2 11 1699 hi-res stock photography and images

300 birthday 2.11.1699 of Chardin Stock Photo

RMC45D6T–300 birthday 2.11.1699 of Chardin

Chardin, Jean-Baptiste Simeon, 2.11.1699 - 6.12.1779, French artist (painter), portrait, wood engraving, 1775, Stock Photo

RMBBNC1D–Chardin, Jean-Baptiste Simeon, 2.11.1699 - 6.12.1779, French artist (painter), portrait, wood engraving, 1775,

Altar room of the Saint Gervais church in Paris with mourning decoration for Louis Boucherat, Count von Compans on December 11, 1699, sheet 2 (of 3), 1699, print, etching on paper, sheet: 25 × 18.4 cm Stock Photo

RM2T8PBYM–Altar room of the Saint Gervais church in Paris with mourning decoration for Louis Boucherat, Count von Compans on December 11, 1699, sheet 2 (of 3), 1699, print, etching on paper, sheet: 25 × 18.4 cm

fine arts, Chardin, Jean Siméon, (2.11.1699 - 6.12.1779), painting, 'tankard and peaches', circa 1728, 54,9 cm x 44,8 cm, state gallery, Karlsruhe, Germany, Artist's Copyright has not to be cleared Stock Photo

RMAMDNFX–fine arts, Chardin, Jean Siméon, (2.11.1699 - 6.12.1779), painting, 'tankard and peaches', circa 1728, 54,9 cm x 44,8 cm, state gallery, Karlsruhe, Germany, Artist's Copyright has not to be cleared

Art inspired by Avril, 18th century, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7F02–Art inspired by Avril, 18th century, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

fine arts, Chardin, Jean Siméon, (2.11.1699 - 6.12.1779), painting, 'still life with flask', circa 1728, 55,1 cm x 45 cm, state gallery, Karlsruhe, Germany, Artist's Copyright has not to be cleared Stock Photo

RMAG31M3–fine arts, Chardin, Jean Siméon, (2.11.1699 - 6.12.1779), painting, 'still life with flask', circa 1728, 55,1 cm x 45 cm, state gallery, Karlsruhe, Germany, Artist's Copyright has not to be cleared

George Manjoy, Miniature gateleg table (one of a pair), British, London, George Manjoy (British, active 1685–ca. 1720), 1699–1700, British, London, Silver, 2 1/2 × 4 1/2 × 3 3/8 in. (6.4 × 11.4 × 8.6 cm), Metalwork-Silver-Miniature Stock Photo

RM2B0MR2R–George Manjoy, Miniature gateleg table (one of a pair), British, London, George Manjoy (British, active 1685–ca. 1720), 1699–1700, British, London, Silver, 2 1/2 × 4 1/2 × 3 3/8 in. (6.4 × 11.4 × 8.6 cm), Metalwork-Silver-Miniature

Avril. Artist: After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKRF2–Avril. Artist: After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Iva Toguri, in a Yokohama jail cell, Oct. 28, 1945. The Los Angeles born Toguri was held for making propaganda broadcasts to Allied forces on the Japanese 'Zero Hour' programs. In 1946 she was released for lack of evidence. In 1948 she was rearrested, tried, and sentenced to prison in 1949. (CSU 2015 11 1699) Stock Photo

RMF2ATDK–Iva Toguri, in a Yokohama jail cell, Oct. 28, 1945. The Los Angeles born Toguri was held for making propaganda broadcasts to Allied forces on the Japanese 'Zero Hour' programs. In 1946 she was released for lack of evidence. In 1948 she was rearrested, tried, and sentenced to prison in 1949. (CSU 2015 11 1699)

. Nederlands: Titel catalogus Leupe (NA): Platte grond van 's Comps. Woning en Packhuysen in Amed Abaad. Datering catalogus Leupe: 1699 Plattegrond van de indeling van de gebouwen van de Compagnie, gelegen aan de geheime weg of Bazaar in Amed-Abaad. Rechts boven: 262 Rechts is bij NB een toelichtende tekst over de zwarte en rode lijnen op de plattegrond ter aanduiding van muren waartegen aanbouwsels steunen. Notities verso: 499 a; P 2 nr. 11; geen afdruk blauw potlood. Stijl komt overeen met NA VEL0876A en VEL0876B. English: According to the catalogue Leupe (NA) the original title reads: Plat Stock Photo

RMMMPA93–. Nederlands: Titel catalogus Leupe (NA): Platte grond van 's Comps. Woning en Packhuysen in Amed Abaad. Datering catalogus Leupe: 1699 Plattegrond van de indeling van de gebouwen van de Compagnie, gelegen aan de geheime weg of Bazaar in Amed-Abaad. Rechts boven: 262 Rechts is bij NB een toelichtende tekst over de zwarte en rode lijnen op de plattegrond ter aanduiding van muren waartegen aanbouwsels steunen. Notities verso: 499 a; P 2 nr. 11; geen afdruk blauw potlood. Stijl komt overeen met NA VEL0876A en VEL0876B. English: According to the catalogue Leupe (NA) the original title reads: Plat

Edystone Light house Author Winstanley, Henry 11.114.a.2 tab. Place of publication: [Littlebury, Essex] Publisher: [Henry Winstanley] Date of publication: [1699] Item type: 1 print Medium: etching Dimensions: two sheets joined 100 x 73.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9G0B7–Edystone Light house Author Winstanley, Henry 11.114.a.2 tab. Place of publication: [Littlebury, Essex] Publisher: [Henry Winstanley] Date of publication: [1699] Item type: 1 print Medium: etching Dimensions: two sheets joined 100 x 73.5 cm Former owner: George III, King of Great Britain, 1738-1820

Cong jade Cong van jade; grafgift, symbool van aarde, gebruikt bij offerplechtigheid in Zhou-periode. Deze Cong is late imitatie. Manufacturer : anoniemPlaats manufacture: China Dating: 1600 - 1699 Material: jade Dimensions: h 11,2 cm × b 6,5 cm × d 6,5 cm Stock Photo

RM2B6H82Y–Cong jade Cong van jade; grafgift, symbool van aarde, gebruikt bij offerplechtigheid in Zhou-periode. Deze Cong is late imitatie. Manufacturer : anoniemPlaats manufacture: China Dating: 1600 - 1699 Material: jade Dimensions: h 11,2 cm × b 6,5 cm × d 6,5 cm

Edystone light-house, a narrative of the building. View of Edystone Light House, by H. Winstanley. 1699. Source: Maps.K.Top.11.114.a.2 TAB. Author: Winstanley, Henry. Stock Photo

RMR5G9FT–Edystone light-house, a narrative of the building. View of Edystone Light House, by H. Winstanley. 1699. Source: Maps.K.Top.11.114.a.2 TAB. Author: Winstanley, Henry.

Kelkglas met een trechtervormige kelk Platte voet. De stam opgebouwd uit drie holle, geribde nodi, vier gladde verbindingsstukken, drie gladde nodi en vier schijven. Wijde, trechtervormige, aan de onderzijde afgeronde kelk. Manufacturer : glasblazer: anoniemPlaats manufacture: Nederlanden Dating: ca. 1600 - ca. 1699 Physical kenmerken: helder, kleurloos glas Material: glas Techniek: Façon de Venise / glasblazen Dimensions: h 17,2 cm. × d 11,5 cm. grondvlak: d 9,6 cm. Stock Photo

RM2B6YE2D–Kelkglas met een trechtervormige kelk Platte voet. De stam opgebouwd uit drie holle, geribde nodi, vier gladde verbindingsstukken, drie gladde nodi en vier schijven. Wijde, trechtervormige, aan de onderzijde afgeronde kelk. Manufacturer : glasblazer: anoniemPlaats manufacture: Nederlanden Dating: ca. 1600 - ca. 1699 Physical kenmerken: helder, kleurloos glas Material: glas Techniek: Façon de Venise / glasblazen Dimensions: h 17,2 cm. × d 11,5 cm. grondvlak: d 9,6 cm.

Drawing, Design for an Altar; Possibly by Ferdinando Fuga (Italian, 1699 - 1781); Italy; pen and sepia ink, brush and gray watercolor, graphite on paper; 33.2 × 30 cm (13 1/16 × 11 13/16 in.) Stock Photo

RM2PMH4HB–Drawing, Design for an Altar; Possibly by Ferdinando Fuga (Italian, 1699 - 1781); Italy; pen and sepia ink, brush and gray watercolor, graphite on paper; 33.2 × 30 cm (13 1/16 × 11 13/16 in.)

Kruik (trechterhalskruik) met draairingen Fragment van een kruik (trechterhalskruik) van steengoed op golvende voet met een eivormige buik en trechtervormige nek. Deel van de nek ontbreekt. Het C-vormige oor is bevestigd aan de schouder. De kan is versierd met draairingen. Manufacturer : pottenbakker: anoniemPlaats manufacture: Duitsland Dating: ca. 1550 - ca. 1699 Physical kenmerken: steengoed Material: steengoed glazuur Techniek: draaiend bewerken / vormen / bakken / glazuren Dimensions: h 17,2 cm. buik: d 8,6 cm. voet: d 7,9 cm. geheel: b 11,4 cm. (met oor) Stock Photo

RM2B70RD5–Kruik (trechterhalskruik) met draairingen Fragment van een kruik (trechterhalskruik) van steengoed op golvende voet met een eivormige buik en trechtervormige nek. Deel van de nek ontbreekt. Het C-vormige oor is bevestigd aan de schouder. De kan is versierd met draairingen. Manufacturer : pottenbakker: anoniemPlaats manufacture: Duitsland Dating: ca. 1550 - ca. 1699 Physical kenmerken: steengoed Material: steengoed glazuur Techniek: draaiend bewerken / vormen / bakken / glazuren Dimensions: h 17,2 cm. buik: d 8,6 cm. voet: d 7,9 cm. geheel: b 11,4 cm. (met oor)

Historic homes and institutions and genealogical and personal memoirs of Worcester County, Massachusetts, with a history of Worcester society of antiquity; . n November 2,1690, died November 11. 1690; Daniel, born Octo-ber 23. 1691. The children of Jacob and AliceKendall were: Ebenezer, born November 9. 1695;John, born January 9, 1696-7. died October 17. 1697;Sarah, born Julv 18, 1698, married Benjamin Whit-more; Esther, born November 20, 1699; Hezekiah,born May 26, 1701 ; Nathan, born December 12. 1702;Susanna, born October 27. 1704: Phebe, born De-cember 19. 1706; David, born September 28. 1 Stock Photo

RM2AM4HWX–Historic homes and institutions and genealogical and personal memoirs of Worcester County, Massachusetts, with a history of Worcester society of antiquity; . n November 2,1690, died November 11. 1690; Daniel, born Octo-ber 23. 1691. The children of Jacob and AliceKendall were: Ebenezer, born November 9. 1695;John, born January 9, 1696-7. died October 17. 1697;Sarah, born Julv 18, 1698, married Benjamin Whit-more; Esther, born November 20, 1699; Hezekiah,born May 26, 1701 ; Nathan, born December 12. 1702;Susanna, born October 27. 1704: Phebe, born De-cember 19. 1706; David, born September 28. 1

Kleed van paarse zijden fluweel Een kleedje van donkerpaarse zijde, samengesteld uit zes stukken. Een strooipatroon van een takje van één blad, één bloem en een knopje. Aan drie zijden omzoomd door goudgalon gekleurd in dezelfde tint als het fluweel. Voering van paarse satijn. Vgl. BK-NM-11903-52. Manufacturer : Plaats manufacture: Italië (mogelijk) Dating: 1600 - 1699 Material: zijde satijn fluweel katoen Techniek: weven Dimensions: rapport: h 71,5 cm × b 29,2 cmh 11 cm × b 5,5 cm Stock Photo

RM2B6YXE5–Kleed van paarse zijden fluweel Een kleedje van donkerpaarse zijde, samengesteld uit zes stukken. Een strooipatroon van een takje van één blad, één bloem en een knopje. Aan drie zijden omzoomd door goudgalon gekleurd in dezelfde tint als het fluweel. Voering van paarse satijn. Vgl. BK-NM-11903-52. Manufacturer : Plaats manufacture: Italië (mogelijk) Dating: 1600 - 1699 Material: zijde satijn fluweel katoen Techniek: weven Dimensions: rapport: h 71,5 cm × b 29,2 cmh 11 cm × b 5,5 cm

Art inspired by L'Asie, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7EYR–Art inspired by L'Asie, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

John Sutton, English, Two-Handled Cup, between 1698 and 1699, silver, Overall: 4 1/2 × 7 3/4 × 4 7/8 inches, 326.1 g (11.4 × 19.7 × 12.4 cm, 11.5 ounces Stock Photo

RM2A2R1DP–John Sutton, English, Two-Handled Cup, between 1698 and 1699, silver, Overall: 4 1/2 × 7 3/4 × 4 7/8 inches, 326.1 g (11.4 × 19.7 × 12.4 cm, 11.5 ounces

L'Asie. Artist: After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAX915–L'Asie. Artist: After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Tric-trac Players, Print made by Jan van Somer, ca. 1645–after 1699, Dutch, after Cornelis Bega, 1631/2(?)–1664, Dutch, Published by Jan van Somer, ca. 1645–after 1699, Dutch, 1671, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 1/4 × 13 5/8 inches (28.6 × 34.6 cm) and Plate: 10 7/8 × 13 1/8 inches (27.6 × 33.3 cm), backgammon, bench, board games, clog, folds, gaming, genre subject, jackets, men, tric-trac, tub, violin Stock Photo

RM2DHWT1W–Tric-trac Players, Print made by Jan van Somer, ca. 1645–after 1699, Dutch, after Cornelis Bega, 1631/2(?)–1664, Dutch, Published by Jan van Somer, ca. 1645–after 1699, Dutch, 1671, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 1/4 × 13 5/8 inches (28.6 × 34.6 cm) and Plate: 10 7/8 × 13 1/8 inches (27.6 × 33.3 cm), backgammon, bench, board games, clog, folds, gaming, genre subject, jackets, men, tric-trac, tub, violin

Funeral structure for Louis Boucherat, Count von Compans, in the church of Saint Gervais in Paris on December 11, 1699, sheet 1 (of 3), 1699, printmaking, etching on paper, sheet: 25.2 × 18.3 cm Stock Photo

RM2T8PBYH–Funeral structure for Louis Boucherat, Count von Compans, in the church of Saint Gervais in Paris on December 11, 1699, sheet 1 (of 3), 1699, printmaking, etching on paper, sheet: 25.2 × 18.3 cm

t'Groote Chastelet tot Parys. Visual Material information: Title: t'Groote Chastelet tot Parys. 65.29. Place of publication: [Amsterdam?] Publisher: [publisher not identified] Date of publication: [between 1666 and 1699] Item type: 1 print Medium: etching Dimensions: sheet 11.2 x 13.2 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FBNC–t'Groote Chastelet tot Parys. Visual Material information: Title: t'Groote Chastelet tot Parys. 65.29. Place of publication: [Amsterdam?] Publisher: [publisher not identified] Date of publication: [between 1666 and 1699] Item type: 1 print Medium: etching Dimensions: sheet 11.2 x 13.2 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820

Jean-François Janinet, French, 1752–1814, After Hubert-François Bourguignon Gravelot, (French, 1699–1773, active in England), The King and the Farmer, 1772–1788, Etching and aquatint on paper, image: 2 1/4 x 5 11/16 in. (5.7 x 14.4 cm Stock Photo

RM2B0GTFG–Jean-François Janinet, French, 1752–1814, After Hubert-François Bourguignon Gravelot, (French, 1699–1773, active in England), The King and the Farmer, 1772–1788, Etching and aquatint on paper, image: 2 1/4 x 5 11/16 in. (5.7 x 14.4 cm

. The Robinsons and their kin folk. , died Jan. 12, 1891, at West Tisbury. Lucretia Adams was the daughter of James Adams, b. Sept.30, 1754, and Dinah Allen, b. 1753, d. November, 1844, his wife. James Adams was the son of Mayhew Adams, b. Dec. 22,1729, d. Oct. 2, 1823, and Rebecca Mayhew, d. July 11, 1819, hiswife. Mayhew Adams was the son of Eliashib* Adams, b. May 9,1699, and Reliance Mayhew, m. Feb. 18, 1729, his wife. Eliashib Adams was the son of Edward Adams and Eliza-beth Walley, m. May 19, 1629, his wife. Edward Adams was the son of Edward Adams, d. Nov. 12,1716, and Lidia , his wife. Stock Photo

RM2AG743M–. The Robinsons and their kin folk. , died Jan. 12, 1891, at West Tisbury. Lucretia Adams was the daughter of James Adams, b. Sept.30, 1754, and Dinah Allen, b. 1753, d. November, 1844, his wife. James Adams was the son of Mayhew Adams, b. Dec. 22,1729, d. Oct. 2, 1823, and Rebecca Mayhew, d. July 11, 1819, hiswife. Mayhew Adams was the son of Eliashib* Adams, b. May 9,1699, and Reliance Mayhew, m. Feb. 18, 1729, his wife. Eliashib Adams was the son of Edward Adams and Eliza-beth Walley, m. May 19, 1629, his wife. Edward Adams was the son of Edward Adams, d. Nov. 12,1716, and Lidia , his wife.

Fragment van een mantel van zwarte ciseléfluweel op een ondergrond van zwarte taf. Zeventiende-eeuws patroon met bladeren in de vorm van c-voluten en langgerekte s-voluten. Manufacturer : wever: anoniemPlaats manufacture: Nederland Dating: ca. 1600 - ca. 1699 Physical kenmerken: zwart zijden fluweel op grond van zwarte taf Material: zijde fluweel taf Techniek: weven Dimensions: h 12,7 cm. (Opgemeten.) × b 17 cm. (Opgemeten.) × h 11 cm. (Volgens inventarisboek.) × b 16,2 cm. (Volgens inventarisboek.) Date: 1583 - 1645Wie: Hugo de Groot Stock Photo

RM2B6N97B–Fragment van een mantel van zwarte ciseléfluweel op een ondergrond van zwarte taf. Zeventiende-eeuws patroon met bladeren in de vorm van c-voluten en langgerekte s-voluten. Manufacturer : wever: anoniemPlaats manufacture: Nederland Dating: ca. 1600 - ca. 1699 Physical kenmerken: zwart zijden fluweel op grond van zwarte taf Material: zijde fluweel taf Techniek: weven Dimensions: h 12,7 cm. (Opgemeten.) × b 17 cm. (Opgemeten.) × h 11 cm. (Volgens inventarisboek.) × b 16,2 cm. (Volgens inventarisboek.) Date: 1583 - 1645Wie: Hugo de Groot

Art inspired by Doctrine, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7EYX–Art inspired by Doctrine, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

L'Afrique. Artist: After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAPYN7–L'Afrique. Artist: After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Christ for Pilate, Anonymous, After Albrecht Dürer, 1656 - 1699 print paper engraving Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16) Stock Photo

RM2WEM7K7–Christ for Pilate, Anonymous, After Albrecht Dürer, 1656 - 1699 print paper engraving Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16)

Giuseppe Canale, Allegorical figure on a cloud with putti, after Stefano Pozzi, Giuseppe Canale (Italian, Rome 1725–1802 Dresden) ?, After Stefano Pozzi (Italian, Rome 1699–1768 Rome), ca. 1745–1802, Etching, Sheet (Trimmed): 12 11/16 × 9 1/2 in. (32.2 × 24.1 cm), Prints Stock Photo

RM2B0K00F–Giuseppe Canale, Allegorical figure on a cloud with putti, after Stefano Pozzi, Giuseppe Canale (Italian, Rome 1725–1802 Dresden) ?, After Stefano Pozzi (Italian, Rome 1699–1768 Rome), ca. 1745–1802, Etching, Sheet (Trimmed): 12 11/16 × 9 1/2 in. (32.2 × 24.1 cm), Prints

Almanach royal, année MDCCLXXXIX présenté a Sa Majesté pour la première fois en 1699 par Laurent d'Houry, éditeur . i les jour» fécondes le matin ôc i:- •nu.- > •. i;b>. JUIN. Junius y abrégé de Junonius, quil avoit che^ les peuples dontRome s^^ formée ; ou peut-être introduit en mémoire de Juniu^Brutus, lorfqu ayant clia fé les Tarquins, il vint fur le MontCneli en rendre grâces à Carne, Dcejfe du cœur. I zî456 7S 9 lO 11 li ^3 h i8; 19 2.0 2.1 2.2. M^5z6 i7z8i9 Sol. à ^ le II , à 1 h. 4m. du matin. /w/2::i s. Pamphile.mardi s. Pothin , Evoque,merc. (Quatre- Jems.jeudi s. Optât, Evé Stock Photo

RM2AXJMX7–Almanach royal, année MDCCLXXXIX présenté a Sa Majesté pour la première fois en 1699 par Laurent d'Houry, éditeur . i les jour» fécondes le matin ôc i:- •nu.- > •. i;b>. JUIN. Junius y abrégé de Junonius, quil avoit che^ les peuples dontRome s^^ formée ; ou peut-être introduit en mémoire de Juniu^Brutus, lorfqu ayant clia fé les Tarquins, il vint fur le MontCneli en rendre grâces à Carne, Dcejfe du cœur. I zî456 7S 9 lO 11 li ^3 h i8; 19 2.0 2.1 2.2. M^5z6 i7z8i9 Sol. à ^ le II , à 1 h. 4m. du matin. /w/2::i s. Pamphile.mardi s. Pothin , Evoque,merc. (Quatre- Jems.jeudi s. Optât, Evé

Cup with a band of ears ring Beker van steengoed op standring met een eivormig lichaam en hoge, trechtervormige nek. Bedekt met een bruine engobe. Vanaf halverwge de buik omhoog versierd met draairingen en op de nek een brede band met kleine oren met elk een ring. Dreihausen. Manufacturer : pottenbakker: anoniemPlaats manufacture: Dreihausen Dating: ca. 1500 - ca. 1699 Physical kenmerken: steengoed met een bruine engobe Material: steengoed glazuur engobe Techniek: draaiend bewerken / vormen / ingriffen / slibtechniek / bakken / glazuren Dimensions: h 23,2 cm. rand: d 9 cm. geheel: d 11,5 cm. Stock Photo

RM2B6CMH1–Cup with a band of ears ring Beker van steengoed op standring met een eivormig lichaam en hoge, trechtervormige nek. Bedekt met een bruine engobe. Vanaf halverwge de buik omhoog versierd met draairingen en op de nek een brede band met kleine oren met elk een ring. Dreihausen. Manufacturer : pottenbakker: anoniemPlaats manufacture: Dreihausen Dating: ca. 1500 - ca. 1699 Physical kenmerken: steengoed met een bruine engobe Material: steengoed glazuur engobe Techniek: draaiend bewerken / vormen / ingriffen / slibtechniek / bakken / glazuren Dimensions: h 23,2 cm. rand: d 9 cm. geheel: d 11,5 cm.

AS07-06-1699 - Apollo 7 - Apollo 7 Mission, Persian Gulf, Kuwait, mouth of Tigres-Euphrates Rivers; Scope and content: The original database describes this as: Description: Apollo 7,Persian Gulf,Kuwait,mouth of Tigres-Euphrates Rivers. Dark, low oblique. Cloud Cover 3%%. Latitude: Altitude: 121 miles. 30 degrees,02' North,Longitude: 48 degrees 54' East. Original film magazine was labeled O. Camera Data: Hasselblad 500-C; Lens: Zeiss Planar,F/2.8,80mm; Film Type: Kodak SO-121,Aerial Ektachrome; Filter: Wratten 2A. Flight Date: October 11-12. 1968. Subject Terms: Apollo 7 Flight, Earth Observat Stock Photo

RM2BXP4GX–AS07-06-1699 - Apollo 7 - Apollo 7 Mission, Persian Gulf, Kuwait, mouth of Tigres-Euphrates Rivers; Scope and content: The original database describes this as: Description: Apollo 7,Persian Gulf,Kuwait,mouth of Tigres-Euphrates Rivers. Dark, low oblique. Cloud Cover 3%%. Latitude: Altitude: 121 miles. 30 degrees,02' North,Longitude: 48 degrees 54' East. Original film magazine was labeled O. Camera Data: Hasselblad 500-C; Lens: Zeiss Planar,F/2.8,80mm; Film Type: Kodak SO-121,Aerial Ektachrome; Filter: Wratten 2A. Flight Date: October 11-12. 1968. Subject Terms: Apollo 7 Flight, Earth Observat

Art inspired by Decembre, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7EYM–Art inspired by Decembre, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

L'Amerique. Artist: After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1C2W–L'Amerique. Artist: After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Wedding in Kana, 1600 - 1699 print At the wedding in Kana, Christ recommends filling six jugs with water. He then turns the water into wine. Netherlands paper letterpress printing the marriage-feast at Cana (John 2:1-11). Christ orders (six) jars to be filled with water marriage-feast at Cana Stock Photo

RM2WFHD71–Wedding in Kana, 1600 - 1699 print At the wedding in Kana, Christ recommends filling six jugs with water. He then turns the water into wine. Netherlands paper letterpress printing the marriage-feast at Cana (John 2:1-11). Christ orders (six) jars to be filled with water marriage-feast at Cana

Pierre Filloeul, Soap Bubbles, Pierre Filloeul (French, Abbeville 1696–after 1754 Paris), after Jean Siméon Chardin (French, Paris 1699–1779 Paris), 1739, Etching, Sheet: 13 11/16 × 10 1/4 in. (34.7 × 26.1 cm), Plate: 10 7/8 × 7 1/2 in. (27.6 × 19 cm), Prints Stock Photo

RM2B0KM4M–Pierre Filloeul, Soap Bubbles, Pierre Filloeul (French, Abbeville 1696–after 1754 Paris), after Jean Siméon Chardin (French, Paris 1699–1779 Paris), 1739, Etching, Sheet: 13 11/16 × 10 1/4 in. (34.7 × 26.1 cm), Plate: 10 7/8 × 7 1/2 in. (27.6 × 19 cm), Prints

C Jennings & Co : price list--issued--March 1st, 1913. . 1699 1700 1701 1702 1703 1704 1705 1706 1707 1708 3 3 3 3 2 11 3 32 11394 39334 38 3 3 3 6 3 3 C, 2 3 6 3 2 4 54345 4 44844 454S454448445 10 6 25 10 5 9 6 2 5 9 3 J 3 10 I 3 4 4 6 4 3 6 4 34 9 4 3 5 1709 3 6 4 3 4 3 3 9 5 6 5 5 9 4 6 3 9 5 4 66 5 6 5 5 9 5- 7 6 6 7 3 5 5 4 5 4 11 5 44 11 5 2 6 4 686463686366 6 3 5 9 6 66 6 6 6 9 6 6 5 96 6 6 8 9 9 775 7 611 75611729399939 2 999296 83 79867910 9 10 1 11 10 1 I ..9 9 610 9 6 9 310 9 3 9 611 10 411 3 10 411 912 613 312 612 3 13 312 312 9 14 6 13 9 15 ,13 9 No. i 1 • • ent with ordinary star Stock Photo

RM2AJDRHX–C Jennings & Co : price list--issued--March 1st, 1913. . 1699 1700 1701 1702 1703 1704 1705 1706 1707 1708 3 3 3 3 2 11 3 32 11394 39334 38 3 3 3 6 3 3 C, 2 3 6 3 2 4 54345 4 44844 454S454448445 10 6 25 10 5 9 6 2 5 9 3 J 3 10 I 3 4 4 6 4 3 6 4 34 9 4 3 5 1709 3 6 4 3 4 3 3 9 5 6 5 5 9 4 6 3 9 5 4 66 5 6 5 5 9 5- 7 6 6 7 3 5 5 4 5 4 11 5 44 11 5 2 6 4 686463686366 6 3 5 9 6 66 6 6 6 9 6 6 5 96 6 6 8 9 9 775 7 611 75611729399939 2 999296 83 79867910 9 10 1 11 10 1 I ..9 9 610 9 6 9 310 9 3 9 611 10 411 3 10 411 912 613 312 612 3 13 312 312 9 14 6 13 9 15 ,13 9 No. i 1 • • ent with ordinary star

Art inspired by L'Afrique, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7F09–Art inspired by L'Afrique, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Decembre. Artist: After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAB14–Decembre. Artist: After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Paulus and Petrus, Jan Harmensz. Muller (Rejected Attribution), After Lucas van Leyden, 1600 - 1699 print Paul, with a book on his lap, and Peter, with a key, discuss with each other in a landscape. print maker: Amsterdamprint maker: Netherlands paper engraving Paul and Peter disputing in Antioch (Galatians 2:11-14) Stock Photo

RM2WFNXJT–Paulus and Petrus, Jan Harmensz. Muller (Rejected Attribution), After Lucas van Leyden, 1600 - 1699 print Paul, with a book on his lap, and Peter, with a key, discuss with each other in a landscape. print maker: Amsterdamprint maker: Netherlands paper engraving Paul and Peter disputing in Antioch (Galatians 2:11-14)

Laurent Cars, The Fabulist Truth (La Vérité Fabuliste), Laurent Cars (French, Lyons 1699–1771 Paris), After Charles Antoine Coypel (French, Paris 1694–1752 Paris), 1720–71, Etching, Plate: 5 13/16 × 3 11/16 in. (14.8 × 9.3 cm), Sheet: 6 3/8 × 4 1/8 in. (16.2 × 10.4 cm), Prints Stock Photo

RM2B0K02D–Laurent Cars, The Fabulist Truth (La Vérité Fabuliste), Laurent Cars (French, Lyons 1699–1771 Paris), After Charles Antoine Coypel (French, Paris 1694–1752 Paris), 1720–71, Etching, Plate: 5 13/16 × 3 11/16 in. (14.8 × 9.3 cm), Sheet: 6 3/8 × 4 1/8 in. (16.2 × 10.4 cm), Prints

. Army list . B. Syers, T. S. ... 2370 ...1263a ...2031a , C 970a — A. C Unip. r.p. ...20566 — Sir A. J. ... 2390.2102 Svfret, J. E. E. W. M. ... Sykes, A. 11 L 2 CCXn INDEX. Beferencee to th^ Qradation List are in Heavy Type. Sykes, C. C. A. c. B. c. s. B. — F. A. F.B. F. C. F.H. H. H. B. H. H H.P. ...?J., LA.Dept..-J ... -Jihi... 192o... 1379...1717i... SWI... 1188... 424...12936... 142a...15566... 41030566, 2413 ...2027a... 1760... 234S...20566... 2454... 1253 1201a 813a 1909 , 1926 841 1699 2.349 1517 ..1998a, 2388 2454 1998a 1359c .. 2275,2458.. 2454 ; J. G J. H J. H.,.3/).&.... L M O.J ? Stock Photo

RM2CE41WF–. Army list . B. Syers, T. S. ... 2370 ...1263a ...2031a , C 970a — A. C Unip. r.p. ...20566 — Sir A. J. ... 2390.2102 Svfret, J. E. E. W. M. ... Sykes, A. 11 L 2 CCXn INDEX. Beferencee to th^ Qradation List are in Heavy Type. Sykes, C. C. A. c. B. c. s. B. — F. A. F.B. F. C. F.H. H. H. B. H. H H.P. ...?J., LA.Dept..-J ... -Jihi... 192o... 1379...1717i... SWI... 1188... 424...12936... 142a...15566... 41030566, 2413 ...2027a... 1760... 234S...20566... 2454... 1253 1201a 813a 1909 , 1926 841 1699 2.349 1517 ..1998a, 2388 2454 1998a 1359c .. 2275,2458.. 2454 ; J. G J. H J. H.,.3/).&.... L M O.J ?

Art inspired by L'Amerique, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7EYW–Art inspired by L'Amerique, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by River Scene, 1645–99, Red chalk over pencil, sheet: 4 7/16 x 7 15/16 in. (11.2 x 20.1 cm), Drawings, Abraham Rutgers (Dutch, Amsterdam 1632–1699 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXDX7–Art inspired by River Scene, 1645–99, Red chalk over pencil, sheet: 4 7/16 x 7 15/16 in. (11.2 x 20.1 cm), Drawings, Abraham Rutgers (Dutch, Amsterdam 1632–1699 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Four Small Allegories. Artist: Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: 4 3/16 x 4 1/2 in. (10.6 x 11.5 cm.). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFD71K–Four Small Allegories. Artist: Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: 4 3/16 x 4 1/2 in. (10.6 x 11.5 cm.). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Design for a Navette, Pen and brown ink, over traces of graphite, 4 9/16 x 2 1/16 in. (11.6 x 5.2 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXAEA–Art inspired by Design for a Navette, Pen and brown ink, over traces of graphite, 4 9/16 x 2 1/16 in. (11.6 x 5.2 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Christ before Pilate, 1600 - 1699 print Christ is brought for Pilatus by armed soldiers. Pilatus sits on his throne and asks him if he is the king of the Jews. Netherlands paper letterpress printing Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16) Stock Photo

RM2WFHD04–Christ before Pilate, 1600 - 1699 print Christ is brought for Pilatus by armed soldiers. Pilatus sits on his throne and asks him if he is the king of the Jews. Netherlands paper letterpress printing Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16)

William Hogarth, Trade card of Mary & Ann Hogarth, the old Frock Shop, William Hogarth (British, London 1697–1764 London), Mary Hogarth (British, 1699–1741), Ann Hogarth (British, 1701–1771), ca. 1730, Etching, Sheet: 6 3/4 × 4 15/16 in. (17.2 × 12.5 cm), Plate: 6 5/16 × 4 3/8 in. (16 × 11.1 cm Stock Photo

RM2B0JY86–William Hogarth, Trade card of Mary & Ann Hogarth, the old Frock Shop, William Hogarth (British, London 1697–1764 London), Mary Hogarth (British, 1699–1741), Ann Hogarth (British, 1701–1771), ca. 1730, Etching, Sheet: 6 3/4 × 4 15/16 in. (17.2 × 12.5 cm), Plate: 6 5/16 × 4 3/8 in. (16 × 11.1 cm

Feast in the House of Simon. Artist: Melchior Steidl (Austrian, Innsbruck 1657-1727 Munich). Dimensions: sheet: 8 3/8 x 18 11/16 in. (21.2 x 47.5 cm). Date: 1699 or before. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAC02A–Feast in the House of Simon. Artist: Melchior Steidl (Austrian, Innsbruck 1657-1727 Munich). Dimensions: sheet: 8 3/8 x 18 11/16 in. (21.2 x 47.5 cm). Date: 1699 or before. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Four Small Allegories, 18th century, Pen and black ink with graphite, 4 3/16 x 4 1/2 in. (10.6 x 11.5 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW52FT–Art inspired by Four Small Allegories, 18th century, Pen and black ink with graphite, 4 3/16 x 4 1/2 in. (10.6 x 11.5 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Kitchen Utensils with Leeks, Fish, and Eggs, c. 1734. Jean-Siméon Chardin (French, 1699-1779). Oil on canvas; framed: 52.5 x 60.5 x 7.5 cm (20 11/16 x 23 13/16 x 2 15/16 in.); unframed: 32.2 x 40.7 cm (12 11/16 x 16 in.). Stock Photo

RM2H10E80–Kitchen Utensils with Leeks, Fish, and Eggs, c. 1734. Jean-Siméon Chardin (French, 1699-1779). Oil on canvas; framed: 52.5 x 60.5 x 7.5 cm (20 11/16 x 23 13/16 x 2 15/16 in.); unframed: 32.2 x 40.7 cm (12 11/16 x 16 in.).

Bronze pistil, Cast bronze pistil. Broader ending in a blunt, slightly convex end. A nodus in the middle., anonymous, Spain (possibly), 1600 - 1699, bronze (metal), founding, l 11.5 cm × d 3.2 cm Stock Photo

RMW54HY3–Bronze pistil, Cast bronze pistil. Broader ending in a blunt, slightly convex end. A nodus in the middle., anonymous, Spain (possibly), 1600 - 1699, bronze (metal), founding, l 11.5 cm × d 3.2 cm

Frontispiece Portrait (Seventeen Small Illustrations for Samuel Butler's Hudibras). Dimensions: sheet (trimmed within plate): 4 1/2 x 2 13/16 in. (11.5 x 7.1 cm). Engraver: William Hogarth (British, London 1697-1764 London). Sitter: Said to portray Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden); Actual sitter Jean-Baptiste Monnoyer (French, Lille 1636-1699 London). Date: April 1726. Published as a frontispiece to Samuel Butler's Hudibras, this print is wrongly identified as a portrait of the author. It actually portrays the painter Jean-Baptiste Monnoyer a Stock Photo

RMPB196N–Frontispiece Portrait (Seventeen Small Illustrations for Samuel Butler's Hudibras). Dimensions: sheet (trimmed within plate): 4 1/2 x 2 13/16 in. (11.5 x 7.1 cm). Engraver: William Hogarth (British, London 1697-1764 London). Sitter: Said to portray Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden); Actual sitter Jean-Baptiste Monnoyer (French, Lille 1636-1699 London). Date: April 1726. Published as a frontispiece to Samuel Butler's Hudibras, this print is wrongly identified as a portrait of the author. It actually portrays the painter Jean-Baptiste Monnoyer a

Art inspired by Design for a Box-Lid, 18th century, Black chalk and pen and black ink, 4 7/16 x 4 1/2 in. (11.3 x 11.5 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW527R–Art inspired by Design for a Box-Lid, 18th century, Black chalk and pen and black ink, 4 7/16 x 4 1/2 in. (11.3 x 11.5 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Paintings Westzijde, Sint Michielsabdij Antwerp, Hendrik Causé, After Erasmus Quellinus (II), c. 1699 print View of the paintings on the west side of the church of the Sint Michielsabdij in Antwerp. Christ at the wedding in Kana. He has six jugs filled with water and turns the water into wine. Antwerp paper etching / engraving interior of church. celebration meal, feast, banquet. the marriage-feast at Cana (John 2:1-11) Antwerp Stock Photo

RM2WGBGET–Paintings Westzijde, Sint Michielsabdij Antwerp, Hendrik Causé, After Erasmus Quellinus (II), c. 1699 print View of the paintings on the west side of the church of the Sint Michielsabdij in Antwerp. Christ at the wedding in Kana. He has six jugs filled with water and turns the water into wine. Antwerp paper etching / engraving interior of church. celebration meal, feast, banquet. the marriage-feast at Cana (John 2:1-11) Antwerp

Karl Gustav von Amling, German, 1651-1702, after Pietro Candido, Netherlandish, 1548-1628, Summer, 1699, Reproduction printed in black ink on modern laid paper, Plate: 11 3/8 × 6 3/8 inches (28.9 × 16.2 cm Stock Photo

RM2A2P2BN–Karl Gustav von Amling, German, 1651-1702, after Pietro Candido, Netherlandish, 1548-1628, Summer, 1699, Reproduction printed in black ink on modern laid paper, Plate: 11 3/8 × 6 3/8 inches (28.9 × 16.2 cm

Hubert François Gravelot, (artist), French, 1699 - 1773, Tenth Day, Ninth Story: Saladin Bestows Rich Gifts on the Sleeping Torello, Preliminary Drawings for Boccaccio's 'Decamerone': vol.2, 37, (series), c. 1757, pen and black ink with brown wash over touches of red chalk on laid paper, laid down, overall (to outer framing line): 11.3 x 5.7 cm (4 7/16 x 2 1/4 in Stock Photo

RM2DCFN43–Hubert François Gravelot, (artist), French, 1699 - 1773, Tenth Day, Ninth Story: Saladin Bestows Rich Gifts on the Sleeping Torello, Preliminary Drawings for Boccaccio's 'Decamerone': vol.2, 37, (series), c. 1757, pen and black ink with brown wash over touches of red chalk on laid paper, laid down, overall (to outer framing line): 11.3 x 5.7 cm (4 7/16 x 2 1/4 in

Oval shell of gray agate, Shell, oval, of gray agate (smoke agate)., anonymous, Netherlands, 1600 - 1699, agate (chalcedony), h 4.2 cm × w 14 cm × d 11 cm Stock Photo

RMW56DDA–Oval shell of gray agate, Shell, oval, of gray agate (smoke agate)., anonymous, Netherlands, 1600 - 1699, agate (chalcedony), h 4.2 cm × w 14 cm × d 11 cm

Oeuvres de Jean Racine. Author: Written by Jean Racine (French, baptized 1639-1699 Paris). Dimensions: Overall: 19 11/16 x 13 3/4 x 2 3/4 in. (50 x 35 x 7 cm). Engraver: Engraved by Jean-Baptiste-Michel Dupréel (French, active 1787-1817). Illustrator: Illustrated by Pierre Paul Prud'hon (French, Cluny 1758-1823 Paris); Illustrated by Jean Guillaume Moitte (French, Paris 1746-1810 Paris); Illustrated by Anne Louis Girodet-Trioson (French, Montargis 1767-1824 Paris); Illustrated by Taunai (French, active early 19th century); Illustrated by Antoine Denis Chaudet (French, Paris 1763-1810 Paris); I Stock Photo

RMPAKWX5–Oeuvres de Jean Racine. Author: Written by Jean Racine (French, baptized 1639-1699 Paris). Dimensions: Overall: 19 11/16 x 13 3/4 x 2 3/4 in. (50 x 35 x 7 cm). Engraver: Engraved by Jean-Baptiste-Michel Dupréel (French, active 1787-1817). Illustrator: Illustrated by Pierre Paul Prud'hon (French, Cluny 1758-1823 Paris); Illustrated by Jean Guillaume Moitte (French, Paris 1746-1810 Paris); Illustrated by Anne Louis Girodet-Trioson (French, Montargis 1767-1824 Paris); Illustrated by Taunai (French, active early 19th century); Illustrated by Antoine Denis Chaudet (French, Paris 1763-1810 Paris); I

Art inspired by Study for a frontispiece for 'Histoire de Miss Jenny', 18th century, Pen and black ink, with black and white chalk, 4 13/16 x 2 11/16 in. (12.3 x 6.9 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW52C4–Art inspired by Study for a frontispiece for 'Histoire de Miss Jenny', 18th century, Pen and black ink, with black and white chalk, 4 13/16 x 2 11/16 in. (12.3 x 6.9 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Two Children, One Playing the Drum, Etching and Engraving, sheet: 11 7/16 x 8 3/8 in. (29 x 21.2 cm), Prints, Attributed to Louis Antoine Crozat, Baron de Thiers, Paris (French, 1699–1770), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW776N–Art inspired by Two Children, One Playing the Drum, Etching and Engraving, sheet: 11 7/16 x 8 3/8 in. (29 x 21.2 cm), Prints, Attributed to Louis Antoine Crozat, Baron de Thiers, Paris (French, 1699–1770), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Harvesting pineapples. Vernansal, Guy-Louis (French, 1648-1729) (author of design, attr.) [painter] Monnoyer, Jean-Baptiste (French, 1636-1699) (author of design) [painter] Belin, Jean-Baptiste I (French, 1653-1715) (author of design) [painter] c. 1700-1725 Tapestry Dimensions: H 9'9' x W 3'9' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Beauvais Ownership History: French & Co. purchased from Jacob Tabachnick, received 1/11/1941 [SS 19173/13]. French & Co. received from the Martin Estate (through Mr. Vance Kirkland University of Denver), 2/6/1958 [SS 58728-x]. In land Stock Photo

RM2WTFYX7–Harvesting pineapples. Vernansal, Guy-Louis (French, 1648-1729) (author of design, attr.) [painter] Monnoyer, Jean-Baptiste (French, 1636-1699) (author of design) [painter] Belin, Jean-Baptiste I (French, 1653-1715) (author of design) [painter] c. 1700-1725 Tapestry Dimensions: H 9'9' x W 3'9' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Beauvais Ownership History: French & Co. purchased from Jacob Tabachnick, received 1/11/1941 [SS 19173/13]. French & Co. received from the Martin Estate (through Mr. Vance Kirkland University of Denver), 2/6/1958 [SS 58728-x]. In land

Art inspired by Trees by an Entrance to a Park, 1748–84, Graphite, brush and green and ochre wash, Sheet: 15 1/2 x 11 1/8 in. (39.4 x 28.3 cm), Drawings, Theodosius Forrest (British, London ca. 1728–1784 London), Forrest trained under George Lambert (1699/1700–1764) and took drawing, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW88T3–Art inspired by Trees by an Entrance to a Park, 1748–84, Graphite, brush and green and ochre wash, Sheet: 15 1/2 x 11 1/8 in. (39.4 x 28.3 cm), Drawings, Theodosius Forrest (British, London ca. 1728–1784 London), Forrest trained under George Lambert (1699/1700–1764) and took drawing, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Venus in the Forge of Vulcan (Aeneid VIII: 370 ff), 1699–1768, Black chalk, highlighted with white chalk, on blue-green paper, Total: 12-11/16 x 17 in. (32.2 x 43.2 cm), Drawings, Stefano Pozzi (Italian, Rome 1699–1768 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW59W1–Art inspired by Venus in the Forge of Vulcan (Aeneid VIII: 370 ff), 1699–1768, Black chalk, highlighted with white chalk, on blue-green paper, Total: 12-11/16 x 17 in. (32.2 x 43.2 cm), Drawings, Stefano Pozzi (Italian, Rome 1699–1768 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Hubert François Gravelot, (artist), French, 1699 - 1773, Self-Portrait, 1730/1750, graphite on laid paper, overall: 17.6 x 11.4 cm (6 15/16 x 4 1/2 in Stock Photo

RM2DCE2FA–Hubert François Gravelot, (artist), French, 1699 - 1773, Self-Portrait, 1730/1750, graphite on laid paper, overall: 17.6 x 11.4 cm (6 15/16 x 4 1/2 in

Artist: Johanes Van Somer, Dutch, 1645–1699, After: Karel Dujardin, Dutch, 1626–1678, The Story of the Soldier, Mezzotint, image: 28.3 × 33.2 cm (11 1/8 × 13 1/16 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Prints Stock Photo

RM2DT3B47–Artist: Johanes Van Somer, Dutch, 1645–1699, After: Karel Dujardin, Dutch, 1626–1678, The Story of the Soldier, Mezzotint, image: 28.3 × 33.2 cm (11 1/8 × 13 1/16 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Prints

Hubert François Gravelot, (artist), French, 1699 - 1773, Calmine, quel objet vient Effrayer ma vue?, Voltaire's 'La Fanatisme': act IV, scene 4, (series), graphite on laid paper, overall (approximate): 28.5 x 20.2 cm (11 1/4 x 7 15/16 in Stock Photo

RM2DCETXJ–Hubert François Gravelot, (artist), French, 1699 - 1773, Calmine, quel objet vient Effrayer ma vue?, Voltaire's 'La Fanatisme': act IV, scene 4, (series), graphite on laid paper, overall (approximate): 28.5 x 20.2 cm (11 1/4 x 7 15/16 in

Scene at an Inn, Print made by Jan van Somer, ca. 1645–after 1699, Dutch, after Gerard ter Borch II, 1617–1681, Dutch, 1676, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 7/8 × 9 3/16 inches (30.2 × 23.3 cm Stock Photo

RM2DHX40H–Scene at an Inn, Print made by Jan van Somer, ca. 1645–after 1699, Dutch, after Gerard ter Borch II, 1617–1681, Dutch, 1676, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 7/8 × 9 3/16 inches (30.2 × 23.3 cm

Jean Siméon Chardin, (artist), French, 1699 - 1779, The Little Schoolmistress, after 1740, oil on canvas, overall: 58.3 x 74 cm (22 15/16 x 29 1/8 in.), framed: 80 x 95.9 x 11.4 cm (31 1/2 x 37 3/4 x 4 1/2 in Stock Photo

RM2DCDG23–Jean Siméon Chardin, (artist), French, 1699 - 1779, The Little Schoolmistress, after 1740, oil on canvas, overall: 58.3 x 74 cm (22 15/16 x 29 1/8 in.), framed: 80 x 95.9 x 11.4 cm (31 1/2 x 37 3/4 x 4 1/2 in

RMPAT168–Oeuvres de Jean Racine. Author: Written by Jean Racine (French, baptized 1639-1699 Paris). Dimensions: Overall: 19 11/16 x 13 3/4 x 2 3/4 in. (50 x 35 x 7 cm). Engraver: Engraved by Jean-Baptiste-Michel Dupréel (French, active 1787-1817). Illustrator: Illustrated by Pierre Paul Prud'hon (French, Cluny 1758-1823 Paris); Illustrated by Jean Guillaume Moitte (French, Paris 1746-1810 Paris); Illustrated by Anne Louis Girodet-Trioson (French, Montargis 1767-1824 Paris); Illustrated by Taunai (French, active early 19th century); Illustrated by Antoine Denis Chaudet (French, Paris 1763-1810 Paris); I

Homage to Pan. Jeaurat, Etienne (French, 1699-1789) (author of design) [painter] Audran, Michel (French, b.1701-d.1771) (workshop, entrepeneur) [weaver] c. 1740 Tapestry Dimensions: H 10'1' x W 11'7' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Estate of E. [Emilie] de L. Havemeyer 8/4/1915; sold to J. [Joseph] W. Harriman 9/12/1919 [SS 2986]. French & Co. purchased from Plaza Art Auction Galleries (New York), 11/17/1934, lot 346 (Mr. & Mrs. Joseph W. Harriman sale); sold to Mr. Charles Sternberg 2/8/1964 [SS 39655] Stock Photo

RM2WTG71M–Homage to Pan. Jeaurat, Etienne (French, 1699-1789) (author of design) [painter] Audran, Michel (French, b.1701-d.1771) (workshop, entrepeneur) [weaver] c. 1740 Tapestry Dimensions: H 10'1' x W 11'7' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Estate of E. [Emilie] de L. Havemeyer 8/4/1915; sold to J. [Joseph] W. Harriman 9/12/1919 [SS 2986]. French & Co. purchased from Plaza Art Auction Galleries (New York), 11/17/1934, lot 346 (Mr. & Mrs. Joseph W. Harriman sale); sold to Mr. Charles Sternberg 2/8/1964 [SS 39655]

Art inspired by Feast in the House of Simon, 1699 or before, Pen and brown ink over red chalk and gray wash, heightened with white gouache, on brown paper; squared in pen and brown ink, sheet: 8 3/8 x 18 11/16 in. (21.2 x 47.5 cm), Drawings, Melchior Steidl (Austrian, Innsbruck 1657–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW51H1–Art inspired by Feast in the House of Simon, 1699 or before, Pen and brown ink over red chalk and gray wash, heightened with white gouache, on brown paper; squared in pen and brown ink, sheet: 8 3/8 x 18 11/16 in. (21.2 x 47.5 cm), Drawings, Melchior Steidl (Austrian, Innsbruck 1657–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Gravures de Boucher pour les Oeuvres de Molière Figures de Boucher pour Molière, mid-18th century, Drawing in graphite; etching; engraving; mezzotint, Overall: 16 7/16 x 11 1/16 x 7/8 in. (41.7 x 28.1 x 2.2 cm), Books, Portrait of Moliere drawn by Jean-Baptiste, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5G1F–Art inspired by Gravures de Boucher pour les Oeuvres de Molière Figures de Boucher pour Molière, mid-18th century, Drawing in graphite; etching; engraving; mezzotint, Overall: 16 7/16 x 11 1/16 x 7/8 in. (41.7 x 28.1 x 2.2 cm), Books, Portrait of Moliere drawn by Jean-Baptiste, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by An Emerald Vessel (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa...,' London, 1724, vol. I, plate 5), 1723–24, Etching and engraving, sheet: 4 1/2 x 15 1/16 in. (11.4 x 38.2 cm), Prints, After Guiseppe Grisoni (Italian, Mons 1699–1759, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW79D3–Art inspired by An Emerald Vessel (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa...,' London, 1724, vol. I, plate 5), 1723–24, Etching and engraving, sheet: 4 1/2 x 15 1/16 in. (11.4 x 38.2 cm), Prints, After Guiseppe Grisoni (Italian, Mons 1699–1759, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

A Female Saint Contemplating a Crucifix, Attributed to Giovanni Antonio Guardi (Italian, 1699 - 1760), Italy, about 1745, Pen and brown ink with light brown wash, heightened with white bodycolor, over red chalk, 29.2 x 21 cm (11 1,2 x 8 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9CMTC–A Female Saint Contemplating a Crucifix, Attributed to Giovanni Antonio Guardi (Italian, 1699 - 1760), Italy, about 1745, Pen and brown ink with light brown wash, heightened with white bodycolor, over red chalk, 29.2 x 21 cm (11 1,2 x 8 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Hubert François Gravelot, (artist), French, 1699 - 1773, A Plinth Surmounted by the Arms of the King of France, graphite, incised for transfer on laid paper; laid down, sheet: 11.9 x 8.2 cm (4 11/16 x 3 1/4 in.), support: 27.9 x 19.9 cm (11 x 7 13/16 in Stock Photo

RM2DCFXW0–Hubert François Gravelot, (artist), French, 1699 - 1773, A Plinth Surmounted by the Arms of the King of France, graphite, incised for transfer on laid paper; laid down, sheet: 11.9 x 8.2 cm (4 11/16 x 3 1/4 in.), support: 27.9 x 19.9 cm (11 x 7 13/16 in

Saint Catherine of Alexandria. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); After Mattia Preti (Il Cavalier Calabrese) (Italian, Taverna 1613-1699 Valletta). Dimensions: Sheet: 8 7/16 x 5 7/8 in. (21.5 x 15 cm) Plate: 5 11/16 × 3 3/4 in. (14.5 × 9.6 cm) Image: 5 3/8 x 2 3/4 in. (13.7 x 7 cm). Date: ca. 1764. This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. This composition is based on a painting of Saint Catherine touch Stock Photo

RMR2K89D–Saint Catherine of Alexandria. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); After Mattia Preti (Il Cavalier Calabrese) (Italian, Taverna 1613-1699 Valletta). Dimensions: Sheet: 8 7/16 x 5 7/8 in. (21.5 x 15 cm) Plate: 5 11/16 × 3 3/4 in. (14.5 × 9.6 cm) Image: 5 3/8 x 2 3/4 in. (13.7 x 7 cm). Date: ca. 1764. This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. This composition is based on a painting of Saint Catherine touch

RF2B99DPD–Bronze pistil, Cast bronze pistil. Broader ending in a blunt, slightly convex end. A nodus in the middle., anonymous, Spain (possibly), 1600 - 1699, bronze (metal), founding, l 11.5 cm × d 3.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Jean Siméon Chardin, (artist), French, 1699 - 1779, Soap Bubbles, probably 1733/1734, oil on canvas, overall: 93 x 74.6 cm (36 5/8 x 29 3/8 in.), framed: 116.2 x 97.8 x 11.4 cm (45 3/4 x 38 1/2 x 4 1/2 in Stock Photo

RM2DCEDRA–Jean Siméon Chardin, (artist), French, 1699 - 1779, Soap Bubbles, probably 1733/1734, oil on canvas, overall: 93 x 74.6 cm (36 5/8 x 29 3/8 in.), framed: 116.2 x 97.8 x 11.4 cm (45 3/4 x 38 1/2 x 4 1/2 in

RMRY5FF5–Kitchen Utensils with Leeks, Fish, and Eggs, c. 1734. Jean-Siméon Chardin (French, 1699-1779). Oil on canvas; framed: 52.5 x 60.5 x 7.5 cm (20 11/16 x 23 13/16 x 2 15/16 in.); unframed: 32.2 x 40.7 cm (12 11/16 x 16 in

The Inauguration of the Statue of Louis XV, Vignette on page 1, from Description des Travaux qui ont précédé. accompagné et suivi la fonte en bronze d'un seul jet de la Statue Equèstre de Louis XV le bien-aimé dressée sur les mémoires de M. Lempereur ancien Echevin. Par M. Mariette, Honoraire amateur de l'Académie Royale de Peinture et Sculpture, A Paris de l'Imprimerie de P.G. Le Mercier. Artist: Augustin de Saint-Aubin (French, Paris 1736-1807 Paris); After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: Sheet: 8 1/8 × 12 5/8 in. (20.7 × 32 cm) Plate: 7 1/2 × 11 3/4 i Stock Photo

RMRFDD9H–The Inauguration of the Statue of Louis XV, Vignette on page 1, from Description des Travaux qui ont précédé. accompagné et suivi la fonte en bronze d'un seul jet de la Statue Equèstre de Louis XV le bien-aimé dressée sur les mémoires de M. Lempereur ancien Echevin. Par M. Mariette, Honoraire amateur de l'Académie Royale de Peinture et Sculpture, A Paris de l'Imprimerie de P.G. Le Mercier. Artist: Augustin de Saint-Aubin (French, Paris 1736-1807 Paris); After Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: Sheet: 8 1/8 × 12 5/8 in. (20.7 × 32 cm) Plate: 7 1/2 × 11 3/4 i

Hubert François Gravelot, (artist), French, 1699 - 1773, François Boucher, (artist after), French, 1703 - 1770, Second Day, Seventh Story: The Duke of Athens Contemplating the Sleeping Princess Alatiel, Preliminary Drawings for Boccaccio's 'Decamerone': vol.1, 19, (series), c. 1757, pen and black ink with brown wash over traces of red chalk on laid paper, laid down, overall (to the outer framing line): 11.2 x 5.8 cm (4 7/16 x 2 5/16 in Stock Photo

RM2DCFMG2–Hubert François Gravelot, (artist), French, 1699 - 1773, François Boucher, (artist after), French, 1703 - 1770, Second Day, Seventh Story: The Duke of Athens Contemplating the Sleeping Princess Alatiel, Preliminary Drawings for Boccaccio's 'Decamerone': vol.1, 19, (series), c. 1757, pen and black ink with brown wash over traces of red chalk on laid paper, laid down, overall (to the outer framing line): 11.2 x 5.8 cm (4 7/16 x 2 5/16 in

Design for an Ornamental Cartouche: Samuel Garth, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), after Sir Godfrey Kneller, 1646–1723, German, active in Britain (from 1676), undated, Brown wash over graphite on medium, slightly textured, beige, laid paper, Sheet: 2 11/16 x 2 15/16 inches (6.8 x 7.5 cm), apothecaries, apothecary bottles, chemist, figures (illustrations), genre subject, medicine, ornament, pharmacist, physicians, science, shelves, window Stock Photo

RM2DHRCP4–Design for an Ornamental Cartouche: Samuel Garth, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), after Sir Godfrey Kneller, 1646–1723, German, active in Britain (from 1676), undated, Brown wash over graphite on medium, slightly textured, beige, laid paper, Sheet: 2 11/16 x 2 15/16 inches (6.8 x 7.5 cm), apothecaries, apothecary bottles, chemist, figures (illustrations), genre subject, medicine, ornament, pharmacist, physicians, science, shelves, window

RF2B935YX–Karl Gustav von Amling, German, 1651-1702, after Pietro Candido, Netherlandish, 1548-1628, Summer, 1699, Reproduction printed in black ink on modern laid paper, Plate: 11 3/8 × 6 3/8 inches (28.9 × 16.2 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Miniature gateleg table (one of a pair). Culture: British, London. Dimensions: 2 1/2 × 4 1/2 × 3 3/8 in. (6.4 × 11.4 × 8.6 cm). Maker: George Manjoy (British, active 1685-ca. 1720). Date: 1699-1700. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAXRNB–Miniature gateleg table (one of a pair). Culture: British, London. Dimensions: 2 1/2 × 4 1/2 × 3 3/8 in. (6.4 × 11.4 × 8.6 cm). Maker: George Manjoy (British, active 1685-ca. 1720). Date: 1699-1700. Museum: Metropolitan Museum of Art, New York, USA.

Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background, attributed to Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), formerly attributed to Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, beige laid paper, Sheet: 2 3/4 x 4 5/8 inches (7 x 11.7 cm), chair, door, fighting, fireplace, fist, genre subject, hats, husband, interior (space), men, portrait, violence, wife, wigs, women, wristband Stock Photo

RM2DHRCPN–Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background, attributed to Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), formerly attributed to Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, beige laid paper, Sheet: 2 3/4 x 4 5/8 inches (7 x 11.7 cm), chair, door, fighting, fireplace, fist, genre subject, hats, husband, interior (space), men, portrait, violence, wife, wigs, women, wristband

Anonymous Artist, (sculptor), Martin Desjardins, (artist after), Dutch, c. 1640 - 1694, Louis XIV, model c. 1683/1699, cast c. 1699, bronze, overall (with base): 56.6 x 21.9 x 40 cm (22 5/16 x 8 5/8 x 15 3/4 in.), accessory size: 11.7 x 19.3 x 39.3 cm (4 5/8 x 7 5/8 x 15 1/2 in.), gross weight (sculpture): 33.000 lb, gross weight (support): 10.000 lb Stock Photo

RM2DCAT4G–Anonymous Artist, (sculptor), Martin Desjardins, (artist after), Dutch, c. 1640 - 1694, Louis XIV, model c. 1683/1699, cast c. 1699, bronze, overall (with base): 56.6 x 21.9 x 40 cm (22 5/16 x 8 5/8 x 15 3/4 in.), accessory size: 11.7 x 19.3 x 39.3 cm (4 5/8 x 7 5/8 x 15 1/2 in.), gross weight (sculpture): 33.000 lb, gross weight (support): 10.000 lb

Mrs. Beale and her Son Charles, Print made by Thomas Chambars, ca. 1724–1789, British, after Mary Beale, 1633–1699, British, 1762, Etching and line engraing on moderately thick, smooth, beige wove paper, Sheet: 11 13/16 x 9 inches (30 x 22.8 cm), Plate: 6 3/4 x 5 3/16 inches (17.2 x 13.2 cm), and Image: 5 9/16 x 4 3/4 inches (14.2 x 12 cm), collar, curls, family, gaze, long hair, man, mother, moustache, necklace, oval, pearls, portrait, posing, smiling, son, woman Stock Photo

RM2DJ44NE–Mrs. Beale and her Son Charles, Print made by Thomas Chambars, ca. 1724–1789, British, after Mary Beale, 1633–1699, British, 1762, Etching and line engraing on moderately thick, smooth, beige wove paper, Sheet: 11 13/16 x 9 inches (30 x 22.8 cm), Plate: 6 3/4 x 5 3/16 inches (17.2 x 13.2 cm), and Image: 5 9/16 x 4 3/4 inches (14.2 x 12 cm), collar, curls, family, gaze, long hair, man, mother, moustache, necklace, oval, pearls, portrait, posing, smiling, son, woman

Oval shell of gray agate, Shell, oval, of gray agate (smoke agate)., anonymous, Netherlands, 1600 - 1699, agate (chalcedony), h 4.2 cm × w 14 cm × d 11 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9APG5–Oval shell of gray agate, Shell, oval, of gray agate (smoke agate)., anonymous, Netherlands, 1600 - 1699, agate (chalcedony), h 4.2 cm × w 14 cm × d 11 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMPB0RX3–Miniature gateleg table (one of a pair). Culture: British, London. Dimensions: 2 1/2 × 4 1/2 × 3 3/8 in. (6.4 × 11.4 × 8.6 cm). Maker: George Manjoy (British, active 1685-ca. 1720). Date: 1699-1700. Museum: Metropolitan Museum of Art, New York, USA.

Layout Design for a Bookplate, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Graphite and black chalk on medium, slightly textured, gray laid paper mounted on moderately thick, slightly textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink border lines, Mount: 11 x 7 7/8 inches (27.9 x 20 cm), Contemporary drawn border: 6 1/8 × 4 1/2 inches (15.6 × 11.4 cm), and Sheet: 4 1/2 × 2 7/8 inches (11.4 × 7.3 cm), bookplate, design, genre subject Stock Photo

RM2DJ8N7P–Layout Design for a Bookplate, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Graphite and black chalk on medium, slightly textured, gray laid paper mounted on moderately thick, slightly textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink border lines, Mount: 11 x 7 7/8 inches (27.9 x 20 cm), Contemporary drawn border: 6 1/8 × 4 1/2 inches (15.6 × 11.4 cm), and Sheet: 4 1/2 × 2 7/8 inches (11.4 × 7.3 cm), bookplate, design, genre subject

Cong of jade, tomb gift, symbol of earth, used at sacrifice in Zhou period. This Cong is late imitation., anonymous, China, 1600 - 1699, jade (rock), h 11.2 cm × w 6.5 cm × d 6.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B992GT–Cong of jade, tomb gift, symbol of earth, used at sacrifice in Zhou period. This Cong is late imitation., anonymous, China, 1600 - 1699, jade (rock), h 11.2 cm × w 6.5 cm × d 6.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Venus in the Forge of Vulcan (Aeneid VIII: 370 ff). Artist: Stefano Pozzi (Italian, Rome 1699-1768 Rome). Dimensions: Total: 12-11/16 x 17 in. (32.2 x 43.2 cm) Oval: 9-3/16 x 13 in. (23.3 x 33 cm). Date: 1699-1768. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFCHD1–Venus in the Forge of Vulcan (Aeneid VIII: 370 ff). Artist: Stefano Pozzi (Italian, Rome 1699-1768 Rome). Dimensions: Total: 12-11/16 x 17 in. (32.2 x 43.2 cm) Oval: 9-3/16 x 13 in. (23.3 x 33 cm). Date: 1699-1768. Museum: Metropolitan Museum of Art, New York, USA.

Mrs. Beale and her Son Charles, Print made by Thomas Chambars, ca. 1724–1789, British, after Mary Beale, 1633–1699, British, 1762, Etching and line engraving on moderately thick, smooth, beige wove paper, Sheet: 11 1/8 x 8 11/16 inches (28.2 x 22 cm), Plate: 6 7/8 x 5 1/4 inches (17.5 x 13.3 cm), and Image: 5 11/16 x 4 3/4 inches (14.5 x 12.1 cm), collar, curls, family, gaze, long hair, man, mother, moustache, necklace, oval, pearls, portrait, posing, smiling, son, woman Stock Photo

RM2DJ44NC–Mrs. Beale and her Son Charles, Print made by Thomas Chambars, ca. 1724–1789, British, after Mary Beale, 1633–1699, British, 1762, Etching and line engraving on moderately thick, smooth, beige wove paper, Sheet: 11 1/8 x 8 11/16 inches (28.2 x 22 cm), Plate: 6 7/8 x 5 1/4 inches (17.5 x 13.3 cm), and Image: 5 11/16 x 4 3/4 inches (14.5 x 12.1 cm), collar, curls, family, gaze, long hair, man, mother, moustache, necklace, oval, pearls, portrait, posing, smiling, son, woman

Chalice with a funnel-shaped chalice, Flat base. The trunk consists of three hollow, ribbed nodes, four smooth connecting pieces, three smooth nodes and four discs. Wide, funnel-shaped chalice rounded at the bottom., anonymous, Nederlanden, c. 1600 - c. 1699, glass, glassblowing, h 17.2 cm × d 11.5 cm d 9.6 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9ABF3–Chalice with a funnel-shaped chalice, Flat base. The trunk consists of three hollow, ribbed nodes, four smooth connecting pieces, three smooth nodes and four discs. Wide, funnel-shaped chalice rounded at the bottom., anonymous, Nederlanden, c. 1600 - c. 1699, glass, glassblowing, h 17.2 cm × d 11.5 cm d 9.6 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Louis XIV. Dated: model c. 1683/1699, cast c. 1699. Dimensions: overall (with base): 56.6 x 21.9 x 40 cm (22 5/16 x 8 5/8 x 15 3/4 in.) accessory size: 11.7 x 19.3 x 39.3 cm (4 5/8 x 7 5/8 x 15 1/2 in.) gross weight (sculpture): 33.000 lb gross weight (support): 10.000 lb. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: after Martin Desjardins. Stock Photo

RMR33J0A–Louis XIV. Dated: model c. 1683/1699, cast c. 1699. Dimensions: overall (with base): 56.6 x 21.9 x 40 cm (22 5/16 x 8 5/8 x 15 3/4 in.) accessory size: 11.7 x 19.3 x 39.3 cm (4 5/8 x 7 5/8 x 15 1/2 in.) gross weight (sculpture): 33.000 lb gross weight (support): 10.000 lb. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: after Martin Desjardins.

Design for an Engraving: Figures in an Interior, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Graphite and red chalk, incised for transfer on medium, slightly textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines, Mount: 15 1/2 × 11 inches (39.4 × 27.9 cm), Contemporary drawn border: 7 × 4 5/8 inches (17.8 × 11.7 cm), and Sheet: 5 1/2 × 3 inches (14 × 7.6 cm), figures (illustrations), genre subject, interior (space Stock Photo

RM2DJ8N7T–Design for an Engraving: Figures in an Interior, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Graphite and red chalk, incised for transfer on medium, slightly textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines, Mount: 15 1/2 × 11 inches (39.4 × 27.9 cm), Contemporary drawn border: 7 × 4 5/8 inches (17.8 × 11.7 cm), and Sheet: 5 1/2 × 3 inches (14 × 7.6 cm), figures (illustrations), genre subject, interior (space

Vessel (ink well) carried by a lion, Barrel (inkwell) of stoneware on a heart-shaped base with a band of leaves. The spherical barrel with pressed zigzag lines (knibis) is carried by a roaring lion. Westerwald, beasts of prey, predatory animals: lion, anonymous, Westerwald, c. 1700 - c. 1699, stoneware, glaze, vitrification, h 16.2 cm × w 11.5 cm × d 6.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and re Stock Photo

RF2B9AAMC–Vessel (ink well) carried by a lion, Barrel (inkwell) of stoneware on a heart-shaped base with a band of leaves. The spherical barrel with pressed zigzag lines (knibis) is carried by a roaring lion. Westerwald, beasts of prey, predatory animals: lion, anonymous, Westerwald, c. 1700 - c. 1699, stoneware, glaze, vitrification, h 16.2 cm × w 11.5 cm × d 6.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and re

2 11 1699 Stock Photos and Images

2 11 1699 Stock Photos and Images

Download Confirmation

Password Confirmation

Search Results for 2 11 1699 Stock Photos and Images (173)

Filter by agency collections

Search builder

Get great features with your free account

Get inspired for your next project!