First page of the first issue of The Emancipator, April 30, 1820. Published by Elihu Embree in Jonesborough, Tennessee, the Emancipator was the first newspaper in the United States devoted to the abolition of slavery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-page-of-the-first-issue-of-the-emancipator-april-30-1820-published-by-elihu-embree-in-jonesborough-tennessee-the-emancipator-was-the-first-newspaper-in-the-united-states-devoted-to-the-abolition-of-slavery-image458814084.html
RM2HJCP18–First page of the first issue of The Emancipator, April 30, 1820. Published by Elihu Embree in Jonesborough, Tennessee, the Emancipator was the first newspaper in the United States devoted to the abolition of slavery.
Group of revellers at the Princess Mary Hospital Ball. This group were all dressed as figures from 1820 with the ball organiser, Lady Terrington (centre), dressed as Princess Charlotte. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/group-of-revellers-at-the-princess-mary-hospital-ball-this-group-were-all-dressed-as-figures-from-1820-with-the-ball-organiser-lady-terrington-centre-dressed-as-princess-charlotte-image501366455.html
RM2M3K60R–Group of revellers at the Princess Mary Hospital Ball. This group were all dressed as figures from 1820 with the ball organiser, Lady Terrington (centre), dressed as Princess Charlotte.
Racing - Horse racing, circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-racing-horse-racing-circa-1820-43967792.html
RMCFEWA8–Racing - Horse racing, circa 1820
Crook horn, orchestral hand horn by Courtois Neveu Aine, Paris, France, circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crook-horn-orchestral-hand-horn-by-courtois-neveu-aine-paris-france-circa-1820-image508212400.html
RM2MER22T–Crook horn, orchestral hand horn by Courtois Neveu Aine, Paris, France, circa 1820
Watermoor House built of ashlar limestone in 1827 (now a care home) in the Cotswold town of Cirencester, Gloucestershire, England UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watermoor-house-built-of-ashlar-limestone-in-1827-now-a-care-home-in-the-cotswold-town-of-cirencester-gloucestershire-england-uk-image565976395.html
RM2RTPCJK–Watermoor House built of ashlar limestone in 1827 (now a care home) in the Cotswold town of Cirencester, Gloucestershire, England UK
Insurrections 1820s. Kingdom of Sardinia, 1821. Printing press used during the revolutions of 1821. Museum of the Risorgimento. Turin. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/insurrections-1820s-kingdom-of-sardinia-1821-printing-press-used-during-the-revolutions-of-1821-museum-of-the-risorgimento-turin-italy-image600484537.html
RM2WTXC49–Insurrections 1820s. Kingdom of Sardinia, 1821. Printing press used during the revolutions of 1821. Museum of the Risorgimento. Turin. Italy.
The Missouri Compromise of 1820. This legislation outlawed slavery above the 36 30 latitude line in the remainder of the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-missouri-compromise-of-1820-this-legislation-outlawed-slavery-50055577.html
RMCWC6B5–The Missouri Compromise of 1820. This legislation outlawed slavery above the 36 30 latitude line in the remainder of the
Dress, ca. 1820, British, silk, This mourning dress incorporates the puffed sleeves and ornate hem details that defined 1820s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dress-ca-1820-british-silk-this-mourning-dress-incorporates-the-puffed-162444327.html
RMKC7YB3–Dress, ca. 1820, British, silk, This mourning dress incorporates the puffed sleeves and ornate hem details that defined 1820s
The Trial Of Queen Caroline, 1820, painting in oil on canvas by Sir George Hayter, 1820-1823 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-trial-of-queen-caroline-1820-painting-in-oil-on-canvas-by-sir-george-hayter-1820-1823-image594741590.html
RM2WFGPY2–The Trial Of Queen Caroline, 1820, painting in oil on canvas by Sir George Hayter, 1820-1823
MONSTROSITIES OF 1819 & 1820 by George Cruikshank Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/monstrosities-of-1819-1820-by-george-cruikshank-image364133155.html
RM2C4BKFF–MONSTROSITIES OF 1819 & 1820 by George Cruikshank
Model train, around the 1820s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-model-train-around-the-1820s-94197556.html
RMFD71XC–Model train, around the 1820s
Art inspired by Dress, ca. 1820, British, silk, This mourning dress incorporates the puffed sleeves and ornate hem details that defined 1820s fashions. Standards for family mourning were modeled after court conventions. Upon a royal death in England, orders were issued detailing the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-dress-ca-1820-british-silk-this-mourning-dress-incorporates-the-puffed-sleeves-and-ornate-hem-details-that-defined-1820s-fashions-standards-for-family-mourning-were-modeled-after-court-conventions-upon-a-royal-death-in-england-orders-were-issued-detailing-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462774956.html
RF2HTW650–Art inspired by Dress, ca. 1820, British, silk, This mourning dress incorporates the puffed sleeves and ornate hem details that defined 1820s fashions. Standards for family mourning were modeled after court conventions. Upon a royal death in England, orders were issued detailing the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
geography / travel, Germany, Weimar, German National Theatre, built: 1779, watercolour on paper, private collection, circa 1820, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-geography-travel-germany-weimar-german-national-theatre-built-1779-110584357.html
RMGBWFD9–geography / travel, Germany, Weimar, German National Theatre, built: 1779, watercolour on paper, private collection, circa 1820,
Pictured here are a German lady in 1818 and a gentleman in 1820. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pictured-here-are-a-german-lady-in-1818-and-a-gentleman-in-1820-the-27407168.html
RFBGGE3C–Pictured here are a German lady in 1818 and a gentleman in 1820. The illustration dates to 1882.
Rock Salt: Miners at work in salt mine near Cracow, Poland. Hand-coloured engraving, London, 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rock-salt-miners-at-work-in-salt-mine-near-cracow-poland-hand-coloured-engraving-london-1820-image483534636.html
RM2K2JWA4–Rock Salt: Miners at work in salt mine near Cracow, Poland. Hand-coloured engraving, London, 1820
. English: Engraving of Tamehamalu, Queen of the Sandwich Islands, by R. Cooper. [London : s.n., 182-?]. 1 print : stipple engraving ; 22.2 x 13 cm. circa 1820s. Richard Cooper, ca. 1730-1820 1159 Tamehamalu, Queen of the Sandwich Islands, by R. Cooper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-engraving-of-tamehamalu-queen-of-the-sandwich-islands-by-r-cooper-london-sn-182-1-print-stipple-engraving-222-x-13-cm-circa-1820s-richard-cooper-ca-1730-1820-1159-tamehamalu-queen-of-the-sandwich-islands-by-r-cooper-image185596741.html
RMMNXJF1–. English: Engraving of Tamehamalu, Queen of the Sandwich Islands, by R. Cooper. [London : s.n., 182-?]. 1 print : stipple engraving ; 22.2 x 13 cm. circa 1820s. Richard Cooper, ca. 1730-1820 1159 Tamehamalu, Queen of the Sandwich Islands, by R. Cooper
Hibberd' Dolls House; English circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-hibberd-dolls-house-english-circa-1820-165998168.html
RMKJ1TA0–Hibberd' Dolls House; English circa 1820
Quilt. Culture: British. Dimensions: W. 89 3/4 in. (228 cm), L. 8 ft. 8 3/4 in. (266.1 cm). Date: 1820-50. Patchwork quilting is usually associated with America, but it also has a tradition in Europe, particularly in Germany and England. The number of differently patterned printed cottons used in this quilt top, ranging in date from the 1790s to the 1820s, suggests that the maker had access to sample books or samples. Although such a wealth of fabrics offered a design opportunity, the small size of each sample could have been limiting. The maker, however, turned this challenge into a strength Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quilt-culture-british-dimensions-w-89-34-in-228-cm-l-8-ft-8-34-in-2661-cm-date-1820-50-patchwork-quilting-is-usually-associated-with-america-but-it-also-has-a-tradition-in-europe-particularly-in-germany-and-england-the-number-of-differently-patterned-printed-cottons-used-in-this-quilt-top-ranging-in-date-from-the-1790s-to-the-1820s-suggests-that-the-maker-had-access-to-sample-books-or-samples-although-such-a-wealth-of-fabrics-offered-a-design-opportunity-the-small-size-of-each-sample-could-have-been-limiting-the-maker-however-turned-this-challenge-into-a-strength-image212884229.html
RMPA9M05–Quilt. Culture: British. Dimensions: W. 89 3/4 in. (228 cm), L. 8 ft. 8 3/4 in. (266.1 cm). Date: 1820-50. Patchwork quilting is usually associated with America, but it also has a tradition in Europe, particularly in Germany and England. The number of differently patterned printed cottons used in this quilt top, ranging in date from the 1790s to the 1820s, suggests that the maker had access to sample books or samples. Although such a wealth of fabrics offered a design opportunity, the small size of each sample could have been limiting. The maker, however, turned this challenge into a strength
Antique c1830 hand-tinted engraving, fashions of French women in ball dresses circa 1820. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-c1830-hand-tinted-engraving-fashions-of-french-women-in-ball-dresses-circa-1820-published-by-giulio-ferrario-source-original-engraving-image455719253.html
RM2HDBPFH–Antique c1830 hand-tinted engraving, fashions of French women in ball dresses circa 1820. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING
Print showing Native Americans in 1820 engaged in fur trading near the settlement of Chicago, with Fort Dearborn and the Chicago River in the background. Illustration from 1867. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-showing-native-americans-in-1820-engaged-in-fur-trading-near-the-settlement-of-chicago-with-fort-dearborn-and-the-chicago-river-in-the-background-illustration-from-1867-image458811134.html
RM2HJCJ7X–Print showing Native Americans in 1820 engaged in fur trading near the settlement of Chicago, with Fort Dearborn and the Chicago River in the background. Illustration from 1867.
Satirical cartoon, A Bath Ball or Virtue in Danger. A ball scene - an officer dances energetically with two ladies while a dandy, confronted by two flirting ladies, appears too shy to dance. The accompanying verses end: 'But if, Amazon like, you attack your gallants And put us in fear of our lives, You may do very well for Sisters & Aunts But believe me you'll never be Wives.' Date: 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-satirical-cartoon-a-bath-ball-or-virtue-in-danger-a-ball-scene-an-169315595.html
RMKRCYNF–Satirical cartoon, A Bath Ball or Virtue in Danger. A ball scene - an officer dances energetically with two ladies while a dandy, confronted by two flirting ladies, appears too shy to dance. The accompanying verses end: 'But if, Amazon like, you attack your gallants And put us in fear of our lives, You may do very well for Sisters & Aunts But believe me you'll never be Wives.' Date: 1820
Laufmaschine 1820 Osterreich, Austria, 1820, chest support. No gears, Frame: wood, Wheel size back: 71cm/front: 58cm Special features - only used by very wealthy, hence the luxurious padded seats, and ornamental detailing. Straight forks with slight c Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laufmaschine-1820-osterreich-austria-1820-chest-support-no-gears-frame-wood-wheel-size-back-71cmfront-58cm-special-features-only-used-by-very-wealthy-hence-the-luxurious-padded-seats-and-ornamental-detailing-straight-forks-with-slight-c-image463631441.html
RM2HX86HN–Laufmaschine 1820 Osterreich, Austria, 1820, chest support. No gears, Frame: wood, Wheel size back: 71cm/front: 58cm Special features - only used by very wealthy, hence the luxurious padded seats, and ornamental detailing. Straight forks with slight c
Watermoor House built of ashlar limestone in 1827 (now a care home) in the Cotswold town of Cirencester, Gloucestershire, England UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watermoor-house-built-of-ashlar-limestone-in-1827-now-a-care-home-in-the-cotswold-town-of-cirencester-gloucestershire-england-uk-image565976257.html
RM2RTPCDN–Watermoor House built of ashlar limestone in 1827 (now a care home) in the Cotswold town of Cirencester, Gloucestershire, England UK
1820 A real UK fairground 'freak show' character known as The Persian or The Malay who was said to be unable to speak English Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1820-a-real-uk-fairground-freak-show-character-known-as-the-persian-image154784174.html
RMJYR0P6–1820 A real UK fairground 'freak show' character known as The Persian or The Malay who was said to be unable to speak English
The Missouri Compromise of 1820. This legislation admitted Missouri as a slave state and Maine as a non-slave state at the same Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-missouri-compromise-of-1820-this-legislation-admitted-missouri-50055571.html
RMCWC6AY–The Missouri Compromise of 1820. This legislation admitted Missouri as a slave state and Maine as a non-slave state at the same
Garrick and His Wife, Print made by Herbert Bourne, ca. 1820–after 1885, British, after William Hogarth, 1697–1764, British, Published by Virtue, active 1820s–1908, British, between 1840 and 1870, Etching and stipple engraving on medium, smooth, cream wove paper, Sheet: 12 1/16 × 9 1/8 inches (30.6 × 23.2 cm) and Image: 9 1/4 × 7 9/16 inches (23.5 × 19.2 cm), portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/garrick-and-his-wife-print-made-by-herbert-bourne-ca-1820after-1885-british-after-william-hogarth-16971764-british-published-by-virtue-active-1820s1908-british-between-1840-and-1870-etching-and-stipple-engraving-on-medium-smooth-cream-wove-paper-sheet-12-116-9-18-inches-306-232-cm-and-image-9-14-7-916-inches-235-192-cm-portrait-image389835065.html
RM2DJ6EGW–Garrick and His Wife, Print made by Herbert Bourne, ca. 1820–after 1885, British, after William Hogarth, 1697–1764, British, Published by Virtue, active 1820s–1908, British, between 1840 and 1870, Etching and stipple engraving on medium, smooth, cream wove paper, Sheet: 12 1/16 × 9 1/8 inches (30.6 × 23.2 cm) and Image: 9 1/4 × 7 9/16 inches (23.5 × 19.2 cm), portrait
RM2R2CWFH–JMW Turner, Lulworth Castle, Dorset, landscape painting circa 1820
ROTTEN ROW, Hyde Park, London in a satirical 1820 cartoon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rotten-row-hyde-park-london-in-a-satirical-1820-cartoon-image358040526.html
RM2BPE49J–ROTTEN ROW, Hyde Park, London in a satirical 1820 cartoon.
Handcoloured woodcut of Napoleon Buonaparte circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-handcoloured-woodcut-of-napoleon-buonaparte-circa-1820-22753185.html
RMB90DWN–Handcoloured woodcut of Napoleon Buonaparte circa 1820
Vintage engraving of History of Fashion, Costumes of Germany early 19th Century. Fine society, man and women 1820 to 1825 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-engraving-of-history-of-fashion-costumes-of-germany-early-19th-century-fine-society-man-and-women-1820-to-1825-image207732136.html
RMP1Y0CT–Vintage engraving of History of Fashion, Costumes of Germany early 19th Century. Fine society, man and women 1820 to 1825
geography / travel, Germany, politics, censorship, caricature 'Der Denkerclub' (The Thinkers Club), circa 1820, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-geography-travel-germany-politics-censorship-caricature-der-denkerclub-28891001.html
RMBK02ND–geography / travel, Germany, politics, censorship, caricature 'Der Denkerclub' (The Thinkers Club), circa 1820,
Art inspired by Quilt, 1820–50, British, Cotton with wool crewel embroidery, W. 89 3/4 in. (228 cm), L. 8 ft. 8 3/4 in. (266.1 cm), Patchwork quilting is usually associated with America, but it also has a tradition in Europe, particularly in Germany and England. The number of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-quilt-182050-british-cotton-with-wool-crewel-embroidery-w-89-34-in-228-cm-l-8-ft-8-34-in-2661-cm-patchwork-quilting-is-usually-associated-with-america-but-it-also-has-a-tradition-in-europe-particularly-in-germany-and-england-the-number-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778205.html
RF2HTWA91–Art inspired by Quilt, 1820–50, British, Cotton with wool crewel embroidery, W. 89 3/4 in. (228 cm), L. 8 ft. 8 3/4 in. (266.1 cm), Patchwork quilting is usually associated with America, but it also has a tradition in Europe, particularly in Germany and England. The number of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Nicolae Alexandru in a XIVth century fresco restored in 1820s. cca. 1820. see above 1 005 - Nicolae Alexandru Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nicolae-alexandru-in-a-xivth-century-fresco-restored-in-1820s-cca-1820-see-above-1-005-nicolae-alexandru-image187952240.html
RMMWNY00–. Nicolae Alexandru in a XIVth century fresco restored in 1820s. cca. 1820. see above 1 005 - Nicolae Alexandru
Geographical and Historical Map of China, 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-geographical-and-historical-map-of-china-1820-165538710.html
RMKH8X8P–Geographical and Historical Map of China, 1820
Sewing casket with view of Weilburg near Baden in Austria. Artist: Painting by Balthasar Wigand (Austrian, Vienna 1771-1846 Felixdorf). Culture: Austrian, Vienna. Dimensions: Overall: 2 7/8 × 4 3/4 × 6 3/4 in. (7.3 × 12.1 × 17.1 cm). Date: 1820-30. The mother-of-pearl industry in Vienna reached its apogee during the 1820s and 1830s, when numerous luxury items such as candle screens and desk sets were embellished with the iridescent material. Balthasar Wigand, responsible for the miniature on the lid of this box, specialized in views of the city and its surroundings, painted especially for use Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sewing-casket-with-view-of-weilburg-near-baden-in-austria-artist-painting-by-balthasar-wigand-austrian-vienna-1771-1846-felixdorf-culture-austrian-vienna-dimensions-overall-2-78-4-34-6-34-in-73-121-171-cm-date-1820-30-the-mother-of-pearl-industry-in-vienna-reached-its-apogee-during-the-1820s-and-1830s-when-numerous-luxury-items-such-as-candle-screens-and-desk-sets-were-embellished-with-the-iridescent-material-balthasar-wigand-responsible-for-the-miniature-on-the-lid-of-this-box-specialized-in-views-of-the-city-and-its-surroundings-painted-especially-for-use-image213162655.html
RMPAPB3Y–Sewing casket with view of Weilburg near Baden in Austria. Artist: Painting by Balthasar Wigand (Austrian, Vienna 1771-1846 Felixdorf). Culture: Austrian, Vienna. Dimensions: Overall: 2 7/8 × 4 3/4 × 6 3/4 in. (7.3 × 12.1 × 17.1 cm). Date: 1820-30. The mother-of-pearl industry in Vienna reached its apogee during the 1820s and 1830s, when numerous luxury items such as candle screens and desk sets were embellished with the iridescent material. Balthasar Wigand, responsible for the miniature on the lid of this box, specialized in views of the city and its surroundings, painted especially for use
Antique c1830 hand-tinted engraving, fashions of the French court circa 1820. From l to r, (8) Deputy and (4+5) Peers of France in ceremonial dress. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-c1830-hand-tinted-engraving-fashions-of-the-french-court-circa-1820-from-l-to-r-8-deputy-and-45-peers-of-france-in-ceremonial-dress-published-by-giulio-ferrario-source-original-engraving-image455719344.html
RM2HDBPJT–Antique c1830 hand-tinted engraving, fashions of the French court circa 1820. From l to r, (8) Deputy and (4+5) Peers of France in ceremonial dress. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING
Ì÷rsted Magnetic Needle, Electromagnetism, 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rsted-magnetic-needle-electromagnetism-1820-135042796.html
RMHRKMD0–Ì÷rsted Magnetic Needle, Electromagnetism, 1820
The Ragan Sisters - Jacob Eichholtz, circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ragan-sisters-jacob-eichholtz-circa-1820-image221153603.html
RMPRPBJY–The Ragan Sisters - Jacob Eichholtz, circa 1820
Laufmaschine 1820 Osterreich, Austria, 1820, wheel hub. No gears, Frame: wood, Wheel size back: 71cm/front: 58cm Special features - only used by very wealthy, hence the luxurious padded seats, and ornamental detailing. Straight forks with slight curve Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laufmaschine-1820-osterreich-austria-1820-wheel-hub-no-gears-frame-wood-wheel-size-back-71cmfront-58cm-special-features-only-used-by-very-wealthy-hence-the-luxurious-padded-seats-and-ornamental-detailing-straight-forks-with-slight-curve-image463631440.html
RM2HX86HM–Laufmaschine 1820 Osterreich, Austria, 1820, wheel hub. No gears, Frame: wood, Wheel size back: 71cm/front: 58cm Special features - only used by very wealthy, hence the luxurious padded seats, and ornamental detailing. Straight forks with slight curve
Watermoor House built of ashlar limestone in 1827 (now a care home) in the Cotswold town of Cirencester, Gloucestershire, England UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watermoor-house-built-of-ashlar-limestone-in-1827-now-a-care-home-in-the-cotswold-town-of-cirencester-gloucestershire-england-uk-image565976353.html
RM2RTPCH5–Watermoor House built of ashlar limestone in 1827 (now a care home) in the Cotswold town of Cirencester, Gloucestershire, England UK
1820 A real UK fairground 'freak show' character known as The Fat Boy, said to have been born in Glasgow and was the son of a Manchester traveller Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1820-a-real-uk-fairground-freak-show-character-known-as-the-fat-boy-image154784164.html
RMJYR0NT–1820 A real UK fairground 'freak show' character known as The Fat Boy, said to have been born in Glasgow and was the son of a Manchester traveller
JAMES MONROE, by Gilbert Stuart, 1820-22, American painting, oil on canvas. The fifth President of the United States is depicted at a desk with books and papers, and red drapery (BSLOC 2017 10 113) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-james-monroe-by-gilbert-stuart-1820-22-american-painting-oil-on-canvas-170559500.html
RMKWDJAM–JAMES MONROE, by Gilbert Stuart, 1820-22, American painting, oil on canvas. The fifth President of the United States is depicted at a desk with books and papers, and red drapery (BSLOC 2017 10 113)
Quilt, 1820–50, British, Cotton with wool crewel embroidery, W. 89 3/4 in. (228 cm), L. 8 ft. 8 3/4 in. (266.1 cm), Patchwork Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-quilt-182050-british-cotton-with-wool-crewel-embroidery-w-89-34-in-162561166.html
RMKCD8BX–Quilt, 1820–50, British, Cotton with wool crewel embroidery, W. 89 3/4 in. (228 cm), L. 8 ft. 8 3/4 in. (266.1 cm), Patchwork
John Constable, Sketch for The Hay Wain, landscape painting circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-constable-sketch-for-the-hay-wain-landscape-painting-circa-1820-image552778244.html
RM2R39684–John Constable, Sketch for The Hay Wain, landscape painting circa 1820
EAST INDIA COMPANY One of the Company's officers in military uniform leading a parade about 1820. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/east-india-company-one-of-the-companys-officers-in-military-uniform-leading-a-parade-about-1820-image402063401.html
RM2EA3FY5–EAST INDIA COMPANY One of the Company's officers in military uniform leading a parade about 1820.
Johann Samuel Benediktus Grune (1783-1848). German-born painter. Family Portrait, 1820s. Oil on canvas (87 x 102 cm). Latvian National Museum of Art. Riga, Latvia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-samuel-benediktus-grune-1783-1848-german-born-painter-family-portrait-1820s-oil-on-canvas-87-x-102-cm-latvian-national-museum-of-art-riga-latvia-image554414323.html
RM2R5YN3F–Johann Samuel Benediktus Grune (1783-1848). German-born painter. Family Portrait, 1820s. Oil on canvas (87 x 102 cm). Latvian National Museum of Art. Riga, Latvia.
Coffee House Amusements Vienna 1820 print of leisure pursuits in early 19th Century Austria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-coffee-house-amusements-vienna-1820-print-of-leisure-pursuits-in-early-20161890.html
RMB4PCKE–Coffee House Amusements Vienna 1820 print of leisure pursuits in early 19th Century Austria
politics, Germany, German Confederation (1815-1866), assembly of the close council of the Federal Assembly, Frankfurt/Main, contemporary copper engraving, circa 1820, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-politics-germany-german-confederation-1815-1866-assembly-of-the-close-28829756.html
RMBJW8J4–politics, Germany, German Confederation (1815-1866), assembly of the close council of the Federal Assembly, Frankfurt/Main, contemporary copper engraving, circa 1820,
1820s cast iron printing press with wooden base made by Louis Gouy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1820s-cast-iron-printing-press-with-wooden-base-made-by-louis-gouy-image396562994.html
RM2E15042–1820s cast iron printing press with wooden base made by Louis Gouy
Art inspired by A Column of Oriental Travelers Scattered by a Dust Storm (The Israelites Passing through the Wilderness Preceded by the Pillar of Clouds), 1820–40, Pen and brown ink, brush and brown wash, black chalk, sheet: 7 5/16 x 10 1/4 in. (18.6 x 26 cm), Drawings, William West (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-column-of-oriental-travelers-scattered-by-a-dust-storm-the-israelites-passing-through-the-wilderness-preceded-by-the-pillar-of-clouds-182040-pen-and-brown-ink-brush-and-brown-wash-black-chalk-sheet-7-516-x-10-14-in-186-x-26-cm-drawings-william-west-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462976893.html
RF2HW6BN1–Art inspired by A Column of Oriental Travelers Scattered by a Dust Storm (The Israelites Passing through the Wilderness Preceded by the Pillar of Clouds), 1820–40, Pen and brown ink, brush and brown wash, black chalk, sheet: 7 5/16 x 10 1/4 in. (18.6 x 26 cm), Drawings, William West (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Nicolae Alexandru in a XIVth century fresco restored in 1820s. cca. 1820. see above 1 005 - Nicolae Alexandru Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nicolae-alexandru-in-a-xivth-century-fresco-restored-in-1820s-cca-1820-see-above-1-005-nicolae-alexandru-image187480173.html
RMMW0CTD–. Nicolae Alexandru in a XIVth century fresco restored in 1820s. cca. 1820. see above 1 005 - Nicolae Alexandru
Manchu family, China, Chromolithograph, circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-manchu-family-china-chromolithograph-circa-1820-81544631.html
RMEMJK07–Manchu family, China, Chromolithograph, circa 1820
Johann Samuel Benediktus Grune (1783-1848). German-born painter. Family Portrait, 1820s. Oil on canvas (87 x 102 cm). Latvian National Museum of Art. Riga, Latvia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-samuel-benediktus-grune-1783-1848-german-born-painter-family-portrait-1820s-oil-on-canvas-87-x-102-cm-latvian-national-museum-of-art-riga-latvia-image554796831.html
RM2R6H50F–Johann Samuel Benediktus Grune (1783-1848). German-born painter. Family Portrait, 1820s. Oil on canvas (87 x 102 cm). Latvian National Museum of Art. Riga, Latvia.
Antique c1830 hand-tinted engraving, fashions of the French court circa 1820. From l to r, (4) Duchess de Berry, (5) Duke of Angoulême, and (6) Duke of Orleans. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-c1830-hand-tinted-engraving-fashions-of-the-french-court-circa-1820-from-l-to-r-4-duchess-de-berry-5-duke-of-angoulme-and-6-duke-of-orleans-published-by-giulio-ferrario-source-original-engraving-image455719360.html
RM2HDBPKC–Antique c1830 hand-tinted engraving, fashions of the French court circa 1820. From l to r, (4) Duchess de Berry, (5) Duke of Angoulême, and (6) Duke of Orleans. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING
Deviation of the magnetic needle by current of battery. Hans Christian Ørsted (August 14, 1777 - March 9, 1851) was a Danish physicist and chemist who discovered that electric currents create magnetic fields, an important aspect of electromagnetism. In 1820 Ørsted noticed a compass needle deflected from magnetic north when an electric current from a battery was switched on and off, showing a relationship between electricity and magnetism. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deviation-of-the-magnetic-needle-by-current-of-battery-hans-christian-rsted-august-14-1777-march-9-1851-was-a-danish-physicist-and-chemist-who-discovered-that-electric-currents-create-magnetic-fields-an-important-aspect-of-electromagnetism-in-1820-rsted-noticed-a-compass-needle-deflected-from-magnetic-north-when-an-electric-current-from-a-battery-was-switched-on-and-off-showing-a-relationship-between-electricity-and-magnetism-image246612165.html
RMT96499–Deviation of the magnetic needle by current of battery. Hans Christian Ørsted (August 14, 1777 - March 9, 1851) was a Danish physicist and chemist who discovered that electric currents create magnetic fields, an important aspect of electromagnetism. In 1820 Ørsted noticed a compass needle deflected from magnetic north when an electric current from a battery was switched on and off, showing a relationship between electricity and magnetism.
Street seller of flowers, c.1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/street-seller-of-flowers-c1820-image155068826.html
RMK07YTA–Street seller of flowers, c.1820
Fighting Horses, circa 1820. Theodore Gericault, French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fighting-horses-circa-1820-theodore-gericault-french-image376844540.html
RM2CW2N1G–Fighting Horses, circa 1820. Theodore Gericault, French
Laufmaschine 1820 Osterreich, Austria, 1820, saddle movement control. No gears, Frame: wood, Wheel size back: 71cm/front: 58cm Special features - only used by very wealthy, hence the luxurious padded seats, and ornamental detailing. Straight forks wit Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laufmaschine-1820-osterreich-austria-1820-saddle-movement-control-no-gears-frame-wood-wheel-size-back-71cmfront-58cm-special-features-only-used-by-very-wealthy-hence-the-luxurious-padded-seats-and-ornamental-detailing-straight-forks-wit-image463631492.html
RM2HX86KG–Laufmaschine 1820 Osterreich, Austria, 1820, saddle movement control. No gears, Frame: wood, Wheel size back: 71cm/front: 58cm Special features - only used by very wealthy, hence the luxurious padded seats, and ornamental detailing. Straight forks wit
Watermoor House built of ashlar limestone in 1827 (now a care home) in the Cotswold town of Cirencester, Gloucestershire, England UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watermoor-house-built-of-ashlar-limestone-in-1827-now-a-care-home-in-the-cotswold-town-of-cirencester-gloucestershire-england-uk-image565976197.html
RM2RTPCBH–Watermoor House built of ashlar limestone in 1827 (now a care home) in the Cotswold town of Cirencester, Gloucestershire, England UK
1820 A real UK fairground 'freak show' character known as Little Man. He was described as a perfectly formed midget dressed in military uniform, including a sword Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1820-a-real-uk-fairground-freak-show-character-known-as-little-man-image154784176.html
RMJYR0P8–1820 A real UK fairground 'freak show' character known as Little Man. He was described as a perfectly formed midget dressed in military uniform, including a sword
MOVING DAY IN OLD NEW YORK, by Unknown Artist, 1827, American painting, oil on wood panel. In 1820, a tradition became a law, which required all NYC rental leased to expire on May 1st. The humorous painting shows incidents of the ensuing disruption (BSLOC 2017 10 114) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-moving-day-in-old-new-york-by-unknown-artist-1827-american-painting-170559501.html
RMKWDJAN–MOVING DAY IN OLD NEW YORK, by Unknown Artist, 1827, American painting, oil on wood panel. In 1820, a tradition became a law, which required all NYC rental leased to expire on May 1st. The humorous painting shows incidents of the ensuing disruption (BSLOC 2017 10 114)
Rene Laennec (1781-1826), French physician and inventor of the stethoscope. He developed methods of medical diagnosis from heart and lung sounds heard through the stethoscope. Portrait lithograph by Ambroise Tardieu, ca. 1820. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rene-laennec-1781-1826-french-physician-and-inventor-of-the-stethoscope-35115805.html
RMC13JFW–Rene Laennec (1781-1826), French physician and inventor of the stethoscope. He developed methods of medical diagnosis from heart and lung sounds heard through the stethoscope. Portrait lithograph by Ambroise Tardieu, ca. 1820.
John Constable, Waterloo Bridge, landscape painting circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-constable-waterloo-bridge-landscape-painting-circa-1820-image552778441.html
RM2R396F5–John Constable, Waterloo Bridge, landscape painting circa 1820
Man looks over a curtain, Kabuki actor Ichikawa Danjûrô VII (1791-1859) dressed for his 'Shibaraku' role, looks over a curtain with three ropes at the top. Scene from the play 'Shitennô', performed several times in the 1820s in the Tamagawa theater in Edo. With one poem about the Kiba district where Danjûrô lived: The piles of wood sing a song in tune with the songbird and the rhythm of the frogs - Spring has arrived in Kiba., Utagawa Kunimitsu (mentioned on object), Japan, c. 1820, paper, polishing, h 203 mm × w 182 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/man-looks-over-a-curtain-kabuki-actor-ichikawa-danjr-vii-1791-1859-dressed-for-his-shibaraku-role-looks-over-a-curtain-with-three-ropes-at-the-top-scene-from-the-play-shitenn-performed-several-times-in-the-1820s-in-the-tamagawa-theater-in-edo-with-one-poem-about-the-kiba-district-where-danjr-lived-the-piles-of-wood-sing-a-song-in-tune-with-the-songbird-and-the-rhythm-of-the-frogs-spring-has-arrived-in-kiba-utagawa-kunimitsu-mentioned-on-object-japan-c-1820-paper-polishing-h-203-mm-w-182-mm-image261402737.html
RMW57WT1–Man looks over a curtain, Kabuki actor Ichikawa Danjûrô VII (1791-1859) dressed for his 'Shibaraku' role, looks over a curtain with three ropes at the top. Scene from the play 'Shitennô', performed several times in the 1820s in the Tamagawa theater in Edo. With one poem about the Kiba district where Danjûrô lived: The piles of wood sing a song in tune with the songbird and the rhythm of the frogs - Spring has arrived in Kiba., Utagawa Kunimitsu (mentioned on object), Japan, c. 1820, paper, polishing, h 203 mm × w 182 mm
Draisienne with pedal crank (c.1820) on display in the Deutsches Museum Verkehrszentrum (German Transport Museum), Munich, Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/draisienne-with-pedal-crank-c1820-on-display-in-the-deutsches-museum-verkehrszentrum-german-transport-museum-munich-germany-image329242569.html
RM2A3J875–Draisienne with pedal crank (c.1820) on display in the Deutsches Museum Verkehrszentrum (German Transport Museum), Munich, Germany.
VUE DE GENES Author Hegi, Franz 77.68.g. Place of publication: aÃÇ Paris Publisher: chez Mr. Bance aineÃÅ rue St. Denis No 214. Date of publication: [probably 1820s] Item type: 1 print Medium: sepia aquatint Dimensions: sheet 40.0 x 53.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vue-de-genes-author-hegi-franz-7768g-place-of-publication-a-paris-publisher-chez-mr-bance-aine-rue-st-denis-no-214-date-of-publication-probably-1820s-item-type-1-print-medium-sepia-aquatint-dimensions-sheet-400-x-536-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401713989.html
RM2E9FJ85–VUE DE GENES Author Hegi, Franz 77.68.g. Place of publication: aÃÇ Paris Publisher: chez Mr. Bance aineÃÅ rue St. Denis No 214. Date of publication: [probably 1820s] Item type: 1 print Medium: sepia aquatint Dimensions: sheet 40.0 x 53.6 cm Former owner: George III, King of Great Britain, 1738-1820
trade, merchants, chestnut roasting, Venice, print after painting by Luigi Terrazzi, watercolour on paper, circa 1820, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-trade-merchants-chestnut-roasting-venice-print-after-painting-by-luigi-47974817.html
RMCP1CA9–trade, merchants, chestnut roasting, Venice, print after painting by Luigi Terrazzi, watercolour on paper, circa 1820, Additional-Rights-Clearences-Not Available
Mr. and Mrs. Samuel Hoare at the office in Heath Hampstead - 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mr-and-mrs-samuel-hoare-at-the-office-in-heath-hampstead-1820-image159973629.html
RMK87BYW–Mr. and Mrs. Samuel Hoare at the office in Heath Hampstead - 1820
Art inspired by Sewing casket with view of Weilburg near Baden in Austria, 1820–30, Austrian, Vienna, Wood veneered with mother-of-pearl; gilt-metal mounts partially enameled; gouache on paper; velvet lining; fittings of steel and mother-of-pearl, Overall: 2 7/8 × 4 3/4 × 6 3/4 in. (7., Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-sewing-casket-with-view-of-weilburg-near-baden-in-austria-182030-austrian-vienna-wood-veneered-with-mother-of-pearl-gilt-metal-mounts-partially-enameled-gouache-on-paper-velvet-lining-fittings-of-steel-and-mother-of-pearl-overall-2-78-4-34-6-34-in-7-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462922361.html
RF2HW3X5D–Art inspired by Sewing casket with view of Weilburg near Baden in Austria, 1820–30, Austrian, Vienna, Wood veneered with mother-of-pearl; gilt-metal mounts partially enameled; gouache on paper; velvet lining; fittings of steel and mother-of-pearl, Overall: 2 7/8 × 4 3/4 × 6 3/4 in. (7., Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Nicolae Alexandru in a XIVth century fresco restored in 1820s. cca. 1820. see above 1 005 - Nicolae Alexandru Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nicolae-alexandru-in-a-xivth-century-fresco-restored-in-1820s-cca-1820-see-above-1-005-nicolae-alexandru-image188773410.html
RMMY3ABE–. Nicolae Alexandru in a XIVth century fresco restored in 1820s. cca. 1820. see above 1 005 - Nicolae Alexandru
Manchu Officials, China, Chromolithograph, circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-manchu-officials-china-chromolithograph-circa-1820-81544632.html
RMEMJK08–Manchu Officials, China, Chromolithograph, circa 1820
The Shop of the Bookdealer Pieter Meijer Warnars on the Vijgendam in Amsterdam. The Bookshop of Pieter Meijer Warnars (1792-1869) on the Vijgendam, Amsterdam. Dating: 1820. Measurements: h 48 cm × w 58 cm. Museum: Rijksmuseum, Amsterdam. Author: JOHANNES JELGERHUIS. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-shop-of-the-bookdealer-pieter-meijer-warnars-on-the-vijgendam-in-amsterdam-the-bookshop-of-pieter-meijer-warnars-1792-1869-on-the-vijgendam-amsterdam-dating-1820-measurements-h-48-cm-w-58-cm-museum-rijksmuseum-amsterdam-author-johannes-jelgerhuis-image232887095.html
RMRETWT7–The Shop of the Bookdealer Pieter Meijer Warnars on the Vijgendam in Amsterdam. The Bookshop of Pieter Meijer Warnars (1792-1869) on the Vijgendam, Amsterdam. Dating: 1820. Measurements: h 48 cm × w 58 cm. Museum: Rijksmuseum, Amsterdam. Author: JOHANNES JELGERHUIS.
Antique c1830 hand-tinted engraving, fashions of the French court circa 1820. From l to r, (7) Guard of the seal of the Ministry of Justice, (2) Page, (1) 1st gentleman of the bedchamber, (6) President of the Court of Appeals, and (3) Court lady. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-c1830-hand-tinted-engraving-fashions-of-the-french-court-circa-1820-from-l-to-r-7-guard-of-the-seal-of-the-ministry-of-justice-2-page-1-1st-gentleman-of-the-bedchamber-6-president-of-the-court-of-appeals-and-3-court-lady-published-by-giulio-ferrario-source-original-engraving-image455719310.html
RM2HDBPHJ–Antique c1830 hand-tinted engraving, fashions of the French court circa 1820. From l to r, (7) Guard of the seal of the Ministry of Justice, (2) Page, (1) 1st gentleman of the bedchamber, (6) President of the Court of Appeals, and (3) Court lady. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING
Deviation of the magnetic needle by current of battery. Hans Christian Ørsted (August 14, 1777 - March 9, 1851) was a Danish physicist and chemist who discovered that electric currents create magnetic fields, an important aspect of electromagnetism. In 1820 Ørsted noticed a compass needle deflected from magnetic north when an electric current from a battery was switched on and off, showing a relationship between electricity and magnetism. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deviation-of-the-magnetic-needle-by-current-of-battery-hans-christian-rsted-august-14-1777-march-9-1851-was-a-danish-physicist-and-chemist-who-discovered-that-electric-currents-create-magnetic-fields-an-important-aspect-of-electromagnetism-in-1820-rsted-noticed-a-compass-needle-deflected-from-magnetic-north-when-an-electric-current-from-a-battery-was-switched-on-and-off-showing-a-relationship-between-electricity-and-magnetism-image246611864.html
RMT963XG–Deviation of the magnetic needle by current of battery. Hans Christian Ørsted (August 14, 1777 - March 9, 1851) was a Danish physicist and chemist who discovered that electric currents create magnetic fields, an important aspect of electromagnetism. In 1820 Ørsted noticed a compass needle deflected from magnetic north when an electric current from a battery was switched on and off, showing a relationship between electricity and magnetism.
Royal Academy Exhibition 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-royal-academy-exhibition-1820-105356576.html
RMG3BBAT–Royal Academy Exhibition 1820
A general View of the Falls of Niagara - 1820 - Alvan Fisher Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-general-view-of-the-falls-of-niagara-1820-alvan-fisher-81039134.html
RMEKRJ6P–A general View of the Falls of Niagara - 1820 - Alvan Fisher
Laufmaschine 1820 Osterreich, Austria, 1820, front frame detail. No gears, Frame: wood, Wheel size back: 71cm/front: 58cm Special features - only used by very wealthy, hence the luxurious padded seats, and ornamental detailing. Straight forks with sli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/laufmaschine-1820-osterreich-austria-1820-front-frame-detail-no-gears-frame-wood-wheel-size-back-71cmfront-58cm-special-features-only-used-by-very-wealthy-hence-the-luxurious-padded-seats-and-ornamental-detailing-straight-forks-with-sli-image463631508.html
RM2HX86M4–Laufmaschine 1820 Osterreich, Austria, 1820, front frame detail. No gears, Frame: wood, Wheel size back: 71cm/front: 58cm Special features - only used by very wealthy, hence the luxurious padded seats, and ornamental detailing. Straight forks with sli
A view of the bridge over the River Severn in Gloucester UK scanned at high resolution from a book printed in 1828. This image is believed to be free Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-view-of-the-bridge-over-the-river-severn-in-gloucester-uk-scanned-at-high-resolution-from-a-book-printed-in-1828-this-image-is-believed-to-be-free-image465965637.html
RM2J22FWW–A view of the bridge over the River Severn in Gloucester UK scanned at high resolution from a book printed in 1828. This image is believed to be free
Gypsum copy of Medal of the Russian Empire in 1820's. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gypsum-copy-of-medal-of-the-russian-empire-in-1820s-image449548443.html
RM2H3AKHF–Gypsum copy of Medal of the Russian Empire in 1820's.
Gordon Square Garden, developed by Thomas Cubitt in the 1820's and now owned by the University of London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gordon-square-garden-developed-by-thomas-cubitt-in-the-1820s-and-now-43748090.html
RMCF4W3P–Gordon Square Garden, developed by Thomas Cubitt in the 1820's and now owned by the University of London.
Monstrosities of 1819 & 1820, by George Cruikshank, George Humphrey, 1819, English print. Caricature of fashion trends (BSLOC 2016 2 120) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-monstrosities-of-1819-1820-by-george-cruikshank-george-humphrey-1819-115905018.html
RMGMFX0X–Monstrosities of 1819 & 1820, by George Cruikshank, George Humphrey, 1819, English print. Caricature of fashion trends (BSLOC 2016 2 120)
Snowstorm, Mont Cenis, landscape painting by JMW Turner, 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/snowstorm-mont-cenis-landscape-painting-by-jmw-turner-1820-image552244942.html
RM2R2CX1J–Snowstorm, Mont Cenis, landscape painting by JMW Turner, 1820
Moonlight over the Sea 1820s (1820-35) by Johan Christian Dahl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moonlight-over-the-sea-1820s-1820-35-by-johan-christian-dahl-image560753727.html
RM2RG8F2R–Moonlight over the Sea 1820s (1820-35) by Johan Christian Dahl
View of the Royal Exchange, London, with people, dogs and a horse-drawn carriage. Date: circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-royal-exchange-london-with-people-dogs-and-a-horse-drawn-carriage-date-circa-1820-image557110869.html
RM2RAAGGN–View of the Royal Exchange, London, with people, dogs and a horse-drawn carriage. Date: circa 1820
A FRONT VIEW OF THE CHAPEL BELONGING TO THE ST. MARTIN IN THE FIELDS, Author Trimlet, T 29.6. Place of publication: [London] Publisher: [unknown publisher]., Date of publication: [1790s-1820s] Item type: 1 print Medium: etching and engraving Dimensions: sheet 56.2 x 45.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-front-view-of-the-chapel-belonging-to-the-st-martin-in-the-fields-author-trimlet-t-296-place-of-publication-london-publisher-unknown-publisher-date-of-publication-1790s-1820s-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-562-x-453-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401758479.html
RM2E9HK13–A FRONT VIEW OF THE CHAPEL BELONGING TO THE ST. MARTIN IN THE FIELDS, Author Trimlet, T 29.6. Place of publication: [London] Publisher: [unknown publisher]., Date of publication: [1790s-1820s] Item type: 1 print Medium: etching and engraving Dimensions: sheet 56.2 x 45.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
Harnham Gate, Salisbury. John Constable. Between 1820 and 1821. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harnham-gate-salisbury-john-constable-between-1820-and-1821-image609401306.html
RM2XBCHGA–Harnham Gate, Salisbury. John Constable. Between 1820 and 1821.
Augustus Earle's Divine Service on board a British Frigate - 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/augustus-earles-divine-service-on-board-a-british-frigate-1820-image159972751.html
RMK87ATF–Augustus Earle's Divine Service on board a British Frigate - 1820
REGENCY MALE FASHION about 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-regency-male-fashion-about-1820-95355530.html
RMFF3PXJ–REGENCY MALE FASHION about 1820
. Н.Д. Мыльников (?). Портрет купчихи в повйнике. 1820-е годы. 1820s. Н.Д. Мыльников (?). 446 Nikolay Mylnikov 13 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1820-1820s-446-nikolay-mylnikov-13-image188393931.html
RMMXE2AK–. Н.Д. Мыльников (?). Портрет купчихи в повйнике. 1820-е годы. 1820s. Н.Д. Мыльников (?). 446 Nikolay Mylnikov 13
Geographical, Statistical and Historical Map of Asia, 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-geographical-statistical-and-historical-map-of-asia-1820-165538700.html
RMKH8X8C–Geographical, Statistical and Historical Map of Asia, 1820
Narcissus and lacquer box. Mori Shunkei; Japanese, active c. 1820s-1830s. Date: 1820-1839. Dimensions: 19.5 x 51 cm (7 11/16 x 20 1/8 in.). Color woodblock print; nagaban surimono. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/narcissus-and-lacquer-box-mori-shunkei-japanese-active-c-1820s-1830s-date-1820-1839-dimensions-195-x-51-cm-7-1116-x-20-18-in-color-woodblock-print-nagaban-surimono-origin-japan-museum-the-chicago-art-institute-image240137651.html
RMRXK60K–Narcissus and lacquer box. Mori Shunkei; Japanese, active c. 1820s-1830s. Date: 1820-1839. Dimensions: 19.5 x 51 cm (7 11/16 x 20 1/8 in.). Color woodblock print; nagaban surimono. Origin: Japan. Museum: The Chicago Art Institute.
Circa 1820 engraving, 'Tchetirdagh, the Mons Trapezus of Strabo, with first appearance of the southern ridge from the Steppes.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-circa-1820-engraving-tchetirdagh-the-mons-trapezus-of-strabo-with-34517289.html
RMC04B49–Circa 1820 engraving, 'Tchetirdagh, the Mons Trapezus of Strabo, with first appearance of the southern ridge from the Steppes.'
Empress Alexandra Fyodorovna with Daughter Grand Duchess Maria Nikolaievna of Russia, 1820s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/empress-alexandra-fyodorovna-with-daughter-grand-duchess-maria-nikolaievna-image60413412.html
RMDE81WT–Empress Alexandra Fyodorovna with Daughter Grand Duchess Maria Nikolaievna of Russia, 1820s.
Heavily-laden and crowded coach, c.1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heavily-laden-and-crowded-coach-c1820-image155068827.html
RMK07YTB–Heavily-laden and crowded coach, c.1820
In the ploughed field. Spring - Alexey Venetsianov, 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-the-ploughed-field-spring-alexey-venetsianov-1820-image365180904.html
RM2C63BY4–In the ploughed field. Spring - Alexey Venetsianov, 1820
The United States Mail traces its roots to 1775 during the Second Continental Congress, where Benjamin Franklin was appointed the first postmaster general. The Post Office Department was created in 1792 from Franklin's operation, elevated to a cabinet-level department in 1872, and transformed in 1971 into the U.S. Postal Service as an agency of the U.S. government. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-united-states-mail-traces-its-roots-to-1775-during-the-second-continental-congress-where-benjamin-franklin-was-appointed-the-first-postmaster-general-the-post-office-department-was-created-in-1792-from-franklins-operation-elevated-to-a-cabinet-level-department-in-1872-and-transformed-in-1971-into-the-us-postal-service-as-an-agency-of-the-us-government-image246586866.html
RMT9501P–The United States Mail traces its roots to 1775 during the Second Continental Congress, where Benjamin Franklin was appointed the first postmaster general. The Post Office Department was created in 1792 from Franklin's operation, elevated to a cabinet-level department in 1872, and transformed in 1971 into the U.S. Postal Service as an agency of the U.S. government.