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1846 47 Stock Photos and Images
Cronin & Wheeler, British, active c. 1846, Caddy Spoon, 1846/47, Silver, Overall: 3 1/8 in. (7.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cronin-wheeler-british-active-c-1846-caddy-spoon-184647-silver-overall-3-18-in-79-cm-image344581816.htmlRM2B0H1HC–Cronin & Wheeler, British, active c. 1846, Caddy Spoon, 1846/47, Silver, Overall: 3 1/8 in. (7.9 cm
Mexico: Wagons on the Sante Fe trail with mountains the rest of the way, 1846-47. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mexico-wagons-on-the-sante-fe-trail-with-mountains-the-rest-of-the-way-1846-47-image268820912.htmlRMWH9RPT–Mexico: Wagons on the Sante Fe trail with mountains the rest of the way, 1846-47.
Miquelet Pistol, dated A.H. 1263/A.D. 1846–47, Caucasian, possibly Georgia or Circassia, Steel, silver, niello, leather, ivory Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-miquelet-pistol-dated-ah-1263ad-184647-caucasian-possibly-georgia-162416985.htmlRMKC6MEH–Miquelet Pistol, dated A.H. 1263/A.D. 1846–47, Caucasian, possibly Georgia or Circassia, Steel, silver, niello, leather, ivory
Art inspired by Chamber candlestick, 1846–47, British, London, Silver, h. 2 3/4 x w. 5 in. (7 x 12.7 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-chamber-candlestick-184647-british-london-silver-h-2-34-x-w-5-in-7-x-127-cm-metalwork-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778949.htmlRF2HTWB7H–Art inspired by Chamber candlestick, 1846–47, British, London, Silver, h. 2 3/4 x w. 5 in. (7 x 12.7 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Chamber candlestick, 1846–47, British, London, Silver, h. 2 3/4 x w. 5 in. (7 x 12.7 cm), Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chamber-candlestick-184647-british-london-silver-h-2-34-x-w-5-in-7-162580009.htmlRMKCE4CW–Chamber candlestick, 1846–47, British, London, Silver, h. 2 3/4 x w. 5 in. (7 x 12.7 cm), Metalwork-Silver
Art inspired by Self-Portrait, 1846–47, Daguerreotype, Image: 13.3 x 10.3 cm (5 1/4 x 4 1/16 in.), Photographs, Louis-Adolphe Humbert de Molard (French, Paris 1800–1874, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-self-portrait-184647-daguerreotype-image-133-x-103-cm-5-14-x-4-116-in-photographs-louis-adolphe-humbert-de-molard-french-paris-18001874-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462939062.htmlRF2HW4KDX–Art inspired by Self-Portrait, 1846–47, Daguerreotype, Image: 13.3 x 10.3 cm (5 1/4 x 4 1/16 in.), Photographs, Louis-Adolphe Humbert de Molard (French, Paris 1800–1874, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Vinaigrette with View of Warwick Castle, 1846/47, Nathaniel Mills, Birmingham, England, Birmingham, Silver gilt, 3.8 × 2.5 cm (1 1/2 × 1 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vinaigrette-with-view-of-warwick-castle-184647-nathaniel-mills-birmingham-england-birmingham-silver-gilt-38-25-cm-1-12-1-in-image328647872.htmlRM2A2K5M0–Vinaigrette with View of Warwick Castle, 1846/47, Nathaniel Mills, Birmingham, England, Birmingham, Silver gilt, 3.8 × 2.5 cm (1 1/2 × 1 in
Art inspired by William and Sophia Palmer Langenheim, ca. 1846–47, Daguerreotype, Image: 12.1 x 8.9 cm (4 3/4 x 3 1/2 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-william-and-sophia-palmer-langenheim-ca-184647-daguerreotype-image-121-x-89-cm-4-34-x-3-12-in-photographs-william-langenheim-american-born-germany-schningen-18071874-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938975.htmlRF2HW4KAR–Art inspired by William and Sophia Palmer Langenheim, ca. 1846–47, Daguerreotype, Image: 12.1 x 8.9 cm (4 3/4 x 3 1/2 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Woman Reading, after Pieter Janssens Elinga. Artist: François Bonvin (French, Paris 1817-1888 Saint-Germain-en-Laye); Pieter Janssens Elinga. Dimensions: Sheet: 5 7/8 x 4 1/2 in. (14.9 x 11.5cm). Date: 1846-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-reading-after-pieter-janssens-elinga-artist-franois-bonvin-french-paris-1817-1888-saint-germain-en-laye-pieter-janssens-elinga-dimensions-sheet-5-78-x-4-12-in-149-x-115cm-date-1846-47-museum-metropolitan-museum-of-art-new-york-usa-image213423287.htmlRMPB67G7–A Woman Reading, after Pieter Janssens Elinga. Artist: François Bonvin (French, Paris 1817-1888 Saint-Germain-en-Laye); Pieter Janssens Elinga. Dimensions: Sheet: 5 7/8 x 4 1/2 in. (14.9 x 11.5cm). Date: 1846-47. Museum: Metropolitan Museum of Art, New York, USA.
Inspired by A Pic-Nic Party, Thomas Cole, American, born England, 1801-1848, Oil on canvas, 1846, 47 7/8 x 54 in., 121.6 x 137.2 cm, 1800s, 19th Century, 19thC, American, american art, american painting, basket, boat, bucolic, children, clouds, Cole, country, Food and Drink, games, grass, green, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-a-pic-nic-party-thomas-cole-american-born-england-1801-1848-oil-on-canvas-1846-47-78-x-54-in-1216-x-1372-cm-1800s-19th-century-19thc-american-american-art-american-painting-basket-boat-bucolic-children-clouds-cole-country-food-and-drink-games-grass-green-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459258190.htmlRF2HK50E6–Inspired by A Pic-Nic Party, Thomas Cole, American, born England, 1801-1848, Oil on canvas, 1846, 47 7/8 x 54 in., 121.6 x 137.2 cm, 1800s, 19th Century, 19thC, American, american art, american painting, basket, boat, bucolic, children, clouds, Cole, country, Food and Drink, games, grass, green, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: Oil Painting of Herman Melville in 1846/7. . July 1846. 1209 Herman Melville 1846-47 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-oil-painting-of-herman-melville-in-18467-july-1846-1209-herman-melville-1846-47-image185698447.htmlRMMP387B–. English: Oil Painting of Herman Melville in 1846/7. . July 1846. 1209 Herman Melville 1846-47
Art inspired by A Woman Reading, after Pieter Janssens Elinga, 1846–47, Watercolor and gouache, Sheet: 5 7/8 x 4 1/2 in. (14.9 x 11.5cm), Drawings, François Bonvin (French, Paris 1817–1888 Saint-Germain-en-Laye), Pieter Janssens Elinga, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-woman-reading-after-pieter-janssens-elinga-184647-watercolor-and-gouache-sheet-5-78-x-4-12-in-149-x-115cm-drawings-franois-bonvin-french-paris-18171888-saint-germain-en-laye-pieter-janssens-elinga-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462945341.htmlRF2HW4YE5–Art inspired by A Woman Reading, after Pieter Janssens Elinga, 1846–47, Watercolor and gouache, Sheet: 5 7/8 x 4 1/2 in. (14.9 x 11.5cm), Drawings, François Bonvin (French, Paris 1817–1888 Saint-Germain-en-Laye), Pieter Janssens Elinga, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Q15805820. Die Sentimentale. Öl auf Leinwand. 36,5 x 30,5 cm. Um 1846/47. Eigenhändige Fassung. (neben der im Kunstmuseum Düsseldorf und der im Heimatmuseum Remscheid). circa 1846. 727 Johann Peter Hasenclever Die Sentimentale c1846-47 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/q15805820-die-sentimentale-l-auf-leinwand-365-x-305-cm-um-184647-eigenhndige-fassung-neben-der-im-kunstmuseum-dsseldorf-und-der-im-heimatmuseum-remscheid-circa-1846-727-johann-peter-hasenclever-die-sentimentale-c1846-47-image185812433.htmlRMMP8DJ9–Q15805820. Die Sentimentale. Öl auf Leinwand. 36,5 x 30,5 cm. Um 1846/47. Eigenhändige Fassung. (neben der im Kunstmuseum Düsseldorf und der im Heimatmuseum Remscheid). circa 1846. 727 Johann Peter Hasenclever Die Sentimentale c1846-47
Art inspired by Miquelet Pistol, dated A.H. 1263/A.D. 1846–47, Caucasian, possibly Georgia or Circassia, Steel, silver, niello, leather, ivory, gold, L. 17 1/2 in. (44.45 cm), Firearms-Pistols-Miquelet, The barrel is signed in both Russian and Arabic, suggesting that the pistol was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-miquelet-pistol-dated-ah-1263ad-184647-caucasian-possibly-georgia-or-circassia-steel-silver-niello-leather-ivory-gold-l-17-12-in-4445-cm-firearms-pistols-miquelet-the-barrel-is-signed-in-both-russian-and-arabic-suggesting-that-the-pistol-was-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462901139.htmlRF2HW2Y3F–Art inspired by Miquelet Pistol, dated A.H. 1263/A.D. 1846–47, Caucasian, possibly Georgia or Circassia, Steel, silver, niello, leather, ivory, gold, L. 17 1/2 in. (44.45 cm), Firearms-Pistols-Miquelet, The barrel is signed in both Russian and Arabic, suggesting that the pistol was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Eight Months with Dr. Leichhardt in the years 1846-47 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-eight-months-with-dr-leichhardt-in-the-years-1846-47-140880792.htmlRMJ55JTT–Eight Months with Dr. Leichhardt in the years 1846-47
Art inspired by A Pic-Nic Party, Thomas Cole, American, born England, 1801-1848, Oil on canvas, 1846, 47 7/8 x 54 in., 121.6 x 137.2 cm, 1800s, 19th Century, 19thC, American, american art, american painting, basket, boat, bucolic, children, clouds, Cole, country, Food and Drink, games, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-pic-nic-party-thomas-cole-american-born-england-1801-1848-oil-on-canvas-1846-47-78-x-54-in-1216-x-1372-cm-1800s-19th-century-19thc-american-american-art-american-painting-basket-boat-bucolic-children-clouds-cole-country-food-and-drink-games-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570436.htmlRF2HKK6NT–Art inspired by A Pic-Nic Party, Thomas Cole, American, born England, 1801-1848, Oil on canvas, 1846, 47 7/8 x 54 in., 121.6 x 137.2 cm, 1800s, 19th Century, 19thC, American, american art, american painting, basket, boat, bucolic, children, clouds, Cole, country, Food and Drink, games, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Herman Melville 1846-47 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-herman-melville-1846-47-134880170.htmlRMHRC90X–Herman Melville 1846-47
Abraham Lincoln (1809-1856) in daguerreotype by Nicholas H. Shepherd between 1846-47, during Lincolns term in Congress. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-abraham-lincoln-1809-1856-in-daguerreotype-by-nicholas-h-shepherd-50019678.htmlRMCWAGH2–Abraham Lincoln (1809-1856) in daguerreotype by Nicholas H. Shepherd between 1846-47, during Lincolns term in Congress.
Cole Thomas Prometheus Bound 1846-47. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cole-thomas-prometheus-bound-1846-47-image260479146.htmlRMW3NRPJ–Cole Thomas Prometheus Bound 1846-47.
John Brown by Augustus Washington, 1846-47 reprint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-brown-by-augustus-washington-1846-47-reprint-image259947796.htmlRMW2WJ1T–John Brown by Augustus Washington, 1846-47 reprint
Red Indian hieroglyphy: Hieroglyphics passed on the Sante Fe trail. 1846-47. Found in Arizona. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-indian-hieroglyphy-hieroglyphics-passed-on-the-sante-fe-trail-1846-47-found-in-arizona-image268827100.htmlRMWHA3KT–Red Indian hieroglyphy: Hieroglyphics passed on the Sante Fe trail. 1846-47. Found in Arizona.
Hon. le Grand G. Capers, United States judge for Tampico & state of Tamolipas Mexico in 1846, 47, & 48 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hon-le-grand-g-capers-united-states-judge-for-tampico-state-of-tamolipas-mexico-in-1846-47-48-image269702792.htmlRMWJP0JG–Hon. le Grand G. Capers, United States judge for Tampico & state of Tamolipas Mexico in 1846, 47, & 48
Raiffeisendenkmal, Friedrich Wilhelm Raiffeisen, Founded in the Brodverein 1846-47, Altenkirchen - Weyerbusch, Westerwald, Rhine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raiffeisendenkmal-friedrich-wilhelm-raiffeisen-founded-in-the-brodverein-78460913.htmlRMEFJ5KD–Raiffeisendenkmal, Friedrich Wilhelm Raiffeisen, Founded in the Brodverein 1846-47, Altenkirchen - Weyerbusch, Westerwald, Rhine
Lange Ludwig (1808-1868), Redeemer Church in Athens. (From: L. Lange, works of higher architecture, 1846/1847) (1861): Choral view. Pressure on paper, 63.7 x 45 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1846/47. Erlöserkirche, Athen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lange-ludwig-1808-1868-redeemer-church-in-athens-from-l-lange-works-of-higher-architecture-18461847-1861-choral-view-pressure-on-paper-637-x-45-cm-including-scan-edges-lange-ludwig-1808-1868-werke-der-hheren-baukunst-darmstadt-184647-erlserkirche-athen-image477450318.htmlRM2JMNMN2–Lange Ludwig (1808-1868), Redeemer Church in Athens. (From: L. Lange, works of higher architecture, 1846/1847) (1861): Choral view. Pressure on paper, 63.7 x 45 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1846/47. Erlöserkirche, Athen
Raiffeisenhaus, Friedrich Wilhelm Raiffeisen (1818-1888), Founder of the Brodverein 1846-47, Flammersfeld, Westerwald, Rhineland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raiffeisenhaus-friedrich-wilhelm-raiffeisen-1818-1888-founder-of-the-78460963.htmlRMEFJ5N7–Raiffeisenhaus, Friedrich Wilhelm Raiffeisen (1818-1888), Founder of the Brodverein 1846-47, Flammersfeld, Westerwald, Rhineland
Vinaigrette with Harbor Scene, 1846/47, George Unite, Birmingham, England, Birmingham, Silver and silver gilt, 4.5 × 2.5 cm (1 3/4 × 1 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vinaigrette-with-harbor-scene-184647-george-unite-birmingham-england-birmingham-silver-and-silver-gilt-45-25-cm-1-34-1-in-image328647882.htmlRM2A2K5MA–Vinaigrette with Harbor Scene, 1846/47, George Unite, Birmingham, England, Birmingham, Silver and silver gilt, 4.5 × 2.5 cm (1 3/4 × 1 in
Art inspired by Descriptive Key to: The Gothic Armoury, 3 Grosvenor Street, London, 1838, Lithograph, sheet: 15 5/16 x 22 1/8 in. (38.9 x 56.2 cm), Prints, Douglas Morison (British, London ca. 1810–1846/47 Dachet, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-descriptive-key-to-the-gothic-armoury-3-grosvenor-street-london-1838-lithograph-sheet-15-516-x-22-18-in-389-x-562-cm-prints-douglas-morison-british-london-ca-1810184647-dachet-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462996076.htmlRF2HW7864–Art inspired by Descriptive Key to: The Gothic Armoury, 3 Grosvenor Street, London, 1838, Lithograph, sheet: 15 5/16 x 22 1/8 in. (38.9 x 56.2 cm), Prints, Douglas Morison (British, London ca. 1810–1846/47 Dachet, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Descriptive Key to: The Gothic Armoury, 3 Grosvenor Street, London. Artist: Douglas Morison (British, London ca. 1810-1846/47 Dachet). Dimensions: sheet: 15 5/16 x 22 1/8 in. (38.9 x 56.2 cm). Publisher: P. & D. Colnaghi & Co.. Date: 1838. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/descriptive-key-to-the-gothic-armoury-3-grosvenor-street-london-artist-douglas-morison-british-london-ca-1810-184647-dachet-dimensions-sheet-15-516-x-22-18-in-389-x-562-cm-publisher-p-d-colnaghi-co-date-1838-museum-metropolitan-museum-of-art-new-york-usa-image213395919.htmlRMPB50JR–Descriptive Key to: The Gothic Armoury, 3 Grosvenor Street, London. Artist: Douglas Morison (British, London ca. 1810-1846/47 Dachet). Dimensions: sheet: 15 5/16 x 22 1/8 in. (38.9 x 56.2 cm). Publisher: P. & D. Colnaghi & Co.. Date: 1838. Museum: Metropolitan Museum of Art, New York, USA.
!['Inner court, house of Marcus Lucretius, Pompeii, Italy', c1909. The ancient Roman city of Pompeii was buried under two metres of volcanic ash in the eruption of Mount Vesuvius in AD 79. The House of Marcus Lucretius was first excavated in 1846-47. To be viewed on a Sun Sculpture stereoscope made by Underwood & Underwood. [The Rose Stereograph Company, Melbourne, Sydney, Wellington & London, c1909] Stock Photo](https://c8.alamy.com/comp/2AG0GAX/inner-court-house-of-marcus-lucretius-pompeii-italy-c1909-the-ancient-roman-city-of-pompeii-was-buried-under-two-metres-of-volcanic-ash-in-the-eruption-of-mount-vesuvius-in-ad-79-the-house-of-marcus-lucretius-was-first-excavated-in-1846-47-to-be-viewed-on-a-sun-sculpture-stereoscope-made-by-underwood-amp-underwood-the-rose-stereograph-company-melbourne-sydney-wellington-amp-london-c1909-2AG0GAX.jpg "'Inner court, house of Marcus Lucretius, Pompeii, Italy', c1909. The ancient Roman city of Pompeii was buried under two metres of volcanic ash in the eruption of Mount Vesuvius in AD 79. The House of Marcus Lucretius was first excavated in 1846-47. To be viewed on a Sun Sculpture stereoscope made by Underwood & Underwood. [The Rose Stereograph Company, Melbourne, Sydney, Wellington & London, c1909] Stock Photo")
'Inner court, house of Marcus Lucretius, Pompeii, Italy', c1909. The ancient Roman city of Pompeii was buried under two metres of volcanic ash in the eruption of Mount Vesuvius in AD 79. The House of Marcus Lucretius was first excavated in 1846-47. To be viewed on a Sun Sculpture stereoscope made by Underwood & Underwood. [The Rose Stereograph Company, Melbourne, Sydney, Wellington & London, c1909] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inner-court-house-of-marcus-lucretius-pompeii-italy-c1909-the-ancient-roman-city-of-pompeii-was-buried-under-two-metres-of-volcanic-ash-in-the-eruption-of-mount-vesuvius-in-ad-79-the-house-of-marcus-lucretius-was-first-excavated-in-1846-47-to-be-viewed-on-a-sun-sculpture-stereoscope-made-by-underwood-amp-underwood-the-rose-stereograph-company-melbourne-sydney-wellington-amp-london-c1909-image336844338.htmlRM2AG0GAX–'Inner court, house of Marcus Lucretius, Pompeii, Italy', c1909. The ancient Roman city of Pompeii was buried under two metres of volcanic ash in the eruption of Mount Vesuvius in AD 79. The House of Marcus Lucretius was first excavated in 1846-47. To be viewed on a Sun Sculpture stereoscope made by Underwood & Underwood. [The Rose Stereograph Company, Melbourne, Sydney, Wellington & London, c1909]
Katarina Ivanovic - Portrait of Belgrade Woman (1846-47) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/katarina-ivanovic-portrait-of-belgrade-woman-1846-47-image470172647.htmlRF2J8X607–Katarina Ivanovic - Portrait of Belgrade Woman (1846-47)
Portrait of Felix Mendelssohn-Bartholdy. 1846-1847, by Ludwig Blau (1808/1810-1899) – graphic artist. Jakob Ludwig Felix Mendelssohn Bartholdy (1809 – Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-felix-mendelssohn-bartholdy-1846-1847-by-ludwig-blau-18081810-1899-graphic-artist-jakob-ludwig-felix-mendelssohn-bartholdy-1809-image457380753.htmlRM2HG3DPW–Portrait of Felix Mendelssohn-Bartholdy. 1846-1847, by Ludwig Blau (1808/1810-1899) – graphic artist. Jakob Ludwig Felix Mendelssohn Bartholdy (1809 –
Prometheus Bound. 1847. Cole Thomas Prometheus Bound 1846-47 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prometheus-bound-1847-cole-thomas-prometheus-bound-1846-47-image184770263.htmlRMMMH09Y–Prometheus Bound. 1847. Cole Thomas Prometheus Bound 1846-47
Abraham Lincoln (1809-1856) in daguerreotype by Nicholas H. Shepherd between 1846-47, during Lincolns term in Congress. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-abraham-lincoln-1809-1856-in-daguerreotype-by-nicholas-h-shepherd-32380583.htmlRMBTK1NB–Abraham Lincoln (1809-1856) in daguerreotype by Nicholas H. Shepherd between 1846-47, during Lincolns term in Congress.
http://hdl.loc.gov/loc.pnp/pga.06382 766 Hon. le Grand G. Capers, United States judge for Tampico & state of Tamolipas Mexico in 1846, 47, & 48 LCCN2003655005 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/httphdllocgovlocpnppga06382-766-hon-le-grand-g-capers-united-states-judge-for-tampico-amp-state-of-tamolipas-mexico-in-1846-47-amp-48-lccn2003655005-image213493180.htmlRMPB9CMC–http://hdl.loc.gov/loc.pnp/pga.06382 766 Hon. le Grand G. Capers, United States judge for Tampico & state of Tamolipas Mexico in 1846, 47, & 48 LCCN2003655005
1846-47 John Brown by Augustus Washington Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1846-47-john-brown-by-augustus-washington-147382723.htmlRMJFNT4K–1846-47 John Brown by Augustus Washington
Herman Melville 1846-47 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-herman-melville-1846-47-134860234.htmlRMHRBBGX–Herman Melville 1846-47
Abraham Lincoln (1809-1856) in daguerreotype by Nicholas H. Shepherd taken between 1846-47, during Lincoln's term in Congress. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-abraham-lincoln-1809-1856-in-daguerreotype-by-nicholas-h-shepherd-50019685.htmlRMCWAGH9–Abraham Lincoln (1809-1856) in daguerreotype by Nicholas H. Shepherd taken between 1846-47, during Lincoln's term in Congress.
1846-47 John Brown by Augustus Washington Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1846-47-john-brown-by-augustus-washington-134908331.htmlRMHRDGXK–1846-47 John Brown by Augustus Washington
Malaci y, viatoha Stanis ava. , (1846-47). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/malaci-y-viatoha-stanis-ava-1846-47-image398226429.htmlRM2E3TNTD–Malaci y, viatoha Stanis ava. , (1846-47).
Exploration of South America and Mexico. Abert Expedition Rico Grande Pueblo 1846-47. Among the reconnaissance expeditions that revealed the physical and cultural contours of the trans-Mississippi West, the 1845 venture of . Lieutentant James W. Abert from New Mexico across Oklahoma to St. Louis, Missouri, completed an important survey of the region’s resources. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exploration-of-south-america-and-mexico-abert-expedition-rico-grande-pueblo-1846-47-among-the-reconnaissance-expeditions-that-revealed-the-physical-and-cultural-contours-of-the-trans-mississippi-west-the-1845-venture-of-lieutentant-james-w-abert-from-new-mexico-across-oklahoma-to-st-louis-missouri-completed-an-important-survey-of-the-regions-resources-image268791219.htmlRMWH8DXB–Exploration of South America and Mexico. Abert Expedition Rico Grande Pueblo 1846-47. Among the reconnaissance expeditions that revealed the physical and cultural contours of the trans-Mississippi West, the 1845 venture of . Lieutentant James W. Abert from New Mexico across Oklahoma to St. Louis, Missouri, completed an important survey of the region’s resources.
Hon. le Grand G. Capers, juez de los Estados Unidons de Tampico y estado de Tamolepos Mejico en 1846, 47, y 48 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hon-le-grand-g-capers-juez-de-los-estados-unidons-de-tampico-y-estado-de-tamolepos-mejico-en-1846-47-y-48-image269702798.htmlRMWJP0JP–Hon. le Grand G. Capers, juez de los Estados Unidons de Tampico y estado de Tamolepos Mejico en 1846, 47, y 48
Hon. le Grand G. Capers, United States judge for Tampico & state of Tamolipas Mexico in 1846, 47, & 48 LCCN2003655005 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hon-le-grand-g-capers-united-states-judge-for-tampico-state-of-tamolipas-176720936.htmlRMM7E9A0–Hon. le Grand G. Capers, United States judge for Tampico & state of Tamolipas Mexico in 1846, 47, & 48 LCCN2003655005
Lange Ludwig (1808-1868), villa. (From: L. Lange, works of higher architecture, 1860) (without date): floor plans ground floor, upper floor. Pressure on cardboard, 64.6 x 44 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1846/47. Villa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lange-ludwig-1808-1868-villa-from-l-lange-works-of-higher-architecture-1860-without-date-floor-plans-ground-floor-upper-floor-pressure-on-cardboard-646-x-44-cm-including-scan-edges-lange-ludwig-1808-1868-werke-der-hheren-baukunst-darmstadt-184647-villa-image477450347.htmlRM2JMNMP3–Lange Ludwig (1808-1868), villa. (From: L. Lange, works of higher architecture, 1860) (without date): floor plans ground floor, upper floor. Pressure on cardboard, 64.6 x 44 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1846/47. Villa
Lawrence Hall, 1846–47 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lawrence-hall-184647-image504255620.htmlRM2M8AR58–Lawrence Hall, 1846–47
Vinaigrette with Harbor Scene, 1846/47, Marked B&S, Birmingham, England, Birmingham, Silver and silver gilt, 5.1 × 3.8 cm (2 × 1 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vinaigrette-with-harbor-scene-184647-marked-bs-birmingham-england-birmingham-silver-and-silver-gilt-51-38-cm-2-1-12-in-image328647876.htmlRM2A2K5M4–Vinaigrette with Harbor Scene, 1846/47, Marked B&S, Birmingham, England, Birmingham, Silver and silver gilt, 5.1 × 3.8 cm (2 × 1 1/2 in
Art inspired by The Gothic Armoury, 3 Grosvenor Street, London, 1838, Lithograph with tint stone, image: 14 5/8 x 21 1/8 in. (37.1 x 53.7 cm), Prints, Douglas Morison (British, London ca. 1810–1846/47 Dachet, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-gothic-armoury-3-grosvenor-street-london-1838-lithograph-with-tint-stone-image-14-58-x-21-18-in-371-x-537-cm-prints-douglas-morison-british-london-ca-1810184647-dachet-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462996169.htmlRF2HW789D–Art inspired by The Gothic Armoury, 3 Grosvenor Street, London, 1838, Lithograph with tint stone, image: 14 5/8 x 21 1/8 in. (37.1 x 53.7 cm), Prints, Douglas Morison (British, London ca. 1810–1846/47 Dachet, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Miquelet Pistol. Culture: Caucasian, possibly Georgia or Circassia. Dimensions: L. 17 1/2 in. (44.45 cm). Date: dated A.H. 1263/A.D. 1846-47. The barrel is signed in both Russian and Arabic, suggesting that the pistol was made in Tbilisi in Georgia or Circassia, which were then under Russian control. Kubachi, the other major armsmaking center in the Caucasus, did not fall under Russian domination until the 1860s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miquelet-pistol-culture-caucasian-possibly-georgia-or-circassia-dimensions-l-17-12-in-4445-cm-date-dated-ah-1263ad-1846-47-the-barrel-is-signed-in-both-russian-and-arabic-suggesting-that-the-pistol-was-made-in-tbilisi-in-georgia-or-circassia-which-were-then-under-russian-control-kubachi-the-other-major-armsmaking-center-in-the-caucasus-did-not-fall-under-russian-domination-until-the-1860s-museum-metropolitan-museum-of-art-new-york-usa-image212883577.htmlRMPA9K4W–Miquelet Pistol. Culture: Caucasian, possibly Georgia or Circassia. Dimensions: L. 17 1/2 in. (44.45 cm). Date: dated A.H. 1263/A.D. 1846-47. The barrel is signed in both Russian and Arabic, suggesting that the pistol was made in Tbilisi in Georgia or Circassia, which were then under Russian control. Kubachi, the other major armsmaking center in the Caucasus, did not fall under Russian domination until the 1860s. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Jacques-Louis Leblanc (1774–1846), 1823, Oil on canvas, 47 5/8 x 37 5/8 in. (121 x 95.6 cm), Paintings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), This portrait of Leblanc and that of his wife were painted in 1823, shortly after Ingres met the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-jacques-louis-leblanc-17741846-1823-oil-on-canvas-47-58-x-37-58-in-121-x-956-cm-paintings-jean-auguste-dominique-ingres-french-montauban-17801867-paris-this-portrait-of-leblanc-and-that-of-his-wife-were-painted-in-1823-shortly-after-ingres-met-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025080.htmlRF2HW8H60–Art inspired by Jacques-Louis Leblanc (1774–1846), 1823, Oil on canvas, 47 5/8 x 37 5/8 in. (121 x 95.6 cm), Paintings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), This portrait of Leblanc and that of his wife were painted in 1823, shortly after Ingres met the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Self-Portrait, 1846-47. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-1846-47-image368404437.htmlRM2CBA7H9–Self-Portrait, 1846-47.
Donner Lake, as seen from Donner Pass in California. Many members of the Donner Party died in the vicinity during the winter of 1846-47. Today it is a popular recreation area. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/donner-lake-as-seen-from-donner-pass-in-california-many-members-of-the-donner-party-died-in-the-vicinity-during-the-winter-of-1846-47-today-it-is-a-popular-recreation-area-image312422479.htmlRFS4821K–Donner Lake, as seen from Donner Pass in California. Many members of the Donner Party died in the vicinity during the winter of 1846-47. Today it is a popular recreation area.
Santa fe nm 1846 47 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-santa-fe-nm-1846-47-129539214.htmlRMHEN0GE–Santa fe nm 1846 47
Abraham Lincoln (1809-1856) in daguerreotype by Nicholas H. Shepherd taken between 1846-47, during Lincoln's term in Congress. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-abraham-lincoln-1809-1856-in-daguerreotype-by-nicholas-h-shepherd-32380595.htmlRMBTK1NR–Abraham Lincoln (1809-1856) in daguerreotype by Nicholas H. Shepherd taken between 1846-47, during Lincoln's term in Congress.
http://hdl.loc.gov/loc.pnp/pga.06383 766 Hon. le Grand G. Capers, juez de los Estados Unidons de Tampico y estado de Tamolepos Mejico en 1846, 47, y 48 LCCN2003655006 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/httphdllocgovlocpnppga06383-766-hon-le-grand-g-capers-juez-de-los-estados-unidons-de-tampico-y-estado-de-tamolepos-mejico-en-1846-47-y-48-lccn2003655006-image213493181.htmlRMPB9CMD–http://hdl.loc.gov/loc.pnp/pga.06383 766 Hon. le Grand G. Capers, juez de los Estados Unidons de Tampico y estado de Tamolepos Mejico en 1846, 47, y 48 LCCN2003655006
New York, 1980s, American hotel, brownstone building, built 1846, wood white balcony, Sag Harbor, The Hamptons, Long island, New York State, NY, USA, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-york-1980s-american-hotel-brownstone-building-built-1846-wood-white-balcony-sag-harbor-the-hamptons-long-island-new-york-state-ny-usa-image480222625.htmlRM2JW80T1–New York, 1980s, American hotel, brownstone building, built 1846, wood white balcony, Sag Harbor, The Hamptons, Long island, New York State, NY, USA,
N/A. English: Drawing of Emma Hardinge Britten, actress in The Phantom Dancers. It was performed at the Adelphi in the 1846-47 season, with 102 performances, and was considered a 'great success'. 1847. lithograph by J. Branard from a drawing by J.W Child, dating from March of 1847 508 Emma 1847c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-drawing-of-emma-hardinge-britten-actress-in-the-phantom-dancers-it-was-performed-at-the-adelphi-in-the-1846-47-season-with-102-performances-and-was-considered-a-great-success-1847-lithograph-by-j-branard-from-a-drawing-by-jw-child-dating-from-march-of-1847-508-emma-1847c-image210183620.htmlRMP5XK9T–N/A. English: Drawing of Emma Hardinge Britten, actress in The Phantom Dancers. It was performed at the Adelphi in the 1846-47 season, with 102 performances, and was considered a 'great success'. 1847. lithograph by J. Branard from a drawing by J.W Child, dating from March of 1847 508 Emma 1847c
A serpentine buffet à deux corps from one of the closets, attributed to the Gambs Workshop, Saint Petersburg, 1846 Walnut and walnut burl veneer with colour inlays of birds, trees, and flowers. Gilt bronze fittings. The upper section with a glass door, the lower section with one drawer and swing doors. On the back the inventory labels 'ON' of Grand Duchess Olga Nikolaevna and 'H.V.v.W. G.v.R.' of Duchess Vera of Württemberg, Grand Duchess of Russia. Dimensions 180.5 x 77.5 x 47 cm. Excellently crafted, beautiful piece of furniture. Provenance: Grand Duchess Olg, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-serpentine-buffet-deux-corps-from-one-of-the-closets-attributed-31655004.htmlRMBRE07T–A serpentine buffet à deux corps from one of the closets, attributed to the Gambs Workshop, Saint Petersburg, 1846 Walnut and walnut burl veneer with colour inlays of birds, trees, and flowers. Gilt bronze fittings. The upper section with a glass door, the lower section with one drawer and swing doors. On the back the inventory labels 'ON' of Grand Duchess Olga Nikolaevna and 'H.V.v.W. G.v.R.' of Duchess Vera of Württemberg, Grand Duchess of Russia. Dimensions 180.5 x 77.5 x 47 cm. Excellently crafted, beautiful piece of furniture. Provenance: Grand Duchess Olg,
Cole Thomas Prometheus Bound 1846-47 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cole-thomas-prometheus-bound-1846-47-132671706.htmlRMHKRM36–Cole Thomas Prometheus Bound 1846-47
Malaci y, viatoha Stanis ava. , (1846-47) (2). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/malaci-y-viatoha-stanis-ava-1846-47-2-image398226465.htmlRM2E3TNWN–Malaci y, viatoha Stanis ava. , (1846-47) (2).
Crossing a dry tributary of the Gila River (Qila River?), Mexico. Apache territory on to San Diego on the Sante Fe trail, 1846-47. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crossing-a-dry-tributary-of-the-gila-river-qila-river-mexico-apache-territory-on-to-san-diego-on-the-sante-fe-trail-1846-47-image268820897.htmlRMWH9RP9–Crossing a dry tributary of the Gila River (Qila River?), Mexico. Apache territory on to San Diego on the Sante Fe trail, 1846-47.
Citation/reference : Stokes 1846-47-F75 and F-77 Citation/reference : Deák 552 One print, Deák 552.27, is from later 1923 edition. Citation/reference : Deák 552.16; Alton, Illinois. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/citationreference-stokes-1846-47-f75-and-f-77-citationreference-dek-552-one-print-dek-55227-is-from-later-1923-edition-citationreference-dek-55216-alton-illinois-image333247030.htmlRM2AA4KYJ–Citation/reference : Stokes 1846-47-F75 and F-77 Citation/reference : Deák 552 One print, Deák 552.27, is from later 1923 edition. Citation/reference : Deák 552.16; Alton, Illinois.
Hon. le Grand G. Capers, juez de los Estados Unidons de Tampico y estado de Tamolepos Mejico en 1846, 47, y 48 LCCN2003655006 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hon-le-grand-g-capers-juez-de-los-estados-unidons-de-tampico-y-estado-176720951.htmlRMM7E9AF–Hon. le Grand G. Capers, juez de los Estados Unidons de Tampico y estado de Tamolepos Mejico en 1846, 47, y 48 LCCN2003655006
Lange Ludwig (1808-1868), villa. (From: L. Lange, works of higher architecture, 1860) (without date): Riss street view, garden view. Pressure on cardboard, 64.4 x 44 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1846/47. Villa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lange-ludwig-1808-1868-villa-from-l-lange-works-of-higher-architecture-1860-without-date-riss-street-view-garden-view-pressure-on-cardboard-644-x-44-cm-including-scan-edges-lange-ludwig-1808-1868-werke-der-hheren-baukunst-darmstadt-184647-villa-image477450336.htmlRM2JMNMNM–Lange Ludwig (1808-1868), villa. (From: L. Lange, works of higher architecture, 1860) (without date): Riss street view, garden view. Pressure on cardboard, 64.4 x 44 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1846/47. Villa
Foreground Study with Dock Leaves Dreyer, Dankvart 1816 - 1852 Painting Im Lichte Caspar David Friedrichs: Frühe Freilichtmalerei in Dänemark und Norddeutschland, Helmut R. Leppien, omt. p. 84, afb. p. 85 (kat. 23), 2000-062, 1999. Danish painting: the golden age: a loan exhibition from the Statens Museum for Kunst, Copenhagen: The National Gallery, London, 5 September - 20 November 1984, Kasper Monrad, kat. 78., 51145, cop. 1984. Danish painting: the golden age, Henrik Bramsen, kat. 78., 51145, 1984. Dankvart Dreyer: 1816-1852, Leo Swane, Værkfortegnelse nr. 178 (datering 1846-47)., 7248, 192 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/foreground-study-with-dock-leaves-dreyer-dankvart-1816-1852-painting-im-lichte-caspar-david-friedrichs-frhe-freilichtmalerei-in-dnemark-und-norddeutschland-helmut-r-leppien-omt-p-84-afb-p-85-kat-23-2000-062-1999-danish-painting-the-golden-age-a-loan-exhibition-from-the-statens-museum-for-kunst-copenhagen-the-national-gallery-london-5-september-20-november-1984-kasper-monrad-kat-78-51145-cop-1984-danish-painting-the-golden-age-henrik-bramsen-kat-78-51145-1984-dankvart-dreyer-1816-1852-leo-swane-vrkfortegnelse-nr-178-datering-1846-47-7248-192-image613400876.htmlRM2XHXR24–Foreground Study with Dock Leaves Dreyer, Dankvart 1816 - 1852 Painting Im Lichte Caspar David Friedrichs: Frühe Freilichtmalerei in Dänemark und Norddeutschland, Helmut R. Leppien, omt. p. 84, afb. p. 85 (kat. 23), 2000-062, 1999. Danish painting: the golden age: a loan exhibition from the Statens Museum for Kunst, Copenhagen: The National Gallery, London, 5 September - 20 November 1984, Kasper Monrad, kat. 78., 51145, cop. 1984. Danish painting: the golden age, Henrik Bramsen, kat. 78., 51145, 1984. Dankvart Dreyer: 1816-1852, Leo Swane, Værkfortegnelse nr. 178 (datering 1846-47)., 7248, 192
Oure Ladye of Saturday Night, Three Studies of Arms and Legs of Child on Madonna's Knees, 1846-47 Ford Madox Brown, Art Movement, Pre-Raphaelite, Drawing, Pencil, Sketch, Child, Study Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oure-ladye-of-saturday-night-three-studies-of-arms-and-legs-of-child-on-madonnas-knees-1846-47-ford-madox-brown-art-movement-pre-raphaelite-drawing-pencil-sketch-child-study-image387015065.htmlRM2DDJ1JH–Oure Ladye of Saturday Night, Three Studies of Arms and Legs of Child on Madonna's Knees, 1846-47 Ford Madox Brown, Art Movement, Pre-Raphaelite, Drawing, Pencil, Sketch, Child, Study
Greenwich Village: 47 and 45 West 12th Street are Greek Revival-styled brick town houses in Manhattan’s Greenwich Village Historic District. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greenwich-village-47-and-45-west-12th-street-are-greek-revival-styled-brick-town-houses-in-manhattans-greenwich-village-historic-district-image560937315.htmlRF2RGGW7F–Greenwich Village: 47 and 45 West 12th Street are Greek Revival-styled brick town houses in Manhattan’s Greenwich Village Historic District.
William and Sophia Palmer Langenheim. Artist: William Langenheim (American, born Germany, Schöningen 1807-1874). Dimensions: Image: 12.1 x 8.9 cm (4 3/4 x 3 1/2 in.) Case: 1.6 x 13.5 x 11.7 cm (5/8 x 5 5/16 x 4 5/8 in.). Photography Studio: W. & F. Langenheim (American, active 1843-1874). Date: ca. 1846-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-and-sophia-palmer-langenheim-artist-william-langenheim-american-born-germany-schningen-1807-1874-dimensions-image-121-x-89-cm-4-34-x-3-12-in-case-16-x-135-x-117-cm-58-x-5-516-x-4-58-in-photography-studio-w-f-langenheim-american-active-1843-1874-date-ca-1846-47-museum-metropolitan-museum-of-art-new-york-usa-image213209215.htmlRMPATEER–William and Sophia Palmer Langenheim. Artist: William Langenheim (American, born Germany, Schöningen 1807-1874). Dimensions: Image: 12.1 x 8.9 cm (4 3/4 x 3 1/2 in.) Case: 1.6 x 13.5 x 11.7 cm (5/8 x 5 5/16 x 4 5/8 in.). Photography Studio: W. & F. Langenheim (American, active 1843-1874). Date: ca. 1846-47. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Cemetery at Pronoia near Nauplia, ca. 1841–47, Oil on canvas, 10 x 12 in. (25.4 x 30.5 cm), Paintings, Carl Rottmann (German, Handschuhsheim 1797–1850 Munich), In 1834, King Ludwig I of Bavaria commissioned a cycle of Greek landscapes from Rottmann that eventually, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-cemetery-at-pronoia-near-nauplia-ca-184147-oil-on-canvas-10-x-12-in-254-x-305-cm-paintings-carl-rottmann-german-handschuhsheim-17971850-munich-in-1834-king-ludwig-i-of-bavaria-commissioned-a-cycle-of-greek-landscapes-from-rottmann-that-eventually-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463026759.htmlRF2HW8K9Y–Art inspired by The Cemetery at Pronoia near Nauplia, ca. 1841–47, Oil on canvas, 10 x 12 in. (25.4 x 30.5 cm), Paintings, Carl Rottmann (German, Handschuhsheim 1797–1850 Munich), In 1834, King Ludwig I of Bavaria commissioned a cycle of Greek landscapes from Rottmann that eventually, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Vinaigrette with Harbor Scene, Birmingham, 1846/47. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vinaigrette-with-harbor-scene-birmingham-184647-image451394738.htmlRM2H6APGJ–Vinaigrette with Harbor Scene, Birmingham, 1846/47.
Donner Lake, as seen from Donner Pass in California. Many members of the Donner Party died in the vicinity during the winter of 1846-47. Today it is a popular recreation area. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/donner-lake-as-seen-from-donner-pass-in-california-many-members-of-the-donner-party-died-in-the-vicinity-during-the-winter-of-1846-47-today-it-is-a-popular-recreation-area-image312422487.htmlRFS4821Y–Donner Lake, as seen from Donner Pass in California. Many members of the Donner Party died in the vicinity during the winter of 1846-47. Today it is a popular recreation area.
Vinaigrette with Harbor Scene, 1846/47, Marked B&S, Birmingham, England, Birmingham, Silver and silver gilt, 5.1 × 3.8 cm (2 × 1 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vinaigrette-with-harbor-scene-184647-marked-bs-birmingham-england-birmingham-silver-and-silver-gilt-51-38-cm-2-1-12-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349725972.htmlRF2B8YB18–Vinaigrette with Harbor Scene, 1846/47, Marked B&S, Birmingham, England, Birmingham, Silver and silver gilt, 5.1 × 3.8 cm (2 × 1 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Ohio archæological and historical quarterly . She was also a niece of thewidow of Gen. Montgomery, of Que-bec fame. After resigning from the armyCroghan took up his residence inNew Orleans and was postmaster ofthat city in 1824. The following yearhe returned to the army as inspectorgeneral with rank of colonel andserved as such with Gen. Taylorduring the Mexican War, 1846-47. With such an ancestry and suchan early environment it is slightwonder that the flame of patriotism burned intensely in the veinsof Croghan. There was much of the Irish in our hero, as his impulsivespeeches, which sometime Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ohio-archological-and-historical-quarterly-she-was-also-a-niece-of-thewidow-of-gen-montgomery-of-que-bec-fame-after-resigning-from-the-armycroghan-took-up-his-residence-innew-orleans-and-was-postmaster-ofthat-city-in-1824-the-following-yearhe-returned-to-the-army-as-inspectorgeneral-with-rank-of-colonel-andserved-as-such-with-gen-taylorduring-the-mexican-war-1846-47-with-such-an-ancestry-and-suchan-early-environment-it-is-slightwonder-that-the-flame-of-patriotism-burned-intensely-in-the-veinsof-croghan-there-was-much-of-the-irish-in-our-hero-as-his-impulsivespeeches-which-sometime-image342709653.htmlRM2AWFNJD–Ohio archæological and historical quarterly . She was also a niece of thewidow of Gen. Montgomery, of Que-bec fame. After resigning from the armyCroghan took up his residence inNew Orleans and was postmaster ofthat city in 1824. The following yearhe returned to the army as inspectorgeneral with rank of colonel andserved as such with Gen. Taylorduring the Mexican War, 1846-47. With such an ancestry and suchan early environment it is slightwonder that the flame of patriotism burned intensely in the veinsof Croghan. There was much of the Irish in our hero, as his impulsivespeeches, which sometime
Sir James Rivett-Carnac, Bt. (1785-1846). A standing figure, with face seen in full, but body turned half to the left. The left hand hangs by the side; the right rests on a table, on which is a plumed hat. The uniform is blue, trimmed with silver, and with silver buttons and epaulettes; the sash is gold, the sword-belt gold and red. Madras, afterwards Bombay Army 1801-22, and in the Political service. Director of the East India Company 1827, and afterwards Governor of Bomaby 1838-41. c.1840. Oil painting. 94 by 58 ins (240 by 147.5 cms). Source: Foster 47. Author: PICKERSGILL, HENRY WILLIAM. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-james-rivett-carnac-bt-1785-1846-a-standing-figure-with-face-seen-in-full-but-body-turned-half-to-the-left-the-left-hand-hangs-by-the-side-the-right-rests-on-a-table-on-which-is-a-plumed-hat-the-uniform-is-blue-trimmed-with-silver-and-with-silver-buttons-and-epaulettes-the-sash-is-gold-the-sword-belt-gold-and-red-madras-afterwards-bombay-army-1801-22-and-in-the-political-service-director-of-the-east-india-company-1827-and-afterwards-governor-of-bomaby-1838-41-c1840-oil-painting-94-by-58-ins-240-by-1475-cms-source-foster-47-author-pickersgill-henry-william-image231241784.htmlRMRC5Y74–Sir James Rivett-Carnac, Bt. (1785-1846). A standing figure, with face seen in full, but body turned half to the left. The left hand hangs by the side; the right rests on a table, on which is a plumed hat. The uniform is blue, trimmed with silver, and with silver buttons and epaulettes; the sash is gold, the sword-belt gold and red. Madras, afterwards Bombay Army 1801-22, and in the Political service. Director of the East India Company 1827, and afterwards Governor of Bomaby 1838-41. c.1840. Oil painting. 94 by 58 ins (240 by 147.5 cms). Source: Foster 47. Author: PICKERSGILL, HENRY WILLIAM.
Kansas City, MO, USA. 25th June, 2024. Miami Marlins catcher Ali Sanchez (47) bats against the Kansas City Royals at Kauffman Stadium in Kansas City, MO. David Smith/CSM/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kansas-city-mo-usa-25th-june-2024-miami-marlins-catcher-ali-sanchez-47-bats-against-the-kansas-city-royals-at-kauffman-stadium-in-kansas-city-mo-david-smithcsmalamy-live-news-image611184251.htmlRM2XE9RMY–Kansas City, MO, USA. 25th June, 2024. Miami Marlins catcher Ali Sanchez (47) bats against the Kansas City Royals at Kauffman Stadium in Kansas City, MO. David Smith/CSM/Alamy Live News
. Deutsch: Portrait (Selbstportrait?). . 1883. Anna Maria Wirth (1846–?) 47 Anna Maria Wirth Portrait 1883 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-portrait-selbstportrait-1883-anna-maria-wirth-1846-47-anna-maria-wirth-portrait-1883-image187628838.htmlRMMW76DX–. Deutsch: Portrait (Selbstportrait?). . 1883. Anna Maria Wirth (1846–?) 47 Anna Maria Wirth Portrait 1883
A serpentine buffet à deux corps from one of the closets, attributed to the Gambs Workshop, Saint Petersburg, 1846 Walnut and walnut burl veneer with colour inlays of birds, trees, and flowers. Gilt bronze fittings. The upper section with a glass door, the lower section with one drawer and swing doors. On the back the inventory labels 'ON' of Grand Duchess Olga Nikolaevna and 'H.V.v.W. G.v.R.' of Duchess Vera of Württemberg, Grand Duchess of Russia. Dimensions 180.5 x 77.5 x 47 cm. Excellently crafted, beautiful piece of furniture. Provenance: Grand Duchess Olg, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-serpentine-buffet-deux-corps-from-one-of-the-closets-attributed-31655021.htmlRMBRE08D–A serpentine buffet à deux corps from one of the closets, attributed to the Gambs Workshop, Saint Petersburg, 1846 Walnut and walnut burl veneer with colour inlays of birds, trees, and flowers. Gilt bronze fittings. The upper section with a glass door, the lower section with one drawer and swing doors. On the back the inventory labels 'ON' of Grand Duchess Olga Nikolaevna and 'H.V.v.W. G.v.R.' of Duchess Vera of Württemberg, Grand Duchess of Russia. Dimensions 180.5 x 77.5 x 47 cm. Excellently crafted, beautiful piece of furniture. Provenance: Grand Duchess Olg,
Acanthephippium javanicum (as Acanthophippium javanicum) - Edwards vol 32 (NS 9) pl 47 (1846) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-acanthephippium-javanicum-as-acanthophippium-javanicum-edwards-vol-132597163.htmlRMHKM90Y–Acanthephippium javanicum (as Acanthophippium javanicum) - Edwards vol 32 (NS 9) pl 47 (1846)
1846-47 John Brown by Augustus Washington. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1846-47-john-brown-by-augustus-washington-image209987431.htmlRMP5HN33–1846-47 John Brown by Augustus Washington.
From Frederick Barnard's (1846-1896) popular painting, of Sydney Carton, from Charles Dickens' A Tale of Two Cities, exhibited at the Royal Academy, 1882. The Genius of Shaw page 47. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/from-frederick-barnards-1846-1896-popular-painting-of-sydney-carton-from-charles-dickens-a-tale-of-two-cities-exhibited-at-the-royal-academy-1882-the-genius-of-shaw-page-47-image268792695.htmlRMWH8FR3–From Frederick Barnard's (1846-1896) popular painting, of Sydney Carton, from Charles Dickens' A Tale of Two Cities, exhibited at the Royal Academy, 1882. The Genius of Shaw page 47.
Citation/reference : Stokes 1846-47-F75 and F-77 Citation/reference : Deák 552 One print, Deák 552.27, is from later 1923 edition. Citation/reference : Deák 552.12; Nauvoe, Illinois. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/citationreference-stokes-1846-47-f75-and-f-77-citationreference-dek-552-one-print-dek-55227-is-from-later-1923-edition-citationreference-dek-55212-nauvoe-illinois-image337258821.htmlRM2AGKD1W–Citation/reference : Stokes 1846-47-F75 and F-77 Citation/reference : Deák 552 One print, Deák 552.27, is from later 1923 edition. Citation/reference : Deák 552.12; Nauvoe, Illinois.
St Mary's church Stanton Staffordshire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-marys-church-stanton-staffordshire-image474267361.htmlRM2JFGMT1–St Mary's church Stanton Staffordshire
Lange Ludwig (1808-1868), Redeemer Church in Athens. (From: L. Lange, works of higher architecture, 1846/1847) (1861): cross -section. Pressure on paper, 63.7 x 45.2 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1846/47. Erlöserkirche, Athen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lange-ludwig-1808-1868-redeemer-church-in-athens-from-l-lange-works-of-higher-architecture-18461847-1861-cross-section-pressure-on-paper-637-x-452-cm-including-scan-edges-lange-ludwig-1808-1868-werke-der-hheren-baukunst-darmstadt-184647-erlserkirche-athen-image477450321.htmlRM2JMNMN5–Lange Ludwig (1808-1868), Redeemer Church in Athens. (From: L. Lange, works of higher architecture, 1846/1847) (1861): cross -section. Pressure on paper, 63.7 x 45.2 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1846/47. Erlöserkirche, Athen
We make a Specialty of Hard Rubber Pump Valves 105 Milk Street Boston. 95 MILK ST. BOSTON MASS. RECENTLY PUBLISHED. 361 Broadway New York. 9.ifbvertisemenfe. Makes 100 instantaneous Division of Labor The Eastman Dry Plate & Film Co. Rochester N.Y. 5 Oxford St. London. PENBERTHY IMPROVED AUTOMATIC INJECTOR. Penberthy Injector Co. Detroit Mich. PATENTS. MUNN & CO. Solicitors of Patents THE ARMSTRONG MFG. CO. BRIDGE POR T CONN. SAFES liAVE NOT FOUNO 4 OTHER POKES THAT WILL WELL REPAY Ag I-1 M cfrientifir merican ESTABLISHED 1846. Only $3.00 a Year including Postage. Weekly. 52 Numbers a Year. 361 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/we-make-a-specialty-of-hard-rubber-pump-valves-105-milk-street-boston-95-milk-st-boston-mass-recently-published-361-broadway-new-york-9ifbvertisemenfe-makes-100-instantaneous-division-of-labor-the-eastman-dry-plate-film-co-rochester-ny-5-oxford-st-london-penberthy-improved-automatic-injector-penberthy-injector-co-detroit-mich-patents-munn-co-solicitors-of-patents-the-armstrong-mfg-co-bridge-por-t-conn-safes-liave-not-founo-4-other-pokes-that-will-well-repay-ag-i-1-m-cfrientifir-merican-established-1846-only-300-a-year-including-postage-weekly-52-numbers-a-year-361-image334332710.htmlRM2ABX4NX–We make a Specialty of Hard Rubber Pump Valves 105 Milk Street Boston. 95 MILK ST. BOSTON MASS. RECENTLY PUBLISHED. 361 Broadway New York. 9.ifbvertisemenfe. Makes 100 instantaneous Division of Labor The Eastman Dry Plate & Film Co. Rochester N.Y. 5 Oxford St. London. PENBERTHY IMPROVED AUTOMATIC INJECTOR. Penberthy Injector Co. Detroit Mich. PATENTS. MUNN & CO. Solicitors of Patents THE ARMSTRONG MFG. CO. BRIDGE POR T CONN. SAFES liAVE NOT FOUNO 4 OTHER POKES THAT WILL WELL REPAY Ag I-1 M cfrientifir merican ESTABLISHED 1846. Only $3.00 a Year including Postage. Weekly. 52 Numbers a Year. 361
Vinaigrette with Harbor Scene, c. 1846/47, Nathaniel Mills, Birmingham, England, Birmingham, Silver and silver gilt, 3.8 × 2.9 cm (1 1/2 × 1 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vinaigrette-with-harbor-scene-c-184647-nathaniel-mills-birmingham-england-birmingham-silver-and-silver-gilt-38-29-cm-1-12-1-18-in-image328647886.htmlRM2A2K5ME–Vinaigrette with Harbor Scene, c. 1846/47, Nathaniel Mills, Birmingham, England, Birmingham, Silver and silver gilt, 3.8 × 2.9 cm (1 1/2 × 1 1/8 in
The Gothic Armoury, 3 Grosvenor Street, London. Artist: Douglas Morison (British, London ca. 1810-1846/47 Dachet). Dimensions: image: 14 5/8 x 21 1/8 in. (37.1 x 53.7 cm) sheet: 17 11/16 x 22 3/8 in. (44.9 x 56.9 cm). Printer: Charles Joseph Hullmandel (British, London 1789-1850 London). Publisher: P. & D. Colnaghi & Co.. Date: 1838. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gothic-armoury-3-grosvenor-street-london-artist-douglas-morison-british-london-ca-1810-184647-dachet-dimensions-image-14-58-x-21-18-in-371-x-537-cm-sheet-17-1116-x-22-38-in-449-x-569-cm-printer-charles-joseph-hullmandel-british-london-1789-1850-london-publisher-p-d-colnaghi-co-date-1838-museum-metropolitan-museum-of-art-new-york-usa-image213214243.htmlRMPATMXB–The Gothic Armoury, 3 Grosvenor Street, London. Artist: Douglas Morison (British, London ca. 1810-1846/47 Dachet). Dimensions: image: 14 5/8 x 21 1/8 in. (37.1 x 53.7 cm) sheet: 17 11/16 x 22 3/8 in. (44.9 x 56.9 cm). Printer: Charles Joseph Hullmandel (British, London 1789-1850 London). Publisher: P. & D. Colnaghi & Co.. Date: 1838. Museum: Metropolitan Museum of Art, New York, USA.
Vinaigrette with Harbor Scene, Birmingham, 1846/47. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vinaigrette-with-harbor-scene-birmingham-184647-image451394325.htmlRM2H6AP1W–Vinaigrette with Harbor Scene, Birmingham, 1846/47.
Vinaigrette with View of Warwick Castle, 1846/47, Nathaniel Mills, Birmingham, England, Birmingham, Silver gilt, 3.8 × 2.5 cm (1 1/2 × 1 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vinaigrette-with-view-of-warwick-castle-184647-nathaniel-mills-birmingham-england-birmingham-silver-gilt-38-25-cm-1-12-1-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349725968.htmlRF2B8YB14–Vinaigrette with View of Warwick Castle, 1846/47, Nathaniel Mills, Birmingham, England, Birmingham, Silver gilt, 3.8 × 2.5 cm (1 1/2 × 1 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. California; an intimate history. SACRAMENTO, CALIFORNIA l8,SO. SAN FRANCISCO Authenticated picture of the city as it appeared in 1846-47 SAN FRANCISCO California Star, recently started by Sam Brannan.Vallejo, Larkin, and Semple protested in vain. Con-fusion must be avoided, and the fuming capitalists on theStraits of Carquinez were obliged to call their villageBenicia, the second name of Senora Vallejo. There isto-day a town near by called Vallejo. But neither ofthese little northern communities has risen to the dignityof ten thousand inhabitants, although there is an arsenalat Benicia and t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/california-an-intimate-history-sacramento-california-l8so-san-francisco-authenticated-picture-of-the-city-as-it-appeared-in-1846-47-san-francisco-california-star-recently-started-by-sam-brannanvallejo-larkin-and-semple-protested-in-vain-con-fusion-must-be-avoided-and-the-fuming-capitalists-on-thestraits-of-carquinez-were-obliged-to-call-their-villagebenicia-the-second-name-of-senora-vallejo-there-isto-day-a-town-near-by-called-vallejo-but-neither-ofthese-little-northern-communities-has-risen-to-the-dignityof-ten-thousand-inhabitants-although-there-is-an-arsenalat-benicia-and-t-image336850220.htmlRM2AG0RW0–. California; an intimate history. SACRAMENTO, CALIFORNIA l8,SO. SAN FRANCISCO Authenticated picture of the city as it appeared in 1846-47 SAN FRANCISCO California Star, recently started by Sam Brannan.Vallejo, Larkin, and Semple protested in vain. Con-fusion must be avoided, and the fuming capitalists on theStraits of Carquinez were obliged to call their villageBenicia, the second name of Senora Vallejo. There isto-day a town near by called Vallejo. But neither ofthese little northern communities has risen to the dignityof ten thousand inhabitants, although there is an arsenalat Benicia and t
Kansas City, MO, USA. 25th June, 2024. Miami Marlins catcher Ali Sanchez (47) bats against the Kansas City Royals at Kauffman Stadium in Kansas City, MO. David Smith/CSM (Credit Image: © David Smith/Cal Sport Media). Credit: csm/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kansas-city-mo-usa-25th-june-2024-miami-marlins-catcher-ali-sanchez-47-bats-against-the-kansas-city-royals-at-kauffman-stadium-in-kansas-city-mo-david-smithcsm-credit-image-david-smithcal-sport-media-credit-csmalamy-live-news-image611184035.htmlRM2XE9RD7–Kansas City, MO, USA. 25th June, 2024. Miami Marlins catcher Ali Sanchez (47) bats against the Kansas City Royals at Kauffman Stadium in Kansas City, MO. David Smith/CSM (Credit Image: © David Smith/Cal Sport Media). Credit: csm/Alamy Live News
. Deutsch: Portrait (Selbstportrait?). . 1883. Anna Maria Wirth (1846–?) 47 Anna Maria Wirth Portrait 1883 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-portrait-selbstportrait-1883-anna-maria-wirth-1846-47-anna-maria-wirth-portrait-1883-image188172681.htmlRMMX404W–. Deutsch: Portrait (Selbstportrait?). . 1883. Anna Maria Wirth (1846–?) 47 Anna Maria Wirth Portrait 1883
A serpentine buffet à deux corps from one of the closets, attributed to the Gambs Workshop, Saint Petersburg, 1846 Walnut and walnut burl veneer with colour inlays of birds, trees, and flowers. Gilt bronze fittings. The upper section with a glass door, the lower section with one drawer and swing doors. On the back the inventory labels 'ON' of Grand Duchess Olga Nikolaevna and 'H.V.v.W. G.v.R.' of Duchess Vera of Württemberg, Grand Duchess of Russia. Dimensions 180.5 x 77.5 x 47 cm. Excellently crafted, beautiful piece of furniture. Provenance: Grand Duchess Olg, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-serpentine-buffet-deux-corps-from-one-of-the-closets-attributed-31654997.htmlRMBRE07H–A serpentine buffet à deux corps from one of the closets, attributed to the Gambs Workshop, Saint Petersburg, 1846 Walnut and walnut burl veneer with colour inlays of birds, trees, and flowers. Gilt bronze fittings. The upper section with a glass door, the lower section with one drawer and swing doors. On the back the inventory labels 'ON' of Grand Duchess Olga Nikolaevna and 'H.V.v.W. G.v.R.' of Duchess Vera of Württemberg, Grand Duchess of Russia. Dimensions 180.5 x 77.5 x 47 cm. Excellently crafted, beautiful piece of furniture. Provenance: Grand Duchess Olg,
. Deutsche excursions-mollusken-fauna. Mollusks. 179 >< 3. Campylaea Preslii, Schmidt. Helix Preslii, Schmidt, in Eossm. Icon. fig. 225. — Chemnitz, ed. 2. Nr. 490 t. 81 fig. 3 u, 4. — cingulata, Held, Programm 1846/47. Thier: nicht beschrieben. Gehäuse: scheibenförmig, oben fast ganz flach, fein ge- streift; graulich-fleischfarben oder bräunlich schattirt, wenig glänzend mit einer kastanienbraunen Binde, die auf beiden Seiten durch hellere Bänder eingefasst wird; (manchmal Fig. 102.. C. Preslii. treten an den Grenzen der weisslichen Binde weitere, schwach angedeutete, verwaschen bräunli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsche-excursions-mollusken-fauna-mollusks-179-gtlt-3-campylaea-preslii-schmidt-helix-preslii-schmidt-in-eossm-icon-fig-225-chemnitz-ed-2-nr-490-t-81-fig-3-u-4-cingulata-held-programm-184647-thier-nicht-beschrieben-gehuse-scheibenfrmig-oben-fast-ganz-flach-fein-ge-streift-graulich-fleischfarben-oder-brunlich-schattirt-wenig-glnzend-mit-einer-kastanienbraunen-binde-die-auf-beiden-seiten-durch-hellere-bnder-eingefasst-wird-manchmal-fig-102-c-preslii-treten-an-den-grenzen-der-weisslichen-binde-weitere-schwach-angedeutete-verwaschen-brunli-image215961012.htmlRMPF9TD8–. Deutsche excursions-mollusken-fauna. Mollusks. 179 >< 3. Campylaea Preslii, Schmidt. Helix Preslii, Schmidt, in Eossm. Icon. fig. 225. — Chemnitz, ed. 2. Nr. 490 t. 81 fig. 3 u, 4. — cingulata, Held, Programm 1846/47. Thier: nicht beschrieben. Gehäuse: scheibenförmig, oben fast ganz flach, fein ge- streift; graulich-fleischfarben oder bräunlich schattirt, wenig glänzend mit einer kastanienbraunen Binde, die auf beiden Seiten durch hellere Bänder eingefasst wird; (manchmal Fig. 102.. C. Preslii. treten an den Grenzen der weisslichen Binde weitere, schwach angedeutete, verwaschen bräunli
1846-47 John Brown by Augustus Washington (without frame). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1846-47-john-brown-by-augustus-washington-without-frame-image209987413.htmlRMP5HN2D–1846-47 John Brown by Augustus Washington (without frame).
Herman Melville 1846-47. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herman-melville-1846-47-image479463658.htmlRM2JT1CP2–Herman Melville 1846-47.
Citation/reference : Stokes 1846-47-F75 and F-77 Citation/reference : Deák 552 One print, Deák 552.27, is from later 1923 edition. Citation/reference : Deák 552.13; Keokuck, Iowa. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/citationreference-stokes-1846-47-f75-and-f-77-citationreference-dek-552-one-print-dek-55227-is-from-later-1923-edition-citationreference-dek-55213-keokuck-iowa-image337189158.htmlRM2AGG85X–Citation/reference : Stokes 1846-47-F75 and F-77 Citation/reference : Deák 552 One print, Deák 552.27, is from later 1923 edition. Citation/reference : Deák 552.13; Keokuck, Iowa.
Lange Ludwig (1808-1868), Redeemer Church in Athens. (From: L. Lange, works of higher architecture, 1846/1847) (1861): Upper front view. Pressure on paper, 63.8 x 44.9 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1846/47. Erlöserkirche, Athen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lange-ludwig-1808-1868-redeemer-church-in-athens-from-l-lange-works-of-higher-architecture-18461847-1861-upper-front-view-pressure-on-paper-638-x-449-cm-including-scan-edges-lange-ludwig-1808-1868-werke-der-hheren-baukunst-darmstadt-184647-erlserkirche-athen-image477450328.htmlRM2JMNMNC–Lange Ludwig (1808-1868), Redeemer Church in Athens. (From: L. Lange, works of higher architecture, 1846/1847) (1861): Upper front view. Pressure on paper, 63.8 x 44.9 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1846/47. Erlöserkirche, Athen
1846-47 John Brown by Augustus Washington (without frame). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1846-47-john-brown-by-augustus-washington-without-frame-image592064931.htmlRM2WB6TT3–1846-47 John Brown by Augustus Washington (without frame).
Edla Jansson-Blommér, 10.5.1817, Helsinki, 19.12.1908, Helsinki, Old Woman at the Spinning Wheel, 1846, 47 × 36.5 cm, oil, oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edla-jansson-blommr-1051817-helsinki-19121908-helsinki-old-woman-at-the-spinning-wheel-1846-47-365-cm-oil-oil-on-canvas-image573411499.htmlRM2T8W463–Edla Jansson-Blommér, 10.5.1817, Helsinki, 19.12.1908, Helsinki, Old Woman at the Spinning Wheel, 1846, 47 × 36.5 cm, oil, oil on canvas
A pair of fine Qajar lacquer book covers depicting a wedding of Nasir al-Din Shah, signed Mirza Muhammad Taqi Muzahhib Isfahani, Tehran, Iran, dated 1846-47. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-pair-of-fine-qajar-lacquer-book-covers-depicting-a-wedding-of-nasir-al-din-shah-signed-mirza-muhammad-taqi-muzahhib-isfahani-tehran-iran-dated-1846-47-image592949759.htmlRM2WCK5D3–A pair of fine Qajar lacquer book covers depicting a wedding of Nasir al-Din Shah, signed Mirza Muhammad Taqi Muzahhib Isfahani, Tehran, Iran, dated 1846-47.
The Cemetery at Pronoia near Nauplia. Artist: Carl Rottmann (German, Handschuhsheim 1797-1850 Munich). Dimensions: 10 x 12 in. (25.4 x 30.5 cm). Date: ca. 1841-47. In 1834, King Ludwig I of Bavaria commissioned a cycle of Greek landscapes from Rottmann that eventually numbered thirty-eight canvases (Bayerische Staatsgemäldesammlungen, Munich). This sketch is the most freely painted of some half a dozen studies for <i>Pronoia</i> (1846/47), which commemorates the burial place of Bavarian soldiers who helped vanquish the Ottoman Turks at nearby Nauplia in 1822, during the Greek War of Independe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cemetery-at-pronoia-near-nauplia-artist-carl-rottmann-german-handschuhsheim-1797-1850-munich-dimensions-10-x-12-in-254-x-305-cm-date-ca-1841-47-in-1834-king-ludwig-i-of-bavaria-commissioned-a-cycle-of-greek-landscapes-from-rottmann-that-eventually-numbered-thirty-eight-canvases-bayerische-staatsgemldesammlungen-munich-this-sketch-is-the-most-freely-painted-of-some-half-a-dozen-studies-for-ipronoiai-184647-which-commemorates-the-burial-place-of-bavarian-soldiers-who-helped-vanquish-the-ottoman-turks-at-nearby-nauplia-in-1822-during-the-greek-war-of-independe-image213082189.htmlRMPAJME5–The Cemetery at Pronoia near Nauplia. Artist: Carl Rottmann (German, Handschuhsheim 1797-1850 Munich). Dimensions: 10 x 12 in. (25.4 x 30.5 cm). Date: ca. 1841-47. In 1834, King Ludwig I of Bavaria commissioned a cycle of Greek landscapes from Rottmann that eventually numbered thirty-eight canvases (Bayerische Staatsgemäldesammlungen, Munich). This sketch is the most freely painted of some half a dozen studies for <i>Pronoia</i> (1846/47), which commemorates the burial place of Bavarian soldiers who helped vanquish the Ottoman Turks at nearby Nauplia in 1822, during the Greek War of Independe
Acanthephippium javanicum (as Acanthophippium javanicum) - Edwards vol 32 (NS 9) pl 47 (1846). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/acanthephippium-javanicum-as-acanthophippium-javanicum-edwards-vol-32-ns-9-pl-47-1846-image213974498.htmlRMPC3AJA–Acanthephippium javanicum (as Acanthophippium javanicum) - Edwards vol 32 (NS 9) pl 47 (1846).
Search Results for 1846 47 Stock Photos and Images (379)
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