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1846 1897 Stock Photos and Images
James McNeil Whistler. Henri Charles Guérard (French, 1846-1897). Etching Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-mcneil-whistler-henri-charles-gurard-french-1846-1897-etching-image240381176.htmlRMRY28J0–James McNeil Whistler. Henri Charles Guérard (French, 1846-1897). Etching
Art inspired by Drawings and Prints, Drawing, Fan Design with Cats and Sunflowers, Artist, Henri-Charles Guérard, French, Paris 1846–1897 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-drawing-fan-design-with-cats-and-sunflowers-artist-henri-charles-gurard-french-paris-18461897-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463065035.htmlRF2HWAC4Y–Art inspired by Drawings and Prints, Drawing, Fan Design with Cats and Sunflowers, Artist, Henri-Charles Guérard, French, Paris 1846–1897 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Frank Lockwood (1846-1897) English lawyer and Liberal politician, pictured c1894. Appointed Queens Counsel in 1872 and in 1885 elected Member of Parliament for York, the seat he held until his death. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-frank-lockwood-1846-1897-english-lawyer-and-liberal-politician-pictured-57446760.htmlRMD9CWX0–Frank Lockwood (1846-1897) English lawyer and Liberal politician, pictured c1894. Appointed Queens Counsel in 1872 and in 1885 elected Member of Parliament for York, the seat he held until his death.
![Frontispiece for 'Eaux-fortes de Guérard, Collection de Mr. S. P. [Samuel Putnam] Avery, New York'. Artist: Henri-Charles Guérard (French, Paris 1846-1897 Paris). Dimensions: Sheet: 17 3/8 x 11 15/16 in. (44.2 x 30.3 cm). Date: late 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PAC32J/frontispiece-for-eaux-fortes-de-gurard-collection-de-mr-s-p-samuel-putnam-avery-new-york-artist-henri-charles-gurard-french-paris-1846-1897-paris-dimensions-sheet-17-38-x-11-1516-in-442-x-303-cm-date-late-19th-century-museum-metropolitan-museum-of-art-new-york-usa-PAC32J.jpg "Frontispiece for 'Eaux-fortes de Guérard, Collection de Mr. S. P. [Samuel Putnam] Avery, New York'. Artist: Henri-Charles Guérard (French, Paris 1846-1897 Paris). Dimensions: Sheet: 17 3/8 x 11 15/16 in. (44.2 x 30.3 cm). Date: late 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
Frontispiece for 'Eaux-fortes de Guérard, Collection de Mr. S. P. [Samuel Putnam] Avery, New York'. Artist: Henri-Charles Guérard (French, Paris 1846-1897 Paris). Dimensions: Sheet: 17 3/8 x 11 15/16 in. (44.2 x 30.3 cm). Date: late 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frontispiece-for-eaux-fortes-de-gurard-collection-de-mr-s-p-samuel-putnam-avery-new-york-artist-henri-charles-gurard-french-paris-1846-1897-paris-dimensions-sheet-17-38-x-11-1516-in-442-x-303-cm-date-late-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212936826.htmlRMPAC32J–Frontispiece for 'Eaux-fortes de Guérard, Collection de Mr. S. P. [Samuel Putnam] Avery, New York'. Artist: Henri-Charles Guérard (French, Paris 1846-1897 Paris). Dimensions: Sheet: 17 3/8 x 11 15/16 in. (44.2 x 30.3 cm). Date: late 19th century. Museum: Metropolitan Museum of Art, New York, USA.
. Español: Samurái y Oficial Japonés. (1846-1897) . 21 August 2015. Indeterminado 550 Seigo Yamazawa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/espaol-samuri-y-oficial-japons-1846-1897-21-august-2015-indeterminado-550-seigo-yamazawa-image187480451.htmlRMMW0D6B–. Español: Samurái y Oficial Japonés. (1846-1897) . 21 August 2015. Indeterminado 550 Seigo Yamazawa
19th Century Art - The Water Drinker ; Date: 1884 - Henri Charles Guérard (French; 1846-1897)after Ãdouard Manet (French; 1832-1883) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/19th-century-art-the-water-drinker-date-1884-henri-charles-gurard-french-1846-1897after-douard-manet-french-1832-1883-image381538696.htmlRM2D4MGE0–19th Century Art - The Water Drinker ; Date: 1884 - Henri Charles Guérard (French; 1846-1897)after Ãdouard Manet (French; 1832-1883)
1890 c., FRANCE : The french writer EMILE RICHEBOURG ( 1833 - 1898 ). Portrait by engraver artist Henri Guérard ( 1846 – 1897 ). - Émile - LETTERATO - SCRITTORE - LETTERATURA - WRITER - SCRITTORE - Literature - barba - beard - tie bow - papillon - cravatta ---- ARCHIVIO GBB Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1890-c-france-the-french-writer-emile-richebourg-1833-1898-portrait-by-engraver-artist-henri-gurard-1846-1897-mile-letterato-scrittore-letteratura-writer-scrittore-literature-barba-beard-tie-bow-papillon-cravatta-archivio-gbb-image376257523.htmlRM2CT408K–1890 c., FRANCE : The french writer EMILE RICHEBOURG ( 1833 - 1898 ). Portrait by engraver artist Henri Guérard ( 1846 – 1897 ). - Émile - LETTERATO - SCRITTORE - LETTERATURA - WRITER - SCRITTORE - Literature - barba - beard - tie bow - papillon - cravatta ---- ARCHIVIO GBB
c. 1880s Japan - Shintomiza Theater in Tokyo Managed by the legendary Morita Kanya (守田勘弥, 1846-1897), the Shintomiza (新富座) was Tokyo’s premier theater. This is the theater as it looked after the fire of 1876 (Meiji 9). 19th century vintage albumen photograph. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-c-1880s-japan-shintomiza-theater-in-tokyo-managed-by-the-legendary-174937052.htmlRMM4H1YT–c. 1880s Japan - Shintomiza Theater in Tokyo Managed by the legendary Morita Kanya (守田勘弥, 1846-1897), the Shintomiza (新富座) was Tokyo’s premier theater. This is the theater as it looked after the fire of 1876 (Meiji 9). 19th century vintage albumen photograph.
Temple Bar, 1846 (1897). Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/temple-bar-1846-1897-artist-unknown-image262783586.htmlRMW7ER42–Temple Bar, 1846 (1897). Artist: Unknown.
Temple Bar, 1846 (1897). Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-temple-bar-1846-1897-artist-unknown-135270670.htmlRMHT233A–Temple Bar, 1846 (1897). Artist: Unknown.
exhibitions, poster, exhibition of Henri Guerard (1846 - 1897), at the 'La Bodiniere', from 'The modern poster', by Jean Louis Sponsel, 1897, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-exhibitions-poster-exhibition-of-henri-guerard-1846-1897-at-the-la-110769171.htmlRMGC5Y5R–exhibitions, poster, exhibition of Henri Guerard (1846 - 1897), at the 'La Bodiniere', from 'The modern poster', by Jean Louis Sponsel, 1897, Additional-Rights-Clearences-Not Available
SELF PORTRAIT Charles Courtry (1846-1897). 'Autoportrait'. Huile sur bois. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-charles-courtry-1846-1897-autoportrait-huile-sur-bois-paris-muse-carnavalet-image350075451.htmlRM2B9F8PK–SELF PORTRAIT Charles Courtry (1846-1897). 'Autoportrait'. Huile sur bois. Paris, musée Carnavalet.
1897 The Graphic Queen Victoria & Prince Albert & the Royal Family in 1846 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-1897-the-graphic-queen-victoria-prince-albert-the-royal-family-in-167039736.htmlRMKKN8TT–1897 The Graphic Queen Victoria & Prince Albert & the Royal Family in 1846
this family; Nowotny, Leopold (1818-1870); after 1844 (1844-00-00-1869-00-00);The Library of the Przedzęców Ordinance (Czarny Ostrów - Warsaw - 1842-1939), Library of the Przedziecki Ordinance (Czarny Ostrów - Warsaw - 1842-1939) - seal, Christmas (iconogr.), Przedziecki, Konstanty (1846-1897), Przedziecki, Konstanty (Konstanty ( 1846-1897) - collections, Nazarene (style), religious paintings, Poland (culture), Polish drawings, collection signs, holy family (iconogr.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-family-nowotny-leopold-1818-1870-after-1844-1844-00-00-1869-00-00the-library-of-the-przedzcw-ordinance-czarny-ostrw-warsaw-1842-1939-library-of-the-przedziecki-ordinance-czarny-ostrw-warsaw-1842-1939-seal-christmas-iconogr-przedziecki-konstanty-1846-1897-przedziecki-konstanty-konstanty-1846-1897-collections-nazarene-style-religious-paintings-poland-culture-polish-drawings-collection-signs-holy-family-iconogr-image598817440.htmlRM2WP6DN4–this family; Nowotny, Leopold (1818-1870); after 1844 (1844-00-00-1869-00-00);The Library of the Przedzęców Ordinance (Czarny Ostrów - Warsaw - 1842-1939), Library of the Przedziecki Ordinance (Czarny Ostrów - Warsaw - 1842-1939) - seal, Christmas (iconogr.), Przedziecki, Konstanty (1846-1897), Przedziecki, Konstanty (Konstanty ( 1846-1897) - collections, Nazarene (style), religious paintings, Poland (culture), Polish drawings, collection signs, holy family (iconogr.)
Vintage fashion in Paris. Passengers by the Corbeil Steamer, 1846. The various phases of feminine taste and aesthetics from 1797 to 1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-fashion-in-paris-passengers-by-the-corbeil-steamer-1846-the-various-phases-of-feminine-taste-and-aesthetics-from-1797-to-1897-image526903334.htmlRF2NH6EG6–Vintage fashion in Paris. Passengers by the Corbeil Steamer, 1846. The various phases of feminine taste and aesthetics from 1797 to 1897
BEDROOM OF THE DUKE D‚ÄôAUMALE (1822-1897) WITH HIS ARMY UNIFORMS, SMALL APARTMENTS CREATED IN 1845 AND 1846 BY THE PAINTER AND DECORATOR EUGENE LAMI, CHATEAU DE CHANTILLY, OISE (60), FRANCE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bedroom-of-the-duke-daumale-1822-1897-with-his-army-uniforms-small-image64104797.htmlRMDM8691–BEDROOM OF THE DUKE D‚ÄôAUMALE (1822-1897) WITH HIS ARMY UNIFORMS, SMALL APARTMENTS CREATED IN 1845 AND 1846 BY THE PAINTER AND DECORATOR EUGENE LAMI, CHATEAU DE CHANTILLY, OISE (60), FRANCE
Edward R. Bacon (1846–1915) by Anders Zorn. 1897. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edward-r-bacon-18461915-by-anders-zorn-1897-image503621729.htmlRM2M79XJ9–Edward R. Bacon (1846–1915) by Anders Zorn. 1897.
Niagara Falls 1887 by James Alfred Aitken Edinburgh 1846 – Glasgow 1897 Scottish landscape painter Scotland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niagara-falls-1887-by-james-alfred-aitken-edinburgh-1846-glasgow-1897-scottish-landscape-painter-scotland-image398067918.htmlRM2E3HFKA–Niagara Falls 1887 by James Alfred Aitken Edinburgh 1846 – Glasgow 1897 Scottish landscape painter Scotland
The Motor Car by Luigi Denza (1846-1922), words by Ricard Morton, adapted to the melody of 'Funiculi Funicula'. Caption reads: 'sung with great success by John F. Sheridan'. Score Cover by H.G. Banks of the performer John F. Sheridan in Chinese clothes carrying a double lantern pole with inset illustration on each end, of the start and the finish of the drive in the car. Published 1897, Ricordi, London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-motor-car-by-luigi-denza-1846-1922-words-by-ricard-morton-adapted-149147555.htmlRMJJJ76B–The Motor Car by Luigi Denza (1846-1922), words by Ricard Morton, adapted to the melody of 'Funiculi Funicula'. Caption reads: 'sung with great success by John F. Sheridan'. Score Cover by H.G. Banks of the performer John F. Sheridan in Chinese clothes carrying a double lantern pole with inset illustration on each end, of the start and the finish of the drive in the car. Published 1897, Ricordi, London
Soleil couchant, Honfleur, still image, Prints, 1895, Guérard, Henri-Charles, 1846-1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soleil-couchant-honfleur-still-image-prints-1895-gurard-henri-charles-1846-1897-image376511120.htmlRM2CTFFNM–Soleil couchant, Honfleur, still image, Prints, 1895, Guérard, Henri-Charles, 1846-1897
Inspired by Les Lapins, Henri-Charles Guérard, French, 1846-1897, Woodcut on heavy wove paper, 1893, 11 13/16 x 9 1/16 in., 30 x 23 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-les-lapins-henri-charles-gurard-french-1846-1897-woodcut-on-heavy-wove-paper-1893-11-1316-x-9-116-in-30-x-23-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253580.htmlRF2HK4PHG–Inspired by Les Lapins, Henri-Charles Guérard, French, 1846-1897, Woodcut on heavy wove paper, 1893, 11 13/16 x 9 1/16 in., 30 x 23 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Rutherford Alcock (1809-1897) English army surgeon and diplomat. Consul in Fuchow 1844, Shanghai 1846; first Consul-general Japan 1858-65; Minister-plenipotentiary Peking 1865-1871. Photograph published 1877. Woodburytype Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rutherford-alcock-1809-1897-english-army-surgeon-and-diplomat-consul-57300738.htmlRMD967JX–Rutherford Alcock (1809-1897) English army surgeon and diplomat. Consul in Fuchow 1844, Shanghai 1846; first Consul-general Japan 1858-65; Minister-plenipotentiary Peking 1865-1871. Photograph published 1877. Woodburytype
Self Portrait. Artist: Henri-Charles Guérard (French, Paris 1846-1897 Paris). Dimensions: Sheet: 7 1/8 × 9 11/16 in. (18.1 × 24.6 cm) Plate: 7 1/8 × 5 11/16 in. (18.1 × 14.5 cm). Date: ca. 1890. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-artist-henri-charles-gurard-french-paris-1846-1897-paris-dimensions-sheet-7-18-9-1116-in-181-246-cm-plate-7-18-5-1116-in-181-145-cm-date-ca-1890-museum-metropolitan-museum-of-art-new-york-usa-image212916894.htmlRMPAB5JP–Self Portrait. Artist: Henri-Charles Guérard (French, Paris 1846-1897 Paris). Dimensions: Sheet: 7 1/8 × 9 11/16 in. (18.1 × 24.6 cm) Plate: 7 1/8 × 5 11/16 in. (18.1 × 14.5 cm). Date: ca. 1890. Museum: Metropolitan Museum of Art, New York, USA.
. Español: Samurái y Oficial Japonés. (1846-1897) . 21 August 2015. Indeterminado 550 Seigo Yamazawa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/espaol-samuri-y-oficial-japons-1846-1897-21-august-2015-indeterminado-550-seigo-yamazawa-image187967966.htmlRMMWPK1J–. Español: Samurái y Oficial Japonés. (1846-1897) . 21 August 2015. Indeterminado 550 Seigo Yamazawa
Infanta María Luisa Fernanda of Spain (1832-1897). Infanta of Spain by birth. Duchess of Montpensier by her marriage to Prince Antoine d'Orleans in 1846. Portrait. Engraving. La Ilustración Española y Americana, 1878. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/infanta-mara-luisa-fernanda-of-spain-1832-1897-infanta-of-spain-by-birth-duchess-of-montpensier-by-her-marriage-to-prince-antoine-dorleans-in-1846-portrait-engraving-la-ilustracin-espaola-y-americana-1878-image447935987.htmlRM2H0N6WR–Infanta María Luisa Fernanda of Spain (1832-1897). Infanta of Spain by birth. Duchess of Montpensier by her marriage to Prince Antoine d'Orleans in 1846. Portrait. Engraving. La Ilustración Española y Americana, 1878.
Rutherford Alcock (1809-1897) English army surgeon and diplomat. Consul in Fuchow 1844, Shanghai 1846; first Consul-general Japan 1858-65; Minister-plenipotentiary Beijing 1865-71 Photograph published 1877 Woodburytype Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rutherford-alcock-1809-1897-english-army-surgeon-and-diplomat-consul-in-fuchow-1844-shanghai-1846-first-consul-general-japan-1858-65-minister-plenipotentiary-beijing-1865-71-photograph-published-1877-woodburytype-image257297651.htmlRMTXGWNR–Rutherford Alcock (1809-1897) English army surgeon and diplomat. Consul in Fuchow 1844, Shanghai 1846; first Consul-general Japan 1858-65; Minister-plenipotentiary Beijing 1865-71 Photograph published 1877 Woodburytype
![[ 1890s Japan - Japanese Theater in Tokyo ] — Managed by the legendary Morita Kanya (守田勘弥, 1846-1897), the Shintomiza (新富座) was Tokyo’s premier theater. This is the theater as it looked before the fire of 1876 (Meiji 9). See blog entry: http://oldphotosjapan.com/en/photos/286/shintomiza-theater This image was published in 1895 (Meiji 28) by Kazumasa Ogawa in Scenes of the Eastern Capital of Japan. 19th century vintage collotype print. Stock Photo](https://c8.alamy.com/comp/W33PPF/1890s-japan-japanese-theater-in-tokyo-managed-by-the-legendary-morita-kanya-1846-1897-the-shintomiza-was-tokyos-premier-theater-this-is-the-theater-as-it-looked-before-the-fire-of-1876-meiji-9-see-blog-entry-httpoldphotosjapancomenphotos286shintomiza-theater-this-image-was-published-in-1895-meiji-28-by-kazumasa-ogawa-in-scenes-of-the-eastern-capital-of-japan-19th-century-vintage-collotype-print-W33PPF.jpg "[ 1890s Japan - Japanese Theater in Tokyo ] — Managed by the legendary Morita Kanya (守田勘弥, 1846-1897), the Shintomiza (新富座) was Tokyo’s premier theater. This is the theater as it looked before the fire of 1876 (Meiji 9). See blog entry: http://oldphotosjapan.com/en/photos/286/shintomiza-theater This image was published in 1895 (Meiji 28) by Kazumasa Ogawa in Scenes of the Eastern Capital of Japan. 19th century vintage collotype print. Stock Photo")
[ 1890s Japan - Japanese Theater in Tokyo ] — Managed by the legendary Morita Kanya (守田勘弥, 1846-1897), the Shintomiza (新富座) was Tokyo’s premier theater. This is the theater as it looked before the fire of 1876 (Meiji 9). See blog entry: http://oldphotosjapan.com/en/photos/286/shintomiza-theater This image was published in 1895 (Meiji 28) by Kazumasa Ogawa in Scenes of the Eastern Capital of Japan. 19th century vintage collotype print. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1890s-japan-japanese-theater-in-tokyo-managed-by-the-legendary-morita-kanya-1846-1897-the-shintomiza-was-tokyos-premier-theater-this-is-the-theater-as-it-looked-before-the-fire-of-1876-meiji-9-see-blog-entry-httpoldphotosjapancomenphotos286shintomiza-theater-this-image-was-published-in-1895-meiji-28-by-kazumasa-ogawa-in-scenes-of-the-eastern-capital-of-japan-19th-century-vintage-collotype-print-image260083223.htmlRMW33PPF–[ 1890s Japan - Japanese Theater in Tokyo ] — Managed by the legendary Morita Kanya (守田勘弥, 1846-1897), the Shintomiza (新富座) was Tokyo’s premier theater. This is the theater as it looked before the fire of 1876 (Meiji 9). See blog entry: http://oldphotosjapan.com/en/photos/286/shintomiza-theater This image was published in 1895 (Meiji 28) by Kazumasa Ogawa in Scenes of the Eastern Capital of Japan. 19th century vintage collotype print.
Frank Lockwood (1846-1897), English lawyer and politician, 1890.Artist: W&D Downey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-frank-lockwood-1846-1897-english-lawyer-and-politician-1890artist-17639924.htmlRMB0KFW8–Frank Lockwood (1846-1897), English lawyer and politician, 1890.Artist: W&D Downey
Self-portrait of Charles Courtry (1846-1897), engraver, c1890. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-of-charles-courtry-1846-1897-engraver-c1890-image482115708.htmlRM2K0A7E4–Self-portrait of Charles Courtry (1846-1897), engraver, c1890.
Thielmann, Max Guido von, 4.4.1846 - 2.5.1929, German politician and diplomat, State Secretary of the Imperial Treasury 1897 - 1903, portrait, wood engraving, 1898, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-thielmann-max-guido-von-441846-251929-german-politician-and-diplomat-15977465.htmlRMAR8XJJ–Thielmann, Max Guido von, 4.4.1846 - 2.5.1929, German politician and diplomat, State Secretary of the Imperial Treasury 1897 - 1903, portrait, wood engraving, 1898, ,
Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lightyear-charles-jean-louis-courtry-1846-1897-daprs-victor-hugo-lclair-eau-forte-1868-paris-maison-de-victor-hugo-image349616795.htmlRM2B8PBP3–Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo.
1897 The Graphic Queen Victoria in 1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-1897-the-graphic-queen-victoria-in-1839-167039737.htmlRMKKN8TW–1897 The Graphic Queen Victoria in 1839
Bassin de Latone.. Henri Guérard (French, 1846 - 1897) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bassin-de-latone-henri-gurard-french-1846-1897-image416550416.htmlRM2F5KE8G–Bassin de Latone.. Henri Guérard (French, 1846 - 1897)
Willie Edouin as Hilarius in La Poupee, a comic opera by Edmond Audran, Prince of Wales Theatre, 1897. Edouin, English comedian, actor, dancer, singer and writer, 1846-1906. Photograph by Alfred Ellis and Walery (Stanislaw Julian Ignacy). Colour printing of a hand-coloured illustration based on a monochrome photograph from George Newnes’s Players of the Day, London, 1905. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/willie-edouin-as-hilarius-in-la-poupee-a-comic-opera-by-edmond-audran-prince-of-wales-theatre-1897-edouin-english-comedian-actor-dancer-singer-and-writer-1846-1906-photograph-by-alfred-ellis-and-walery-stanislaw-julian-ignacy-colour-printing-of-a-hand-coloured-illustration-based-on-a-monochrome-photograph-from-george-newness-players-of-the-day-london-1905-image479416458.htmlRM2JRY8GA–Willie Edouin as Hilarius in La Poupee, a comic opera by Edmond Audran, Prince of Wales Theatre, 1897. Edouin, English comedian, actor, dancer, singer and writer, 1846-1906. Photograph by Alfred Ellis and Walery (Stanislaw Julian Ignacy). Colour printing of a hand-coloured illustration based on a monochrome photograph from George Newnes’s Players of the Day, London, 1905.
The Haunted Stream after 1846 by John Sartain, born London, England 1808-died Philadelphia, PA 1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-haunted-stream-after-1846-by-john-sartain-born-london-england-1808-died-philadelphia-pa-1897-image556004068.htmlRM2R8G4T4–The Haunted Stream after 1846 by John Sartain, born London, England 1808-died Philadelphia, PA 1897
Infanta Maria Luisa Fernanda of Spain (1832-1897). Infanta of Spain by birth. Second daughter of King Ferdinand VII. Duchess of Montpensier by her marriage to Prince Antoine d'Orleans in 1846. Portrait. Drawing by B. Blanco. Lithography by J. Donon. Reyes Contemporaneos. Volume I. Published in Madrid, 1855. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/infanta-maria-luisa-fernanda-of-spain-1832-1897-infanta-of-spain-by-birth-second-daughter-of-king-ferdinand-vii-duchess-of-montpensier-by-her-marriage-to-prince-antoine-dorleans-in-1846-portrait-drawing-by-b-blanco-lithography-by-j-donon-reyes-contemporaneos-volume-i-published-in-madrid-1855-image608949020.htmlRM2XAM0K8–Infanta Maria Luisa Fernanda of Spain (1832-1897). Infanta of Spain by birth. Second daughter of King Ferdinand VII. Duchess of Montpensier by her marriage to Prince Antoine d'Orleans in 1846. Portrait. Drawing by B. Blanco. Lithography by J. Donon. Reyes Contemporaneos. Volume I. Published in Madrid, 1855.
Vintage newspaper portrait of George Siler (1846 - 1908) - one of the most well-known and respected boxing referees of the late 19th and early 20th century. Siler refereed more than 200 bouts during the 1890s and early 1900s, including many world title fights involving famous fighters of the era such as Bob Fitzsimmons, Jim Corbett, Jim Jeffries, Joe Gans and Battling Nelson. He was also a sports writer for the Chicago Times, Chicago Globe and Chicago Tribune. Portrait circa 1897. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vintage-newspaper-portrait-of-george-siler-1846-1908-one-of-the-most-87925804.htmlRMF31A78–Vintage newspaper portrait of George Siler (1846 - 1908) - one of the most well-known and respected boxing referees of the late 19th and early 20th century. Siler refereed more than 200 bouts during the 1890s and early 1900s, including many world title fights involving famous fighters of the era such as Bob Fitzsimmons, Jim Corbett, Jim Jeffries, Joe Gans and Battling Nelson. He was also a sports writer for the Chicago Times, Chicago Globe and Chicago Tribune. Portrait circa 1897.
Caddy spoon MET 17857 188206 Maker: John Lias, active 1791? after 1837, Maker: Henry Lias, active 1818? after 1848, died 1877, Maker: Charles Lias, active 1823? after 1846, Caddy spoon, 1832?33, Silver, Length: 4 1/2 in. (11.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1897 (97.2.182) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-caddy-spoon-met-17857-188206-maker-john-lias-active-1791-after-1837-168148851.htmlRMKNFRG3–Caddy spoon MET 17857 188206 Maker: John Lias, active 1791? after 1837, Maker: Henry Lias, active 1818? after 1848, died 1877, Maker: Charles Lias, active 1823? after 1846, Caddy spoon, 1832?33, Silver, Length: 4 1/2 in. (11.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1897 (97.2.182)
Soleil couchant, Honfleur, still image, Prints, 1895, Guérard, Henri-Charles, 1846-1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soleil-couchant-honfleur-still-image-prints-1895-gurard-henri-charles-1846-1897-image376511388.htmlRM2CTFG38–Soleil couchant, Honfleur, still image, Prints, 1895, Guérard, Henri-Charles, 1846-1897
Inspired by Bateaux dans le brouillard, Henri-Charles Guérard, French, 1846-1897, Soft ground etching on laid paper, 1894, 17 5/8 x 8 1/16 in., 44.8 x 20.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-bateaux-dans-le-brouillard-henri-charles-gurard-french-1846-1897-soft-ground-etching-on-laid-paper-1894-17-58-x-8-116-in-448-x-205-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253642.htmlRF2HK4PKP–Inspired by Bateaux dans le brouillard, Henri-Charles Guérard, French, 1846-1897, Soft ground etching on laid paper, 1894, 17 5/8 x 8 1/16 in., 44.8 x 20.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Illustration depicting boycotted goods being given an armed guard to Thurles railway station. In 1880 Charles Stewart Parnell began a campaign of social ostracism and Charles Boycott was one of the first victims, and so a new word came into English and into various European languages. Charles Stewart Parnell (1846-1891) an Irish nationalist politician and powerful member of the British House of Commons. Charles Cunningham Boycott (1832-1897) an English land agent. Dated 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-depicting-boycotted-goods-being-given-an-armed-guard-to-thurles-railway-station-in-1880-charles-stewart-parnell-began-a-campaign-of-social-ostracism-and-charles-boycott-was-one-of-the-first-victims-and-so-a-new-word-came-into-english-and-into-various-european-languages-charles-stewart-parnell-1846-1891-an-irish-nationalist-politician-and-powerful-member-of-the-british-house-of-commons-charles-cunningham-boycott-1832-1897-an-english-land-agent-dated-19th-century-image186327549.htmlRMMR3XK9–Illustration depicting boycotted goods being given an armed guard to Thurles railway station. In 1880 Charles Stewart Parnell began a campaign of social ostracism and Charles Boycott was one of the first victims, and so a new word came into English and into various European languages. Charles Stewart Parnell (1846-1891) an Irish nationalist politician and powerful member of the British House of Commons. Charles Cunningham Boycott (1832-1897) an English land agent. Dated 19th century
Return from Fishing, Honfleur (Retour de Peche, Honfleur) (Bateaux dans le brouillard / Boats in a Fog). Artist: Henri-Charles Guérard (French, Paris 1846-1897 Paris). Dimensions: Plate: 5 3/4 in. × 8 in. (14.6 × 20.3 cm) Sheet: 13 3/8 × 13 1/16 in. (33.9 × 33.1 cm). Publisher: André Marty (French, born 1857). Series/Portfolio: L'Estampe originale, Album VI. Date: 1894. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/return-from-fishing-honfleur-retour-de-peche-honfleur-bateaux-dans-le-brouillard-boats-in-a-fog-artist-henri-charles-gurard-french-paris-1846-1897-paris-dimensions-plate-5-34-in-8-in-146-203-cm-sheet-13-38-13-116-in-339-331-cm-publisher-andr-marty-french-born-1857-seriesportfolio-lestampe-originale-album-vi-date-1894-museum-metropolitan-museum-of-art-new-york-usa-image213167084.htmlRMPAPGP4–Return from Fishing, Honfleur (Retour de Peche, Honfleur) (Bateaux dans le brouillard / Boats in a Fog). Artist: Henri-Charles Guérard (French, Paris 1846-1897 Paris). Dimensions: Plate: 5 3/4 in. × 8 in. (14.6 × 20.3 cm) Sheet: 13 3/8 × 13 1/16 in. (33.9 × 33.1 cm). Publisher: André Marty (French, born 1857). Series/Portfolio: L'Estampe originale, Album VI. Date: 1894. Museum: Metropolitan Museum of Art, New York, USA.
. Español: Samurái y Oficial Japonés. (1846-1897) . 21 August 2015. Indeterminado 480 Seigo Yamazawa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/espaol-samuri-y-oficial-japons-1846-1897-21-august-2015-indeterminado-480-seigo-yamazawa-image188744546.htmlRMMY21GJ–. Español: Samurái y Oficial Japonés. (1846-1897) . 21 August 2015. Indeterminado 480 Seigo Yamazawa
Infanta María Luisa Fernanda of Spain (1832-1897). Infanta of Spain by birth. Second daughter of King Ferdinand VII. Duchess of Montpensier by her marriage to Prince Antoine d'Orleans in 1846. Portrait. Drawing by B. Blanco. Lithography by J. Donón. Reyes Contemporáneos. Volume I. Published in Madrid, 1855. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/infanta-mara-luisa-fernanda-of-spain-1832-1897-infanta-of-spain-by-birth-second-daughter-of-king-ferdinand-vii-duchess-of-montpensier-by-her-marriage-to-prince-antoine-dorleans-in-1846-portrait-drawing-by-b-blanco-lithography-by-j-donn-reyes-contemporneos-volume-i-published-in-madrid-1855-image549489220.htmlRM2PWYB30–Infanta María Luisa Fernanda of Spain (1832-1897). Infanta of Spain by birth. Second daughter of King Ferdinand VII. Duchess of Montpensier by her marriage to Prince Antoine d'Orleans in 1846. Portrait. Drawing by B. Blanco. Lithography by J. Donón. Reyes Contemporáneos. Volume I. Published in Madrid, 1855.
. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/des-plantes-vnneuses-et-des-empoisonnements-quelles-dterminent-poisonous-plants-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-cornevin-charles-ernest-1846-1897-paris-firmin-didot-image215961269.htmlRMPF9TPD–. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot
Annual Report of the Secretary of the Interior for the year ended June 30, 1897 . river is mentioned by theearliest of Spanish priests and explorers, and is established by authentic historicalmemorials extending back more than two centuries. The law of prior appropriationexisted under the Mexican Republic at the time of the acquisition of New Mexico,and one of the first acts of this Government was to declare that, the laws hereto-fore in force concerning water courses * * * shall continue in force. (Codeproclaimed by Brigadier-General Kearney September 22,1846.) One of the first actsof the loc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annual-report-of-the-secretary-of-the-interior-for-the-year-ended-june-30-1897-river-is-mentioned-by-theearliest-of-spanish-priests-and-explorers-and-is-established-by-authentic-historicalmemorials-extending-back-more-than-two-centuries-the-law-of-prior-appropriationexisted-under-the-mexican-republic-at-the-time-of-the-acquisition-of-new-mexicoand-one-of-the-first-acts-of-this-government-was-to-declare-that-the-laws-hereto-fore-in-force-concerning-water-courses-shall-continue-in-force-codeproclaimed-by-brigadier-general-kearney-september-221846-one-of-the-first-actsof-the-loc-image339077568.htmlRM2AKJ8W4–Annual Report of the Secretary of the Interior for the year ended June 30, 1897 . river is mentioned by theearliest of Spanish priests and explorers, and is established by authentic historicalmemorials extending back more than two centuries. The law of prior appropriationexisted under the Mexican Republic at the time of the acquisition of New Mexico,and one of the first acts of this Government was to declare that, the laws hereto-fore in force concerning water courses * * * shall continue in force. (Codeproclaimed by Brigadier-General Kearney September 22,1846.) One of the first actsof the loc
Infanta Maria Louisa Fernanda of Spain Duchess of Montpensier Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-infanta-maria-louisa-fernanda-of-spain-duchess-of-montpensier-22261716.htmlRMB86318–Infanta Maria Louisa Fernanda of Spain Duchess of Montpensier
A Convivial Evening, 1875-1897. Artist: Makovsky, Vladimir Yegorovich (1846-1920) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-convivial-evening-1875-1897-artist-makovsky-vladimir-yegorovich-image60424431.htmlRMDE8FYB–A Convivial Evening, 1875-1897. Artist: Makovsky, Vladimir Yegorovich (1846-1920)
Badeni, Kasimir, Count, 14.10.1846 - 10.3.1909, Austrian politician, Minister-President of Austria 1895 - 1897, portrait, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-badeni-kasimir-count-14101846-1031909-austrian-politician-minister-24446586.htmlRMBBNHTA–Badeni, Kasimir, Count, 14.10.1846 - 10.3.1909, Austrian politician, Minister-President of Austria 1895 - 1897, portrait,
Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lightyear-charles-jean-louis-courtry-1846-1897-daprs-victor-hugo-lclair-eau-forte-1868-paris-maison-de-victor-hugo-image349616797.htmlRM2B8PBP5–Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo.
Archive image from page 401 of Des plantes vénéneuses et des. Des plantes vénéneuses et des empoisonnements qu'elles déterminent . desplantesvn00corn Year: 1893 FiG. 40. — Œnanthe phellandrium. — Œsanthe phellandre Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-401-of-des-plantes-vnneuses-et-des-des-plantes-vnneuses-et-des-empoisonnements-quelles-dterminent-desplantesvn00corn-year-1893-fig-40-nanthe-phellandrium-santhe-phellandre-image259025565.htmlRMW1BHN1–Archive image from page 401 of Des plantes vénéneuses et des. Des plantes vénéneuses et des empoisonnements qu'elles déterminent . desplantesvn00corn Year: 1893 FiG. 40. — Œnanthe phellandrium. — Œsanthe phellandre
Le Cuvier. Artist: Charles-Jean-Louis Courtry, French, 1846–1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lecuvier-artist-charles-jean-louis-courtry-french-18461897-image463134757.htmlRM2HWDH31–Le Cuvier. Artist: Charles-Jean-Louis Courtry, French, 1846–1897
Bassin de Latone., Henri Guérard (French, 1846 - 1897), about 1870, Albumen silver print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bassin-de-latone-henri-gurard-french-1846-1897-about-1870-albumen-silver-print-image261278872.htmlRMW527T8–Bassin de Latone., Henri Guérard (French, 1846 - 1897), about 1870, Albumen silver print
Art inspired by Les Lapins, Henri-Charles Guérard, French, 1846-1897, Woodcut on heavy wove paper, 1893, 11 13/16 x 9 1/16 in., 30 x 23 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-les-lapins-henri-charles-gurard-french-1846-1897-woodcut-on-heavy-wove-paper-1893-11-1316-x-9-116-in-30-x-23-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568310.htmlRF2HKK41X–Art inspired by Les Lapins, Henri-Charles Guérard, French, 1846-1897, Woodcut on heavy wove paper, 1893, 11 13/16 x 9 1/16 in., 30 x 23 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Assault of the Shoe. Henri Charles Guérard; French, 1846-1897. Date: 1888. Dimensions: 167 × 254 mm (image/plate); 355 × 490 mm (sheet). Etching, with open bite, in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-assault-of-the-shoe-henri-charles-gurard-french-1846-1897-date-1888-dimensions-167-254-mm-imageplate-355-490-mm-sheet-etching-with-open-bite-in-black-on-cream-wove-paper-origin-france-museum-the-chicago-art-institute-image239945860.htmlRMRXADB0–The Assault of the Shoe. Henri Charles Guérard; French, 1846-1897. Date: 1888. Dimensions: 167 × 254 mm (image/plate); 355 × 490 mm (sheet). Etching, with open bite, in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute.
. French writer Charles Buet (1846-1897) by Frédéric-Auguste Cazals (1865-1941) . 1892. Frédéric-Auguste Cazals 103 Charles Buet by Cazals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/french-writer-charles-buet-1846-1897-by-frdric-auguste-cazals-1865-1941-1892-frdric-auguste-cazals-103-charles-buet-by-cazals-image184863758.htmlRMMMN7H2–. French writer Charles Buet (1846-1897) by Frédéric-Auguste Cazals (1865-1941) . 1892. Frédéric-Auguste Cazals 103 Charles Buet by Cazals
. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/des-plantes-vnneuses-et-des-empoisonnements-quelles-dterminent-poisonous-plants-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-cornevin-charles-ernest-1846-1897-paris-firmin-didot-image215977998.htmlRMPFAJ3X–. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot
. Delaware County, New York; history of the century, 1797-1897; centennial celebration, June 9 and 10, 1897. ghry as county clerk shouldbe 1846. On page 78, the name given as sheriff should be Daniel Rowland instead ofDavid Rowland. The same change should be made in the name ip. 81) of thi*nienilier of .ssi>mbly for 1853. On page 79, the name of Samuel Kexford should have apjieared at StateSenator for 1829-30-31 32. On page 80, at the head of the list of members of .ssembly, it should bestated that the dates given are the years in which they were elected. On page 85, among Supreme Court J Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/delaware-county-new-york-history-of-the-century-1797-1897-centennial-celebration-june-9-and-10-1897-ghry-as-county-clerk-shouldbe-1846-on-page-78-the-name-given-as-sheriff-should-be-daniel-rowland-instead-ofdavid-rowland-the-same-change-should-be-made-in-the-name-ip-81-of-thinienilier-of-ssigtmbly-for-1853-on-page-79-the-name-of-samuel-kexford-should-have-apjieared-at-statesenator-for-1829-30-31-32-on-page-80-at-the-head-of-the-list-of-members-of-ssembly-it-should-bestated-that-the-dates-given-are-the-years-in-which-they-were-elected-on-page-85-among-supreme-court-j-image336680733.htmlRM2AFN3KW–. Delaware County, New York; history of the century, 1797-1897; centennial celebration, June 9 and 10, 1897. ghry as county clerk shouldbe 1846. On page 78, the name given as sheriff should be Daniel Rowland instead ofDavid Rowland. The same change should be made in the name ip. 81) of thi*nienilier of .ssi>mbly for 1853. On page 79, the name of Samuel Kexford should have apjieared at StateSenator for 1829-30-31 32. On page 80, at the head of the list of members of .ssembly, it should bestated that the dates given are the years in which they were elected. On page 85, among Supreme Court J
Infanta Maria Luisa Fernanda of Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-infanta-maria-luisa-fernanda-of-spain-22260677.htmlRMB861M5–Infanta Maria Luisa Fernanda of Spain
Portrait of the painter Nikolai Alexandrovich Yaroshenko (1846-1898), 1897. Artist: Nesterov, Mikhail Vasilyevich (1862-1942) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-painter-nikolai-alexandrovich-yaroshenko-1846-1898-image60425646.htmlRMDE8HEP–Portrait of the painter Nikolai Alexandrovich Yaroshenko (1846-1898), 1897. Artist: Nesterov, Mikhail Vasilyevich (1862-1942)
Badeni, Kasimir, Count, 14.10.1846 - 10.3.1909, Austrian politician, Minister-President of Austria 1895 - 1897, portrait, wood engraving, late 19th century, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-badeni-kasimir-count-14101846-1031909-austrian-politician-minister-48034092.htmlRMCP43Y8–Badeni, Kasimir, Count, 14.10.1846 - 10.3.1909, Austrian politician, Minister-President of Austria 1895 - 1897, portrait, wood engraving, late 19th century,
Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lightyear-charles-jean-louis-courtry-1846-1897-daprs-victor-hugo-lclair-eau-forte-1868-paris-maison-de-victor-hugo-image349616794.htmlRM2B8PBP2–Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo.
Archive image from page 86 of Des plantes vénéneuses et des. Des plantes vÃnÃneuses et des empoisonnements qu'elles dÃterminent . desplantesvn00corn Year: 1893 DES PLANTES VENENEUSES. 73 mais il prÃsente un sillon ventral large et profond dans lequel s'est moulÃe comme nous l'avons dit, la glumelle FlG 7. A. Amidon d'Ivraie enivrante. - 4 à 8 (i. (Grossissement : B. Amidon DE seigle. 25 à 45 |x 260; supÃrieure. ÃcrasÃ, il ne dÃgage aucune odeur, sa farine placÃe dans la bouche ne dÃcèle non plus aucune saveur spÃciale. Les granules d'amidon dcPIvraic enivrante se distin- Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-86-of-des-plantes-vnneuses-et-des-des-plantes-vnneuses-et-des-empoisonnements-quelles-dterminent-desplantesvn00corn-year-1893-des-plantes-veneneuses-73-mais-il-prsente-un-sillon-ventral-large-et-profond-dans-lequel-sest-moule-comme-nous-lavons-dit-la-glumelle-flg-7-a-amidon-divraie-enivrante-4-8-i-grossissement-b-amidon-de-seigle-25-45-x-260-suprieure-cras-il-ne-dgage-aucune-odeur-sa-farine-place-dans-la-bouche-ne-dcle-non-plus-aucune-saveur-spciale-les-granules-damidon-dcpivraic-enivrante-se-distin-image259057303.htmlRMW1D26F–Archive image from page 86 of Des plantes vénéneuses et des. Des plantes vÃnÃneuses et des empoisonnements qu'elles dÃterminent . desplantesvn00corn Year: 1893 DES PLANTES VENENEUSES. 73 mais il prÃsente un sillon ventral large et profond dans lequel s'est moulÃe comme nous l'avons dit, la glumelle FlG 7. A. Amidon d'Ivraie enivrante. - 4 à 8 (i. (Grossissement : B. Amidon DE seigle. 25 à 45 |x 260; supÃrieure. ÃcrasÃ, il ne dÃgage aucune odeur, sa farine placÃe dans la bouche ne dÃcèle non plus aucune saveur spÃciale. Les granules d'amidon dcPIvraic enivrante se distin-
Le Vieux Balayeur. Artist: Henri Charles Guérard, French, 1846–1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-vieuxbalayeur-artist-henri-charles-gurard-french-18461897-image463130566.htmlRM2HWDBNA–Le Vieux Balayeur. Artist: Henri Charles Guérard, French, 1846–1897
Porte-bouquet et crabe, still image, Prints, 1882, Guérard, Henri-Charles, 1846-1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porte-bouquet-et-crabe-still-image-prints-1882-gurard-henri-charles-1846-1897-image376510348.htmlRM2CTFEP4–Porte-bouquet et crabe, still image, Prints, 1882, Guérard, Henri-Charles, 1846-1897
Art inspired by Bateaux dans le brouillard, Henri-Charles Guérard, French, 1846-1897, Soft ground etching on laid paper, 1894, 17 5/8 x 8 1/16 in., 44.8 x 20.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bateaux-dans-le-brouillard-henri-charles-gurard-french-1846-1897-soft-ground-etching-on-laid-paper-1894-17-58-x-8-116-in-448-x-205-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568374.htmlRF2HKK446–Art inspired by Bateaux dans le brouillard, Henri-Charles Guérard, French, 1846-1897, Soft ground etching on laid paper, 1894, 17 5/8 x 8 1/16 in., 44.8 x 20.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lightning. Charles Courtry (French, 1846-1897); after Georges-Victor Hugo (French, 1867-1925). Date: 1868. Dimensions: 217 × 145 mm (plate); 387 × 265 mm (sheet). Etching in brown on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lightning-charles-courtry-french-1846-1897-after-georges-victor-hugo-french-1867-1925-date-1868-dimensions-217-145-mm-plate-387-265-mm-sheet-etching-in-brown-on-ivory-wove-paper-origin-france-museum-the-chicago-art-institute-image239922856.htmlRMRX9C1C–Lightning. Charles Courtry (French, 1846-1897); after Georges-Victor Hugo (French, 1867-1925). Date: 1868. Dimensions: 217 × 145 mm (plate); 387 × 265 mm (sheet). Etching in brown on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
. French writer Charles Buet (1846-1897) by Frédéric-Auguste Cazals (1865-1941) . 1892. Frédéric-Auguste Cazals 103 Charles Buet by Cazals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/french-writer-charles-buet-1846-1897-by-frdric-auguste-cazals-1865-1941-1892-frdric-auguste-cazals-103-charles-buet-by-cazals-image187678807.htmlRMMW9E6F–. French writer Charles Buet (1846-1897) by Frédéric-Auguste Cazals (1865-1941) . 1892. Frédéric-Auguste Cazals 103 Charles Buet by Cazals
. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/des-plantes-vnneuses-et-des-empoisonnements-quelles-dterminent-poisonous-plants-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-cornevin-charles-ernest-1846-1897-paris-firmin-didot-image215961303.htmlRMPF9TRK–. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot
Annual report of the Fruit Growers' Association of Ontario, 1898 . of large size and great productiveness. Thougha Bigarreau it has not the fault of its class of being especially subject to rot ; it is not so black in color as the Elkhorn, but dark enough a red tobe classed with the black cherries. Origin, Mezel, France ; first introduced in 1846. Tree, upright, spreading, a very vigorous grower ;one tree at Maplehurst forty years planted was thirtyfeet in height in 1897, and covered an area about thesame number of feet in diameter ; first rate in hardi-ness and in productiveness ; group, Biga Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annual-report-of-the-fruit-growers-association-of-ontario-1898-of-large-size-and-great-productiveness-thougha-bigarreau-it-has-not-the-fault-of-its-class-of-being-especially-subject-to-rot-it-is-not-so-black-in-color-as-the-elkhorn-but-dark-enough-a-red-tobe-classed-with-the-black-cherries-origin-mezel-france-first-introduced-in-1846-tree-upright-spreading-a-very-vigorous-grower-one-tree-at-maplehurst-forty-years-planted-was-thirtyfeet-in-height-in-1897-and-covered-an-area-about-thesame-number-of-feet-in-diameter-first-rate-in-hardi-ness-and-in-productiveness-group-biga-image339084115.htmlRM2AKJH6Y–Annual report of the Fruit Growers' Association of Ontario, 1898 . of large size and great productiveness. Thougha Bigarreau it has not the fault of its class of being especially subject to rot ; it is not so black in color as the Elkhorn, but dark enough a red tobe classed with the black cherries. Origin, Mezel, France ; first introduced in 1846. Tree, upright, spreading, a very vigorous grower ;one tree at Maplehurst forty years planted was thirtyfeet in height in 1897, and covered an area about thesame number of feet in diameter ; first rate in hardi-ness and in productiveness ; group, Biga
Portrait of Count Sergei Semyonovich Urusov (1827-1897) (From the Album of the Imperial Horse Guards), 1846-1849. Artist: Hau (Gau), Vladimir Ivanovic Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-count-sergei-semyonovich-urusov-1827-1897-from-the-album-image60409059.htmlRMDE7TAB–Portrait of Count Sergei Semyonovich Urusov (1827-1897) (From the Album of the Imperial Horse Guards), 1846-1849. Artist: Hau (Gau), Vladimir Ivanovic
Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lightyear-charles-jean-louis-courtry-1846-1897-daprs-victor-hugo-lclair-eau-forte-1868-paris-maison-de-victor-hugo-image349616796.htmlRM2B8PBP4–Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo.
Archive image from page 482 of Des plantes vénéneuses et des. Des plantes vÃnÃneuses et des empoisonnements qu'elles dÃterminent . desplantesvn00corn Year: 1893 DES PLANTES VENENEUSES. 469 Principe actif. â On donne le nom de Datui'ine à Talcaloïde retirà de la Stramoine. Plusieurs savants Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-482-of-des-plantes-vnneuses-et-des-des-plantes-vnneuses-et-des-empoisonnements-quelles-dterminent-desplantesvn00corn-year-1893-des-plantes-veneneuses-469-principe-actif-on-donne-le-nom-de-datuiine-talcalode-retir-de-la-stramoine-plusieurs-savants-image259033818.htmlRMW1C07P–Archive image from page 482 of Des plantes vénéneuses et des. Des plantes vÃnÃneuses et des empoisonnements qu'elles dÃterminent . desplantesvn00corn Year: 1893 DES PLANTES VENENEUSES. 469 Principe actif. â On donne le nom de Datui'ine à Talcaloïde retirà de la Stramoine. Plusieurs savants
Le Mary Confesseur. Artist: Charles-Jean-Louis Courtry, French, 1846–1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-maryconfesseur-artist-charles-jean-louis-courtry-french-18461897-image463134761.htmlRM2HWDH35–Le Mary Confesseur. Artist: Charles-Jean-Louis Courtry, French, 1846–1897
Imprint of the artist's left hand, still image, Prints, 1885, Guérard, Henri-Charles, 1846-1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/imprint-of-the-artists-left-hand-still-image-prints-1885-gurard-henri-charles-1846-1897-image376513062.htmlRM2CTFJ72–Imprint of the artist's left hand, still image, Prints, 1885, Guérard, Henri-Charles, 1846-1897
Art inspired by Self Portrait, ca. 1890, Etching with roulette and mezzotint, Sheet: 7 1/8 × 9 11/16 in. (18.1 × 24.6 cm), Prints, Henri-Charles Guérard (French, Paris 1846–1897 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-self-portrait-ca-1890-etching-with-roulette-and-mezzotint-sheet-7-18-9-1116-in-181-246-cm-prints-henri-charles-gurard-french-paris-18461897-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462813328.htmlRF2HTXY3C–Art inspired by Self Portrait, ca. 1890, Etching with roulette and mezzotint, Sheet: 7 1/8 × 9 11/16 in. (18.1 × 24.6 cm), Prints, Henri-Charles Guérard (French, Paris 1846–1897 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Assault of the Shoe. Henri Charles Guérard; French, 1846-1897. Date: 1888. Dimensions: 168 × 252 mm (image/plate); 250 × 360 mm (sheet). Etching, with open bite, in light red and black on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-assault-of-the-shoe-henri-charles-gurard-french-1846-1897-date-1888-dimensions-168-252-mm-imageplate-250-360-mm-sheet-etching-with-open-bite-in-light-red-and-black-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image239913256.htmlRMRX8YPG–The Assault of the Shoe. Henri Charles Guérard; French, 1846-1897. Date: 1888. Dimensions: 168 × 252 mm (image/plate); 250 × 360 mm (sheet). Etching, with open bite, in light red and black on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
. French writer Charles Buet (1846-1897) by Frédéric-Auguste Cazals (1865-1941) . 1892. Frédéric-Auguste Cazals 89 Charles Buet by Cazals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/french-writer-charles-buet-1846-1897-by-frdric-auguste-cazals-1865-1941-1892-frdric-auguste-cazals-89-charles-buet-by-cazals-image188947928.htmlRMMYB908–. French writer Charles Buet (1846-1897) by Frédéric-Auguste Cazals (1865-1941) . 1892. Frédéric-Auguste Cazals 89 Charles Buet by Cazals
. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. FiG. 32. -— Lupin.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/des-plantes-vnneuses-et-des-empoisonnements-quelles-dterminent-poisonous-plants-fig-32-lupin-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-cornevin-charles-ernest-1846-1897-paris-firmin-didot-image215978059.htmlRMPFAJ63–. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. FiG. 32. -— Lupin.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot
An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian . gton.July-Aug. 3. Mertensia lanceolata (Pursh) DC.Lance-leaved Lungwort. Fig. 3526. P. lanceolata Pursh, Fl. Am. Sept. 729. 1814-Mertensia lanceolata DC. Prodr. 10: 88. 1846.M. linearis Greene, Pittonia 3 : 197• 1897. Glabrous or somewhat hirsute; stem simple orbranched, slender, 6-i8 high. Leaves papillose,indistinctly veined, light green, the upper lanceo-late, acute, sessil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-illustrated-flora-of-the-northern-united-states-canada-and-the-british-possessions-from-newfoundland-to-the-parallel-of-the-southern-boundary-of-virginia-and-from-the-atlantic-ocean-westward-to-the-102nd-meridian-gtonjuly-aug-3-mertensia-lanceolata-pursh-dclance-leaved-lungwort-fig-3526-p-lanceolata-pursh-fl-am-sept-729-1814-mertensia-lanceolata-dc-prodr-10-88-1846m-linearis-greene-pittonia-3-197-1897-glabrous-or-somewhat-hirsute-stem-simple-orbranched-slender-6-i8-high-leaves-papilloseindistinctly-veined-light-green-the-upper-lanceo-late-acute-sessil-image338154467.htmlRM2AJ47D7–An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian . gton.July-Aug. 3. Mertensia lanceolata (Pursh) DC.Lance-leaved Lungwort. Fig. 3526. P. lanceolata Pursh, Fl. Am. Sept. 729. 1814-Mertensia lanceolata DC. Prodr. 10: 88. 1846.M. linearis Greene, Pittonia 3 : 197• 1897. Glabrous or somewhat hirsute; stem simple orbranched, slender, 6-i8 high. Leaves papillose,indistinctly veined, light green, the upper lanceo-late, acute, sessil
Punchinello, after Meissonier, 1876. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/punchinello-after-meissonier-1876-image330114540.htmlRM2A520D0–Punchinello, after Meissonier, 1876.
Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lightyear-charles-jean-louis-courtry-1846-1897-daprs-victor-hugo-lclair-eau-forte-1868-paris-maison-de-victor-hugo-image349648253.htmlRM2B8RRWH–Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo.
Archive image from page 512 of Des plantes vénéneuses et des. Des plantes vénéneuses et des empoisonnements qu'elles déterminent . desplantesvn00corn Year: 1893 FiG. 5i. — Pediciilaris palustris. — Fédiculaire des marais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-512-of-des-plantes-vnneuses-et-des-des-plantes-vnneuses-et-des-empoisonnements-quelles-dterminent-desplantesvn00corn-year-1893-fig-5i-pediciilaris-palustris-fdiculaire-des-marais-image259036334.htmlRMW1C3DJ–Archive image from page 512 of Des plantes vénéneuses et des. Des plantes vénéneuses et des empoisonnements qu'elles déterminent . desplantesvn00corn Year: 1893 FiG. 5i. — Pediciilaris palustris. — Fédiculaire des marais.
James McNeill Whistler, 1888. Henri Charles Guérard (French, 1846-1897). Etching; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-mcneill-whistler-1888-henri-charles-gurard-french-1846-1897-etching-image448147665.htmlRM2H12TWN–James McNeill Whistler, 1888. Henri Charles Guérard (French, 1846-1897). Etching;
Diner Dentu Monkey with inkwell, still image, Prints, 1880, Guérard, Henri-Charles, 1846-1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/diner-dentu-monkey-with-inkwell-still-image-prints-1880-gurard-henri-charles-1846-1897-image376517341.htmlRM2CTFRKW–Diner Dentu Monkey with inkwell, still image, Prints, 1880, Guérard, Henri-Charles, 1846-1897
Art inspired by Rabbits (Les Lapins), April–June, 1893, Woodcut on gray paper, Image: 12 15/16 × 9 1/16 in. (32.9 × 23 cm), Prints, Henri-Charles Guérard (French, Paris 1846–1897 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-rabbits-les-lapins-apriljune-1893-woodcut-on-gray-paper-image-12-1516-9-116-in-329-23-cm-prints-henri-charles-gurard-french-paris-18461897-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463002058.htmlRF2HW7FRP–Art inspired by Rabbits (Les Lapins), April–June, 1893, Woodcut on gray paper, Image: 12 15/16 × 9 1/16 in. (32.9 × 23 cm), Prints, Henri-Charles Guérard (French, Paris 1846–1897 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Assault of the Shoe. Henri Charles Guérard; French, 1846-1897. Date: 1888. Dimensions: 167 × 252 mm (image/plate); 199 × 281 mm (sheet). Etching, with open bite, in light red and black on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-assault-of-the-shoe-henri-charles-gurard-french-1846-1897-date-1888-dimensions-167-252-mm-imageplate-199-281-mm-sheet-etching-with-open-bite-in-light-red-and-black-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image239910316.htmlRMRX8T1G–The Assault of the Shoe. Henri Charles Guérard; French, 1846-1897. Date: 1888. Dimensions: 167 × 252 mm (image/plate); 199 × 281 mm (sheet). Etching, with open bite, in light red and black on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
. French writer Charles Buet (1846-1897) by Frédéric-Auguste Cazals (1865-1941) . 1892. Frédéric-Auguste Cazals 104 Charles Buet by Cazals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/french-writer-charles-buet-1846-1897-by-frdric-auguste-cazals-1865-1941-1892-frdric-auguste-cazals-104-charles-buet-by-cazals-image188242021.htmlRMMX74H9–. French writer Charles Buet (1846-1897) by Frédéric-Auguste Cazals (1865-1941) . 1892. Frédéric-Auguste Cazals 104 Charles Buet by Cazals
. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. FiG. 33. — Gesse.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/des-plantes-vnneuses-et-des-empoisonnements-quelles-dterminent-poisonous-plants-fig-33-gesse-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-cornevin-charles-ernest-1846-1897-paris-firmin-didot-image215978060.htmlRMPFAJ64–. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. FiG. 33. — Gesse.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot
Ontario Sessional Papers, 1898-99, No.18-25 . of large size and great productiveness. Thoughigarreau it has nob the fault of its class of being especially subject to rot ; it is not so black in color as the Elk horn, but dark enough a red tobe classed with the black cnerries. Origin, Mezel, France ; first introduced in 1846. Tree, upright, spreading, a very vigorous grower ;one tree at Maplehurst forty years planted was thirtyfeet in height in 1897, and covered an area about thesame number of feet in diameter ; first rate in hardi-ness and in productiveness ; group, Bigarreau. Fruit, very larg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ontario-sessional-papers-1898-99-no18-25-of-large-size-and-great-productiveness-thoughigarreau-it-has-nob-the-fault-of-its-class-of-being-especially-subject-to-rot-it-is-not-so-black-in-color-as-the-elk-horn-but-dark-enough-a-red-tobe-classed-with-the-black-cnerries-origin-mezel-france-first-introduced-in-1846-tree-upright-spreading-a-very-vigorous-grower-one-tree-at-maplehurst-forty-years-planted-was-thirtyfeet-in-height-in-1897-and-covered-an-area-about-thesame-number-of-feet-in-diameter-first-rate-in-hardi-ness-and-in-productiveness-group-bigarreau-fruit-very-larg-image343363186.htmlRM2AXHF6X–Ontario Sessional Papers, 1898-99, No.18-25 . of large size and great productiveness. Thoughigarreau it has nob the fault of its class of being especially subject to rot ; it is not so black in color as the Elk horn, but dark enough a red tobe classed with the black cnerries. Origin, Mezel, France ; first introduced in 1846. Tree, upright, spreading, a very vigorous grower ;one tree at Maplehurst forty years planted was thirtyfeet in height in 1897, and covered an area about thesame number of feet in diameter ; first rate in hardi-ness and in productiveness ; group, Bigarreau. Fruit, very larg
Punchinello on Stilts, c. 1888. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/punchinello-on-stilts-c-1888-image330114531.htmlRM2A520CK–Punchinello on Stilts, c. 1888.
Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lightyear-charles-jean-louis-courtry-1846-1897-daprs-victor-hugo-lclair-eau-forte-1868-paris-maison-de-victor-hugo-image349616802.htmlRM2B8PBPA–Lightyear Charles-Jean-Louis Courtry (1846-1897) (d'après Victor Hugo). 'L'Éclair'. Eau-forte. 1868. Paris, Maison de Victor Hugo.
Archive image from page 340 of Des plantes vénéneuses et des. Des plantes vénéneuses et des empoisonnements qu'elles déterminent . desplantesvn00corn Year: 1893 FiG. 33. — Gesse. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-340-of-des-plantes-vnneuses-et-des-des-plantes-vnneuses-et-des-empoisonnements-quelles-dterminent-desplantesvn00corn-year-1893-fig-33-gesse-image259018547.htmlRMW1B8PB–Archive image from page 340 of Des plantes vénéneuses et des. Des plantes vénéneuses et des empoisonnements qu'elles déterminent . desplantesvn00corn Year: 1893 FiG. 33. — Gesse.
![Untitled [Cows by a River]. Artist: Charles-Jean-Louis Courtry, French, 1846–1897 Stock Photo](https://c8.alamy.com/comp/2HWDBJH/untitled-cows-by-ariver-artist-charles-jean-louis-courtry-french-18461897-2HWDBJH.jpg "Untitled [Cows by a River]. Artist: Charles-Jean-Louis Courtry, French, 1846–1897 Stock Photo")
Untitled [Cows by a River]. Artist: Charles-Jean-Louis Courtry, French, 1846–1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-cows-by-ariver-artist-charles-jean-louis-courtry-french-18461897-image463130489.htmlRM2HWDBJH–Untitled [Cows by a River]. Artist: Charles-Jean-Louis Courtry, French, 1846–1897
Chat noir sur un journal, still image, Prints, 1887, Guérard, Henri-Charles, 1846-1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chat-noir-sur-un-journal-still-image-prints-1887-gurard-henri-charles-1846-1897-image376514610.htmlRM2CTFM6A–Chat noir sur un journal, still image, Prints, 1887, Guérard, Henri-Charles, 1846-1897
Art inspired by Whistler's 'Portrait of Himself', 1888, Roulette, aquatint and etching; seventh state of seven, plate: 12 15/16 x 8 13/16 in. (32.8 x 22.4 cm), Prints, Henri-Charles Guérard (French, Paris 1846–1897 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-whistlers-portrait-of-himself-1888-roulette-aquatint-and-etching-seventh-state-of-seven-plate-12-1516-x-8-1316-in-328-x-224-cm-prints-henri-charles-gurard-french-paris-18461897-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462997016.htmlRF2HW79BM–Art inspired by Whistler's 'Portrait of Himself', 1888, Roulette, aquatint and etching; seventh state of seven, plate: 12 15/16 x 8 13/16 in. (32.8 x 22.4 cm), Prints, Henri-Charles Guérard (French, Paris 1846–1897 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Basin at Dieppe. Henri Charles Guérard; French, 1846-1897. Date: 1883-1889. Dimensions: 295 × 475 mm (image); 455 × 621 mm (sheet). Etching and aquatint with burnishing in black and blue-grey ink on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-basin-at-dieppe-henri-charles-gurard-french-1846-1897-date-1883-1889-dimensions-295-475-mm-image-455-621-mm-sheet-etching-and-aquatint-with-burnishing-in-black-and-blue-grey-ink-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-image240210666.htmlRMRXPF4A–The Basin at Dieppe. Henri Charles Guérard; French, 1846-1897. Date: 1883-1889. Dimensions: 295 × 475 mm (image); 455 × 621 mm (sheet). Etching and aquatint with burnishing in black and blue-grey ink on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.
N/A. Deutsch: Schloss Persenbeug . 1897. Adolf Ditscheiner (1846-1904) 61 Adolf Gustav Ditscheiner - Schloss Persenbeug 1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-deutsch-schloss-persenbeug-1897-adolf-ditscheiner-1846-1904-61-adolf-gustav-ditscheiner-schloss-persenbeug-1897-image210021674.htmlRMP5K8P2–N/A. Deutsch: Schloss Persenbeug . 1897. Adolf Ditscheiner (1846-1904) 61 Adolf Gustav Ditscheiner - Schloss Persenbeug 1897
. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. FiG. i3. — Fux Narcisse-. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/des-plantes-vnneuses-et-des-empoisonnements-quelles-dterminent-poisonous-plants-fig-i3-fux-narcisse-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-cornevin-charles-ernest-1846-1897-paris-firmin-didot-image215978099.htmlRMPFAJ7F–. Des plantes vénéneuses et des empoisonnements qu'elles déterminent. Poisonous plants. FiG. i3. — Fux Narcisse-. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cornevin, Charles Ernest, 1846-1897. Paris, Firmin-Didot
![Photographic pedigree of the descendants of Isaac and Rachel Wilson . 1906 1890 Rachel Bexsox, born at Parksidc, Kendal, on 2nd INIay, 1815, died at St.]Iary Church, Torquay, 17th April, 1910, and buried at Ambleside Church,aged 94. ^Married at Kendal on 22nd July, 1846, age 31, Robert Crewdsonson of Joseph Crewdson and his wife Rachel Jowitt. He was born injNIanchester on 6th ^Jay, 1819, married at 27, and died at Rydal Moimt,Ambleside, on 25th April, 1897, aged 78. s.p. 431 Chap. IT. ^ 5. IxD. No. II G 6. ROBERT BRAITHWAITE BENSON : ELEANORA SEYMOUR STEWART.. Stock Photo](https://c8.alamy.com/comp/2AWPBT9/photographic-pedigree-of-the-descendants-of-isaac-and-rachel-wilson-1906-1890-rachel-bexsox-born-at-parksidc-kendal-on-2nd-iniay-1815-died-at-st-iary-church-torquay-17th-april-1910-and-buried-at-ambleside-churchaged-94-married-at-kendal-on-22nd-july-1846-age-31-robert-crewdsonson-of-joseph-crewdson-and-his-wife-rachel-jowitt-he-was-born-injnianchester-on-6th-jay-1819-married-at-27-and-died-at-rydal-moimtambleside-on-25th-april-1897-aged-78-sp-431-chap-it-5-ixd-no-ii-g-6-robert-braithwaite-benson-eleanora-seymour-stewart-2AWPBT9.jpg "Photographic pedigree of the descendants of Isaac and Rachel Wilson . 1906 1890 Rachel Bexsox, born at Parksidc, Kendal, on 2nd INIay, 1815, died at St.]Iary Church, Torquay, 17th April, 1910, and buried at Ambleside Church,aged 94. ^Married at Kendal on 22nd July, 1846, age 31, Robert Crewdsonson of Joseph Crewdson and his wife Rachel Jowitt. He was born injNIanchester on 6th ^Jay, 1819, married at 27, and died at Rydal Moimt,Ambleside, on 25th April, 1897, aged 78. s.p. 431 Chap. IT. ^ 5. IxD. No. II G 6. ROBERT BRAITHWAITE BENSON : ELEANORA SEYMOUR STEWART.. Stock Photo")
Photographic pedigree of the descendants of Isaac and Rachel Wilson . 1906 1890 Rachel Bexsox, born at Parksidc, Kendal, on 2nd INIay, 1815, died at St.]Iary Church, Torquay, 17th April, 1910, and buried at Ambleside Church,aged 94. ^Married at Kendal on 22nd July, 1846, age 31, Robert Crewdsonson of Joseph Crewdson and his wife Rachel Jowitt. He was born injNIanchester on 6th ^Jay, 1819, married at 27, and died at Rydal Moimt,Ambleside, on 25th April, 1897, aged 78. s.p. 431 Chap. IT. ^ 5. IxD. No. II G 6. ROBERT BRAITHWAITE BENSON : ELEANORA SEYMOUR STEWART.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photographic-pedigree-of-the-descendants-of-isaac-and-rachel-wilson-1906-1890-rachel-bexsox-born-at-parksidc-kendal-on-2nd-iniay-1815-died-at-st-iary-church-torquay-17th-april-1910-and-buried-at-ambleside-churchaged-94-married-at-kendal-on-22nd-july-1846-age-31-robert-crewdsonson-of-joseph-crewdson-and-his-wife-rachel-jowitt-he-was-born-injnianchester-on-6th-jay-1819-married-at-27-and-died-at-rydal-moimtambleside-on-25th-april-1897-aged-78-sp-431-chap-it-5-ixd-no-ii-g-6-robert-braithwaite-benson-eleanora-seymour-stewart-image342855641.htmlRM2AWPBT9–Photographic pedigree of the descendants of Isaac and Rachel Wilson . 1906 1890 Rachel Bexsox, born at Parksidc, Kendal, on 2nd INIay, 1815, died at St.]Iary Church, Torquay, 17th April, 1910, and buried at Ambleside Church,aged 94. ^Married at Kendal on 22nd July, 1846, age 31, Robert Crewdsonson of Joseph Crewdson and his wife Rachel Jowitt. He was born injNIanchester on 6th ^Jay, 1819, married at 27, and died at Rydal Moimt,Ambleside, on 25th April, 1897, aged 78. s.p. 431 Chap. IT. ^ 5. IxD. No. II G 6. ROBERT BRAITHWAITE BENSON : ELEANORA SEYMOUR STEWART..
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