlRM2RER163–'George Cuitt the Younger, Riveaux, 1825, etching on papier mince, plate: 25.2 x 31.4 cm (9 15/16 x 12 3/8 in.) Overall: 31.3 x 42.3 cm (12 5/16 x 16 5/8 in.) overall (mat size): 40.6 x 55.9 cm (16 x 22 in.), Dr. and Mrs. Ronald R. Lubritz Fund, 1976.9.3'
Candlestick MET DP251723 1223 Maker: Cornelius Kierstede, 1674?ca. 1757, Candlestick, ca. 1705, Silver, Overall: 11 7/16 x 6 1/2 x 6 1/2 in. (29.1 x 16.5 x 16.5 cm); 25 6 oz. (808.3 g) Without bobeche: H. 10 15/16 in. (27.8 cm); 22 oz. 17 dwt. (710.9 g) Bobeche: 2 1/4 x 2 13/16 x 2 13/16 in. (5.7 x 7.1 x 7.1 cm); 3 oz. 3 dwt. (97.4 g). The Metropolitan Museum of Art, New York. Gift of Robert L. Cammann, 1957 (57.153a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-candlestick-met-dp251723-1223-maker-cornelius-kierstede-1674ca-1757-168032575.htmlRMKNAF7B–Candlestick MET DP251723 1223 Maker: Cornelius Kierstede, 1674?ca. 1757, Candlestick, ca. 1705, Silver, Overall: 11 7/16 x 6 1/2 x 6 1/2 in. (29.1 x 16.5 x 16.5 cm); 25 6 oz. (808.3 g) Without bobeche: H. 10 15/16 in. (27.8 cm); 22 oz. 17 dwt. (710.9 g) Bobeche: 2 1/4 x 2 13/16 x 2 13/16 in. (5.7 x 7.1 x 7.1 cm); 3 oz. 3 dwt. (97.4 g). The Metropolitan Museum of Art, New York. Gift of Robert L. Cammann, 1957 (57.153a, b)
Art inspired by Marine, Gustave Courbet, French, 1819-1877, Oil, 9 x 6 in., 22.9 x 15.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-marine-gustave-courbet-french-1819-1877-oil-9-x-6-in-229-x-152-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566739.htmlRF2HKK21R–Art inspired by Marine, Gustave Courbet, French, 1819-1877, Oil, 9 x 6 in., 22.9 x 15.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sample, French, early 19th century, French, Silk and metal thread, L. 8 3/4 x W. 6 1/4 inches, 22.2 x 15.9 cm, Textiles-Embroidered Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sample-french-early-19th-century-french-silk-and-metal-thread-l-8-34-x-w-6-14-inches-222-x-159-cm-textiles-embroidered-image344616248.htmlRM2B0JHF4–Sample, French, early 19th century, French, Silk and metal thread, L. 8 3/4 x W. 6 1/4 inches, 22.2 x 15.9 cm, Textiles-Embroidered
Silk Fragments, 1360-1399. Italy, last third of the 14th century. Lampas weave, silk and gold thread; average: 15.2 x 22.3 cm (6 x 8 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silk-fragments-1360-1399-italy-last-third-of-the-14th-century-lampas-weave-silk-and-gold-thread-average-152-x-223-cm-6-x-8-34-in-image448058646.htmlRM2H0XRAE–Silk Fragments, 1360-1399. Italy, last third of the 14th century. Lampas weave, silk and gold thread; average: 15.2 x 22.3 cm (6 x 8 3/4 in.).
Despair of Hecuba. Artist: Pierre Peyron (French, Aix-en-Provence 1744-1814 Paris). Dimensions: 6 1/2 x 8 15/16 in. (16.5 x 22.7 cm.). Date: ca. 1784. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/despair-of-hecuba-artist-pierre-peyron-french-aix-en-provence-1744-1814-paris-dimensions-6-12-x-8-1516-in-165-x-227-cm-date-ca-1784-museum-metropolitan-museum-of-art-new-york-usa-image212935567.htmlRMPAC1DK–Despair of Hecuba. Artist: Pierre Peyron (French, Aix-en-Provence 1744-1814 Paris). Dimensions: 6 1/2 x 8 15/16 in. (16.5 x 22.7 cm.). Date: ca. 1784. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on cardboard; overall: 26.9 x 22.9 cm (10 9/16 x 9 in.) framed: 43.1 x 39.3 x 6.9 cm (16 15/16 x 15 1/2 x 2 11/16 in.); 6 Breakfast, Edouard Vuillard, 1894 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-cardboard-overall-269-x-229-cm-10-916-x-9-in-framed-431-x-393-x-69-cm-16-1516-x-15-12-x-2-1116-in-6-breakfast-edouard-vuillard-1894-image211003790.htmlRMP781DJ–Painting; oil on cardboard; overall: 26.9 x 22.9 cm (10 9/16 x 9 in.) framed: 43.1 x 39.3 x 6.9 cm (16 15/16 x 15 1/2 x 2 11/16 in.); 6 Breakfast, Edouard Vuillard, 1894
(Artist) James McNeill Whistler; United States; 1859; Drypoint on paper; H x W (overall): 22.7 x 15.2 cm (8 15/16 x 6 in); Gift of Charles Lang Freer Z Astruc Editor of L Artiste Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1859-drypoint-on-paper-h-x-w-overall-227-x-152-cm-8-1516-x-6-in-gift-of-charles-lang-freer-z-astruc-editor-of-l-artiste-image352185254.htmlRM2BCYBTP–(Artist) James McNeill Whistler; United States; 1859; Drypoint on paper; H x W (overall): 22.7 x 15.2 cm (8 15/16 x 6 in); Gift of Charles Lang Freer Z Astruc Editor of L Artiste
Drawing, Sketch of Two Female Heads for Chinese Figure in 'The Marriage of the Atlantic and Pacific,' Mural in the Wisconsin State Capitol, Madison, WI; Kenyon Cox (American, 1856–1919); USA; graphite on paper; 22.9 x 15.2 cm (9 x 6 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-sketch-of-two-female-heads-for-chinese-figure-in-the-marriage-of-the-atlantic-and-pacific-mural-in-the-wisconsin-state-capitol-madison-wi-kenyon-cox-american-18561919-usa-graphite-on-paper-229-x-152-cm-9-x-6-in-image546100425.htmlRM2PMD0JH–Drawing, Sketch of Two Female Heads for Chinese Figure in 'The Marriage of the Atlantic and Pacific,' Mural in the Wisconsin State Capitol, Madison, WI; Kenyon Cox (American, 1856–1919); USA; graphite on paper; 22.9 x 15.2 cm (9 x 6 in.)
Candlestick MET DP251721 1223 Maker: Cornelius Kierstede, 1674?ca. 1757, Candlestick, ca. 1705, Silver, Overall: 11 7/16 x 6 1/2 x 6 1/2 in. (29.1 x 16.5 x 16.5 cm); 25 6 oz. (808.3 g) Without bobeche: H. 10 15/16 in. (27.8 cm); 22 oz. 17 dwt. (710.9 g) Bobeche: 2 1/4 x 2 13/16 x 2 13/16 in. (5.7 x 7.1 x 7.1 cm); 3 oz. 3 dwt. (97.4 g). The Metropolitan Museum of Art, New York. Gift of Robert L. Cammann, 1957 (57.153a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-candlestick-met-dp251721-1223-maker-cornelius-kierstede-1674ca-1757-168032573.htmlRMKNAF79–Candlestick MET DP251721 1223 Maker: Cornelius Kierstede, 1674?ca. 1757, Candlestick, ca. 1705, Silver, Overall: 11 7/16 x 6 1/2 x 6 1/2 in. (29.1 x 16.5 x 16.5 cm); 25 6 oz. (808.3 g) Without bobeche: H. 10 15/16 in. (27.8 cm); 22 oz. 17 dwt. (710.9 g) Bobeche: 2 1/4 x 2 13/16 x 2 13/16 in. (5.7 x 7.1 x 7.1 cm); 3 oz. 3 dwt. (97.4 g). The Metropolitan Museum of Art, New York. Gift of Robert L. Cammann, 1957 (57.153a, b)
Inspired by Bottle, Dutch, c.1700, Glass, Made in Netherlands, Europe, Containers, glassware, 9 x 6 x 6 in. (22.9 x 15.2 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-bottle-dutch-c1700-glass-made-in-netherlands-europe-containers-glassware-9-x-6-x-6-in-229-x-152-x-152-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459277352.htmlRF2HK5TXG–Inspired by Bottle, Dutch, c.1700, Glass, Made in Netherlands, Europe, Containers, glassware, 9 x 6 x 6 in. (22.9 x 15.2 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Joseph Clare I, English, died 1728, Spoon Tray, 1721/22, Silver, 1/2 x 6 1/8 x 3 in. (1.3 x 15.6 x 7.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-clare-i-english-died-1728-spoon-tray-172122-silver-12-x-6-18-x-3-in-13-x-156-x-76-cm-image344581055.htmlRM2B0H0J7–Joseph Clare I, English, died 1728, Spoon Tray, 1721/22, Silver, 1/2 x 6 1/8 x 3 in. (1.3 x 15.6 x 7.6 cm
Bonnet, early 1900s. Germany, Frankfurt, Early 20th Century. Net with embroidery; overall: 29.8 x 15.2 x 22.9 cm (11 3/4 x 6 x 9 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonnet-early-1900s-germany-frankfurt-early-20th-century-net-with-embroidery-overall-298-x-152-x-229-cm-11-34-x-6-x-9-in-image448145623.htmlRM2H12P8R–Bonnet, early 1900s. Germany, Frankfurt, Early 20th Century. Net with embroidery; overall: 29.8 x 15.2 x 22.9 cm (11 3/4 x 6 x 9 in.).
Hacha, Head. Culture: Veracruz. Dimensions: H. 8 11/16 x W. 5 1/2 x D. 6 1/4 in. (22 x 14 x 15.9 cm). Date: 7th-10th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hacha-head-culture-veracruz-dimensions-h-8-1116-x-w-5-12-x-d-6-14-in-22-x-14-x-159-cm-date-7th-10th-century-museum-metropolitan-museum-of-art-new-york-usa-image212897227.htmlRMPAA8GB–Hacha, Head. Culture: Veracruz. Dimensions: H. 8 11/16 x W. 5 1/2 x D. 6 1/4 in. (22 x 14 x 15.9 cm). Date: 7th-10th century. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.); 10 Georgiana, Duchess of Devonshire G-001695-20120430 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-591-x-399-cm-23-14-x-15-1116-in-framed-772-x-572-x-64-cm-30-38-x-22-12-x-2-12-in-10-georgiana-duchess-of-devonshire-g-001695-20120430-image206560569.htmlRMP01J35–Painting; oil on canvas; overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.); 10 Georgiana, Duchess of Devonshire G-001695-20120430
Drawing, Two Studies of a Bugler; Winslow Homer (American, 1836–1910); USA; recto: graphite on cream paper verso: grapite, brush and gray wash on cream paper; 22.7 x 17.2 cm (8 15/16 x 6 3/4 in. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-two-studies-of-a-bugler-winslow-homer-american-18361910-usa-recto-graphite-on-cream-paper-verso-grapite-brush-and-gray-wash-on-cream-paper-227-x-172-cm-8-1516-x-6-34-in-image546259068.htmlRM2PMM70C–Drawing, Two Studies of a Bugler; Winslow Homer (American, 1836–1910); USA; recto: graphite on cream paper verso: grapite, brush and gray wash on cream paper; 22.7 x 17.2 cm (8 15/16 x 6 3/4 in. )
Candlestick MET DP251714 Candlestick MET DP251714 /1223 Maker: Cornelius Kierstede, 1674?ca. 1757, Candlestick, ca. 1705, Silver, Overall: 11 7/16 x 6 1/2 x 6 1/2 in. (29.1 x 16.5 x 16.5 cm); 25 6 oz. (808.3 g) Without bobeche: H. 10 15/16 in. (27.8 cm); 22 oz. 17 dwt. (710.9 g) Bobeche: 2 1/4 x 2 13/16 x 2 13/16 in. (5.7 x 7.1 x 7.1 cm); 3 oz. 3 dwt. (97.4 g). The Metropolitan Museum of Art, New York. Gift of Robert L. Cammann, 1957 (57.153a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-candlestick-met-dp251714-candlestick-met-dp251714-1223-maker-cornelius-168032678.htmlRMKNAFB2–Candlestick MET DP251714 Candlestick MET DP251714 /1223 Maker: Cornelius Kierstede, 1674?ca. 1757, Candlestick, ca. 1705, Silver, Overall: 11 7/16 x 6 1/2 x 6 1/2 in. (29.1 x 16.5 x 16.5 cm); 25 6 oz. (808.3 g) Without bobeche: H. 10 15/16 in. (27.8 cm); 22 oz. 17 dwt. (710.9 g) Bobeche: 2 1/4 x 2 13/16 x 2 13/16 in. (5.7 x 7.1 x 7.1 cm); 3 oz. 3 dwt. (97.4 g). The Metropolitan Museum of Art, New York. Gift of Robert L. Cammann, 1957 (57.153a, b)
Art inspired by Portrait of a Lady, 19th century, Pastel, 8 3/4 x 6 1/4 in. (22.2 x 15.9 cm), Drawings, Anonymous, German, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-lady-19th-century-pastel-8-34-x-6-14-in-222-x-159-cm-drawings-anonymous-german-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462946764.htmlRF2HW5190–Art inspired by Portrait of a Lady, 19th century, Pastel, 8 3/4 x 6 1/4 in. (22.2 x 15.9 cm), Drawings, Anonymous, German, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lock, French, 15th century, French, Iron, copper alloy bells, Overall (opened): 8 15/16 x 14 7/8 x 1 in. (22.7 x 37.8 x 2.5 cm), Overall (closed): 8 15/16 x 7 3/8 x 2 3/16 in. (22.7 x 18.7 x 5.6 cm), top attachment flange: 3 3/8 x 2 5/8 x 3/8 in. (8.6 x 6.6 x 0.9 cm), Metalwork-Iron Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lock-french-15th-century-french-iron-copper-alloy-bells-overall-opened-8-1516-x-14-78-x-1-in-227-x-378-x-25-cm-overall-closed-8-1516-x-7-38-x-2-316-in-227-x-187-x-56-cm-top-attachment-flange-3-38-x-2-58-x-38-in-86-x-66-x-09-cm-metalwork-iron-image344657126.htmlRM2B0MDK2–Lock, French, 15th century, French, Iron, copper alloy bells, Overall (opened): 8 15/16 x 14 7/8 x 1 in. (22.7 x 37.8 x 2.5 cm), Overall (closed): 8 15/16 x 7 3/8 x 2 3/16 in. (22.7 x 18.7 x 5.6 cm), top attachment flange: 3 3/8 x 2 5/8 x 3/8 in. (8.6 x 6.6 x 0.9 cm), Metalwork-Iron
Man Dyeing Cloth, early 1830's. India, Company School, Lucknow, 19th century. Ink and color on paper; overall: 22.2 x 15.9 cm (8 3/4 x 6 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-dyeing-cloth-early-1830s-india-company-school-lucknow-19th-century-ink-and-color-on-paper-overall-222-x-159-cm-8-34-x-6-14-in-image448064713.htmlRM2H0Y335–Man Dyeing Cloth, early 1830's. India, Company School, Lucknow, 19th century. Ink and color on paper; overall: 22.2 x 15.9 cm (8 3/4 x 6 1/4 in.).
St. Benedict Resuscitating an Infant. Artist: Pierre Hubert Subleyras (French, Saint-Gilles-du-Gard 1699-1749 Rome). Dimensions: 8 3/4 x 6 in. (22.2 x 15.5 cm). Date: ca. 1745. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-benedict-resuscitating-an-infant-artist-pierre-hubert-subleyras-french-saint-gilles-du-gard-1699-1749-rome-dimensions-8-34-x-6-in-222-x-155-cm-date-ca-1745-museum-metropolitan-museum-of-art-new-york-usa-image212904670.htmlRMPAAJ26–St. Benedict Resuscitating an Infant. Artist: Pierre Hubert Subleyras (French, Saint-Gilles-du-Gard 1699-1749 Rome). Dimensions: 8 3/4 x 6 in. (22.2 x 15.5 cm). Date: ca. 1745. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: ca. 1835 Display Dimensions: 22 1/8 in. x 15 15/16 in. (56.2 cm x 40.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.865 Collection: The San Diego Museum of Art . 6 September 2011, 14:28:37. English: thesandiegomuseumofartcollection A couple embrace on a terrace (6124568887) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1835-display-dimensions-22-18-in-x-15-1516-in-562-cm-x-405-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990865-collection-the-san-diego-museum-of-art-6-september-2011-142837-english-thesandiegomuseumofartcollection-a-couple-embrace-on-a-terrace-6124568887-image184991786.htmlRMMMY2WE–. English: Creation Date: ca. 1835 Display Dimensions: 22 1/8 in. x 15 15/16 in. (56.2 cm x 40.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.865 Collection: The San Diego Museum of Art . 6 September 2011, 14:28:37. English: thesandiegomuseumofartcollection A couple embrace on a terrace (6124568887)
Print, The Satyr and His Family, plate 10 from the Scherzi di Fantasia; Designed by Giovanni Battista Tiepolo (Italian, 1692 - 1770); Italy; etching on laid paper; 22.5 x 17.7 cm (8 7/8 x 6 15/16 in.); 1931-67-60-2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-the-satyr-and-his-family-plate-10-from-the-scherzi-di-fantasia-designed-by-giovanni-battista-tiepolo-italian-1692-1770-italy-etching-on-laid-paper-225-x-177-cm-8-78-x-6-1516-in-1931-67-60-2-image546126980.htmlRM2PME6F0–Print, The Satyr and His Family, plate 10 from the Scherzi di Fantasia; Designed by Giovanni Battista Tiepolo (Italian, 1692 - 1770); Italy; etching on laid paper; 22.5 x 17.7 cm (8 7/8 x 6 15/16 in.); 1931-67-60-2
Candlestick MET DP251717 1223 Maker: Cornelius Kierstede, 1674?ca. 1757, Candlestick, ca. 1705, Silver, Overall: 11 7/16 x 6 1/2 x 6 1/2 in. (29.1 x 16.5 x 16.5 cm); 25 6 oz. (808.3 g) Without bobeche: H. 10 15/16 in. (27.8 cm); 22 oz. 17 dwt. (710.9 g) Bobeche: 2 1/4 x 2 13/16 x 2 13/16 in. (5.7 x 7.1 x 7.1 cm); 3 oz. 3 dwt. (97.4 g). The Metropolitan Museum of Art, New York. Gift of Robert L. Cammann, 1957 (57.153a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-candlestick-met-dp251717-1223-maker-cornelius-kierstede-1674ca-1757-168032572.htmlRMKNAF78–Candlestick MET DP251717 1223 Maker: Cornelius Kierstede, 1674?ca. 1757, Candlestick, ca. 1705, Silver, Overall: 11 7/16 x 6 1/2 x 6 1/2 in. (29.1 x 16.5 x 16.5 cm); 25 6 oz. (808.3 g) Without bobeche: H. 10 15/16 in. (27.8 cm); 22 oz. 17 dwt. (710.9 g) Bobeche: 2 1/4 x 2 13/16 x 2 13/16 in. (5.7 x 7.1 x 7.1 cm); 3 oz. 3 dwt. (97.4 g). The Metropolitan Museum of Art, New York. Gift of Robert L. Cammann, 1957 (57.153a, b)
Art inspired by Plaque, 1885, Made in Baltimore, Maryland, United States, American, Parian porcelain, 9 x 6 in. (22.9 x 15.2 cm), Ceramics, James Priestman, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-plaque-1885-made-in-baltimore-maryland-united-states-american-parian-porcelain-9-x-6-in-229-x-152-cm-ceramics-james-priestman-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462898782.htmlRF2HW2T3A–Art inspired by Plaque, 1885, Made in Baltimore, Maryland, United States, American, Parian porcelain, 9 x 6 in. (22.9 x 15.2 cm), Ceramics, James Priestman, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unknown (Chinese), Incense Burner, 1368/1644, porcelain, Height x width: 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-chinese-incense-burner-13681644-porcelain-height-x-width-8-34-x-6-18-in-222-x-156-cm-image328731594.htmlRM2A2R0E2–Unknown (Chinese), Incense Burner, 1368/1644, porcelain, Height x width: 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm
Woman and Attendant Attributed to Ruknuddin or a follower. , ca. 1700-1710. Opaque watercolor, gold, Overall: 8 3/4 x 6 in. (22.2 x 15.3 cm);. Asian Art ca. 1700-1710 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-and-attendant-attributed-to-ruknuddin-or-a-follower-ca-1700-1710-opaque-watercolor-gold-overall-8-34-x-6-in-222-x-153-cm-asian-art-ca-1700-1710-image504722052.htmlRM2M9423G–Woman and Attendant Attributed to Ruknuddin or a follower. , ca. 1700-1710. Opaque watercolor, gold, Overall: 8 3/4 x 6 in. (22.2 x 15.3 cm);. Asian Art ca. 1700-1710
Uguisu Japanese Bush Warbler. Artist: Kitagawa Utamaro (Japanese, ca. 1754-1806). Culture: Japan. Dimensions: 8 3/4 x 6 1/4 in. (22.2 x 15.9 cm). Date: 1754-1806. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/uguisu-japanese-bush-warbler-artist-kitagawa-utamaro-japanese-ca-1754-1806-culture-japan-dimensions-8-34-x-6-14-in-222-x-159-cm-date-1754-1806-museum-metropolitan-museum-of-art-new-york-usa-image212914485.htmlRMPAB2GN–Uguisu Japanese Bush Warbler. Artist: Kitagawa Utamaro (Japanese, ca. 1754-1806). Culture: Japan. Dimensions: 8 3/4 x 6 1/4 in. (22.2 x 15.9 cm). Date: 1754-1806. Museum: Metropolitan Museum of Art, New York, USA.
Search Results for 22 2 x 15 6 cm Stock Photos and Images (2,478)
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