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1878 81 Stock Photos and Images
Lavacourt under Snow 1878-81 by Claude Monet 1840 - 1926 France French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lavacourt-under-snow-1878-81-by-claude-monet-1840-1926-france-french-140483744.htmlRMJ4FGCG–Lavacourt under Snow 1878-81 by Claude Monet 1840 - 1926 France French
Yosemite Falls from Glacier Point, Carleton E. Watkins, American, 1829–1916, 1878–81, Albumen print, California, United States, North and Central America, Photographs, image: 15 1/2 x 21 1/8 in. (39.4 x 53.7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yosemite-falls-from-glacier-point-carleton-e-watkins-american-18291916-187881-albumen-print-california-united-states-north-and-central-america-photographs-image-15-12-x-21-18-in-394-x-537-cm-image454292963.htmlRM2HB2R8K–Yosemite Falls from Glacier Point, Carleton E. Watkins, American, 1829–1916, 1878–81, Albumen print, California, United States, North and Central America, Photographs, image: 15 1/2 x 21 1/8 in. (39.4 x 53.7 cm
Inspired by Yosemite Falls from Glacier Point, Carleton E. Watkins, American, 1829–1916, 1878–81, Albumen print, California, United States, North and Central America, Photographs, image: 15 1/2 x 21 1/8 in. (39.4 x 53.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-yosemite-falls-from-glacier-point-carleton-e-watkins-american-18291916-187881-albumen-print-california-united-states-north-and-central-america-photographs-image-15-12-x-21-18-in-394-x-537-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459282193.htmlRF2HK633D–Inspired by Yosemite Falls from Glacier Point, Carleton E. Watkins, American, 1829–1916, 1878–81, Albumen print, California, United States, North and Central America, Photographs, image: 15 1/2 x 21 1/8 in. (39.4 x 53.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
AN INCIDENT IN THE AFGHAN WAR Front cover of the Illustrated London News 16 October 1880 showing an British officer restraining his men from shooting a wounded Afghan fighter being comforted by his wife during the Second Anglo-Afghan War (1878-81) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-an-incident-in-the-afghan-war-front-cover-of-the-illustrated-london-111792385.htmlRMGDTG95–AN INCIDENT IN THE AFGHAN WAR Front cover of the Illustrated London News 16 October 1880 showing an British officer restraining his men from shooting a wounded Afghan fighter being comforted by his wife during the Second Anglo-Afghan War (1878-81)
Degas bronze sculpture . “Little Dancer Aged Fourteen ( La Petite Danseuse de Quatorze Ans)” by Edgar Degas (1834-1917), Airandor-Valsuani cast in 1998 from a wax original of 1878-81. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/degas-bronze-sculpture-little-dancer-aged-fourteen-la-petite-danseuse-de-quatorze-ans-by-edgar-degas-1834-1917-airandor-valsuani-cast-in-1998-from-a-wax-original-of-1878-81-image335106378.htmlRM2AD5BGX–Degas bronze sculpture . “Little Dancer Aged Fourteen ( La Petite Danseuse de Quatorze Ans)” by Edgar Degas (1834-1917), Airandor-Valsuani cast in 1998 from a wax original of 1878-81.
. Berks County Almshouse, 1878 . 1878 81 Berks County Almshouse, 1878 sc000780 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/berks-county-almshouse-1878-1878-81-berks-county-almshouse-1878-sc000780-image188195907.htmlRMMX51PB–. Berks County Almshouse, 1878 . 1878 81 Berks County Almshouse, 1878 sc000780
Albert Joseph Moore - The Green Butterfly, c. 1878-81 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-albert-joseph-moore-the-green-butterfly-c-1878-81-134926093.htmlRMHREBH1–Albert Joseph Moore - The Green Butterfly, c. 1878-81
Rops Menschliche Parodie 1878 81 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rops-menschliche-parodie-1878-81-143404171.htmlRMJ98HDF–Rops Menschliche Parodie 1878 81
Fitzroy Square (Street Scene), James McNeill Whistler, 1878–81 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-fitzroy-square-street-scene-james-mcneill-whistler-187881-162491446.htmlRMKCA3DX–Fitzroy Square (Street Scene), James McNeill Whistler, 1878–81
Albert Joseph Moore - The Green Butterfly, c. 1878-81. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albert-joseph-moore-the-green-butterfly-c-1878-81-image214283648.htmlRMPCHCYC–Albert Joseph Moore - The Green Butterfly, c. 1878-81.
Ireland Eire Dublin City Gallery The Hugh Lane painting of Lavacourt under Snow by Claude Monet ca 1878- 81 village near where he lived River Seine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ireland-eire-dublin-city-gallery-the-hugh-lane-painting-of-lavacourt-under-snow-by-claude-monet-ca-1878-81-village-near-where-he-lived-river-seine-image487540766.htmlRM2K95B66–Ireland Eire Dublin City Gallery The Hugh Lane painting of Lavacourt under Snow by Claude Monet ca 1878- 81 village near where he lived River Seine
transport / transportation, railway, railway station Friedrichstrasse, station building, built 1878-81, Berlin, Germany, circa 1899, 1890s, 19th century, historic, historical, city railway, main-line railway, railway, railroad, railways, railroads, infrastructure, traffic junction, traffic junctions, architecture, at the turn of the 19th / 20th century, lithograph, railway station, railroad station, railway stations, railroad stations, exterior view, building, buildings, people, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-transport-transportation-railway-railway-station-friedrichstrasse-33595239.htmlRMBXJB1Y–transport / transportation, railway, railway station Friedrichstrasse, station building, built 1878-81, Berlin, Germany, circa 1899, 1890s, 19th century, historic, historical, city railway, main-line railway, railway, railroad, railways, railroads, infrastructure, traffic junction, traffic junctions, architecture, at the turn of the 19th / 20th century, lithograph, railway station, railroad station, railway stations, railroad stations, exterior view, building, buildings, people, Additional-Rights-Clearences-Not Available
A Victorian engraving showing Afghan war troops assembled at the Khyber Pass. An integral part of the ancient Silk Road, it has had substantial military, cultural, economic, and geopolitical significance for trade, with many invasionary forces using it as a route. The British became involved in the first Anglo-Afghan War (1839–42).the Second Anglo-Afghan War (1878–81) and the third Anglo-Afghan War (1919). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-victorian-engraving-showing-afghan-war-troops-assembled-at-the-khyber-pass-an-integral-part-of-the-ancient-silk-road-it-has-had-substantial-military-cultural-economic-and-geopolitical-significance-for-trade-with-many-invasionary-forces-using-it-as-a-route-the-british-became-involved-in-the-first-anglo-afghan-war-183942the-second-anglo-afghan-war-187881-and-the-third-anglo-afghan-war-1919-image384937304.htmlRM2DA7BCT–A Victorian engraving showing Afghan war troops assembled at the Khyber Pass. An integral part of the ancient Silk Road, it has had substantial military, cultural, economic, and geopolitical significance for trade, with many invasionary forces using it as a route. The British became involved in the first Anglo-Afghan War (1839–42).the Second Anglo-Afghan War (1878–81) and the third Anglo-Afghan War (1919).
Three Brothers, Yosemite, 1878-81, by Carlton Watkins Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-three-brothers-yosemite-1878-81-by-carlton-watkins-166731108.htmlRMKK776C–Three Brothers, Yosemite, 1878-81, by Carlton Watkins
Benjamin Disraeli, 1st Earl of Beaconsfield (1804-81) British Conservative statesman. Photograph by Jabez Hughes, 22 July, 1878 by command of Queen Victoria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benjamin-disraeli-1st-earl-of-beaconsfield-1804-81-british-conservative-57303649.htmlRMD96BAW–Benjamin Disraeli, 1st Earl of Beaconsfield (1804-81) British Conservative statesman. Photograph by Jabez Hughes, 22 July, 1878 by command of Queen Victoria.
Lavacourt under Snow, Claude Monet, 1878-81, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lavacourt-under-snow-claude-monet-1878-81-image348962583.htmlRM2B7MH9B–Lavacourt under Snow, Claude Monet, 1878-81,
Fitzroy Square (Street Scene) 1878–81 James McNeill Whistler American. Fitzroy Square (Street Scene) 372628 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fitzroy-square-street-scene-187881-james-mcneill-whistler-american-fitzroy-square-street-scene-372628-image458549491.htmlRM2HJ0MFF–Fitzroy Square (Street Scene) 1878–81 James McNeill Whistler American. Fitzroy Square (Street Scene) 372628
Lavacourt under Snow - 1878 81 - Oil on canvas 59.7 x 80.6 cm - mo07Monet Claude Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lavacourt-under-snow-1878-81-oil-on-canvas-597-x-806-cm-mo07monet-claude-image454777106.htmlRF2HBTTRE–Lavacourt under Snow - 1878 81 - Oil on canvas 59.7 x 80.6 cm - mo07Monet Claude
Photography.Photography J C Osterman 1878-81.25 St. Photographs in Glass and Frame, Ekvanér, of Portrait of the managers of the Ship Gose Corps in Karlskrona Year 1875 - 1939.mm3740: 1-25.1878 - 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photographyphotography-j-c-osterman-1878-8125-st-photographs-in-glass-and-frame-ekvanr-of-portrait-of-the-managers-of-the-ship-gose-corps-in-karlskrona-year-1875-1939mm3740-1-251878-1881-image417316565.htmlRM2F6XBF1–Photography.Photography J C Osterman 1878-81.25 St. Photographs in Glass and Frame, Ekvanér, of Portrait of the managers of the Ship Gose Corps in Karlskrona Year 1875 - 1939.mm3740: 1-25.1878 - 1881.
![General Garibaldi. The International Portrait Gallery. [With coloured. London, [1878-81.]. Giuseppe Garibaldi (1807-1882). Italian Revolutionary, soldier and politician. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 81. Language: English. Stock Photo](https://c8.alamy.com/comp/R5EP2X/general-garibaldi-the-international-portrait-gallery-with-coloured-london-1878-81-giuseppe-garibaldi-1807-1882-italian-revolutionary-soldier-and-politician-portrait-image-taken-from-the-international-portrait-gallery-with-coloured-lithographs-originally-publishedproduced-in-london-1878-81-source-10604h1-opposite-81-language-english-R5EP2X.jpg "General Garibaldi. The International Portrait Gallery. [With coloured. London, [1878-81.]. Giuseppe Garibaldi (1807-1882). Italian Revolutionary, soldier and politician. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 81. Language: English. Stock Photo")
General Garibaldi. The International Portrait Gallery. [With coloured. London, [1878-81.]. Giuseppe Garibaldi (1807-1882). Italian Revolutionary, soldier and politician. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 81. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/general-garibaldi-the-international-portrait-gallery-with-coloured-london-1878-81-giuseppe-garibaldi-1807-1882-italian-revolutionary-soldier-and-politician-portrait-image-taken-from-the-international-portrait-gallery-with-coloured-lithographs-originally-publishedproduced-in-london-1878-81-source-10604h1-opposite-81-language-english-image227132722.htmlRMR5EP2X–General Garibaldi. The International Portrait Gallery. [With coloured. London, [1878-81.]. Giuseppe Garibaldi (1807-1882). Italian Revolutionary, soldier and politician. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 81. Language: English.
Spoon holder ca. 1878–81 Design attributed to Christopher Dresser British, Scottish In his long and varied career, Christopher Dresser was an ornamentalist, a lecturer in botany, and a designer of silver, ceramics, glass, furniture, and textile patterns. Like his contemporary William Morris (1834–1896), he believed that it took an artist, not just a craftsman, to create good design. However, unlike Morris, who shunned industrial production, Dresser had his designs manufactured by firms scattered between London and Glasgow. Although this spoon holder has not been traced to a particular design b Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spoon-holder-ca-187881-design-attributed-to-christopher-dresser-british-scottish-in-his-long-and-varied-career-christopher-dresser-was-an-ornamentalist-a-lecturer-in-botany-and-a-designer-of-silver-ceramics-glass-furniture-and-textile-patterns-like-his-contemporary-william-morris-18341896-he-believed-that-it-took-an-artist-not-just-a-craftsman-to-create-good-design-however-unlike-morris-who-shunned-industrial-production-dresser-had-his-designs-manufactured-by-firms-scattered-between-london-and-glasgow-although-this-spoon-holder-has-not-been-traced-to-a-particular-design-b-image458614344.htmlRM2HJ3K7M–Spoon holder ca. 1878–81 Design attributed to Christopher Dresser British, Scottish In his long and varied career, Christopher Dresser was an ornamentalist, a lecturer in botany, and a designer of silver, ceramics, glass, furniture, and textile patterns. Like his contemporary William Morris (1834–1896), he believed that it took an artist, not just a craftsman, to create good design. However, unlike Morris, who shunned industrial production, Dresser had his designs manufactured by firms scattered between London and Glasgow. Although this spoon holder has not been traced to a particular design b
Art inspired by Yosemite Falls from Glacier Point, Carleton E. Watkins, American, 1829-1916, 1878-81, Albumen print, California, United States, North and Central America, Photographs, image: 15 1/2 x 21 1/8 in. (39.4 x 53.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-yosemite-falls-from-glacier-point-carleton-e-watkins-american-1829-1916-1878-81-albumen-print-california-united-states-north-and-central-america-photographs-image-15-12-x-21-18-in-394-x-537-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459594719.htmlRF2HKM9N3–Art inspired by Yosemite Falls from Glacier Point, Carleton E. Watkins, American, 1829-1916, 1878-81, Albumen print, California, United States, North and Central America, Photographs, image: 15 1/2 x 21 1/8 in. (39.4 x 53.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The home of Claude Monet & family from 1878-81 (his wife Camille died here), Vetheuil, Val d'Oise, France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-home-of-claude-monet-family-from-1878-81-his-wife-camille-died-82945941.htmlRMEPXEB1–The home of Claude Monet & family from 1878-81 (his wife Camille died here), Vetheuil, Val d'Oise, France
Art inspired by Fitzroy Square (Street Scene), 1878–81, Etching, first state of three (Glasgow); printed in brownish-black ink on medium weight laid paper, Plate: 5 in. × 3 9/16 in. (12.7 × 9.1 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fitzroy-square-street-scene-187881-etching-first-state-of-three-glasgow-printed-in-brownish-black-ink-on-medium-weight-laid-paper-plate-5-in-3-916-in-127-91-cm-prints-james-mcneill-whistler-american-lowell-massachusetts-18341903-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462971552.htmlRF2HW64X8–Art inspired by Fitzroy Square (Street Scene), 1878–81, Etching, first state of three (Glasgow); printed in brownish-black ink on medium weight laid paper, Plate: 5 in. × 3 9/16 in. (12.7 × 9.1 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Berks County Almshouse, 1878 . 1878 81 Berks County Almshouse, 1878 sc000780 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/berks-county-almshouse-1878-1878-81-berks-county-almshouse-1878-sc000780-image187655666.htmlRMMW8CM2–. Berks County Almshouse, 1878 . 1878 81 Berks County Almshouse, 1878 sc000780
Albert Joseph Moore - The Green Butterfly, c. 1878-81 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-albert-joseph-moore-the-green-butterfly-c-1878-81-146472618.htmlRMJE8B8X–Albert Joseph Moore - The Green Butterfly, c. 1878-81
Pomare IV Reine de Tahiti 28Oceanie29 1878-81 by Mrs. S. Hoare Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pomare-iv-reine-de-tahiti-28oceanie29-1878-81-by-mrs-s-hoare-147625957.htmlRMJG4XBH–Pomare IV Reine de Tahiti 28Oceanie29 1878-81 by Mrs. S. Hoare
Fitzroy Square (Street Scene), After James McNeill Whistler, 1878–81 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-fitzroy-square-street-scene-after-james-mcneill-whistler-187881-162491443.htmlRMKCA3DR–Fitzroy Square (Street Scene), After James McNeill Whistler, 1878–81
Rops - Menschliche Parodie - 1878-81. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rops-menschliche-parodie-1878-81-image456162098.htmlRM2HE3YBE–Rops - Menschliche Parodie - 1878-81.
Carl Peter Mazer, Adolf Fredrik Lindblad, Adolf Fredrik Lindblad, 1801-1878, painting, Oil, Height: 81 cm (31.8), Width: 64 cm (25.1) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carl-peter-mazer-adolf-fredrik-lindblad-adolf-fredrik-lindblad-1801-1878-painting-oil-height-81-cm-318-width-64-cm-251-image261315583.htmlRMW53XKB–Carl Peter Mazer, Adolf Fredrik Lindblad, Adolf Fredrik Lindblad, 1801-1878, painting, Oil, Height: 81 cm (31.8), Width: 64 cm (25.1)
![Piwyac, or the Vernal Fall, 300 feet from the cliff, Yosemite Valley, Mariposa County, Cal., 1878/81. Albumen print, stereo, no. 1081 from the series "Watkins' New Series". Stock Photo](https://c8.alamy.com/comp/2GGBJXT/piwyac-or-the-vernal-fall-300-feet-from-the-cliff-yosemite-valley-mariposa-county-cal-187881-albumen-print-stereo-no-1081-from-the-series-quotwatkins-new-seriesquot-2GGBJXT.jpg "Piwyac, or the Vernal Fall, 300 feet from the cliff, Yosemite Valley, Mariposa County, Cal., 1878/81. Albumen print, stereo, no. 1081 from the series "Watkins' New Series". Stock Photo")
Piwyac, or the Vernal Fall, 300 feet from the cliff, Yosemite Valley, Mariposa County, Cal., 1878/81. Albumen print, stereo, no. 1081 from the series "Watkins' New Series". Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piwyac-or-the-vernal-fall-300-feet-from-the-cliff-yosemite-valley-mariposa-county-cal-187881-albumen-print-stereo-no-1081-from-the-series-quotwatkins-new-seriesquot-image440350032.htmlRM2GGBJXT–Piwyac, or the Vernal Fall, 300 feet from the cliff, Yosemite Valley, Mariposa County, Cal., 1878/81. Albumen print, stereo, no. 1081 from the series "Watkins' New Series".
Adrien Moreau, French, 1843–1906, The Proposal, 1878, Oil on canvas, 23 9/16 x 32 3/16 in. (59.9 x 81.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adrien-moreau-french-18431906-the-proposal-1878-oil-on-canvas-23-916-x-32-316-in-599-x-818-cm-image344575494.htmlRM2B0GNFJ–Adrien Moreau, French, 1843–1906, The Proposal, 1878, Oil on canvas, 23 9/16 x 32 3/16 in. (59.9 x 81.8 cm
National Gallery, London, UK. 3rd March, 2015. Inventing Impressionism. An exhibition devoted to Paul Durand-Ruel, the Paris art dealer who discovered the impressionists and created an art market for their work. The exhibition runs from 4th March till 31st May 2015. Photograph: Lavacourt under Snow (about 1878-81). Claude Monet (1840-1926). Oil on canvas. The National Gallery, London. Credit: Malcolm Park editorial/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-national-gallery-london-uk-3rd-march-2015-inventing-impressionism-79242241.htmlRMEGWP81–National Gallery, London, UK. 3rd March, 2015. Inventing Impressionism. An exhibition devoted to Paul Durand-Ruel, the Paris art dealer who discovered the impressionists and created an art market for their work. The exhibition runs from 4th March till 31st May 2015. Photograph: Lavacourt under Snow (about 1878-81). Claude Monet (1840-1926). Oil on canvas. The National Gallery, London. Credit: Malcolm Park editorial/Alamy Live News
Adeline, John Payne Jennings, intermediary draughtsman: anonymous, c. 1873 - in or before 1878, photographic support, height 103 mm × width 81 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adeline-john-payne-jennings-intermediary-draughtsman-anonymous-c-1873-in-or-before-1878-photographic-support-height-103-mm-width-81-mm-image454395078.htmlRM2HB7DFJ–Adeline, John Payne Jennings, intermediary draughtsman: anonymous, c. 1873 - in or before 1878, photographic support, height 103 mm × width 81 mm
Lavacourt under Snow, Claude Monet, 1878-81, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lavacourt-under-snow-claude-monet-1878-81-image557948637.htmlRM2RBMN51–Lavacourt under Snow, Claude Monet, 1878-81,
Leaders of the Aamu of Shu. Artist: Norman de Garis Davies (1865-1941). Dimensions: Facsimile: H.63.5 × W. 81.5 cm (25 in. × 32 1/16 in.); Framed: H. 66.5 × W. 84.3 cm (26 3/16 × 33 3/16 in.); Scale. 1:1. Dynasty: Dynasty 12. Reign: reign of Senwosret II. Date: ca. 1887-1878 B.C.. This facsimile painting copies part of a scene in the tomb of Khnumhotep (tomb 3) at Beni Hasan. This detail depicts two men wearing garments, beards, and hair styles that identify them as people from western Asia. The facsimile was painted at the tomb in 1931 by Norman de Garis Davies who was director of the Graphi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leaders-of-the-aamu-of-shu-artist-norman-de-garis-davies-1865-1941-dimensions-facsimile-h635-w-815-cm-25-in-32-116-in-framed-h-665-w-843-cm-26-316-33-316-in-scale-11-dynasty-dynasty-12-reign-reign-of-senwosret-ii-date-ca-1887-1878-bc-this-facsimile-painting-copies-part-of-a-scene-in-the-tomb-of-khnumhotep-tomb-3-at-beni-hasan-this-detail-depicts-two-men-wearing-garments-beards-and-hair-styles-that-identify-them-as-people-from-western-asia-the-facsimile-was-painted-at-the-tomb-in-1931-by-norman-de-garis-davies-who-was-director-of-the-graphi-image213173578.htmlRMPAPW22–Leaders of the Aamu of Shu. Artist: Norman de Garis Davies (1865-1941). Dimensions: Facsimile: H.63.5 × W. 81.5 cm (25 in. × 32 1/16 in.); Framed: H. 66.5 × W. 84.3 cm (26 3/16 × 33 3/16 in.); Scale. 1:1. Dynasty: Dynasty 12. Reign: reign of Senwosret II. Date: ca. 1887-1878 B.C.. This facsimile painting copies part of a scene in the tomb of Khnumhotep (tomb 3) at Beni Hasan. This detail depicts two men wearing garments, beards, and hair styles that identify them as people from western Asia. The facsimile was painted at the tomb in 1931 by Norman de Garis Davies who was director of the Graphi
1955 ca , Roma , ITALY : The Prince MICHAEL of GREECE and DENMARK ( MICHELE DI GRECIA e DANIMARCA , born in Rome , 1939 ). Son of french princess Françoise of ORLEANS ( 1902 - 1953 ), daughter of Duke Jean d'Orléans duc de Guise ( 1874 - 1940 ) and Princess Isabelle of Orléans ( 1878 - 1961 ), married, in Palermo ( Italy ), 11 february 1929 with Prince Christopher of Greece and Denmark ( 1888 - 1940 ) son of King George I of Greece and Queen Olga Constantinovna of Russia ( 1851 - 1926 ). Michael married in 1965 Marina Karella . Photo by Elisabetta Petri , Via della Croce 81 , Roma . - PRIN Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1955-ca-roma-italy-the-prince-michael-of-greece-and-denmark-michele-di-grecia-e-danimarca-born-in-rome-1939-son-of-french-princess-franoise-of-orleans-1902-1953-daughter-of-duke-jean-dorlans-duc-de-guise-1874-1940-and-princess-isabelle-of-orlans-1878-1961-married-in-palermo-italy-11-february-1929-with-prince-christopher-of-greece-and-denmark-1888-1940-son-of-king-george-i-of-greece-and-queen-olga-constantinovna-of-russia-1851-1926-michael-married-in-1965-marina-karella-photo-by-elisabetta-petri-via-della-croce-81-roma-prin-image552686386.htmlRM2R3513E–1955 ca , Roma , ITALY : The Prince MICHAEL of GREECE and DENMARK ( MICHELE DI GRECIA e DANIMARCA , born in Rome , 1939 ). Son of french princess Françoise of ORLEANS ( 1902 - 1953 ), daughter of Duke Jean d'Orléans duc de Guise ( 1874 - 1940 ) and Princess Isabelle of Orléans ( 1878 - 1961 ), married, in Palermo ( Italy ), 11 february 1929 with Prince Christopher of Greece and Denmark ( 1888 - 1940 ) son of King George I of Greece and Queen Olga Constantinovna of Russia ( 1851 - 1926 ). Michael married in 1965 Marina Karella . Photo by Elisabetta Petri , Via della Croce 81 , Roma . - PRIN
Leslie Griffen Cauldwell (1861 - 1941), a portrait of Charles Lafontaine, dated 1921 Pastel on cardboard. Half portrait of the famous tenor Charles Lafontaine in the role of Verdi's El Trovatore. The singer wearing a coat of mail with a girded dagger, head turned slightly sideways. In the background a slightly opened curtain, which reveals a medieval street scene. Signed and dated on the lower left. In a plain trim frame under glass. Size 81 x 65 cm. Charles Fontaine (born 1878 in Antwerp, died 1955) was a famous tenor in his day. Apart from engagements in Ital, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-leslie-griffen-cauldwell-1861-1941-a-portrait-of-charles-lafontaine-19906540.htmlRMB4APYT–Leslie Griffen Cauldwell (1861 - 1941), a portrait of Charles Lafontaine, dated 1921 Pastel on cardboard. Half portrait of the famous tenor Charles Lafontaine in the role of Verdi's El Trovatore. The singer wearing a coat of mail with a girded dagger, head turned slightly sideways. In the background a slightly opened curtain, which reveals a medieval street scene. Signed and dated on the lower left. In a plain trim frame under glass. Size 81 x 65 cm. Charles Fontaine (born 1878 in Antwerp, died 1955) was a famous tenor in his day. Apart from engagements in Ital,
![Henry Wadsworth Longfellow. The International Portrait Gallery. [With coloured. London, [1878-81.]. Henry Wadsworth Longfellow (1807-1882). American poet. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 137. Language: English. Stock Photo](https://c8.alamy.com/comp/R57531/henry-wadsworth-longfellow-the-international-portrait-gallery-with-coloured-london-1878-81-henry-wadsworth-longfellow-1807-1882-american-poet-portrait-image-taken-from-the-international-portrait-gallery-with-coloured-lithographs-originally-publishedproduced-in-london-1878-81-source-10604h1-opposite-137-language-english-R57531.jpg "Henry Wadsworth Longfellow. The International Portrait Gallery. [With coloured. London, [1878-81.]. Henry Wadsworth Longfellow (1807-1882). American poet. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 137. Language: English. Stock Photo")
Henry Wadsworth Longfellow. The International Portrait Gallery. [With coloured. London, [1878-81.]. Henry Wadsworth Longfellow (1807-1882). American poet. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 137. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-wadsworth-longfellow-the-international-portrait-gallery-with-coloured-london-1878-81-henry-wadsworth-longfellow-1807-1882-american-poet-portrait-image-taken-from-the-international-portrait-gallery-with-coloured-lithographs-originally-publishedproduced-in-london-1878-81-source-10604h1-opposite-137-language-english-image226965733.htmlRMR57531–Henry Wadsworth Longfellow. The International Portrait Gallery. [With coloured. London, [1878-81.]. Henry Wadsworth Longfellow (1807-1882). American poet. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 137. Language: English.
Leslie Griffen Cauldwell (1861 - 1941) - a portrait of Charles Lafontaine, dated 1921. Pastel on cardboard. Half portrait of the famous tenor Charles Lafontaine in the role of Verdi's El Trovatore. The singer wearing a coat of mail with a girded dagger, head turned slightly sideways. In the background a slightly opened curtain, which reveals a medieval street scene. Signed and dated on the lower left. In a plain trim frame under glass. Size 81 x 65 cm. Charles Fontaine (born 1878 in Antwerp, died 1955) was a famous tenor in his days. Apart from engagements in I, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-leslie-griffen-cauldwell-1861-1941-a-portrait-of-charles-lafontaine-31498643.htmlRMBR6TRF–Leslie Griffen Cauldwell (1861 - 1941) - a portrait of Charles Lafontaine, dated 1921. Pastel on cardboard. Half portrait of the famous tenor Charles Lafontaine in the role of Verdi's El Trovatore. The singer wearing a coat of mail with a girded dagger, head turned slightly sideways. In the background a slightly opened curtain, which reveals a medieval street scene. Signed and dated on the lower left. In a plain trim frame under glass. Size 81 x 65 cm. Charles Fontaine (born 1878 in Antwerp, died 1955) was a famous tenor in his days. Apart from engagements in I,
Benjamin Disraeli, 1st Earl of Beaconsfield (1804-81) British Conservative statesman. Photograph by Jabez Hughes, 22 July, 1878 by command of Queen Victoria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benjamin-disraeli-1st-earl-of-beaconsfield-1804-81-british-conservative-statesman-photograph-by-jabez-hughes-22-july-1878-by-command-of-queen-victoria-image257300438.htmlRMTXH19A–Benjamin Disraeli, 1st Earl of Beaconsfield (1804-81) British Conservative statesman. Photograph by Jabez Hughes, 22 July, 1878 by command of Queen Victoria
Salzmann Max (1850-1897), spa and bath house. Schinkel competition 1878 (10.10.1878): Perspective view. Tusche watercolor on paper, 81.3 x 131.2 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salzmann-max-1850-1897-spa-and-bath-house-schinkel-competition-1878-10101878-perspective-view-tusche-watercolor-on-paper-813-x-1312-cm-including-scan-edges-image477416864.htmlRM2JMM628–Salzmann Max (1850-1897), spa and bath house. Schinkel competition 1878 (10.10.1878): Perspective view. Tusche watercolor on paper, 81.3 x 131.2 cm (including scan edges)
Art inspired by Fitzroy Square (Street Scene), 1878–81, Etching; third state of three (Glasgow); printed in brownish-black ink on medium weight laid paper, Sheet: 8 7/8 × 6 13/16 in. (22.5 × 17.3 cm), Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fitzroy-square-street-scene-187881-etching-third-state-of-three-glasgow-printed-in-brownish-black-ink-on-medium-weight-laid-paper-sheet-8-78-6-1316-in-225-173-cm-prints-after-james-mcneill-whistler-american-lowell-massachusetts-18341903-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462971621.htmlRF2HW650N–Art inspired by Fitzroy Square (Street Scene), 1878–81, Etching; third state of three (Glasgow); printed in brownish-black ink on medium weight laid paper, Sheet: 8 7/8 × 6 13/16 in. (22.5 × 17.3 cm), Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Berlin Crownprince palais . 1878. Unknown 81 Berlin Kronprinzenpalais Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-berlin-crownprince-palais-1878-unknown-81-berlin-kronprinzenpalais-image187655706.htmlRMMW8CNE–. English: Berlin Crownprince palais . 1878. Unknown 81 Berlin Kronprinzenpalais
Inspired by Adeline, John Payne Jennings, intermediary draughtsman:, c. 1873 - in or before 1878, height 103 mm × width 81 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-adeline-john-payne-jennings-intermediary-draughtsman-c-1873-in-or-before-1878-height-103-mm-width-81-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459453109.htmlRF2HKDW3H–Inspired by Adeline, John Payne Jennings, intermediary draughtsman:, c. 1873 - in or before 1878, height 103 mm × width 81 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Pomare IV Reine de Tahiti 28Oceanie29 1878-81 by Mrs. S. Hoare cropped Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pomare-iv-reine-de-tahiti-28oceanie29-1878-81-by-mrs-s-hoare-cropped-147625958.htmlRMJG4XBJ–Pomare IV Reine de Tahiti 28Oceanie29 1878-81 by Mrs. S. Hoare cropped
History of Daviess and Gentry counties, Missouri . til 1882. Prior to his election to Congress, Mr. Dockeryserved as County Physician of Livingston County from 1870 to 1874, waspresident of the Board of Education at Chillicothe in 1870-72, was a mem-ber of the board of curators of the University of Missouri from 1872 to1882, and at Gallatin was a member of the city council 1878-81, and mayorduring 1881-83. From 1878 until his election to Congress Mr. Dockery was chairman ofthe Democratic Congressional Committee of the Tenth District, 1880 waschairman of the Congressional Convention at Brunswic Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-daviess-and-gentry-counties-missouri-til-1882-prior-to-his-election-to-congress-mr-dockeryserved-as-county-physician-of-livingston-county-from-1870-to-1874-waspresident-of-the-board-of-education-at-chillicothe-in-1870-72-was-a-mem-ber-of-the-board-of-curators-of-the-university-of-missouri-from-1872-to1882-and-at-gallatin-was-a-member-of-the-city-council-1878-81-and-mayorduring-1881-83-from-1878-until-his-election-to-congress-mr-dockery-was-chairman-ofthe-democratic-congressional-committee-of-the-tenth-district-1880-waschairman-of-the-congressional-convention-at-brunswic-image342902563.htmlRM2AWTFM3–History of Daviess and Gentry counties, Missouri . til 1882. Prior to his election to Congress, Mr. Dockeryserved as County Physician of Livingston County from 1870 to 1874, waspresident of the Board of Education at Chillicothe in 1870-72, was a mem-ber of the board of curators of the University of Missouri from 1872 to1882, and at Gallatin was a member of the city council 1878-81, and mayorduring 1881-83. From 1878 until his election to Congress Mr. Dockery was chairman ofthe Democratic Congressional Committee of the Tenth District, 1880 waschairman of the Congressional Convention at Brunswic
Bust of a young man with hat Bust of a young man with hat object type: picture Item number: RP-P-1878-A 1587 Inscriptions / Brands: collector's mark, reverse bottom center, stamped: Lugt 2227 Manufacturer : printmaker Peter Snijers (listed building) Dating : 1694 - 1752 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 81 mm × W 71 mm Subject: youth, adolescenthead gear: hat (+ men's clothes) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bust-of-a-young-man-with-hat-bust-of-a-young-man-with-hat-object-type-picture-item-number-rp-p-1878-a-1587-inscriptions-brands-collectors-mark-reverse-bottom-center-stamped-lugt-2227-manufacturer-printmaker-peter-snijers-listed-building-dating-1694-1752-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-81-mm-w-71-mm-subject-youth-adolescenthead-gear-hat-mens-clothes-image348225496.htmlRM2B6F14T–Bust of a young man with hat Bust of a young man with hat object type: picture Item number: RP-P-1878-A 1587 Inscriptions / Brands: collector's mark, reverse bottom center, stamped: Lugt 2227 Manufacturer : printmaker Peter Snijers (listed building) Dating : 1694 - 1752 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 81 mm × W 71 mm Subject: youth, adolescenthead gear: hat (+ men's clothes)
Image from page 81 of 'Paris herself again in 1878-9 . Fifth edition' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-81-of-paris-herself-again-in-1878-9-fifth-edition-image218032139.htmlRMPJM663–Image from page 81 of 'Paris herself again in 1878-9 . Fifth edition' .
Children in a Garden - The Nurse - 1878 - Oil on canvas 65,4 x 81 cm - Cassatt Mary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/children-in-a-garden-the-nurse-1878-oil-on-canvas-654-x-81-cm-cassatt-mary-image457743938.htmlRF2HGM11P–Children in a Garden - The Nurse - 1878 - Oil on canvas 65,4 x 81 cm - Cassatt Mary
Peacock and Dragon , 1878. William Morris (British, 1834-1896). Weft-faced compound twill; wool; overall: 206.6 x 174.7 cm (81 5/16 x 68 3/4 in.). Morris sought to produce textiles that could function as he imagined medieval wall hangings had, bringing warmth to stone-cold rooms. Boldly designed with soothing colors in thick wool, Peacock and Dragon is the closest Morris came to achieving this ideal. In the same year he designed this textile, Morris visited the shop of the London dealer Vincent Robinson, where he saw a room re-created from Damascus, “all vermillion and gold and ultramarine, v Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peacock-and-dragon-1878-william-morris-british-1834-1896-weft-faced-compound-twill-wool-overall-2066-x-1747-cm-81-516-x-68-34-in-morris-sought-to-produce-textiles-that-could-function-as-he-imagined-medieval-wall-hangings-had-bringing-warmth-to-stone-cold-rooms-boldly-designed-with-soothing-colors-in-thick-wool-peacock-and-dragon-is-the-closest-morris-came-to-achieving-this-ideal-in-the-same-year-he-designed-this-textile-morris-visited-the-shop-of-the-london-dealer-vincent-robinson-where-he-saw-a-room-re-created-from-damascus-all-vermillion-and-gold-and-ultramarine-v-image448077324.htmlRM2H0YK5G–Peacock and Dragon , 1878. William Morris (British, 1834-1896). Weft-faced compound twill; wool; overall: 206.6 x 174.7 cm (81 5/16 x 68 3/4 in.). Morris sought to produce textiles that could function as he imagined medieval wall hangings had, bringing warmth to stone-cold rooms. Boldly designed with soothing colors in thick wool, Peacock and Dragon is the closest Morris came to achieving this ideal. In the same year he designed this textile, Morris visited the shop of the London dealer Vincent Robinson, where he saw a room re-created from Damascus, “all vermillion and gold and ultramarine, v
![Counselors of C.L.S.C. at Bronze Gate, 1850/81. [Members of the Chautauqua Literary and Scientific Circle, Chautauqua, New York State, USA. The club was founded in 1878 by Bishop John Heyl Vincent, and is said to be America's Oldest Continuous Book Club]. Albumen print, stereocard, from the series "Studies, Portraits and Groups". Stock Photo](https://c8.alamy.com/comp/2GPP5R4/counselors-of-clsc-at-bronze-gate-185081-members-of-the-chautauqua-literary-and-scientific-circle-chautauqua-new-york-state-usa-the-club-was-founded-in-1878-by-bishop-john-heyl-vincent-and-is-said-to-be-americas-oldest-continuous-book-club-albumen-print-stereocard-from-the-series-quotstudies-portraits-and-groupsquot-2GPP5R4.jpg "Counselors of C.L.S.C. at Bronze Gate, 1850/81. [Members of the Chautauqua Literary and Scientific Circle, Chautauqua, New York State, USA. The club was founded in 1878 by Bishop John Heyl Vincent, and is said to be America's Oldest Continuous Book Club]. Albumen print, stereocard, from the series "Studies, Portraits and Groups". Stock Photo")
Counselors of C.L.S.C. at Bronze Gate, 1850/81. [Members of the Chautauqua Literary and Scientific Circle, Chautauqua, New York State, USA. The club was founded in 1878 by Bishop John Heyl Vincent, and is said to be America's Oldest Continuous Book Club]. Albumen print, stereocard, from the series "Studies, Portraits and Groups". Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/counselors-of-clsc-at-bronze-gate-185081-members-of-the-chautauqua-literary-and-scientific-circle-chautauqua-new-york-state-usa-the-club-was-founded-in-1878-by-bishop-john-heyl-vincent-and-is-said-to-be-americas-oldest-continuous-book-club-albumen-print-stereocard-from-the-series-quotstudies-portraits-and-groupsquot-image444269144.htmlRM2GPP5R4–Counselors of C.L.S.C. at Bronze Gate, 1850/81. [Members of the Chautauqua Literary and Scientific Circle, Chautauqua, New York State, USA. The club was founded in 1878 by Bishop John Heyl Vincent, and is said to be America's Oldest Continuous Book Club]. Albumen print, stereocard, from the series "Studies, Portraits and Groups".
Lady Clara Vere de Vere, John Payne Jennings, intermediary draughtsman: anonymous, c. 1873 - in or before 1878, photographic support, height 104 mm × width 81 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-clara-vere-de-vere-john-payne-jennings-intermediary-draughtsman-anonymous-c-1873-in-or-before-1878-photographic-support-height-104-mm-width-81-mm-image454395052.htmlRM2HB7DEM–Lady Clara Vere de Vere, John Payne Jennings, intermediary draughtsman: anonymous, c. 1873 - in or before 1878, photographic support, height 104 mm × width 81 mm
De Staalmeesters, Johann Wilhelm Kaiser (I), After Rembrandt van Rijn, 1845 - 1878 print The steel masters: the College of Steelmeesters or Worthiness of the Amsterdam Laken Breiders Guild, together around a table on which a Persian rug is located. On the table the opened steel book. Are presented from left to right: Jochem de Neve (1629-81), Aernout van der Mye (ca. 1625-81), the servant Frans Hendricksz Bel (1629-1701), Willem van Doeyenburg (ca. 1616-87),,, Volckert Jansz (1605/10-81), Jacob van Loon (1595-1674). Above the fireplace a painting with a burning beacon. Netherlands paper steel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/de-staalmeesters-johann-wilhelm-kaiser-i-after-rembrandt-van-rijn-1845-1878-print-the-steel-masters-the-college-of-steelmeesters-or-worthiness-of-the-amsterdam-laken-breiders-guild-together-around-a-table-on-which-a-persian-rug-is-located-on-the-table-the-opened-steel-book-are-presented-from-left-to-right-jochem-de-neve-1629-81-aernout-van-der-mye-ca-1625-81-the-servant-frans-hendricksz-bel-1629-1701-willem-van-doeyenburg-ca-1616-87-volckert-jansz-160510-81-jacob-van-loon-1595-1674-above-the-fireplace-a-painting-with-a-burning-beacon-netherlands-paper-steel-image593170700.htmlRM2WD177T–De Staalmeesters, Johann Wilhelm Kaiser (I), After Rembrandt van Rijn, 1845 - 1878 print The steel masters: the College of Steelmeesters or Worthiness of the Amsterdam Laken Breiders Guild, together around a table on which a Persian rug is located. On the table the opened steel book. Are presented from left to right: Jochem de Neve (1629-81), Aernout van der Mye (ca. 1625-81), the servant Frans Hendricksz Bel (1629-1701), Willem van Doeyenburg (ca. 1616-87),,, Volckert Jansz (1605/10-81), Jacob van Loon (1595-1674). Above the fireplace a painting with a burning beacon. Netherlands paper steel
Vienna I, Volksgarten, Grillparzer Monument, ground plan and elevation, 1878, architectural drawing, graphite, sheet: 57.8 x 81.5 cm, verso: 'Project für, Grillparzer, Monument'; 'Enger, Erzh Karl etc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vienna-i-volksgarten-grillparzer-monument-ground-plan-and-elevation-1878-architectural-drawing-graphite-sheet-578-x-815-cm-verso-project-fr-grillparzer-monument-enger-erzh-karl-etc-image573334794.htmlRM2T8NJAJ–Vienna I, Volksgarten, Grillparzer Monument, ground plan and elevation, 1878, architectural drawing, graphite, sheet: 57.8 x 81.5 cm, verso: 'Project für, Grillparzer, Monument'; 'Enger, Erzh Karl etc
The Farewell. Date/Period: 1878. Painting. Oil on canvas. Width: 89 cm. Height: 81.5 cm. Author: HARRIET BACKER. Backer, Harriet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-farewell-dateperiod-1878-painting-oil-on-canvas-width-89-cm-height-815-cm-author-harriet-backer-backer-harriet-image219704737.htmlRMPNCBHN–The Farewell. Date/Period: 1878. Painting. Oil on canvas. Width: 89 cm. Height: 81.5 cm. Author: HARRIET BACKER. Backer, Harriet.
Charles-François Daubigny, (artist), French, 1817 - 1878, The Farm, 1855, oil on canvas, overall: 51.4 x 81.3 cm (20 1/4 x 32 in.), framed: 79.7 x 109.5 cm (31 3/8 x 43 1/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-franois-daubigny-artist-french-1817-1878-the-farm-1855-oil-on-canvas-overall-514-x-813-cm-20-14-x-32-in-framed-797-x-1095-cm-31-38-x-43-18-in-image386348214.htmlRM2DCFK2E–Charles-François Daubigny, (artist), French, 1817 - 1878, The Farm, 1855, oil on canvas, overall: 51.4 x 81.3 cm (20 1/4 x 32 in.), framed: 79.7 x 109.5 cm (31 3/8 x 43 1/8 in
![Oliver Wendell Holmes. The International Portrait Gallery. [With coloured. London, [1878-81.]. Oliver Wendell Holmes (1809-1894). American physician and writer. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 34. Language: English. Stock Photo](https://c8.alamy.com/comp/R5CT2K/oliver-wendell-holmes-the-international-portrait-gallery-with-coloured-london-1878-81-oliver-wendell-holmes-1809-1894-american-physician-and-writer-portrait-image-taken-from-the-international-portrait-gallery-with-coloured-lithographs-originally-publishedproduced-in-london-1878-81-source-10604h1-opposite-34-language-english-R5CT2K.jpg "Oliver Wendell Holmes. The International Portrait Gallery. [With coloured. London, [1878-81.]. Oliver Wendell Holmes (1809-1894). American physician and writer. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 34. Language: English. Stock Photo")
Oliver Wendell Holmes. The International Portrait Gallery. [With coloured. London, [1878-81.]. Oliver Wendell Holmes (1809-1894). American physician and writer. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 34. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oliver-wendell-holmes-the-international-portrait-gallery-with-coloured-london-1878-81-oliver-wendell-holmes-1809-1894-american-physician-and-writer-portrait-image-taken-from-the-international-portrait-gallery-with-coloured-lithographs-originally-publishedproduced-in-london-1878-81-source-10604h1-opposite-34-language-english-image227090379.htmlRMR5CT2K–Oliver Wendell Holmes. The International Portrait Gallery. [With coloured. London, [1878-81.]. Oliver Wendell Holmes (1809-1894). American physician and writer. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 34. Language: English.
Bridge # 35-84-24 The Hills Covered Bridge over Little Muskingum River in Newport Township was constructed in 1878 in Howe Truss style and was bypasse Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bridge-35-84-24-the-hills-covered-bridge-over-little-muskingum-river-in-newport-township-was-constructed-in-1878-in-howe-truss-style-and-was-bypasse-image563836411.htmlRF2RN8Y2K–Bridge # 35-84-24 The Hills Covered Bridge over Little Muskingum River in Newport Township was constructed in 1878 in Howe Truss style and was bypasse
Claude Monet French school The Rue Montorgueil in Paris. Festivities of June 30, 1878 La rue Montorgueil, à Paris. Fête du 30 juin 1878 1878 Oil on canvas (81 x 50 cm) Paris, musée d'Orsay Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/claude-monet-french-school-the-rue-montorgueil-in-paris-festivities-of-june-30-1878-la-rue-montorgueil-paris-fte-du-30-juin-1878-1878-oil-on-canvas-81-x-50-cm-paris-muse-dorsay-image257285628.htmlRMTXGACC–Claude Monet French school The Rue Montorgueil in Paris. Festivities of June 30, 1878 La rue Montorgueil, à Paris. Fête du 30 juin 1878 1878 Oil on canvas (81 x 50 cm) Paris, musée d'Orsay
Paris herself again in 1878-9 ... Fifth edition Image taken from page 81 of 'Paris herself again in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paris-herself-again-in-1878-9-fifth-edition-image-taken-from-page-130186118.htmlRMHFPDM6–Paris herself again in 1878-9 ... Fifth edition Image taken from page 81 of 'Paris herself again in
1VITE EMERY WHEELS G. WESTINGHOUSE & CO. Schenectady N. Y. HEELER'S PATENT WOOD FRU 10 Bleecker Street New York. ENNSYNNIA DIAMOND DRILL CO. BOX +23 POTTSVILLE PA . ROOFING AND SIDING H. ND POWEIrAl40 HYLIRAGLIc. $41344120.85 ASSETS. CASH ASSETS Jan. 1 1881 Appropriated as follows : 238888837.82 $43183934.81 BLAKE'S CHALLENCE ' ROCK BREAKER. THEODORE M. BANTA Cashier. D. O'DELL Superintendent of Agencies. MORRIS FRANKLIN President. Death- f 1876 $1547648. 1837 1638128. claims 1878 1687676. 1879 1569854. Paid 1 1880 1731721. 'T IX T T NEW YORK. s'TIZUCTURA I IRON., scientific american, 1881-03- Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1vite-emery-wheels-g-westinghouse-co-schenectady-n-y-heelers-patent-wood-fru-10-bleecker-street-new-york-ennsynnia-diamond-drill-co-box-23-pottsville-pa-roofing-and-siding-h-nd-poweiral40-hyliraglic-4134412085-assets-cash-assets-jan-1-1881-appropriated-as-follows-23888883782-4318393481-blakes-challence-rock-breaker-theodore-m-banta-cashier-d-odell-superintendent-of-agencies-morris-franklin-president-death-f-1876-1547648-1837-1638128-claims-1878-1687676-1879-1569854-paid-1-1880-1731721-t-ix-t-t-new-york-stizuctura-i-iron-scientific-american-1881-03-image334324270.htmlRM2ABWP0E–1VITE EMERY WHEELS G. WESTINGHOUSE & CO. Schenectady N. Y. HEELER'S PATENT WOOD FRU 10 Bleecker Street New York. ENNSYNNIA DIAMOND DRILL CO. BOX +23 POTTSVILLE PA . ROOFING AND SIDING H. ND POWEIrAl40 HYLIRAGLIc. $41344120.85 ASSETS. CASH ASSETS Jan. 1 1881 Appropriated as follows : 238888837.82 $43183934.81 BLAKE'S CHALLENCE ' ROCK BREAKER. THEODORE M. BANTA Cashier. D. O'DELL Superintendent of Agencies. MORRIS FRANKLIN President. Death- f 1876 $1547648. 1837 1638128. claims 1878 1687676. 1879 1569854. Paid 1 1880 1731721. 'T IX T T NEW YORK. s'TIZUCTURA I IRON., scientific american, 1881-03-
. English: Berlin Crownprince palais . 1878. Unknown 81 Berlin Kronprinzenpalais Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-berlin-crownprince-palais-1878-unknown-81-berlin-kronprinzenpalais-image188195953.htmlRMMX51T1–. English: Berlin Crownprince palais . 1878. Unknown 81 Berlin Kronprinzenpalais
Inspired by Lady Clara Vere de Vere, John Payne Jennings, intermediary draughtsman:, c. 1873 - in or before 1878, height 104 mm × width 81 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-lady-clara-vere-de-vere-john-payne-jennings-intermediary-draughtsman-c-1873-in-or-before-1878-height-104-mm-width-81-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459453114.htmlRF2HKDW3P–Inspired by Lady Clara Vere de Vere, John Payne Jennings, intermediary draughtsman:, c. 1873 - in or before 1878, height 104 mm × width 81 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Art inspired by George Moore (1852–1933) at the Café, 1878 or 1879, Oil on canvas, 25 3/4 x 32 in. (65.4 x 81.3 cm), Paintings, Édouard Manet (French, Paris 1832–1883 Paris), In this unfinished portrait of 1878 or 1879, Manet depicts the Irish writer George Moore (1852–1933) at the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-george-moore-18521933-at-the-caf-1878-or-1879-oil-on-canvas-25-34-x-32-in-654-x-813-cm-paintings-douard-manet-french-paris-18321883-paris-in-this-unfinished-portrait-of-1878-or-1879-manet-depicts-the-irish-writer-george-moore-18521933-at-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025303.htmlRF2HW8HDY–Art inspired by George Moore (1852–1933) at the Café, 1878 or 1879, Oil on canvas, 25 3/4 x 32 in. (65.4 x 81.3 cm), Paintings, Édouard Manet (French, Paris 1832–1883 Paris), In this unfinished portrait of 1878 or 1879, Manet depicts the Irish writer George Moore (1852–1933) at the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Morton memorial; a history of the Stevens institute of technology, with biographies of the trustees, faculty, and alumni, and a record of the achievements of the Stevens family of engineers. Point, N. Y., October 17, 1856; sonof Alfred M. and Catherine Wiles. He wasemployed at the Brick Machinery Works,Stony Point, N. Y., 1876-78; was machinist,furnace helper, melter. and turn foremanwith the Cambria Iron Co., Johnstown, Pa.,1878-81 ; superintendent of the steel worksof the Union Iron & Steel Co., Chicago, 111.,1881-82; superintendent of the SpringfieldIron Co., Springfield, 111.. 1882-86; a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morton-memorial-a-history-of-the-stevens-institute-of-technology-with-biographies-of-the-trustees-faculty-and-alumni-and-a-record-of-the-achievements-of-the-stevens-family-of-engineers-point-n-y-october-17-1856-sonof-alfred-m-and-catherine-wiles-he-wasemployed-at-the-brick-machinery-worksstony-point-n-y-1876-78-was-machinistfurnace-helper-melter-and-turn-foremanwith-the-cambria-iron-co-johnstown-pa1878-81-superintendent-of-the-steel-worksof-the-union-iron-steel-co-chicago-1111881-82-superintendent-of-the-springfieldiron-co-springfield-111-1882-86-a-image336702090.htmlRM2AFP2XJ–. Morton memorial; a history of the Stevens institute of technology, with biographies of the trustees, faculty, and alumni, and a record of the achievements of the Stevens family of engineers. Point, N. Y., October 17, 1856; sonof Alfred M. and Catherine Wiles. He wasemployed at the Brick Machinery Works,Stony Point, N. Y., 1876-78; was machinist,furnace helper, melter. and turn foremanwith the Cambria Iron Co., Johnstown, Pa.,1878-81 ; superintendent of the steel worksof the Union Iron & Steel Co., Chicago, 111.,1881-82; superintendent of the SpringfieldIron Co., Springfield, 111.. 1882-86; a
Art inspired by Leaders of the Aamu of Shu, Middle Kingdom, Dynasty 12, ca. 1887–1878 B.C., Original from Egypt, Middle Egypt, Beni Hasan, Tomb of Khnumhotep (Tomb 3), 1931, Tempera on paper, Facsimile: H.63.5 × W. 81.5 cm (25 in. × 32 1/16 in.); Framed: H. 66.5 × W. 84.3 cm (26 3/16, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-leaders-of-the-aamu-of-shu-middle-kingdom-dynasty-12-ca-18871878-bc-original-from-egypt-middle-egypt-beni-hasan-tomb-of-khnumhotep-tomb-3-1931-tempera-on-paper-facsimile-h635-w-815-cm-25-in-32-116-in-framed-h-665-w-843-cm-26-316-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463036478.htmlRF2HW93N2–Art inspired by Leaders of the Aamu of Shu, Middle Kingdom, Dynasty 12, ca. 1887–1878 B.C., Original from Egypt, Middle Egypt, Beni Hasan, Tomb of Khnumhotep (Tomb 3), 1931, Tempera on paper, Facsimile: H.63.5 × W. 81.5 cm (25 in. × 32 1/16 in.); Framed: H. 66.5 × W. 84.3 cm (26 3/16, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Forest landscape in surrounding frame Forest landscape in round frame object type: picture Item number: RP-P-1878-A 2773 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Adriaan Jacob Willem Dielen (listed property) Place manufacture : The Netherlands Date: 1782 - 1812 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 82 mm × b 81 mm Subject: forest, wood Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/forest-landscape-in-surrounding-frame-forest-landscape-in-round-frame-object-type-picture-item-number-rp-p-1878-a-2773-inscriptions-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-adriaan-jacob-willem-dielen-listed-property-place-manufacture-the-netherlands-date-1782-1812-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-82-mm-b-81-mm-subject-forest-wood-image348227117.htmlRM2B6F36N–Forest landscape in surrounding frame Forest landscape in round frame object type: picture Item number: RP-P-1878-A 2773 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Adriaan Jacob Willem Dielen (listed property) Place manufacture : The Netherlands Date: 1782 - 1812 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 82 mm × b 81 mm Subject: forest, wood
Image from page 81 of 'Paris Herself Again in 1878-9 . With . illustrations . Fourth edition' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-81-of-paris-herself-again-in-1878-9-with-illustrations-fourth-edition-image218032138.htmlRMPJM662–Image from page 81 of 'Paris Herself Again in 1878-9 . With . illustrations . Fourth edition' .
La Rue Montorgueil à Paris. Fête du 30 juin 1878 - 1878 - Oil on canvas 81 x 50 cm - mo11Monet Claude Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-rue-montorgueil-a-paris-fete-du-30-juin-1878-1878-oil-on-canvas-81-x-50-cm-mo11monet-claude-image454765407.htmlRF2HBT9WK–La Rue Montorgueil à Paris. Fête du 30 juin 1878 - 1878 - Oil on canvas 81 x 50 cm - mo11Monet Claude
Carl Peter Mazer, Adolf Fredrik Lindblad, Adolf Fredrik Lindblad, 1801-1878, painting, Oil, Height: 81 cm (31.8), Width: 64 cm (25.1), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carl-peter-mazer-adolf-fredrik-lindblad-adolf-fredrik-lindblad-1801-1878-painting-oil-height-81-cm-318-width-64-cm-251-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349937123.htmlRF2B990AB–Carl Peter Mazer, Adolf Fredrik Lindblad, Adolf Fredrik Lindblad, 1801-1878, painting, Oil, Height: 81 cm (31.8), Width: 64 cm (25.1), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Federico de Madrazo y Kuntz (1815-1894). Pintor español. María Encarnación Cueto de Saavedra, Duquesa de Rivas, 1878. Óleo sobre lienzo, 102 X 81,40 cm. Museo del Romanticismo. Madrid. España. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/federico-de-madrazo-y-kuntz-1815-1894-pintor-espaol-mara-encarnacin-cueto-de-saavedra-duquesa-de-rivas-1878-leo-sobre-lienzo-102-x-8140-cm-museo-del-romanticismo-madrid-espaa-image260288485.htmlRMW3D4H9–Federico de Madrazo y Kuntz (1815-1894). Pintor español. María Encarnación Cueto de Saavedra, Duquesa de Rivas, 1878. Óleo sobre lienzo, 102 X 81,40 cm. Museo del Romanticismo. Madrid. España.
Jurgan Frederick Huge, (painter), American, 1809 - 1878, Composite Harbor Scene with Castle, c. 1875, oil on canvas, overall: 64.8 x 101.6 cm (25 1/2 x 40 in.), framed: 81.3 x 118.1 x 3.8 cm (32 x 46 1/2 x 1 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jurgan-frederick-huge-painter-american-1809-1878-composite-harbor-scene-with-castle-c-1875-oil-on-canvas-overall-648-x-1016-cm-25-12-x-40-in-framed-813-x-1181-x-38-cm-32-x-46-12-x-1-12-in-image386362933.htmlRM2DCG9T5–Jurgan Frederick Huge, (painter), American, 1809 - 1878, Composite Harbor Scene with Castle, c. 1875, oil on canvas, overall: 64.8 x 101.6 cm (25 1/2 x 40 in.), framed: 81.3 x 118.1 x 3.8 cm (32 x 46 1/2 x 1 1/2 in
![Léon Michel Gambetta. The International Portrait Gallery. [With coloured. London, [1878-81.]. Léon Michel Gambetta (1838-1882). French statesman. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 11. Language: English. Stock Photo](https://c8.alamy.com/comp/R5FC7M/lon-michel-gambetta-the-international-portrait-gallery-with-coloured-london-1878-81-lon-michel-gambetta-1838-1882-french-statesman-portrait-image-taken-from-the-international-portrait-gallery-with-coloured-lithographs-originally-publishedproduced-in-london-1878-81-source-10604h1-opposite-11-language-english-R5FC7M.jpg "Léon Michel Gambetta. The International Portrait Gallery. [With coloured. London, [1878-81.]. Léon Michel Gambetta (1838-1882). French statesman. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 11. Language: English. Stock Photo")
Léon Michel Gambetta. The International Portrait Gallery. [With coloured. London, [1878-81.]. Léon Michel Gambetta (1838-1882). French statesman. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 11. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lon-michel-gambetta-the-international-portrait-gallery-with-coloured-london-1878-81-lon-michel-gambetta-1838-1882-french-statesman-portrait-image-taken-from-the-international-portrait-gallery-with-coloured-lithographs-originally-publishedproduced-in-london-1878-81-source-10604h1-opposite-11-language-english-image227146968.htmlRMR5FC7M–Léon Michel Gambetta. The International Portrait Gallery. [With coloured. London, [1878-81.]. Léon Michel Gambetta (1838-1882). French statesman. Portrait. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 11. Language: English.
Paris Herself Again in 1878-9 ... With ... illustrations ... Fourth edition Image taken from page 81 of 'Paris Herself Again in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paris-herself-again-in-1878-9-with-illustrations-fourth-edition-image-130186117.htmlRMHFPDM5–Paris Herself Again in 1878-9 ... With ... illustrations ... Fourth edition Image taken from page 81 of 'Paris Herself Again in
. English: Berlin Frederic II. 1878. Unknown 81 Berlin Friedrich II. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-berlin-frederic-ii-1878-unknown-81-berlin-friedrich-ii-image187655680.htmlRMMW8CMG–. English: Berlin Frederic II. 1878. Unknown 81 Berlin Friedrich II.
. Taps. 93. Textile Department. m CHARLES STEBBIXS DOGGETT. Director of Department and Professor. Student, Oberlin College, Ohio, 1876—78: Leeds University,England; Federal Polytechnic, Zurich, Switzerland; Royal Prus-sian Polytechnic, Aix-la-Chapelle; University of Munich ; 1883-86. Bleaching and Dyeing department Willimantic Linen Co.,Ct.,1878-81; Chemist, Walpole Dye and Chemical Works, Mass..i88i-83, and i887-89; Superintendent Boston Color Co., 1889-94; Colorist. Merrimack Print Works, Lowell, Mass., i894-96Superintendent Holliston Mills, Norwood, Mass., i896-98Chemist. Acker Process Co., Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/taps-93-textile-department-m-charles-stebbixs-doggett-director-of-department-and-professor-student-oberlin-college-ohio-187678-leeds-universityengland-federal-polytechnic-zurich-switzerland-royal-prus-sian-polytechnic-aix-la-chapelle-university-of-munich-1883-86-bleaching-and-dyeing-department-willimantic-linen-coct1878-81-chemist-walpole-dye-and-chemical-works-massi88i-83-and-i887-89-superintendent-boston-color-co-1889-94-colorist-merrimack-print-works-lowell-mass-i894-96superintendent-holliston-mills-norwood-mass-i896-98chemist-acker-process-co-image336827792.htmlRM2AFYR80–. Taps. 93. Textile Department. m CHARLES STEBBIXS DOGGETT. Director of Department and Professor. Student, Oberlin College, Ohio, 1876—78: Leeds University,England; Federal Polytechnic, Zurich, Switzerland; Royal Prus-sian Polytechnic, Aix-la-Chapelle; University of Munich ; 1883-86. Bleaching and Dyeing department Willimantic Linen Co.,Ct.,1878-81; Chemist, Walpole Dye and Chemical Works, Mass..i88i-83, and i887-89; Superintendent Boston Color Co., 1889-94; Colorist. Merrimack Print Works, Lowell, Mass., i894-96Superintendent Holliston Mills, Norwood, Mass., i896-98Chemist. Acker Process Co.,
Bospad Forest road Property Type: photomechanical print page Item number: RP-F 2001-7-287-2 Inscriptions / Brands: inscription, recto, printed: '' No Fern-hunter who might reach this turning point, When out for a saunter, would hesitate for one moment. ' Page 126.' Manufacturer : Photographer: Brinley and Sonsclichémaker: anonymous Date: ca. 1868 - or for 1878 Material: paper Technique: Woodburytypie Dimensions: print: h 81 mm × W 115 mmToelichtingPrent opposite page 124 . Subject: forest path or lane ferns Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bospad-forest-road-property-type-photomechanical-print-page-item-number-rp-f-2001-7-287-2-inscriptions-brands-inscription-recto-printed-no-fern-hunter-who-might-reach-this-turning-point-when-out-for-a-saunter-would-hesitate-for-one-moment-page-126-manufacturer-photographer-brinley-and-sonsclichmaker-anonymous-date-ca-1868-or-for-1878-material-paper-technique-woodburytypie-dimensions-print-h-81-mm-w-115-mmtoelichtingprent-opposite-page-124-subject-forest-path-or-lane-ferns-image348227829.htmlRM2B6F445–Bospad Forest road Property Type: photomechanical print page Item number: RP-F 2001-7-287-2 Inscriptions / Brands: inscription, recto, printed: '' No Fern-hunter who might reach this turning point, When out for a saunter, would hesitate for one moment. ' Page 126.' Manufacturer : Photographer: Brinley and Sonsclichémaker: anonymous Date: ca. 1868 - or for 1878 Material: paper Technique: Woodburytypie Dimensions: print: h 81 mm × W 115 mmToelichtingPrent opposite page 124 . Subject: forest path or lane ferns
Image from page 81 of 'Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) Translated from the German by A. H. Keane Illustrated' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-81-of-travels-in-africa-during-the-years-1875-1878-1879-1883-1882-1886-translated-from-the-german-by-a-h-keane-illustrated-image217578376.htmlRMPHYFC8–Image from page 81 of 'Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) Translated from the German by A. H. Keane Illustrated' .
Half Model of a Schooner, Stacking Model (port) of a two-mast schooner. Very scooping pinch. Overhanging fence, stir with rounded blade. The sheer runs forward. V-shaped underwater ship. The most striking feature of this model is the partially firmed skin at the prow and around the waterline and just below, this reinforcement was specially applied for sailing in the polar regions., sailing-ship, sailing-boat (SCHOONER), Willem Barents (ship), Meursing & Huijgens (mentioned on object), Amsterdam, c. 1877 - c. 1878, wood (plant material), h 20.2 cm × w 81.2 cm × d 9 cm, Reimagined by Gibon, desi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-model-of-a-schooner-stacking-model-port-of-a-two-mast-schooner-very-scooping-pinch-overhanging-fence-stir-with-rounded-blade-the-sheer-runs-forward-v-shaped-underwater-ship-the-most-striking-feature-of-this-model-is-the-partially-firmed-skin-at-the-prow-and-around-the-waterline-and-just-below-this-reinforcement-was-specially-applied-for-sailing-in-the-polar-regions-sailing-ship-sailing-boat-schooner-willem-barents-ship-meursing-huijgens-mentioned-on-object-amsterdam-c-1877-c-1878-wood-plant-material-h-202-cm-w-812-cm-d-9-cm-reimagined-by-gibon-desi-image349984273.htmlRF2B9B4E9–Half Model of a Schooner, Stacking Model (port) of a two-mast schooner. Very scooping pinch. Overhanging fence, stir with rounded blade. The sheer runs forward. V-shaped underwater ship. The most striking feature of this model is the partially firmed skin at the prow and around the waterline and just below, this reinforcement was specially applied for sailing in the polar regions., sailing-ship, sailing-boat (SCHOONER), Willem Barents (ship), Meursing & Huijgens (mentioned on object), Amsterdam, c. 1877 - c. 1878, wood (plant material), h 20.2 cm × w 81.2 cm × d 9 cm, Reimagined by Gibon, desi
Nanny and Child. Dated: 1877/1878. Dimensions: overall: 65 x 81.4 cm (25 9/16 x 32 1/16 in.) framed: 87.6 x 103.5 x 6.7 cm (34 1/2 x 40 3/4 x 2 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Eva Gonzales. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nanny-and-child-dated-18771878-dimensions-overall-65-x-814-cm-25-916-x-32-116-in-framed-876-x-1035-x-67-cm-34-12-x-40-34-x-2-58-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-eva-gonzales-image233326810.htmlRMRFGXMA–Nanny and Child. Dated: 1877/1878. Dimensions: overall: 65 x 81.4 cm (25 9/16 x 32 1/16 in.) framed: 87.6 x 103.5 x 6.7 cm (34 1/2 x 40 3/4 x 2 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Eva Gonzales.
Antoine-César Becquerel (1788-1878), physicist, 1874, Dubois, Alphée, Engraver in medals, Array, Numismatics, Medal, Dimensions - Work: Diameter: 5.1 cm, Weight (type dimension): 65.81 g Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antoine-csar-becquerel-1788-1878-physicist-1874-dubois-alphe-engraver-in-medals-array-numismatics-medal-dimensions-work-diameter-51cm-weight-type-dimension-6581g-image573433087.htmlRM2T8X3N3–Antoine-César Becquerel (1788-1878), physicist, 1874, Dubois, Alphée, Engraver in medals, Array, Numismatics, Medal, Dimensions - Work: Diameter: 5.1 cm, Weight (type dimension): 65.81 g
![Ferdinand, Vicomte de Lesseps. The International Portrait Gallery. [With coloured. London, [1878-81.]. Ferdinand, Vicomte de Lesseps (1805-1894). French diplomat and entrepreneur. Portrait. Campaigner for the construction of the Suez canal. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 145. Language: English. Stock Photo](https://c8.alamy.com/comp/R58RPT/ferdinand-vicomte-de-lesseps-the-international-portrait-gallery-with-coloured-london-1878-81-ferdinand-vicomte-de-lesseps-1805-1894-french-diplomat-and-entrepreneur-portrait-campaigner-for-the-construction-of-the-suez-canal-image-taken-from-the-international-portrait-gallery-with-coloured-lithographs-originally-publishedproduced-in-london-1878-81-source-10604h1-opposite-145-language-english-R58RPT.jpg "Ferdinand, Vicomte de Lesseps. The International Portrait Gallery. [With coloured. London, [1878-81.]. Ferdinand, Vicomte de Lesseps (1805-1894). French diplomat and entrepreneur. Portrait. Campaigner for the construction of the Suez canal. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 145. Language: English. Stock Photo")
Ferdinand, Vicomte de Lesseps. The International Portrait Gallery. [With coloured. London, [1878-81.]. Ferdinand, Vicomte de Lesseps (1805-1894). French diplomat and entrepreneur. Portrait. Campaigner for the construction of the Suez canal. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 145. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ferdinand-vicomte-de-lesseps-the-international-portrait-gallery-with-coloured-london-1878-81-ferdinand-vicomte-de-lesseps-1805-1894-french-diplomat-and-entrepreneur-portrait-campaigner-for-the-construction-of-the-suez-canal-image-taken-from-the-international-portrait-gallery-with-coloured-lithographs-originally-publishedproduced-in-london-1878-81-source-10604h1-opposite-145-language-english-image227002352.htmlRMR58RPT–Ferdinand, Vicomte de Lesseps. The International Portrait Gallery. [With coloured. London, [1878-81.]. Ferdinand, Vicomte de Lesseps (1805-1894). French diplomat and entrepreneur. Portrait. Campaigner for the construction of the Suez canal. Image taken from The International Portrait Gallery. [With coloured lithographs.]. Originally published/produced in London, [1878-81.]. . Source: 10604.h.1, opposite 145. Language: English.
Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) ... Translated from the German by A. H. Keane ... Illustrated Image taken from page 81 of 'Travels in Africa during Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-travels-in-africa-during-the-years-1875-1878-1879-1883-1882-1886-translated-130186218.htmlRMHFPDRP–Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) ... Translated from the German by A. H. Keane ... Illustrated Image taken from page 81 of 'Travels in Africa during
. English: Berlin Brandenburg Gate . 1878. Unknown 81 Berlin Brandenburger Tor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-berlin-brandenburg-gate-1878-unknown-81-berlin-brandenburger-tor-image187655676.htmlRMMW8CMC–. English: Berlin Brandenburg Gate . 1878. Unknown 81 Berlin Brandenburger Tor
. The Forester. M ALCIILM MC NEILL. Was graduated from Princeton Universityin 1877. Received degree of A. M. in 1880,and Ph.D. in 1888 from Princeton. Taughtat Palmyra, Mo., i^jy-yX. Returned toPrinceton as Fellow in Astronomy, 1878-81.Instructor in Astronomy at Princeton. 1S81-$2. Assistant Professor of Astronomy atPrinceton, 1882-88. Professor of Mathe-matics and Astronomy at Lake Forest Col-lege since 1888. M. BROSS THOMAS. Was graduated from Williams College in1876. Received the degree of M. A. in 1880from Williams ; and D. D. from Illinois Col-lege in 1903. Studied at Union TheologicalSem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-forester-m-alciilm-mc-neill-was-graduated-from-princeton-universityin-1877-received-degree-of-a-m-in-1880and-phd-in-1888-from-princeton-taughtat-palmyra-mo-ijy-yx-returned-toprinceton-as-fellow-in-astronomy-1878-81instructor-in-astronomy-at-princeton-1s81-2-assistant-professor-of-astronomy-atprinceton-1882-88-professor-of-mathe-matics-and-astronomy-at-lake-forest-col-lege-since-1888-m-bross-thomas-was-graduated-from-williams-college-in1876-received-the-degree-of-m-a-in-1880from-williams-and-d-d-from-illinois-col-lege-in-1903-studied-at-union-theologicalsem-image336957597.htmlRM2AG5MRW–. The Forester. M ALCIILM MC NEILL. Was graduated from Princeton Universityin 1877. Received degree of A. M. in 1880,and Ph.D. in 1888 from Princeton. Taughtat Palmyra, Mo., i^jy-yX. Returned toPrinceton as Fellow in Astronomy, 1878-81.Instructor in Astronomy at Princeton. 1S81-$2. Assistant Professor of Astronomy atPrinceton, 1882-88. Professor of Mathe-matics and Astronomy at Lake Forest Col-lege since 1888. M. BROSS THOMAS. Was graduated from Williams College in1876. Received the degree of M. A. in 1880from Williams ; and D. D. from Illinois Col-lege in 1903. Studied at Union TheologicalSem
Fotoreproductie van een tekening, voorstellende een portret van Adeline Adeline (titel op object) Photo Reproduction of a drawing, depicting a portrait of AdelineAdeline (title object) Property Type: photo reproduction page Item number: RP-F 2001-7-92-3 Manufacturer : Photographer: John Payne Jennings to drawing: anonymous dating : about 1873 - or for 1878 Material: paper Technique: platinum print dimensions: photo: h 103 mm × W 81 mmToelichtingFoto front page 20. Subject: historical persons - BB - woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fotoreproductie-van-een-tekening-voorstellende-een-portret-van-adeline-adeline-titel-op-object-photo-reproduction-of-a-drawing-depicting-a-portrait-of-adelineadeline-title-object-property-type-photo-reproduction-page-item-number-rp-f-2001-7-92-3-manufacturer-photographer-john-payne-jennings-to-drawing-anonymous-dating-about-1873-or-for-1878-material-paper-technique-platinum-print-dimensions-photo-h-103-mm-w-81-mmtoelichtingfoto-front-page-20-subject-historical-persons-bb-woman-image348358992.htmlRM2B6N3CG–Fotoreproductie van een tekening, voorstellende een portret van Adeline Adeline (titel op object) Photo Reproduction of a drawing, depicting a portrait of AdelineAdeline (title object) Property Type: photo reproduction page Item number: RP-F 2001-7-92-3 Manufacturer : Photographer: John Payne Jennings to drawing: anonymous dating : about 1873 - or for 1878 Material: paper Technique: platinum print dimensions: photo: h 103 mm × W 81 mmToelichtingFoto front page 20. Subject: historical persons - BB - woman
Archive image from page 41 of Curtis, Cobb & Washburn's amateur. Curtis, Cobb & Washburn's amateur cultivator's guide to the flower and kitchen garden for 1878 curtiscobbwashbu1878curt Year: 1878 ( 72 73 74 75 76 77 78 79 80 81 82 83 PRICE. Calendula Pongei, fl. pi. Double white, fine, 1 foot 10 . Ranunculoides. Kanunculus-flowered 05 Officinalis Superba. Golden orange, black eye, benutifullv imbricated, .10 Sulphurea. New sulpliur-colored pot marigold; very double and beautiful. .10 CALLIRHOE. Nat. Okd., Makacca. Too much cannot be said in praise of this beautiful summer-flowering annual, fr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-41-of-curtis-cobb-washburns-amateur-curtis-cobb-washburns-amateur-cultivators-guide-to-the-flower-and-kitchen-garden-for-1878-curtiscobbwashbu1878curt-year-1878-72-73-74-75-76-77-78-79-80-81-82-83-price-calendula-pongei-fl-pi-double-white-fine-1-foot-10-ranunculoides-kanunculus-flowered-05-officinalis-superba-golden-orange-black-eye-benutifullv-imbricated-10-sulphurea-new-sulpliur-colored-pot-marigold-very-double-and-beautiful-10-callirhoe-nat-okd-makacca-too-much-cannot-be-said-in-praise-of-this-beautiful-summer-flowering-annual-fr-image264030003.htmlRMW9FGXY–Archive image from page 41 of Curtis, Cobb & Washburn's amateur. Curtis, Cobb & Washburn's amateur cultivator's guide to the flower and kitchen garden for 1878 curtiscobbwashbu1878curt Year: 1878 ( 72 73 74 75 76 77 78 79 80 81 82 83 PRICE. Calendula Pongei, fl. pi. Double white, fine, 1 foot 10 . Ranunculoides. Kanunculus-flowered 05 Officinalis Superba. Golden orange, black eye, benutifullv imbricated, .10 Sulphurea. New sulpliur-colored pot marigold; very double and beautiful. .10 CALLIRHOE. Nat. Okd., Makacca. Too much cannot be said in praise of this beautiful summer-flowering annual, fr
Chrysanthemums. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 39 1/2 x 32 1/4 in. (100.3 x 81.9 cm). Date: 1882. An avid gardener, Monet produced some twenty floral still lifes between 1878 and 1883, garnering both critical and commercial success. This painting was exhibited together with the Museum's <i>Bouquet of Sunflowers</i> (29.100.107) at the Galerie Durand-Ruel in Paris in 1883 and again with the avant-garde artists' circle Les XX in Brussels in 1886. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chrysanthemums-artist-claude-monet-french-paris-1840-1926-giverny-dimensions-39-12-x-32-14-in-1003-x-819-cm-date-1882-an-avid-gardener-monet-produced-some-twenty-floral-still-lifes-between-1878-and-1883-garnering-both-critical-and-commercial-success-this-painting-was-exhibited-together-with-the-museums-ibouquet-of-sunflowersi-29100107-at-the-galerie-durand-ruel-in-paris-in-1883-and-again-with-the-avant-garde-artists-circle-les-xx-in-brussels-in-1886-museum-metropolitan-museum-of-art-new-york-usa-image213325713.htmlRMPB1R3D–Chrysanthemums. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 39 1/2 x 32 1/4 in. (100.3 x 81.9 cm). Date: 1882. An avid gardener, Monet produced some twenty floral still lifes between 1878 and 1883, garnering both critical and commercial success. This painting was exhibited together with the Museum's <i>Bouquet of Sunflowers</i> (29.100.107) at the Galerie Durand-Ruel in Paris in 1883 and again with the avant-garde artists' circle Les XX in Brussels in 1886. Museum: Metropolitan Museum of Art, New York, USA.
Antoine-César Becquerel (1788-1878), physicist, 1874, Dubois, Alphée, Engraver in medals, Array, Numismatics, Medal, Dimensions - Work: Diameter: 5.1 cm, Weight (type dimension): 65.81 g Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antoine-csar-becquerel-1788-1878-physicist-1874-dubois-alphe-engraver-in-medals-array-numismatics-medal-dimensions-work-diameter-51cm-weight-type-dimension-6581g-image573433037.htmlRM2T8X3K9–Antoine-César Becquerel (1788-1878), physicist, 1874, Dubois, Alphée, Engraver in medals, Array, Numismatics, Medal, Dimensions - Work: Diameter: 5.1 cm, Weight (type dimension): 65.81 g
The Violinist, c. 1878-1879, Edgar Degas, French, 1834 - 1917, 9 3/8 x 12 1/16 in. (23.81 x 30.64 cm) (image), Charcoal heightened with white chalk on grey laid paper, France, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-violinist-c-1878-1879-edgar-degas-french-1834-1917-9-38-x-12-116-in-2381-x-3064-cm-image-charcoal-heightened-with-white-chalk-on-grey-laid-paper-france-19th-century-image573493852.htmlRM2T90W78–The Violinist, c. 1878-1879, Edgar Degas, French, 1834 - 1917, 9 3/8 x 12 1/16 in. (23.81 x 30.64 cm) (image), Charcoal heightened with white chalk on grey laid paper, France, 19th century
Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) ... Translated from the German by A. H. Keane ... Illustrated Image taken from page 81 of 'Travels in Africa during Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-travels-in-africa-during-the-years-1875-1878-1879-1883-1882-1886-translated-130186219.htmlRMHFPDRR–Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) ... Translated from the German by A. H. Keane ... Illustrated Image taken from page 81 of 'Travels in Africa during
. English: Berlin Brandenburg Gate . 1878. Unknown 81 Berlin Brandenburger Tor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-berlin-brandenburg-gate-1878-unknown-81-berlin-brandenburger-tor-image188195943.htmlRMMX51RK–. English: Berlin Brandenburg Gate . 1878. Unknown 81 Berlin Brandenburger Tor
. The Forester. M ALCIILM MC NEILL. Was graduated from Princeton Universityin 1877. Received degree of A. M. in 1880,and Ph.D. in 1888 from Princeton. Taughtat Palmyra, Mo., i^jy-yX. Returned toPrinceton as Fellow in Astronomy, 1878-81.Instructor in Astronomy at Princeton. 1S81-$2. Assistant Professor of Astronomy atPrinceton, 1882-88. Professor of Mathe-matics and Astronomy at Lake Forest Col-lege since 1888. M. BROSS THOMAS. Was graduated from Williams College in1876. Received the degree of M. A. in 1880from Williams ; and D. D. from Illinois Col-lege in 1903. Studied at Union TheologicalSem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-forester-m-alciilm-mc-neill-was-graduated-from-princeton-universityin-1877-received-degree-of-a-m-in-1880and-phd-in-1888-from-princeton-taughtat-palmyra-mo-ijy-yx-returned-toprinceton-as-fellow-in-astronomy-1878-81instructor-in-astronomy-at-princeton-1s81-2-assistant-professor-of-astronomy-atprinceton-1882-88-professor-of-mathe-matics-and-astronomy-at-lake-forest-col-lege-since-1888-m-bross-thomas-was-graduated-from-williams-college-in1876-received-the-degree-of-m-a-in-1880from-williams-and-d-d-from-illinois-col-lege-in-1903-studied-at-union-theologicalsem-image336957431.htmlRM2AG5MHY–. The Forester. M ALCIILM MC NEILL. Was graduated from Princeton Universityin 1877. Received degree of A. M. in 1880,and Ph.D. in 1888 from Princeton. Taughtat Palmyra, Mo., i^jy-yX. Returned toPrinceton as Fellow in Astronomy, 1878-81.Instructor in Astronomy at Princeton. 1S81-$2. Assistant Professor of Astronomy atPrinceton, 1882-88. Professor of Mathe-matics and Astronomy at Lake Forest Col-lege since 1888. M. BROSS THOMAS. Was graduated from Williams College in1876. Received the degree of M. A. in 1880from Williams ; and D. D. from Illinois Col-lege in 1903. Studied at Union TheologicalSem
Gezicht op Sonnenberg Panorama von der Ruine Sonnenberg bei Wiesbaden (titel op object) Die Rheinlande (serietitel) View Sonnenberg Panorama von der Ruine Sonnenberg bei Who: sbaden (title object) That Rheinlande (series title) Property Type: Stereo picture Item number: RP-F F06205 Inscriptions / Brands: number, recto, printed: '81. Manufacture Creator: photographer: Sophus Williams (listed building) publisher: Sophus Williams (listed property) Place manufacture: photographer: Sonnenberg Publisher: Berlin Date: 1878 Material: cardboard paper Technique: albumen print dimensions: secondary mediu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-sonnenberg-panorama-von-der-ruine-sonnenberg-bei-wiesbaden-titel-op-object-die-rheinlande-serietitel-view-sonnenberg-panorama-von-der-ruine-sonnenberg-bei-who-sbaden-title-object-that-rheinlande-series-title-property-type-stereo-picture-item-number-rp-f-f06205-inscriptions-brands-number-recto-printed-81-manufacture-creator-photographer-sophus-williams-listed-building-publisher-sophus-williams-listed-property-place-manufacture-photographer-sonnenberg-publisher-berlin-date-1878-material-cardboard-paper-technique-albumen-print-dimensions-secondary-mediu-image348387548.htmlRM2B6PBTC–Gezicht op Sonnenberg Panorama von der Ruine Sonnenberg bei Wiesbaden (titel op object) Die Rheinlande (serietitel) View Sonnenberg Panorama von der Ruine Sonnenberg bei Who: sbaden (title object) That Rheinlande (series title) Property Type: Stereo picture Item number: RP-F F06205 Inscriptions / Brands: number, recto, printed: '81. Manufacture Creator: photographer: Sophus Williams (listed building) publisher: Sophus Williams (listed property) Place manufacture: photographer: Sonnenberg Publisher: Berlin Date: 1878 Material: cardboard paper Technique: albumen print dimensions: secondary mediu
Archive image from page 199 of Denkschriften der Kaiserlichen Akademie der. Denkschriften der Kaiserlichen Akademie der Wissenschaften, Mathematisch-Naturwissenschaftliche Classe denkschriftender35kais Year: 1878 168 Carl W Clip rächt. 23--21 .Jiiuuer â¢26-27 2â 3 Felaiiar 15 19 23 12 16 20 I 13 17 21 5â 7 115-8 85-7 93 - 9 10-12 1061 120-8 81-0 16 âIS 100-2 ' 103-4 88-1 21 117-2 150-7 68- 1 38â11 1(17-.- 93-1 91-3 48â.-.U 111 ⢠'J lOl-l 87 - 6 55-57 U2-4 92-8 91-1 3â 5 lIS-4 93-3 93-7 30-38 107-9 89-2 95-5 53â55 125-6 102-5 1 89-9 7â 9 113-7 86-8 1 96 â 2 20â22 121-6 99-4 91-4 46â48 12 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-199-of-denkschriften-der-kaiserlichen-akademie-der-denkschriften-der-kaiserlichen-akademie-der-wissenschaften-mathematisch-naturwissenschaftliche-classe-denkschriftender35kais-year-1878-168-carl-w-clip-rcht-23-21-jiiuuer-26-27-2-3-felaiiar-15-19-23-12-16-20-i-13-17-21-5-7-115-8-85-7-93-9-10-12-1061-120-8-81-0-16-is-100-2-103-4-88-1-21-117-2-150-7-68-1-3811-117-93-1-91-3-48-u-111-j-lol-l-87-6-55-57-u2-4-92-8-91-1-3-5-lis-4-93-3-93-7-30-38-107-9-89-2-95-5-5355-125-6-102-5-1-89-9-7-9-113-7-86-8-1-96-2-2022-121-6-99-4-91-4-4648-12-image259475077.htmlRMW24331–Archive image from page 199 of Denkschriften der Kaiserlichen Akademie der. Denkschriften der Kaiserlichen Akademie der Wissenschaften, Mathematisch-Naturwissenschaftliche Classe denkschriftender35kais Year: 1878 168 Carl W Clip rächt. 23--21 .Jiiuuer â¢26-27 2â 3 Felaiiar 15 19 23 12 16 20 I 13 17 21 5â 7 115-8 85-7 93 - 9 10-12 1061 120-8 81-0 16 âIS 100-2 ' 103-4 88-1 21 117-2 150-7 68- 1 38â11 1(17-.- 93-1 91-3 48â.-.U 111 ⢠'J lOl-l 87 - 6 55-57 U2-4 92-8 91-1 3â 5 lIS-4 93-3 93-7 30-38 107-9 89-2 95-5 53â55 125-6 102-5 1 89-9 7â 9 113-7 86-8 1 96 â 2 20â22 121-6 99-4 91-4 46â48 12
Our First Tiff. Date/Period: 1878. Painting. Oil on canvas. Height: 705 mm (27.75 in); Width: 1,062 mm (41.81 in). Author: Robert Walker Macbeth. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/our-first-tiff-dateperiod-1878-painting-oil-on-canvas-height-705-mm-2775-in-width-1062-mm-4181-in-author-robert-walker-macbeth-image219713280.htmlRMPNCPET–Our First Tiff. Date/Period: 1878. Painting. Oil on canvas. Height: 705 mm (27.75 in); Width: 1,062 mm (41.81 in). Author: Robert Walker Macbeth.
Landscape near Crémieu, c. 1849, Charles-François Daubigny, French, 1817–1878, 24 3/4 x 35 3/4 in. (62.87 x 90.81 cm) (sight)33 1/4 x 44 1/8 x 2 1/4 in. (84.46 x 112.08 x 5.72 cm) (outer frame), Oil on canvas, France, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-near-crmieu-c-1849-charles-franois-daubigny-french-18171878-24-34-x-35-34-in-6287-x-9081-cm-sight33-14-x-44-18-x-2-14-in-8446-x-11208-x-572-cm-outer-frame-oil-on-canvas-france-19th-century-image573499381.htmlRM2T9148N–Landscape near Crémieu, c. 1849, Charles-François Daubigny, French, 1817–1878, 24 3/4 x 35 3/4 in. (62.87 x 90.81 cm) (sight)33 1/4 x 44 1/8 x 2 1/4 in. (84.46 x 112.08 x 5.72 cm) (outer frame), Oil on canvas, France, 19th century
Half Model of a Schooner, Stacking Model (port) of a two-mast schooner. Very scooping pinch. Overhanging fence, stir with rounded blade. The sheer runs forward. V-shaped underwater ship. The most striking feature of this model is the partially firmed skin at the prow and around the waterline and just below, this reinforcement was specially applied for sailing in the polar regions., sailing-ship, sailing-boat (SCHOONER), Willem Barents (ship), Meursing & Huijgens (mentioned on object), Amsterdam, c. 1877 - c. 1878, wood (plant material), h 20.2 cm × w 81.2 cm × d 9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-model-of-a-schooner-stacking-model-port-of-a-two-mast-schooner-very-scooping-pinch-overhanging-fence-stir-with-rounded-blade-the-sheer-runs-forward-v-shaped-underwater-ship-the-most-striking-feature-of-this-model-is-the-partially-firmed-skin-at-the-prow-and-around-the-waterline-and-just-below-this-reinforcement-was-specially-applied-for-sailing-in-the-polar-regions-sailing-ship-sailing-boat-schooner-willem-barents-ship-meursing-huijgens-mentioned-on-object-amsterdam-c-1877-c-1878-wood-plant-material-h-202-cm-w-812-cm-d-9-cm-image261380687.htmlRMW56WMF–Half Model of a Schooner, Stacking Model (port) of a two-mast schooner. Very scooping pinch. Overhanging fence, stir with rounded blade. The sheer runs forward. V-shaped underwater ship. The most striking feature of this model is the partially firmed skin at the prow and around the waterline and just below, this reinforcement was specially applied for sailing in the polar regions., sailing-ship, sailing-boat (SCHOONER), Willem Barents (ship), Meursing & Huijgens (mentioned on object), Amsterdam, c. 1877 - c. 1878, wood (plant material), h 20.2 cm × w 81.2 cm × d 9 cm
Image taken from page 81 of 'The Earth and its Inhabitants. The European section of the Universal Geography by E. Reclus. Edited by E. G. Ravenstein. Illustrated by ... engravings and maps' Image taken from page 81 of 'The Earth and its Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-81-of-the-earth-and-its-inhabitants-the-european-130186173.htmlRMHFPDP5–Image taken from page 81 of 'The Earth and its Inhabitants. The European section of the Universal Geography by E. Reclus. Edited by E. G. Ravenstein. Illustrated by ... engravings and maps' Image taken from page 81 of 'The Earth and its
Search Results for 1878 81 Stock Photos and Images (258)
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