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1879 82 Stock Photos and Images
Pitcher, 1879–82, British, Linthorpe, Yorkshire, Earthenware, Height: 7 11/16 in. (19.5 cm), Ceramics-Pottery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-pitcher-187982-british-linthorpe-yorkshire-earthenware-height-7-1116-162579725.htmlRMKCE42N–Pitcher, 1879–82, British, Linthorpe, Yorkshire, Earthenware, Height: 7 11/16 in. (19.5 cm), Ceramics-Pottery
Art inspired by Pitcher, 1879–82, British, Linthorpe, Yorkshire, Earthenware, Height: 7 11/16 in. (19.5 cm), Ceramics-Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pitcher-187982-british-linthorpe-yorkshire-earthenware-height-7-1116-in-195-cm-ceramics-pottery-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462776774.htmlRF2HTW8DX–Art inspired by Pitcher, 1879–82, British, Linthorpe, Yorkshire, Earthenware, Height: 7 11/16 in. (19.5 cm), Ceramics-Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Vase, 1879–82, British, Linthorpe, Yorkshire, Glazed earthenware, Height: 10 3/8 in. (26.4 cm), Ceramics-Pottery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-vase-187982-british-linthorpe-yorkshire-glazed-earthenware-height-162537875.htmlRMKCC6M3–Vase, 1879–82, British, Linthorpe, Yorkshire, Glazed earthenware, Height: 10 3/8 in. (26.4 cm), Ceramics-Pottery
Art inspired by Vase, 1879–82, British, Linthorpe, Yorkshire, Glazed earthenware, Height: 10 3/8 in. (26.4 cm), Ceramics-Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-vase-187982-british-linthorpe-yorkshire-glazed-earthenware-height-10-38-in-264-cm-ceramics-pottery-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462776448.htmlRF2HTW828–Art inspired by Vase, 1879–82, British, Linthorpe, Yorkshire, Glazed earthenware, Height: 10 3/8 in. (26.4 cm), Ceramics-Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Milk Jug and Spirit Stove, 1879–82, Paul Cézanne, French, 1839-1906, France, Graphite on ivory wove paper, 194 × 118 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/milk-jug-and-spirit-stove-187982-paul-czanne-french-1839-1906-france-graphite-on-ivory-wove-paper-194-118-mm-image328658777.htmlRM2A2KKHD–Milk Jug and Spirit Stove, 1879–82, Paul Cézanne, French, 1839-1906, France, Graphite on ivory wove paper, 194 × 118 mm
Art inspired by The Smoker (Le Fumeur), 1879–82, Etching and drypoint on blue laid paper, only state, from 1905 Strölin edition, plate: 9 1/8 x 6in. (23.2 x 15.2cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-smoker-le-fumeur-187982-etching-and-drypoint-on-blue-laid-paper-only-state-from-1905-strlin-edition-plate-9-18-x-6in-232-x-152cm-prints-douard-manet-french-paris-18321883-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801178.htmlRF2HTXBHE–Art inspired by The Smoker (Le Fumeur), 1879–82, Etching and drypoint on blue laid paper, only state, from 1905 Strölin edition, plate: 9 1/8 x 6in. (23.2 x 15.2cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Library Table, 1879–82, Made in New York, New York, United States, American, Rosewood, brass, mother-of-pearl, and abalone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-library-table-187982-made-in-new-york-new-york-united-states-american-162437011.htmlRMKC7J1R–Library Table, 1879–82, Made in New York, New York, United States, American, Rosewood, brass, mother-of-pearl, and abalone
Art inspired by Mademoiselle Isabelle Lemonnier (1857–1926), 1879–82, Pastel on canvas, 22 x 18 1/4 in. (55.9 x 46.4 cm), Drawings, Édouard Manet (French, Paris 1832–1883 Paris), Isabelle Lemonnier was the daughter of a successful Parisian jeweler and the younger sister of Marguerite, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-mademoiselle-isabelle-lemonnier-18571926-187982-pastel-on-canvas-22-x-18-14-in-559-x-464-cm-drawings-douard-manet-french-paris-18321883-paris-isabelle-lemonnier-was-the-daughter-of-a-successful-parisian-jeweler-and-the-younger-sister-of-marguerite-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025313.htmlRF2HW8HE9–Art inspired by Mademoiselle Isabelle Lemonnier (1857–1926), 1879–82, Pastel on canvas, 22 x 18 1/4 in. (55.9 x 46.4 cm), Drawings, Édouard Manet (French, Paris 1832–1883 Paris), Isabelle Lemonnier was the daughter of a successful Parisian jeweler and the younger sister of Marguerite, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Smoker (Le Fumeur), 1879–82, Etching and drypoint on blue laid paper, only state, from 1905 Strölin edition, plate: 9 1/8 x Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-smoker-le-fumeur-187982-etching-and-drypoint-on-blue-laid-paper-162486418.htmlRMKC9W2A–The Smoker (Le Fumeur), 1879–82, Etching and drypoint on blue laid paper, only state, from 1905 Strölin edition, plate: 9 1/8 x
Art inspired by Console from the drawing room of the William H. Vanderbilt House, 1879–82, Made in New York, New York, United States, American, Gilded wood, mother-of-pearl, Egyptian alabaster, and composition ornament, 35 1/4 × 34 1/4 in. (89.5 × 87 cm), Furniture, Herter Brothers (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-console-from-the-drawing-room-of-the-william-h-vanderbilt-house-187982-made-in-new-york-new-york-united-states-american-gilded-wood-mother-of-pearl-egyptian-alabaster-and-composition-ornament-35-14-34-14-in-895-87-cm-furniture-herter-brothers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463041536.htmlRF2HW9A5M–Art inspired by Console from the drawing room of the William H. Vanderbilt House, 1879–82, Made in New York, New York, United States, American, Gilded wood, mother-of-pearl, Egyptian alabaster, and composition ornament, 35 1/4 × 34 1/4 in. (89.5 × 87 cm), Furniture, Herter Brothers (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Establishment of Flemish Weavers in Manchester A.D. 1363, Four Studies of Parts of a Horse, 1879-82 Ford Madox Brown, Drawing, ChalkPre-Raphaelite, Animal, Horse Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-establishment-of-flemish-weavers-in-manchester-ad-1363-four-studies-of-parts-of-a-horse-1879-82-ford-madox-brown-drawing-chalkpre-raphaelite-animal-horse-image387021885.htmlRM2DDJAA5–The Establishment of Flemish Weavers in Manchester A.D. 1363, Four Studies of Parts of a Horse, 1879-82 Ford Madox Brown, Drawing, ChalkPre-Raphaelite, Animal, Horse
Art inspired by Cabinet, 1879–82, Made in New York, New York, United States, American, Cherry, brass, and later silk textiles, 76 7/8 x 60 x 12 in. (195.3 x 152.4 x 30.5 cm), Furniture, Herter Brothers (German, active New York, 1864–1906), William H. Vanderbilt, son of Cornelius “, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cabinet-187982-made-in-new-york-new-york-united-states-american-cherry-brass-and-later-silk-textiles-76-78-x-60-x-12-in-1953-x-1524-x-305-cm-furniture-herter-brothers-german-active-new-york-18641906-william-h-vanderbilt-son-of-cornelius-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462898774.htmlRF2HW2T32–Art inspired by Cabinet, 1879–82, Made in New York, New York, United States, American, Cherry, brass, and later silk textiles, 76 7/8 x 60 x 12 in. (195.3 x 152.4 x 30.5 cm), Furniture, Herter Brothers (German, active New York, 1864–1906), William H. Vanderbilt, son of Cornelius “, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Side chair, 1879–82, Made in New York, New York, United States, American, Oak, brass, and reproduction leather upholstery, 35 x Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-side-chair-187982-made-in-new-york-new-york-united-states-american-162445105.htmlRMKC80AW–Side chair, 1879–82, Made in New York, New York, United States, American, Oak, brass, and reproduction leather upholstery, 35 x
Art inspired by Library Table, 1879–82, Made in New York, New York, United States, American, Rosewood, brass, mother-of-pearl, and abalone, 31 1/4 x 60 x 35 3/4 in. (79.4 x 152.4 x 90.8 cm), Furniture, Herter Brothers (German, active New York, 1864–1906), Herter Brothers, the New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-library-table-187982-made-in-new-york-new-york-united-states-american-rosewood-brass-mother-of-pearl-and-abalone-31-14-x-60-x-35-34-in-794-x-1524-x-908-cm-furniture-herter-brothers-german-active-new-york-18641906-herter-brothers-the-new-york-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462885502.htmlRF2HW2752–Art inspired by Library Table, 1879–82, Made in New York, New York, United States, American, Rosewood, brass, mother-of-pearl, and abalone, 31 1/4 x 60 x 35 3/4 in. (79.4 x 152.4 x 90.8 cm), Furniture, Herter Brothers (German, active New York, 1864–1906), Herter Brothers, the New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cabinet, 1879–82, Made in New York, New York, United States, American, Cherry, brass, and later silk textiles, 76 7/8 x 60 x 12 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cabinet-187982-made-in-new-york-new-york-united-states-american-cherry-162460488.htmlRMKC8M08–Cabinet, 1879–82, Made in New York, New York, United States, American, Cherry, brass, and later silk textiles, 76 7/8 x 60 x 12
Art inspired by Pedestal from the drawing room of the William H. Vanderbilt House, 1879–82, Made in New York, New York, United States, American, Egyptian alabaster, gilt brass, and reproduction red glass jewels, 64 1/4 x 10 15/16 x 10 15/16 in. (163.2 x 27.8 x 27.8 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pedestal-from-the-drawing-room-of-the-william-h-vanderbilt-house-187982-made-in-new-york-new-york-united-states-american-egyptian-alabaster-gilt-brass-and-reproduction-red-glass-jewels-64-14-x-10-1516-x-10-1516-in-1632-x-278-x-278-cm-furniture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463048113.htmlRF2HW9JGH–Art inspired by Pedestal from the drawing room of the William H. Vanderbilt House, 1879–82, Made in New York, New York, United States, American, Egyptian alabaster, gilt brass, and reproduction red glass jewels, 64 1/4 x 10 15/16 x 10 15/16 in. (163.2 x 27.8 x 27.8 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Standing Bather, Seen from the Back, 1879/82, Paul Cézanne, French, 1839–1906, Oil on canvas, 31.7 × 21.6 cm (12 1/2 × 8 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-bather-seen-from-the-back-187982-paul-czanne-french-18391906-oil-on-canvas-317-216-cm-12-12-8-12-in-image328661148.htmlRM2A2KPJ4–Standing Bather, Seen from the Back, 1879/82, Paul Cézanne, French, 1839–1906, Oil on canvas, 31.7 × 21.6 cm (12 1/2 × 8 1/2 in
Art inspired by Side chair, 1879–82, Made in New York, New York, United States, American, Oak, brass, and reproduction leather upholstery, 35 x 23 7/8 x 21 3/4 in. (88.9 x 60.6 x 55.2 cm), Furniture, Herter Brothers (German, active New York, 1864–1906), This is one of several side, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-side-chair-187982-made-in-new-york-new-york-united-states-american-oak-brass-and-reproduction-leather-upholstery-35-x-23-78-x-21-34-in-889-x-606-x-552-cm-furniture-herter-brothers-german-active-new-york-18641906-this-is-one-of-several-side-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462886009.htmlRF2HW27R5–Art inspired by Side chair, 1879–82, Made in New York, New York, United States, American, Oak, brass, and reproduction leather upholstery, 35 x 23 7/8 x 21 3/4 in. (88.9 x 60.6 x 55.2 cm), Furniture, Herter Brothers (German, active New York, 1864–1906), This is one of several side, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Smoker (Le Fumeur). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 9 1/8 x 6in. (23.2 x 15.2cm) sheet: 14 3/8 x 9 3/8in. (36.5 x 23.8cm). Series/Portfolio: Strölin, 1905. Date: 1879-82. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-smoker-le-fumeur-artist-douard-manet-french-paris-1832-1883-paris-dimensions-plate-9-18-x-6in-232-x-152cm-sheet-14-38-x-9-38in-365-x-238cm-seriesportfolio-strlin-1905-date-1879-82-museum-metropolitan-museum-of-art-new-york-usa-image233752196.htmlRMRG898M–The Smoker (Le Fumeur). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 9 1/8 x 6in. (23.2 x 15.2cm) sheet: 14 3/8 x 9 3/8in. (36.5 x 23.8cm). Series/Portfolio: Strölin, 1905. Date: 1879-82. Museum: Metropolitan Museum of Art, New York, USA.
FARMER(1884) Detroit, p857 DETROIT STEEL AND SPRING WORKS. NEAR R.R. JUNCTION IN SPRINGWELLS. BUILT IN 1879-82 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-farmer1884-detroit-p857-detroit-steel-and-spring-works-near-rr-junction-73578977.htmlRME7KPMH–FARMER(1884) Detroit, p857 DETROIT STEEL AND SPRING WORKS. NEAR R.R. JUNCTION IN SPRINGWELLS. BUILT IN 1879-82
Deutsch: Stilleben mit Äpfeln und Fruchtschale English: Still Life with Apples in a Bowl 1879-1882. N/A 287 Cezanne, Still Life with Apples in a Bowl, 1879-82, Ny Carlsberg Glyptotek, Copenhagen (35612233783) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-stilleben-mit-pfeln-und-fruchtschale-english-still-life-with-apples-in-a-bowl-1879-1882-na-287-cezanne-still-life-with-apples-in-a-bowl-1879-82-ny-carlsberg-glyptotek-copenhagen-35612233783-image209952879.htmlRMP5G513–Deutsch: Stilleben mit Äpfeln und Fruchtschale English: Still Life with Apples in a Bowl 1879-1882. N/A 287 Cezanne, Still Life with Apples in a Bowl, 1879-82, Ny Carlsberg Glyptotek, Copenhagen (35612233783)
Cezanne, Still Life with Apples in a Bowl, 1879-82, Ny Carlsberg Glyptotek, Copenhagen (35612233783). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cezanne-still-life-with-apples-in-a-bowl-1879-82-ny-carlsberg-glyptotek-copenhagen-35612233783-image237201265.htmlRMRNWCHN–Cezanne, Still Life with Apples in a Bowl, 1879-82, Ny Carlsberg Glyptotek, Copenhagen (35612233783).
69 PaulCèzanne-1879-82-Landscape in Provence Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/69-paulczanne-1879-82-landscape-in-provence-image214047064.htmlRMPC6K60–69 PaulCèzanne-1879-82-Landscape in Provence
FARMER(1884) Detroit, p857 DETROIT STEEL AND SPRING WORKS. NEAR R.R. JUNCTION IN SPRINGWELLS. BUILT IN 1879 82 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/farmer1884-detroit-p857-detroit-steel-and-spring-works-near-rr-junction-image154607317.htmlRMJYEY5W–FARMER(1884) Detroit, p857 DETROIT STEEL AND SPRING WORKS. NEAR R.R. JUNCTION IN SPRINGWELLS. BUILT IN 1879 82
Lutherstadt Eisleben, Marktplatz Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lutherstadt-eisleben-marktplatz-43342139.htmlRMCEEB9F–Lutherstadt Eisleben, Marktplatz
The Viaduct at L'Estaque, 1879-82; Paul Cezanne painting, Oil on Canvas. Post Impressionist painter, France, 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-viaduct-at-lestaque-1879-82-paul-cezanne-painting-oil-on-canvas-post-impressionist-painter-france-19th-century-image491341108.htmlRM2KFAEGM–The Viaduct at L'Estaque, 1879-82; Paul Cezanne painting, Oil on Canvas. Post Impressionist painter, France, 19th century.
Vessel (England), 1879–82 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vessel-england-187982-image573340142.htmlRM2T8NW5J–Vessel (England), 1879–82
Mademoiselle Isabelle Lemonnier (1857–1926) 1879–82 by Edouard Manet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mademoiselle-isabelle-lemonnier-18571926-187982-by-edouard-manet-image542298374.htmlRM2PE7R32–Mademoiselle Isabelle Lemonnier (1857–1926) 1879–82 by Edouard Manet
The Smoker (Le Fumeur) 1879–82 Edouard Manet French. The Smoker (Le Fumeur) 337437 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-smoker-le-fumeur-187982-edouard-manet-french-the-smoker-le-fumeur-337437-image458270422.htmlRM2HHG0GP–The Smoker (Le Fumeur) 1879–82 Edouard Manet French. The Smoker (Le Fumeur) 337437
Trois baigneuses - 1879 82 - Oil on canvas 52 x 55 cm - Cézanne Paul Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trois-baigneuses-1879-82-oil-on-canvas-52-x-55-cm-cezanne-paul-image457745888.htmlRF2HGM3FC–Trois baigneuses - 1879 82 - Oil on canvas 52 x 55 cm - Cézanne Paul
The Establishment of Flemish Weavers in Manchester A.D. 1363 - Four Studies of Parts of a Horse, 1879-82. Ford Madox Brown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-establishment-of-flemish-weavers-in-manchester-ad-1363-four-studies-of-parts-of-a-horse-1879-82-ford-madox-brown-image551020219.htmlRM2R0D3WF–The Establishment of Flemish Weavers in Manchester A.D. 1363 - Four Studies of Parts of a Horse, 1879-82. Ford Madox Brown
Warszawa, 1948-01. Odbudowany po zniszczeniach wojennych dawny pa³ac Wesslów przy ulicy Krakowskie Przedmieœcie 25, róg Trêbackiej i Koziej, w którym znajdowa³a siê tzw. Poczta Saska (Stara Poczta). PóŸnobarokow¹ budowlê przebudowano w latach 1879-82. bb/mgs PAP Warsaw, Jan. 1948. The Wessel Family Palace, reconstructed after WW2, on 25 Krakowskie Przedmiescie Street and the corner of Trebacka and Kozia Streets. It housed the so called Saxon Post (The Old Post Office). The later Barroque building was reconstructed again between 1879 and 1882. bb/mgs PAP Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/warszawa-1948-01-odbudowany-po-zniszczeniach-wojennych-dawny-paac-wesslw-przy-ulicy-krakowskie-przedmiecie-25-rg-trbackiej-i-koziej-w-ktrym-znajdowaa-si-tzw-poczta-saska-stara-poczta-pnobarokow-budowl-przebudowano-w-latach-1879-82-bbmgs-pap-warsaw-jan-1948-the-wessel-family-palace-reconstructed-after-ww2-on-25-krakowskie-przedmiescie-street-and-the-corner-of-trebacka-and-kozia-streets-it-housed-the-so-called-saxon-post-the-old-post-office-the-later-barroque-building-was-reconstructed-again-between-1879-and-1882-bbmgs-pap-image453334354.htmlRM2H9F4GJ–Warszawa, 1948-01. Odbudowany po zniszczeniach wojennych dawny pa³ac Wesslów przy ulicy Krakowskie Przedmieœcie 25, róg Trêbackiej i Koziej, w którym znajdowa³a siê tzw. Poczta Saska (Stara Poczta). PóŸnobarokow¹ budowlê przebudowano w latach 1879-82. bb/mgs PAP Warsaw, Jan. 1948. The Wessel Family Palace, reconstructed after WW2, on 25 Krakowskie Przedmiescie Street and the corner of Trebacka and Kozia Streets. It housed the so called Saxon Post (The Old Post Office). The later Barroque building was reconstructed again between 1879 and 1882. bb/mgs PAP
Side Chair 1879–82 Herter Brothers. Side Chair. American. 1879–82. Gilded maple. Made in New York, New York, United States Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-chair-187982-herter-brothers-side-chair-american-187982-gilded-maple-made-in-new-york-new-york-united-states-image457777742.htmlRM2HGNG52–Side Chair 1879–82 Herter Brothers. Side Chair. American. 1879–82. Gilded maple. Made in New York, New York, United States
The Smoker (Le Fumeur), 1879-82. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-smoker-le-fumeur-1879-82-image349002043.htmlRM2B7PBJK–The Smoker (Le Fumeur), 1879-82.
London, UK. 3 October 2022. Staff members view (L) 'The Viaduct at L'Estaque', 1879-82, and 'The Sea at L'Estaque behind Trees', 1878-9, both by Paul Cezanne at the preview of The EY Exhibition: Cezanne at Tate Modern. 80 paintings, watercolours and drawings by Paul Cezanne featuring key examples of his iconic still life paintings, Provençale landscapes, portraits and bather scenes, including over 20 works never seen in the UK, are on show 5 October to 12 March 2023. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-3-october-2022-staff-members-view-l-the-viaduct-at-lestaque-1879-82-and-the-sea-at-lestaque-behind-trees-1878-9-both-by-paul-cezanne-at-the-preview-of-the-ey-exhibition-cezanne-at-tate-modern-80-paintings-watercolours-and-drawings-by-paul-cezanne-featuring-key-examples-of-his-iconic-still-life-paintings-provenale-landscapes-portraits-and-bather-scenes-including-over-20-works-never-seen-in-the-uk-are-on-show-5-october-to-12-march-2023-credit-stephen-chung-alamy-live-news-image484768483.htmlRM2K4K343–London, UK. 3 October 2022. Staff members view (L) 'The Viaduct at L'Estaque', 1879-82, and 'The Sea at L'Estaque behind Trees', 1878-9, both by Paul Cezanne at the preview of The EY Exhibition: Cezanne at Tate Modern. 80 paintings, watercolours and drawings by Paul Cezanne featuring key examples of his iconic still life paintings, Provençale landscapes, portraits and bather scenes, including over 20 works never seen in the UK, are on show 5 October to 12 March 2023. Credit: Stephen Chung / Alamy Live News
The Smoker II, 1879–82, Édouard Manet, French, 1832-1883, France, Drypoint in brown on ivory wove paper, 235 × 153 mm (image), 237 × 153 mm (plate), 349 × 247 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-smoker-ii-187982-douard-manet-french-1832-1883-france-drypoint-in-brown-on-ivory-wove-paper-235-153-mm-image-237-153-mm-plate-349-247-mm-sheet-image328652374.htmlRM2A2KBCP–The Smoker II, 1879–82, Édouard Manet, French, 1832-1883, France, Drypoint in brown on ivory wove paper, 235 × 153 mm (image), 237 × 153 mm (plate), 349 × 247 mm (sheet
Inspired by Steel Plate for 'The County Election', George Caleb Bingham, American, 1811–1879, etched and engraved by John Sartain, American, 1808–1897, 1853–54, Steel plate, Printmaking & photographic equipment, 26 9/16 x 32 5/8 in. (67.5 x 82.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-steel-plate-for-the-county-election-george-caleb-bingham-american-18111879-etched-and-engraved-by-john-sartain-american-18081897-185354-steel-plate-printmaking-photographic-equipment-26-916-x-32-58-in-675-x-829-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459284457.htmlRF2HK6609–Inspired by Steel Plate for 'The County Election', George Caleb Bingham, American, 1811–1879, etched and engraved by John Sartain, American, 1808–1897, 1853–54, Steel plate, Printmaking & photographic equipment, 26 9/16 x 32 5/8 in. (67.5 x 82.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Mademoiselle Isabelle Lemonnier (1857-1926). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 22 x 18 1/4 in. (55.9 x 46.4 cm). Date: 1879-82. Isabelle Lemonnier was the daughter of a successful Parisian jeweler and the younger sister of Marguerite Charpentier, whose grand portrait by Renoir is also in the Metropolitan's collection (07.122). Between 1879 and 1882 Manet made several portraits of Isabelle, of whom he seems to have been fond; in the summer of 1880 he sent her a series of letters decorated with charming watercolor sketches. Museum: Metropolitan Museum of Art, Ne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mademoiselle-isabelle-lemonnier-1857-1926-artist-douard-manet-french-paris-1832-1883-paris-dimensions-22-x-18-14-in-559-x-464-cm-date-1879-82-isabelle-lemonnier-was-the-daughter-of-a-successful-parisian-jeweler-and-the-younger-sister-of-marguerite-charpentier-whose-grand-portrait-by-renoir-is-also-in-the-metropolitans-collection-07122-between-1879-and-1882-manet-made-several-portraits-of-isabelle-of-whom-he-seems-to-have-been-fond-in-the-summer-of-1880-he-sent-her-a-series-of-letters-decorated-with-charming-watercolor-sketches-museum-metropolitan-museum-of-art-ne-image213207548.htmlRMPATCB8–Mademoiselle Isabelle Lemonnier (1857-1926). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 22 x 18 1/4 in. (55.9 x 46.4 cm). Date: 1879-82. Isabelle Lemonnier was the daughter of a successful Parisian jeweler and the younger sister of Marguerite Charpentier, whose grand portrait by Renoir is also in the Metropolitan's collection (07.122). Between 1879 and 1882 Manet made several portraits of Isabelle, of whom he seems to have been fond; in the summer of 1880 he sent her a series of letters decorated with charming watercolor sketches. Museum: Metropolitan Museum of Art, Ne
FARMER(1884) Detroit, p857 DETROIT STEEL AND SPRING WORKS. NEAR R.R. JUNCTION IN SPRINGWELLS. BUILT IN 1879-82 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-farmer1884-detroit-p857-detroit-steel-and-spring-works-near-rr-junction-75165758.htmlRMEA82KA–FARMER(1884) Detroit, p857 DETROIT STEEL AND SPRING WORKS. NEAR R.R. JUNCTION IN SPRINGWELLS. BUILT IN 1879-82
Louis Napoleon Moloch 82 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-napoleon-moloch-82-image6078561.htmlRMA319X2–Louis Napoleon Moloch 82
Tate Modern, London, UK. 3 October 2022. The EY Exhibition: Cezanne brings together around 80 works from collections in Europe, Asia, North and South America, giving UK audiences their first opportunity in over 25 years to explore the breadth of Cezanne’s career. It features examples of his iconic still life paintings, Provençale landscapes, portraits and bather scenes. Exhibition organised by Tate Modern and the Art Institute of Chicago. Image: Paul Cezanne, The Viaduct at L‘Estaque, 1879-82. Finnish National Gallery, Ateneum Art Museum, Helsinki. Credit: Malcolm Park/Alamy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tate-modern-london-uk-3-october-2022-the-ey-exhibition-cezannebrings-together-around-80-works-from-collections-in-europe-asia-north-and-south-america-giving-uk-audiences-their-first-opportunity-in-over-25-years-to-explore-the-breadth-of-cezannes-career-it-features-examples-of-his-iconic-still-life-paintings-provenale-landscapes-portraits-and-bather-scenes-exhibition-organised-by-tate-modern-and-the-art-institute-of-chicago-image-paul-cezanne-the-viaduct-at-lestaque-1879-82-finnish-national-gallery-ateneum-art-museum-helsinki-credit-malcolm-parkalamy-image484882925.htmlRM2K4T939–Tate Modern, London, UK. 3 October 2022. The EY Exhibition: Cezanne brings together around 80 works from collections in Europe, Asia, North and South America, giving UK audiences their first opportunity in over 25 years to explore the breadth of Cezanne’s career. It features examples of his iconic still life paintings, Provençale landscapes, portraits and bather scenes. Exhibition organised by Tate Modern and the Art Institute of Chicago. Image: Paul Cezanne, The Viaduct at L‘Estaque, 1879-82. Finnish National Gallery, Ateneum Art Museum, Helsinki. Credit: Malcolm Park/Alamy
. Hiekkakumpuja 1879 82 Victor Westerholm - Hiekkakumpuja - A III 2424 - Finnish National Gallery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hiekkakumpuja-1879-82-victor-westerholm-hiekkakumpuja-a-iii-2424-finnish-national-gallery-image211084971.htmlRMP7BN0Y–. Hiekkakumpuja 1879 82 Victor Westerholm - Hiekkakumpuja - A III 2424 - Finnish National Gallery
'fine arts, Daumier, Honore, (1808 - 1879), painting, 'Crispin and Scapin', circa 1864, oil on canvas, 60,5 cm x 82 cm, Orsay Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-daumier-honore-1808-1879-painting-crispin-and-scapin-circa-10876025.htmlRMA3XKPJ–'fine arts, Daumier, Honore, (1808 - 1879), painting, 'Crispin and Scapin', circa 1864, oil on canvas, 60,5 cm x 82 cm, Orsay
Lutherstadt Eisleben, Luthers Geburtshaus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lutherstadt-eisleben-luthers-geburtshaus-43342137.htmlRMCEEB9D–Lutherstadt Eisleben, Luthers Geburtshaus
78-82, rue de Charenton 12th arrondissement, Paris Léon Leymonnerye (1803-1879), dessinateur et topographe français. 78-82, rue de Charenton. Crayon. Paris (XIIème arr.), août 1877. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/78-82-rue-de-charenton-12th-arrondissement-paris-lon-leymonnerye-1803-1879-dessinateur-et-topographe-franais-78-82-rue-de-charenton-crayon-paris-xiime-arr-aot-1877-paris-muse-carnavalet-image349528170.htmlRM2B8JAMX–78-82, rue de Charenton 12th arrondissement, Paris Léon Leymonnerye (1803-1879), dessinateur et topographe français. 78-82, rue de Charenton. Crayon. Paris (XIIème arr.), août 1877. Paris, musée Carnavalet.
Eisleben Lutherstadt Markt 59184 Von Ost-Süd-Ost li Altstädter Rathaus Mitte Andreaskirche vorn Lutherdenkmal 1879-82 v Rudolf Siemering Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eisleben-lutherstadt-markt-59184-von-ost-sd-ost-li-altstdter-rathaus-mitte-andreaskirche-vorn-lutherdenkmal-1879-82-v-rudolf-siemering-image469404678.htmlRM2J7K6CP–Eisleben Lutherstadt Markt 59184 Von Ost-Süd-Ost li Altstädter Rathaus Mitte Andreaskirche vorn Lutherdenkmal 1879-82 v Rudolf Siemering
Vilnia, Papłaŭski most. Вільня, Паплаўскі мост (J. Čachovič, 1879-82). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vilnia-papaski-most-j-achovi-1879-82-image574311682.htmlRM2TAA4BE–Vilnia, Papłaŭski most. Вільня, Паплаўскі мост (J. Čachovič, 1879-82).
. Die Votivkirche in Wien; Denkschrift des Baucomit'es veröffentlicht zur Feier der Einweihung am 24. April 1879. 82. YI. -ßcrtimniung öcr Dotinkiiilic. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/die-votivkirche-in-wien-denkschrift-des-baucomites-verffentlicht-zur-feier-der-einweihung-am-24-april-1879-82-yi-crtimniung-cr-dotinkiiilic-image337038120.htmlRM2AG9BFM–. Die Votivkirche in Wien; Denkschrift des Baucomit'es veröffentlicht zur Feier der Einweihung am 24. April 1879. 82. YI. -ßcrtimniung öcr Dotinkiiilic.
The road bridge at l'Estaque - 1879 82 - Oil on canvas 56 x 65,5 cm - ce02Cézanne Paul Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-road-bridge-at-lestaque-1879-82-oil-on-canvas-56-x-655-cm-ce02cezanne-paul-image457745203.htmlRF2HGM2JY–The road bridge at l'Estaque - 1879 82 - Oil on canvas 56 x 65,5 cm - ce02Cézanne Paul
![Landschap Landscape Object Type: Drawing Object number: RP-T-1915-82 Inscriptions / Brands: inscription: 'Wester [bouman?] Manufacture Creator: cartoonist John Gijsbert Bird (listed building) Dated: 1879 Physical features: black chalk material : chalk paper Dimensions: h 91mm × W 145 mm Subject landscape Stock Photo](https://c8.alamy.com/comp/2B71PHF/landschap-landscape-object-type-drawing-object-number-rp-t-1915-82-inscriptions-brands-inscription-wester-bouman-manufacture-creator-cartoonist-john-gijsbert-bird-listed-building-dated-1879-physical-features-black-chalk-material-chalk-paper-dimensions-h-91mm-w-145-mm-subject-landscape-2B71PHF.jpg "Landschap Landscape Object Type: Drawing Object number: RP-T-1915-82 Inscriptions / Brands: inscription: 'Wester [bouman?] Manufacture Creator: cartoonist John Gijsbert Bird (listed building) Dated: 1879 Physical features: black chalk material : chalk paper Dimensions: h 91mm × W 145 mm Subject landscape Stock Photo")
Landschap Landscape Object Type: Drawing Object number: RP-T-1915-82 Inscriptions / Brands: inscription: 'Wester [bouman?] Manufacture Creator: cartoonist John Gijsbert Bird (listed building) Dated: 1879 Physical features: black chalk material : chalk paper Dimensions: h 91mm × W 145 mm Subject landscape Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landschap-landscape-object-type-drawing-object-number-rp-t-1915-82-inscriptions-brands-inscription-wester-bouman-manufacture-creator-cartoonist-john-gijsbert-bird-listed-building-dated-1879-physical-features-black-chalk-material-chalk-paper-dimensions-h-91mm-w-145-mm-subject-landscape-image348549643.htmlRM2B71PHF–Landschap Landscape Object Type: Drawing Object number: RP-T-1915-82 Inscriptions / Brands: inscription: 'Wester [bouman?] Manufacture Creator: cartoonist John Gijsbert Bird (listed building) Dated: 1879 Physical features: black chalk material : chalk paper Dimensions: h 91mm × W 145 mm Subject landscape
Warszawa, 1948-01. Odbudowany po zniszczeniach wojennych dawny pa³ac Wesslów przy ulicy Krakowskie Przedmieœcie 25, róg Trêbackiej i Koziej, w którym znajdowa³a siê tzw. Poczta Saska (Stara Poczta). PóŸnobarokow¹ budowlê przebudowano w latach 1879-82. bb/mgs PAP Warsaw, Jan. 1948. The Wessel Family Palace, reconstructed after WW2, on 25 Krakowskie Przedmiescie Street and the corner of Trebacka and Kozia Streets. It housed the so called Saxon Post (The Old Post Office). The later Barroque building was reconstructed again between 1879 and 1882. bb/mgs PAP Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/warszawa-1948-01-odbudowany-po-zniszczeniach-wojennych-dawny-paac-wesslw-przy-ulicy-krakowskie-przedmiecie-25-rg-trbackiej-i-koziej-w-ktrym-znajdowaa-si-tzw-poczta-saska-stara-poczta-pnobarokow-budowl-przebudowano-w-latach-1879-82-bbmgs-pap-warsaw-jan-1948-the-wessel-family-palace-reconstructed-after-ww2-on-25-krakowskie-przedmiescie-street-and-the-corner-of-trebacka-and-kozia-streets-it-housed-the-so-called-saxon-post-the-old-post-office-the-later-barroque-building-was-reconstructed-again-between-1879-and-1882-bbmgs-pap-image453334329.htmlRM2H9F4FN–Warszawa, 1948-01. Odbudowany po zniszczeniach wojennych dawny pa³ac Wesslów przy ulicy Krakowskie Przedmieœcie 25, róg Trêbackiej i Koziej, w którym znajdowa³a siê tzw. Poczta Saska (Stara Poczta). PóŸnobarokow¹ budowlê przebudowano w latach 1879-82. bb/mgs PAP Warsaw, Jan. 1948. The Wessel Family Palace, reconstructed after WW2, on 25 Krakowskie Przedmiescie Street and the corner of Trebacka and Kozia Streets. It housed the so called Saxon Post (The Old Post Office). The later Barroque building was reconstructed again between 1879 and 1882. bb/mgs PAP
Pitcher 1879–82 Linthorpe Pottery Works British. Pitcher. British, Linthorpe, Yorkshire. 1879–82. Earthenware. Linthorpe Pottery Works (British, 1879–1889). Ceramics-Pottery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pitcher-187982-linthorpe-pottery-works-british-pitcher-british-linthorpe-yorkshire-187982-earthenware-linthorpe-pottery-works-british-18791889-ceramics-pottery-image457878922.htmlRM2HGX56J–Pitcher 1879–82 Linthorpe Pottery Works British. Pitcher. British, Linthorpe, Yorkshire. 1879–82. Earthenware. Linthorpe Pottery Works (British, 1879–1889). Ceramics-Pottery
Louis Napoleon - Moloch Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-louis-napoleon-moloch-105346128.htmlRMG3AX1M–Louis Napoleon - Moloch
Tall brick arches of the Harringworth railway viaduct crossing the Welland Valley on the Northamptonshire Rutland border England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tall-brick-arches-of-the-harringworth-railway-viaduct-crossing-the-image4341142.htmlRFAD3W97–Tall brick arches of the Harringworth railway viaduct crossing the Welland Valley on the Northamptonshire Rutland border England
Christopher Dresser, Serving fork, British, Linthorpe, Yorkshire, Linthorpe Pottery Works (British, 1879–1889), 1879–82, British, Linthorpe, Yorkshire, Glazed brown earthenware, silver, Length: 10 1/2 in. (26.7 cm), Ceramics-Pottery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christopher-dresser-serving-fork-british-linthorpe-yorkshire-linthorpe-pottery-works-british-18791889-187982-british-linthorpe-yorkshire-glazed-brown-earthenware-silver-length-10-12-in-267-cm-ceramics-pottery-image344637567.htmlRM2B0KGMF–Christopher Dresser, Serving fork, British, Linthorpe, Yorkshire, Linthorpe Pottery Works (British, 1879–1889), 1879–82, British, Linthorpe, Yorkshire, Glazed brown earthenware, silver, Length: 10 1/2 in. (26.7 cm), Ceramics-Pottery
Art inspired by Steel Plate for 'The County Election', George Caleb Bingham, American, 1811–1879, etched and engraved by John Sartain, American, 1808–1897, 1853–54, Steel plate, Printmaking & photographic equipment, 26 9/16 x 32 5/8 in. (67.5 x 82.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-steel-plate-for-the-county-election-george-caleb-bingham-american-18111879-etched-and-engraved-by-john-sartain-american-18081897-185354-steel-plate-printmaking-photographic-equipment-26-916-x-32-58-in-675-x-829-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459597476.htmlRF2HKMD7G–Art inspired by Steel Plate for 'The County Election', George Caleb Bingham, American, 1811–1879, etched and engraved by John Sartain, American, 1808–1897, 1853–54, Steel plate, Printmaking & photographic equipment, 26 9/16 x 32 5/8 in. (67.5 x 82.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Vessel, Christopher Dresser, Scottish, 1834 – 1904, Linthorpe Pottery, Yorkshire, 1879–1889, Glazed earthenware, Stirrup-spout bottle with spiraling abstract decoration and green glaze., England, 1879–82, ceramics, Decorative Arts, Vessel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vessel-christopher-dresser-scottish-1834-1904-linthorpe-pottery-yorkshire-18791889-glazed-earthenware-stirrup-spout-bottle-with-spiraling-abstract-decoration-and-green-glaze-england-187982-ceramics-decorative-arts-vessel-image391635553.htmlRM2DN4F41–Vessel, Christopher Dresser, Scottish, 1834 – 1904, Linthorpe Pottery, Yorkshire, 1879–1889, Glazed earthenware, Stirrup-spout bottle with spiraling abstract decoration and green glaze., England, 1879–82, ceramics, Decorative Arts, Vessel
Cabinet. Culture: American. Dimensions: 76 7/8 x 60 x 12 in. (195.3 x 152.4 x 30.5 cm). Maker: Herter Brothers (German, active New York, 1864-1906). Date: 1879-82. William H. Vanderbilt, son of Cornelius 'Commodore' Vanderbilt, inherited a vast fortune and a lucrative transport business, which he expanded exponentially, becoming one of the wealthiest men in America. In 1879, to mark his elevated social and economic status, he built a mansion that spanned an entire city block on Fifth Avenue, between Fifty-First and Fifty-Second Streets. He commissioned Herter Brothers, one of the premier cabi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cabinet-culture-american-dimensions-76-78-x-60-x-12-in-1953-x-1524-x-305-cm-maker-herter-brothers-german-active-new-york-1864-1906-date-1879-82-william-h-vanderbilt-son-of-cornelius-commodore-vanderbilt-inherited-a-vast-fortune-and-a-lucrative-transport-business-which-he-expanded-exponentially-becoming-one-of-the-wealthiest-men-in-america-in-1879-to-mark-his-elevated-social-and-economic-status-he-built-a-mansion-that-spanned-an-entire-city-block-on-fifth-avenue-between-fifty-first-and-fifty-second-streets-he-commissioned-herter-brothers-one-of-the-premier-cabi-image213244762.htmlRMPAX3TA–Cabinet. Culture: American. Dimensions: 76 7/8 x 60 x 12 in. (195.3 x 152.4 x 30.5 cm). Maker: Herter Brothers (German, active New York, 1864-1906). Date: 1879-82. William H. Vanderbilt, son of Cornelius 'Commodore' Vanderbilt, inherited a vast fortune and a lucrative transport business, which he expanded exponentially, becoming one of the wealthiest men in America. In 1879, to mark his elevated social and economic status, he built a mansion that spanned an entire city block on Fifth Avenue, between Fifty-First and Fifty-Second Streets. He commissioned Herter Brothers, one of the premier cabi
FARMER(1884) Detroit, p857 DETROIT STEEL AND SPRING WORKS. NEAR R.R. JUNCTION IN SPRINGWELLS. BUILT IN 1879-82 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-farmer1884-detroit-p857-detroit-steel-and-spring-works-near-rr-junction-74875754.htmlRME9PTP2–FARMER(1884) Detroit, p857 DETROIT STEEL AND SPRING WORKS. NEAR R.R. JUNCTION IN SPRINGWELLS. BUILT IN 1879-82
Mademoiselle Isabelle Lemonnier (1857–1926), Édouard Manet, 1879–82 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-mademoiselle-isabelle-lemonnier-18571926-douard-manet-187982-162536330.htmlRMKCC4MX–Mademoiselle Isabelle Lemonnier (1857–1926), Édouard Manet, 1879–82
. Dutch Landscape 1879 82 Victor Westerholm - Dutch Landscape - A II 1152 - Finnish National Gallery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dutch-landscape-1879-82-victor-westerholm-dutch-landscape-a-ii-1152-finnish-national-gallery-image211084959.htmlRMP7BN0F–. Dutch Landscape 1879 82 Victor Westerholm - Dutch Landscape - A II 1152 - Finnish National Gallery
Console from the drawing room of the William H. Vanderbilt House, Herter Brothers, 1879–82 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-console-from-the-drawing-room-of-the-william-h-vanderbilt-house-herter-162443948.htmlRMKC7XWG–Console from the drawing room of the William H. Vanderbilt House, Herter Brothers, 1879–82
Milk Jug and Spirit Stove, 1879–82, Paul Cézanne, French, 1839-1906, France, Graphite on ivory wove paper, 194 × 118 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/milk-jug-and-spirit-stove-187982-paul-czanne-french-1839-1906-france-graphite-on-ivory-wove-paper-194-118-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349745647.htmlRF2B9083Y–Milk Jug and Spirit Stove, 1879–82, Paul Cézanne, French, 1839-1906, France, Graphite on ivory wove paper, 194 × 118 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Pedestal from the drawing room of the William H. Vanderbilt House, Herter Brothers, 1879–82 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-pedestal-from-the-drawing-room-of-the-william-h-vanderbilt-house-herter-162560136.htmlRMKCD734–Pedestal from the drawing room of the William H. Vanderbilt House, Herter Brothers, 1879–82
1VITE EMERY WHEELS G. WESTINGHOUSE & CO. Schenectady N. Y. HEELER'S PATENT WOOD FRU 10 Bleecker Street New York. ENNSYNNIA DIAMOND DRILL CO. BOX +23 POTTSVILLE PA . ROOFING AND SIDING H. ND POWEIrAl40 HYLIRAGLIc. $41344120.85 ASSETS. CASH ASSETS Jan. 1 1881 Appropriated as follows : 238888837.82 $43183934.81 BLAKE'S CHALLENCE ' ROCK BREAKER. THEODORE M. BANTA Cashier. D. O'DELL Superintendent of Agencies. MORRIS FRANKLIN President. Death- f 1876 $1547648. 1837 1638128. claims 1878 1687676. 1879 1569854. Paid 1 1880 1731721. 'T IX T T NEW YORK. s'TIZUCTURA I IRON., scientific american, 1881-03- Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1vite-emery-wheels-g-westinghouse-co-schenectady-n-y-heelers-patent-wood-fru-10-bleecker-street-new-york-ennsynnia-diamond-drill-co-box-23-pottsville-pa-roofing-and-siding-h-nd-poweiral40-hyliraglic-4134412085-assets-cash-assets-jan-1-1881-appropriated-as-follows-23888883782-4318393481-blakes-challence-rock-breaker-theodore-m-banta-cashier-d-odell-superintendent-of-agencies-morris-franklin-president-death-f-1876-1547648-1837-1638128-claims-1878-1687676-1879-1569854-paid-1-1880-1731721-t-ix-t-t-new-york-stizuctura-i-iron-scientific-american-1881-03-image334324270.htmlRM2ABWP0E–1VITE EMERY WHEELS G. WESTINGHOUSE & CO. Schenectady N. Y. HEELER'S PATENT WOOD FRU 10 Bleecker Street New York. ENNSYNNIA DIAMOND DRILL CO. BOX +23 POTTSVILLE PA . ROOFING AND SIDING H. ND POWEIrAl40 HYLIRAGLIc. $41344120.85 ASSETS. CASH ASSETS Jan. 1 1881 Appropriated as follows : 238888837.82 $43183934.81 BLAKE'S CHALLENCE ' ROCK BREAKER. THEODORE M. BANTA Cashier. D. O'DELL Superintendent of Agencies. MORRIS FRANKLIN President. Death- f 1876 $1547648. 1837 1638128. claims 1878 1687676. 1879 1569854. Paid 1 1880 1731721. 'T IX T T NEW YORK. s'TIZUCTURA I IRON., scientific american, 1881-03-
Honoré Daumier, (artist), French, 1808 - 1879, Une Visite du 1er Janvier, Les Beaux jours de la vie: pl.82, (series), 1846, lithograph Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/honor-daumier-artist-french-1808-1879-une-visite-du-1er-janvier-les-beaux-jours-de-la-vie-pl82-series-1846-lithograph-image386316992.htmlRM2DCE77C–Honoré Daumier, (artist), French, 1808 - 1879, Une Visite du 1er Janvier, Les Beaux jours de la vie: pl.82, (series), 1846, lithograph
The Encyclopaedia Britannica; ..A dictionary of arts, sciences and general literature . tionand telegraphs; military secretary to the governorof Pennsylvania (1861-65); member of the legisla-ture (1865-67); state secretary (1872-78); recorderof Philadelphia and chairman of Republican statecommittee (1878-79); state secretary (1879-82);delegate-at-large tothe Republican national conven-tions of 1872,1876, and 1880; state treasurer (1885);U. S. Senator (1887-93); delegate-at-large to theRepublican national convention of 1888; chairmanof the Republican national committee, and con-ducted the campa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-encyclopaedia-britannica-a-dictionary-of-arts-sciences-and-general-literature-tionand-telegraphs-military-secretary-to-the-governorof-pennsylvania-1861-65-member-of-the-legisla-ture-1865-67-state-secretary-1872-78-recorderof-philadelphia-and-chairman-of-republican-statecommittee-1878-79-state-secretary-1879-82delegate-at-large-tothe-republican-national-conven-tions-of-18721876-and-1880-state-treasurer-1885u-s-senator-1887-93-delegate-at-large-to-therepublican-national-convention-of-1888-chairmanof-the-republican-national-committee-and-con-ducted-the-campa-image342697204.htmlRM2AWF5NT–The Encyclopaedia Britannica; ..A dictionary of arts, sciences and general literature . tionand telegraphs; military secretary to the governorof Pennsylvania (1861-65); member of the legisla-ture (1865-67); state secretary (1872-78); recorderof Philadelphia and chairman of Republican statecommittee (1878-79); state secretary (1879-82);delegate-at-large tothe Republican national conven-tions of 1872,1876, and 1880; state treasurer (1885);U. S. Senator (1887-93); delegate-at-large to theRepublican national convention of 1888; chairmanof the Republican national committee, and con-ducted the campa
Jean-Léon Gérôme, French, 1824–1904, Snake Charmer, c. 1879, Oil on canvas, 32 3/8 x 47 5/8 in. (82.2 x 121 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-lon-grme-french-18241904-snake-charmer-c-1879-oil-on-canvas-32-38-x-47-58-in-822-x-121-cm-image344574131.htmlRM2B0GKPY–Jean-Léon Gérôme, French, 1824–1904, Snake Charmer, c. 1879, Oil on canvas, 32 3/8 x 47 5/8 in. (82.2 x 121 cm
Standing Bather, Seen from the Back - 1879 82 - Oil on canvas 31.7 × 21.6 cm - ce03Cézanne Paul Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-bather-seen-from-the-back-1879-82-oil-on-canvas-317-216-cm-ce03cezanne-paul-image457720883.htmlRF2HGJYJB–Standing Bather, Seen from the Back - 1879 82 - Oil on canvas 31.7 × 21.6 cm - ce03Cézanne Paul
Cat art pieces, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1912, 82, drawing, pen and ink on paper on cardboard, 12.6 x 10.4 cm, l.l. 'Cat Feats' (on the box Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cat-art-pieces-paul-klee-mnchenbuchsee-1879-1940-muralto-1912-82-drawing-pen-and-ink-on-paper-on-cardboard-126-x-104-cm-ll-cat-feats-on-the-box-image573310273.htmlRM2T8MF2W–Cat art pieces, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1912, 82, drawing, pen and ink on paper on cardboard, 12.6 x 10.4 cm, l.l. 'Cat Feats' (on the box
Mademoiselle Isabelle Lemonnier - 1857–1926 - 1879 82 - pastel on canvas 55.9 x 46.4 cm - Manet Édouard Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mademoiselle-isabelle-lemonnier-18571926-1879-82-pastel-on-canvas-559-x-464-cm-manet-edouard-image457732548.htmlRF2HGKEF0–Mademoiselle Isabelle Lemonnier - 1857–1926 - 1879 82 - pastel on canvas 55.9 x 46.4 cm - Manet Édouard
Werkbundsiedlung, house 63 and 64 (13th, Jagdschloßgasse 80, 82), Martin Gerlach jun. (1879-1944), photographer, Arthur Grünberger (1882-1935), architect, 1932, glass, negative, height 17.8 cm, width 23.8 cm, architecture, Red Vienna, exhibitions, 13th district: Hietzing, low-rise building, residential building, The Vienna Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/werkbundsiedlung-house-63-and-64-13th-jagdschlogasse-80-82-martin-gerlach-jun-1879-1944-photographer-arthur-grnberger-1882-1935-architect-1932-glass-negative-height-178-cm-width-238-cm-architecture-red-vienna-exhibitions-13th-district-hietzing-low-rise-building-residential-building-the-vienna-collection-image573444387.htmlRM2T8XJ4K–Werkbundsiedlung, house 63 and 64 (13th, Jagdschloßgasse 80, 82), Martin Gerlach jun. (1879-1944), photographer, Arthur Grünberger (1882-1935), architect, 1932, glass, negative, height 17.8 cm, width 23.8 cm, architecture, Red Vienna, exhibitions, 13th district: Hietzing, low-rise building, residential building, The Vienna Collection
Pitcher 1879–82 Christopher Dresser British, Scottish. Pitcher. British, Linthorpe, Yorkshire. 1879–82. Earthenware. Linthorpe Pottery Works (British, 1879–1889). Ceramics-Pottery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pitcher-187982-christopher-dresser-british-scottish-pitcher-british-linthorpe-yorkshire-187982-earthenware-linthorpe-pottery-works-british-18791889-ceramics-pottery-image457878633.htmlRM2HGX4T9–Pitcher 1879–82 Christopher Dresser British, Scottish. Pitcher. British, Linthorpe, Yorkshire. 1879–82. Earthenware. Linthorpe Pottery Works (British, 1879–1889). Ceramics-Pottery
Warszawa, 1948-01. Odbudowany po zniszczeniach wojennych dawny pa³ac Wesslów przy ulicy Krakowskie Przedmieœcie 25, róg Trêbackiej i Koziej, w którym znajdowa³a siê tzw. Poczta Saska (Stara Poczta). PóŸnobarokow¹ budowlê przebudowano w latach 1879-82. Z prawej widoczna balustrada wokó³ pomnika Adama Mickiewicza. bb/mgs PAP Warsaw, Jan. 1948. The Wessel Family Palace, reconstructed after WW2, on 25 Krakowskie Przedmiescie Street and the corner of Trebacka and Kozia Streets. It housed the so called Saxon Post (The Old Post Office). The later Barroque building was reconstructed again betwee Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/warszawa-1948-01-odbudowany-po-zniszczeniach-wojennych-dawny-paac-wesslw-przy-ulicy-krakowskie-przedmiecie-25-rg-trbackiej-i-koziej-w-ktrym-znajdowaa-si-tzw-poczta-saska-stara-poczta-pnobarokow-budowl-przebudowano-w-latach-1879-82-z-prawej-widoczna-balustrada-wok-pomnika-adama-mickiewicza-bbmgs-pap-warsaw-jan-1948-the-wessel-family-palace-reconstructed-after-ww2-on-25-krakowskie-przedmiescie-street-and-the-corner-of-trebacka-and-kozia-streets-it-housed-the-so-called-saxon-post-the-old-post-office-the-later-barroque-building-was-reconstructed-again-betwee-image453334330.htmlRM2H9F4FP–Warszawa, 1948-01. Odbudowany po zniszczeniach wojennych dawny pa³ac Wesslów przy ulicy Krakowskie Przedmieœcie 25, róg Trêbackiej i Koziej, w którym znajdowa³a siê tzw. Poczta Saska (Stara Poczta). PóŸnobarokow¹ budowlê przebudowano w latach 1879-82. Z prawej widoczna balustrada wokó³ pomnika Adama Mickiewicza. bb/mgs PAP Warsaw, Jan. 1948. The Wessel Family Palace, reconstructed after WW2, on 25 Krakowskie Przedmiescie Street and the corner of Trebacka and Kozia Streets. It housed the so called Saxon Post (The Old Post Office). The later Barroque building was reconstructed again betwee
Landschap met ruiter Landscape with rider object type: picture Item number: RP-P-1879-A-3504Catalogusreferentie: Collection Rijksmuseum 1 (2) Markings / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Pieter Casper Christchurch City manufacturing : Arnhem Dating: ca. 1860 - ca. 1870 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 82 mm × W 123 mm Subject: landscapes in the temperate zone and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landschap-met-ruiter-landscape-with-rider-object-type-picture-item-number-rp-p-1879-a-3504catalogusreferentie-collection-rijksmuseum-1-2-markings-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-pieter-casper-christchurch-city-manufacturing-arnhem-dating-ca-1860-ca-1870-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-82-mm-w-123-mm-subject-landscapes-in-the-temperate-zone-and-image348546313.htmlRM2B71JAH–Landschap met ruiter Landscape with rider object type: picture Item number: RP-P-1879-A-3504Catalogusreferentie: Collection Rijksmuseum 1 (2) Markings / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Pieter Casper Christchurch City manufacturing : Arnhem Dating: ca. 1860 - ca. 1870 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 82 mm × W 123 mm Subject: landscapes in the temperate zone and
Image from page 82 of 'Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) ... Translated from the German by A. H. Keane ... Illustrated' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-82-of-travels-in-africa-during-the-years-1875-1878-1879-1883-1882-1886-translated-from-the-german-by-a-h-keane-illustrated-image216771905.htmlRMPGJPNN–Image from page 82 of 'Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) ... Translated from the German by A. H. Keane ... Illustrated' .
Pedestal from the drawing room of the William H. Vanderbilt House. Artist: Herter Brothers (German, active New York, 1864-1906). Culture: American. Dimensions: 64 1/4 x 10 15/16 x 10 15/16 in. (163.2 x 27.8 x 27.8 cm). Date: 1879-82. Herter Brothers, the leading cabinetmaking, design, and decorating firm during the second half of the nineteenth century, created a pair (2002.298.1-.2) of opulent pedestals for their most prestigious commission, the grand Fifth Avenue residence of William H. Vanderbilt. Each pedstal is a column carved with ribbons and 'jewel'-encrusted garlands. Ormolu capitals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pedestal-from-the-drawing-room-of-the-william-h-vanderbilt-house-artist-herter-brothers-german-active-new-york-1864-1906-culture-american-dimensions-64-14-x-10-1516-x-10-1516-in-1632-x-278-x-278-cm-date-1879-82-herter-brothers-the-leading-cabinetmaking-design-and-decorating-firm-during-the-second-half-of-the-nineteenth-century-created-a-pair-20022981-2-of-opulent-pedestals-for-their-most-prestigious-commission-the-grand-fifth-avenue-residence-of-william-h-vanderbilt-each-pedstal-is-a-column-carved-with-ribbons-and-jewel-encrusted-garlands-ormolu-capitals-image213153088.htmlRMPANXX8–Pedestal from the drawing room of the William H. Vanderbilt House. Artist: Herter Brothers (German, active New York, 1864-1906). Culture: American. Dimensions: 64 1/4 x 10 15/16 x 10 15/16 in. (163.2 x 27.8 x 27.8 cm). Date: 1879-82. Herter Brothers, the leading cabinetmaking, design, and decorating firm during the second half of the nineteenth century, created a pair (2002.298.1-.2) of opulent pedestals for their most prestigious commission, the grand Fifth Avenue residence of William H. Vanderbilt. Each pedstal is a column carved with ribbons and 'jewel'-encrusted garlands. Ormolu capitals
82 of 'The Cruise of Her Majesty's Ship “Bacchante,” 1879-1882. Compiled from the private journals, letters and note-books of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-82-of-the-cruise-of-her-majestys-ship-bacchante-1879-1882-compiled-95846323.htmlRFFFX4XY–82 of 'The Cruise of Her Majesty's Ship “Bacchante,” 1879-1882. Compiled from the private journals, letters and note-books of
Harringworth railway viaduct crossing the Welland Valley on the Northamptonshire Rutland border England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harringworth-railway-viaduct-crossing-the-welland-valley-on-the-northamptonshire-image4341113.htmlRFAD3W7A–Harringworth railway viaduct crossing the Welland Valley on the Northamptonshire Rutland border England
. Dutch Landscape 1879 82 Victor Westerholm - Dutch Landscape - A II 1153 - Finnish National Gallery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dutch-landscape-1879-82-victor-westerholm-dutch-landscape-a-ii-1153-finnish-national-gallery-image211084961.htmlRMP7BN0H–. Dutch Landscape 1879 82 Victor Westerholm - Dutch Landscape - A II 1153 - Finnish National Gallery
The Smoker II, 1879–82, Édouard Manet, French, 1832-1883, France, Drypoint in brown on ivory wove paper, 235 × 153 mm (image), 237 × 153 mm (plate), 349 × 247 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-smoker-ii-187982-douard-manet-french-1832-1883-france-drypoint-in-brown-on-ivory-wove-paper-235-153-mm-image-237-153-mm-plate-349-247-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349733938.htmlRF2B8YN5P–The Smoker II, 1879–82, Édouard Manet, French, 1832-1883, France, Drypoint in brown on ivory wove paper, 235 × 153 mm (image), 237 × 153 mm (plate), 349 × 247 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Art inspired by Chatillon. Jean-Baptiste. 31 ans, né à Toiseron des Minard (Cher). Employé de commerce. Note du cabinet. 10/5/82, 1882, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-chatillon-jean-baptiste-31-ans-n-toiseron-des-minard-cher-employ-de-commerce-note-du-cabinet-10582-1882-albumen-silver-print-from-glass-negative-105-x-7-x-05-cm-4-18-x-2-34-x-316-in-each-photographs-alphonse-bertillon-french-18531914-born-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462942757.htmlRF2HW4T5W–Art inspired by Chatillon. Jean-Baptiste. 31 ans, né à Toiseron des Minard (Cher). Employé de commerce. Note du cabinet. 10/5/82, 1882, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
STEAM ENCINE AND BOILERS Wood and Iron Working Machinery. Manager. Warerooms: 40CortlandStreetN. Y. STEAM PUMPS. HENRY R. WORTHINGTON 239 Broadway N.Y. 83 Water St. Boston Price list issued Jan. 1 1879 with a reduction exceed ing 30 per cent. TOE SALE BY ALL STATIONERS. TR ESTERNIMIL STEEL PEN COMPANY HARDWOOD LUMBER AND VENEERS. Mahogany Rosewood Satinwood French and American CEO. W. READ & CO. Fan Pressure and Exhaust Blowers. ALBERT BRIDGES 46 Cortlandt Street New York. EDMUND DRAPER M96.25. Other Bargains. ELECTED MAYOR DANIEL I. BEATTY Washington N. J CONVENIENCE. Pond's Tools Engine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/steam-encine-and-boilers-wood-and-iron-working-machinery-manager-warerooms-40cortlandstreetn-y-steam-pumps-henry-r-worthington-239-broadway-ny-83-water-st-boston-price-list-issued-jan-1-1879-with-a-reduction-exceed-ing-30-per-cent-toe-sale-by-all-stationers-tr-esternimil-steel-pen-company-hardwood-lumber-and-veneers-mahogany-rosewood-satinwood-french-and-american-ceo-w-read-co-fan-pressure-and-exhaust-blowers-albert-bridges-46-cortlandt-street-new-york-edmund-draper-m9625-other-bargains-elected-mayor-daniel-i-beatty-washington-n-j-convenience-ponds-tools-engine-image334322356.htmlRM2ABWKG4–STEAM ENCINE AND BOILERS Wood and Iron Working Machinery. Manager. Warerooms: 40CortlandStreetN. Y. STEAM PUMPS. HENRY R. WORTHINGTON 239 Broadway N.Y. 83 Water St. Boston Price list issued Jan. 1 1879 with a reduction exceed ing 30 per cent. TOE SALE BY ALL STATIONERS. TR ESTERNIMIL STEEL PEN COMPANY HARDWOOD LUMBER AND VENEERS. Mahogany Rosewood Satinwood French and American CEO. W. READ & CO. Fan Pressure and Exhaust Blowers. ALBERT BRIDGES 46 Cortlandt Street New York. EDMUND DRAPER M96.25. Other Bargains. ELECTED MAYOR DANIEL I. BEATTY Washington N. J CONVENIENCE. Pond's Tools Engine
Inspired by View of Terrapin Tower at Niagara Falls, North America, Terrapin Tower, Platt D. Babbitt, Niagara Falls, 1860 - 1879, glass, slide, height 82 mm × width 171 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-view-of-terrapin-tower-at-niagara-falls-north-america-terrapin-tower-platt-d-babbitt-niagara-falls-1860-1879-glass-slide-height-82-mm-width-171-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459466919.htmlRF2HKEEMR–Inspired by View of Terrapin Tower at Niagara Falls, North America, Terrapin Tower, Platt D. Babbitt, Niagara Falls, 1860 - 1879, glass, slide, height 82 mm × width 171 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. Morton memorial; a history of the Stevens institute of technology, with biographies of the trustees, faculty, and alumni, and a record of the achievements of the Stevens family of engineers. furnace engineers, Pittsburg,Pa., 1877; editor of the American Manu-facturer and Iron World, Pittsburg, andcorrespondent of other engineering papers,1877-79; with Shoenberger & Co., iron andsteel manufacturers, Pittsburg, 1879-82, beingsuperintendent of the open-hearth steel de-partment, 1881-82. He resigned on accountof ill health, and during May, June, and July,1882, visited iron and steel works in Eng Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morton-memorial-a-history-of-the-stevens-institute-of-technology-with-biographies-of-the-trustees-faculty-and-alumni-and-a-record-of-the-achievements-of-the-stevens-family-of-engineers-furnace-engineers-pittsburgpa-1877-editor-of-the-american-manu-facturer-and-iron-world-pittsburg-andcorrespondent-of-other-engineering-papers1877-79-with-shoenberger-co-iron-andsteel-manufacturers-pittsburg-1879-82-beingsuperintendent-of-the-open-hearth-steel-de-partment-1881-82-he-resigned-on-accountof-ill-health-and-during-may-june-and-july1882-visited-iron-and-steel-works-in-eng-image336742170.htmlRM2AFRX22–. Morton memorial; a history of the Stevens institute of technology, with biographies of the trustees, faculty, and alumni, and a record of the achievements of the Stevens family of engineers. furnace engineers, Pittsburg,Pa., 1877; editor of the American Manu-facturer and Iron World, Pittsburg, andcorrespondent of other engineering papers,1877-79; with Shoenberger & Co., iron andsteel manufacturers, Pittsburg, 1879-82, beingsuperintendent of the open-hearth steel de-partment, 1881-82. He resigned on accountof ill health, and during May, June, and July,1882, visited iron and steel works in Eng
Werkbundsiedlung, house 63 and 64 (13th, Jagdschloßgasse 80, 82), Martin Gerlach jun. (1879-1944), photographer, Arthur Grünberger (1882-1935), architect, 1932, glass, negative, height 17.8 cm, width 23.8 cm, architecture, Red Vienna, exhibitions, 13th district: Hietzing, low-rise building, residential house, The Vienna Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/werkbundsiedlung-house-63-and-64-13th-jagdschlogasse-80-82-martin-gerlach-jun-1879-1944-photographer-arthur-grnberger-1882-1935-architect-1932-glass-negative-height-178-cm-width-238-cm-architecture-red-vienna-exhibitions-13th-district-hietzing-low-rise-building-residential-house-the-vienna-collection-image573444395.htmlRM2T8XJ4Y–Werkbundsiedlung, house 63 and 64 (13th, Jagdschloßgasse 80, 82), Martin Gerlach jun. (1879-1944), photographer, Arthur Grünberger (1882-1935), architect, 1932, glass, negative, height 17.8 cm, width 23.8 cm, architecture, Red Vienna, exhibitions, 13th district: Hietzing, low-rise building, residential house, The Vienna Collection
Pitcher 1879–82 Christopher Dresser British, Scottish. Pitcher. British, Linthorpe, Yorkshire. 1879–82. Earthenware. Linthorpe Pottery Works (British, 1879–1889). Ceramics-Pottery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pitcher-187982-christopher-dresser-british-scottish-pitcher-british-linthorpe-yorkshire-187982-earthenware-linthorpe-pottery-works-british-18791889-ceramics-pottery-image457878858.htmlRM2HGX54A–Pitcher 1879–82 Christopher Dresser British, Scottish. Pitcher. British, Linthorpe, Yorkshire. 1879–82. Earthenware. Linthorpe Pottery Works (British, 1879–1889). Ceramics-Pottery
Warszawa, 1948-01. Odbudowany po zniszczeniach wojennych dawny pa³ac Wesslów przy ulicy Krakowskie Przedmieœcie 25, róg Trêbackiej i Koziej, w którym znajdowa³a siê tzw. Poczta Saska (Stara Poczta). PóŸnobarokow¹ budowlê przebudowano w latach 1879-82. Z prawej widoczna balustrada wokó³ pomnika Adama Mickiewicza. bb/mgs PAP Warsaw, Jan. 1948. The Wessel Family Palace, reconstructed after WW2, on 25 Krakowskie Przedmiescie Street and the corner of Trebacka and Kozia Streets. It housed the so called Saxon Post (The Old Post Office). The later Barroque building was reconstructed again betwee Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/warszawa-1948-01-odbudowany-po-zniszczeniach-wojennych-dawny-paac-wesslw-przy-ulicy-krakowskie-przedmiecie-25-rg-trbackiej-i-koziej-w-ktrym-znajdowaa-si-tzw-poczta-saska-stara-poczta-pnobarokow-budowl-przebudowano-w-latach-1879-82-z-prawej-widoczna-balustrada-wok-pomnika-adama-mickiewicza-bbmgs-pap-warsaw-jan-1948-the-wessel-family-palace-reconstructed-after-ww2-on-25-krakowskie-przedmiescie-street-and-the-corner-of-trebacka-and-kozia-streets-it-housed-the-so-called-saxon-post-the-old-post-office-the-later-barroque-building-was-reconstructed-again-betwee-image453334350.htmlRM2H9F4GE–Warszawa, 1948-01. Odbudowany po zniszczeniach wojennych dawny pa³ac Wesslów przy ulicy Krakowskie Przedmieœcie 25, róg Trêbackiej i Koziej, w którym znajdowa³a siê tzw. Poczta Saska (Stara Poczta). PóŸnobarokow¹ budowlê przebudowano w latach 1879-82. Z prawej widoczna balustrada wokó³ pomnika Adama Mickiewicza. bb/mgs PAP Warsaw, Jan. 1948. The Wessel Family Palace, reconstructed after WW2, on 25 Krakowskie Przedmiescie Street and the corner of Trebacka and Kozia Streets. It housed the so called Saxon Post (The Old Post Office). The later Barroque building was reconstructed again betwee
Mademoiselle Isabelle Lemonnier (1857–1926) 1879–82 Edouard Manet French Isabelle Lemonnier was the daughter of a successful Parisian jeweler and the younger sister of Marguerite Charpentier, whose grand portrait by Renoir is also in the Metropolitan’s collection (07.122). Between 1879 and 1882 Manet made several portraits of Isabelle, of whom he seems to have been fond; in the summer of 1880 he sent her a series of letters decorated with charming watercolor sketches.. Mademoiselle Isabelle Lemonnier (1857–1926) 436958 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mademoiselle-isabelle-lemonnier-18571926-187982-edouard-manet-french-isabelle-lemonnier-was-the-daughter-of-a-successful-parisian-jeweler-and-the-younger-sister-of-marguerite-charpentier-whose-grand-portrait-by-renoir-is-also-in-the-metropolitans-collection-07122-between-1879-and-1882-manet-made-several-portraits-of-isabelle-of-whom-he-seems-to-have-been-fond-in-the-summer-of-1880-he-sent-her-a-series-of-letters-decorated-with-charming-watercolor-sketches-mademoiselle-isabelle-lemonnier-18571926-436958-image458300677.htmlRM2HHHB59–Mademoiselle Isabelle Lemonnier (1857–1926) 1879–82 Edouard Manet French Isabelle Lemonnier was the daughter of a successful Parisian jeweler and the younger sister of Marguerite Charpentier, whose grand portrait by Renoir is also in the Metropolitan’s collection (07.122). Between 1879 and 1882 Manet made several portraits of Isabelle, of whom he seems to have been fond; in the summer of 1880 he sent her a series of letters decorated with charming watercolor sketches.. Mademoiselle Isabelle Lemonnier (1857–1926) 436958
Fotoreproductie van een portret van John Honey Photo reproduction of a portrait of John Honey Object Type: photo reproduction page Item number: RP-F 2001-7-1156-2 Manufacturer : Photographer: J. Dryburghnaar design: anonymous place manufacture: Saint Andrew Dating: ca. 1879 - or for 1884 Material: paper Technique: platinum print dimensions: photo: h 144 mm × W 82 mmToelichtingFoto front page 52. Subject: historical personsWie John Honey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fotoreproductie-van-een-portret-van-john-honey-photo-reproduction-of-a-portrait-of-john-honey-object-type-photo-reproduction-page-item-number-rp-f-2001-7-1156-2-manufacturer-photographer-j-dryburghnaar-design-anonymous-place-manufacture-saint-andrew-dating-ca-1879-or-for-1884-material-paper-technique-platinum-print-dimensions-photo-h-144-mm-w-82-mmtoelichtingfoto-front-page-52-subject-historical-personswie-john-honey-image348353442.htmlRM2B6MTAA–Fotoreproductie van een portret van John Honey Photo reproduction of a portrait of John Honey Object Type: photo reproduction page Item number: RP-F 2001-7-1156-2 Manufacturer : Photographer: J. Dryburghnaar design: anonymous place manufacture: Saint Andrew Dating: ca. 1879 - or for 1884 Material: paper Technique: platinum print dimensions: photo: h 144 mm × W 82 mmToelichtingFoto front page 52. Subject: historical personsWie John Honey
The Poplars - c.1879/82 - 65x81 cm - oil on canvas. Author: Paul Cézanne (1839-1906). Location: MUSEE D'ORSAY, FRANCE. Also known as: ALAMOS. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-poplars-c187982-65x81-cm-oil-on-canvas-author-paul-czanne-1839-1906-location-musee-dorsay-france-also-known-as-alamos-image209027071.htmlRMP4204F–The Poplars - c.1879/82 - 65x81 cm - oil on canvas. Author: Paul Cézanne (1839-1906). Location: MUSEE D'ORSAY, FRANCE. Also known as: ALAMOS.
Archive image from page 315 of Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena denkschriftender13medi Year: 1879 2§ , Albert Tullgren, 82 Zwei wirkliche Augen. Das Abdomen ist wenigstens i,5mal so lang wie der Cephalothorax. Die Rückenplatten I—X sind alle longitudinal geteilt, sehr fein chagriniert. Alle Haare sind sehr kurz und einfach, nur am Hinterende finden sich 4 sehr lange, „taktile' Haare. Die Cheliceren. Die Terminalborste des beweglichen Fingers reicht bis zur Spitze der Galea, die zi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-315-of-denkschriften-der-medicinisch-naturwissenschaftlichen-gesellschaft-zu-denkschriften-der-medicinisch-naturwissenschaftlichen-gesellschaft-zu-jena-denkschriftender13medi-year-1879-2-albert-tullgren-82-zwei-wirkliche-augen-das-abdomen-ist-wenigstens-i5mal-so-lang-wie-der-cephalothorax-die-rckenplatten-ix-sind-alle-longitudinal-geteilt-sehr-fein-chagriniert-alle-haare-sind-sehr-kurz-und-einfach-nur-am-hinterende-finden-sich-4-sehr-lange-taktile-haare-die-cheliceren-die-terminalborste-des-beweglichen-fingers-reicht-bis-zur-spitze-der-galea-die-zi-image259557809.htmlRMW27THN–Archive image from page 315 of Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena denkschriftender13medi Year: 1879 2§ , Albert Tullgren, 82 Zwei wirkliche Augen. Das Abdomen ist wenigstens i,5mal so lang wie der Cephalothorax. Die Rückenplatten I—X sind alle longitudinal geteilt, sehr fein chagriniert. Alle Haare sind sehr kurz und einfach, nur am Hinterende finden sich 4 sehr lange, „taktile' Haare. Die Cheliceren. Die Terminalborste des beweglichen Fingers reicht bis zur Spitze der Galea, die zi
Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) ... Translated from the German by A. H. Keane ... Illustrated Image taken from page 82 of 'Travels in Africa during Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-travels-in-africa-during-the-years-1875-1878-1879-1883-1882-1886-translated-127918181.htmlRMHC34XD–Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) ... Translated from the German by A. H. Keane ... Illustrated Image taken from page 82 of 'Travels in Africa during
. Dutch Plain Landscape 1879 82 Victor Westerholm - Dutch Plain Landscape - A II 1148 - Finnish National Gallery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dutch-plain-landscape-1879-82-victor-westerholm-dutch-plain-landscape-a-ii-1148-finnish-national-gallery-image211084956.htmlRMP7BN0C–. Dutch Plain Landscape 1879 82 Victor Westerholm - Dutch Plain Landscape - A II 1148 - Finnish National Gallery
Harringworth railway viaduct crossing the Welland Valley on the Northamptonshire Rutland border England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harringworth-railway-viaduct-crossing-the-welland-valley-on-the-northamptonshire-image4341126.htmlRFAD3W87–Harringworth railway viaduct crossing the Welland Valley on the Northamptonshire Rutland border England
SMITHVILLEBUR.CO.N.J FOR SECOND-HAND ENGINES PATENT QUICK Adjustable Stroke SHAPERS E. GOULD & EBERHARDT NEWARK N. J. Hard Rubber. THE RUBBER COMB AND JEWELRY CO. 33 Mercer St. New 1 ork. Jet 10c. American Card Co.W. Haven Ct. Baldwinsville N. Y. RUNKENNESS EASILY CURED. CLARK'S RUBBER WHEELS. IRON REVOLVERS PERFECTLY BALANCEb CORRECT TIME! LANCASTERWATCH THIN LUMBER FOR Pat33.431 Eitocsh. Mtcs. Mto. Mills and Wareroomst DRILL CO. PENt. The CALLI-CRAPHIC Pen. MABIE TODD & BARD 180 BROADWAY NEW YORK. THE PORTER-ALLEN High Speed Steam Engine A WONDERFUL BOOK: Games for Winter Evenings; 12 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/smithvilleburconj-for-second-hand-engines-patent-quick-adjustable-stroke-shapers-e-gould-eberhardt-newark-n-j-hard-rubber-the-rubber-comb-and-jewelry-co-33-mercer-st-new-1-ork-jet-10c-american-card-cow-haven-ct-baldwinsville-n-y-runkenness-easily-cured-clarks-rubber-wheels-iron-revolvers-perfectly-balanceb-correct-time!-lancasterwatch-thin-lumber-for-pat33431-eitocsh-mtcs-mto-mills-and-wareroomst-drill-co-pent-the-calli-craphic-pen-mabie-todd-bard-180-broadway-new-york-the-porter-allen-high-speed-steam-engine-a-wonderful-book-games-for-winter-evenings-12-image334325316.htmlRM2ABWR9T–SMITHVILLEBUR.CO.N.J FOR SECOND-HAND ENGINES PATENT QUICK Adjustable Stroke SHAPERS E. GOULD & EBERHARDT NEWARK N. J. Hard Rubber. THE RUBBER COMB AND JEWELRY CO. 33 Mercer St. New 1 ork. Jet 10c. American Card Co.W. Haven Ct. Baldwinsville N. Y. RUNKENNESS EASILY CURED. CLARK'S RUBBER WHEELS. IRON REVOLVERS PERFECTLY BALANCEb CORRECT TIME! LANCASTERWATCH THIN LUMBER FOR Pat33.431 Eitocsh. Mtcs. Mto. Mills and Wareroomst DRILL CO. PENt. The CALLI-CRAPHIC Pen. MABIE TODD & BARD 180 BROADWAY NEW YORK. THE PORTER-ALLEN High Speed Steam Engine A WONDERFUL BOOK: Games for Winter Evenings; 12
Art inspired by View of Terrapin Tower at Niagara Falls, North America, Terrapin Tower, Platt D. Babbitt, Niagara Falls, 1860 - 1879, glass, slide, height 82 mm × width 171 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-view-of-terrapin-tower-at-niagara-falls-north-america-terrapin-tower-platt-d-babbitt-niagara-falls-1860-1879-glass-slide-height-82-mm-width-171-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459774402.htmlRF2HM0EXA–Art inspired by View of Terrapin Tower at Niagara Falls, North America, Terrapin Tower, Platt D. Babbitt, Niagara Falls, 1860 - 1879, glass, slide, height 82 mm × width 171 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Quart-Lexikon, ein Buch für Jedermann . re. Ta-- antijcptiidie SLUrfabrcn bat (^jebict an ber Seine, warb feijrift, fdjtugbie %Icl=. in beul lcl,ton ;uihviel)nt eine üöUigeUmgcfialtgber (£. beroirtt. Sie &. bel)anbelt SScrrcnfgen,S^nod)enbriid)e,9i>unben,entferntburd)Cperationfrante Seile u. erjetjt in gemiffen fällen SBer»lorcncs burd) plaftifdic Operationen. .v»anbbiid)crü. öueter lS8o;82, a3iarotl)=liide 1879,82 u. a.a>gf. Ajäfer „6eid)id)te ber tf. 1879. gftifclfturft (ipr. tfdjiiiUjörft), 2orf engl.Gkaffdj.Ment, 17km 0.Vonbon; 9iapoleonIII.t l)ier int Gamben^toufeai 1S7::;. E. GOivJ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quart-lexikon-ein-buch-fr-jedermann-re-ta-antijcptiidie-slurfabrcn-bat-jebict-an-ber-seine-warb-feijrift-fdjtugbie-icl=-in-beul-lclton-uihvielnt-eine-uigeumgcfialtgber-beroirtt-sie-belanbelt-sscrrcnfgensnodenbriide9igtunbenentferntburdcperationfrante-seile-u-erjetjt-in-gemiffen-fllen-sberlorcncs-burd-plaftifdic-operationen-vanbbiidcr-ueter-ls8o82-a3iarotl=liide-187982-u-aagtgf-ajfer-6eididte-ber-tf-1879-gftifclfturft-ipr-tfdjiiiujrft-2orf-englgkaffdjment-17km-0vonbon-9iapoleoniiit-lier-int-gambentoufeai-1s7-e-goivj-image343282285.htmlRM2AXDT1H–Quart-Lexikon, ein Buch für Jedermann . re. Ta-- antijcptiidie SLUrfabrcn bat (^jebict an ber Seine, warb feijrift, fdjtugbie %Icl=. in beul lcl,ton ;uihviel)nt eine üöUigeUmgcfialtgber (£. beroirtt. Sie &. bel)anbelt SScrrcnfgen,S^nod)enbriid)e,9i>unben,entferntburd)Cperationfrante Seile u. erjetjt in gemiffen fällen SBer»lorcncs burd) plaftifdic Operationen. .v»anbbiid)crü. öueter lS8o;82, a3iarotl)=liide 1879,82 u. a.a>gf. Ajäfer „6eid)id)te ber tf. 1879. gftifclfturft (ipr. tfdjiiiUjörft), 2orf engl.Gkaffdj.Ment, 17km 0.Vonbon; 9iapoleonIII.t l)ier int Gamben^toufeai 1S7::;. E. GOivJ
Chapel in Karl-Marx-Hof (19th, Heiligenstädter Straße 82-89), view to the altar, Martin Gerlach jun. (1879-1944), photographer, date around 1936, glass, negative, height 17.8 cm, width 23.8 cm, architecture, municipal building, municipal apartments, Red Vienna, 19th district: Döbling, chapel (interior of the house), altar, Karl-Marx-Hof, low-rise building, residential building, The Vienna Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chapel-in-karl-marx-hof-19th-heiligenstdter-strae-82-89-view-to-the-altar-martin-gerlach-jun-1879-1944-photographer-date-around-1936-glass-negative-height-178-cm-width-238-cm-architecture-municipal-building-municipal-apartments-red-vienna-19th-district-dbling-chapel-interior-of-the-house-altar-karl-marx-hof-low-rise-building-residential-building-the-vienna-collection-image573444295.htmlRM2T8XJ1B–Chapel in Karl-Marx-Hof (19th, Heiligenstädter Straße 82-89), view to the altar, Martin Gerlach jun. (1879-1944), photographer, date around 1936, glass, negative, height 17.8 cm, width 23.8 cm, architecture, municipal building, municipal apartments, Red Vienna, 19th district: Döbling, chapel (interior of the house), altar, Karl-Marx-Hof, low-rise building, residential building, The Vienna Collection
Library Table 1879–82 Herter Brothers Herter Brothers, the New York firm of the German-born brothers Gustave and Christian Herter, was arguably the leading cabinetmaking and decorating firm in the United States during the late nineteenth century. Formed at a time when wealthy American financiers and industrialists were redefining luxurious standards of living, Herter Brothers created cosmopolitan environments encompassing every aspect of interior design, including furniture and woodwork, wall and ceiling decoration, floor treatments and draperies, for some of the most visible and affluent clie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/library-table-187982-herter-brothers-herter-brothers-the-new-york-firm-of-the-german-born-brothers-gustave-and-christian-herter-was-arguably-the-leading-cabinetmaking-and-decorating-firm-in-the-united-states-during-the-late-nineteenth-century-formed-at-a-time-when-wealthy-american-financiers-and-industrialists-were-redefining-luxurious-standards-of-living-herter-brothers-created-cosmopolitan-environments-encompassing-every-aspect-of-interior-design-including-furniture-and-woodwork-wall-and-ceiling-decoration-floor-treatments-and-draperies-for-some-of-the-most-visible-and-affluent-clie-image458142134.htmlRM2HHA4Y2–Library Table 1879–82 Herter Brothers Herter Brothers, the New York firm of the German-born brothers Gustave and Christian Herter, was arguably the leading cabinetmaking and decorating firm in the United States during the late nineteenth century. Formed at a time when wealthy American financiers and industrialists were redefining luxurious standards of living, Herter Brothers created cosmopolitan environments encompassing every aspect of interior design, including furniture and woodwork, wall and ceiling decoration, floor treatments and draperies, for some of the most visible and affluent clie
Search Results for 1879 82 Stock Photos and Images (326)
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