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20 3cm Stock Photos and Images
Jug, Cypriot, Cypro-Archaic II, Date 600–480 B.C., Cypriot, Terracotta, 8in. (20.3cm), Vases Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-cypriot-cypro-archaic-ii-date-600480-bc-cypriot-terracotta-8in-203cm-vases-image344658887.htmlRM2B0MFWY–Jug, Cypriot, Cypro-Archaic II, Date 600–480 B.C., Cypriot, Terracotta, 8in. (20.3cm), Vases
Art inspired by Designs for Ceiling, 19th century, Graphite, 11 1/8 x 8in. (28.3 x 20.3cm), Drawings, Charles Monblond (French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-designs-for-ceiling-19th-century-graphite-11-18-x-8in-283-x-203cm-drawings-charles-monblond-french-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462956335.htmlRF2HW5DER–Art inspired by Designs for Ceiling, 19th century, Graphite, 11 1/8 x 8in. (28.3 x 20.3cm), Drawings, Charles Monblond (French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Designs for Ceiling. Artist: Charles Monblond (French, 19th century). Dimensions: 11 1/8 x 8in. (28.3 x 20.3cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/designs-for-ceiling-artist-charles-monblond-french-19th-century-dimensions-11-18-x-8in-283-x-203cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213176269.htmlRMPAR0E5–Designs for Ceiling. Artist: Charles Monblond (French, 19th century). Dimensions: 11 1/8 x 8in. (28.3 x 20.3cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Bowl, 12th–13th century, Attributed to Iran, Stonepaste; overglaze painted, so-called 'mina'i' ware, 3 5/8 x 8in. (9.2 x 20.3cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bowl-12th13th-century-attributed-to-iran-stonepaste-overglaze-painted-so-called-minai-ware-3-58-x-8in-92-x-203cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462821963.htmlRF2HTYA3R–Art inspired by Bowl, 12th–13th century, Attributed to Iran, Stonepaste; overglaze painted, so-called 'mina'i' ware, 3 5/8 x 8in. (9.2 x 20.3cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A Stock Photo](https://c8.alamy.com/comp/MMH482/english-a-persian-manuscript-on-talismans-north-india-1700s-source-httpwwwchristiescomlotfindersearchlotdetailaspsid=intobjectid=4692190se=cmwcat0314494215580984qr=m186aqc000090012434aqc0000900entry=indiasu=1rq=truean=87-downloaded-mar-2006-a-leaf-from-a-manuscript-on-talismans-north-india-18th-century-from-an-arabic-actually-persian-with-some-arabic-phrases-manuscript-of-a-magical-or-talismanic-nature-with-a-miniature-of-two-scorpions-in-gouache-with-lines-of-black-nastaliq-above-and-below-folio-12-x-8in-323-x-203cm-1700s-unknown-21-a-MMH482.jpg ". English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A Stock Photo")
. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-persian-manuscript-on-talismans-north-india-1700s-source-httpwwwchristiescomlotfindersearchlotdetailaspsid=intobjectid=4692190se=cmwcat0314494215580984qr=m186aqc000090012434aqc0000900entry=indiasu=1rq=truean=87-downloaded-mar-2006-a-leaf-from-a-manuscript-on-talismans-north-india-18th-century-from-an-arabic-actually-persian-with-some-arabic-phrases-manuscript-of-a-magical-or-talismanic-nature-with-a-miniature-of-two-scorpions-in-gouache-with-lines-of-black-nastaliq-above-and-below-folio-12-x-8in-323-x-203cm-1700s-unknown-21-a-image184773346.htmlRMMMH482–. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A
Art inspired by Head, from a Figure, 1st–5th century (?), Colombia or Ecuador, Tolita-Tumaco, Ceramic, H x W: 12 1/2 x 8in. (31.8 x 20.3cm), Ceramics-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-head-from-a-figure-1st5th-century-colombia-or-ecuador-tolita-tumaco-ceramic-h-x-w-12-12-x-8in-318-x-203cm-ceramics-sculpture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462796791.htmlRF2HTX60R–Art inspired by Head, from a Figure, 1st–5th century (?), Colombia or Ecuador, Tolita-Tumaco, Ceramic, H x W: 12 1/2 x 8in. (31.8 x 20.3cm), Ceramics-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
fine arts, ancient world, Parthia, altar for sacrificial fire offering, alabaster, 20,3cm x 15,4 cm, Hatra / Cadra, Temple VII, 2nd century A.D., Iraqi National Museum Baghdad, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-ancient-world-parthia-altar-for-sacrificial-fire-offering-110825577.htmlRMGC8F49–fine arts, ancient world, Parthia, altar for sacrificial fire offering, alabaster, 20,3cm x 15,4 cm, Hatra / Cadra, Temple VII, 2nd century A.D., Iraqi National Museum Baghdad,
Art inspired by Asia, 17th century, Pen and gray and brown ink, brush and gray wash, sheet: 10 3/8 x 8in. (26.4 x 20.3cm), Drawings, Godfried Maes (Antwerp 1649–1700 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-asia-17th-century-pen-and-gray-and-brown-ink-brush-and-gray-wash-sheet-10-38-x-8in-264-x-203cm-drawings-godfried-maes-antwerp-16491700-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462802924.htmlRF2HTXDRT–Art inspired by Asia, 17th century, Pen and gray and brown ink, brush and gray wash, sheet: 10 3/8 x 8in. (26.4 x 20.3cm), Drawings, Godfried Maes (Antwerp 1649–1700 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Water Front: From Roof of Irving Trust Co. Building Berenice Abbott (American, 1898-1991). Water Front: From Roof of Irving Trust Co. Building, May 4, 1938. Gelatin silver photograph, 10 x 8 in. (25.4 x 20.3cm). Photography May 4, 1938 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/water-front-from-roof-of-irving-trust-co-building-berenice-abbott-american-1898-1991-water-front-from-roof-of-irving-trust-co-building-may-4-1938-gelatin-silver-photograph-10-x-8-in-254-x-203cm-photography-may-4-1938-image504705916.htmlRM2M939F8–Water Front: From Roof of Irving Trust Co. Building Berenice Abbott (American, 1898-1991). Water Front: From Roof of Irving Trust Co. Building, May 4, 1938. Gelatin silver photograph, 10 x 8 in. (25.4 x 20.3cm). Photography May 4, 1938
Art inspired by Marcus Curtius Leaping into the Chasm, 1734–1802, Black chalk, 10 7/16 x 8in. (26.5 x 20.3cm), Drawings, Gaetano Gandolfi (Italian, San Matteo della Decima 1734–1802 Bologna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-marcus-curtius-leaping-into-the-chasm-17341802-black-chalk-10-716-x-8in-265-x-203cm-drawings-gaetano-gandolfi-italian-san-matteo-della-decima-17341802-bologna-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951535.htmlRF2HW57BB–Art inspired by Marcus Curtius Leaping into the Chasm, 1734–1802, Black chalk, 10 7/16 x 8in. (26.5 x 20.3cm), Drawings, Gaetano Gandolfi (Italian, San Matteo della Decima 1734–1802 Bologna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Angel MET 168862 Angel MET 168862 /189695 Artist: Workshop of Ignaz G?nther, German, Altmannstein 1725?1775 Munich, Angel, ca. 1760?70, Lindenwood, traces of gesso, 10 3/4 x 8 in. (27.3 x 20.3cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.442e) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-angel-met-168862-angel-met-168862-189695-artist-workshop-of-ignaz-167998968.htmlRMKN90B4–Angel MET 168862 Angel MET 168862 /189695 Artist: Workshop of Ignaz G?nther, German, Altmannstein 1725?1775 Munich, Angel, ca. 1760?70, Lindenwood, traces of gesso, 10 3/4 x 8 in. (27.3 x 20.3cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.442e)
Art inspired by Cistern or Fountain, early 20th century (original dated 15th century), German, Bronze or brass, Overall: 15 3/4 x 10 1/2 x 8in. (40 x 26.7 x 20.3cm), Reproductions-Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cistern-or-fountain-early-20th-century-original-dated-15th-century-german-bronze-or-brass-overall-15-34-x-10-12-x-8in-40-x-267-x-203cm-reproductions-metalwork-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463032552.htmlRF2HW8XMT–Art inspired by Cistern or Fountain, early 20th century (original dated 15th century), German, Bronze or brass, Overall: 15 3/4 x 10 1/2 x 8in. (40 x 26.7 x 20.3cm), Reproductions-Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Water containers, 1300 - 1500, bronze, 20.5cm × 24.9cm × 12.3cm, East Java Indonesia water container that were used for pouring water over holy figures. At the jug in the shape of an elephant, the water is poured through the trunk. , Indonesia, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/water-containers-1300-1500-bronze-205cm-249cm-123cm-east-java-indonesia-water-container-that-were-used-for-pouring-water-over-holy-figures-at-the-jug-in-the-shape-of-an-elephant-the-water-is-poured-through-the-trunk-indonesia-image442444344.htmlRM2GKR27M–Water containers, 1300 - 1500, bronze, 20.5cm × 24.9cm × 12.3cm, East Java Indonesia water container that were used for pouring water over holy figures. At the jug in the shape of an elephant, the water is poured through the trunk. , Indonesia,
Drawing, Design for Sculpture: Angel Blowing Serpentine Horn; Léonard Chailleat (Italian, active 1640 - 1650); France; pen and brown ink, brush and brown wash, black chalk on white laid paper, laid down; 20.1 x 14.3cm (7 15/16 x 5 5/8in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-sculpture-angel-blowing-serpentine-horn-lonard-chailleat-italian-active-1640-1650-france-pen-and-brown-ink-brush-and-brown-wash-black-chalk-on-white-laid-paper-laid-down-201-x-143cm-7-1516-x-5-58in-mat-457-x-356-cm-18-x-14-in-image546089055.htmlRM2PMCE4F–Drawing, Design for Sculpture: Angel Blowing Serpentine Horn; Léonard Chailleat (Italian, active 1640 - 1650); France; pen and brown ink, brush and brown wash, black chalk on white laid paper, laid down; 20.1 x 14.3cm (7 15/16 x 5 5/8in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)
Bronze mirror MET DP21035 250964 Etruscan, Bronze mirror, ca. 425?400 B.C., Bronze, 9 9/16 x 6in. (24.3 x 15.3cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1920 (20.211) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bronze-mirror-met-dp21035-250964-etruscan-bronze-mirror-ca-425400-168299333.htmlRMKNPKED–Bronze mirror MET DP21035 250964 Etruscan, Bronze mirror, ca. 425?400 B.C., Bronze, 9 9/16 x 6in. (24.3 x 15.3cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1920 (20.211)
A Cork Tree with a Grande Randonnee sign pointing the way for walkers. The Southern terminus of the GR 20. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-cork-tree-with-a-grande-randonnee-sign-pointing-the-way-for-walkers-the-southern-terminus-of-the-gr-20-image445995268.htmlRM2GWGREC–A Cork Tree with a Grande Randonnee sign pointing the way for walkers. The Southern terminus of the GR 20.
. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. FLOW SPEED (cm/sec). 10 20 30 40 50 60 DISTANCE (WIDTH) ALONG TANK (cm) 70 DEPTH â- Z â 0.5cm -Iâ Z â 5.1cm -*- Z - 12.7cm -B- Z â 20.3cm -*- Z ⢠26.4cm Figure 12. Variation of flow speed with depth at test section B Streamer nozzles 36. Streamer trap nozzle parameters investigated in the hydraulic tests are illustrated in Figure 13: nozzle height and width (varied between 2.5 by 15 cm and 25 by 20 cm); presence or absence of a hood (extending from 2.5 to 5 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/development-of-a-portable-sand-trap-for-use-in-the-nearshore-littoral-drift-oceanographic-instruments-sedimentation-and-deposition-flow-speed-cmsec-10-20-30-40-50-60-distance-width-along-tank-cm-70-depth-z-05cm-i-z-51cm-z-127cm-b-z-203cm-z-264cm-figure-12-variation-of-flow-speed-with-depth-at-test-section-b-streamer-nozzles-36-streamer-trap-nozzle-parameters-investigated-in-the-hydraulic-tests-are-illustrated-in-figure-13-nozzle-height-and-width-varied-between-25-by-15-cm-and-25-by-20-cm-presence-or-absence-of-a-hood-extending-from-25-to-5-image215969425.htmlRMPFA75N–. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. FLOW SPEED (cm/sec). 10 20 30 40 50 60 DISTANCE (WIDTH) ALONG TANK (cm) 70 DEPTH â- Z â 0.5cm -Iâ Z â 5.1cm -*- Z - 12.7cm -B- Z â 20.3cm -*- Z ⢠26.4cm Figure 12. Variation of flow speed with depth at test section B Streamer nozzles 36. Streamer trap nozzle parameters investigated in the hydraulic tests are illustrated in Figure 13: nozzle height and width (varied between 2.5 by 15 cm and 25 by 20 cm); presence or absence of a hood (extending from 2.5 to 5
Krater, Cypriot, Cypro-Geometric I, Date 1050–950 B.C., Cypriot, Terracotta, 8in. (20.3cm), Vases Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/krater-cypriot-cypro-geometric-i-date-1050950-bc-cypriot-terracotta-8in-203cm-vases-image344658941.htmlRM2B0MFYW–Krater, Cypriot, Cypro-Geometric I, Date 1050–950 B.C., Cypriot, Terracotta, 8in. (20.3cm), Vases
Terracotta phiale (libation bowl). Culture: Greek, South Italian, Campanian, Calenian. Dimensions: Other: 8in. (20.3cm). Date: late 3rd-early 2nd century B.C.. Frieze of chariots with divinities. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-phiale-libation-bowl-culture-greek-south-italian-campanian-calenian-dimensions-other-8in-203cm-date-late-3rd-early-2nd-century-bc-frieze-of-chariots-with-divinities-museum-metropolitan-museum-of-art-new-york-usa-image212915453.htmlRMPAB3R9–Terracotta phiale (libation bowl). Culture: Greek, South Italian, Campanian, Calenian. Dimensions: Other: 8in. (20.3cm). Date: late 3rd-early 2nd century B.C.. Frieze of chariots with divinities. Museum: Metropolitan Museum of Art, New York, USA.
![. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A Stock Photo](https://c8.alamy.com/comp/MW5P31/english-a-persian-manuscript-on-talismans-north-india-1700s-source-httpwwwchristiescomlotfindersearchlotdetailaspsid=intobjectid=4692190se=cmwcat0314494215580984qr=m186aqc000090012434aqc0000900entry=indiasu=1rq=truean=87-downloaded-mar-2006-a-leaf-from-a-manuscript-on-talismans-north-india-18th-century-from-an-arabic-actually-persian-with-some-arabic-phrases-manuscript-of-a-magical-or-talismanic-nature-with-a-miniature-of-two-scorpions-in-gouache-with-lines-of-black-nastaliq-above-and-below-folio-12-x-8in-323-x-203cm-1700s-unknown-21-a-MW5P31.jpg ". English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A Stock Photo")
. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-persian-manuscript-on-talismans-north-india-1700s-source-httpwwwchristiescomlotfindersearchlotdetailaspsid=intobjectid=4692190se=cmwcat0314494215580984qr=m186aqc000090012434aqc0000900entry=indiasu=1rq=truean=87-downloaded-mar-2006-a-leaf-from-a-manuscript-on-talismans-north-india-18th-century-from-an-arabic-actually-persian-with-some-arabic-phrases-manuscript-of-a-magical-or-talismanic-nature-with-a-miniature-of-two-scorpions-in-gouache-with-lines-of-black-nastaliq-above-and-below-folio-12-x-8in-323-x-203cm-1700s-unknown-21-a-image187597173.htmlRMMW5P31–. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A
Water Front: From Roof of Irving Trust Co. Building Berenice Abbott (American, 1898-1991). Water Front: From Roof of Irving Trust Co. Building, May 4, 1938. Gelatin silver photograph, 10 x 8 in. (25.4 x 20.3cm). Photography May 4, 1938 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/water-front-from-roof-of-irving-trust-co-building-berenice-abbott-american-1898-1991-water-front-from-roof-of-irving-trust-co-building-may-4-1938-gelatin-silver-photograph-10-x-8-in-254-x-203cm-photography-may-4-1938-image504705899.htmlRM2M939EK–Water Front: From Roof of Irving Trust Co. Building Berenice Abbott (American, 1898-1991). Water Front: From Roof of Irving Trust Co. Building, May 4, 1938. Gelatin silver photograph, 10 x 8 in. (25.4 x 20.3cm). Photography May 4, 1938
Art inspired by Bronze shaft-hole ax, Middle Cypriot II, ca. 1800–1725 B.C., Cypriot, Bronze, length 8in. (20.3cm), Bronzes, Tools of this type are not common on Cyprus. This example was probably imported from Syria–Palestine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bronze-shaft-hole-ax-middle-cypriot-ii-ca-18001725-bc-cypriot-bronze-length-8in-203cm-bronzes-tools-of-this-type-are-not-common-on-cyprus-this-example-was-probably-imported-from-syriapalestine-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462783010.htmlRF2HTWGCJ–Art inspired by Bronze shaft-hole ax, Middle Cypriot II, ca. 1800–1725 B.C., Cypriot, Bronze, length 8in. (20.3cm), Bronzes, Tools of this type are not common on Cyprus. This example was probably imported from Syria–Palestine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Holy Family with Attendant Putti, 1560–1630, Pen and brown ink, brush and brown wash, over red chalk, 4 3/8 x 8in. (11.1 x 20.3cm), Drawings, Cesare Pollino (Cesare dal Francia or Franchi) (Italian, Perugia ca. 1560–1598 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-holy-family-with-attendant-putti-15601630-pen-and-brown-ink-brush-and-brown-wash-over-red-chalk-4-38-x-8in-111-x-203cm-drawings-cesare-pollino-cesare-dal-francia-or-franchi-italian-perugia-ca-15601598-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953469.htmlRF2HW59TD–Art inspired by The Holy Family with Attendant Putti, 1560–1630, Pen and brown ink, brush and brown wash, over red chalk, 4 3/8 x 8in. (11.1 x 20.3cm), Drawings, Cesare Pollino (Cesare dal Francia or Franchi) (Italian, Perugia ca. 1560–1598 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bronze mirror MET DP21035 250964 Etruscan, Bronze mirror, ca. 425?400 B.C., Bronze, 9 9/16 x 6in. (24.3 x 15.3cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1920 (20.211) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bronze-mirror-met-dp21035-250964-etruscan-bronze-mirror-ca-425400-168457226.htmlRMKP1TWE–Bronze mirror MET DP21035 250964 Etruscan, Bronze mirror, ca. 425?400 B.C., Bronze, 9 9/16 x 6in. (24.3 x 15.3cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1920 (20.211)
Skrifter - Det Kongelige Norske Videnskabers Selskab . Fig. 82. Størrelsesfordelin.o- mellem han- og hunmortfangstutbytte ved Hamar i^/^—M/^ ^903 0 i mit hurtigst med ca. 4 cm. pr. aar, i de paafolgende 5 aar ca IK—3cm. jpr. aar, senere blot ca. 1 cm. pr. aar. Den aarlige tilvekstmdtil 15-aars alderen har jeg beregnet til: 186 HARTVIG HUITFELDT-KAAS [1916 14.1 2 8.5 312 415.3 517.3 6 ?? 819.6 20.8 22 924.2 1025.4 11 26.8 12 27.8 1329.5 14 30.8 15 aar32 cm. Den ældste mort jeg har truffet paa var 19 aar (somre) gammelog hadde en længde av 34 cm. Av farve rariteter har jeg kun en eneste gang (ve Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/skrifter-det-kongelige-norske-videnskabers-selskab-fig-82-strrelsesfordelino-mellem-han-og-hunmortfangstutbytte-ved-hamar-im-903-0-i-mit-hurtigst-med-ca-4-cm-pr-aar-i-de-paafolgende-5-aar-ca-ik3cm-jpr-aar-senere-blot-ca-1-cm-pr-aar-den-aarlige-tilvekstmdtil-15-aars-alderen-har-jeg-beregnet-til-186-hartvig-huitfeldt-kaas-1916-141-2-85-312-4153-5173-6-8196-208-22-9242-10254-11-268-12-278-13295-14-308-15-aar32-cm-den-ldste-mort-jeg-har-truffet-paa-var-19-aar-somre-gammelog-hadde-en-lngde-av-34-cm-av-farve-rariteter-har-jeg-kun-en-eneste-gang-ve-image339298662.htmlRM2AM0AWA–Skrifter - Det Kongelige Norske Videnskabers Selskab . Fig. 82. Størrelsesfordelin.o- mellem han- og hunmortfangstutbytte ved Hamar i^/^—M/^ ^903 0 i mit hurtigst med ca. 4 cm. pr. aar, i de paafolgende 5 aar ca IK—3cm. jpr. aar, senere blot ca. 1 cm. pr. aar. Den aarlige tilvekstmdtil 15-aars alderen har jeg beregnet til: 186 HARTVIG HUITFELDT-KAAS [1916 14.1 2 8.5 312 415.3 517.3 6 ?? 819.6 20.8 22 924.2 1025.4 11 26.8 12 27.8 1329.5 14 30.8 15 aar32 cm. Den ældste mort jeg har truffet paa var 19 aar (somre) gammelog hadde en længde av 34 cm. Av farve rariteter har jeg kun en eneste gang (ve
Rattle, Native American (Abnaki), 19th century, United States, Native American (Abnaki), Horn, Overall: 7.6 x 20.3cm (3 x 8in.), Idiophone-Shaken-rattle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rattle-native-american-abnaki-19th-century-united-states-native-american-abnaki-horn-overall-76-x-203cm-3-x-8in-idiophone-shaken-rattle-image344668149.htmlRM2B0MYMN–Rattle, Native American (Abnaki), 19th century, United States, Native American (Abnaki), Horn, Overall: 7.6 x 20.3cm (3 x 8in.), Idiophone-Shaken-rattle
Marcus Curtius Leaping into the Chasm. Artist: Gaetano Gandolfi (Italian, San Matteo della Decima 1734-1802 Bologna). Dimensions: 10 7/16 x 8in. (26.5 x 20.3cm). Date: 1734-1802. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marcus-curtius-leaping-into-the-chasm-artist-gaetano-gandolfi-italian-san-matteo-della-decima-1734-1802-bologna-dimensions-10-716-x-8in-265-x-203cm-date-1734-1802-museum-metropolitan-museum-of-art-new-york-usa-image212876375.htmlRMPA99YK–Marcus Curtius Leaping into the Chasm. Artist: Gaetano Gandolfi (Italian, San Matteo della Decima 1734-1802 Bologna). Dimensions: 10 7/16 x 8in. (26.5 x 20.3cm). Date: 1734-1802. Museum: Metropolitan Museum of Art, New York, USA.
![. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A Stock Photo](https://c8.alamy.com/comp/MX26BH/english-a-persian-manuscript-on-talismans-north-india-1700s-source-httpwwwchristiescomlotfindersearchlotdetailaspsid=intobjectid=4692190se=cmwcat0314494215580984qr=m186aqc000090012434aqc0000900entry=indiasu=1rq=truean=87-downloaded-mar-2006-a-leaf-from-a-manuscript-on-talismans-north-india-18th-century-from-an-arabic-actually-persian-with-some-arabic-phrases-manuscript-of-a-magical-or-talismanic-nature-with-a-miniature-of-two-scorpions-in-gouache-with-lines-of-black-nastaliq-above-and-below-folio-12-x-8in-323-x-203cm-1700s-unknown-21-a-MX26BH.jpg ". English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A Stock Photo")
. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-persian-manuscript-on-talismans-north-india-1700s-source-httpwwwchristiescomlotfindersearchlotdetailaspsid=intobjectid=4692190se=cmwcat0314494215580984qr=m186aqc000090012434aqc0000900entry=indiasu=1rq=truean=87-downloaded-mar-2006-a-leaf-from-a-manuscript-on-talismans-north-india-18th-century-from-an-arabic-actually-persian-with-some-arabic-phrases-manuscript-of-a-magical-or-talismanic-nature-with-a-miniature-of-two-scorpions-in-gouache-with-lines-of-black-nastaliq-above-and-below-folio-12-x-8in-323-x-203cm-1700s-unknown-21-a-image188133669.htmlRMMX26BH–. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 21 A
Art inspired by Figure Vessel, 8th–12th century, Ecuador, Manteno, Ceramic, pigment, H x W: 3 3/8 x 8in. (8.6 x 20.3cm), Ceramics-Containers, Vessels in this form of reclining figure are peculiar to ancient Ecuador, where they were made from at least the second millennium B.C. The male, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-figure-vessel-8th12th-century-ecuador-manteno-ceramic-pigment-h-x-w-3-38-x-8in-86-x-203cm-ceramics-containers-vessels-in-this-form-of-reclining-figure-are-peculiar-to-ancient-ecuador-where-they-were-made-from-at-least-the-second-millennium-bc-the-male-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462797661.htmlRF2HTX73W–Art inspired by Figure Vessel, 8th–12th century, Ecuador, Manteno, Ceramic, pigment, H x W: 3 3/8 x 8in. (8.6 x 20.3cm), Ceramics-Containers, Vessels in this form of reclining figure are peculiar to ancient Ecuador, where they were made from at least the second millennium B.C. The male, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Pouch (Forel), 14th century, French, Silk and metal thread on canvas., Overall: 8 3/4 x 8in. (22.2 x 20.3cm), Textiles-Embroidered, This embroidery illustrates either a popular story or a courtly pastime. A lady and gentleman stand beneath a tree; she cradles a small, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pouch-forel-14th-century-french-silk-and-metal-thread-on-canvas-overall-8-34-x-8in-222-x-203cm-textiles-embroidered-this-embroidery-illustrates-either-a-popular-story-or-a-courtly-pastime-a-lady-and-gentleman-stand-beneath-a-tree-she-cradles-a-small-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836352.htmlRF2HW00DM–Art inspired by Pouch (Forel), 14th century, French, Silk and metal thread on canvas., Overall: 8 3/4 x 8in. (22.2 x 20.3cm), Textiles-Embroidered, This embroidery illustrates either a popular story or a courtly pastime. A lady and gentleman stand beneath a tree; she cradles a small, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Ontario Sessional Papers, 1918, No.17-20. ¢ â > 1 I 1 : 1 1 : 1 1 : o -* z 1 ^ 1 .-^ ; 1 1 -^1 : â¢f eo .... 1 . 1 1 : 1 1 I o 91 1 : ^ ^ 1 1 : 801 o tc ^ â »r. 1 11 . w Z f^ O <! z ° ii â -at Jc j:C ?5 ca.C 0- 0! as ;; Oa IS a c â f c a 3CM d C4 o0 ou n 1 11 C C Zia f a ?â 1 EcE J a c c 1 1 Ecâ¢c . °l na - sl a d O o m St II a OS P H a c 3 y 9; tfee o c re au 23 a o â Ii « I- ;»o aS 1o to â¢<* i; < â 0 <â¢c a c c xc 0 < IT KO a â â¢a ? ⢠wta . ^^ : O O Fl go g. a e C e at 1 A1-pC > a t-a c <1 u ir ⢠< tcZ⢠â ^ a tc 1. C tec c co â¢9>Co C r- E-oc&g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ontario-sessional-papers-1918-no17-20-gt-1-i-1-1-1-1-1-o-z-1-1-1-1-1-f-eo-1-1-1-1-1-i-o-91-1-1-1-801-o-tc-r-1-11-w-z-f-o-lt!-z-ii-at-jc-jc-5-cac-0-0!-as-oa-is-a-c-f-c-a-3cm-d-c4-o0-ou-n-1-11-c-c-zia-f-a-1-ece-j-a-c-c-1-1-ecc-l-na-sl-a-d-o-o-m-st-ii-a-os-p-h-a-c-3-y-9-tfee-o-c-re-au-23-a-o-ii-i-o-as-1o-to-lt-i-lt-0-ltc-a-c-c-xc-0-lt-it-ko-a-a-wta-o-o-fl-go-g-a-e-c-e-at-1-a1-pc-gt-a-t-a-c-lt1-u-ir-lt-tcz-a-tc-1-c-tec-c-co-9gtco-c-r-e-ocg-image336962217.htmlRM2AG5XMW–. Ontario Sessional Papers, 1918, No.17-20. ¢ â > 1 I 1 : 1 1 : 1 1 : o -* z 1 ^ 1 .-^ ; 1 1 -^1 : â¢f eo .... 1 . 1 1 : 1 1 I o 91 1 : ^ ^ 1 1 : 801 o tc ^ â »r. 1 11 . w Z f^ O <! z ° ii â -at Jc j:C ?5 ca.C 0- 0! as ;; Oa IS a c â f c a 3CM d C4 o0 ou n 1 11 C C Zia f a ?â 1 EcE J a c c 1 1 Ecâ¢c . °l na - sl a d O o m St II a OS P H a c 3 y 9; tfee o c re au 23 a o â Ii « I- ;»o aS 1o to â¢<* i; < â 0 <â¢c a c c xc 0 < IT KO a â â¢a ? ⢠wta . ^^ : O O Fl go g. a e C e at 1 A1-pC > a t-a c <1 u ir ⢠< tcZ⢠â ^ a tc 1. C tec c co â¢9>Co C r- E-oc&g
Art inspired by Bronze jug, Archaic, ca. 6th–early 5th century B.C., East Greek, Bronze, Overall: 15 1/4 x 9 1/4 x 8in. (38.7 x 23.5 x 20.3cm), Bronzes, This exceptionally well-preserved, lidded jug with a strainer at the spout is of a rare type. It relates to the Archaic bronze, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bronze-jug-archaic-ca-6thearly-5th-century-bc-east-greek-bronze-overall-15-14-x-9-14-x-8in-387-x-235-x-203cm-bronzes-this-exceptionally-well-preserved-lidded-jug-with-a-strainer-at-the-spout-is-of-a-rare-type-it-relates-to-the-archaic-bronze-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462790580.htmlRF2HTWX30–Art inspired by Bronze jug, Archaic, ca. 6th–early 5th century B.C., East Greek, Bronze, Overall: 15 1/4 x 9 1/4 x 8in. (38.7 x 23.5 x 20.3cm), Bronzes, This exceptionally well-preserved, lidded jug with a strainer at the spout is of a rare type. It relates to the Archaic bronze, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bag with Tassels, Peruvian, 8th–16th century, Peru, Peruvian, Camelid hair, cotton, H x W: 6 x 8in. (15.2 x 20.3cm), Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bag-with-tassels-peruvian-8th16th-century-peru-peruvian-camelid-hair-cotton-h-x-w-6-x-8in-152-x-203cm-textiles-woven-image344615893.htmlRM2B0JH2D–Bag with Tassels, Peruvian, 8th–16th century, Peru, Peruvian, Camelid hair, cotton, H x W: 6 x 8in. (15.2 x 20.3cm), Textiles-Woven
Art inspired by Terracotta phiale (libation bowl), Hellenistic, late 3rd–early 2nd century B.C., Greek, South Italian, Campanian, Calenian, Terracotta; black-glaze, Other: 8in. (20.3cm), Vases, Frieze of chariots with divinities, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-phiale-libation-bowl-hellenistic-late-3rdearly-2nd-century-bc-greek-south-italian-campanian-calenian-terracotta-black-glaze-other-8in-203cm-vases-frieze-of-chariots-with-divinities-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462928921.htmlRF2HW46FN–Art inspired by Terracotta phiale (libation bowl), Hellenistic, late 3rd–early 2nd century B.C., Greek, South Italian, Campanian, Calenian, Terracotta; black-glaze, Other: 8in. (20.3cm), Vases, Frieze of chariots with divinities, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Hector's Farewell to Andromache and Astyanax. Artist: Sebastiano Galeotti (Italian, Florence 1676-1741/46 Mondovì). Dimensions: 13 7/16 x 8in. (34.1 x 20.3cm). Date: 1676-1741/46. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hectors-farewell-to-andromache-and-astyanax-artist-sebastiano-galeotti-italian-florence-1676-174146-mondov-dimensions-13-716-x-8in-341-x-203cm-date-1676-174146-museum-metropolitan-museum-of-art-new-york-usa-image213132822.htmlRMPAN12E–Hector's Farewell to Andromache and Astyanax. Artist: Sebastiano Galeotti (Italian, Florence 1676-1741/46 Mondovì). Dimensions: 13 7/16 x 8in. (34.1 x 20.3cm). Date: 1676-1741/46. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Hammered Silver Miniature Scepter (?), 8th–mid-16th century, Peru, Peru; north or central coast (?), Silver (hammered), gilt, H x W: 6 x 8in. (15.2 x 20.3cm), Metal-Ornaments, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-hammered-silver-miniature-scepter-8thmid-16th-century-peru-peru-north-or-central-coast-silver-hammered-gilt-h-x-w-6-x-8in-152-x-203cm-metal-ornaments-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462943677.htmlRF2HW4WAN–Art inspired by Hammered Silver Miniature Scepter (?), 8th–mid-16th century, Peru, Peru; north or central coast (?), Silver (hammered), gilt, H x W: 6 x 8in. (15.2 x 20.3cm), Metal-Ornaments, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 18 A Stock Photo](https://c8.alamy.com/comp/MY91PN/english-a-persian-manuscript-on-talismans-north-india-1700s-source-httpwwwchristiescomlotfindersearchlotdetailaspsid=intobjectid=4692190se=cmwcat0314494215580984qr=m186aqc000090012434aqc0000900entry=indiasu=1rq=truean=87-downloaded-mar-2006-a-leaf-from-a-manuscript-on-talismans-north-india-18th-century-from-an-arabic-actually-persian-with-some-arabic-phrases-manuscript-of-a-magical-or-talismanic-nature-with-a-miniature-of-two-scorpions-in-gouache-with-lines-of-black-nastaliq-above-and-below-folio-12-x-8in-323-x-203cm-1700s-unknown-18-a-MY91PN.jpg ". English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 18 A Stock Photo")
. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 18 A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-persian-manuscript-on-talismans-north-india-1700s-source-httpwwwchristiescomlotfindersearchlotdetailaspsid=intobjectid=4692190se=cmwcat0314494215580984qr=m186aqc000090012434aqc0000900entry=indiasu=1rq=truean=87-downloaded-mar-2006-a-leaf-from-a-manuscript-on-talismans-north-india-18th-century-from-an-arabic-actually-persian-with-some-arabic-phrases-manuscript-of-a-magical-or-talismanic-nature-with-a-miniature-of-two-scorpions-in-gouache-with-lines-of-black-nastaliq-above-and-below-folio-12-x-8in-323-x-203cm-1700s-unknown-18-a-image188898381.htmlRMMY91PN–. English: A Persian manuscript on talismans, North India, 1700's Source: http://www.christies.com/LotFinder/search/LotDetail.asp?sid=&intObjectID=4692190&SE=CMWCAT03+14494+215580984+&QR=M+1+86+Aqc0000900+12434++Aqc0000900+&entry=india&SU=1&RQ=True&AN=87 (downloaded Mar. 2006) 'A LEAF FROM A MANUSCRIPT ON TALISMANS, NORTH INDIA, 18TH CENTURY. From an Arabic [actually Persian with some Arabic phrases] manuscript of a magical or talismanic nature, with a miniature of two scorpions in gouache with lines of black nasta'liq above and below- folio 12¾ x 8in. (32.3 x 20.3cm.).' . 1700s. Unknown 18 A
Art inspired by Figure Studies: Woman holding a Shield, a Dancing Female, and a Priest Supported at an Altar before a Group of Onlookers, 1612, Red chalk, 9 1/16 x 8in. (23 x 20.3cm), Drawings, Bernardino Poccetti (Italian, San Marino di Valdelsa 1548–1612 Florence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-figure-studies-woman-holding-a-shield-a-dancing-female-and-a-priest-supported-at-an-altar-before-a-group-of-onlookers-1612-red-chalk-9-116-x-8in-23-x-203cm-drawings-bernardino-poccetti-italian-san-marino-di-valdelsa-15481612-florence-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953411.htmlRF2HW59PB–Art inspired by Figure Studies: Woman holding a Shield, a Dancing Female, and a Priest Supported at an Altar before a Group of Onlookers, 1612, Red chalk, 9 1/16 x 8in. (23 x 20.3cm), Drawings, Bernardino Poccetti (Italian, San Marino di Valdelsa 1548–1612 Florence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. FLOW SPEED (cm/sec). 10 20 30 40 50 60 DISTANCE (WIDTH) ALONG TANK (cm) 70 DEPTH â- Z â 0.5cm -Iâ Z â 5.1cm -*- Z - 12.7cm -B- Z â 20.3cm -*- Z ⢠26.4cm Figure 12. Variation of flow speed with depth at test section B Streamer nozzles 36. Streamer trap nozzle parameters investigated in the hydraulic tests are illustrated in Figure 13: nozzle height and width (varied between 2.5 by 15 cm and 25 by 20 cm); presence or absence of a hood (extending from 2.5 to 5 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/development-of-a-portable-sand-trap-for-use-in-the-nearshore-littoral-drift-oceanographic-instruments-sedimentation-and-deposition-flow-speed-cmsec-10-20-30-40-50-60-distance-width-along-tank-cm-70-depth-z-05cm-i-z-51cm-z-127cm-b-z-203cm-z-264cm-figure-12-variation-of-flow-speed-with-depth-at-test-section-b-streamer-nozzles-36-streamer-trap-nozzle-parameters-investigated-in-the-hydraulic-tests-are-illustrated-in-figure-13-nozzle-height-and-width-varied-between-25-by-15-cm-and-25-by-20-cm-presence-or-absence-of-a-hood-extending-from-25-to-5-image231628665.htmlRMRCRGM9–. Development of a portable sand trap for use in the nearshore. Littoral drift; Oceanographic instruments; Sedimentation and deposition. FLOW SPEED (cm/sec). 10 20 30 40 50 60 DISTANCE (WIDTH) ALONG TANK (cm) 70 DEPTH â- Z â 0.5cm -Iâ Z â 5.1cm -*- Z - 12.7cm -B- Z â 20.3cm -*- Z ⢠26.4cm Figure 12. Variation of flow speed with depth at test section B Streamer nozzles 36. Streamer trap nozzle parameters investigated in the hydraulic tests are illustrated in Figure 13: nozzle height and width (varied between 2.5 by 15 cm and 25 by 20 cm); presence or absence of a hood (extending from 2.5 to 5
Paper Cut-Out, Paper cut-out, 10th century, Made in Egypt, Paper; cut-out and pasted, 1 1/2 x 8in. (3.8 x 20.3cm), Codices Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paper-cut-out-paper-cut-out-10th-century-made-in-egypt-paper-cut-out-and-pasted-1-12-x-8in-38-x-203cm-codices-image344670837.htmlRM2B0N34N–Paper Cut-Out, Paper cut-out, 10th century, Made in Egypt, Paper; cut-out and pasted, 1 1/2 x 8in. (3.8 x 20.3cm), Codices
The Presentation of the Virgin Mary in the Temple. Artist: Ubaldo Gandolfi (Italian, San Matteo della Decima 1728-1781 Ravenna). Dimensions: 11 1/8 x 8in. (28.2 x 20.3cm). Date: 1728-81. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-presentation-of-the-virgin-mary-in-the-temple-artist-ubaldo-gandolfi-italian-san-matteo-della-decima-1728-1781-ravenna-dimensions-11-18-x-8in-282-x-203cm-date-1728-81-museum-metropolitan-museum-of-art-new-york-usa-image233263535.htmlRMRFE20F–The Presentation of the Virgin Mary in the Temple. Artist: Ubaldo Gandolfi (Italian, San Matteo della Decima 1728-1781 Ravenna). Dimensions: 11 1/8 x 8in. (28.2 x 20.3cm). Date: 1728-81. Museum: Metropolitan Museum of Art, New York, USA.
. Français : Oeuvre de d'Edvard Munch de 54.6 x 74.3cm. 20 February 2017. Edvard Munch (1863-1944) 154 Edvard Munch - Sommer - 1891 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-oeuvre-de-dedvard-munch-de-546-x-743cm-20-february-2017-edvard-munch-1863-1944-154-edvard-munch-sommer-1891-image189000880.htmlRMMYDMFC–. Français : Oeuvre de d'Edvard Munch de 54.6 x 74.3cm. 20 February 2017. Edvard Munch (1863-1944) 154 Edvard Munch - Sommer - 1891
Art inspired by Hector's Farewell to Andromache and Astyanax, 1676–1741/46, Pen and brown ink, brush and gray wash, highlighted with white, on brown washed paper, 13 7/16 x 8in. (34.1 x 20.3cm), Drawings, Sebastiano Galeotti (Italian, Florence 1676–1741/46 Mondovì, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-hectors-farewell-to-andromache-and-astyanax-1676174146-pen-and-brown-ink-brush-and-gray-wash-highlighted-with-white-on-brown-washed-paper-13-716-x-8in-341-x-203cm-drawings-sebastiano-galeotti-italian-florence-1676174146-mondov-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951520.htmlRF2HW57AT–Art inspired by Hector's Farewell to Andromache and Astyanax, 1676–1741/46, Pen and brown ink, brush and gray wash, highlighted with white, on brown washed paper, 13 7/16 x 8in. (34.1 x 20.3cm), Drawings, Sebastiano Galeotti (Italian, Florence 1676–1741/46 Mondovì, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. e er duo si zhi wu zhi. botany. éå°å¤æ¯æ¤ç©å¿ EERDU0SI2HIWUZHI é¢ 1.å°è±è±æç«¿ Dontostemon micranthus C. A. Mey. A) fiWf^iC å½¢æç¹å¾ä¸å¹´çæäºå¹´çè æ¬ï¼é«20-50cmï¼æ¤æ ªè¢«å·æ²ææ¯å硬 åæ¯ãèç´ç«ï¼åä¸æä¸é¨åæãèç å¶ççè¾å¯ï¼æ¡å½¢ï¼é¿1.5-5cmï¼å®½ 0.5-3mm ï¼å 端éï¼åºé¨æ¸ç-ï¼å ¨ç¼ï¼ä¸¤ é¢ç¨è¢«æ¯ãæ»ç¶è±åºç»ææ¶å»¶é¿ï¼è± å°ï¼ç´å¾2-3mmï¼è¼çç©åå½¢ï¼ç¨å¼ å±ï¼è±ç£æ·¡ç´«è²æç½è²ï¼æ¡ç¶åæ«é å½¢ï¼é¿3.5-4mmï¼é¡¶ç«¯åï¼åºé¨æ¸ç-æ çª;éèä¸ç-é¿ãé¿è§æç»é¿åæ±å½¢ï¼ é¿2-3cm ï¼èç´æ弯æ²ï¼ç§å-æ·¡æ£è²ï¼ ç©åå½¢ãè±ææ6-8æã çå¢åå¸ä¸-çæ¤ç©ãçäºæ²å° æ³å¼¯æä¸ååºå®æ²ä¸ãè§äºæ¯ä¹ç´ æ² å°ï¼æ-é¦æä¸é¨ã åå¸äºå èå¤å¼ä¼¦è´å°å¸ãå ´å®çãéè¾½å Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/e-er-duo-si-zhi-wu-zhi-botany-eerdu0si2hiwuzhi-1-dontostemon-micranthus-c-a-mey-a-fiwfic-20-50cm-15-5cm-05-3mm-2-3mm-35-4mm-2-3cm-6-8-image232123317.htmlRMRDJ3JD–. e er duo si zhi wu zhi. botany. éå°å¤æ¯æ¤ç©å¿ EERDU0SI2HIWUZHI é¢ 1.å°è±è±æç«¿ Dontostemon micranthus C. A. Mey. A) fiWf^iC å½¢æç¹å¾ä¸å¹´çæäºå¹´çè æ¬ï¼é«20-50cmï¼æ¤æ ªè¢«å·æ²ææ¯å硬 åæ¯ãèç´ç«ï¼åä¸æä¸é¨åæãèç å¶ççè¾å¯ï¼æ¡å½¢ï¼é¿1.5-5cmï¼å®½ 0.5-3mm ï¼å 端éï¼åºé¨æ¸ç-ï¼å ¨ç¼ï¼ä¸¤ é¢ç¨è¢«æ¯ãæ»ç¶è±åºç»ææ¶å»¶é¿ï¼è± å°ï¼ç´å¾2-3mmï¼è¼çç©åå½¢ï¼ç¨å¼ å±ï¼è±ç£æ·¡ç´«è²æç½è²ï¼æ¡ç¶åæ«é å½¢ï¼é¿3.5-4mmï¼é¡¶ç«¯åï¼åºé¨æ¸ç-æ çª;éèä¸ç-é¿ãé¿è§æç»é¿åæ±å½¢ï¼ é¿2-3cm ï¼èç´æ弯æ²ï¼ç§å-æ·¡æ£è²ï¼ ç©åå½¢ãè±ææ6-8æã çå¢åå¸ä¸-çæ¤ç©ãçäºæ²å° æ³å¼¯æä¸ååºå®æ²ä¸ãè§äºæ¯ä¹ç´ æ² å°ï¼æ-é¦æä¸é¨ã åå¸äºå èå¤å¼ä¼¦è´å°å¸ãå ´å®çãéè¾½å
Drum, Indian (Bengal), 19th century, India, Indian (Bengal), Wood, cloth, cord, metal, H. 25.4 x Diam. 20.3cm (10 x 8 in.), Membranophone-single-headed, conical drum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drum-indian-bengal-19th-century-india-indian-bengal-wood-cloth-cord-metal-h-254-x-diam-203cm-10-x-8-in-membranophone-single-headed-conical-drum-image344668045.htmlRM2B0MYH1–Drum, Indian (Bengal), 19th century, India, Indian (Bengal), Wood, cloth, cord, metal, H. 25.4 x Diam. 20.3cm (10 x 8 in.), Membranophone-single-headed, conical drum
A Manuscript of Five Sections of a Qur'an. Dimensions: H. 7-31/32 in. (20.3cm) W. 5-31/32 in. (15.2 cm). Date: 18th century. Two lavishly illuminated double pages open and close this juz' (section) from a Qur'an, which was bound in finely worked leather. The intricate geometric and vegetal decoration of this illumination is conservative and the calligraphy employed here represents a type of script that was almost unchanged in North Africa since the twelfth century, but the rectangular format, the use of paper, and the varied color palette of the illumination are characteristic of the manuscr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-manuscript-of-five-sections-of-a-quran-dimensions-h-7-3132-in-203cm-w-5-3132-in-152-cm-date-18th-century-two-lavishly-illuminated-double-pages-open-and-close-this-juz-section-from-a-quran-which-was-bound-in-finely-worked-leather-the-intricate-geometric-and-vegetal-decoration-of-this-illumination-is-conservative-and-the-calligraphy-employed-here-represents-a-type-of-script-that-was-almost-unchanged-in-north-africa-since-the-twelfth-century-but-the-rectangular-format-the-use-of-paper-and-the-varied-color-palette-of-the-illumination-are-characteristic-of-the-manuscr-image213151566.htmlRMPANTYX–A Manuscript of Five Sections of a Qur'an. Dimensions: H. 7-31/32 in. (20.3cm) W. 5-31/32 in. (15.2 cm). Date: 18th century. Two lavishly illuminated double pages open and close this juz' (section) from a Qur'an, which was bound in finely worked leather. The intricate geometric and vegetal decoration of this illumination is conservative and the calligraphy employed here represents a type of script that was almost unchanged in North Africa since the twelfth century, but the rectangular format, the use of paper, and the varied color palette of the illumination are characteristic of the manuscr
. Français : Oeuvre de d'Edvard Munch de 54.6 x 74.3cm. 20 February 2017. Edvard Munch (1863-1944) 179 Edvard Munch - Sommer - 1891 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-oeuvre-de-dedvard-munch-de-546-x-743cm-20-february-2017-edvard-munch-1863-1944-179-edvard-munch-sommer-1891-image187744306.htmlRMMWCDNP–. Français : Oeuvre de d'Edvard Munch de 54.6 x 74.3cm. 20 February 2017. Edvard Munch (1863-1944) 179 Edvard Munch - Sommer - 1891
Art inspired by The Presentation of the Virgin Mary in the Temple, 1728–81, Pen and brown ink, brush and pale brown wash, over black chalk, 11 1/8 x 8in. (28.2 x 20.3cm), Drawings, Ubaldo Gandolfi (Italian, San Matteo della Decima 1728–1781 Ravenna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-presentation-of-the-virgin-mary-in-the-temple-172881-pen-and-brown-ink-brush-and-pale-brown-wash-over-black-chalk-11-18-x-8in-282-x-203cm-drawings-ubaldo-gandolfi-italian-san-matteo-della-decima-17281781-ravenna-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951575.htmlRF2HW57CR–Art inspired by The Presentation of the Virgin Mary in the Temple, 1728–81, Pen and brown ink, brush and pale brown wash, over black chalk, 11 1/8 x 8in. (28.2 x 20.3cm), Drawings, Ubaldo Gandolfi (Italian, San Matteo della Decima 1728–1781 Ravenna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by A Manuscript of Five Sections of a Qur'an, 18th century, From Morocco, Ink, opaque watercolor, and gold on paper; leather binding, stamped and gilded, H. 7-31/32 in. (20.3cm), Codices, Two lavishly illuminated double pages open and close this juz' (section) from a Qur', Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-manuscript-of-five-sections-of-a-quran-18th-century-from-morocco-ink-opaque-watercolor-and-gold-on-paper-leather-binding-stamped-and-gilded-h-7-3132-in-203cm-codices-two-lavishly-illuminated-double-pages-open-and-close-this-juz-section-from-a-qur-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463029042.htmlRF2HW8P7E–Art inspired by A Manuscript of Five Sections of a Qur'an, 18th century, From Morocco, Ink, opaque watercolor, and gold on paper; leather binding, stamped and gilded, H. 7-31/32 in. (20.3cm), Codices, Two lavishly illuminated double pages open and close this juz' (section) from a Qur', Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
etching, Floris Verster, 1890, ink, paper, printed, Image size: 10.5 x 20.3cm 105 x 203mm, Carrier: 25 x 32.3cm 250 x 323mm, Day size: 12 x 21.6cm 120 x 216mm, With passe -partout: 33 x 49.4cm 330 x 494mm, landscape, Etching on paper depicting manure ponds at night. Depicted are several manure ponds in an otherwise open landscape. Not signed. Etching is a contemporary print from the time of the artist himself, 1939 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etching-floris-verster-1890-ink-paper-printed-image-size-105-x-203cm-105-x-203mm-carrier-25-x-323cm-250-x-323mm-day-size-12-x-216cm-120-x-216mm-with-passe-partout-33-x-494cm-330-x-494mm-landscape-etching-on-paper-depicting-manure-ponds-at-night-depicted-are-several-manure-ponds-in-an-otherwise-open-landscape-not-signed-etching-is-a-contemporary-print-from-the-time-of-the-artist-himself-1939-image386385987.htmlRM2DCHB7F–etching, Floris Verster, 1890, ink, paper, printed, Image size: 10.5 x 20.3cm 105 x 203mm, Carrier: 25 x 32.3cm 250 x 323mm, Day size: 12 x 21.6cm 120 x 216mm, With passe -partout: 33 x 49.4cm 330 x 494mm, landscape, Etching on paper depicting manure ponds at night. Depicted are several manure ponds in an otherwise open landscape. Not signed. Etching is a contemporary print from the time of the artist himself, 1939
'Conquest of Baghdad by Timur', Folio from a Zafarnama (Book of Victories). Artist: Painting by Unknown. Author: Sharaf al-din 'Ali Yazdi (1424-54). Calligrapher: Ya'qub ibn Hasan, known as Siraj al-Husaini. Dimensions: 11 3/8 x 8in. (28.9 x 20.3cm). Date: Dhu'l Hijja 839 A.H./A.D. June-July 1436. This folio once illustrated a manuscript of the Zafarnama, a biography of the ruler Timur commissioned by his grandson Ibrahim Sultan. The text glorifies Timur's many victories on the battlefield, including his 1401 siege of Baghdad, depicted here. The distinctively spare yet highly animated angula Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conquest-of-baghdad-by-timur-folio-from-a-zafarnama-book-of-victories-artist-painting-by-unknown-author-sharaf-al-din-ali-yazdi-1424-54-calligrapher-yaqub-ibn-hasan-known-as-siraj-al-husaini-dimensions-11-38-x-8in-289-x-203cm-date-dhul-hijja-839-ahad-june-july-1436-this-folio-once-illustrated-a-manuscript-of-the-zafarnama-a-biography-of-the-ruler-timur-commissioned-by-his-grandson-ibrahim-sultan-the-text-glorifies-timurs-many-victories-on-the-battlefield-including-his-1401-siege-of-baghdad-depicted-here-the-distinctively-spare-yet-highly-animated-angula-image212849429.htmlRMPA83H9–'Conquest of Baghdad by Timur', Folio from a Zafarnama (Book of Victories). Artist: Painting by Unknown. Author: Sharaf al-din 'Ali Yazdi (1424-54). Calligrapher: Ya'qub ibn Hasan, known as Siraj al-Husaini. Dimensions: 11 3/8 x 8in. (28.9 x 20.3cm). Date: Dhu'l Hijja 839 A.H./A.D. June-July 1436. This folio once illustrated a manuscript of the Zafarnama, a biography of the ruler Timur commissioned by his grandson Ibrahim Sultan. The text glorifies Timur's many victories on the battlefield, including his 1401 siege of Baghdad, depicted here. The distinctively spare yet highly animated angula
. Français : Oeuvre de d'Edvard Munch de 54.6 x 74.3cm. 20 February 2017. Edvard Munch (1863-1944) 180 Edvard Munch - Sommer - 1891 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-oeuvre-de-dedvard-munch-de-546-x-743cm-20-february-2017-edvard-munch-1863-1944-180-edvard-munch-sommer-1891-image188271335.htmlRMMX8E07–. Français : Oeuvre de d'Edvard Munch de 54.6 x 74.3cm. 20 February 2017. Edvard Munch (1863-1944) 180 Edvard Munch - Sommer - 1891
Art inspired by Conquest of Baghdad by Timur', Folio from a Zafarnama (Book of Victories), A.H. 839/A.D. 1435–36, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, 11 3/8 x 8in. (28.9 x 20.3cm), Codices, Painting by Unknown, This folio once illustrated a manuscript of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-conquest-of-baghdad-by-timur-folio-from-a-zafarnama-book-of-victories-ah-839ad-143536-made-in-iran-shiraz-ink-opaque-watercolor-and-gold-on-paper-11-38-x-8in-289-x-203cm-codices-painting-by-unknown-this-folio-once-illustrated-a-manuscript-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463028001.htmlRF2HW8MX9–Art inspired by Conquest of Baghdad by Timur', Folio from a Zafarnama (Book of Victories), A.H. 839/A.D. 1435–36, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, 11 3/8 x 8in. (28.9 x 20.3cm), Codices, Painting by Unknown, This folio once illustrated a manuscript of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Allusion to Sura 27:16', Folio from a Mantiq al-tair (Language of the Birds), A.H. 892/A.D. 1486, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 15 1/2 x 8in. (39.4 x 20.3cm), Codices, This folio belonged to a manuscript of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-allusion-to-sura-2716-folio-from-a-mantiq-al-tair-language-of-the-birds-ah-892ad-1486-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-and-gold-on-paper-15-12-x-8in-394-x-203cm-codices-this-folio-belonged-to-a-manuscript-of-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463028249.htmlRF2HW8N75–Art inspired by Allusion to Sura 27:16', Folio from a Mantiq al-tair (Language of the Birds), A.H. 892/A.D. 1486, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 15 1/2 x 8in. (39.4 x 20.3cm), Codices, This folio belonged to a manuscript of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Timur before Battle', Folio from a Dispersed Copy of the Zafarnama (Book of Victories) of Sharaf al-din 'Ali Yazdi, A.H. 839/A.D. 1436, Attributed to Iran, Ink, opaque watercolor, silver, and gold on paper, 11 1/2 x 8in. (29.2 x 20.3cm), Codices, This folio once, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-timur-before-battle-folio-from-a-dispersed-copy-of-the-zafarnama-book-of-victories-of-sharaf-al-din-ali-yazdi-ah-839ad-1436-attributed-to-iran-ink-opaque-watercolor-silver-and-gold-on-paper-11-12-x-8in-292-x-203cm-codices-this-folio-once-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027981.htmlRF2HW8MWH–Art inspired by Timur before Battle', Folio from a Dispersed Copy of the Zafarnama (Book of Victories) of Sharaf al-din 'Ali Yazdi, A.H. 839/A.D. 1436, Attributed to Iran, Ink, opaque watercolor, silver, and gold on paper, 11 1/2 x 8in. (29.2 x 20.3cm), Codices, This folio once, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Wooden Weaving Tool, 8th–mid-16th century, Peru, Peru; north or central coast (?), Wood, H x W: 8 1/8 x 15/16in. (20.6 x 2.3cm), Wood-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-wooden-weaving-tool-8thmid-16th-century-peru-peru-north-or-central-coast-wood-h-x-w-8-18-x-1516in-206-x-23cm-wood-implements-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462794900.htmlRF2HTX3H8–Art inspired by Wooden Weaving Tool, 8th–mid-16th century, Peru, Peru; north or central coast (?), Wood, H x W: 8 1/8 x 15/16in. (20.6 x 2.3cm), Wood-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
etching, Floris Verster, 1890, ink, paper, printed, Image size: 10.5 x 20.3cm 105 x 203mm, Carrier: 25 x 32.3cm 250 x 323mm, Day size: 12 x 21.6cm 120 x 216mm, With passe -partout: 33 x 49.4cm 330 x 494mm, landscape, Etching on paper depicting manure ponds at night. Depicted are several manure ponds in an otherwise open landscape. Not signed. Etching is a contemporary print from the time of the artist himself, 1939 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etching-floris-verster-1890-ink-paper-printed-image-size-105-x-203cm-105-x-203mm-carrier-25-x-323cm-250-x-323mm-day-size-12-x-216cm-120-x-216mm-with-passe-partout-33-x-494cm-330-x-494mm-landscape-etching-on-paper-depicting-manure-ponds-at-night-depicted-are-several-manure-ponds-in-an-otherwise-open-landscape-not-signed-etching-is-a-contemporary-print-from-the-time-of-the-artist-himself-1939-image386386017.htmlRM2DCHB8H–etching, Floris Verster, 1890, ink, paper, printed, Image size: 10.5 x 20.3cm 105 x 203mm, Carrier: 25 x 32.3cm 250 x 323mm, Day size: 12 x 21.6cm 120 x 216mm, With passe -partout: 33 x 49.4cm 330 x 494mm, landscape, Etching on paper depicting manure ponds at night. Depicted are several manure ponds in an otherwise open landscape. Not signed. Etching is a contemporary print from the time of the artist himself, 1939
'Timur before Battle', Folio from a Dispersed Copy of the Zafarnama (Book of Victories) of Sharaf al-din 'Ali Yazdi. Author: Sharaf al-din 'Ali Yazdi (1424-54). Calligrapher: Ya'qub ibn Hasan, known as Siraj al-Husaini. Dimensions: 11 1/2 x 8in. (29.2 x 20.3cm). Date: A.H. 839/A.D. 1436. This folio once illustrated a manuscript of the Zafarnama, a biography of the ruler Timur commissioned by his grandson Ibrahim Sultan (1394-1435). The painting, from a manuscript completed a year after Ibrahim Sultan's death, depicts the arrival of the Timurid army before the castle of Gortin in Georgia on Fr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/timur-before-battle-folio-from-a-dispersed-copy-of-the-zafarnama-book-of-victories-of-sharaf-al-din-ali-yazdi-author-sharaf-al-din-ali-yazdi-1424-54-calligrapher-yaqub-ibn-hasan-known-as-siraj-al-husaini-dimensions-11-12-x-8in-292-x-203cm-date-ah-839ad-1436-this-folio-once-illustrated-a-manuscript-of-the-zafarnama-a-biography-of-the-ruler-timur-commissioned-by-his-grandson-ibrahim-sultan-1394-1435-the-painting-from-a-manuscript-completed-a-year-after-ibrahim-sultans-death-depicts-the-arrival-of-the-timurid-army-before-the-castle-of-gortin-in-georgia-on-fr-image213390453.htmlRMPB4NKH–'Timur before Battle', Folio from a Dispersed Copy of the Zafarnama (Book of Victories) of Sharaf al-din 'Ali Yazdi. Author: Sharaf al-din 'Ali Yazdi (1424-54). Calligrapher: Ya'qub ibn Hasan, known as Siraj al-Husaini. Dimensions: 11 1/2 x 8in. (29.2 x 20.3cm). Date: A.H. 839/A.D. 1436. This folio once illustrated a manuscript of the Zafarnama, a biography of the ruler Timur commissioned by his grandson Ibrahim Sultan (1394-1435). The painting, from a manuscript completed a year after Ibrahim Sultan's death, depicts the arrival of the Timurid army before the castle of Gortin in Georgia on Fr
. English: CERAMIC DRUM BODY, Three Coloured Glaze, SHOSOIN Collection, Nara, Japan, 38.3cm height, 日本語: 奈良三彩 鼓胴 正倉院 . 20 March 1928. Shinbi-Shoin 542 San sai Ceramic Drum Shosoin Nara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-ceramic-drum-body-three-coloured-glaze-shosoin-collection-nara-japan-383cmheight-20-march-1928-shinbi-shoin-542-san-sai-ceramic-drum-shosoin-nara-image187981904.htmlRMMWR8RC–. English: CERAMIC DRUM BODY, Three Coloured Glaze, SHOSOIN Collection, Nara, Japan, 38.3cm height, 日本語: 奈良三彩 鼓胴 正倉院 . 20 March 1928. Shinbi-Shoin 542 San sai Ceramic Drum Shosoin Nara
Art inspired by Study of Ruins, 1548–1608, Pen and dark brown ink, brush and gray wash, 7 15/16 x 12 5/16in. (20.1 x 31.3cm), Drawings, attributed to Filippo Napoletano (Filippo Angeli) (Italian, Rome ca. 1589–1629 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-study-of-ruins-15481608-pen-and-dark-brown-ink-brush-and-gray-wash-7-1516-x-12-516in-201-x-313cm-drawings-attributed-to-filippo-napoletano-filippo-angeli-italian-rome-ca-15891629-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951441.htmlRF2HW5781–Art inspired by Study of Ruins, 1548–1608, Pen and dark brown ink, brush and gray wash, 7 15/16 x 12 5/16in. (20.1 x 31.3cm), Drawings, attributed to Filippo Napoletano (Filippo Angeli) (Italian, Rome ca. 1589–1629 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by A Woman Whispering to a Priest, 1812–23, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-woman-whispering-to-a-priest-181223-brush-and-brown-wash-on-laid-paper-sheet-8-116-x-5-58-in-205-x-143cm-drawings-goya-francisco-de-goya-y-lucientes-spanish-fuendetodos-17461828-bordeaux-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799800.htmlRF2HTX9T8–Art inspired by A Woman Whispering to a Priest, 1812–23, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
etching, Floris Verster, 1890, ink, paper, printed, Image size: 10.5 x 20.3cm 105 x 203mm, Carrier: 25 x 32.3cm 250 x 323mm, Day size: 12 x 21.6cm 120 x 216mm, With passe -partout: 33 x 49.4cm 330 x 494mm, landscape, Etching on paper depicting manure ponds at night. Depicted are several manure ponds in an otherwise open landscape. Not signed. Etching is a contemporary print from the time of the artist himself, 1939 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etching-floris-verster-1890-ink-paper-printed-image-size-105-x-203cm-105-x-203mm-carrier-25-x-323cm-250-x-323mm-day-size-12-x-216cm-120-x-216mm-with-passe-partout-33-x-494cm-330-x-494mm-landscape-etching-on-paper-depicting-manure-ponds-at-night-depicted-are-several-manure-ponds-in-an-otherwise-open-landscape-not-signed-etching-is-a-contemporary-print-from-the-time-of-the-artist-himself-1939-image386385996.htmlRM2DCHB7T–etching, Floris Verster, 1890, ink, paper, printed, Image size: 10.5 x 20.3cm 105 x 203mm, Carrier: 25 x 32.3cm 250 x 323mm, Day size: 12 x 21.6cm 120 x 216mm, With passe -partout: 33 x 49.4cm 330 x 494mm, landscape, Etching on paper depicting manure ponds at night. Depicted are several manure ponds in an otherwise open landscape. Not signed. Etching is a contemporary print from the time of the artist himself, 1939
Peach Bloom Vase, 1723-1736, 8in. (20.3cm), Porcelain, China, 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peach-bloom-vase-1723-1736-8in-203cm-porcelain-china-18th-century-image573495007.htmlRM2T90XMF–Peach Bloom Vase, 1723-1736, 8in. (20.3cm), Porcelain, China, 18th century
Olympia (small plate). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 3 7/16 x 7in. (8.7 x 17.8cm) sheet: 4 7/8 x 8in. (12.4 x 20.3cm). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/olympia-small-plate-artist-douard-manet-french-paris-1832-1883-paris-dimensions-plate-3-716-x-7in-87-x-178cm-sheet-4-78-x-8in-124-x-203cm-date-1867-museum-metropolitan-museum-of-art-new-york-usa-image233767820.htmlRMRG916M–Olympia (small plate). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 3 7/16 x 7in. (8.7 x 17.8cm) sheet: 4 7/8 x 8in. (12.4 x 20.3cm). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA.
. English: CERAMIC DRUM BODY, Three Coloured Glaze, SHOSOIN Collection, Nara, Japan, 38.3cm height, 日本語: 奈良三彩 鼓胴 正倉院 . 20 March 1928. Shinbi-Shoin 541 San sai Ceramic Drum Shosoin Nara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-ceramic-drum-body-three-coloured-glaze-shosoin-collection-nara-japan-383cmheight-20-march-1928-shinbi-shoin-541-san-sai-ceramic-drum-shosoin-nara-image187436370.htmlRMMTXD02–. English: CERAMIC DRUM BODY, Three Coloured Glaze, SHOSOIN Collection, Nara, Japan, 38.3cm height, 日本語: 奈良三彩 鼓胴 正倉院 . 20 March 1928. Shinbi-Shoin 541 San sai Ceramic Drum Shosoin Nara
Art inspired by Head of a Bearded Man Looking to Upper Left (Saint Ambrose), 1625–1713, Red chalk on blue paper, 7 15/16 x 6 7/16in. (20.2 x 16.3cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome), Study for the head of Saint Ambrose in an altarpiece representing the ‘, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-head-of-a-bearded-man-looking-to-upper-left-saint-ambrose-16251713-red-chalk-on-blue-paper-7-1516-x-6-716in-202-x-163cm-drawings-carlo-maratti-italian-camerano-16251713-rome-study-for-the-head-of-saint-ambrose-in-an-altarpiece-representing-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953782.htmlRF2HW5A7J–Art inspired by Head of a Bearded Man Looking to Upper Left (Saint Ambrose), 1625–1713, Red chalk on blue paper, 7 15/16 x 6 7/16in. (20.2 x 16.3cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome), Study for the head of Saint Ambrose in an altarpiece representing the ‘, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Celery vase, 18th-19th century, 8in. (20.3cm), Glass, United States, 18th-19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/celery-vase-18th-19th-century-8in-203cm-glass-united-states-18th-19th-century-image573492994.htmlRM2T90T4J–Celery vase, 18th-19th century, 8in. (20.3cm), Glass, United States, 18th-19th century
Jug. Culture: Cypriot. Dimensions: 8in. (20.3cm). Date: 600-480 B.C.. Vertical circles and lotus panel. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-culture-cypriot-dimensions-8in-203cm-date-600-480-bc-vertical-circles-and-lotus-panel-museum-metropolitan-museum-of-art-new-york-usa-image213181783.htmlRMPAR7F3–Jug. Culture: Cypriot. Dimensions: 8in. (20.3cm). Date: 600-480 B.C.. Vertical circles and lotus panel. Museum: Metropolitan Museum of Art, New York, USA.
watercolor, Johannes Bosboom, 1870-1880, watercolor, ink, paper, painted, Carrier: 28.5 x 20.2cm, 285 x 202mm, Day size: 28.5 x 20.3cm, 285 x 203mm, With passe-partout: 42, 5 x 30cm 425 x 300mm, church, church organ, interior, Watercolor with the representation of the interior of the Hooglandse church in Leiden. View of the nave, with the pulpit in the foreground and the organ in the background. At the bottom left is Hoogl. K. Leiden. Not signed, 1949 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/watercolor-johannes-bosboom-1870-1880-watercolor-ink-paper-painted-carrier-285-x-202cm-285-x-202mm-day-size-285-x-203cm-285-x-203mm-with-passe-partout-42-5-x-30cm-425-x-300mm-church-church-organ-interior-watercolor-with-the-representation-of-the-interior-of-the-hooglandse-church-in-leiden-view-of-the-nave-with-the-pulpit-in-the-foreground-and-the-organ-in-the-background-at-the-bottom-left-is-hoogl-k-leiden-not-signed-1949-image386383195.htmlRM2DCH7KR–watercolor, Johannes Bosboom, 1870-1880, watercolor, ink, paper, painted, Carrier: 28.5 x 20.2cm, 285 x 202mm, Day size: 28.5 x 20.3cm, 285 x 203mm, With passe-partout: 42, 5 x 30cm 425 x 300mm, church, church organ, interior, Watercolor with the representation of the interior of the Hooglandse church in Leiden. View of the nave, with the pulpit in the foreground and the organ in the background. At the bottom left is Hoogl. K. Leiden. Not signed, 1949
. Portrait of Emperor Akbar Praying Object Name: Illustrated single work Reign: Jahangir (1605–27) Date: early 17th century Geography: India Medium: Ink and gouache on paper Dimensions: 10 1/4 x 5 5/8in. (26 x 14.3cm) Classification: Codices Credit Line: H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1929 Accession Number: 29.160.20 This artwork is not on display . early 17th century. Unknown 496 Portrait of Emperor Akbar Praying Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emperor-akbar-praying-object-name-illustrated-single-work-reign-jahangir-160527-date-early-17th-century-geography-india-medium-ink-and-gouache-on-paper-dimensions-10-14-x-5-58in-26-x-143cm-classification-codices-credit-line-h-o-havemeyer-collection-gift-of-horace-havemeyer-1929-accession-number-2916020-this-artwork-is-not-on-display-early-17th-century-unknown-496-portrait-of-emperor-akbar-praying-image187476624.htmlRMMW089M–. Portrait of Emperor Akbar Praying Object Name: Illustrated single work Reign: Jahangir (1605–27) Date: early 17th century Geography: India Medium: Ink and gouache on paper Dimensions: 10 1/4 x 5 5/8in. (26 x 14.3cm) Classification: Codices Credit Line: H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1929 Accession Number: 29.160.20 This artwork is not on display . early 17th century. Unknown 496 Portrait of Emperor Akbar Praying
Bronze shaft-hole ax, Middle Cypriot II, ca. 1800–1725 B.C., Cypriot, Bronze, length 8in. (20.3cm), Bronzes, Tools of this type Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bronze-shaft-hole-ax-middle-cypriot-ii-ca-18001725-bc-cypriot-bronze-162426835.htmlRMKC752B–Bronze shaft-hole ax, Middle Cypriot II, ca. 1800–1725 B.C., Cypriot, Bronze, length 8in. (20.3cm), Bronzes, Tools of this type
Bowl, 12th–13th century, Attributed to Iran, Stonepaste; overglaze painted, so-called 'mina'i' ware, 3 5/8 x 8in. (9.2 x 20.3cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bowl-12th13th-century-attributed-to-iran-stonepaste-overglaze-painted-162442668.htmlRMKC7W7T–Bowl, 12th–13th century, Attributed to Iran, Stonepaste; overglaze painted, so-called 'mina'i' ware, 3 5/8 x 8in. (9.2 x 20.3cm
Asia, 17th century, Pen and gray and brown ink, brush and gray wash, sheet: 10 3/8 x 8in. (26.4 x 20.3cm), Drawings, Godfried Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-asia-17th-century-pen-and-gray-and-brown-ink-brush-and-gray-wash-sheet-162447996.htmlRMKC8424–Asia, 17th century, Pen and gray and brown ink, brush and gray wash, sheet: 10 3/8 x 8in. (26.4 x 20.3cm), Drawings, Godfried
Pouch (Forel), 14th century, French, Silk and metal thread on canvas., Overall: 8 3/4 x 8in. (22.2 x 20.3cm), Textiles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-pouch-forel-14th-century-french-silk-and-metal-thread-on-canvas-overall-162400350.htmlRMKC5Y8E–Pouch (Forel), 14th century, French, Silk and metal thread on canvas., Overall: 8 3/4 x 8in. (22.2 x 20.3cm), Textiles
Head, from a Figure, 1st–5th century (?), Colombia or Ecuador, Tolita-Tumaco, Ceramic, H x W: 12 1/2 x 8in. (31.8 x 20.3cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-head-from-a-figure-1st5th-century-colombia-or-ecuador-tolita-tumaco-162573143.htmlRMKCDRKK–Head, from a Figure, 1st–5th century (?), Colombia or Ecuador, Tolita-Tumaco, Ceramic, H x W: 12 1/2 x 8in. (31.8 x 20.3cm
Art inspired by The Stabbing, Images of Spain Album, 53, 1812–20, Brush and gray and brown washes on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-stabbing-images-of-spain-album-53-181220-brush-and-gray-and-brown-washes-on-laid-paper-sheet-8-116-x-5-58-in-205-x-143cm-drawings-goya-francisco-de-goya-y-lucientes-spanish-fuendetodos-17461828-bordeaux-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462945669.htmlRF2HW4YWW–Art inspired by The Stabbing, Images of Spain Album, 53, 1812–20, Brush and gray and brown washes on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Figure Vessel, 8th–12th century, Ecuador, Manteno, Ceramic, pigment, H x W: 3 3/8 x 8in. (8.6 x 20.3cm), Ceramics-Containers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-figure-vessel-8th12th-century-ecuador-manteno-ceramic-pigment-h-x-162387092.htmlRMKC5AB0–Figure Vessel, 8th–12th century, Ecuador, Manteno, Ceramic, pigment, H x W: 3 3/8 x 8in. (8.6 x 20.3cm), Ceramics-Containers
Bronze jug, Archaic, ca. 6th–early 5th century B.C., East Greek, Bronze, Overall: 15 1/4 x 9 1/4 x 8in. (38.7 x 23.5 x 20.3cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bronze-jug-archaic-ca-6thearly-5th-century-bc-east-greek-bronze-overall-162538345.htmlRMKCC78W–Bronze jug, Archaic, ca. 6th–early 5th century B.C., East Greek, Bronze, Overall: 15 1/4 x 9 1/4 x 8in. (38.7 x 23.5 x 20.3cm
Amphora, Cypriot, Cypro-Archaic I, Date 750–600 B.C., Cypriot, Terracotta, 20 3/16in. (51.3cm), Vases Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amphora-cypriot-cypro-archaic-i-date-750600-bc-cypriot-terracotta-20-316in-513cm-vases-image344659027.htmlRM2B0MG2Y–Amphora, Cypriot, Cypro-Archaic I, Date 750–600 B.C., Cypriot, Terracotta, 20 3/16in. (51.3cm), Vases
Lid of a neck-amphora. Culture: Greek, Attic. Dimensions: 3 1/8in. (8cm) Other: 8in. (20.3cm). Date: 6th century B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lid-of-a-neck-amphora-culture-greek-attic-dimensions-3-18in-8cm-other-8in-203cm-date-6th-century-bc-museum-metropolitan-museum-of-art-new-york-usa-image213396947.htmlRMPB51YF–Lid of a neck-amphora. Culture: Greek, Attic. Dimensions: 3 1/8in. (8cm) Other: 8in. (20.3cm). Date: 6th century B.C.. Museum: Metropolitan Museum of Art, New York, USA.
. Portrait of Emperor Akbar Praying Object Name: Illustrated single work Reign: Jahangir (1605–27) Date: early 17th century Geography: India Medium: Ink and gouache on paper Dimensions: 10 1/4 x 5 5/8in. (26 x 14.3cm) Classification: Codices Credit Line: H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1929 Accession Number: 29.160.20 This artwork is not on display . early 17th century. Unknown 432 Portrait of Emperor Akbar Praying Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emperor-akbar-praying-object-name-illustrated-single-work-reign-jahangir-160527-date-early-17th-century-geography-india-medium-ink-and-gouache-on-paper-dimensions-10-14-x-5-58in-26-x-143cm-classification-codices-credit-line-h-o-havemeyer-collection-gift-of-horace-havemeyer-1929-accession-number-2916020-this-artwork-is-not-on-display-early-17th-century-unknown-432-portrait-of-emperor-akbar-praying-image189173637.htmlRMMYNGW9–. Portrait of Emperor Akbar Praying Object Name: Illustrated single work Reign: Jahangir (1605–27) Date: early 17th century Geography: India Medium: Ink and gouache on paper Dimensions: 10 1/4 x 5 5/8in. (26 x 14.3cm) Classification: Codices Credit Line: H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1929 Accession Number: 29.160.20 This artwork is not on display . early 17th century. Unknown 432 Portrait of Emperor Akbar Praying
Art inspired by Monks in an Interior; Images of Spain Album (F), page 33, ca. 1812–20, Brush and brown wash, Sheet: 8-1/16 x 5- 5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-monks-in-an-interior-images-of-spain-album-f-page-33-ca-181220-brush-and-brown-wash-sheet-8-116-x-5-58-in-205-x-143cm-drawings-goya-francisco-de-goya-y-lucientes-spanish-fuendetodos-17461828-bordeaux-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462945673.htmlRF2HW4YX1–Art inspired by Monks in an Interior; Images of Spain Album (F), page 33, ca. 1812–20, Brush and brown wash, Sheet: 8-1/16 x 5- 5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
porridge bowl, Anonymous, second half 16th century, lead glaze, earthenware, General: 6.8 x 20.3 x 14.3cm (68 x 203 x 143mm), porridge bowl with two vertical ears. Made of red fired pottery and yellow on the inside. Glazed on the inside. On the bottom is in white letters Lakenhal and St Jorissteeg en 1971 and in dark numbers a number 223, 1972 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/porridge-bowl-anonymous-second-half-16th-century-lead-glaze-earthenware-general-68-x-203-x-143cm-68-x-203-x-143mm-porridge-bowl-with-two-vertical-ears-made-of-red-fired-pottery-and-yellow-on-the-inside-glazed-on-the-inside-on-the-bottom-is-in-white-letters-lakenhal-and-st-jorissteeg-en-1971-and-in-dark-numbers-a-number-223-1972-image386386648.htmlRM2DCHC34–porridge bowl, Anonymous, second half 16th century, lead glaze, earthenware, General: 6.8 x 20.3 x 14.3cm (68 x 203 x 143mm), porridge bowl with two vertical ears. Made of red fired pottery and yellow on the inside. Glazed on the inside. On the bottom is in white letters Lakenhal and St Jorissteeg en 1971 and in dark numbers a number 223, 1972
Whistling Double Spout and Bridge Bottle. Culture: Salinar (?). Dimensions: Height: 8 1/2in. (21.6cm) Diameter: 8in. (20.3cm). Date: 1st century B.C.-A.D. 2nd century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/whistling-double-spout-and-bridge-bottle-culture-salinar-dimensions-height-8-12in-216cm-diameter-8in-203cm-date-1st-century-bc-ad-2nd-century-museum-metropolitan-museum-of-art-new-york-usa-image213108807.htmlRMPAKXCR–Whistling Double Spout and Bridge Bottle. Culture: Salinar (?). Dimensions: Height: 8 1/2in. (21.6cm) Diameter: 8in. (20.3cm). Date: 1st century B.C.-A.D. 2nd century. Museum: Metropolitan Museum of Art, New York, USA.
. Portrait of Emperor Akbar Praying Object Name: Illustrated single work Reign: Jahangir (1605–27) Date: early 17th century Geography: India Medium: Ink and gouache on paper Dimensions: 10 1/4 x 5 5/8in. (26 x 14.3cm) Classification: Codices Credit Line: H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1929 Accession Number: 29.160.20 This artwork is not on display . early 17th century. Unknown 496 Portrait of Emperor Akbar Praying Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emperor-akbar-praying-object-name-illustrated-single-work-reign-jahangir-160527-date-early-17th-century-geography-india-medium-ink-and-gouache-on-paper-dimensions-10-14-x-5-58in-26-x-143cm-classification-codices-credit-line-h-o-havemeyer-collection-gift-of-horace-havemeyer-1929-accession-number-2916020-this-artwork-is-not-on-display-early-17th-century-unknown-496-portrait-of-emperor-akbar-praying-image187959758.htmlRMMWP8GE–. Portrait of Emperor Akbar Praying Object Name: Illustrated single work Reign: Jahangir (1605–27) Date: early 17th century Geography: India Medium: Ink and gouache on paper Dimensions: 10 1/4 x 5 5/8in. (26 x 14.3cm) Classification: Codices Credit Line: H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1929 Accession Number: 29.160.20 This artwork is not on display . early 17th century. Unknown 496 Portrait of Emperor Akbar Praying
. Gangaputra brahmin applying tilak to a pilgrim. Anglo-Indian school at Delhi, circa 1835. Opaque watercolour heightened with gold on warqa with 3 accompanying pages of description in Urdu text by Muhammad Bakhsh. Folio 20 x 33.3cm; image 12 x 17.5cm From an album commonly referrerd to as of 'castes and occupations' with paintings the resulting from a hybrid of Mughal court painting traditions with some of those from European traditions, such as vibrant colour and precise detail with shading and prespective. These were further combined by the artist's sensitivity in capturing individual chara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gangaputra-brahmin-applying-tilak-to-a-pilgrim-anglo-indian-school-at-delhi-circa-1835-opaque-watercolour-heightened-with-gold-on-warqa-with-3-accompanying-pages-of-description-in-urdu-text-by-muhammad-bakhsh-folio-20-x-333cm-image-12-x-175cm-from-an-album-commonly-referrerd-to-as-of-castes-and-occupations-with-paintings-the-resulting-from-a-hybrid-of-mughal-court-painting-traditions-with-some-of-those-from-european-traditions-such-as-vibrant-colour-and-precise-detail-with-shading-and-prespective-these-were-further-combined-by-the-artists-sensitivity-in-capturing-individual-chara-image188124441.htmlRMMX1PJ1–. Gangaputra brahmin applying tilak to a pilgrim. Anglo-Indian school at Delhi, circa 1835. Opaque watercolour heightened with gold on warqa with 3 accompanying pages of description in Urdu text by Muhammad Bakhsh. Folio 20 x 33.3cm; image 12 x 17.5cm From an album commonly referrerd to as of 'castes and occupations' with paintings the resulting from a hybrid of Mughal court painting traditions with some of those from European traditions, such as vibrant colour and precise detail with shading and prespective. These were further combined by the artist's sensitivity in capturing individual chara
Art inspired by Construction in Progress (Images of Spain Album, 46), 1812–20, Brush with gray-brown and irongall washes, with scraping on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-construction-in-progress-images-of-spain-album-46-181220-brush-with-gray-brown-and-irongall-washes-with-scraping-on-laid-paper-sheet-8-116-x-5-58-in-205-x-143cm-drawings-goya-francisco-de-goya-y-lucientes-spanish-fuendetodos-17461828-bordeaux-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462945686.htmlRF2HW4YXE–Art inspired by Construction in Progress (Images of Spain Album, 46), 1812–20, Brush with gray-brown and irongall washes, with scraping on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
mal, D. Sala and Zn. Frame factory, first half 19th century, carved, General: 2 x 36.2 x 11.3cm 20 x 362 x 113mm, Frame shape with which decorative elements were pressed in pate to decorate painting and mirror frames. It is a mold consisting of a carved wooden beam containing three different motifs in negative: two mirror-cut flower sprays with three flowers and a palette stretched in height, 1948 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mal-d-sala-and-zn-frame-factory-first-half-19th-century-carved-general-2-x-362-x-113cm-20-x-362-x-113mm-frame-shape-with-which-decorative-elements-were-pressed-in-pate-to-decorate-painting-and-mirror-frames-it-is-a-mold-consisting-of-a-carved-wooden-beam-containing-three-different-motifs-in-negative-two-mirror-cut-flower-sprays-with-three-flowers-and-a-palette-stretched-in-height-1948-image386385641.htmlRM2DCHAR5–mal, D. Sala and Zn. Frame factory, first half 19th century, carved, General: 2 x 36.2 x 11.3cm 20 x 362 x 113mm, Frame shape with which decorative elements were pressed in pate to decorate painting and mirror frames. It is a mold consisting of a carved wooden beam containing three different motifs in negative: two mirror-cut flower sprays with three flowers and a palette stretched in height, 1948
Angel. Artist: Workshop of Ignaz Günther (German, Altmannstein 1725-1775 Munich). Culture: Southern German. Dimensions: 10 3/4 x 8 in. (27.3 x 20.3cm). Date: ca. 1760-70. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angel-artist-workshop-of-ignaz-gnther-german-altmannstein-1725-1775-munich-culture-southern-german-dimensions-10-34-x-8-in-273-x-203cm-date-ca-1760-70-museum-metropolitan-museum-of-art-new-york-usa-image213319368.htmlRMPB1F0T–Angel. Artist: Workshop of Ignaz Günther (German, Altmannstein 1725-1775 Munich). Culture: Southern German. Dimensions: 10 3/4 x 8 in. (27.3 x 20.3cm). Date: ca. 1760-70. Museum: Metropolitan Museum of Art, New York, USA.
. Gangaputra brahmin applying tilak to a pilgrim. Anglo-Indian school at Delhi, circa 1835. Opaque watercolour heightened with gold on warqa with 3 accompanying pages of description in Urdu text by Muhammad Bakhsh. Folio 20 x 33.3cm; image 12 x 17.5cm From an album commonly referrerd to as of 'castes and occupations' with paintings the resulting from a hybrid of Mughal court painting traditions with some of those from European traditions, such as vibrant colour and precise detail with shading and prespective. These were further combined by the artist's sensitivity in capturing individual chara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gangaputra-brahmin-applying-tilak-to-a-pilgrim-anglo-indian-school-at-delhi-circa-1835-opaque-watercolour-heightened-with-gold-on-warqa-with-3-accompanying-pages-of-description-in-urdu-text-by-muhammad-bakhsh-folio-20-x-333cm-image-12-x-175cm-from-an-album-commonly-referrerd-to-as-of-castes-and-occupations-with-paintings-the-resulting-from-a-hybrid-of-mughal-court-painting-traditions-with-some-of-those-from-european-traditions-such-as-vibrant-colour-and-precise-detail-with-shading-and-prespective-these-were-further-combined-by-the-artists-sensitivity-in-capturing-individual-chara-image188841924.htmlRMMY6DPC–. Gangaputra brahmin applying tilak to a pilgrim. Anglo-Indian school at Delhi, circa 1835. Opaque watercolour heightened with gold on warqa with 3 accompanying pages of description in Urdu text by Muhammad Bakhsh. Folio 20 x 33.3cm; image 12 x 17.5cm From an album commonly referrerd to as of 'castes and occupations' with paintings the resulting from a hybrid of Mughal court painting traditions with some of those from European traditions, such as vibrant colour and precise detail with shading and prespective. These were further combined by the artist's sensitivity in capturing individual chara
Art inspired by Two Prisoners in Irons, from Images of Spain Album (F), 80, 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/8 x 5-5/8 in. (20.6 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-two-prisoners-in-irons-from-images-of-spain-album-f-80-181220-brush-and-brown-wash-on-laid-paper-sheet-8-18-x-5-58-in-206-x-143cm-drawings-goya-francisco-de-goya-y-lucientes-spanish-fuendetodos-17461828-bordeaux-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462945715.htmlRF2HW4YYF–Art inspired by Two Prisoners in Irons, from Images of Spain Album (F), 80, 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/8 x 5-5/8 in. (20.6 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Anonymous, first quarter 17th century, minted, General: 3.9 x 3.9 x 0.3cm 39 x 39 x 3mm, Weight: 45g, Square lead in a paper emergency coin of 20 cents struck during the siege of Leiden. On the obverse is a standing lion, on the left on a ground with a lance with a liberty hat in the claws, between the year 1574. Above the lion is a crown. On the front is the circular: HAEC LIBERTATIS ERGO. The downside is blank, lion, weapons and ammunition Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-first-quarter-17th-century-minted-general-39-x-39-x-03cm-39-x-39-x-3mm-weight-45g-square-lead-in-a-paper-emergency-coin-of-20-cents-struck-during-the-siege-of-leiden-on-the-obverse-is-a-standing-lion-on-the-left-on-a-ground-with-a-lance-with-a-liberty-hat-in-the-claws-between-the-year-1574-above-the-lion-is-a-crown-on-the-front-is-the-circular-haec-libertatis-ergo-the-downside-is-blank-lion-weapons-and-ammunition-image386388197.htmlRM2DCHE2D–Anonymous, first quarter 17th century, minted, General: 3.9 x 3.9 x 0.3cm 39 x 39 x 3mm, Weight: 45g, Square lead in a paper emergency coin of 20 cents struck during the siege of Leiden. On the obverse is a standing lion, on the left on a ground with a lance with a liberty hat in the claws, between the year 1574. Above the lion is a crown. On the front is the circular: HAEC LIBERTATIS ERGO. The downside is blank, lion, weapons and ammunition
Gilded silver phiale (libation bowl). Culture: Greek. Dimensions: diameter 8in. (20.3cm). Date: 6th century B.C.. The bowl is ornamented with alternating palmettes and lotus buds executed in the repoussé technique. The gilded boss is surrounded by a frieze of animals. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gilded-silver-phiale-libation-bowl-culture-greek-dimensions-diameter-8in-203cm-date-6th-century-bc-the-bowl-is-ornamented-with-alternating-palmettes-and-lotus-buds-executed-in-the-repouss-technique-the-gilded-boss-is-surrounded-by-a-frieze-of-animals-museum-metropolitan-museum-of-art-new-york-usa-image213246653.htmlRMPAX67W–Gilded silver phiale (libation bowl). Culture: Greek. Dimensions: diameter 8in. (20.3cm). Date: 6th century B.C.. The bowl is ornamented with alternating palmettes and lotus buds executed in the repoussé technique. The gilded boss is surrounded by a frieze of animals. Museum: Metropolitan Museum of Art, New York, USA.
. Gangaputra brahmin applying tilak to a pilgrim. Anglo-Indian school at Delhi, circa 1835. Opaque watercolour heightened with gold on warqa with 3 accompanying pages of description in Urdu text by Muhammad Bakhsh. Folio 20 x 33.3cm; image 12 x 17.5cm From an album commonly referrerd to as of 'castes and occupations' with paintings the resulting from a hybrid of Mughal court painting traditions with some of those from European traditions, such as vibrant colour and precise detail with shading and prespective. These were further combined by the artist's sensitivity in capturing individual chara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gangaputra-brahmin-applying-tilak-to-a-pilgrim-anglo-indian-school-at-delhi-circa-1835-opaque-watercolour-heightened-with-gold-on-warqa-with-3-accompanying-pages-of-description-in-urdu-text-by-muhammad-bakhsh-folio-20-x-333cm-image-12-x-175cm-from-an-album-commonly-referrerd-to-as-of-castes-and-occupations-with-paintings-the-resulting-from-a-hybrid-of-mughal-court-painting-traditions-with-some-of-those-from-european-traditions-such-as-vibrant-colour-and-precise-detail-with-shading-and-prespective-these-were-further-combined-by-the-artists-sensitivity-in-capturing-individual-chara-image187548792.htmlRMMW3GB4–. Gangaputra brahmin applying tilak to a pilgrim. Anglo-Indian school at Delhi, circa 1835. Opaque watercolour heightened with gold on warqa with 3 accompanying pages of description in Urdu text by Muhammad Bakhsh. Folio 20 x 33.3cm; image 12 x 17.5cm From an album commonly referrerd to as of 'castes and occupations' with paintings the resulting from a hybrid of Mughal court painting traditions with some of those from European traditions, such as vibrant colour and precise detail with shading and prespective. These were further combined by the artist's sensitivity in capturing individual chara
Art inspired by A Woman Kneeling before an Old Man, Images of Spain Album, 55, ca. 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-woman-kneeling-before-an-old-man-images-of-spain-album-55-ca-181220-brush-and-brown-wash-on-laid-paper-sheet-8-116-x-5-58-in-205-x-143cm-drawings-goya-francisco-de-goya-y-lucientes-spanish-fuendetodos-17461828-bordeaux-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462945680.htmlRF2HW4YX8–Art inspired by A Woman Kneeling before an Old Man, Images of Spain Album, 55, ca. 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
sconce, Anonymous, first half 19th century, General: 12.7 x 20.3 x 18.3cm 127 x 203 x 183mm, Oval brass sconce with an S-shaped ear with thumb rest on the edge. In the middle the candle holder with a cylindrical trunk with a sliding mechanism at the bottom, the profijter, and at the top two buttons. The loose, round grease trap has a scalloped edge and a candle clip on the top. At the bottom four curved legs to clamp the grease trap in the candle holder. A cone-shaped guy hangs from the thumb rest, 1975 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sconce-anonymous-first-half-19th-century-general-127-x-203-x-183cm-127-x-203-x-183mm-oval-brass-sconce-with-an-s-shaped-ear-with-thumb-rest-on-the-edge-in-the-middle-the-candle-holder-with-a-cylindrical-trunk-with-a-sliding-mechanism-at-the-bottom-the-profijter-and-at-the-top-two-buttons-the-loose-round-grease-trap-has-a-scalloped-edge-and-a-candle-clip-on-the-top-at-the-bottom-four-curved-legs-to-clamp-the-grease-trap-in-the-candle-holder-a-cone-shaped-guy-hangs-from-the-thumb-rest-1975-image386383091.htmlRM2DCH7G3–sconce, Anonymous, first half 19th century, General: 12.7 x 20.3 x 18.3cm 127 x 203 x 183mm, Oval brass sconce with an S-shaped ear with thumb rest on the edge. In the middle the candle holder with a cylindrical trunk with a sliding mechanism at the bottom, the profijter, and at the top two buttons. The loose, round grease trap has a scalloped edge and a candle clip on the top. At the bottom four curved legs to clamp the grease trap in the candle holder. A cone-shaped guy hangs from the thumb rest, 1975
Rattle. Culture: Native American (Skittagetan or Haida). Dimensions: Overall: 7.6 x 20.3cm (3 x 8in.). Date: 19th century. This rattle depicts a grinning mountain spirit, potentially that of a bear. The spirit would act as the intercessor for the human figure found between the ears. The rattle represents the relationship between the two and how the owner would depend on the spirit for strength and guidance. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rattle-culture-native-american-skittagetan-or-haida-dimensions-overall-76-x-203cm-3-x-8in-date-19th-century-this-rattle-depicts-a-grinning-mountain-spirit-potentially-that-of-a-bear-the-spirit-would-act-as-the-intercessor-for-the-human-figure-found-between-the-ears-the-rattle-represents-the-relationship-between-the-two-and-how-the-owner-would-depend-on-the-spirit-for-strength-and-guidance-museum-metropolitan-museum-of-art-new-york-usa-image212849152.htmlRMPA837C–Rattle. Culture: Native American (Skittagetan or Haida). Dimensions: Overall: 7.6 x 20.3cm (3 x 8in.). Date: 19th century. This rattle depicts a grinning mountain spirit, potentially that of a bear. The spirit would act as the intercessor for the human figure found between the ears. The rattle represents the relationship between the two and how the owner would depend on the spirit for strength and guidance. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Women with Children by a Wayside Cross, from Images of Spain Album (F), 78, 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-women-with-children-by-a-wayside-cross-from-images-of-spain-album-f-78-181220-brush-and-brown-wash-on-laid-paper-sheet-8-116-x-5-58-in-205-x-143cm-drawings-goya-francisco-de-goya-y-lucientes-spanish-fuendetodos-17461828-bordeaux-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462945702.htmlRF2HW4YY2–Art inspired by Women with Children by a Wayside Cross, from Images of Spain Album (F), 78, 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
book, 1892, paper, cardboard, ink, linen, General: 20 x 13.6 x 3cm 200 x 136 x 30mm, Book entitled Kleine studies, by the author Vorsmeer de Spie. The book, which is bound, contains a brown-red linen cover, with three horizontal green straps at the spine. A black decoration is applied around the straps. On the title page is printed Vosmeer de Spie, Kleine Studies, Amsterdam, D. Buys Dz. 1892. The book is revered To my Sisters, Maurice. The interior consists of 312 numbered pages with text, starting with the content. The book was bound by Miss M.H. Nederburgh, 1949 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-1892-paper-cardboard-ink-linen-general-20-x-136-x-3cm-200-x-136-x-30mm-book-entitled-kleine-studies-by-the-author-vorsmeer-de-spie-the-book-which-is-bound-contains-a-brown-red-linen-cover-with-three-horizontal-green-straps-at-the-spine-a-black-decoration-is-applied-around-the-straps-on-the-title-page-is-printed-vosmeer-de-spie-kleine-studies-amsterdam-d-buys-dz-1892-the-book-is-revered-to-my-sisters-maurice-the-interior-consists-of-312-numbered-pages-with-text-starting-with-the-content-the-book-was-bound-by-miss-mh-nederburgh-1949-image386384728.htmlRM2DCH9JG–book, 1892, paper, cardboard, ink, linen, General: 20 x 13.6 x 3cm 200 x 136 x 30mm, Book entitled Kleine studies, by the author Vorsmeer de Spie. The book, which is bound, contains a brown-red linen cover, with three horizontal green straps at the spine. A black decoration is applied around the straps. On the title page is printed Vosmeer de Spie, Kleine Studies, Amsterdam, D. Buys Dz. 1892. The book is revered To my Sisters, Maurice. The interior consists of 312 numbered pages with text, starting with the content. The book was bound by Miss M.H. Nederburgh, 1949
Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Dimensions: H. 11 1/2 in. (29.2 cm) W. 8in. (20.3cm). Date: 15th century. By the end of the fifteenth century, manuscripts of Persian poetry typically were written in a script known as nasta'liq, an elegant, flowing form of calligraphy. This manuscript is somewhat unusual in its archaizing use of the more rectilinear naskh script. Nevertheless, the paintings of this manuscript are stylistically akin to those found in manuscripts produced in Shiraz during the reign of Sultan Khalil Aq Q Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/khamsa-quintet-of-nizami-author-nizami-ilyas-abu-muhammad-nizam-al-din-of-ganja-probably-1141-1217-dimensions-h-11-12-in-292-cm-w-8in-203cm-date-15th-century-by-the-end-of-the-fifteenth-century-manuscripts-of-persian-poetry-typically-were-written-in-a-script-known-as-nastaliq-an-elegant-flowing-form-of-calligraphy-this-manuscript-is-somewhat-unusual-in-its-archaizing-use-of-the-more-rectilinear-naskh-script-nevertheless-the-paintings-of-this-manuscript-are-stylistically-akin-to-those-found-in-manuscripts-produced-in-shiraz-during-the-reign-of-sultan-khalil-aq-q-image213082558.htmlRMPAJMYA–Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Dimensions: H. 11 1/2 in. (29.2 cm) W. 8in. (20.3cm). Date: 15th century. By the end of the fifteenth century, manuscripts of Persian poetry typically were written in a script known as nasta'liq, an elegant, flowing form of calligraphy. This manuscript is somewhat unusual in its archaizing use of the more rectilinear naskh script. Nevertheless, the paintings of this manuscript are stylistically akin to those found in manuscripts produced in Shiraz during the reign of Sultan Khalil Aq Q
Search Results for 20 3cm Stock Photos and Images (323)
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