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21 7 8 x 31 Stock Photos and Images
Mountainous Landscape, Steel engraving, 1862, 21 7/8 x 31 in., 55.6 x 78.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mountainous-landscape-steel-engraving-1862-21-78-x-31-in-556-x-788-cm-image454283533.htmlRM2HB2B7W–Mountainous Landscape, Steel engraving, 1862, 21 7/8 x 31 in., 55.6 x 78.8 cm
Inspired by Mountainous Landscape, Steel engraving, 1862, 21 7/8 x 31 in., 55.6 x 78.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-mountainous-landscape-steel-engraving-1862-21-78-x-31-in-556-x-788-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459264755.htmlRF2HK58TK–Inspired by Mountainous Landscape, Steel engraving, 1862, 21 7/8 x 31 in., 55.6 x 78.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Panel with Dragons. Culture: China. Dimensions: Overall: 21 7/8 x 31 5/8 in. (55.6 x 80.3 cm) Framed: 24 1/2 x 34 in. (62.2 x 86.4 cm). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-with-dragons-culture-china-dimensions-overall-21-78-x-31-58-in-556-x-803-cm-framed-24-12-x-34-in-622-x-864-cm-date-late-16th-early-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213154338.htmlRMPAP0EX–Panel with Dragons. Culture: China. Dimensions: Overall: 21 7/8 x 31 5/8 in. (55.6 x 80.3 cm) Framed: 24 1/2 x 34 in. (62.2 x 86.4 cm). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Panel with Dragons, Ming dynasty (1368–1644), late 16th–early 17th century, China, Cloisonné enamel, Overall: 21 7/8 x 31 5/8 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-panel-with-dragons-ming-dynasty-13681644-late-16thearly-17th-century-162363171.htmlRMKC47TK–Panel with Dragons, Ming dynasty (1368–1644), late 16th–early 17th century, China, Cloisonné enamel, Overall: 21 7/8 x 31 5/8
Mountainous Landscape William Forrest (American, born Edinburgh, (1805-1899)). , 1862. Steel engraving, 21 7/8 x 31 in. (55.6 x 78.8 cm). American Art 1862 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mountainous-landscape-william-forrest-american-born-edinburgh-1805-1899-1862-steel-engraving-21-78-x-31-in-556-x-788-cm-american-art-1862-image504727503.htmlRM2M94927–Mountainous Landscape William Forrest (American, born Edinburgh, (1805-1899)). , 1862. Steel engraving, 21 7/8 x 31 in. (55.6 x 78.8 cm). American Art 1862
After Albrecht Dürer, German, 1471–1528, Saint Jerome in Penitence, Engraving on paper, image: 12 7/16 x 8 3/8 in. (31.6 x 21.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-albrecht-drer-german-14711528-saint-jerome-in-penitence-engraving-on-paper-image-12-716-x-8-38-in-316-x-213-cm-image344572511.htmlRM2B0GHN3–After Albrecht Dürer, German, 1471–1528, Saint Jerome in Penitence, Engraving on paper, image: 12 7/16 x 8 3/8 in. (31.6 x 21.3 cm
. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1700 Display Dimensions: 8 5/8 in. x 7 15/32 in. (21.9 cm x 19 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.908 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 October 2001, 09:31:18. English: thesandiegomuseumofartcollection 847 Malkos Raga (6125112934) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-ragamala-suite-name-ragamala-creation-date-ca-1700-display-dimensions-8-58-in-x-7-1532-in-219-cm-x-19-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990908-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-15-october-2001-093118-english-thesandiegomuseumofartcollection-847-malkos-raga-6125112934-image185859132.htmlRMMPAH64–. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1700 Display Dimensions: 8 5/8 in. x 7 15/32 in. (21.9 cm x 19 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.908 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 October 2001, 09:31:18. English: thesandiegomuseumofartcollection 847 Malkos Raga (6125112934)
An SA unit flag Double-sided, multi-piece, red cotton construction with applied black swastika on white circle. Piped black wool upper corner panel with white chain stitched '21/27', five additional red wool corner panels descending below. Four chain stitched in white '7', '31/117', '1/224', '1/21' and the fifth in silver chain stitch '8/118'. Hoist edge retains seven brass attachment rings and one steel clip. Approximately 130 x 110 cm. USA-lot, see page 4. historic, historical, 20th century, 1930s, 1940s, storm battalion, stormtroopers, armed and uniformed branch of the N, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-sa-unit-flag-double-sided-multi-piece-red-cotton-construction-with-applied-black-swastika-on-white-circle-piped-black-wool-upper-corner-panel-with-white-chain-stitched-2127-five-additional-red-wool-corner-panels-descending-below-four-chain-stitched-in-white-7-31117-1224-121-and-the-fifth-in-silver-chain-stitch-8118-hoist-edge-retains-seven-brass-attachment-rings-and-one-steel-clip-approximately-130-x-110-cm-usa-lot-see-page-4-historic-historical-20th-century-1930s-1940s-storm-battalion-stormtroopers-armed-and-uniformed-branch-of-the-n-editorial-use-only-image247342923.htmlRMTABCBR–An SA unit flag Double-sided, multi-piece, red cotton construction with applied black swastika on white circle. Piped black wool upper corner panel with white chain stitched '21/27', five additional red wool corner panels descending below. Four chain stitched in white '7', '31/117', '1/224', '1/21' and the fifth in silver chain stitch '8/118'. Hoist edge retains seven brass attachment rings and one steel clip. Approximately 130 x 110 cm. USA-lot, see page 4. historic, historical, 20th century, 1930s, 1940s, storm battalion, stormtroopers, armed and uniformed branch of the N, Editorial-Use-Only
. English: Series Title: Barahmasa Suite Name: Barahmasa Creation Date: 18th century Display Dimensions: 12 7/16 in. x 8 21/32 in. (31.6 cm x 22 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.979 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 30 January 2003, 11:31:19. English: thesandiegomuseumofartcollection 1178 The month of Pavan, from a Barahmasa series (6124576113) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-barahmasa-suite-name-barahmasa-creation-date-18th-century-display-dimensions-12-716-in-x-8-2132-in-316-cm-x-22-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990979-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-30-january-2003-113119-english-thesandiegomuseumofartcollection-1178-the-month-of-pavan-from-a-barahmasa-series-6124576113-image185610030.htmlRMMNY7DJ–. English: Series Title: Barahmasa Suite Name: Barahmasa Creation Date: 18th century Display Dimensions: 12 7/16 in. x 8 21/32 in. (31.6 cm x 22 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.979 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 30 January 2003, 11:31:19. English: thesandiegomuseumofartcollection 1178 The month of Pavan, from a Barahmasa series (6124576113)
Sidewall, The Canton; Manufactured by Thomas Strahan & Co., Manufactory (United States); USA; machine-printed paper; 79.5 x 55.5 cm (31 5/16 x 21 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sidewall-the-canton-manufactured-by-thomas-strahan-co-manufactory-united-states-usa-machine-printed-paper-795-x-555-cm-31-516-x-21-78-in-image546074971.htmlRM2PMBT5F–Sidewall, The Canton; Manufactured by Thomas Strahan & Co., Manufactory (United States); USA; machine-printed paper; 79.5 x 55.5 cm (31 5/16 x 21 7/8 in.)
. English: Series Title: Yusuf and Zulaikha Suite Name: Yusuf va Zulaikha Display Artist: Muhammad Nadir Samarqandi Creation Date: 1636 Display Dimensions: 9 7/8 in. x 5 21/32 in. (25.1 cm x 14.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.354 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 20 March 2006, 13:31:44. English: thesandiegomuseumofartcollection 1279 Yusuf and Zulaikha meet in a garden (6125077586) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-yusuf-and-zulaikha-suite-name-yusuf-va-zulaikha-display-artist-muhammad-nadir-samarqandi-creation-date-1636-display-dimensions-9-78-in-x-5-2132-in-251-cm-x-144-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990354-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-20-march-2006-133144-english-thesandiegomuseumofartcollection-1279-yusuf-and-zulaikha-meet-in-a-garden-6125077586-image185772313.htmlRMMP6JDD–. English: Series Title: Yusuf and Zulaikha Suite Name: Yusuf va Zulaikha Display Artist: Muhammad Nadir Samarqandi Creation Date: 1636 Display Dimensions: 9 7/8 in. x 5 21/32 in. (25.1 cm x 14.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.354 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 20 March 2006, 13:31:44. English: thesandiegomuseumofartcollection 1279 Yusuf and Zulaikha meet in a garden (6125077586)
Sidewall (USA); Manufactured by M.H. Birge & Sons Co. (United States); machine-printed on ungrounded paper; 80 x 55.5 cm (31 1/2 x 21 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sidewall-usa-manufactured-by-mh-birge-sons-co-united-states-machine-printed-on-ungrounded-paper-80-x-555-cm-31-12-x-21-78-in-image546160601.htmlRM2PMFNBN–Sidewall (USA); Manufactured by M.H. Birge & Sons Co. (United States); machine-printed on ungrounded paper; 80 x 55.5 cm (31 1/2 x 21 7/8 in.)
Painting; oil on cardboard; overall: 41.7 x 31.9 cm (16 7/16 x 12 9/16 in.) framed: 63.5 x 53.3 x 5.4 cm (25 x 21 x 2 1/8 in.); 385 Madame Bonnard A17635 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-cardboard-overall-417-x-319-cm-16-716-x-12-916-in-framed-635-x-533-x-54-cm-25-x-21-x-2-18-in-385-madame-bonnard-a17635-image213946000.htmlRMPC228G–Painting; oil on cardboard; overall: 41.7 x 31.9 cm (16 7/16 x 12 9/16 in.) framed: 63.5 x 53.3 x 5.4 cm (25 x 21 x 2 1/8 in.); 385 Madame Bonnard A17635
Print, Dance of the Daughters of Herodias; Print Maker: Israhel van Meckenem (German, ca. 1440 - 1503); Germany; engraving on white paper; 21.4 x 31.8 cm (8 7/16 x 12 1/2 in.); 1958-122-5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-dance-of-the-daughters-of-herodias-print-maker-israhel-van-meckenem-german-ca-1440-1503-germany-engraving-on-white-paper-214-x-318-cm-8-716-x-12-12-in-1958-122-5-image546103341.htmlRM2PMD4AN–Print, Dance of the Daughters of Herodias; Print Maker: Israhel van Meckenem (German, ca. 1440 - 1503); Germany; engraving on white paper; 21.4 x 31.8 cm (8 7/16 x 12 1/2 in.); 1958-122-5
'David Lucas after John Constable, A Dell at Helmingham Park, Suffolk, 1830, mezzotint on laid paper, plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.), Paul Mellon Fund, 2001.118.21' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-lucas-after-john-constable-a-dell-at-helmingham-park-suffolk-1830-mezzotint-on-laid-paper-plate-178-x-222-cm-7-x-8-34-in-sheet-26-x-31-cm-10-14-x-12-316-in-paul-mellon-fund-200111821-image559548137.htmlRM2RE9HA1–'David Lucas after John Constable, A Dell at Helmingham Park, Suffolk, 1830, mezzotint on laid paper, plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.), Paul Mellon Fund, 2001.118.21'
Drawing, Sunset, Hudson, New York; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on thin paperboard. verso: graphite.; 21.5 x 31.2 cm (8 7/16 x 12 5/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-sunset-hudson-new-york-frederic-edwin-church-american-18261900-usa-brush-and-oil-paint-graphite-on-thin-paperboard-verso-graphite-215-x-312-cm-8-716-x-12-516-in-image546072788.htmlRM2PMBNBG–Drawing, Sunset, Hudson, New York; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on thin paperboard. verso: graphite.; 21.5 x 31.2 cm (8 7/16 x 12 5/16 in.)
Bead, 3 sided MET DP110317 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bead-3-sided-met-dp110317-251973-minoan-bead-3-sided-steatite-other-168457514.htmlRMKP1W7P–Bead, 3 sided MET DP110317 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21)
Jean Fautrier. (French, 1898-1964). Otages fond noir (Hostages Black Ground). (1944-47, printed c. 1962). Etching, relief printed, plate: 9 1/4 x 12 9/16' (23.5 x 31.9 cm); sheet: 14 7/8 x 21 15/16' (37.8 x 55.8 cm). Publisher: Édition Couturier, Paris. Printer: Jacques David, Paris. Edition: 50. Arthur B. Stanton Fund. © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-jean-fautrier-french-1898-1964-otages-fond-noir-hostages-black-ground-166919058.htmlRMKKFPXX–Jean Fautrier. (French, 1898-1964). Otages fond noir (Hostages Black Ground). (1944-47, printed c. 1962). Etching, relief printed, plate: 9 1/4 x 12 9/16' (23.5 x 31.9 cm); sheet: 14 7/8 x 21 15/16' (37.8 x 55.8 cm). Publisher: Édition Couturier, Paris. Printer: Jacques David, Paris. Edition: 50. Arthur B. Stanton Fund. © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris
;/, ha.titrifhs, rommon, these of the tntacle.s partly 2ft.H .V).2 (42) y 4.2-5 // mirrohasic ama.stigophors, partly 22-24 x 2.5/1, ha."itrichs, very sparse, tho.se of the actinopharyn. partly .31 36.7 y 4..5-5.2/-36.7 x about 4.2// raicro- ba.iir nma-stiuophors N partly 29.6-33.8 x about 3//, liasitrichs, portly 21.5-25.4 <4.2//, mirroba.sic p-ma-stigophors, partly 16.2 X 3/1 type?, opaque, few, tho.se of the acontia pa Stock Photo")
. The Danish Ingolf-expedition. Marine animals -- Arctic regions; Scientific expeditions; Arctic regions. Kis. 2ft. SnijnrUogcton iiigolfi. Sphincter. about 1..");/, ha.titrifhs, rommon, these of the tntacle.s partly 2ft.H .V).2 (42) y 4.2-5 // mirrohasic ama.stigophors, partly 22-24 x 2.5/1, ha."itrichs, very sparse, tho.se of the actinopharyn. partly .31 36.7 y 4..5-5.2/-36.7 x about 4.2// raicro- ba.iir nma-stiuophors N partly 29.6-33.8 x about 3//, liasitrichs, portly 21.5-25.4 <4.2//, mirroba.sic p-ma-stigophors, partly 16.2 X 3/1 type?, opaque, few, tho.se of the acontia pa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-danish-ingolf-expedition-marine-animals-arctic-regions-scientific-expeditions-arctic-regions-kis-2ft-snijnruogcton-iiigolfi-sphincter-about-1quot-hatitrifhs-rommon-these-of-the-tntacles-partly-2fth-v2-42-y-42-5-mirrohasic-amastigophors-partly-22-24-x-251-haquotitrichs-very-sparse-those-of-the-actinopharyn-partly-31-367-y-45-52-367-x-about-42-raicro-baiir-nma-stiuophors-n-partly-296-338-x-about-3-liasitrichs-portly-215-254-lt42-mirrobasic-p-ma-stigophors-partly-162-x-31-type-opaque-few-those-of-the-acontia-pa-image216155303.htmlRMPFJM87–. The Danish Ingolf-expedition. Marine animals -- Arctic regions; Scientific expeditions; Arctic regions. Kis. 2ft. SnijnrUogcton iiigolfi. Sphincter. about 1..");/, ha.titrifhs, rommon, these of the tntacle.s partly 2ft.H .V).2 (42) y 4.2-5 // mirrohasic ama.stigophors, partly 22-24 x 2.5/1, ha."itrichs, very sparse, tho.se of the actinopharyn. partly .31 36.7 y 4..5-5.2/-36.7 x about 4.2// raicro- ba.iir nma-stiuophors N partly 29.6-33.8 x about 3//, liasitrichs, portly 21.5-25.4 <4.2//, mirroba.sic p-ma-stigophors, partly 16.2 X 3/1 type?, opaque, few, tho.se of the acontia pa
Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-92-of-diptera-argentine-1900-diptera-argentine-dipteraargentine01shan-year-1900-r-c-shannon-y-e-del-ponte-721-el-dorado-1-44-varn-2-25-3-23-4-10-5-23-gt-gt-6-32-7-19-gt-8-49-9-17-10-50-mujer-11-25-varn-12-2-i-13-9-14-10-15-12-16-x-17-27-gt-18-10-meses-19-14-aos-20-10-21-31-mujer-22-10-23-12-varn-24-9-gtgt-25-10-1-y2-mes-2-meses-5-aos-3-meses-2-2-2-2-4-4-2-4-4-4-4-2-meses-1-mes-1-2-meses-4-4-aos-3-image242249898.htmlRMT23C62–Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3
Art inspired by Mountainous Landscape, Steel engraving, 1862, 21 7/8 x 31 in., 55.6 x 78.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-mountainous-landscape-steel-engraving-1862-21-78-x-31-in-556-x-788-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459574062.htmlRF2HKKBBA–Art inspired by Mountainous Landscape, Steel engraving, 1862, 21 7/8 x 31 in., 55.6 x 78.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Large plan of the entrance of the town of Pompeii, and its surrounding buildings, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 2. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 21 7/8 x 30 11/16 in. (55.5 x 78 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce, aujourd'hui Royaume de Naples Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/large-plan-of-the-entrance-of-the-town-of-pompeii-and-its-surrounding-buildings-from-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-grce-antiquities-of-pompeii-volume-one-antiquities-of-great-greece-volume-1-plate-2-artist-francesco-piranesi-italian-rome-1758-1810-paris-after-giovanni-battista-piranesi-italian-mogliano-veneto-1720-1778-rome-dimensions-sheet-21-78-x-31-916-in-555-x-802-cm-plate-21-78-x-30-1116-in-555-x-78-cm-seriesportfolio-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-grce-aujourdhui-royaume-de-naples-image212915904.htmlRMPAB4BC–Large plan of the entrance of the town of Pompeii, and its surrounding buildings, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 2. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 21 7/8 x 30 11/16 in. (55.5 x 78 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce, aujourd'hui Royaume de Naples
Art inspired by Panel with Dragons, Ming dynasty (1368–1644), late 16th–early 17th century, China, Cloisonné enamel, Overall: 21 7/8 x 31 5/8 in. (55.6 x 80.3 cm), Cloisonné, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-panel-with-dragons-ming-dynasty-13681644-late-16thearly-17th-century-china-cloisonn-enamel-overall-21-78-x-31-58-in-556-x-803-cm-cloisonn-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758618.htmlRF2HTTD9E–Art inspired by Panel with Dragons, Ming dynasty (1368–1644), late 16th–early 17th century, China, Cloisonné enamel, Overall: 21 7/8 x 31 5/8 in. (55.6 x 80.3 cm), Cloisonné, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Glaucus and Nydia, 1867. Lawrence Alma-Tadema (British, 1836-1912). Oil on wood panel; framed: 55.5 x 81 x 4.5 cm (21 7/8 x 31 7/8 x 1 3/4 in.); unframed: 39 x 64.3 cm (15 3/8 x 25 5/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glaucus-and-nydia-1867-lawrence-alma-tadema-british-1836-1912-oil-on-wood-panel-framed-555-x-81-x-45-cm-21-78-x-31-78-x-1-34-in-unframed-39-x-643-cm-15-38-x-25-516-in-image448098260.htmlRM2H10HW8–Glaucus and Nydia, 1867. Lawrence Alma-Tadema (British, 1836-1912). Oil on wood panel; framed: 55.5 x 81 x 4.5 cm (21 7/8 x 31 7/8 x 1 3/4 in.); unframed: 39 x 64.3 cm (15 3/8 x 25 5/16 in.).
After Albrecht Dürer, German, 1471–1528, `Der Hercules', After 1498, Engraving on paper, image: 12 3/8 x 8 9/16 in. (31.5 x 21.7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-albrecht-drer-german-14711528-`der-hercules-after-1498-engraving-on-paper-image-12-38-x-8-916-in-315-x-217-cm-image344574814.htmlRM2B0GMKA–After Albrecht Dürer, German, 1471–1528, `Der Hercules', After 1498, Engraving on paper, image: 12 3/8 x 8 9/16 in. (31.5 x 21.7 cm
Art inspired by View of the interior of the city of Pompeii, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 6, 1804, Etching, Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-view-of-the-interior-of-the-city-of-pompeii-from-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-grce-antiquities-of-pompeii-volume-one-antiquities-of-great-greece-volume-1-plate-6-1804-etching-sheet-21-78-x-31-916-in-555-x-802-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463008138.htmlRF2HW7RGX–Art inspired by View of the interior of the city of Pompeii, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 6, 1804, Etching, Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Joseph Richardson II, American, 1752–1831, Baking Dish, 1797, Silver, 2 13/16 x 12 1/4 x 8 5/8 in. (7.1 x 31.1 x 21.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-richardson-ii-american-17521831-baking-dish-1797-silver-2-1316-x-12-14-x-8-58-in-71-x-311-x-219-cm-image344575915.htmlRM2B0GP2K–Joseph Richardson II, American, 1752–1831, Baking Dish, 1797, Silver, 2 13/16 x 12 1/4 x 8 5/8 in. (7.1 x 31.1 x 21.9 cm
Inspired by Little Draped Figure Leaning, James Abbott McNeill Whistler, American, 1834-1903, Lithograph, 1893, 12 7/16 x 8 5/8 in., 31.6 x 21.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-little-draped-figure-leaning-james-abbott-mcneill-whistler-american-1834-1903-lithograph-1893-12-716-x-8-58-in-316-x-219-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459263660.htmlRF2HK57DG–Inspired by Little Draped Figure Leaning, James Abbott McNeill Whistler, American, 1834-1903, Lithograph, 1893, 12 7/16 x 8 5/8 in., 31.6 x 21.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Christoffel van Sichem, the Elder, Young Man with a Turban, after Jacob Matham, 1613, woodcut on cream laid paper, 12 7/16 in. x 8 9/16 in. (31.59 cm x 21.75 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christoffel-van-sichem-the-elder-young-man-with-a-turban-after-jacob-matham-1613-woodcut-on-cream-laid-paper-12-716-in-x-8-916-in-3159-cm-x-2175-cm-image344473886.htmlRM2B0C3XP–Christoffel van Sichem, the Elder, Young Man with a Turban, after Jacob Matham, 1613, woodcut on cream laid paper, 12 7/16 in. x 8 9/16 in. (31.59 cm x 21.75 cm
Sita in the Garden of Lanka, From the Ramayana epic of Valmiki, c. 1725. Northern India, Himachal Pradesh, Guler. Opaque watercolor and gold on paper; image: 55.5 x 79 cm (21 7/8 x 31 1/8 in.); overall: 56.3 x 81 cm (22 3/16 x 31 7/8 in.). The demon king Ravana, the villain of the epic Ramayana, has 10 heads and 20 arms and lives on the golden island of Lanka. He is shown twice in this painting: enthroned with demon guards at left and approaching the heroine Sita at right, whom he has abducted and imprisoned. Guarded by demonesses, Sita sits steadfast in her refusal to become his queen and to Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sita-in-the-garden-of-lanka-from-the-ramayana-epic-of-valmiki-c-1725-northern-india-himachal-pradesh-guler-opaque-watercolor-and-gold-on-paper-image-555-x-79-cm-21-78-x-31-18-in-overall-563-x-81-cm-22-316-x-31-78-in-the-demon-king-ravana-the-villain-of-the-epic-ramayana-has-10-heads-and-20-arms-and-lives-on-the-golden-island-of-lanka-he-is-shown-twice-in-this-painting-enthroned-with-demon-guards-at-left-and-approaching-the-heroine-sita-at-right-whom-he-has-abducted-and-imprisoned-guarded-by-demonesses-sita-sits-steadfast-in-her-refusal-to-become-his-queen-and-to-image448075124.htmlRM2H0YGB0–Sita in the Garden of Lanka, From the Ramayana epic of Valmiki, c. 1725. Northern India, Himachal Pradesh, Guler. Opaque watercolor and gold on paper; image: 55.5 x 79 cm (21 7/8 x 31 1/8 in.); overall: 56.3 x 81 cm (22 3/16 x 31 7/8 in.). The demon king Ravana, the villain of the epic Ramayana, has 10 heads and 20 arms and lives on the golden island of Lanka. He is shown twice in this painting: enthroned with demon guards at left and approaching the heroine Sita at right, whom he has abducted and imprisoned. Guarded by demonesses, Sita sits steadfast in her refusal to become his queen and to
An SA unit flag Double-sided, multi-piece, red cotton construction with applied black swastika on white circle. Piped black wool upper corner panel with white chain stitched '21/27', five additional red wool corner panels descending below. Four chain stitched in white '7', '31/117', '1/224', '1/21' and the fifth in silver chain stitch '8/118'. Hoist edge retains seven brass attachment rings and one steel clip. Approximately 130 x 110 cm. USA-lot, see page 4. historic, historical, 20th century, 1930s, 1940s, storm battalion, stormtroopers, armed and uniformed branch of the N, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-sa-unit-flag-double-sided-multi-piece-red-cotton-construction-with-applied-black-swastika-on-white-circle-piped-black-wool-upper-corner-panel-with-white-chain-stitched-2127-five-additional-red-wool-corner-panels-descending-below-four-chain-stitched-in-white-7-31117-1224-121-and-the-fifth-in-silver-chain-stitch-8118-hoist-edge-retains-seven-brass-attachment-rings-and-one-steel-clip-approximately-130-x-110-cm-usa-lot-see-page-4-historic-historical-20th-century-1930s-1940s-storm-battalion-stormtroopers-armed-and-uniformed-branch-of-the-n-editorial-use-only-image247342921.htmlRMTABCBN–An SA unit flag Double-sided, multi-piece, red cotton construction with applied black swastika on white circle. Piped black wool upper corner panel with white chain stitched '21/27', five additional red wool corner panels descending below. Four chain stitched in white '7', '31/117', '1/224', '1/21' and the fifth in silver chain stitch '8/118'. Hoist edge retains seven brass attachment rings and one steel clip. Approximately 130 x 110 cm. USA-lot, see page 4. historic, historical, 20th century, 1930s, 1940s, storm battalion, stormtroopers, armed and uniformed branch of the N, Editorial-Use-Only
Painting; oil on canvas; overall: 55.8 x 71.1 cm (21 15/16 x 28 in.) framed: 80.7 x 96.5 x 5.4 cm (31 3/4 x 38 x 2 1/8 in.); 148 John Singer Sargent - Valdemosa, Majorca - Thistles and Herbage on a Hillside Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-558-x-711-cm-21-1516-x-28-in-framed-807-x-965-x-54-cm-31-34-x-38-x-2-18-in-148-john-singer-sargent-valdemosa-majorca-thistles-and-herbage-on-a-hillside-image210956793.htmlRMP75WF5–Painting; oil on canvas; overall: 55.8 x 71.1 cm (21 15/16 x 28 in.) framed: 80.7 x 96.5 x 5.4 cm (31 3/4 x 38 x 2 1/8 in.); 148 John Singer Sargent - Valdemosa, Majorca - Thistles and Herbage on a Hillside
Select Views in London and Westminster. Visual Material information: Title: Select Views in London and Westminster. 21.31.7. Date of publication: 1795-1796. Item type: 8 prints Medium: etching Dimensions: platemarks c. 22.5 x 28.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/select-views-in-london-and-westminster-visual-material-information-title-select-views-in-london-and-westminster-21317-date-of-publication-1795-1796-item-type-8-prints-medium-etching-dimensions-platemarks-c-225-x-286-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401755450.htmlRM2E9HF4X–Select Views in London and Westminster. Visual Material information: Title: Select Views in London and Westminster. 21.31.7. Date of publication: 1795-1796. Item type: 8 prints Medium: etching Dimensions: platemarks c. 22.5 x 28.6 cm Former owner: George III, King of Great Britain, 1738-1820
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241481611.htmlRFT0TC77–Illustration Xray Icon
Drawing, Sketches for the Painted Decoration of Ceilings; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and dark brown ink on light brown laid paper; 31.5 x 21.7 cm (12 3/8 x 8 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-sketches-for-the-painted-decoration-of-ceilings-designed-by-felice-giani-italian-17581823-italy-pen-and-dark-brown-ink-on-light-brown-laid-paper-315-x-217-cm-12-38-x-8-916-in-image546181983.htmlRM2PMGMKB–Drawing, Sketches for the Painted Decoration of Ceilings; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and dark brown ink on light brown laid paper; 31.5 x 21.7 cm (12 3/8 x 8 9/16 in.)
Bead, 3 sided MET DP110319 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bead-3-sided-met-dp110319-251973-minoan-bead-3-sided-steatite-other-168299685.htmlRMKNPKY1–Bead, 3 sided MET DP110319 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21)
![. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo](https://c8.alamy.com/comp/PFE8FW/denkschriften-sterreichische-akademie-der-wissenschaften-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-1-37-71-1-19-21-40-16-59-10-2-56-8-95-34-94-2-57-76-3-23-25-3-3-PFE8FW.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo")
. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/denkschriften-sterreichische-akademie-der-wissenschaften-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-1-37-71-1-19-21-40-16-59-10-2-56-8-95-34-94-2-57-76-3-23-25-3-3-image216058301.htmlRMPFE8FW–. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3
![Cross-sections, which show the different aspects of the buildings shown in the plan of Pompeii [the preceding plate], from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 3. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 21 7/8 x 30 11/16 in. (55.5 x 78 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Stock Photo](https://c8.alamy.com/comp/PAM3PG/cross-sections-which-show-the-different-aspects-of-the-buildings-shown-in-the-plan-of-pompeii-the-preceding-plate-from-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-grce-antiquities-of-pompeii-volume-one-antiquities-of-great-greece-volume-1-plate-3-artist-francesco-piranesi-italian-rome-1758-1810-paris-after-giovanni-battista-piranesi-italian-mogliano-veneto-1720-1778-rome-dimensions-sheet-21-78-x-31-916-in-555-x-802-cm-plate-21-78-x-30-1116-in-555-x-78-cm-seriesportfolio-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-PAM3PG.jpg "Cross-sections, which show the different aspects of the buildings shown in the plan of Pompeii [the preceding plate], from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 3. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 21 7/8 x 30 11/16 in. (55.5 x 78 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Stock Photo")
Cross-sections, which show the different aspects of the buildings shown in the plan of Pompeii [the preceding plate], from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 3. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 21 7/8 x 30 11/16 in. (55.5 x 78 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cross-sections-which-show-the-different-aspects-of-the-buildings-shown-in-the-plan-of-pompeii-the-preceding-plate-from-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-grce-antiquities-of-pompeii-volume-one-antiquities-of-great-greece-volume-1-plate-3-artist-francesco-piranesi-italian-rome-1758-1810-paris-after-giovanni-battista-piranesi-italian-mogliano-veneto-1720-1778-rome-dimensions-sheet-21-78-x-31-916-in-555-x-802-cm-plate-21-78-x-30-1116-in-555-x-78-cm-seriesportfolio-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-image213113000.htmlRMPAM3PG–Cross-sections, which show the different aspects of the buildings shown in the plan of Pompeii [the preceding plate], from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 3. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 21 7/8 x 30 11/16 in. (55.5 x 78 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande
Inspired by Apocalypse de Saint-Jean, Odilon Redon, French, 1840-1916, Lithograph on China paper laid down, 1899, 12 3/16 x 8 7/16 in., 31 x 21.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-apocalypse-de-saint-jean-odilon-redon-french-1840-1916-lithograph-on-china-paper-laid-down-1899-12-316-x-8-716-in-31-x-215-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253501.htmlRF2HK4PEN–Inspired by Apocalypse de Saint-Jean, Odilon Redon, French, 1840-1916, Lithograph on China paper laid down, 1899, 12 3/16 x 8 7/16 in., 31 x 21.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
William Comyns & Sons, English, active 1880–1930, Two-Handled Cup and Cover with Wooden Stand, 1914/15, Silver, 21 3/8 x 12 1/2 x 7 1/4 in. (54.3 x 31.8 x 18.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-comyns-sons-english-active-18801930-two-handled-cup-and-cover-with-wooden-stand-191415-silver-21-38-x-12-12-x-7-14-in-543-x-318-x-184-cm-image344581278.htmlRM2B0H0X6–William Comyns & Sons, English, active 1880–1930, Two-Handled Cup and Cover with Wooden Stand, 1914/15, Silver, 21 3/8 x 12 1/2 x 7 1/4 in. (54.3 x 31.8 x 18.4 cm
N/A. Deutsch: 7 Ansichten des Klosters Bebenhausen: eine Gesamtansicht und 6 Detailansichten. Holzstich, koloriert und eiweißgehöht, 31,3 x 21,8 cm (Bild); 33,8 x 24,5 cm (Blatt) . 1869. F Kirchhoff nach Jean Jacques Broos 543 F Kirchhoff nach JJ Broos - Kloster Bebenhausen., 7 Ansichten Holzstich 1869 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-deutsch-7-ansichten-des-klosters-bebenhausen-eine-gesamtansicht-und-6-detailansichten-holzstich-koloriert-und-eiweigehht-313-x-218-cm-bild-338-x-245-cm-blatt-1869-f-kirchhoff-nach-jean-jacques-broos-543-f-kirchhoff-nach-jj-broos-kloster-bebenhausen-7-ansichten-holzstich-1869-image210210049.htmlRMP5YW1N–N/A. Deutsch: 7 Ansichten des Klosters Bebenhausen: eine Gesamtansicht und 6 Detailansichten. Holzstich, koloriert und eiweißgehöht, 31,3 x 21,8 cm (Bild); 33,8 x 24,5 cm (Blatt) . 1869. F Kirchhoff nach Jean Jacques Broos 543 F Kirchhoff nach JJ Broos - Kloster Bebenhausen., 7 Ansichten Holzstich 1869
![HIGH STREET BATH. Author Sanders, John 37.26.d.1. Place of publication: [England] Publisher: Published as the Act directs, Date of publication: Novr 21 1793. Item type: 1 print Medium: aquatint and etching Dimensions: sheet 25.7 x 31.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HNP1/high-street-bath-author-sanders-john-3726d1-place-of-publication-england-publisher-published-as-the-act-directs-date-of-publication-novr-21-1793-item-type-1-print-medium-aquatint-and-etching-dimensions-sheet-257-x-318-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HNP1.jpg "HIGH STREET BATH. Author Sanders, John 37.26.d.1. Place of publication: [England] Publisher: Published as the Act directs, Date of publication: Novr 21 1793. Item type: 1 print Medium: aquatint and etching Dimensions: sheet 25.7 x 31.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
HIGH STREET BATH. Author Sanders, John 37.26.d.1. Place of publication: [England] Publisher: Published as the Act directs, Date of publication: Novr 21 1793. Item type: 1 print Medium: aquatint and etching Dimensions: sheet 25.7 x 31.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/high-street-bath-author-sanders-john-3726d1-place-of-publication-england-publisher-published-as-the-act-directs-date-of-publication-novr-21-1793-item-type-1-print-medium-aquatint-and-etching-dimensions-sheet-257-x-318-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401760633.htmlRM2E9HNP1–HIGH STREET BATH. Author Sanders, John 37.26.d.1. Place of publication: [England] Publisher: Published as the Act directs, Date of publication: Novr 21 1793. Item type: 1 print Medium: aquatint and etching Dimensions: sheet 25.7 x 31.8 cm Former owner: George III, King of Great Britain, 1738-1820
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241480893.htmlRFT0TB9H–Illustration Xray Icon
Print, Laban reproves Jacob for leaving secretely; Engraved by Gerard Jean Baptiste Scotin, the Younger (1698–after 1744); France; hand-colored etching with watercolor on paper; 31 1/2 X 21 7/8 in. (80.0 X 55.5 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-laban-reproves-jacob-for-leaving-secretely-engraved-by-gerard-jean-baptiste-scotin-the-younger-1698after-1744-france-hand-colored-etching-with-watercolor-on-paper-31-12-x-21-78-in-800-x-555-cm-image546234882.htmlRM2PMK44J–Print, Laban reproves Jacob for leaving secretely; Engraved by Gerard Jean Baptiste Scotin, the Younger (1698–after 1744); France; hand-colored etching with watercolor on paper; 31 1/2 X 21 7/8 in. (80.0 X 55.5 cm)
Bead, 3 sided MET DP110321 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bead-3-sided-met-dp110321-251973-minoan-bead-3-sided-steatite-other-168457520.htmlRMKP1W80–Bead, 3 sided MET DP110321 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21)
. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decapoda-natantia-of-the-coasts-of-ireland-decapoda-crustacea-and-irish-decapoda-natantia-1-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-28-29-30-31-32-33-34-35-36-37-38-39-40-41-42-43-44-45-46-47-48-49-50-51-52-53-54-o-o-3-3-o-o-u-h-lt-lt-lt-j-gt-ce-d-u-1-cs-o-o-o-o-o-o-a-u-a-a-eg-pq-id-ed-s-eft-fcf-9i-a-c8-c-o-m-so-lt11-oi-a-a-09-in-a-et-cn-5-73-2-0-in-d-c3-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-image216094528.htmlRMPFFXNM–. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
View opposite the entrance gate of all of the shops to the right and left of the street of the City of Pompeii, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 13. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 16 13/16 x 28 3/4 in. (42.7 x 73 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-opposite-the-entrance-gate-of-all-of-the-shops-to-the-right-and-left-of-the-street-of-the-city-of-pompeii-from-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-grce-antiquities-of-pompeii-volume-one-antiquities-of-great-greece-volume-1-plate-13-artist-francesco-piranesi-italian-rome-1758-1810-paris-after-giovanni-battista-piranesi-italian-mogliano-veneto-1720-1778-rome-dimensions-sheet-21-78-x-31-916-in-555-x-802-cm-plate-16-1316-x-28-34-in-427-x-73-cm-seriesportfolio-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-grc-image213151668.htmlRMPANW3G–View opposite the entrance gate of all of the shops to the right and left of the street of the City of Pompeii, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 13. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 16 13/16 x 28 3/4 in. (42.7 x 73 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèc
Inspired by Two Birds with White Flowers, Print, Japan, 1892, Meiji Period, Other, Sight: 12 3/16 x 8 7/16 in., 31 x 21.4 cm, animals, birds, fauna, flora, flowers, Nature, plants, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-two-birds-with-white-flowers-print-japan-1892-meiji-period-other-sight-12-316-x-8-716-in-31-x-214-cm-animals-birds-fauna-flora-flowers-nature-plants-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249638.htmlRF2HK4HGP–Inspired by Two Birds with White Flowers, Print, Japan, 1892, Meiji Period, Other, Sight: 12 3/16 x 8 7/16 in., 31 x 21.4 cm, animals, birds, fauna, flora, flowers, Nature, plants, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
St. Luke, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 39 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, lower left: D.T., European Painting and Sculpture Before 1800 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-luke-el-greco-greek-1541-1614-workshop-of-el-greco-greek-1541-1614-about-1610-1614-oil-on-canvas-28-14-x-21-58-in-canvas-39-x-31-78-x-3-34-in-framedglazed-inscribed-initials-in-black-oil-paint-lower-left-dt-european-painting-and-sculpture-before-1800-image328784832.htmlRM2A2WCBC–St. Luke, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 39 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, lower left: D.T., European Painting and Sculpture Before 1800
Painting; oil on canvas; overall: 45.1 x 54.9 cm (17 3/4 x 21 5/8 in.) framed: 70.8 x 80.6 x 5.7 cm (27 7/8 x 31 3/4 x 2 1/4 in.); Orchard in Bloom, Louveciennes 1872. 1007 Camille Pissarro, Le verger (The Orchard), 1872 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-451-x-549-cm-17-34-x-21-58-in-framed-708-x-806-x-57-cm-27-78-x-31-34-x-2-14-in-orchard-in-bloom-louveciennes-1872-1007-camille-pissarro-le-verger-the-orchard-1872-image185549134.htmlRMMNTDPP–Painting; oil on canvas; overall: 45.1 x 54.9 cm (17 3/4 x 21 5/8 in.) framed: 70.8 x 80.6 x 5.7 cm (27 7/8 x 31 3/4 x 2 1/4 in.); Orchard in Bloom, Louveciennes 1872. 1007 Camille Pissarro, Le verger (The Orchard), 1872
![PARS INTERIOR GYMNASII PATAVINI Visual Material information: Title: PARS INTERIOR GYMNASII PATAVINI 79.22.d. Place of publication: [Padua?] Publisher: [publisher not identified] Date of publication: [1601?] Item type: 1 print Medium: etching Dimensions: sheet 21.7 x 31.8 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FK82/pars-interior-gymnasii-patavini-visual-material-information-title-pars-interior-gymnasii-patavini-7922d-place-of-publication-padua-publisher-publisher-not-identified-date-of-publication-1601-item-type-1-print-medium-etching-dimensions-sheet-217-x-318-cm-trimmed-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FK82.jpg "PARS INTERIOR GYMNASII PATAVINI Visual Material information: Title: PARS INTERIOR GYMNASII PATAVINI 79.22.d. Place of publication: [Padua?] Publisher: [publisher not identified] Date of publication: [1601?] Item type: 1 print Medium: etching Dimensions: sheet 21.7 x 31.8 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
PARS INTERIOR GYMNASII PATAVINI Visual Material information: Title: PARS INTERIOR GYMNASII PATAVINI 79.22.d. Place of publication: [Padua?] Publisher: [publisher not identified] Date of publication: [1601?] Item type: 1 print Medium: etching Dimensions: sheet 21.7 x 31.8 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pars-interior-gymnasii-patavini-visual-material-information-title-pars-interior-gymnasii-patavini-7922d-place-of-publication-padua-publisher-publisher-not-identified-date-of-publication-1601-item-type-1-print-medium-etching-dimensions-sheet-217-x-318-cm-trimmed-former-owner-george-iii-king-of-great-britain-1738-1820-image401714770.htmlRM2E9FK82–PARS INTERIOR GYMNASII PATAVINI Visual Material information: Title: PARS INTERIOR GYMNASII PATAVINI 79.22.d. Place of publication: [Padua?] Publisher: [publisher not identified] Date of publication: [1601?] Item type: 1 print Medium: etching Dimensions: sheet 21.7 x 31.8 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241481020.htmlRFT0TBE4–Illustration Xray Icon
Textile (France); Company: Oberkampf & Cie. (France); cotton; Warp x Weft (selvedge on left): 31 x 54.5 cm (12 3/16 x 21 7/16 in.) Repeat (offset) H: 22.5 cm (8 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/textile-france-company-oberkampf-cie-france-cotton-warp-x-weft-selvedge-on-left-31-x-545-cm-12-316-x-21-716-in-repeat-offset-h-225-cm-8-78-in-image546237742.htmlRM2PMK7PP–Textile (France); Company: Oberkampf & Cie. (France); cotton; Warp x Weft (selvedge on left): 31 x 54.5 cm (12 3/16 x 21 7/16 in.) Repeat (offset) H: 22.5 cm (8 7/8 in.)
Bead, 3 sided MET DP110321 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bead-3-sided-met-dp110321-251973-minoan-bead-3-sided-steatite-other-168299689.htmlRMKNPKY5–Bead, 3 sided MET DP110321 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21)
View from the street entering beneath the gateway to the city of Pompeii, with the foot paths and the shops, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 8. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 20 1/16 x 28 3/8 in. (51 x 72 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce, aujou Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-from-the-street-entering-beneath-the-gateway-to-the-city-of-pompeii-with-the-foot-paths-and-the-shops-from-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-grce-antiquities-of-pompeii-volume-one-antiquities-of-great-greece-volume-1-plate-8-artist-francesco-piranesi-italian-rome-1758-1810-paris-after-giovanni-battista-piranesi-italian-mogliano-veneto-1720-1778-rome-dimensions-sheet-21-78-x-31-916-in-555-x-802-cm-plate-20-116-x-28-38-in-51-x-72-cm-seriesportfolio-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-grce-aujou-image212848938.htmlRMPA82YP–View from the street entering beneath the gateway to the city of Pompeii, with the foot paths and the shops, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 8. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 20 1/16 x 28 3/8 in. (51 x 72 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce, aujou
Inspired by The Thames, James Abbott McNeill Whistler, American, 1834-1903, Linotint on paper, 1896, Sheet: 12 7/16 x 8 1/2 in., 31.6 x 21.6 cm, boats, fog, hazy, sky, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-thames-james-abbott-mcneill-whistler-american-1834-1903-linotint-on-paper-1896-sheet-12-716-x-8-12-in-316-x-216-cm-boats-fog-hazy-sky-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254120.htmlRF2HK4R8T–Inspired by The Thames, James Abbott McNeill Whistler, American, 1834-1903, Linotint on paper, 1896, Sheet: 12 7/16 x 8 1/2 in., 31.6 x 21.6 cm, boats, fog, hazy, sky, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
St. Luke, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 39 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, lower left: D.T., European Painting and Sculpture Before 1800 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-luke-el-greco-greek-1541-1614-workshop-of-el-greco-greek-1541-1614-about-1610-1614-oil-on-canvas-28-14-x-21-58-in-canvas-39-x-31-78-x-3-34-in-framedglazed-inscribed-initials-in-black-oil-paint-lower-left-dt-european-painting-and-sculpture-before-1800-image328784833.htmlRM2A2WCBD–St. Luke, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 39 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, lower left: D.T., European Painting and Sculpture Before 1800
Art inspired by Design for a Worktable, early 19th century, Graphite, sheet: 8 7/16 x 12 3/16 in. (21.5 x 31 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-a-worktable-early-19th-century-graphite-sheet-8-716-x-12-316-in-215-x-31-cm-anonymous-british-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462983826.htmlRF2HW6MGJ–Art inspired by Design for a Worktable, early 19th century, Graphite, sheet: 8 7/16 x 12 3/16 in. (21.5 x 31 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Inspired by Baj Bahadur of Kumaon, Indian, Opaque watercolor and gold on paper, ca. 1750, sheet: 12 3/8 x 8 7/16 in., 31.4 x 21.4 cm, Garhwal, Gold, Horse, Landscape, Paper, Portrait, Punjab Hills, Watercolor, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-baj-bahadur-of-kumaon-indian-opaque-watercolor-and-gold-on-paper-ca-1750-sheet-12-38-x-8-716-in-314-x-214-cm-garhwal-gold-horse-landscape-paper-portrait-punjab-hills-watercolor-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459259192.htmlRF2HK51P0–Inspired by Baj Bahadur of Kumaon, Indian, Opaque watercolor and gold on paper, ca. 1750, sheet: 12 3/8 x 8 7/16 in., 31.4 x 21.4 cm, Garhwal, Gold, Horse, Landscape, Paper, Portrait, Punjab Hills, Watercolor, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Painting; oil on panel; painted surface: 21.1 x 16.2 cm (8 5/16 x 6 3/8 in.) overall (panel): 21.3 x 16.7 cm (8 3/8 x 6 9/16 in.) framed: 35.5 x 31.1 cm (14 x 12 1/4 in.); Ascension of the virgin Michel Sittow Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-panel-painted-surface-211-x-162-cm-8-516-x-6-38-in-overall-panel-213-x-167-cm-8-38-x-6-916-in-framed-355-x-311-cm-14-x-12-14-in-ascension-of-the-virgin-michel-sittow-image184898025.htmlRMMMPR8W–Painting; oil on panel; painted surface: 21.1 x 16.2 cm (8 5/16 x 6 3/8 in.) overall (panel): 21.3 x 16.7 cm (8 3/8 x 6 9/16 in.) framed: 35.5 x 31.1 cm (14 x 12 1/4 in.); Ascension of the virgin Michel Sittow
Art inspired by Design for Two Gothic Desks, early 19th century, Graphite, sheet: 8 9/16 x 12 3/16 in. (21.7 x 31 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-two-gothic-desks-early-19th-century-graphite-sheet-8-916-x-12-316-in-217-x-31-cm-anonymous-british-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462983956.htmlRF2HW6MN8–Art inspired by Design for Two Gothic Desks, early 19th century, Graphite, sheet: 8 9/16 x 12 3/16 in. (21.7 x 31 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Series Title: The Adventures of Alexander of Ahmedi Creation Date: ca. 1575 Display Dimensions: 4 11/16 in. x 3 7/32 in. (11.9 cm x 8.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.472 Collection: The San Diego Museum of Art . 29 October 2001, 10:31:21. English: thesandiegomuseumofartcollection Alexander oversees the execution of traitors (6125085448) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-the-adventures-of-alexander-of-ahmedi-creation-date-ca-1575-display-dimensions-4-1116-in-x-3-732-in-119-cm-x-82-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990472-collection-the-san-diego-museum-of-art-29-october-2001-103121-english-thesandiegomuseumofartcollection-alexander-oversees-the-execution-of-traitors-6125085448-image184773590.htmlRMMMH4GP–. English: Series Title: The Adventures of Alexander of Ahmedi Creation Date: ca. 1575 Display Dimensions: 4 11/16 in. x 3 7/32 in. (11.9 cm x 8.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.472 Collection: The San Diego Museum of Art . 29 October 2001, 10:31:21. English: thesandiegomuseumofartcollection Alexander oversees the execution of traitors (6125085448)
Art inspired by Perspective Drawing of an Interior, early 19th century, Graphite, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-perspective-drawing-of-an-interior-early-19th-century-graphite-sheet-8-916-x-12-516-in-217-x-312-cm-anonymous-british-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462965168.htmlRF2HW5TP8–Art inspired by Perspective Drawing of an Interior, early 19th century, Graphite, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: James Sharples, British, 1752–1811 James Madison, Class of 1771 (1751-1836) Pastel on laid (?) paper mounted to canvas 26.5 x 21.4 cm. (10 7/16 x 8 7/16 in.) frame: 36.2 x 31.8 cm. (14 1/4 x 12 1/2 in.) Princeton University, presented in 1916 by a group of alumni PP170 . before 1811 6 1811, Sharples, James, James Madison Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-james-sharples-british-17521811-james-madison-class-of-1771-1751-1836-pastel-on-laid-paper-mounted-to-canvas-265-x-214-cm-10-716-x-8-716-in-frame-362-x-318-cm-14-14-x-12-12-in-princeton-university-presented-in-1916-by-a-group-of-alumni-pp170-before-1811-6-1811-sharples-james-james-madison-image187566091.htmlRMMW4ACY–. English: James Sharples, British, 1752–1811 James Madison, Class of 1771 (1751-1836) Pastel on laid (?) paper mounted to canvas 26.5 x 21.4 cm. (10 7/16 x 8 7/16 in.) frame: 36.2 x 31.8 cm. (14 1/4 x 12 1/2 in.) Princeton University, presented in 1916 by a group of alumni PP170 . before 1811 6 1811, Sharples, James, James Madison
Art inspired by Design for Two Caskets, early 19th century, Ink and wash, sheet: 8 9/16 x 12 1/4 in. (21.7 x 31.1 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-two-caskets-early-19th-century-ink-and-wash-sheet-8-916-x-12-14-in-217-x-311-cm-anonymous-british-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462984013.htmlRF2HW6MR9–Art inspired by Design for Two Caskets, early 19th century, Ink and wash, sheet: 8 9/16 x 12 1/4 in. (21.7 x 31.1 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![ANTIQVITY HALL Suburbanū: Oxon Author Vertue, George 35.26. Place of publication: [Oxford?] Publisher: by ye Modern Antiquarians calld μιλδαλε. Date of publication: [1722?] Item type: 1 print Medium: etching and engraving Dimensions: platemark 28.2 x 21.8 cm, on sheet 31.7 x 24.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HN74/antiqvity-hall-suburbanu-oxon-author-vertue-george-3526-place-of-publication-oxford-publisher-by-ye-modern-antiquarians-calld-date-of-publication-1722-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-282-x-218-cm-on-sheet-317-x-245-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HN74.jpg "ANTIQVITY HALL Suburbanū: Oxon Author Vertue, George 35.26. Place of publication: [Oxford?] Publisher: by ye Modern Antiquarians calld μιλδαλε. Date of publication: [1722?] Item type: 1 print Medium: etching and engraving Dimensions: platemark 28.2 x 21.8 cm, on sheet 31.7 x 24.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
ANTIQVITY HALL SuburbanuÃÑ: Oxon Author Vertue, George 35.26. Place of publication: [Oxford?] Publisher: by ye Modern Antiquarians calld ŒºŒπŒªŒ¥Œ±ŒªŒµ. Date of publication: [1722?] Item type: 1 print Medium: etching and engraving Dimensions: platemark 28.2 x 21.8 cm, on sheet 31.7 x 24.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antiqvity-hall-suburbanu-oxon-author-vertue-george-3526-place-of-publication-oxford-publisher-by-ye-modern-antiquarians-calld-date-of-publication-1722-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-282-x-218-cm-on-sheet-317-x-245-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401760216.htmlRM2E9HN74–ANTIQVITY HALL SuburbanuÃÑ: Oxon Author Vertue, George 35.26. Place of publication: [Oxford?] Publisher: by ye Modern Antiquarians calld ŒºŒπŒªŒ¥Œ±ŒªŒµ. Date of publication: [1722?] Item type: 1 print Medium: etching and engraving Dimensions: platemark 28.2 x 21.8 cm, on sheet 31.7 x 24.5 cm Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Portrait of Cardinal Christopher Clavius, 1606, Engraving, 12 3/16 x 8 7/16 in. (31 x 21.5 cm), Prints, Francesco Villamena (Italian, Assisi ca. 1565–1624 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-cardinal-christopher-clavius-1606-engraving-12-316-x-8-716-in-31-x-215-cm-prints-francesco-villamena-italian-assisi-ca-15651624-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462955441.htmlRF2HW5CAW–Art inspired by Portrait of Cardinal Christopher Clavius, 1606, Engraving, 12 3/16 x 8 7/16 in. (31 x 21.5 cm), Prints, Francesco Villamena (Italian, Assisi ca. 1565–1624 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
View of the interior of the city of Pompeii, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 6. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 16 5/8 x 22 3/8 in. (42.2 x 56.8 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce, aujourd'hui Royaume de Naples, Gravées par Francois Piranesi, Memb Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-interior-of-the-city-of-pompeii-from-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-grce-antiquities-of-pompeii-volume-one-antiquities-of-great-greece-volume-1-plate-6-artist-francesco-piranesi-italian-rome-1758-1810-paris-after-giovanni-battista-piranesi-italian-mogliano-veneto-1720-1778-rome-dimensions-sheet-21-78-x-31-916-in-555-x-802-cm-plate-16-58-x-22-38-in-422-x-568-cm-seriesportfolio-antiquits-de-pompea-tome-premier-antiquits-de-la-grande-grce-aujourdhui-royaume-de-naples-graves-par-francois-piranesi-memb-image212898195.htmlRMPAA9PY–View of the interior of the city of Pompeii, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 6. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); After Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 21 7/8 x 31 9/16 in. (55.5 x 80.2 cm) Plate: 16 5/8 x 22 3/8 in. (42.2 x 56.8 cm). Series/Portfolio: Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce, aujourd'hui Royaume de Naples, Gravées par Francois Piranesi, Memb
Art inspired by Design for Two Gothic Style Armchairs, early 19th century, Ink, watercolor and wash, sheet: 8 9/16 x 12 3/16 in. (21.7 x 31 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-two-gothic-style-armchairs-early-19th-century-ink-watercolor-and-wash-sheet-8-916-x-12-316-in-217-x-31-cm-anonymous-british-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462983728.htmlRF2HW6MD4–Art inspired by Design for Two Gothic Style Armchairs, early 19th century, Ink, watercolor and wash, sheet: 8 9/16 x 12 3/16 in. (21.7 x 31 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[Untitled] (Bird with Hydrangea) Unknown.. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art Stock Photo](https://c8.alamy.com/comp/2M942BJ/untitled-bird-with-hydrangea-unknown-print-other-sight-12-316-x-8-716-in-31-x-214-cm-asian-art-2M942BJ.jpg "[Untitled] (Bird with Hydrangea) Unknown.. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art Stock Photo")
[Untitled] (Bird with Hydrangea) Unknown.. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-bird-with-hydrangea-unknown-print-other-sight-12-316-x-8-716-in-31-x-214-cm-asian-art-image504722278.htmlRM2M942BJ–[Untitled] (Bird with Hydrangea) Unknown.. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art
Drawing, Design for a candelabrum; France; pen and ink, brush and wash on paper; Image: 31.9 x 19.4 cm (12 9/16 x 7 5/8 in.) Sheet: 33.6 x 21.5 cm (13 1/4 x 8 7/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-a-candelabrum-france-pen-and-ink-brush-and-wash-on-paper-image-319-x-194-cm-12-916-x-7-58-in-sheet-336-x-215-cm-13-14-x-8-716-in-image546075365.htmlRM2PMBTKH–Drawing, Design for a candelabrum; France; pen and ink, brush and wash on paper; Image: 31.9 x 19.4 cm (12 9/16 x 7 5/8 in.) Sheet: 33.6 x 21.5 cm (13 1/4 x 8 7/16 in.)
Bead, 3 sided MET DP110322 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bead-3-sided-met-dp110322-251973-minoan-bead-3-sided-steatite-other-168457523.htmlRMKP1W83–Bead, 3 sided MET DP110322 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21)
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241481354.htmlRFT0TBX2–Illustration Xray Icon
St. Matthew, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 38-7/8 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, right center edge: D.T., European Painting and Sculpture Before 1800 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-matthew-el-greco-greek-1541-1614-workshop-of-el-greco-greek-1541-1614-about-1610-1614-oil-on-canvas-28-14-x-21-58-in-canvas-38-78-x-31-78-x-3-34-in-framedglazed-inscribed-initials-in-black-oil-paint-right-center-edge-dt-european-painting-and-sculpture-before-1800-image328784836.htmlRM2A2WCBG–St. Matthew, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 38-7/8 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, right center edge: D.T., European Painting and Sculpture Before 1800
. English: James Sharples, British, 1752–1811 James Madison, Class of 1771 (1751-1836) Pastel on laid (?) paper mounted to canvas 26.5 x 21.4 cm. (10 7/16 x 8 7/16 in.) frame: 36.2 x 31.8 cm. (14 1/4 x 12 1/2 in.) Princeton University, presented in 1916 by a group of alumni PP170 . before 1811 6 1811, Sharples, James, James Madison Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-james-sharples-british-17521811-james-madison-class-of-1771-1751-1836-pastel-on-laid-paper-mounted-to-canvas-265-x-214-cm-10-716-x-8-716-in-frame-362-x-318-cm-14-14-x-12-12-in-princeton-university-presented-in-1916-by-a-group-of-alumni-pp170-before-1811-6-1811-sharples-james-james-madison-image188113297.htmlRMMX18C1–. English: James Sharples, British, 1752–1811 James Madison, Class of 1771 (1751-1836) Pastel on laid (?) paper mounted to canvas 26.5 x 21.4 cm. (10 7/16 x 8 7/16 in.) frame: 36.2 x 31.8 cm. (14 1/4 x 12 1/2 in.) Princeton University, presented in 1916 by a group of alumni PP170 . before 1811 6 1811, Sharples, James, James Madison
Design for a Worktable. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 7/16 x 12 3/16 in. (21.5 x 31 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-worktable-artist-anonymous-british-19th-century-dimensions-sheet-8-716-x-12-316-in-215-x-31-cm-date-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212906880.htmlRMPAAMW4–Design for a Worktable. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 7/16 x 12 3/16 in. (21.5 x 31 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Design for Fringed Curtains Hanging at Two Windows, early 19th century, Ink and wash, sheet: 8 9/16 x 12 3/16 in. (21.7 x 31 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-fringed-curtains-hanging-at-two-windows-early-19th-century-ink-and-wash-sheet-8-916-x-12-316-in-217-x-31-cm-anonymous-british-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462984136.htmlRF2HW6MYM–Art inspired by Design for Fringed Curtains Hanging at Two Windows, early 19th century, Ink and wash, sheet: 8 9/16 x 12 3/16 in. (21.7 x 31 cm), Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[Untitled] (Woodpecker) Unknown. , 1892. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art 1892 Stock Photo](https://c8.alamy.com/comp/2M9405Y/untitled-woodpecker-unknown-1892-print-other-sight-12-316-x-8-716-in-31-x-214-cm-asian-art-1892-2M9405Y.jpg "[Untitled] (Woodpecker) Unknown. , 1892. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art 1892 Stock Photo")
[Untitled] (Woodpecker) Unknown. , 1892. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art 1892 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-woodpecker-unknown-1892-print-other-sight-12-316-x-8-716-in-31-x-214-cm-asian-art-1892-image504720551.htmlRM2M9405Y–[Untitled] (Woodpecker) Unknown. , 1892. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art 1892
Art inspired by Little Draped Figure Leaning, James Abbott McNeill Whistler, American, 1834-1903, Lithograph, 1893, 12 7/16 x 8 5/8 in., 31.6 x 21.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-little-draped-figure-leaning-james-abbott-mcneill-whistler-american-1834-1903-lithograph-1893-12-716-x-8-58-in-316-x-219-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459573336.htmlRF2HKKADC–Art inspired by Little Draped Figure Leaning, James Abbott McNeill Whistler, American, 1834-1903, Lithograph, 1893, 12 7/16 x 8 5/8 in., 31.6 x 21.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Two Candlesticks; Italy; pen and brown ink, brown wash, black chalk support: light brown paper laid down; 31.4 x 21.2 cm (12 3/8 x 8 3/8 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-two-candlesticks-italy-pen-and-brown-ink-brown-wash-black-chalk-support-light-brown-paper-laid-down-314-x-212-cm-12-38-x-8-38-in-mat-356-x-457-cm-14-x-18-in-image546108279.htmlRM2PMDAK3–Drawing, Two Candlesticks; Italy; pen and brown ink, brown wash, black chalk support: light brown paper laid down; 31.4 x 21.2 cm (12 3/8 x 8 3/8 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)
Bead, 3 sided MET DP110317 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bead-3-sided-met-dp110317-251973-minoan-bead-3-sided-steatite-other-168299681.htmlRMKNPKXW–Bead, 3 sided MET DP110317 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21)
Album Page, Elevation and Plan of Façade of San Bernadino, Perugia, Italy; Whitney Warren Jr. (American, 1864–1943); Italy; graphite, trace of brush and gray wash on off-white wove paper with deckled edge tipped into binding with fabric; Sheet: 31.6 x 21.2 cm (12 7/16 x 8 3/8 in.), irregular Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-page-elevation-and-plan-of-faade-of-san-bernadino-perugia-italy-whitney-warren-jr-american-18641943-italy-graphite-trace-of-brush-and-gray-wash-on-off-white-wove-paper-with-deckled-edge-tipped-into-binding-with-fabric-sheet-316-x-212-cm-12-716-x-8-38-in-irregular-image546234485.htmlRM2PMK3JD–Album Page, Elevation and Plan of Façade of San Bernadino, Perugia, Italy; Whitney Warren Jr. (American, 1864–1943); Italy; graphite, trace of brush and gray wash on off-white wove paper with deckled edge tipped into binding with fabric; Sheet: 31.6 x 21.2 cm (12 7/16 x 8 3/8 in.), irregular
St. Matthew, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 38-7/8 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, right center edge: D.T., European Painting and Sculpture Before 1800 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-matthew-el-greco-greek-1541-1614-workshop-of-el-greco-greek-1541-1614-about-1610-1614-oil-on-canvas-28-14-x-21-58-in-canvas-38-78-x-31-78-x-3-34-in-framedglazed-inscribed-initials-in-black-oil-paint-right-center-edge-dt-european-painting-and-sculpture-before-1800-image328784834.htmlRM2A2WCBE–St. Matthew, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 38-7/8 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, right center edge: D.T., European Painting and Sculpture Before 1800
Watercolor, Interior of a Library; Unknown (English); brush and watercolor, graphite on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 21.3 x 31.6 cm (8 3/8 x 12 7/16 in.); Thaw Collection; 2007-27-28 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watercolor-interior-of-a-library-unknown-english-brush-and-watercolor-graphite-on-paper-frame-h-x-w-x-d-397-x-502-x-25-cm-15-58-x-19-34-x-1-in-sheet-213-x-316-cm-8-38-x-12-716-in-thaw-collection-2007-27-28-image546083045.htmlRM2PMC6DW–Watercolor, Interior of a Library; Unknown (English); brush and watercolor, graphite on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 21.3 x 31.6 cm (8 3/8 x 12 7/16 in.); Thaw Collection; 2007-27-28
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241481267.htmlRFT0TBPY–Illustration Xray Icon
Drawing, Interior in the House of Lord Chamberlain O'Neill, Strandraede, Copenhagen; Christian Olavius Zeuthen; pen and brush and black ink, watercolor, graphite on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 in. x 19 3/4 in. x 1 in.) Sheet: 21.6 x 31.8 cm (8 1/2 x 12 1/2 in.) ; Thaw Collection; 2012-5-3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-interior-in-the-house-of-lord-chamberlain-oneill-strandraede-copenhagen-christian-olavius-zeuthen-pen-and-brush-and-black-ink-watercolor-graphite-on-paper-frame-h-x-w-x-d-397-x-502-x-25-cm-15-58-in-x-19-34-in-x-1-in-sheet-216-x-318-cm-8-12-x-12-12-in-thaw-collection-2012-5-3-image546088800.htmlRM2PMCDRC–Drawing, Interior in the House of Lord Chamberlain O'Neill, Strandraede, Copenhagen; Christian Olavius Zeuthen; pen and brush and black ink, watercolor, graphite on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 in. x 19 3/4 in. x 1 in.) Sheet: 21.6 x 31.8 cm (8 1/2 x 12 1/2 in.) ; Thaw Collection; 2012-5-3
Album Page, Structure with Pointed Arch from Chapel at Amboise, France; Whitney Warren Jr. (American, 1864–1943); France; graphite on off-white wove paper with pre-printed blue ink ruled lines, mounted to thick, off-white laid paper tipped into binding with fabric; Sheet: 21.4 x 17.2 cm (8 7/16 x 6 3/4 in.), irregular Mount: 31.9 x 24.2 cm (12 9/16 x 9 1/2 in.), irregular Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-page-structure-with-pointed-arch-from-chapel-at-amboise-france-whitney-warren-jr-american-18641943-france-graphite-on-off-white-wove-paper-with-pre-printed-blue-ink-ruled-lines-mounted-to-thick-off-white-laid-paper-tipped-into-binding-with-fabric-sheet-214-x-172-cm-8-716-x-6-34-in-irregular-mount-319-x-242-cm-12-916-x-9-12-in-irregular-image546238719.htmlRM2PMK91K–Album Page, Structure with Pointed Arch from Chapel at Amboise, France; Whitney Warren Jr. (American, 1864–1943); France; graphite on off-white wove paper with pre-printed blue ink ruled lines, mounted to thick, off-white laid paper tipped into binding with fabric; Sheet: 21.4 x 17.2 cm (8 7/16 x 6 3/4 in.), irregular Mount: 31.9 x 24.2 cm (12 9/16 x 9 1/2 in.), irregular
. English: James Sharples, British, 1752–1811 James Madison, Class of 1771 (1751-1836) Pastel on laid (?) paper mounted to canvas 26.5 x 21.4 cm. (10 7/16 x 8 7/16 in.) frame: 36.2 x 31.8 cm. (14 1/4 x 12 1/2 in.) Princeton University, presented in 1916 by a group of alumni PP170 . before 1811. 6 1811, Sharples, James, James Madison Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-james-sharples-british-17521811-james-madison-class-of-1771-1751-1836-pastel-on-laid-paper-mounted-to-canvas-265-x-214-cm-10-716-x-8-716-in-frame-362-x-318-cm-14-14-x-12-12-in-princeton-university-presented-in-1916-by-a-group-of-alumni-pp170-before-1811-6-1811-sharples-james-james-madison-image184771295.htmlRMMMH1JR–. English: James Sharples, British, 1752–1811 James Madison, Class of 1771 (1751-1836) Pastel on laid (?) paper mounted to canvas 26.5 x 21.4 cm. (10 7/16 x 8 7/16 in.) frame: 36.2 x 31.8 cm. (14 1/4 x 12 1/2 in.) Princeton University, presented in 1916 by a group of alumni PP170 . before 1811. 6 1811, Sharples, James, James Madison
Design for Two Caskets. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 12 1/4 in. (21.7 x 31.1 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-two-caskets-artist-anonymous-british-19th-century-dimensions-sheet-8-916-x-12-14-in-217-x-311-cm-date-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213303452.htmlRMPB0PMC–Design for Two Caskets. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 12 1/4 in. (21.7 x 31.1 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
![[Untitled] (Two Birds with Pink Flowers) Unknown.. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art Stock Photo](https://c8.alamy.com/comp/2M942C3/untitled-two-birds-with-pink-flowers-unknown-print-other-sight-12-316-x-8-716-in-31-x-214-cm-asian-art-2M942C3.jpg "[Untitled] (Two Birds with Pink Flowers) Unknown.. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art Stock Photo")
[Untitled] (Two Birds with Pink Flowers) Unknown.. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-two-birds-with-pink-flowers-unknown-print-other-sight-12-316-x-8-716-in-31-x-214-cm-asian-art-image504722291.htmlRM2M942C3–[Untitled] (Two Birds with Pink Flowers) Unknown.. Print, Other (Sight): 12 3/16 x 8 7/16 in. (31 x 21.4 cm). Asian Art
Art inspired by Apocalypse de Saint-Jean, Odilon Redon, French, 1840-1916, Lithograph on China paper laid down, 1899, 12 3/16 x 8 7/16 in., 31 x 21.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-apocalypse-de-saint-jean-odilon-redon-french-1840-1916-lithograph-on-china-paper-laid-down-1899-12-316-x-8-716-in-31-x-215-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568305.htmlRF2HKK41N–Art inspired by Apocalypse de Saint-Jean, Odilon Redon, French, 1840-1916, Lithograph on China paper laid down, 1899, 12 3/16 x 8 7/16 in., 31 x 21.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bead, 3 sided MET DP110322 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bead-3-sided-met-dp110322-251973-minoan-bead-3-sided-steatite-other-168299693.htmlRMKNPKY9–Bead, 3 sided MET DP110322 251973 Minoan, Bead, 3 sided, Steatite, Other: 1/4 x 5/16 in. (0.7 x 0.8 cm). The Metropolitan Museum of Art, New York. Bequest of Richard B. Seager, 1926 (26.31.21)
lantern, Anonymous, first half 19th century, Total: 45.8 x 21.5cm (458 x 215mm), 2728 A: 34.7 x 21.5cm (347 x 215mm), 2728 B: 6.4 x 19.6cm (64 x 196mm), 2728 C: 6 x 7.8cm (60 x 78mm), 2728 D: 31.3 x 9.1cm (313 x 91mm), cylindrical sheet iron lantern, painted red on the inside and outside green. The lantern has a flat bottom and an upright, openwork wall with a semicircular handle at the top. On one side a hinged door with a lip closure. Inside is a small, cylindrical candle holder, over which an openwork cylinder is closed on one side. The whole is covered with a lid that falls into the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lantern-anonymous-first-half-19th-century-total-458-x-215cm-458-x-215mm-2728-a-347-x-215cm-347-x-215mm-2728-b-64-x-196cm-64-x-196mm-2728-c-6-x-78cm-60-x-78mm-2728-d-313-x-91cm-313-x-91mm-cylindrical-sheet-iron-lantern-painted-red-on-the-inside-and-outside-green-the-lantern-has-a-flat-bottom-and-an-upright-openwork-wall-with-a-semicircular-handle-at-the-top-on-one-side-a-hinged-door-with-a-lip-closure-inside-is-a-small-cylindrical-candle-holder-over-which-an-openwork-cylinder-is-closed-on-one-side-the-whole-is-covered-with-a-lid-that-falls-into-the-image387985517.htmlRM2DF67DH–lantern, Anonymous, first half 19th century, Total: 45.8 x 21.5cm (458 x 215mm), 2728 A: 34.7 x 21.5cm (347 x 215mm), 2728 B: 6.4 x 19.6cm (64 x 196mm), 2728 C: 6 x 7.8cm (60 x 78mm), 2728 D: 31.3 x 9.1cm (313 x 91mm), cylindrical sheet iron lantern, painted red on the inside and outside green. The lantern has a flat bottom and an upright, openwork wall with a semicircular handle at the top. On one side a hinged door with a lip closure. Inside is a small, cylindrical candle holder, over which an openwork cylinder is closed on one side. The whole is covered with a lid that falls into the
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241481604.htmlRFT0TC70–Illustration Xray Icon
Album Page, Plan of Main Wall Inside, Chapel at Amboise, France; Whitney Warren Jr. (American, 1864–1943); France; graphite on off-white wove paper with pre-printed blue ink ruled lines, mounted to thick, off-white laid paper tipped into binding with fabric; Sheet: 21.5 x 17.2 cm (8 7/16 x 6 3/4 in.), irregular Mount: 31.8 x 24.7 cm (12 1/2 x 9 3/4 in.), irregular Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-page-plan-of-main-wall-inside-chapel-at-amboise-france-whitney-warren-jr-american-18641943-france-graphite-on-off-white-wove-paper-with-pre-printed-blue-ink-ruled-lines-mounted-to-thick-off-white-laid-paper-tipped-into-binding-with-fabric-sheet-215-x-172-cm-8-716-x-6-34-in-irregular-mount-318-x-247-cm-12-12-x-9-34-in-irregular-image546233066.htmlRM2PMK1RP–Album Page, Plan of Main Wall Inside, Chapel at Amboise, France; Whitney Warren Jr. (American, 1864–1943); France; graphite on off-white wove paper with pre-printed blue ink ruled lines, mounted to thick, off-white laid paper tipped into binding with fabric; Sheet: 21.5 x 17.2 cm (8 7/16 x 6 3/4 in.), irregular Mount: 31.8 x 24.7 cm (12 1/2 x 9 3/4 in.), irregular
Print, Unterschiedlich Augspurgische Goldschmidts Arbeit, 'Aestas' (Summer), Plate 2; Designed by Abraham Drentwet (1647 – 1727); Printed by Georg Heinrich Schifflen (German, 1666 – 1745); Published by Jeremias Wolff (German, 1663–1750); Germany; engraving on white laid paper; Sheet: 43.2 x 31.1 cm (17 x 12 1/4 in.) Platemark: 30.8 x 21.4 cm (12 1/8 x 8 7/16 in.) Image: 29.2 x 20.3 cm (11 1/2 x 8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-unterschiedlich-augspurgische-goldschmidts-arbeit-aestas-summer-plate-2-designed-by-abraham-drentwet-1647-1727-printed-by-georg-heinrich-schifflen-german-1666-1745-published-by-jeremias-wolff-german-16631750-germany-engraving-on-white-laid-paper-sheet-432-x-311-cm-17-x-12-14-in-platemark-308-x-214-cm-12-18-x-8-716-in-image-292-x-203-cm-11-12-x-8-in-image546190071.htmlRM2PMH307–Print, Unterschiedlich Augspurgische Goldschmidts Arbeit, 'Aestas' (Summer), Plate 2; Designed by Abraham Drentwet (1647 – 1727); Printed by Georg Heinrich Schifflen (German, 1666 – 1745); Published by Jeremias Wolff (German, 1663–1750); Germany; engraving on white laid paper; Sheet: 43.2 x 31.1 cm (17 x 12 1/4 in.) Platemark: 30.8 x 21.4 cm (12 1/8 x 8 7/16 in.) Image: 29.2 x 20.3 cm (11 1/2 x 8 in.)
. English: James Sharples, British, 1752–1811 James Madison, Class of 1771 (1751-1836) Pastel on laid (?) paper mounted to canvas 26.5 x 21.4 cm. (10 7/16 x 8 7/16 in.) frame: 36.2 x 31.8 cm. (14 1/4 x 12 1/2 in.) Princeton University, presented in 1916 by a group of alumni PP170 . before 1811 5 1811, Sharples, James, James Madison Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-james-sharples-british-17521811-james-madison-class-of-1771-1751-1836-pastel-on-laid-paper-mounted-to-canvas-265-x-214-cm-10-716-x-8-716-in-frame-362-x-318-cm-14-14-x-12-12-in-princeton-university-presented-in-1916-by-a-group-of-alumni-pp170-before-1811-5-1811-sharples-james-james-madison-image188840698.htmlRMMY6C6J–. English: James Sharples, British, 1752–1811 James Madison, Class of 1771 (1751-1836) Pastel on laid (?) paper mounted to canvas 26.5 x 21.4 cm. (10 7/16 x 8 7/16 in.) frame: 36.2 x 31.8 cm. (14 1/4 x 12 1/2 in.) Princeton University, presented in 1916 by a group of alumni PP170 . before 1811 5 1811, Sharples, James, James Madison
. English: Creation Date: ca. 1600 Display Dimensions: 8 7/16 in. x 4 29/32 in. (21.4 cm x 12.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.302 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 26 April 2002, 12:44:31. English: thesandiegomuseumofartcollection Demons in a Wild Landscape (6125073734) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-creation-date-ca-1600-display-dimensions-8-716-in-x-4-2932-in-214-cm-x-125-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990302-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-26-april-2002-124431-english-thesandiegomuseumofartcollection-demons-in-a-wild-landscape-6125073734-image184775403.htmlRMMMH6WF–. English: Creation Date: ca. 1600 Display Dimensions: 8 7/16 in. x 4 29/32 in. (21.4 cm x 12.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.302 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 26 April 2002, 12:44:31. English: thesandiegomuseumofartcollection Demons in a Wild Landscape (6125073734)
Perspective Drawing of an Interior. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/perspective-drawing-of-an-interior-artist-anonymous-british-19th-century-dimensions-sheet-8-916-x-12-516-in-217-x-312-cm-date-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212883827.htmlRMPA9KDR–Perspective Drawing of an Interior. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: Display Artist: Kedarji Creation Date: ca. 1840 Display Dimensions: 12 15/32 in. x 8 11/32 in. (31.7 cm x 21.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.772 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:07:20. English: thesandiegomuseumofartcollection 899 Mokham Singh rides Samser (6124517123) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-display-artist-kedarji-creation-date-ca-1840-display-dimensions-12-1532-in-x-8-1132-in-317-cm-x-212-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990772-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140720-english-thesandiegomuseumofartcollection-899-mokham-singh-rides-samser-6124517123-image185706205.htmlRMMP3J4D–. English: Display Artist: Kedarji Creation Date: ca. 1840 Display Dimensions: 12 15/32 in. x 8 11/32 in. (31.7 cm x 21.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.772 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:07:20. English: thesandiegomuseumofartcollection 899 Mokham Singh rides Samser (6124517123)
Search Results for 21 7 8 x 31 Stock Photos and Images (854)
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