1851 56 hi-res stock photography and images

Couch, 1851–56, American, Oak, chestnut, cedar, 67 x 73 in. (170.2 x 185.4 cm), Furniture Stock Photo

RMKCD82T–Couch, 1851–56, American, Oak, chestnut, cedar, 67 x 73 in. (170.2 x 185.4 cm), Furniture

Art inspired by Couch, 1851–56, American, Oak, chestnut, cedar, 67 x 73 in. (170.2 x 185.4 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2141–Art inspired by Couch, 1851–56, American, Oak, chestnut, cedar, 67 x 73 in. (170.2 x 185.4 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Couch. Culture: American. Dimensions: 67 x 73 in. (170.2 x 185.4 cm). Date: 1851-56. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAANC4–Couch. Culture: American. Dimensions: 67 x 73 in. (170.2 x 185.4 cm). Date: 1851-56. Museum: Metropolitan Museum of Art, New York, USA.

. Augusto Frederico de Oliveira . 1851 56 Augusto Frederico de Oliveira, 1851 Stock Photo

RMMY581P–. Augusto Frederico de Oliveira . 1851 56 Augusto Frederico de Oliveira, 1851

Probably Frederik Lassen (1798-1872), governor of Fiskenæsset 1851-56 Stock Photo

RMD513BP–Probably Frederik Lassen (1798-1872), governor of Fiskenæsset 1851-56

. Nederlands: Staatsieportret José María de Urbina. President van Ecuador 1851-56. between circa 1851 and circa 1856. Unknown 176 Ecuador-urvina Stock Photo

RMMWBH5T–. Nederlands: Staatsieportret José María de Urbina. President van Ecuador 1851-56. between circa 1851 and circa 1856. Unknown 176 Ecuador-urvina

Dumblain Abbey, plate 56 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Lupton, England, Etching and engraving in brown on tan paper, 186 × 267 mm (image), 207.5 × 288.5 mm (plate), 291.5 × 428 mm (sheet Stock Photo

RM2A2HRWT–Dumblain Abbey, plate 56 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Lupton, England, Etching and engraving in brown on tan paper, 186 × 267 mm (image), 207.5 × 288.5 mm (plate), 291.5 × 428 mm (sheet

Inspired by Carll H. de Silver, Fedor Encke, German, 1851-1926, Oil on canvas, United States, 1906, 56 x 36 in., 142.2 x 91.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4A3N–Inspired by Carll H. de Silver, Fedor Encke, German, 1851-1926, Oil on canvas, United States, 1906, 56 x 36 in., 142.2 x 91.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Couch 1851–56 American. Couch. American. 1851–56. Oak, chestnut, cedar Stock Photo

RM2HHR6KA–Couch 1851–56 American. Couch. American. 1851–56. Oak, chestnut, cedar

GLC blue plaque, indicating the Karl Marx 1851-56 house, at 28 Dean Street, Soho, London, England, UK, W1D 4QH Stock Photo

RM2JJGB1N–GLC blue plaque, indicating the Karl Marx 1851-56 house, at 28 Dean Street, Soho, London, England, UK, W1D 4QH

View near Canonteign by John White Abbott . Possibly John White Abbot 1763-1851 Chudleigh, Devonshire. in Victoria and Albert Museum (Cat. P.56 - 1924). Stock Photo

RMWHB03A–View near Canonteign by John White Abbott . Possibly John White Abbot 1763-1851 Chudleigh, Devonshire. in Victoria and Albert Museum (Cat. P.56 - 1924).

Thomas Butler Gunn Diaries Volume 2, page 56, March 1 2, 1851 Stock Photo

RMKE7KP9–Thomas Butler Gunn Diaries Volume 2, page 56, March 1 2, 1851

An Order of Merit of the Bavarian Crown, 1808 - 1918. A Knight's Cross, gold, enamelled (minimal enamel chips), weight with ribbon 21.56 g. (OEK 362). From the estate of Brigadier General von Madroux, awarded 7 March 1851. historic, historical, 19th century, medal, decoration, medals, decorations, badge of honour, badge of honor, badges of honour, badges of honor, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Stock Photo

RMB478J9–An Order of Merit of the Bavarian Crown, 1808 - 1918. A Knight's Cross, gold, enamelled (minimal enamel chips), weight with ribbon 21.56 g. (OEK 362). From the estate of Brigadier General von Madroux, awarded 7 March 1851. historic, historical, 19th century, medal, decoration, medals, decorations, badge of honour, badge of honor, badges of honour, badges of honor, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs,

The Triumph of Arts and Letters – Nations of the World Presenting Art and Goods to Britannia as at the Great Exhibition of 1851 29 December 2008, 13:01:56 by Edward Poynter Stock Photo

RM2REF6M8–The Triumph of Arts and Letters – Nations of the World Presenting Art and Goods to Britannia as at the Great Exhibition of 1851 29 December 2008, 13:01:56 by Edward Poynter

Kieschke Paul (1851-1905), Prussian Seehandlung, Berlin (1904): Pream. Photo on cardboard, 46 x 56.1 cm (including scan edges) Kieschke Paul (1851-1905): Preußische Seehandlung, Berlin Stock Photo

RM2JN1NPJ–Kieschke Paul (1851-1905), Prussian Seehandlung, Berlin (1904): Pream. Photo on cardboard, 46 x 56.1 cm (including scan edges) Kieschke Paul (1851-1905): Preußische Seehandlung, Berlin

The religious denominations in the United States: their history, doctrine, government and statisticsWith a preliminary sketch of Judaism, paganism and Mohammedanism . 53. The Rt. Rev. Francis Huger Rutledge, D. D., Bishop ofFlorida, was consecrated in St. Pauls Church, Augusta, Ga., Oct. 15,1851. 54. The Rt. Rev. John Williams, D. D., Assistant Bishop of Con-necticut, was consecrated in Christ Church, Hartford, Oct. 29, 1851. 55. The Rt. Rev. Henry J. Whitehouse, D. D., of Illinois, wasconsecrated in St. Georges Church, in the City of New York, Nov.20, 1851. 56. The Rt. Rev. Jonathan Mayhew Wa Stock Photo

RM2AX6N1G–The religious denominations in the United States: their history, doctrine, government and statisticsWith a preliminary sketch of Judaism, paganism and Mohammedanism . 53. The Rt. Rev. Francis Huger Rutledge, D. D., Bishop ofFlorida, was consecrated in St. Pauls Church, Augusta, Ga., Oct. 15,1851. 54. The Rt. Rev. John Williams, D. D., Assistant Bishop of Con-necticut, was consecrated in Christ Church, Hartford, Oct. 29, 1851. 55. The Rt. Rev. Henry J. Whitehouse, D. D., of Illinois, wasconsecrated in St. Georges Church, in the City of New York, Nov.20, 1851. 56. The Rt. Rev. Jonathan Mayhew Wa

Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): W view 1: 100. Lithograph, 56 x 76.1 cm (including scan edges) Stock Photo

RM2JMN52B–Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): W view 1: 100. Lithograph, 56 x 76.1 cm (including scan edges)

F12 NORTH CAROLINA RAILROAD Built by the State, 1851-56, from Goldsboro to Charlotte. Eastern terminus a few yards N. Stock Photo

RMC818TG–F12 NORTH CAROLINA RAILROAD Built by the State, 1851-56, from Goldsboro to Charlotte. Eastern terminus a few yards N.

Hildebrandt E., Palazzo Vecchio in Florence (1851): View. Print colored on paper, 45.8 x 56.2 cm (including scan edges) Hildebrandt Eduard (1817-1868): Palazzo Vecchio, Florenz Stock Photo

RM2JMPP5B–Hildebrandt E., Palazzo Vecchio in Florence (1851): View. Print colored on paper, 45.8 x 56.2 cm (including scan edges) Hildebrandt Eduard (1817-1868): Palazzo Vecchio, Florenz

Image from page 56 of 'Knight's Cyclopædia of London. 1851' . Stock Photo

RMPN542B–Image from page 56 of 'Knight's Cyclopædia of London. 1851' .

Kieschke Paul (1851-1905), Service building for the Prussian State Ministry and the General Order Commission, Berlin (1900-1902): View 1: 100. Lithograph, 56.3 x 79 cm (including scan edges) Stock Photo

RM2JMN7PW–Kieschke Paul (1851-1905), Service building for the Prussian State Ministry and the General Order Commission, Berlin (1900-1902): View 1: 100. Lithograph, 56.3 x 79 cm (including scan edges)

Bird's Eye View of New York and Brooklyn. Artist: John Bachmann (American (born Germany or Switzerland), active New York 1849-85). Dimensions: image: 22 1/8 x 32 1/2 in. (56.2 x 82.6 cm) sheet: 25 1/4 x 34 1/2 in. (64.1 x 87.6 cm). Lithographer: William Endicott & Co. (New York, NY). Date: 1851. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB4JRP–Bird's Eye View of New York and Brooklyn. Artist: John Bachmann (American (born Germany or Switzerland), active New York 1849-85). Dimensions: image: 22 1/8 x 32 1/2 in. (56.2 x 82.6 cm) sheet: 25 1/4 x 34 1/2 in. (64.1 x 87.6 cm). Lithographer: William Endicott & Co. (New York, NY). Date: 1851. Museum: Metropolitan Museum of Art, New York, USA.

Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): cross-sections 1: 100. Lithograph, 56.1 x 75.8 cm (including scan edges) Stock Photo

RM2JMN52J–Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): cross-sections 1: 100. Lithograph, 56.1 x 75.8 cm (including scan edges)

Bird's Eye View of New York and Brooklyn MET DP327194 381082 Artist: John Bachmann, American (born Germany or Switzerland), active New York 1849?85, Lithographer: William Endicott & Co., New York, NY, Bird's Eye View of New York and Brooklyn, 1851, Lithograph, image: 22 1/8 x 32 1/2 in. (56.2 x 82.6 cm) sheet: 25 1/4 x 34 1/2 in. (64.1 x 87.6 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.1062) Stock Photo

RMKNAYXF–Bird's Eye View of New York and Brooklyn MET DP327194 381082 Artist: John Bachmann, American (born Germany or Switzerland), active New York 1849?85, Lithographer: William Endicott & Co., New York, NY, Bird's Eye View of New York and Brooklyn, 1851, Lithograph, image: 22 1/8 x 32 1/2 in. (56.2 x 82.6 cm) sheet: 25 1/4 x 34 1/2 in. (64.1 x 87.6 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.1062)

. Nederlands: Staatsieportret José María de Urbina. President van Ecuador 1851-56. between circa 1851 and circa 1856. Unknown 177 Ecuador-urvina Stock Photo

RMMX7MBH–. Nederlands: Staatsieportret José María de Urbina. President van Ecuador 1851-56. between circa 1851 and circa 1856. Unknown 177 Ecuador-urvina

RM2A2JGY7–Dumblain Abbey, plate 56 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Lupton, England, Etching and engraving in brown on off-white laid paper, 187 × 268 mm (image), 210 × 290 mm (plate), 266 × 380 mm (sheet

Art inspired by Carll H. de Silver, Fedor Encke, German, 1851-1926, Oil on canvas, United States, 1906, 56 x 36 in., 142.2 x 91.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKJRM8–Art inspired by Carll H. de Silver, Fedor Encke, German, 1851-1926, Oil on canvas, United States, 1906, 56 x 36 in., 142.2 x 91.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Kieschke Paul (1851-1905), Prussian Seehandlung, Berlin (1904): Eck view. Photo on cardboard, 56.2 x 46.5 cm (including scan edges) Kieschke Paul (1851-1905): Preußische Seehandlung, Berlin Stock Photo

RM2JN1NPD–Kieschke Paul (1851-1905), Prussian Seehandlung, Berlin (1904): Eck view. Photo on cardboard, 56.2 x 46.5 cm (including scan edges) Kieschke Paul (1851-1905): Preußische Seehandlung, Berlin

Art inspired by Bird's Eye View of New York and Brooklyn, 1851, Lithograph, image: 22 1/8 x 32 1/2 in. (56.2 x 82.6 cm), Prints, John Bachmann (American (born Germany or Switzerland), active New York 1849–85, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6ARA–Art inspired by Bird's Eye View of New York and Brooklyn, 1851, Lithograph, image: 22 1/8 x 32 1/2 in. (56.2 x 82.6 cm), Prints, John Bachmann (American (born Germany or Switzerland), active New York 1849–85, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JJGB21–GLC blue plaque, indicating the Karl Marx 1851-56 house, at 28 Dean Street, Soho, London, England, UK, W1D 4QH

Art inspired by Scene in the Jewish Quarter of Constantine, 1851, Oil on canvas, 22 3/8 x 18 1/2 in. (56.8 x 47 cm), Paintings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris), Chassériau witnessed this scene and sketched it in his notebook during a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8K45–Art inspired by Scene in the Jewish Quarter of Constantine, 1851, Oil on canvas, 22 3/8 x 18 1/2 in. (56.8 x 47 cm), Paintings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris), Chassériau witnessed this scene and sketched it in his notebook during a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Kieschke Paul (1851-1905), Service building for the Prussian State Ministry, Berlin. General Lottery Directorate (1899-1900): View. Photo on cardboard, 42.3 x 56.1 cm (including scan edges) Stock Photo

RM2JMXR08–Kieschke Paul (1851-1905), Service building for the Prussian State Ministry, Berlin. General Lottery Directorate (1899-1900): View. Photo on cardboard, 42.3 x 56.1 cm (including scan edges)

Art inspired by Dumblain Abbey, Scotland (Liber Studiorum, part XI, plate 56), January 1, 1816, Etching and mezzotint; first state of four (Finberg), plate: 7 7/16 x 10 9/16 in. (18.9 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6D4C–Art inspired by Dumblain Abbey, Scotland (Liber Studiorum, part XI, plate 56), January 1, 1816, Etching and mezzotint; first state of four (Finberg), plate: 7 7/16 x 10 9/16 in. (18.9 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Havana, Havana, Cuba. 18th May, 2016. Located in old Havana, El Taller Experimental de Gr''¡ficaÃ‘The Experimental Graphics Studio was founded in 1962 by mural artist Orlando Suarez with the support of Che Guevara, who was the minister of industry at the time. The Economic reality of the effects of the 56 year American Economic Blockage of Cuba is reflected in the historic building facades, antique automobiles, and the dilapidated living conditions of the Cuban people, Havana, Cuba, May 2016.The United States imposed a commercial, economic, and financial blockade against Cuba on Oct. 19,1960 Stock Photo

RMG2WKH7–Havana, Havana, Cuba. 18th May, 2016. Located in old Havana, El Taller Experimental de Gr''¡ficaÃ‘The Experimental Graphics Studio was founded in 1962 by mural artist Orlando Suarez with the support of Che Guevara, who was the minister of industry at the time. The Economic reality of the effects of the 56 year American Economic Blockage of Cuba is reflected in the historic building facades, antique automobiles, and the dilapidated living conditions of the Cuban people, Havana, Cuba, May 2016.The United States imposed a commercial, economic, and financial blockade against Cuba on Oct. 19,1960

Art inspired by Zoological Garden, 1854–56, Salted paper print from paper negative, Image: 9 3/16 × 12 1/16 in. (23.4 × 30.6 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872), A judge at the magistrate's court in Lille, France, Dubois de, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4M3N–Art inspired by Zoological Garden, 1854–56, Salted paper print from paper negative, Image: 9 3/16 × 12 1/16 in. (23.4 × 30.6 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872), A judge at the magistrate's court in Lille, France, Dubois de, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Historical and biographical sketch of Cherry Creek, Chautauqua County, New York : with views of business places and residences, together with sketches of prominent citizens of various professions and occupations, past and present . Risidfitts. 29 SUPERVISORS OF CHERRY CREEK. James Carr, 1830-33-3G-4U-IG-52. Robert James, Jr., 1831-32. Geo.H. Frost, 1834-35. Oliver Carpenter, 1837, Horace Bronson, 1838. Wm.G. Carr, 18?.9. Wm. Kilbourn, 1841-42-43. Archibald F. Robins, 1844.Oliver B. Main, 1845-49-50. Chas. A. Spencer, 1847-48. Jos. Kent, 1851-56. Daniel B. Parsons, 1853-54. Silas Vinton, 1855-5 Stock Photo

RM2AN4KF2–Historical and biographical sketch of Cherry Creek, Chautauqua County, New York : with views of business places and residences, together with sketches of prominent citizens of various professions and occupations, past and present . Risidfitts. 29 SUPERVISORS OF CHERRY CREEK. James Carr, 1830-33-3G-4U-IG-52. Robert James, Jr., 1831-32. Geo.H. Frost, 1834-35. Oliver Carpenter, 1837, Horace Bronson, 1838. Wm.G. Carr, 18?.9. Wm. Kilbourn, 1841-42-43. Archibald F. Robins, 1844.Oliver B. Main, 1845-49-50. Chas. A. Spencer, 1847-48. Jos. Kent, 1851-56. Daniel B. Parsons, 1853-54. Silas Vinton, 1855-5

RF2B8X5X3–Dumblain Abbey, plate 56 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Lupton, England, Etching and engraving in brown on off-white laid paper, 187 × 268 mm (image), 210 × 290 mm (plate), 266 × 380 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Image taken from page 56 of 'Knight's Cyclopædia of London. 1851' Stock Photo

RMJ0TNB5–Image taken from page 56 of 'Knight's Cyclopædia of London. 1851'

Archive image from page 134 of Das Schmarotzertum im Tierreich und. Das Schmarotzertum im Tierreich und seine Bedeutung für die Artbildung dasschmarotzertu00graf Year: 1907 Literatur. ]|27 Separatausgabe bes gleidjnamigen bei ber 56. Uerfammlung beut fdjer Haturforfdjer unb Irjtc ju reiburg, i. S. 1(883 geljaltcnen Dor== träges, tpeldjer in felr anregenber ovm bie „SYmbiofe' im Sinne ber von uns aboptierten Definition hc):ianbcli. £. t)on (Sraff, Die auf ben IHenfdjen übertragbaren parafiten ber laustiere. iSraj 8. (Senteinrerftänblicbc DarftcIIung ber Se3iel]ungen bes IHcnfctten 3U bcn an Stock Photo

RMW2351E–Archive image from page 134 of Das Schmarotzertum im Tierreich und. Das Schmarotzertum im Tierreich und seine Bedeutung für die Artbildung dasschmarotzertu00graf Year: 1907 Literatur. ]|27 Separatausgabe bes gleidjnamigen bei ber 56. Uerfammlung beut fdjer Haturforfdjer unb Irjtc ju reiburg, i. S. 1(883 geljaltcnen Dor== träges, tpeldjer in felr anregenber ovm bie „SYmbiofe' im Sinne ber von uns aboptierten Definition hc):ianbcli. £. t)on (Sraff, Die auf ben IHenfdjen übertragbaren parafiten ber laustiere. iSraj 8. (Senteinrerftänblicbc DarftcIIung ber Se3iel]ungen bes IHcnfctten 3U bcn an

Scene in the Jewish Quarter of Constantine. Artist: Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819-1856 Paris). Dimensions: 22 3/8 x 18 1/2 in. (56.8 x 47 cm). Date: 1851. Chassériau witnessed this scene and sketched it in his notebook during a trip to Algeria in 1846. From the ancient town of Constantine he wrote, 'I have seen some highly curious things: primitive and overwhelming, touching and singular. At Constantine, which is high up in some enormous mountains, one sees the Arab people and the Jewish people [living] as they were at the beginning of time.' The Jewi Stock Photo

RMRFF79W–Scene in the Jewish Quarter of Constantine. Artist: Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819-1856 Paris). Dimensions: 22 3/8 x 18 1/2 in. (56.8 x 47 cm). Date: 1851. Chassériau witnessed this scene and sketched it in his notebook during a trip to Algeria in 1846. From the ancient town of Constantine he wrote, 'I have seen some highly curious things: primitive and overwhelming, touching and singular. At Constantine, which is high up in some enormous mountains, one sees the Arab people and the Jewish people [living] as they were at the beginning of time.' The Jewi

. English: Sculpture of Angel at Sainte-Chapelle, Paris . circa 1851. Auguste Mestral 56 Auguste Mestral, Sculpture of Angel at Sainte-Chapelle, Paris, ca. 1851 Stock Photo

RMMYB055–. English: Sculpture of Angel at Sainte-Chapelle, Paris . circa 1851. Auguste Mestral 56 Auguste Mestral, Sculpture of Angel at Sainte-Chapelle, Paris, ca. 1851

Carll H. de Silver, Fedor Encke, German, 1851-1926, Oil on canvas, United States, 1906, 56 x 36 in., 142.2 x 91.4 cm Stock Photo

RM2HB1HW3–Carll H. de Silver, Fedor Encke, German, 1851-1926, Oil on canvas, United States, 1906, 56 x 36 in., 142.2 x 91.4 cm

French: Portrait d'homme de la Renaissance between 1851 and 1900. N/A 189 Benjamin-Constant Portrait d'homme de la Renaissance (RO 56) Stock Photo

RMP5D6MH–French: Portrait d'homme de la Renaissance between 1851 and 1900. N/A 189 Benjamin-Constant Portrait d'homme de la Renaissance (RO 56)

Gutenstein, Vincenz Georg Kininger (Regensburg 1767 - 1851 Vienna), 1808, drawing, pen, brown ink, white heightened, 46.4 x 56 cm, l.l. Duke Albert of Saxe-Teschen Stock Photo

RM2T8M221–Gutenstein, Vincenz Georg Kininger (Regensburg 1767 - 1851 Vienna), 1808, drawing, pen, brown ink, white heightened, 46.4 x 56 cm, l.l. Duke Albert of Saxe-Teschen

. Français : Jean-Auguste-Dominique Ingres, Portrait d'Ingres par lui-même, premier état de l'autoportrait de 1804, photographié par Charles Marville en 1851 reproduit dans l'ouvrage d'Henri Lapauze Ingres sa vie son œuvre 1911 . 4 March 2014, 21:08:56. 1015 Portrait d'Ingres par lui-meme Stock Photo

RMMP57EJ–. Français : Jean-Auguste-Dominique Ingres, Portrait d'Ingres par lui-même, premier état de l'autoportrait de 1804, photographié par Charles Marville en 1851 reproduit dans l'ouvrage d'Henri Lapauze Ingres sa vie son œuvre 1911 . 4 March 2014, 21:08:56. 1015 Portrait d'Ingres par lui-meme

Thomas Goff Lupton, (artist), British, 1791 - 1873, Joseph Mallord William Turner, (artist), British, 1775 - 1851, Dumblain Abbey, Liber Studiorum: no.56, (series), published 1816, etching and mezzotint Stock Photo

RM2DCGC14–Thomas Goff Lupton, (artist), British, 1791 - 1873, Joseph Mallord William Turner, (artist), British, 1775 - 1851, Dumblain Abbey, Liber Studiorum: no.56, (series), published 1816, etching and mezzotint

Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One), William Watts, 1752–1851, British, after George Barret RA, ca. 1728/32–1784, Irish, 1780 Stock Photo

RM2DHX792–Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One), William Watts, 1752–1851, British, after George Barret RA, ca. 1728/32–1784, Irish, 1780

RM2JMXPX8–Kieschke Paul (1851-1905), Service building for the Prussian State Ministry, Berlin. General Lottery Directorate (1899-1900): View. Photo on cardboard, 56.2 x 42.5 cm (including scan edges)

painting, Petrus Paulus Schiedges, 1851, Signature front, bottom left: P. Schiedges 1851, panel, oil paint, painted, Carrier: 36.2 × 53.5 × 0.8cm 362 × 535 × 8mm, With frame: 56.5 × 72 , 5 × 4cm 565 × 725 × 40mm, seascape, sailing ship, harbor view, painting depicting a seascape with a harbor mouth with ships. A pier extends into the sea from the right, for which two fishing boats sail away from the viewer. A third sailing boat sails on the left. In the left a steamship and several small ships. On the right a ruin of a lighthouse. Signed bottom left. The painting is in a gilded wooden frame Stock Photo

RM2DCH8B7–painting, Petrus Paulus Schiedges, 1851, Signature front, bottom left: P. Schiedges 1851, panel, oil paint, painted, Carrier: 36.2 × 53.5 × 0.8cm 362 × 535 × 8mm, With frame: 56.5 × 72 , 5 × 4cm 565 × 725 × 40mm, seascape, sailing ship, harbor view, painting depicting a seascape with a harbor mouth with ships. A pier extends into the sea from the right, for which two fishing boats sail away from the viewer. A third sailing boat sails on the left. In the left a steamship and several small ships. On the right a ruin of a lighthouse. Signed bottom left. The painting is in a gilded wooden frame

Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): floor plan rafters 1: 100. Lithograph, 56.1 x 75.6 cm (including scan edges) Stock Photo

RM2JMN5CC–Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): floor plan rafters 1: 100. Lithograph, 56.1 x 75.6 cm (including scan edges)

Quart-Lexikon, ein Buch für Jedermann . t)onefrä. ^ep. 3?f)one=münbg, 23491 (5m., .Ratljebrale, rijm. 9Imp^i=tfjeater. E.®a§aIteArclate. (Seit879§aupt=® be§ «Hretat. SRcidj^ (f. b.). ütrle^beeve, Clfcbeere, f. Sorbus. 9lrIoH (fpr. =I6ng, ® a. ^ Semoi), betg. ißrob.Suremburg, 90l2e-iu. E...X 19/4 1793, 5ran=jofen CSourbnn) befiegen Cfterreic^er. ülvli, 3-crb., DJitter b., ?tugenarjt, * «li 1812Obergrauben, + 7/^ 87 Seplifj, «Prof. Wien. S3f.„firanft;eiten bei ijlugel 1851/56, 3 Sbe., u. a.„€eIbftbiograpt)ie 1887. 2trm((at.brachium),obere(5jtremität,beftel)tau§ ©d)ultergürtel (Schulterblatt u. ( Stock Photo

RM2AXE413–Quart-Lexikon, ein Buch für Jedermann . t)onefrä. ^ep. 3?f)one=münbg, 23491 (5m., .Ratljebrale, rijm. 9Imp^i=tfjeater. E.®a§aIteArclate. (Seit879§aupt=® be§ «Hretat. SRcidj^ (f. b.). ütrle^beeve, Clfcbeere, f. Sorbus. 9lrIoH (fpr. =I6ng, ® a. ^ Semoi), betg. ißrob.Suremburg, 90l2e-iu. E...X 19/4 1793, 5ran=jofen CSourbnn) befiegen Cfterreic^er. ülvli, 3-crb., DJitter b., ?tugenarjt, * «li 1812Obergrauben, + 7/^ 87 Seplifj, «Prof. Wien. S3f.„firanft;eiten bei ijlugel 1851/56, 3 Sbe., u. a.„€eIbftbiograpt)ie 1887. 2trm((at.brachium),obere(5jtremität,beftel)tau§ ©d)ultergürtel (Schulterblatt u. (

Armchair, 1894/96, David Wolcott Kendall, American, 1851–1910, Manufacturer: Phoenix Furniture Company, Michigan, Green-stained oak with caned inserts, 86 × 75 × 56 cm (33 7/8 × 29 1/2 × 22 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9051B–Armchair, 1894/96, David Wolcott Kendall, American, 1851–1910, Manufacturer: Phoenix Furniture Company, Michigan, Green-stained oak with caned inserts, 86 × 75 × 56 cm (33 7/8 × 29 1/2 × 22 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

. Langstroth on the hive & honey bee. Bees. Plate 11.. DZIERZON, Discoverer of Parthenogenesis in Queen-bees. This writer is mentioned pages 54, 56, 58, 60, 62, 64, 66, 68, 69, 75, 84, 124, 125, 140, 145, 244, 294, 296, 297, 298, 360, 361, 366, 375, 397, 549.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Langstroth, L. L. (Lorenzo Lorraine), 1810-1895; Dadant, C. P. (Camille Pierre), 1851-1938. Hamilton, Ill. , Dadan Stock Photo

RMPG282P–. Langstroth on the hive & honey bee. Bees. Plate 11.. DZIERZON, Discoverer of Parthenogenesis in Queen-bees. This writer is mentioned pages 54, 56, 58, 60, 62, 64, 66, 68, 69, 75, 84, 124, 125, 140, 145, 244, 294, 296, 297, 298, 360, 361, 366, 375, 397, 549.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Langstroth, L. L. (Lorenzo Lorraine), 1810-1895; Dadant, C. P. (Camille Pierre), 1851-1938. Hamilton, Ill. , Dadan

Archive image from page 123 of Das Schmarotzertum im Tierreich und. Das Schmarotzertum im Tierreich und seine Bedeutung für die Artbildung dasschmarotzertu00graf Year: 1907 U6 Die parafilen bes IHcnfcien. SorU lauf. Uv. Befallenes (Drgan bes IHenfdpen 26 27 28 29 30 31 32 33 3 55 36 37 38 39 0 l 2 3 'k /J6 8 9 50 51 52 53 5 55 56 57 58 59 60 6 Metorchis truncatus Opisthorchis felineus — sinensis . . . — noverca . , Cotilogonimus heteroph3'es Dicrocoelium lanceolatum Schistosomum haematobium .... Cestodes (Banbirürmer) Dihothfiocephalus latus (breiter 'Banh' rr>urm) — cordatus Diplogo Stock Photo

RMW2317D–Archive image from page 123 of Das Schmarotzertum im Tierreich und. Das Schmarotzertum im Tierreich und seine Bedeutung für die Artbildung dasschmarotzertu00graf Year: 1907 U6 Die parafilen bes IHcnfcien. SorU lauf. Uv. Befallenes (Drgan bes IHenfdpen 26 27 28 29 30 31 32 33 3 55 36 37 38 39 0 l 2 3 'k /J6 8 9 50 51 52 53 5 55 56 57 58 59 60 6 Metorchis truncatus Opisthorchis felineus — sinensis . . . — noverca . , Cotilogonimus heteroph3'es Dicrocoelium lanceolatum Schistosomum haematobium .... Cestodes (Banbirürmer) Dihothfiocephalus latus (breiter 'Banh' rr>urm) — cordatus Diplogo

Zoological Garden. Artist: Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799-1872). Dimensions: Image: 9 3/16 × 12 1/16 in. (23.4 × 30.6 cm) Sheet: 13 3/8 × 18 1/8 in. (34 × 46 cm). Date: 1854-56. A judge at the magistrate's court in Lille, France, Dubois de Nehaut left the bench after the rise to power of Napoleon III. He then settled in Brussels in 1851 and pursued his interest in photography. This photograph is from a unique album of thirty-two plates that includes the artist's droll comments about his subjects, the qualities of the prints, and the difficulties he enco Stock Photo

RMPA9274–Zoological Garden. Artist: Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799-1872). Dimensions: Image: 9 3/16 × 12 1/16 in. (23.4 × 30.6 cm) Sheet: 13 3/8 × 18 1/8 in. (34 × 46 cm). Date: 1854-56. A judge at the magistrate's court in Lille, France, Dubois de Nehaut left the bench after the rise to power of Napoleon III. He then settled in Brussels in 1851 and pursued his interest in photography. This photograph is from a unique album of thirty-two plates that includes the artist's droll comments about his subjects, the qualities of the prints, and the difficulties he enco

N/A. English: Illustration of Accipiter cooperi by John James Audubon . John James Audubon (1785–1851) Alternative names Birth name: Jean-Jacques-Fougère Audubon Description American ornithologist, naturalist, hunter and painter Date of birth/death 26 April 1785 27 January 1851 Location of birth/death Les Cayes (Haiti) New York City Work location Louisville, New Orleans, New York City, Florida Authority control : Q182882 VIAF:14765625 ISNI:0000 0001 1040 5229 ULAN:500016578 LCCN:n79018677 NLA:35010139 WorldCat 56 Accipiter cooperii audubon Stock Photo

RMP5J0P0–N/A. English: Illustration of Accipiter cooperi by John James Audubon . John James Audubon (1785–1851) Alternative names Birth name: Jean-Jacques-Fougère Audubon Description American ornithologist, naturalist, hunter and painter Date of birth/death 26 April 1785 27 January 1851 Location of birth/death Les Cayes (Haiti) New York City Work location Louisville, New Orleans, New York City, Florida Authority control : Q182882 VIAF:14765625 ISNI:0000 0001 1040 5229 ULAN:500016578 LCCN:n79018677 NLA:35010139 WorldCat 56 Accipiter cooperii audubon

RM2A2KJ5F–Armchair, 1894/96, David Wolcott Kendall, American, 1851–1910, Manufacturer: Phoenix Furniture Company, Michigan, Green-stained oak with caned inserts, 86 × 75 × 56 cm (33 7/8 × 29 1/2 × 22 in

Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): floor plan foundation and banquets 1: 100. Lithograph, 56 x 75.8 cm (including scan edges) Stock Photo

RM2JMN53M–Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): floor plan foundation and banquets 1: 100. Lithograph, 56 x 75.8 cm (including scan edges)

. Norwich University, 1819-1911; her history, her graduates, her roll of honor . s-tavus Snow, 41, was born in Pomfret, Vt., July 26, 1823, and died at theNational Soldiers Home at Sawtelle, Cal., February 15, 1901. He attendedthe schools of his town, and entered the University in 1837, and remained threeyears. He engaged in farming in Pomfret,Vt., until 1849, when he went to Cali-fornia, where he engaged in mininguntil 1851, when he returned East.He clerked in Boston, Mass , 1851-56;Manchester, N. H., 1856-58; engagedin farming, Pomfret, Vt., 1858-62,1864-66; foreman Monadnock MillCo., Clarem Stock Photo

RM2CDH2EP–. Norwich University, 1819-1911; her history, her graduates, her roll of honor . s-tavus Snow, 41, was born in Pomfret, Vt., July 26, 1823, and died at theNational Soldiers Home at Sawtelle, Cal., February 15, 1901. He attendedthe schools of his town, and entered the University in 1837, and remained threeyears. He engaged in farming in Pomfret,Vt., until 1849, when he went to Cali-fornia, where he engaged in mininguntil 1851, when he returned East.He clerked in Boston, Mass , 1851-56;Manchester, N. H., 1856-58; engagedin farming, Pomfret, Vt., 1858-62,1864-66; foreman Monadnock MillCo., Clarem

Giesenberg Edgar (1851-1892), Reichsgericht in Leipzig (without date): Perspective view. Tusche watercolor on the box, 56.5 x 88.6 cm (including scan edges) Giesenberg Edgar (1851-1892): Reichsgericht, Leipzig Stock Photo

RM2JMP378–Giesenberg Edgar (1851-1892), Reichsgericht in Leipzig (without date): Perspective view. Tusche watercolor on the box, 56.5 x 88.6 cm (including scan edges) Giesenberg Edgar (1851-1892): Reichsgericht, Leipzig

Blanket, 1851/1900, probably Pueblo Indian, North America, Southwest, Southwest, Wool, weft-faced, weft band plain weave, twined selvages, heading and finish, 206.8 x 142.5 cm (81 3/8 x 56 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B8YCBT–Blanket, 1851/1900, probably Pueblo Indian, North America, Southwest, Southwest, Wool, weft-faced, weft band plain weave, twined selvages, heading and finish, 206.8 x 142.5 cm (81 3/8 x 56 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Kieschke Paul (1851-1905), Prussian seabeave in Berlin (1901-1903): View. Photo on cardboard, 42.5 x 56.4 cm (including scan edges) Kieschke Paul (1851-1905): Preußische Seehandlung, Berlin Stock Photo

RM2JMX5PJ–Kieschke Paul (1851-1905), Prussian seabeave in Berlin (1901-1903): View. Photo on cardboard, 42.5 x 56.4 cm (including scan edges) Kieschke Paul (1851-1905): Preußische Seehandlung, Berlin

. Langstroth on the hive and honey-bee. Bees. Plate 11.. DZIERZON, Discoverer of Parthenogenesis in Queen-bees. This writer is mentioned pages 54, 56, 58, 60, 62, 64, 66, 68, 69, 75, 84, 124, 125, 140, 145, 244, 294, 296, 297, 298. 360, 361, 366, 375, 397, 5 19.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Langstroth, L. L. (Lorenzo Lorraine), 1810-1895; Dadant, Charles, 1817-1902; Dadant, C. P. (Camille Pierre), 1851-1 Stock Photo

RMPG2H0R–. Langstroth on the hive and honey-bee. Bees. Plate 11.. DZIERZON, Discoverer of Parthenogenesis in Queen-bees. This writer is mentioned pages 54, 56, 58, 60, 62, 64, 66, 68, 69, 75, 84, 124, 125, 140, 145, 244, 294, 296, 297, 298. 360, 361, 366, 375, 397, 5 19.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Langstroth, L. L. (Lorenzo Lorraine), 1810-1895; Dadant, Charles, 1817-1902; Dadant, C. P. (Camille Pierre), 1851-1

The enchanted castle. Date/Period: 1851 - 1917 (active). Painting. Oil, canvas, Wood, plaster, partially gilded. Height: 370 mm (14.56 in); Width: 475 mm (18.70 in). Author: Matthijs Maris. MARIS, MATTHIJS. Stock Photo

RMPNDHRH–The enchanted castle. Date/Period: 1851 - 1917 (active). Painting. Oil, canvas, Wood, plaster, partially gilded. Height: 370 mm (14.56 in); Width: 475 mm (18.70 in). Author: Matthijs Maris. MARIS, MATTHIJS.

Archive image from page 56 of Diary, July 16-August 30, 1906. Diary, July 16-August 30, 1906 while collecting in Virginia and West Virginia . DiaryJuly16Augu00Stej Year: 1906 Wea. MoN. Mar. 19, 1906 Thei. Wea. TuES. Mar. 20, 1906 Ther. Stock Photo

RMW1C882–Archive image from page 56 of Diary, July 16-August 30, 1906. Diary, July 16-August 30, 1906 while collecting in Virginia and West Virginia . DiaryJuly16Augu00Stej Year: 1906 Wea. MoN. Mar. 19, 1906 Thei. Wea. TuES. Mar. 20, 1906 Ther.

. English: Accession Number: 1981.9 Display Artist: Utagawa Kuniyoshi Display Title: The ghosts of the Taira attack Yoshitsune in Daimotsu Bay Creation Date: 1848-1851 Medium: Woodblock Height: 14 in. Width: 29 3/8 in. Display Dimensions: 14 in. x 29 3/8 in. (35.56 cm x 74.61 cm) Credit Line: Bequest of Admiral Elliott M. Senn Label Copy: 'Kuniyoshi was known for his unique renditions of dark and dramatic seascapes. In one of the finest surviving impressions of this print, the shadowy presence of the ghosts of Yoshitsunes defeated enemies loom in the stormclouds over his ship. Minamoto Yoshits Stock Photo

RMMNTPGM–. English: Accession Number: 1981.9 Display Artist: Utagawa Kuniyoshi Display Title: The ghosts of the Taira attack Yoshitsune in Daimotsu Bay Creation Date: 1848-1851 Medium: Woodblock Height: 14 in. Width: 29 3/8 in. Display Dimensions: 14 in. x 29 3/8 in. (35.56 cm x 74.61 cm) Credit Line: Bequest of Admiral Elliott M. Senn Label Copy: 'Kuniyoshi was known for his unique renditions of dark and dramatic seascapes. In one of the finest surviving impressions of this print, the shadowy presence of the ghosts of Yoshitsunes defeated enemies loom in the stormclouds over his ship. Minamoto Yoshits

N/A. Plate 55 of Birds of America by John James Audubon depicting Cuvier's Regulus. 21 February 2011, 20:56 (UTC). 55 Cuvier's Regulus.jpg: John James Audubon (1785–1851) Alternative names Birth name: Jean-Jacques-Fougère Audubon Description American ornithologist, naturalist, hunter and painter Date of birth/death 26 April 1785 27 January 1851 Location of birth/death Les Cayes (Haiti) New York City Work location Louisville, New Orleans, New York City, Florida Authority control : Q182882 VIAF:14765625 ISNI:0000 0001 1040 5229 ULAN:500016578 LCCN:n79018677 NLA:35010139 WorldCat Stock Photo

RMP5CJ0H–N/A. Plate 55 of Birds of America by John James Audubon depicting Cuvier's Regulus. 21 February 2011, 20:56 (UTC). 55 Cuvier's Regulus.jpg: John James Audubon (1785–1851) Alternative names Birth name: Jean-Jacques-Fougère Audubon Description American ornithologist, naturalist, hunter and painter Date of birth/death 26 April 1785 27 January 1851 Location of birth/death Les Cayes (Haiti) New York City Work location Louisville, New Orleans, New York City, Florida Authority control : Q182882 VIAF:14765625 ISNI:0000 0001 1040 5229 ULAN:500016578 LCCN:n79018677 NLA:35010139 WorldCat

N/A. Plate 12 of Birds of America by John James Audubon depicting Baltimore Oriole. 7 February 2011, 21:56 (UTC). 12 Baltimore Oriole.jpg: John James Audubon (1785–1851) Alternative names Birth name: Jean-Jacques-Fougère Audubon Description American ornithologist, naturalist, hunter and painter Date of birth/death 26 April 1785 27 January 1851 Location of birth/death Les Cayes (Haiti) New York City Work location Louisville, New Orleans, New York City, Florida Authority control : Q182882 VIAF:14765625 ISNI:0000 0001 1040 5229 ULAN:500016578 LCCN:n79018677 NLA:35010139 WorldCat Stock Photo

RMP5CHR4–N/A. Plate 12 of Birds of America by John James Audubon depicting Baltimore Oriole. 7 February 2011, 21:56 (UTC). 12 Baltimore Oriole.jpg: John James Audubon (1785–1851) Alternative names Birth name: Jean-Jacques-Fougère Audubon Description American ornithologist, naturalist, hunter and painter Date of birth/death 26 April 1785 27 January 1851 Location of birth/death Les Cayes (Haiti) New York City Work location Louisville, New Orleans, New York City, Florida Authority control : Q182882 VIAF:14765625 ISNI:0000 0001 1040 5229 ULAN:500016578 LCCN:n79018677 NLA:35010139 WorldCat

RM2A2K6JG–Blanket, 1851/1900, probably Pueblo Indian, North America, Southwest, Southwest, Wool, weft-faced, weft band plain weave, twined selvages, heading and finish, 206.8 x 142.5 cm (81 3/8 x 56 1/8 in

SONY DSC 56 Schloss Löwenberg Grundbuchauszug 1851 Stock Photo

RMP71R1T–SONY DSC 56 Schloss Löwenberg Grundbuchauszug 1851

The story of a great nationOr, Our country's achievements, military, naval, political, and civil . ALLEN THURMAN. Born in Lynchburg, Va., Nov. 13, 1813. Kemoved to-Ohio four years later. Received academic education..draitted to th(! bar, 1835. Member of the 2!)th Con-gress. .Indge Sujireme Court, Ohio. 1851. Chief-.Justicesame Court, 18.54-.56. Elected U. S. Senator, 1868, 1874.Frequently mentioned as a possible Democratic candi-date for President.. Stock Photo

RM2AWTN58–The story of a great nationOr, Our country's achievements, military, naval, political, and civil . ALLEN THURMAN. Born in Lynchburg, Va., Nov. 13, 1813. Kemoved to-Ohio four years later. Received academic education..draitted to th(! bar, 1835. Member of the 2!)th Con-gress. .Indge Sujireme Court, Ohio. 1851. Chief-.Justicesame Court, 18.54-.56. Elected U. S. Senator, 1868, 1874.Frequently mentioned as a possible Democratic candi-date for President..

56 Signature of Aimable Desire Lansot, 1799–1851, 1838 Stock Photo

RMPC72A7–56 Signature of Aimable Desire Lansot, 1799–1851, 1838

1730 Thomas Butler Gunn Diaries- Volume 2, page 56, March 1-2, 1851 Stock Photo

RMPB9A9H–1730 Thomas Butler Gunn Diaries- Volume 2, page 56, March 1-2, 1851

Kieschke Paul (1851-1905), Prussian seabeave in Berlin (1901-1903): Interior view. Photo on cardboard, 42 x 56.1 cm (including scan edges) Kieschke Paul (1851-1905): Preußische Seehandlung, Berlin Stock Photo

RM2JMX5PK–Kieschke Paul (1851-1905), Prussian seabeave in Berlin (1901-1903): Interior view. Photo on cardboard, 42 x 56.1 cm (including scan edges) Kieschke Paul (1851-1905): Preußische Seehandlung, Berlin

56 Rosalía Castro de Murguía ca 1888 Josep María Fenollera Ibáñez (Valencia 1851-S. de Compostela 1918) Stock Photo

RMP7BWXP–56 Rosalía Castro de Murguía ca 1888 Josep María Fenollera Ibáñez (Valencia 1851-S. de Compostela 1918)

Armchair. David Wolcott Kendall; American, 1851-1910; Manufacturer: Phoenix Furniture Company. Date: 1894-1896. Dimensions: 86 × 75 × 56 cm (33 7/8 × 29 1/2 × 22 in.). Green-stained oak with caned inserts. Origin: Michigan. Museum: The Chicago Art Institute. Stock Photo

RMRXEA1N–Armchair. David Wolcott Kendall; American, 1851-1910; Manufacturer: Phoenix Furniture Company. Date: 1894-1896. Dimensions: 86 × 75 × 56 cm (33 7/8 × 29 1/2 × 22 in.). Green-stained oak with caned inserts. Origin: Michigan. Museum: The Chicago Art Institute.

Kieschke Paul (1851-1905), Service building for the Prussian State Ministry and the General Order Commission, Berlin (1900-1902): cross-section 1: 100. Lithograph, 56.1 x 79.3 cm (including scan edges) Stock Photo

RM2JMN7RE–Kieschke Paul (1851-1905), Service building for the Prussian State Ministry and the General Order Commission, Berlin (1900-1902): cross-section 1: 100. Lithograph, 56.1 x 79.3 cm (including scan edges)

. Flore de Buitenzorg. Botany. 486 Fi-'. 91, F. leptopoda Geifp., Not., II, p. 437 (1849); Mitt., M. Ind. or.,p. 56(1859). F. sphaerocarpa C. Mull, in Bot. Zeit., 1851, p. 546. IF. connirens C. MiiLL^, in Bot. Zeit., 1855, p. 747; Mitt,, M. Ind. or., p. 56. ! i^. nepalensis C. Mull., in Bot. Zeit., 1855, p. 748. Einhausig. cT Bliiten wie bei Entosthodon scheibenfOriiiig. Pflanzen raeist in dichten, ausgedehnteu, bleichgruuen Rasen. — Stengel einfach oder an der Basis astig, wenige Millimeter bis 3 cm. hoch, locker schopfig beblattert, aufrecht, mit deutli- chem Centralstrang, Grundgewebe lo Stock Photo

RMPG21A3–. Flore de Buitenzorg. Botany. 486 Fi-'. 91, F. leptopoda Geifp., Not., II, p. 437 (1849); Mitt., M. Ind. or.,p. 56(1859). F. sphaerocarpa C. Mull, in Bot. Zeit., 1851, p. 546. IF. connirens C. MiiLL^, in Bot. Zeit., 1855, p. 747; Mitt,, M. Ind. or., p. 56. ! i^. nepalensis C. Mull., in Bot. Zeit., 1855, p. 748. Einhausig. cT Bliiten wie bei Entosthodon scheibenfOriiiig. Pflanzen raeist in dichten, ausgedehnteu, bleichgruuen Rasen. — Stengel einfach oder an der Basis astig, wenige Millimeter bis 3 cm. hoch, locker schopfig beblattert, aufrecht, mit deutli- chem Centralstrang, Grundgewebe lo

Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): cross-sections of the hall construction 1: 100. Lithograph, 56.1 x 75.8 cm (including scan edges) Stock Photo

RM2JMN53A–Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): cross-sections of the hall construction 1: 100. Lithograph, 56.1 x 75.8 cm (including scan edges)

Archive image from page 56 of Das Schmarotzertum im Tierreich und. Das Schmarotzertum im Tierreich und seine Bedeutung für die Artbildung dasschmarotzertu00graf Year: 1907 fii sf R ph ig. XVI. £)albd}ematidiev €ängsfd?nitt burcf? Thyca entoconcha nad 5 a raf in = Cattg, au 2Iugc, cer dcrebralganglien, da Darm, fs ßu, K IDtrtsförper, k Kieme, 1 Seher, ml ITIantel, ped pebalganglien, ph 5d?Iunbopf, R Küffel, sf u. sf 5diemfu§, st Statocyfte, vi Kopflappen (üHer). ber Capuiidae unb Eulimidae be annt. 3 (Sattung Stilifer (19. XVIII) ber letgenannten Jamilie ift aber ber Parafittsmus ein interf Stock Photo

RMW1REKN–Archive image from page 56 of Das Schmarotzertum im Tierreich und. Das Schmarotzertum im Tierreich und seine Bedeutung für die Artbildung dasschmarotzertu00graf Year: 1907 fii sf R ph ig. XVI. £)albd}ematidiev €ängsfd?nitt burcf? Thyca entoconcha nad 5 a raf in = Cattg, au 2Iugc, cer dcrebralganglien, da Darm, fs ßu, K IDtrtsförper, k Kieme, 1 Seher, ml ITIantel, ped pebalganglien, ph 5d?Iunbopf, R Küffel, sf u. sf 5diemfu§, st Statocyfte, vi Kopflappen (üHer). ber Capuiidae unb Eulimidae be annt. 3 (Sattung Stilifer (19. XVIII) ber letgenannten Jamilie ift aber ber Parafittsmus ein interf

John Gould, (artist), British, 1804 - 1881, W. Hart, (artist), British, active 1851 - 1898, Rufous-breasted Bamboo Partridge (Bambusicola Hyperythra), hand-colored lithograph on wove paper, sheet: 38.6 x 56 cm (15 3/16 x 22 1/16 in Stock Photo

RM2DCD1BW–John Gould, (artist), British, 1804 - 1881, W. Hart, (artist), British, active 1851 - 1898, Rufous-breasted Bamboo Partridge (Bambusicola Hyperythra), hand-colored lithograph on wove paper, sheet: 38.6 x 56 cm (15 3/16 x 22 1/16 in

Welsh Children, Frederick William Hulme, 1816–1884, British, 1851, Watercolor over graphite on moderately thick, moderately textured, cream wove paper, Sheet: 6 1/8 × 56 1/8 inches (15.6 × 142.6 cm), children, dress, figure study, girls, Welsh Stock Photo

RM2DHW90M–Welsh Children, Frederick William Hulme, 1816–1884, British, 1851, Watercolor over graphite on moderately thick, moderately textured, cream wove paper, Sheet: 6 1/8 × 56 1/8 inches (15.6 × 142.6 cm), children, dress, figure study, girls, Welsh

Resources and industries of the city of Lancaster, Lancaster County, Pa., with some account of its historical importance.. . PART I. Soldiers Monument, City Hall, Centre Square, Frontispiece. Lancaster County Court House, .- Page I Pennsylvania Railroad Passenger Station, 8 Lancaster County Prison, 1851-1887, 16 Lemon Street Secondary School House, 24 Farmers Northern Market House, 28 St. Marys Catholic Church, Interior, 32 Baumgardners Tobacco Warehouses, 41 Penn Iron Co.s Works, 49 Conestogo Cotton Mill,No. 2, 56 Keystone Watch Factory, 64 At Buchanans Old Home, 72 Lancaster County Aims-Hous Stock Photo

RM2AKR76R–Resources and industries of the city of Lancaster, Lancaster County, Pa., with some account of its historical importance.. . PART I. Soldiers Monument, City Hall, Centre Square, Frontispiece. Lancaster County Court House, .- Page I Pennsylvania Railroad Passenger Station, 8 Lancaster County Prison, 1851-1887, 16 Lemon Street Secondary School House, 24 Farmers Northern Market House, 28 St. Marys Catholic Church, Interior, 32 Baumgardners Tobacco Warehouses, 41 Penn Iron Co.s Works, 49 Conestogo Cotton Mill,No. 2, 56 Keystone Watch Factory, 64 At Buchanans Old Home, 72 Lancaster County Aims-Hous

Joseph Mallord William Turner, (artist), British, 1775 - 1851, The Junction of the Thames and the Medway, 1807, oil on canvas, overall: 108.8 x 143.7 cm (42 13/16 x 56 9/16 in.), framed: 148 x 180.3 cm (58 1/4 x 71 in Stock Photo

RM2DCFP4H–Joseph Mallord William Turner, (artist), British, 1775 - 1851, The Junction of the Thames and the Medway, 1807, oil on canvas, overall: 108.8 x 143.7 cm (42 13/16 x 56 9/16 in.), framed: 148 x 180.3 cm (58 1/4 x 71 in

. portrait of Auguste Marceau 1806-1851 a french naval officer . 2 February 2008 (upload date). scan made by arsène lapin 56 Auguste marceau Stock Photo

RMMYB04A–. portrait of Auguste Marceau 1806-1851 a french naval officer . 2 February 2008 (upload date). scan made by arsène lapin 56 Auguste marceau

Gournah, Colosse Monolithe d'Aménôpht III; Thèbes. Maxime Du Camp; French, 1822-1894. Date: 1849-1851. Dimensions: 19.9 × 15.8 cm (image/paper); 43 × 29.9 cm (album page). Salted paper print, plate 56 from the album 'Egypte, Nubie, Palestine et Syrie' (1852). Origin: France. Museum: The Chicago Art Institute. Stock Photo

RMRXJYXF–Gournah, Colosse Monolithe d'Aménôpht III; Thèbes. Maxime Du Camp; French, 1822-1894. Date: 1849-1851. Dimensions: 19.9 × 15.8 cm (image/paper); 43 × 29.9 cm (album page). Salted paper print, plate 56 from the album 'Egypte, Nubie, Palestine et Syrie' (1852). Origin: France. Museum: The Chicago Art Institute.

English: Exhibit in the O. Henry Museum - Austin, Texas, USA. This work is old enough so that it is in the . 19 November 2015, 15:03:56 55 Brooch with hair of Maria Brown Austin, c. 1824-1851 - O. Henry Museum - Austin, Texas - DSC09277 Stock Photo

RMP7R8T7–English: Exhibit in the O. Henry Museum - Austin, Texas, USA. This work is old enough so that it is in the . 19 November 2015, 15:03:56 55 Brooch with hair of Maria Brown Austin, c. 1824-1851 - O. Henry Museum - Austin, Texas - DSC09277

. Deutsch: Junge Italienerin. Öl auf Leinwand. 56 x 45 cm. Rechts oben signiert. 19th century. Leonardo Gasser (1831–after 1892) Description Italian painter student of Michele Gordigiani Date of birth/death 1831 after 1892 Location of birth Florence Work period 1851–1892 Work location Florence Authority control : Q26242300 VIAF: 96226390 ULAN: 500076869 RKD: 30373 804 Leonardo Gasser Junge Italienerin Stock Photo

RMMP93C4–. Deutsch: Junge Italienerin. Öl auf Leinwand. 56 x 45 cm. Rechts oben signiert. 19th century. Leonardo Gasser (1831–after 1892) Description Italian painter student of Michele Gordigiani Date of birth/death 1831 after 1892 Location of birth Florence Work period 1851–1892 Work location Florence Authority control : Q26242300 VIAF: 96226390 ULAN: 500076869 RKD: 30373 804 Leonardo Gasser Junge Italienerin

Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): floor plan Oberes EG 1: 100. Lithograph, 56.1 x 75.8 cm (including scan edges) Stock Photo

RM2JMN538–Kieschke Paul (1851-1905), government building, Koblenz. Presidential residential building and Saalbau (approx. 1902-1906): floor plan Oberes EG 1: 100. Lithograph, 56.1 x 75.8 cm (including scan edges)

RMW1REJA–Archive image from page 56 of Das Schmarotzertum im Tierreich und. Das Schmarotzertum im Tierreich und seine Bedeutung für die Artbildung dasschmarotzertu00graf Year: 1907 paraftiifrfic Sdincden. 9 eÜoparafittfcbe Sd)neäen nb als (Gattung, Thyca (ig. XVI) unb Mucronalia (XVII) aus ben fonft freüebenben (Familien ait fii sf R ph ig. XVI. £)albd}ematidiev €ängsfd?nitt burcf? Thyca entoconcha nad 5 a raf in = Cattg, au 2Iugc, cer dcrebralganglien, da Darm, fs ßu, K IDtrtsförper, k Kieme, 1 Seher, ml ITIantel, ped pebalganglien, ph 5d?Iunbopf, R Küffel, sf u. sf 5diemfu§, st Statocyfte, vi

Kieschke Paul (1851-1905), Prussian seabeave in Berlin (1901-1903): Interior view. Photo on cardboard, 42.2 x 56.1 cm (including scan edges) Kieschke Paul (1851-1905): Preußische Seehandlung, Berlin Stock Photo

RM2JMX5R4–Kieschke Paul (1851-1905), Prussian seabeave in Berlin (1901-1903): Interior view. Photo on cardboard, 42.2 x 56.1 cm (including scan edges) Kieschke Paul (1851-1905): Preußische Seehandlung, Berlin

Kieschke Paul (1851-1905), Reichstag, Berlin. Second competition (1882): longitudinal section 1: 200. Ink, pencil watercolor on the box, 56 x 96.1 cm (including scan edges) Kieschke Paul (1851-1905): Reichstag, Berlin. Zweiter Wettbewerb Stock Photo

RM2JMR150–Kieschke Paul (1851-1905), Reichstag, Berlin. Second competition (1882): longitudinal section 1: 200. Ink, pencil watercolor on the box, 56 x 96.1 cm (including scan edges) Kieschke Paul (1851-1905): Reichstag, Berlin. Zweiter Wettbewerb

Kieschke Paul (1851-1905), Service building for the Prussian State Ministry, Berlin. General Lottery Directorate (?) (Approx. 1903): Court view. Photo on cardboard, 46 x 56 cm (including scan edges) Kieschke Paul (1851-1905): Dienstgebäude (?) Stock Photo

RM2JN1NNY–Kieschke Paul (1851-1905), Service building for the Prussian State Ministry, Berlin. General Lottery Directorate (?) (Approx. 1903): Court view. Photo on cardboard, 46 x 56 cm (including scan edges) Kieschke Paul (1851-1905): Dienstgebäude (?)

Schupmann Ludwig (1851-1920), club house of the Berlin artists. Schinkel competition 1880 (1880): cross section (neckline); Scale bar. Tusche watercolor on the box, 65.2 x 56 cm (including scan edges) Schupmann Ludwig (1851-1920): Vereinshaus der Berliner Künstler. Schinkelwettbewerb 1880 Stock Photo

RM2JMTA0Y–Schupmann Ludwig (1851-1920), club house of the Berlin artists. Schinkel competition 1880 (1880): cross section (neckline); Scale bar. Tusche watercolor on the box, 65.2 x 56 cm (including scan edges) Schupmann Ludwig (1851-1920): Vereinshaus der Berliner Künstler. Schinkelwettbewerb 1880

. Storia dell'Italia antica. pariscesempre di eleganza e di proprietà squisitissima, quan-tunque fosse ripreso del difetto di pafavinità da Pollione,la quale pare che stesse in certa peregrinità di parolespiacevoli alle orecchie romane *. * i Quintiliano, I, 5, 55-56, Vili, 1, 2-3; Morhof, De patavinitate Livianay Kiliae 1685;Eckard, De C. Asinio PoUione iniqìto optimorum latinitatis atictortim censore^ lenae1743, pag. CO; Walch, Historia critica lalinac Unguae, Lipsiao 1729, pag. 188, e segg.;Wiedemann, Quaiatio de Patavinitate Limi^ I-III, Gorlitz 1818, 1851, 1855; Wein-gaerlner. De T. Livii Stock Photo

RM2AG4M37–. Storia dell'Italia antica. pariscesempre di eleganza e di proprietà squisitissima, quan-tunque fosse ripreso del difetto di pafavinità da Pollione,la quale pare che stesse in certa peregrinità di parolespiacevoli alle orecchie romane *. * i Quintiliano, I, 5, 55-56, Vili, 1, 2-3; Morhof, De patavinitate Livianay Kiliae 1685;Eckard, De C. Asinio PoUione iniqìto optimorum latinitatis atictortim censore^ lenae1743, pag. CO; Walch, Historia critica lalinac Unguae, Lipsiao 1729, pag. 188, e segg.;Wiedemann, Quaiatio de Patavinitate Limi^ I-III, Gorlitz 1818, 1851, 1855; Wein-gaerlner. De T. Livii

W. Hart, (artist), British, active 1851 - 1898, Trichoparadisea Gulielmi, John Gould's 'The Birds of New Guinea and the adjacent Papuan Islands...', (series), published 1875-1888, hand-colored lithograph on wove paper, sheet: 56.5 x 38.7 cm (22 1/4 x 15 1/4 in Stock Photo

RM2DCDNFK–W. Hart, (artist), British, active 1851 - 1898, Trichoparadisea Gulielmi, John Gould's 'The Birds of New Guinea and the adjacent Papuan Islands...', (series), published 1875-1888, hand-colored lithograph on wove paper, sheet: 56.5 x 38.7 cm (22 1/4 x 15 1/4 in

Artist: William Strickland, American, 1788–1854, After: Thomas Birch, American, born England, 1779–1851, View of the Water Gap and Columbian Glassworks, River Delaware, Colored aquatint. Pasted flat on cardboard., 41.6 × 56.5 cm (16 3/8 × 22 1/4 in.), Made in United States, American, 19th century, Works on Paper - Prints Stock Photo

RM2DR9JXG–Artist: William Strickland, American, 1788–1854, After: Thomas Birch, American, born England, 1779–1851, View of the Water Gap and Columbian Glassworks, River Delaware, Colored aquatint. Pasted flat on cardboard., 41.6 × 56.5 cm (16 3/8 × 22 1/4 in.), Made in United States, American, 19th century, Works on Paper - Prints

Rockets and Blue Lights, Print made by Robert Carrick, active 1847–1893, British, after Joseph Mallord William Turner, 1775–1851, British, 1852, Chromolithograph on moderately thick,smooth, cream wove paper mounted to beige board, Sheet: 22 3/8 × 30 inches (56.8 × 76.2 cm) and Mount: 26 1/2 × 35 1/4 inches (67.3 × 89.5 cm Stock Photo

RM2DHY3NY–Rockets and Blue Lights, Print made by Robert Carrick, active 1847–1893, British, after Joseph Mallord William Turner, 1775–1851, British, 1852, Chromolithograph on moderately thick,smooth, cream wove paper mounted to beige board, Sheet: 22 3/8 × 30 inches (56.8 × 76.2 cm) and Mount: 26 1/2 × 35 1/4 inches (67.3 × 89.5 cm

Diana and Endymion. Artist: After George Frederic Watts (British, London 1817-1904 London). Dimensions: Plate: 18 × 22 3/16 in. (45.7 × 56.3 cm) Sheet: 21 1/8 × 25 1/8 in. (53.7 × 63.8 cm). Etcher: Sir Frank Short (British, Stourbridge, West Midlands 1857-1945 Ditchling, East Sussex). Publisher: Robert Dunthorne (British, born ca. 1851). Date: December 1, 1891. Despite her sworn chastity, the moon goddess Diana fell in love with the beautiful shepherd Endymion and watched over him while he slept. This mezzotint shows the couple kissing and is based on a painting by Watts of 1869 (private col Stock Photo

RMR2K36C–Diana and Endymion. Artist: After George Frederic Watts (British, London 1817-1904 London). Dimensions: Plate: 18 × 22 3/16 in. (45.7 × 56.3 cm) Sheet: 21 1/8 × 25 1/8 in. (53.7 × 63.8 cm). Etcher: Sir Frank Short (British, Stourbridge, West Midlands 1857-1945 Ditchling, East Sussex). Publisher: Robert Dunthorne (British, born ca. 1851). Date: December 1, 1891. Despite her sworn chastity, the moon goddess Diana fell in love with the beautiful shepherd Endymion and watched over him while he slept. This mezzotint shows the couple kissing and is based on a painting by Watts of 1869 (private col

. English: Accession Number: 1928.57.a Display Artist: Utagawa Kuniyoshi Display Title: Sudden Shower in the Summer Creation Date: ca. 1849-1851 Height: 14 in. Width: 29 7/16 in. Display Dimensions: 14 in. x 29 7/16 in. (35.56 cm x 74.77 cm) Publisher: Hayashiya Shogoro Credit Line: Gift of Alice Klauber Label Copy: 'During the late 1840s there was an increased demand for figural triptychs, and a number of artists produced interesting works in this genre. This print features three women with kasa (Japanese umbrellas) caught in a torrential summer downpour. Kuniyoshi here emphasizes the relentl Stock Photo

RMMNXGFP–. English: Accession Number: 1928.57.a Display Artist: Utagawa Kuniyoshi Display Title: Sudden Shower in the Summer Creation Date: ca. 1849-1851 Height: 14 in. Width: 29 7/16 in. Display Dimensions: 14 in. x 29 7/16 in. (35.56 cm x 74.77 cm) Publisher: Hayashiya Shogoro Credit Line: Gift of Alice Klauber Label Copy: 'During the late 1840s there was an increased demand for figural triptychs, and a number of artists produced interesting works in this genre. This print features three women with kasa (Japanese umbrellas) caught in a torrential summer downpour. Kuniyoshi here emphasizes the relentl

1851 56 Stock Photos and Images

1851 56 Stock Photos and Images

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