Inconvenient Partners in Waltzing, 1817/19, Isaac Robert Cruikshank (English, 1789-1856), published by Thomas Tegg (English, 1776-1846), England, Hand-colored etching on paper, 222 × 328 mm (image), 250 × 359 mm (plate), 267 × 410 (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inconvenient-partners-in-waltzing-181719-isaac-robert-cruikshank-english-1789-1856-published-by-thomas-tegg-english-1776-1846-england-hand-colored-etching-on-paper-222-328-mm-image-250-359-mm-plate-267-410-sheet-image328644573.html
RM2A2K1E5–Inconvenient Partners in Waltzing, 1817/19, Isaac Robert Cruikshank (English, 1789-1856), published by Thomas Tegg (English, 1776-1846), England, Hand-colored etching on paper, 222 × 328 mm (image), 250 × 359 mm (plate), 267 × 410 (sheet
Moritz Carriere, 5 March 1817 - 19 January 1895, was a German philosopher and historian, Germany, reproduction of an image, woodcut from the year 1881, digital improved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-moritz-carriere-5-march-1817-19-january-1895-was-a-german-philosopher-136419003.html
RFHWXBR7–Moritz Carriere, 5 March 1817 - 19 January 1895, was a German philosopher and historian, Germany, reproduction of an image, woodcut from the year 1881, digital improved
. Français : La Charité . 1851. François Bonvin (1817–1887) Description French painter Date of birth/death 22 November 1817 19 December 1887 Location of birth/death Paris Saint-Germain-en-Laye Work location Paris Authority control : Q1357683 VIAF: 61818091 ISNI: 0000 0000 8141 4707 ULAN: 500011069 LCCN: n84010352 NLA: 35205216 WorldCat 782 La charite francois bonvin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-la-charit-1851-franois-bonvin-18171887-description-french-painter-date-of-birthdeath-22-november-1817-19-december-1887-location-of-birthdeath-paris-saint-germain-en-laye-work-location-paris-authority-control-q1357683-viaf61818091-isni0000-0000-8141-4707-ulan500011069-lccnn84010352-nla35205216-worldcat-782-la-charite-francois-bonvin-image185822746.html
RMMP8XPJ–. Français : La Charité . 1851. François Bonvin (1817–1887) Description French painter Date of birth/death 22 November 1817 19 December 1887 Location of birth/death Paris Saint-Germain-en-Laye Work location Paris Authority control : Q1357683 VIAF: 61818091 ISNI: 0000 0000 8141 4707 ULAN: 500011069 LCCN: n84010352 NLA: 35205216 WorldCat 782 La charite francois bonvin
By his own testimony, De Quincey first used opium in 1804 to relieve his neuralgia; he used it for pleasure, but no more than weekly, through 1812. It was in 1813 that he first commenced daily usage, in response to illness and his grief over the death of Wordsworth's young daughter Catherine. In the periods of 1813–16 and 1817–19 his daily dose was very high, and resulted in the sufferings recounted in the final sections of his Confessions. For the rest of his life his opium use fluctuated between extremes; he took 'enormous doses' in 1843, but late in 1848 he went for 61 days with none at a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/by-his-own-testimony-de-quincey-first-used-opium-in-1804-to-relieve-his-neuralgia-he-used-it-for-pleasure-but-no-more-than-weekly-through-1812-it-was-in-1813-that-he-first-commenced-daily-usage-in-response-to-illness-and-his-grief-over-the-death-of-wordsworths-young-daughter-catherine-in-the-periods-of-181316-and-181719-his-daily-dose-was-very-high-and-resulted-in-the-sufferings-recounted-in-the-final-sections-of-his-confessions-for-the-rest-of-his-life-his-opium-use-fluctuated-between-extremes-he-took-enormous-doses-in-1843-but-late-in-1848-he-went-for-61-days-with-none-at-a-image344258533.html
RM2B0297H–By his own testimony, De Quincey first used opium in 1804 to relieve his neuralgia; he used it for pleasure, but no more than weekly, through 1812. It was in 1813 that he first commenced daily usage, in response to illness and his grief over the death of Wordsworth's young daughter Catherine. In the periods of 1813–16 and 1817–19 his daily dose was very high, and resulted in the sufferings recounted in the final sections of his Confessions. For the rest of his life his opium use fluctuated between extremes; he took 'enormous doses' in 1843, but late in 1848 he went for 61 days with none at a
Calame, Alexandrem 25.5.1817 - 19.3.1864, Swiss painter, portrait, photogravure after engraving, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-calame-alexandrem-2551817-1931864-swiss-painter-portrait-photogravure-19803100.html
RMB4631G–Calame, Alexandrem 25.5.1817 - 19.3.1864, Swiss painter, portrait, photogravure after engraving, 19th century, ,
The Nelson's Monument, correctly called the Norfolk Naval Pillar, is in the style of a Doric column and built in memorial to Admiral Horatio Nelson, situated on the Denes, Great Yarmouth in the county of Norfolk, England. Designed by architect William Wilkins, it was raised in the period 1817–19 from money raised by a committee of local magnates. The first custodian of the monument was former Able Seaman James Sharman, a member of the crew of HMS Victory from Norfolk and one of those who carried Nelson below decks after he was shot. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nelsons-monument-correctly-called-the-norfolk-naval-pillar-is-in-the-style-of-a-doric-column-and-built-in-memorial-to-admiral-horatio-nelson-situated-on-the-denes-great-yarmouth-in-the-county-of-norfolk-england-designed-by-architect-william-wilkins-it-was-raised-in-the-period-181719-from-money-raised-by-a-committee-of-local-magnates-the-first-custodian-of-the-monument-was-former-able-seaman-james-sharman-a-member-of-the-crew-of-hms-victory-from-norfolk-and-one-of-those-who-carried-nelson-below-decks-after-he-was-shot-image235854963.html
RMRKM3BF–The Nelson's Monument, correctly called the Norfolk Naval Pillar, is in the style of a Doric column and built in memorial to Admiral Horatio Nelson, situated on the Denes, Great Yarmouth in the county of Norfolk, England. Designed by architect William Wilkins, it was raised in the period 1817–19 from money raised by a committee of local magnates. The first custodian of the monument was former Able Seaman James Sharman, a member of the crew of HMS Victory from Norfolk and one of those who carried Nelson below decks after he was shot.
The Salon of Madame de Recamier - Salon litteraire : 'Autour de madame Recamier' Madame Juliette Recamier (1777-1849) entouree par les personnalites litteraires et politiques : Charles Nodier (1780-1844), Francois Rene vicomte de Chateaubriand (1768-1848), Sophie Gay (1776-1852), Benjamin Constant (1767-1830), Madame Ancelot (1792-1875), Germaine Necker, baronne de Stael-Holstein dite Madame de Stael (1766-1817), Andre Marie Ampere (1775-1836). 19eme siecle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-salon-of-madame-de-recamier-salon-litteraire-autour-de-madame-recamier-madame-juliette-recamier-1777-1849-entouree-par-les-personnalites-litteraires-et-politiques-charles-nodier-1780-1844-francois-rene-vicomte-de-chateaubriand-1768-1848-sophie-gay-1776-1852-benjamin-constant-1767-1830-madame-ancelot-1792-1875-germaine-necker-baronne-de-stael-holstein-dite-madame-de-stael-1766-1817-andre-marie-ampere-1775-1836-19eme-siecle-image543766284.html
RM2PGJKCC–The Salon of Madame de Recamier - Salon litteraire : 'Autour de madame Recamier' Madame Juliette Recamier (1777-1849) entouree par les personnalites litteraires et politiques : Charles Nodier (1780-1844), Francois Rene vicomte de Chateaubriand (1768-1848), Sophie Gay (1776-1852), Benjamin Constant (1767-1830), Madame Ancelot (1792-1875), Germaine Necker, baronne de Stael-Holstein dite Madame de Stael (1766-1817), Andre Marie Ampere (1775-1836). 19eme siecle
Art inspired by Event handkerchief, 1817, British, Cotton, L. 26 x W. 19 1/4 inches (66.0 x 48.9 cm), Textiles-Printed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-event-handkerchief-1817-british-cotton-l-26-x-w-19-14-inches-660-x-489-cm-textiles-printed-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778586.html
RF2HTWAPJ–Art inspired by Event handkerchief, 1817, British, Cotton, L. 26 x W. 19 1/4 inches (66.0 x 48.9 cm), Textiles-Printed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Impassioned Grape Picker, by Peter Paul Joseph Noel, 1817-19, Dutch painting, oil on panel. Man embracing a smiling but resisting young woman in a vineyard (BSLOC 2016 2 95) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-impassioned-grape-picker-by-peter-paul-joseph-noel-1817-19-dutch-115905949.html
RMGMFY65–The Impassioned Grape Picker, by Peter Paul Joseph Noel, 1817-19, Dutch painting, oil on panel. Man embracing a smiling but resisting young woman in a vineyard (BSLOC 2016 2 95)
Monument for William III, King of the Netherlands, on the occasion of the celebration of his seventieth birthday on February 19, 1887, 1887 - 1889 print Monument for William III on the occasion of the celebration of his seventieth birthday on February 19, 1887. In the upper margin '1817-19 February-1887' and a rule of French text in the lower margin. At the top left '1887. No. 8. '. Netherlands paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monument-for-william-iii-king-of-the-netherlands-on-the-occasion-of-the-celebration-of-his-seventieth-birthday-on-february-19-1887-1887-1889-print-monument-for-william-iii-on-the-occasion-of-the-celebration-of-his-seventieth-birthday-on-february-19-1887-in-the-upper-margin-1817-19-february-1887-and-a-rule-of-french-text-in-the-lower-margin-at-the-top-left-1887-no-8-netherlands-paper-image594860434.html
RM2WFP6FE–Monument for William III, King of the Netherlands, on the occasion of the celebration of his seventieth birthday on February 19, 1887, 1887 - 1889 print Monument for William III on the occasion of the celebration of his seventieth birthday on February 19, 1887. In the upper margin '1817-19 February-1887' and a rule of French text in the lower margin. At the top left '1887. No. 8. '. Netherlands paper
Inconvenient Partners in Waltzing, 1817/19. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inconvenient-partners-in-waltzing-181719-image462399882.html
RM2HT83NE–Inconvenient Partners in Waltzing, 1817/19.
Stephan Franz Viktor, Erzherzog von Österreich, 14. September 1817 - 19. Februar 1867, war ein Sohn des Erzherzogs Joseph und dessen zweiter Gemahlin, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stephan-franz-viktor-erzherzog-von-sterreich-14-september-1817-19-februar-1867-war-ein-sohn-des-erzherzogs-joseph-und-dessen-zweiter-gemahlin-image612117390.html
RM2XFT9YA–Stephan Franz Viktor, Erzherzog von Österreich, 14. September 1817 - 19. Februar 1867, war ein Sohn des Erzherzogs Joseph und dessen zweiter Gemahlin,
The City of New York: Longworth's Explanatory Map and Plan. Artist: James DeForest Stout (American, New York 1783-1868 New York). Dimensions: plate: 19 1/8 x 19 1/8 in. (48.6 x 48.6 cm) sheet: 20 x 29 3/4 in. (50.8 x 75.6 cm). Printer: Daniel Fanshawe (American, 19th century). Publisher: David Longworth (American, 19th century). Date: 1817. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-city-of-new-york-longworths-explanatory-map-and-plan-artist-james-deforest-stout-american-new-york-1783-1868-new-york-dimensions-plate-19-18-x-19-18-in-486-x-486-cm-sheet-20-x-29-34-in-508-x-756-cm-printer-daniel-fanshawe-american-19th-century-publisher-david-longworth-american-19th-century-date-1817-museum-metropolitan-museum-of-art-new-york-usa-image213175190.html
RMPAPY3J–The City of New York: Longworth's Explanatory Map and Plan. Artist: James DeForest Stout (American, New York 1783-1868 New York). Dimensions: plate: 19 1/8 x 19 1/8 in. (48.6 x 48.6 cm) sheet: 20 x 29 3/4 in. (50.8 x 75.6 cm). Printer: Daniel Fanshawe (American, 19th century). Publisher: David Longworth (American, 19th century). Date: 1817. Museum: Metropolitan Museum of Art, New York, USA.
Naples, Campania, Italy. The Villa Floridiana is a large park in the Vomero quarter. The entrance walkway of the park and the villa. Today the park is one of the public parks in the city of Naples. The villa dates from 1816 when Ferdinand I of the House of Bourbon, King of the Two Sicilies, acquired the property.The King then donated the property as the site for a vacation residence to his morganatic wife, Lucia Migliaccio Partanna, duchess of Floridia, from which the villa has taken its name. The neoclassical residence and surrounding gardens were built between 1817-19. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-naples-campania-italy-the-villa-floridiana-is-a-large-park-in-the-132521280.html
RMHKGT6T–Naples, Campania, Italy. The Villa Floridiana is a large park in the Vomero quarter. The entrance walkway of the park and the villa. Today the park is one of the public parks in the city of Naples. The villa dates from 1816 when Ferdinand I of the House of Bourbon, King of the Two Sicilies, acquired the property.The King then donated the property as the site for a vacation residence to his morganatic wife, Lucia Migliaccio Partanna, duchess of Floridia, from which the villa has taken its name. The neoclassical residence and surrounding gardens were built between 1817-19.
Georg von Kameke (1817-1893). General of infantry and Minister of War. Portrait. Engraving. 'Historia de la Guerra Franco-Alemana de 1870-1871'. Published in Barcelona, 1891. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/georg-von-kameke-1817-1893-general-of-infantry-and-minister-of-war-portrait-engraving-historia-de-la-guerra-franco-alemana-de-1870-1871-published-in-barcelona-1891-image560223982.html
RM2RFCBBA–Georg von Kameke (1817-1893). General of infantry and Minister of War. Portrait. Engraving. 'Historia de la Guerra Franco-Alemana de 1870-1871'. Published in Barcelona, 1891.
Wilhelm Schrader, 1817-1907, a German politician, wood engraving, about 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wilhelm-schrader-1817-1907-a-german-politician-wood-engraving-about-1880-image231686406.html
RMRCX6AE–Wilhelm Schrader, 1817-1907, a German politician, wood engraving, about 1880
The Funeral Procession of the Princess Charlotte at Windsor, 19 November 1817. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-funeral-procession-of-the-princess-charlotte-at-windsor-19-november-1817-image504824819.html
RM2M98N5R–The Funeral Procession of the Princess Charlotte at Windsor, 19 November 1817.
Letter signed Benjamin O'Fallon, Prairie du Chien, to William Clark, October 19, 1817 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-letter-signed-benjamin-ofallon-prairie-du-chien-to-william-clark-october-163220832.html
RMKDF9RC–Letter signed Benjamin O'Fallon, Prairie du Chien, to William Clark, October 19, 1817
Monument for Willem III, King of the Netherlands, on the occasion of the celebration of his seventieth birthday on February 19, 1887, Monument for Willem III on the occasion of the celebration of his seventieth birthday on February 19, 1887. In the top margin '1817-19 FEBRUARY- 1887' and a line of French text in the bottom margin. Top left '1887. No. 8.'., print, print maker: anonymous, printer: J. Krauss, (mentioned on object), publisher: Martinus Nijhoff, (mentioned on object), Netherlands, 1887 - 1889, paper, height, 264 mm × width, 169 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monument-for-willem-iii-king-of-the-netherlands-on-the-occasion-of-the-celebration-of-his-seventieth-birthday-on-february-19-1887-monument-for-willem-iii-on-the-occasion-of-the-celebration-of-his-seventieth-birthday-on-february-19-1887-in-the-top-margin-1817-19-february-1887-and-a-line-of-french-text-in-the-bottom-margin-top-left-1887-no-8-print-print-maker-anonymous-printer-j-krauss-mentioned-on-object-publisher-martinus-nijhoff-mentioned-on-object-netherlands-1887-1889-paper-height-264-mm-width-169-mm-image606615492.html
RM2X6WM70–Monument for Willem III, King of the Netherlands, on the occasion of the celebration of his seventieth birthday on February 19, 1887, Monument for Willem III on the occasion of the celebration of his seventieth birthday on February 19, 1887. In the top margin '1817-19 FEBRUARY- 1887' and a line of French text in the bottom margin. Top left '1887. No. 8.'., print, print maker: anonymous, printer: J. Krauss, (mentioned on object), publisher: Martinus Nijhoff, (mentioned on object), Netherlands, 1887 - 1889, paper, height, 264 mm × width, 169 mm
Moritz Carriere, 5. März 1817 - 19. Januar 1895, war ein deutscher Philosoph und Historiker, Deutschland, Reproduktion eines Bildes, Holzschnitt aus dem Jahr 1881, digitalrestauriert, Historisch / Moritz Carriere, 5 March 1817 - 19 January 1895, was a German philosopher and historian, Germany, reproduction of an image, woodcut from the year 1881, digital improved, historical Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moritz-carriere-5-mrz-1817-19-januar-1895-war-ein-deutscher-philosoph-und-historiker-deutschland-reproduktion-eines-bildes-holzschnitt-aus-dem-jahr-1881-digitalrestauriert-historisch-moritz-carriere-5-march-1817-19-january-1895-was-a-german-philosopher-and-historian-germany-reproduction-of-an-image-woodcut-from-the-year-1881-digital-improved-historical-image570887082.html
RF2T4P48A–Moritz Carriere, 5. März 1817 - 19. Januar 1895, war ein deutscher Philosoph und Historiker, Deutschland, Reproduktion eines Bildes, Holzschnitt aus dem Jahr 1881, digitalrestauriert, Historisch / Moritz Carriere, 5 March 1817 - 19 January 1895, was a German philosopher and historian, Germany, reproduction of an image, woodcut from the year 1881, digital improved, historical
. The Pond at Gylieu . 1853. Charles-François Daubigny (1817–1878) Description French painter and graphic artist Date of birth/death 15 February 1817 19 February 1878 Location of birth/death Paris Paris Work location Paris, Barbizon, Dauphine, Auvers-sur-Oise Authority control : Q252357 VIAF: 71399615 ISNI: 0000 0001 2138 6609 ULAN: 500115164 LCCN: n50037946 NLA: 35033517 WorldCat 1179 The Pond at Gylieu by Charles-Francois Daubigny, 1853 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pond-at-gylieu-1853-charles-franois-daubigny-18171878-description-french-painter-and-graphic-artist-date-of-birthdeath-15-february-1817-19-february-1878-location-of-birthdeath-paris-paris-work-location-paris-barbizon-dauphine-auvers-sur-oise-authority-control-q252357-viaf71399615-isni0000-0001-2138-6609-ulan500115164-lccnn50037946-nla35033517-worldcat-1179-the-pond-at-gylieu-by-charles-francois-daubigny-1853-image185599889.html
RMMNXPFD–. The Pond at Gylieu . 1853. Charles-François Daubigny (1817–1878) Description French painter and graphic artist Date of birth/death 15 February 1817 19 February 1878 Location of birth/death Paris Paris Work location Paris, Barbizon, Dauphine, Auvers-sur-Oise Authority control : Q252357 VIAF: 71399615 ISNI: 0000 0001 2138 6609 ULAN: 500115164 LCCN: n50037946 NLA: 35033517 WorldCat 1179 The Pond at Gylieu by Charles-Francois Daubigny, 1853
Grote zee- of doksluis aan het Nieuwediep, gebouwd in 1817-19 en 20. Tekening in kleur. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grote-zee-of-doksluis-aan-het-nieuwediep-gebouwd-in-1817-19-en-20-tekening-in-kleur-image351649744.html
RM2BC30RC–Grote zee- of doksluis aan het Nieuwediep, gebouwd in 1817-19 en 20. Tekening in kleur.
By his own testimony, De Quincey first used opium in 1804 to relieve his neuralgia; he used it for pleasure, but no more than weekly, through 1812. It was in 1813 that he first commenced daily usage, in response to illness and his grief over the death of Wordsworth's young daughter Catherine. In the periods of 1813–16 and 1817–19 his daily dose was very high, and resulted in the sufferings recounted in the final sections of his Confessions. For the rest of his life his opium use fluctuated between extremes; he took 'enormous doses' in 1843, but late in 1848 he went for 61 days with none at a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/by-his-own-testimony-de-quincey-first-used-opium-in-1804-to-relieve-his-neuralgia-he-used-it-for-pleasure-but-no-more-than-weekly-through-1812-it-was-in-1813-that-he-first-commenced-daily-usage-in-response-to-illness-and-his-grief-over-the-death-of-wordsworths-young-daughter-catherine-in-the-periods-of-181316-and-181719-his-daily-dose-was-very-high-and-resulted-in-the-sufferings-recounted-in-the-final-sections-of-his-confessions-for-the-rest-of-his-life-his-opium-use-fluctuated-between-extremes-he-took-enormous-doses-in-1843-but-late-in-1848-he-went-for-61-days-with-none-at-a-image344258528.html
RM2B0297C–By his own testimony, De Quincey first used opium in 1804 to relieve his neuralgia; he used it for pleasure, but no more than weekly, through 1812. It was in 1813 that he first commenced daily usage, in response to illness and his grief over the death of Wordsworth's young daughter Catherine. In the periods of 1813–16 and 1817–19 his daily dose was very high, and resulted in the sufferings recounted in the final sections of his Confessions. For the rest of his life his opium use fluctuated between extremes; he took 'enormous doses' in 1843, but late in 1848 he went for 61 days with none at a
Carriere, Moritz, 5.3.1817 - 19.1.1895, German philosopher and author / writer, portrait, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-carriere-moritz-531817-1911895-german-philosopher-and-author-writer-19689255.html
RMB40WRK–Carriere, Moritz, 5.3.1817 - 19.1.1895, German philosopher and author / writer, portrait, wood engraving, 19th century, ,
King Charles I of England (19 November 1600 – 30 January 1649) taking leave of his children before his execution. Illustration by E.G. Dalziel (1817 - 1905) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-king-charles-i-of-england-19-november-1600-30-january-1649-taking-147100290.html
RMJF8YWP–King Charles I of England (19 November 1600 – 30 January 1649) taking leave of his children before his execution. Illustration by E.G. Dalziel (1817 - 1905)
Portrait of Emile de Wogan (1817-1891), French explorer and writer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emile-de-wogan-1817-1891-french-explorer-and-writer-image613378242.html
RM2XHWP5P–Portrait of Emile de Wogan (1817-1891), French explorer and writer
Art inspired by The City of New York: Longworth's Explanatory Map and Plan, 1817, Hand-colored engraving, plate: 19 1/8 x 19 1/8 in. (48.6 x 48.6 cm), Prints, James DeForest Stout (American, New York 1783–1868 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-city-of-new-york-longworths-explanatory-map-and-plan-1817-hand-colored-engraving-plate-19-18-x-19-18-in-486-x-486-cm-prints-james-deforest-stout-american-new-york-17831868-new-york-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462975988.html
RF2HW6AGM–Art inspired by The City of New York: Longworth's Explanatory Map and Plan, 1817, Hand-colored engraving, plate: 19 1/8 x 19 1/8 in. (48.6 x 48.6 cm), Prints, James DeForest Stout (American, New York 1783–1868 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
William III . , King of the Netherlands (born February 19, 1817 , died November 23, 1890 ), Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-iii-king-of-the-netherlands-born-february-19-1817-died-november-23-1890-image183502379.html
RMMJF74B–William III . , King of the Netherlands (born February 19, 1817 , died November 23, 1890 ),
Zéphir 1817–19 George Cruikshank Based on a French print of 1815 titled 'Le doyen des Zéphirs, ou Le roi des voltigeurs' (The Dean of the Zéphirs, or King of Vaulters), this British variation caricatures the aging French male ballet dancer Auguste Vestris, whose earlier athleticism had made him celebrated throughout Europe. Born in Florence, into a large theatrical family, Vestris joined the Paris Opéra in 1776 and became dancing master to Louis XVI. He lived in London during the French Revolution, then returned to Paris in 1793, and became an influential teacher after he retired in 1816. As t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zphir-181719-george-cruikshank-based-on-a-french-print-of-1815-titled-le-doyen-des-zphirs-ou-le-roi-des-voltigeurs-the-dean-of-the-zphirs-or-king-of-vaulters-this-british-variation-caricatures-the-aging-french-male-ballet-dancer-auguste-vestris-whose-earlier-athleticism-had-made-him-celebrated-throughout-europe-born-in-florence-into-a-large-theatrical-family-vestris-joined-the-paris-opra-in-1776-and-became-dancing-master-to-louis-xvi-he-lived-in-london-during-the-french-revolution-then-returned-to-paris-in-1793-and-became-an-influential-teacher-after-he-retired-in-1816-as-t-image458559210.html
RM2HJ14XJ–Zéphir 1817–19 George Cruikshank Based on a French print of 1815 titled 'Le doyen des Zéphirs, ou Le roi des voltigeurs' (The Dean of the Zéphirs, or King of Vaulters), this British variation caricatures the aging French male ballet dancer Auguste Vestris, whose earlier athleticism had made him celebrated throughout Europe. Born in Florence, into a large theatrical family, Vestris joined the Paris Opéra in 1776 and became dancing master to Louis XVI. He lived in London during the French Revolution, then returned to Paris in 1793, and became an influential teacher after he retired in 1816. As t
Zéphir, 1817-19. French male ballet dancer Auguste Vestris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zxe9phir-1817-19-french-male-ballet-dancer-auguste-vestris-image354732615.html
RM2BH3D1Y–Zéphir, 1817-19. French male ballet dancer Auguste Vestris.
Engraved portrait of William III of the Netherlands (Willem Alexander Paul Frederik Lodewijk or William Alexander Paul Frederick Louis; 19 February 1817 – 23 November 1890) at the time of his marriage in 1879. William was King of the Netherlands and Grand Duke of Luxembourg from 1849 until his death in 1890. He was also the Duke of Limburg from 1849 until the abolition of the duchy in 1866. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraved-portrait-of-william-iii-of-the-netherlands-willem-alexander-paul-frederik-lodewijk-or-william-alexander-paul-frederick-louis-19-february-1817-23-november-1890-at-the-time-of-his-marriage-in-1879-william-was-king-of-the-netherlands-and-grand-duke-of-luxembourg-from-1849-until-his-death-in-1890-he-was-also-the-duke-of-limburg-from-1849-until-the-abolition-of-the-duchy-in-1866-image417887144.html
RM2F7TB8T–Engraved portrait of William III of the Netherlands (Willem Alexander Paul Frederik Lodewijk or William Alexander Paul Frederick Louis; 19 February 1817 – 23 November 1890) at the time of his marriage in 1879. William was King of the Netherlands and Grand Duke of Luxembourg from 1849 until his death in 1890. He was also the Duke of Limburg from 1849 until the abolition of the duchy in 1866.
Ducks in the Marshes. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: sheet: 4 7/8 x 7 3/4 in. (12.4 x 19.7 cm). Date: 1862. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ducks-in-the-marshes-artist-charles-franois-daubigny-french-paris-1817-1878-paris-dimensions-sheet-4-78-x-7-34-in-124-x-197-cm-date-1862-museum-metropolitan-museum-of-art-new-york-usa-image213105787.html
RMPAKPGY–Ducks in the Marshes. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: sheet: 4 7/8 x 7 3/4 in. (12.4 x 19.7 cm). Date: 1862. Museum: Metropolitan Museum of Art, New York, USA.
Naples, Campania, Italy. The Villa Floridiana is a large park in the Vomero quarter. The The park and the entrance of the villa. Today the park is one of the public parks in the city of Naples. The villa dates from 1816 when Ferdinand I of the House of Bourbon, King of the Two Sicilies, acquired the property.The King then donated the property as the site for a vacation residence to his morganatic wife, Lucia Migliaccio Partanna, duchess of Floridia, from which the villa has taken its name. The neoclassical residence and surrounding gardens were built between 1817-19. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-naples-campania-italy-the-villa-floridiana-is-a-large-park-in-the-132521492.html
RMHKGTEC–Naples, Campania, Italy. The Villa Floridiana is a large park in the Vomero quarter. The The park and the entrance of the villa. Today the park is one of the public parks in the city of Naples. The villa dates from 1816 when Ferdinand I of the House of Bourbon, King of the Two Sicilies, acquired the property.The King then donated the property as the site for a vacation residence to his morganatic wife, Lucia Migliaccio Partanna, duchess of Floridia, from which the villa has taken its name. The neoclassical residence and surrounding gardens were built between 1817-19.
José Zorrilla y Moral (1817-1893). Spanish poet and dramatist. Portrait. Engraving by Arturo Carretero (1852-1903). La Ilustración Española y Americana (The Spanish and American Illustration), January 8, 1884. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jos-zorrilla-y-moral-1817-1893-spanish-poet-and-dramatist-portrait-engraving-by-arturo-carretero-1852-1903-la-ilustracin-espaola-y-americana-the-spanish-and-american-illustration-january-8-1884-image622192154.html
RM2Y478CA–José Zorrilla y Moral (1817-1893). Spanish poet and dramatist. Portrait. Engraving by Arturo Carretero (1852-1903). La Ilustración Española y Americana (The Spanish and American Illustration), January 8, 1884.
Hugo Maximilian Wesendonck, 1817 - 1900, a German businessman and politician, wood engraving, about 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hugo-maximilian-wesendonck-1817-1900-a-german-businessman-and-politician-wood-engraving-about-1880-image231686381.html
RMRCX69H–Hugo Maximilian Wesendonck, 1817 - 1900, a German businessman and politician, wood engraving, about 1880
Massena (Andre) Duke of Rivoli / Marshal of France May 19, 1804 + 1817. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/massena-andre-duke-of-rivoli-marshal-of-france-may-19-1804-1817-image349717393.html
RM2B8Y02W–Massena (Andre) Duke of Rivoli / Marshal of France May 19, 1804 + 1817.
La toilette: Two young women help older women with baby bonnets and false bosoms - while giving knowing looks to the viewer. 'Women of 19 and 20 are in open war with women of a certain age (30). They adopt fashions that suit only them, such as flat bonnets and childish caps.' Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-toilette-two-young-women-help-older-women-with-baby-bonnets-and-false-bosoms-while-giving-knowing-looks-to-the-viewer-women-of-19-and-20-are-in-open-war-with-women-of-a-certain-age-30-they-adopt-fashions-that-suit-only-them-such-as-flat-bonnets-and-childish-caps-handcoloured-engraving-from-pierre-de-la-mesangeres-le-bon-genre-paris-1817-image331808965.html
RM2A7R5M5–La toilette: Two young women help older women with baby bonnets and false bosoms - while giving knowing looks to the viewer. 'Women of 19 and 20 are in open war with women of a certain age (30). They adopt fashions that suit only them, such as flat bonnets and childish caps.' Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817.
TOM TAYLOR, 19 October 1817 12 July 1880, was an English dramatist, critic, biographer, public servant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tom-taylor-19-october-1817-12-july-1880-was-an-english-dramatist-critic-59957564.html
RMDDF8DG–TOM TAYLOR, 19 October 1817 12 July 1880, was an English dramatist, critic, biographer, public servant
Moriz Philipp Carriere, March 5, 1817 - January 19, 1895, was a German writer and philosopher / Moriz Philipp Carriere, 5. März 1817 - 19. Januar 1895, war ein deutscher Schriftsteller und Philosoph, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moriz-philipp-carriere-march-5-1817-january-19-1895-was-a-german-writer-and-philosopher-moriz-philipp-carriere-5-mrz-1817-19-januar-1895-war-ein-deutscher-schriftsteller-und-philosoph-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image415936147.html
RF2F4KEPB–Moriz Philipp Carriere, March 5, 1817 - January 19, 1895, was a German writer and philosopher / Moriz Philipp Carriere, 5. März 1817 - 19. Januar 1895, war ein deutscher Schriftsteller und Philosoph, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
N/A. Banks of the Oise River . 1875. Charles-François Daubigny (1817–1878) Description French painter and graphic artist Date of birth/death 15 February 1817 19 February 1878 Location of birth/death Paris Paris Work location Paris, Barbizon, Dauphine, Auvers-sur-Oise Authority control : Q252357 VIAF: 71399615 ISNI: 0000 0001 2138 6609 ULAN: 500115164 LCCN: n50037946 NLA: 35033517 WorldCat 168 Banks of the Oise River by Charles-Francois Daubigny, High Museum of Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-banks-of-the-oise-river-1875-charles-franois-daubigny-18171878-description-french-painter-and-graphic-artist-date-of-birthdeath-15-february-1817-19-february-1878-location-of-birthdeath-paris-paris-work-location-paris-barbizon-dauphine-auvers-sur-oise-authority-control-q252357-viaf71399615-isni0000-0001-2138-6609-ulan500115164-lccnn50037946-nla35033517-worldcat-168-banks-of-the-oise-river-by-charles-francois-daubigny-high-museum-of-art-image209851145.html
RMP5BF7N–N/A. Banks of the Oise River . 1875. Charles-François Daubigny (1817–1878) Description French painter and graphic artist Date of birth/death 15 February 1817 19 February 1878 Location of birth/death Paris Paris Work location Paris, Barbizon, Dauphine, Auvers-sur-Oise Authority control : Q252357 VIAF: 71399615 ISNI: 0000 0001 2138 6609 ULAN: 500115164 LCCN: n50037946 NLA: 35033517 WorldCat 168 Banks of the Oise River by Charles-Francois Daubigny, High Museum of Art
Géricault - Assassinat de Fualdès le 19 mars 1817 translation du cadavre, REC 30, Recto. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gricault-assassinat-de-fualds-le-19-mars-1817-translation-du-cadavre-rec-30-recto-image352628627.html
RM2BDKHBF–Géricault - Assassinat de Fualdès le 19 mars 1817 translation du cadavre, REC 30, Recto.
By his own testimony, De Quincey first used opium in 1804 to relieve his neuralgia; he used it for pleasure, but no more than weekly, through 1812. It was in 1813 that he first commenced daily usage, in response to illness and his grief over the death of Wordsworth's young daughter Catherine. In the periods of 1813–16 and 1817–19 his daily dose was very high, and resulted in the sufferings recounted in the final sections of his Confessions. For the rest of his life his opium use fluctuated between extremes; he took 'enormous doses' in 1843, but late in 1848 he went for 61 days with none at a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/by-his-own-testimony-de-quincey-first-used-opium-in-1804-to-relieve-his-neuralgia-he-used-it-for-pleasure-but-no-more-than-weekly-through-1812-it-was-in-1813-that-he-first-commenced-daily-usage-in-response-to-illness-and-his-grief-over-the-death-of-wordsworths-young-daughter-catherine-in-the-periods-of-181316-and-181719-his-daily-dose-was-very-high-and-resulted-in-the-sufferings-recounted-in-the-final-sections-of-his-confessions-for-the-rest-of-his-life-his-opium-use-fluctuated-between-extremes-he-took-enormous-doses-in-1843-but-late-in-1848-he-went-for-61-days-with-none-at-a-image344258531.html
RM2B0297F–By his own testimony, De Quincey first used opium in 1804 to relieve his neuralgia; he used it for pleasure, but no more than weekly, through 1812. It was in 1813 that he first commenced daily usage, in response to illness and his grief over the death of Wordsworth's young daughter Catherine. In the periods of 1813–16 and 1817–19 his daily dose was very high, and resulted in the sufferings recounted in the final sections of his Confessions. For the rest of his life his opium use fluctuated between extremes; he took 'enormous doses' in 1843, but late in 1848 he went for 61 days with none at a
Jonckbloet, Willem Jozef Andreas, 6.7.1817 - 19.10.1885, Dutch historian, portrait, wood engraving, circa 1870, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jonckbloet-willem-jozef-andreas-671817-19101885-dutch-historian-portrait-33381687.html
RMBX8JK3–Jonckbloet, Willem Jozef Andreas, 6.7.1817 - 19.10.1885, Dutch historian, portrait, wood engraving, circa 1870,
King Charles I of England (19 November 1600 – 30 January 1649) taking leave of his children before his execution. Illustration by E.G. Dalziel (1817 - 1905) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-king-charles-i-of-england-19-november-1600-30-january-1649-taking-147099619.html
RMJF8Y1R–King Charles I of England (19 November 1600 – 30 January 1649) taking leave of his children before his execution. Illustration by E.G. Dalziel (1817 - 1905)
Portrait of Giacomo Medici (1817-1882), italian general and politician Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-giacomo-medici-1817-1882-italian-general-and-politician-image569400484.html
RM2T2AC3G–Portrait of Giacomo Medici (1817-1882), italian general and politician
Inspired by The River Seine at Mantes, Charles-François Daubigny, French, 1817-1878, Oil on canvas, France, ca. 1856, 19 1/16 x 29 3/4 in., 48.4 x 75.6 cm, 19th century French painting, 19thc, building, ca. 1856, charles-francois daubigny, clouds, Daubigny, european, factory, female, fishing, french, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-the-river-seine-at-mantes-charles-franois-daubigny-french-1817-1878-oil-on-canvas-france-ca-1856-19-116-x-29-34-in-484-x-756-cm-19th-century-french-painting-19thc-building-ca-1856-charles-francois-daubigny-clouds-daubigny-european-factory-female-fishing-french-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252519.html
RF2HK4N7K–Inspired by The River Seine at Mantes, Charles-François Daubigny, French, 1817-1878, Oil on canvas, France, ca. 1856, 19 1/16 x 29 3/4 in., 48.4 x 75.6 cm, 19th century French painting, 19thc, building, ca. 1856, charles-francois daubigny, clouds, Daubigny, european, factory, female, fishing, french, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
William III . , King of the Netherlands (born February 19, 1817 , died November 23, 1890 );William III., King of the Netherlands (born February 19, 1817, d. 23 November 1890), Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-iii-king-of-the-netherlands-born-february-19-1817-died-november-23-1890-william-iii-king-of-the-netherlands-born-february-19-1817-d-23-november-1890-image183507267.html
RMMJFDAY–William III . , King of the Netherlands (born February 19, 1817 , died November 23, 1890 );William III., King of the Netherlands (born February 19, 1817, d. 23 November 1890),
Monument to Willem III, King of the Netherlands, on the occasion of the celebration of his seventieth birthday on February 19, 1887.Monument to Willem III on the occasion of the Celebration of His Seventieth Birthday On February 19, 1887. In The Upper Margin '1817- 19 February 1887 'and a rule of french text in the undermarge. Top left '1887. NO 8. '. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monument-to-willem-iii-king-of-the-netherlands-on-the-occasion-of-the-celebration-of-his-seventieth-birthday-on-february-19-1887monument-to-willem-iii-on-the-occasion-of-the-celebration-of-his-seventieth-birthday-on-february-19-1887-in-the-upper-margin-1817-19-february-1887-and-a-rule-of-french-text-in-the-undermarge-top-left-1887-no-8-image414462631.html
RM2F28B8R–Monument to Willem III, King of the Netherlands, on the occasion of the celebration of his seventieth birthday on February 19, 1887.Monument to Willem III on the occasion of the Celebration of His Seventieth Birthday On February 19, 1887. In The Upper Margin '1817- 19 February 1887 'and a rule of french text in the undermarge. Top left '1887. NO 8. '.
At Øresund 19 June 1817 by Johan Christian Dahl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-resund-19-june-1817-by-johan-christian-dahl-image560754872.html
RM2RG8GFM–At Øresund 19 June 1817 by Johan Christian Dahl
Rochester, UK. 05th Dec, 2021. Rochester Kent 5th December 2021.The Dickensian Christmas festival returned to Rochester after a year off due to the Covid-19 pandemic. The festival included The Seven Poor Travellers Procession and the candle lit Grand Parade. The festival has been held in Rochester since 1988 in celebration of the time Charles Dickens lived in the Kent town from 1817 to 1822. Credit: MARTIN DALTON/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rochester-uk-05th-dec-2021-rochester-kent-5th-december-2021the-dickensian-christmas-festival-returned-to-rochester-after-a-year-off-due-to-the-covid-19-pandemic-the-festival-included-the-seven-poor-travellers-procession-and-the-candle-lit-grand-parade-the-festival-has-been-held-in-rochester-since-1988-in-celebration-of-the-time-charles-dickens-lived-in-the-kent-town-from-1817-to-1822-credit-martin-daltonalamy-live-news-image453187813.html
RM2H98DK1–Rochester, UK. 05th Dec, 2021. Rochester Kent 5th December 2021.The Dickensian Christmas festival returned to Rochester after a year off due to the Covid-19 pandemic. The festival included The Seven Poor Travellers Procession and the candle lit Grand Parade. The festival has been held in Rochester since 1988 in celebration of the time Charles Dickens lived in the Kent town from 1817 to 1822. Credit: MARTIN DALTON/Alamy Live News
Drawing for Spencer's Fairie Queene. Artist: Alfred George Stevens (British, Blandford Forum, Dorset 1817-1875 London). Dimensions: sheet: 7 3/4 x 6 1/4 in. (19.7 x 15.9 cm). Date: ca. 1855. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-for-spencers-fairie-queene-artist-alfred-george-stevens-british-blandford-forum-dorset-1817-1875-london-dimensions-sheet-7-34-x-6-14-in-197-x-159-cm-date-ca-1855-museum-metropolitan-museum-of-art-new-york-usa-image213501987.html
RMPB9RXY–Drawing for Spencer's Fairie Queene. Artist: Alfred George Stevens (British, Blandford Forum, Dorset 1817-1875 London). Dimensions: sheet: 7 3/4 x 6 1/4 in. (19.7 x 15.9 cm). Date: ca. 1855. Museum: Metropolitan Museum of Art, New York, USA.
Naples, Campania, Italy. The Villa Floridiana is a large park in the Vomero quarter. The The park and the entrance of the villa. Today the park is one of the public parks in the city of Naples. The villa dates from 1816 when Ferdinand I of the House of Bourbon, King of the Two Sicilies, acquired the property.The King then donated the property as the site for a vacation residence to his morganatic wife, Lucia Migliaccio Partanna, duchess of Floridia, from which the villa has taken its name. The neoclassical residence and surrounding gardens were built between 1817-19. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-naples-campania-italy-the-villa-floridiana-is-a-large-park-in-the-132521331.html
RMHKGT8K–Naples, Campania, Italy. The Villa Floridiana is a large park in the Vomero quarter. The The park and the entrance of the villa. Today the park is one of the public parks in the city of Naples. The villa dates from 1816 when Ferdinand I of the House of Bourbon, King of the Two Sicilies, acquired the property.The King then donated the property as the site for a vacation residence to his morganatic wife, Lucia Migliaccio Partanna, duchess of Floridia, from which the villa has taken its name. The neoclassical residence and surrounding gardens were built between 1817-19.
Adolphe (1817-1905). Duke of Nassau (1839-1866) and Grand Duke of Luxembourg (1890-1905). Portrait as Duke of Nassau. Drawing by J. Vallejo. Lithography by J. Donón. Detail. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adolphe-1817-1905-duke-of-nassau-1839-1866-and-grand-duke-of-luxembourg-1890-1905-portrait-as-duke-of-nassau-drawing-by-j-vallejo-lithography-by-j-donn-detail-reyes-contemporneos-contemporary-kings-volume-iii-published-in-madrid-1854-image607389548.html
RM2X84YFT–Adolphe (1817-1905). Duke of Nassau (1839-1866) and Grand Duke of Luxembourg (1890-1905). Portrait as Duke of Nassau. Drawing by J. Vallejo. Lithography by J. Donón. Detail. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854.
Georg Bernhard Simson, 1817 - 1897, a Prussian lawyer and politician, wood engraving, about 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/georg-bernhard-simson-1817-1897-a-prussian-lawyer-and-politician-wood-engraving-about-1880-image231686400.html
RMRCX6A8–Georg Bernhard Simson, 1817 - 1897, a Prussian lawyer and politician, wood engraving, about 1880
Mr. Fualdes / Former public prosecutor in the criminal court of the Dept. Aveyron; killed 19 March 1817. (TI) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mr-fualdes-former-public-prosecutor-in-the-criminal-court-of-the-dept-aveyron-killed-19-march-1817-ti-image349572254.html
RM2B8MAYA–Mr. Fualdes / Former public prosecutor in the criminal court of the Dept. Aveyron; killed 19 March 1817. (TI)
Hans Theodor Woldsen Storm, 1817 - 1888, a German writer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hans-theodor-woldsen-storm-1817-1888-a-german-writer-image68465782.html
RMDYATPE–Hans Theodor Woldsen Storm, 1817 - 1888, a German writer
Charles-François Daubigny, French, 1817–1878, The Creek, 1863, Oil on panel, 11 13/16 x 19 in. (30 x 48.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-franois-daubigny-french-18171878-the-creek-1863-oil-on-panel-11-1316-x-19-in-30-x-483-cm-image344574446.html
RM2B0GM66–Charles-François Daubigny, French, 1817–1878, The Creek, 1863, Oil on panel, 11 13/16 x 19 in. (30 x 48.3 cm
Henry David Thoreau, 1817 - 1862, an American writer and philosopher, Historische Zeichnung aus dem 19. Jahrhundert, Portrait vo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-henry-david-thoreau-1817-1862-an-american-writer-and-philosopher-historische-48134518.html
RMCP8M1X–Henry David Thoreau, 1817 - 1862, an American writer and philosopher, Historische Zeichnung aus dem 19. Jahrhundert, Portrait vo
N/A. Village on the Seine near Vernon . 1872. Charles-François Daubigny (1817–1878) Description French painter and graphic artist Date of birth/death 15 February 1817 19 February 1878 Location of birth/death Paris Paris Work location Paris, Barbizon, Dauphine, Auvers-sur-Oise Authority control : Q252357 VIAF:71399615 ISNI:0000 0001 2138 6609 ULAN:500115164 LCCN:n50037946 NLA:35033517 WorldCat 5 'Village on the Seine near Vernon' by Daubigny, Norton Simon Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-village-on-the-seine-near-vernon-1872-charles-franois-daubigny-18171878-description-french-painter-and-graphic-artist-date-of-birthdeath-15-february-1817-19-february-1878-location-of-birthdeath-paris-paris-work-location-paris-barbizon-dauphine-auvers-sur-oise-authority-control-q252357-viaf71399615-isni0000-0001-2138-6609-ulan500115164-lccnn50037946-nla35033517-worldcat-5-village-on-the-seine-near-vernon-by-daubigny-norton-simon-museum-image209971320.html
RMP5H0FM–N/A. Village on the Seine near Vernon . 1872. Charles-François Daubigny (1817–1878) Description French painter and graphic artist Date of birth/death 15 February 1817 19 February 1878 Location of birth/death Paris Paris Work location Paris, Barbizon, Dauphine, Auvers-sur-Oise Authority control : Q252357 VIAF:71399615 ISNI:0000 0001 2138 6609 ULAN:500115164 LCCN:n50037946 NLA:35033517 WorldCat 5 'Village on the Seine near Vernon' by Daubigny, Norton Simon Museum
Woerlitz, Germany. 19th Aug, 2016. The artificial volcano on the 'Stein' island is breaking out at Woerlitz park in Woerlitz, Germany, 19 August 2016. The volcanoe is part of the Unesco world heritage in the garden of Prince Leopold III. Friedrich Franz of Anhalt-Dessau (1740-1817) measuring 145 square kilometers. PHOTO: PETER ENDIG/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woerlitz-germany-19th-aug-2016-the-artificial-volcano-on-the-stein-115297260.html
RMGKG6R8–Woerlitz, Germany. 19th Aug, 2016. The artificial volcano on the 'Stein' island is breaking out at Woerlitz park in Woerlitz, Germany, 19 August 2016. The volcanoe is part of the Unesco world heritage in the garden of Prince Leopold III. Friedrich Franz of Anhalt-Dessau (1740-1817) measuring 145 square kilometers. PHOTO: PETER ENDIG/dpa/Alamy Live News
By his own testimony, De Quincey first used opium in 1804 to relieve his neuralgia; he used it for pleasure, but no more than weekly, through 1812. It was in 1813 that he first commenced daily usage, in response to illness and his grief over the death of Wordsworth's young daughter Catherine. In the periods of 1813–16 and 1817–19 his daily dose was very high, and resulted in the sufferings recounted in the final sections of his Confessions. For the rest of his life his opium use fluctuated between extremes; he took 'enormous doses' in 1843, but late in 1848 he went for 61 days with none at a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/by-his-own-testimony-de-quincey-first-used-opium-in-1804-to-relieve-his-neuralgia-he-used-it-for-pleasure-but-no-more-than-weekly-through-1812-it-was-in-1813-that-he-first-commenced-daily-usage-in-response-to-illness-and-his-grief-over-the-death-of-wordsworths-young-daughter-catherine-in-the-periods-of-181316-and-181719-his-daily-dose-was-very-high-and-resulted-in-the-sufferings-recounted-in-the-final-sections-of-his-confessions-for-the-rest-of-his-life-his-opium-use-fluctuated-between-extremes-he-took-enormous-doses-in-1843-but-late-in-1848-he-went-for-61-days-with-none-at-a-image344258530.html
RM2B0297E–By his own testimony, De Quincey first used opium in 1804 to relieve his neuralgia; he used it for pleasure, but no more than weekly, through 1812. It was in 1813 that he first commenced daily usage, in response to illness and his grief over the death of Wordsworth's young daughter Catherine. In the periods of 1813–16 and 1817–19 his daily dose was very high, and resulted in the sufferings recounted in the final sections of his Confessions. For the rest of his life his opium use fluctuated between extremes; he took 'enormous doses' in 1843, but late in 1848 he went for 61 days with none at a
Carriere, Moritz, 5.3.1817 - 19.1.1895, German philosopher and author / writer, portrait, wood engraving after etching by Johann Leonard Raab, 1879, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-carriere-moritz-531817-1911895-german-philosopher-and-author-writer-19845049.html
RMB480FN–Carriere, Moritz, 5.3.1817 - 19.1.1895, German philosopher and author / writer, portrait, wood engraving after etching by Johann Leonard Raab, 1879, ,
Etienne Nicolas Mehul 1763-1817 Französischer Komponist. Musik Musiker, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Ja Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etienne-nicolas-mehul-1763-1817-franzsischer-komponist-musik-musiker-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-ja-image621482565.html
RM2Y32Y9W–Etienne Nicolas Mehul 1763-1817 Französischer Komponist. Musik Musiker, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Ja
Eruption of the vesuvius and The destruction of Pompeii - engraving after the painting for the opera by Giovanni Pacini. 'The last day of Pompeii. 1817. Private collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eruption-of-the-vesuvius-and-the-destruction-of-pompeii-engraving-after-the-painting-for-the-opera-by-giovanni-pacini-the-last-day-of-pompeii-1817-private-collection-image595772884.html
RM2WH7PB0–Eruption of the vesuvius and The destruction of Pompeii - engraving after the painting for the opera by Giovanni Pacini. 'The last day of Pompeii. 1817. Private collection
Art inspired by Porringer, 1817–56, Made in Providence, Rhode Island, United States, American, Pewter, 2 1/4 x 7 5/8 x 5 1/4 in. (5.7 x 19.4 x 13.3 cm), Metal, William Calder (1792–1856, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-porringer-181756-made-in-providence-rhode-island-united-states-american-pewter-2-14-x-7-58-x-5-14-in-57-x-194-x-133-cm-metal-william-calder-17921856-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462890222.html
RF2HW2D5J–Art inspired by Porringer, 1817–56, Made in Providence, Rhode Island, United States, American, Pewter, 2 1/4 x 7 5/8 x 5 1/4 in. (5.7 x 19.4 x 13.3 cm), Metal, William Calder (1792–1856, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Karl Vogt (1817-1895). German scientist, philosopher and politician. Engraving, 1883. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-karl-vogt-1817-1895-german-scientist-philosopher-and-politician-engraving-171082271.html
RMKX9D53–Karl Vogt (1817-1895). German scientist, philosopher and politician. Engraving, 1883.
SOUTH FRONT OF CLAREMONT Author Havell, Daniel 40.19.g. Place of publication: London Publisher: Published Decr 31 1817 by Burkitt , Hudson 85 Cheapside., Date of publication: [December 31 1817] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 27.4 x 34.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/south-front-of-claremont-author-havell-daniel-4019g-place-of-publication-london-publisher-published-decr-31-1817-by-burkitt-hudson-85-cheapside-date-of-publication-december-31-1817-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-sheet-274-x-342-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401761777.html
RM2E9HR6W–SOUTH FRONT OF CLAREMONT Author Havell, Daniel 40.19.g. Place of publication: London Publisher: Published Decr 31 1817 by Burkitt , Hudson 85 Cheapside., Date of publication: [December 31 1817] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 27.4 x 34.2 cm Former owner: George III, King of Great Britain, 1738-1820
From Øresund 19 September 1817 by Johan Christian Dahl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/from-resund-19-september-1817-by-johan-christian-dahl-image560754873.html
RM2RG8GFN–From Øresund 19 September 1817 by Johan Christian Dahl
Rochester, UK. 05th Dec, 2021. Rochester Kent 5th December 2021.The Dickensian Christmas festival returned to Rochester after a year off due to the Covid-19 pandemic. The festival included The Seven Poor Travellers Procession and the candle lit Grand Parade. The festival has been held in Rochester since 1988 in celebration of the time Charles Dickens lived in the Kent town from 1817 to 1822. Credit: MARTIN DALTON/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rochester-uk-05th-dec-2021-rochester-kent-5th-december-2021the-dickensian-christmas-festival-returned-to-rochester-after-a-year-off-due-to-the-covid-19-pandemic-the-festival-included-the-seven-poor-travellers-procession-and-the-candle-lit-grand-parade-the-festival-has-been-held-in-rochester-since-1988-in-celebration-of-the-time-charles-dickens-lived-in-the-kent-town-from-1817-to-1822-credit-martin-daltonalamy-live-news-image453187740.html
RM2H98DGC–Rochester, UK. 05th Dec, 2021. Rochester Kent 5th December 2021.The Dickensian Christmas festival returned to Rochester after a year off due to the Covid-19 pandemic. The festival included The Seven Poor Travellers Procession and the candle lit Grand Parade. The festival has been held in Rochester since 1988 in celebration of the time Charles Dickens lived in the Kent town from 1817 to 1822. Credit: MARTIN DALTON/Alamy Live News
Porringer. Culture: American. Dimensions: 2 1/4 x 7 5/8 x 5 1/4 in. (5.7 x 19.4 x 13.3 cm). Maker: William Calder (1792-1856). Date: 1817-56. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/porringer-culture-american-dimensions-2-14-x-7-58-x-5-14-in-57-x-194-x-133-cm-maker-william-calder-1792-1856-date-1817-56-museum-metropolitan-museum-of-art-new-york-usa-image213105278.html
RMPAKNXP–Porringer. Culture: American. Dimensions: 2 1/4 x 7 5/8 x 5 1/4 in. (5.7 x 19.4 x 13.3 cm). Maker: William Calder (1792-1856). Date: 1817-56. Museum: Metropolitan Museum of Art, New York, USA.
Naples, Campania, Italy. The Villa Floridiana is a large park in the Vomero quarter. The gardens rear of the villa with the fountain. Today the park is one of the public parks in the city of Naples. The villa dates from 1816 when Ferdinand I of the House of Bourbon, King of the Two Sicilies, acquired the property.The King then donated the property as the site for a vacation residence to his morganatic wife, Lucia Migliaccio Partanna, duchess of Floridia, from which the villa has taken its name. The neoclassical residence and surrounding gardens were built between 1817-19. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-naples-campania-italy-the-villa-floridiana-is-a-large-park-in-the-132521615.html
RMHKGTJR–Naples, Campania, Italy. The Villa Floridiana is a large park in the Vomero quarter. The gardens rear of the villa with the fountain. Today the park is one of the public parks in the city of Naples. The villa dates from 1816 when Ferdinand I of the House of Bourbon, King of the Two Sicilies, acquired the property.The King then donated the property as the site for a vacation residence to his morganatic wife, Lucia Migliaccio Partanna, duchess of Floridia, from which the villa has taken its name. The neoclassical residence and surrounding gardens were built between 1817-19.
Luis Lacy Gautier (1775-1817). Spanish general who stood out for his actions in Catalonia during the Peninsular War. He was executed by firing squad on 5 July 1817 at Bellver Castle in Palma de Mallorca. Execution of General Lacy. Chromolithography. 'Historia de la Revolución Española' (desde la Guerra de la Independencia a la Restauración en Sagunto), by Vicente Blasco Ibáñez. Volume I. Published in Barcelona, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/luis-lacy-gautier-1775-1817-spanish-general-who-stood-out-for-his-actions-in-catalonia-during-the-peninsular-war-he-was-executed-by-firing-squad-on-5-july-1817-at-bellver-castle-in-palma-de-mallorca-execution-of-general-lacy-chromolithography-historia-de-la-revolucin-espaola-desde-la-guerra-de-la-independencia-a-la-restauracin-en-sagunto-by-vicente-blasco-ibez-volume-i-published-in-barcelona-1890-image472432942.html
RM2JCH512–Luis Lacy Gautier (1775-1817). Spanish general who stood out for his actions in Catalonia during the Peninsular War. He was executed by firing squad on 5 July 1817 at Bellver Castle in Palma de Mallorca. Execution of General Lacy. Chromolithography. 'Historia de la Revolución Española' (desde la Guerra de la Independencia a la Restauración en Sagunto), by Vicente Blasco Ibáñez. Volume I. Published in Barcelona, 1890.
Hugo Maximilian Wesendonck, 1817 - 1900, a German entrepreneur and politician, wood engraving, about 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hugo-maximilian-wesendonck-1817-1900-a-german-entrepreneur-and-politician-wood-engraving-about-1880-image231686398.html
RMRCX6A6–Hugo Maximilian Wesendonck, 1817 - 1900, a German entrepreneur and politician, wood engraving, about 1880
OLD GATE OF THE CHURCH OF THE ABBEY OF SAINT-MARTIN-DES-CHAMPS APR7S THE DEMOLITION OF THE BUILDING WHICH WAS BACKED - September 19, 1853 Charles Fichot (1817-1903). 'Ancien portail de l'église de l'abbaye de Saint-Martin-des-Champs après la démolition du bâtiment qui y était adossé, 19 septembre 1853'. Dessin. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-gate-of-the-church-of-the-abbey-of-saint-martin-des-champs-apr7s-the-demolition-of-the-building-which-was-backed-september-19-1853-charles-fichot-1817-1903-ancien-portail-de-lglise-de-labbaye-de-saint-martin-des-champs-aprs-la-dmolition-du-btiment-qui-y-tait-adoss-19-septembre-1853-dessin-paris-muse-carnavalet-image349997342.html
RM2B9BN52–OLD GATE OF THE CHURCH OF THE ABBEY OF SAINT-MARTIN-DES-CHAMPS APR7S THE DEMOLITION OF THE BUILDING WHICH WAS BACKED - September 19, 1853 Charles Fichot (1817-1903). 'Ancien portail de l'église de l'abbaye de Saint-Martin-des-Champs après la démolition du bâtiment qui y était adossé, 19 septembre 1853'. Dessin. Paris, musée Carnavalet.
Portrait of Moritz August von Thuemmel, 1738 - 1817, a German writer, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-moritz-august-von-thuemmel-1738-1817-a-german-writer-image62009017.html
RMDGTN3N–Portrait of Moritz August von Thuemmel, 1738 - 1817, a German writer,
François Bonvin, French, 1817-1887, Woman Reading, 1861, Black crayon, Sheet: 19 1/2 × 11 3/4 inches (49.5 × 29.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franois-bonvin-french-1817-1887-woman-reading-1861-black-crayon-sheet-19-12-11-34-inches-495-298-cm-image328741051.html
RM2A2RCFR–François Bonvin, French, 1817-1887, Woman Reading, 1861, Black crayon, Sheet: 19 1/2 × 11 3/4 inches (49.5 × 29.8 cm
Sir Austen Henry Layard, 5 March 1817 - 5 July 1894, one of the leading British archaeologists of the 19th century / Sir Austen Henry Layard, 5. März 1817 - 5. Juli 1894, einer der führenden britischen Archäologen des 19. Jahrhunderts, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-austen-henry-layard-5-march-1817-5-july-1894-one-of-the-leading-british-archaeologists-of-the-19th-century-sir-austen-henry-layard-5-mrz-1817-5-juli-1894-einer-der-fhrenden-britischen-archologen-des-19-jahrhunderts-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image397620433.html
RF2E2W4WN–Sir Austen Henry Layard, 5 March 1817 - 5 July 1894, one of the leading British archaeologists of the 19th century / Sir Austen Henry Layard, 5. März 1817 - 5. Juli 1894, einer der führenden britischen Archäologen des 19. Jahrhunderts, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
N/A. Français : « Carte-adresse » de l'époque romantique (1841) dessinée et gravée par Daubigny pour [Aceray]-A[uguste] Malzieux, mouleur en l'Île Saint-Louis au 1 rue Bretonvilliers (Paris). Dim. : 90 x 74 mm. 1841. Charles-François Daubigny (1817–1878) Description French painter and graphic artist Date of birth/death 15 February 1817 19 February 1878 Location of birth/death Paris Paris Work location Paris, Barbizon, Dauphine, Auvers-sur-Oise Authority control : Q252357 VIAF:71399615 ISNI:0000 0001 2138 6609 ULAN:500115164 LCCN:n50037946 NLA:35033517 WorldCat 415 Daubigny carte d Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-franais-carte-adresse-de-lpoque-romantique-1841-dessine-et-grave-par-daubigny-pour-aceray-a-uguste-malzieux-mouleur-en-lle-saint-louis-au-1-rue-bretonvilliers-paris-dim-90-x-74-mm-1841-charles-franois-daubigny-18171878-description-french-painter-and-graphic-artist-date-of-birthdeath-15-february-1817-19-february-1878-location-of-birthdeath-paris-paris-work-location-paris-barbizon-dauphine-auvers-sur-oise-authority-control-q252357-viaf71399615-isni0000-0001-2138-6609-ulan500115164-lccnn50037946-nla35033517-worldcat-415-daubigny-carte-d-image210127598.html
RMP5T3W2–N/A. Français : « Carte-adresse » de l'époque romantique (1841) dessinée et gravée par Daubigny pour [Aceray]-A[uguste] Malzieux, mouleur en l'Île Saint-Louis au 1 rue Bretonvilliers (Paris). Dim. : 90 x 74 mm. 1841. Charles-François Daubigny (1817–1878) Description French painter and graphic artist Date of birth/death 15 February 1817 19 February 1878 Location of birth/death Paris Paris Work location Paris, Barbizon, Dauphine, Auvers-sur-Oise Authority control : Q252357 VIAF:71399615 ISNI:0000 0001 2138 6609 ULAN:500115164 LCCN:n50037946 NLA:35033517 WorldCat 415 Daubigny carte d
Woerlitz, Germany. 19th Aug, 2016. The artificial volcano on the 'Stein' island is breaking out at Woerlitz park in Woerlitz, Germany, 19 August 2016. The volcanoe is part of the Unesco world heritage in the garden of Prince Leopold III. Friedrich Franz of Anhalt-Dessau (1740-1817) measuring 145 square kilometers. PHOTO: PETER ENDIG/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woerlitz-germany-19th-aug-2016-the-artificial-volcano-on-the-stein-115297250.html
RMGKG6PX–Woerlitz, Germany. 19th Aug, 2016. The artificial volcano on the 'Stein' island is breaking out at Woerlitz park in Woerlitz, Germany, 19 August 2016. The volcanoe is part of the Unesco world heritage in the garden of Prince Leopold III. Friedrich Franz of Anhalt-Dessau (1740-1817) measuring 145 square kilometers. PHOTO: PETER ENDIG/dpa/Alamy Live News
Robert Bennet Ford (1804–1889) was born in Jamaica Plain, near Boston, Massachusetts, the son of Ralph Bennet Forbes and wife Margaret Perkins, of the Perkins family, and brother of John Murray Forbes. As a member of the Forbes family of Boston, much of his wealth was derived from the opium and China Trade and he played a prominent role in the outbreak of the Opium War. On October 19, 1817, then aged thirteen years, he shipped before the mast in the Canton Packet and made his first voyage to China. About 1832 he made his last voyage to China and in 1840 became head of Russell & Company, the l Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-bennet-ford-18041889-was-born-in-jamaica-plain-near-boston-massachusetts-the-son-of-ralph-bennet-forbes-and-wife-margaret-perkins-of-the-perkins-family-and-brother-of-john-murray-forbes-as-a-member-of-the-forbes-family-of-boston-much-of-his-wealth-was-derived-from-the-opium-and-china-trade-and-he-played-a-prominent-role-in-the-outbreak-of-the-opium-war-on-october-19-1817-then-aged-thirteen-years-he-shipped-before-the-mast-in-the-canton-packet-and-made-his-first-voyage-to-china-about-1832-he-made-his-last-voyage-to-china-and-in-1840-became-head-of-russell-company-the-l-image344258300.html
RM2B028Y8–Robert Bennet Ford (1804–1889) was born in Jamaica Plain, near Boston, Massachusetts, the son of Ralph Bennet Forbes and wife Margaret Perkins, of the Perkins family, and brother of John Murray Forbes. As a member of the Forbes family of Boston, much of his wealth was derived from the opium and China Trade and he played a prominent role in the outbreak of the Opium War. On October 19, 1817, then aged thirteen years, he shipped before the mast in the Canton Packet and made his first voyage to China. About 1832 he made his last voyage to China and in 1840 became head of Russell & Company, the l
Carriere, Moritz, 5.3.1817 - 19.1.1895, German philosopher and author / writer, portrait, wood engraving after etching by J. L. Raab, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-carriere-moritz-531817-1911895-german-philosopher-and-author-writer-19668301.html
RMB3YY39–Carriere, Moritz, 5.3.1817 - 19.1.1895, German philosopher and author / writer, portrait, wood engraving after etching by J. L. Raab, 19th century, ,
Erzherzog Stephan von oesterreich 1817-1867, Palatin von Ungarn, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhunde Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/erzherzog-stephan-von-oesterreich-1817-1867-palatin-von-ungarn-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhunde-image606423661.html
RM2X6GYFW–Erzherzog Stephan von oesterreich 1817-1867, Palatin von Ungarn, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhunde
Promenades aeriennes, fÍte en l'honneur de Louis XVIII le 2 ao˚t 1817 dans 'Vues de Paris' de Courvoisier 1827 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/promenades-aeriennes-fte-en-lhonneur-de-louis-xviii-le-2-aot-1817-dans-vues-de-paris-de-courvoisier-1827-image561940490.html
RM2RJ6GR6–Promenades aeriennes, fÍte en l'honneur de Louis XVIII le 2 ao˚t 1817 dans 'Vues de Paris' de Courvoisier 1827
Art inspired by The River Seine at Mantes, Charles-François Daubigny, French, 1817-1878, Oil on canvas, France, ca. 1856, 19 1/16 x 29 3/4 in., 48.4 x 75.6 cm, 19th century French painting, 19thc, building, ca. 1856, charles-francois daubigny, clouds, Daubigny, european, factory, female, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-river-seine-at-mantes-charles-franois-daubigny-french-1817-1878-oil-on-canvas-france-ca-1856-19-116-x-29-34-in-484-x-756-cm-19th-century-french-painting-19thc-building-ca-1856-charles-francois-daubigny-clouds-daubigny-european-factory-female-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459567890.html
RF2HKK3EX–Art inspired by The River Seine at Mantes, Charles-François Daubigny, French, 1817-1878, Oil on canvas, France, ca. 1856, 19 1/16 x 29 3/4 in., 48.4 x 75.6 cm, 19th century French painting, 19thc, building, ca. 1856, charles-francois daubigny, clouds, Daubigny, european, factory, female, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Race of the Riderless Horses; Théodore Géricault (French, 1791 - 1824); 1817; Oil and pen and ink on paper laid on canvas; 19.8 × 29.1 cm (7 13/16 × 11 7/16 in.); 85.PC.406 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-race-of-the-riderless-horses-thodore-gricault-french-1791-1824-1817-oil-and-pen-and-ink-on-paper-laid-on-canvas-198-291-cm-7-1316-11-716-in-85pc406-image597346375.html
RM2WKRDB3–The Race of the Riderless Horses; Théodore Géricault (French, 1791 - 1824); 1817; Oil and pen and ink on paper laid on canvas; 19.8 × 29.1 cm (7 13/16 × 11 7/16 in.); 85.PC.406
Mr. Nasmyth's PLAN. Author Nasmyth, Alexander 49.64.3.b. Place of publication: [EDINBURGH] ;[LONDON] Publisher: [PUBLISHED BY KIRKWOOD , SON, No. 19, PARLIAMENT SQUARE;] : [AND WM. FADEN, CHARING CROSS, LONDON, 1816] Date of publication: [1817.] Item type: 1 map Medium: copperplate engraving Dimensions: 60 x 41 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mr-nasmyths-plan-author-nasmyth-alexander-49643b-place-of-publication-edinburgh-london-publisher-published-by-kirkwood-son-no-19-parliament-square-and-wm-faden-charing-cross-london-1816-date-of-publication-1817-item-type-1-map-medium-copperplate-engraving-dimensions-60-x-41-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401702223.html
RM2E9F37Y–Mr. Nasmyth's PLAN. Author Nasmyth, Alexander 49.64.3.b. Place of publication: [EDINBURGH] ;[LONDON] Publisher: [PUBLISHED BY KIRKWOOD , SON, No. 19, PARLIAMENT SQUARE;] : [AND WM. FADEN, CHARING CROSS, LONDON, 1816] Date of publication: [1817.] Item type: 1 map Medium: copperplate engraving Dimensions: 60 x 41 cm Former owner: George III, King of Great Britain, 1738-1820
From 'The Descriptive Album of London' by George H Birch 1896 - Extract text : ' SOANE MUSEUM in Lincoln's Inn Fields, No. 13, was founded by Sir John Soane, whose private house it was and where he died It contains sculptures, books, pictures, gems, etc. The greatest object of interest is an Egyptian sarcophagus, found in a tomb near Thebes by Belzoni in 1817. It is 9 feet long, carved out Of one block of alabaster, covered outside and inside with hieroglyphics, and once contained the body of Seti, father of Rameses the Second. Among the pictures is ' The Rake's Progress,' by Hogarth. There ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/from-the-descriptive-album-of-london-by-george-h-birch-1896-extract-text-soane-museum-in-lincolns-inn-fields-no-13-was-founded-by-sir-john-soane-whose-private-house-it-was-and-where-he-died-it-contains-sculptures-books-pictures-gems-etc-the-greatest-object-of-interest-is-an-egyptian-sarcophagus-found-in-a-tomb-near-thebes-by-belzoni-in-1817-it-is-9-feet-long-carved-out-of-one-block-of-alabaster-covered-outside-and-inside-with-hieroglyphics-and-once-contained-the-body-of-seti-father-of-rameses-the-second-among-the-pictures-is-the-rakes-progress-by-hogarth-there-ar-image332033236.html
RF2A85BNT–From 'The Descriptive Album of London' by George H Birch 1896 - Extract text : ' SOANE MUSEUM in Lincoln's Inn Fields, No. 13, was founded by Sir John Soane, whose private house it was and where he died It contains sculptures, books, pictures, gems, etc. The greatest object of interest is an Egyptian sarcophagus, found in a tomb near Thebes by Belzoni in 1817. It is 9 feet long, carved out Of one block of alabaster, covered outside and inside with hieroglyphics, and once contained the body of Seti, father of Rameses the Second. Among the pictures is ' The Rake's Progress,' by Hogarth. There ar
Rochester, UK. 05th Dec, 2021. Rochester Kent 5th December 2021.The Dickensian Christmas festival returned to Rochester after a year off due to the Covid-19 pandemic. The festival included The Seven Poor Travellers Procession and the candle lit Grand Parade. The festival has been held in Rochester since 1988 in celebration of the time Charles Dickens lived in the Kent town from 1817 to 1822. Credit: MARTIN DALTON/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rochester-uk-05th-dec-2021-rochester-kent-5th-december-2021the-dickensian-christmas-festival-returned-to-rochester-after-a-year-off-due-to-the-covid-19-pandemic-the-festival-included-the-seven-poor-travellers-procession-and-the-candle-lit-grand-parade-the-festival-has-been-held-in-rochester-since-1988-in-celebration-of-the-time-charles-dickens-lived-in-the-kent-town-from-1817-to-1822-credit-martin-daltonalamy-live-news-image453187724.html
RM2H98DFT–Rochester, UK. 05th Dec, 2021. Rochester Kent 5th December 2021.The Dickensian Christmas festival returned to Rochester after a year off due to the Covid-19 pandemic. The festival included The Seven Poor Travellers Procession and the candle lit Grand Parade. The festival has been held in Rochester since 1988 in celebration of the time Charles Dickens lived in the Kent town from 1817 to 1822. Credit: MARTIN DALTON/Alamy Live News
Sam Lovill, Porter at the Royal Academy. Artist: Sir Edwin Henry Landseer (British, London 1802-1873 London). Dimensions: Overall: 7 11/16 x 6 3/16in. (19.5 x 15.7cm). Date: ca. 1817-20. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sam-lovill-porter-at-the-royal-academy-artist-sir-edwin-henry-landseer-british-london-1802-1873-london-dimensions-overall-7-1116-x-6-316in-195-x-157cm-date-ca-1817-20-museum-metropolitan-museum-of-art-new-york-usa-image213212395.html
RMPATJGB–Sam Lovill, Porter at the Royal Academy. Artist: Sir Edwin Henry Landseer (British, London 1802-1873 London). Dimensions: Overall: 7 11/16 x 6 3/16in. (19.5 x 15.7cm). Date: ca. 1817-20. Museum: Metropolitan Museum of Art, New York, USA.
Naples, Campania, Italy. The Villa Floridiana is a large park in the Vomero quarter. The The park and the entrance of the villa. Today the park is one of the public parks in the city of Naples. The villa dates from 1816 when Ferdinand I of the House of Bourbon, King of the Two Sicilies, acquired the property.The King then donated the property as the site for a vacation residence to his morganatic wife, Lucia Migliaccio Partanna, duchess of Floridia, from which the villa has taken its name. The neoclassical residence and surrounding gardens were built between 1817-19. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-naples-campania-italy-the-villa-floridiana-is-a-large-park-in-the-132521418.html
RMHKGTBP–Naples, Campania, Italy. The Villa Floridiana is a large park in the Vomero quarter. The The park and the entrance of the villa. Today the park is one of the public parks in the city of Naples. The villa dates from 1816 when Ferdinand I of the House of Bourbon, King of the Two Sicilies, acquired the property.The King then donated the property as the site for a vacation residence to his morganatic wife, Lucia Migliaccio Partanna, duchess of Floridia, from which the villa has taken its name. The neoclassical residence and surrounding gardens were built between 1817-19.
William III of the Netherlands (1817-1890). King of the Netherlands and Grand Duke of Luxembourg (1849-1890). Portrait. Drawing by C. Legrand. Lithography by J. Donón. Detail. 'Reyes Contemporáneos'. Volume I. Published in Madrid, 1855. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-iii-of-the-netherlands-1817-1890-king-of-the-netherlands-and-grand-duke-of-luxembourg-1849-1890-portrait-drawing-by-c-legrand-lithography-by-j-donn-detail-reyes-contemporneos-volume-i-published-in-madrid-1855-image548748386.html
RM2PTNJ4J–William III of the Netherlands (1817-1890). King of the Netherlands and Grand Duke of Luxembourg (1849-1890). Portrait. Drawing by C. Legrand. Lithography by J. Donón. Detail. 'Reyes Contemporáneos'. Volume I. Published in Madrid, 1855.
Moritz Edler von Mayfeld, 1817-1904, member of Frankfurt Parliament, wood engraving, about 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moritz-edler-von-mayfeld-1817-1904-member-of-frankfurt-parliament-wood-engraving-about-1880-image231686393.html
RMRCX6A1–Moritz Edler von Mayfeld, 1817-1904, member of Frankfurt Parliament, wood engraving, about 1880
Third centenary of the Reformation Zilveren penning. Voorzijde: borststuk man binnen tweeregelig omschrift. Keerzijde: naar elkaar gewende borststukken van twee mannen boven opschrift binnen omschrift. Manufacturer : Gottfried Bernhard LoosPlaats manufacture: Berlijn Dating: 1817 Material: zilver Techniek: slaan Dimensions: d 3,9 cm. × g 19,39 gr Date: 1517-10-31 - 1817-10-31Wie: Martin LutherUlrich ZwingliPhilipp Melanchton Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/third-centenary-of-the-reformation-zilveren-penning-voorzijde-borststuk-man-binnen-tweeregelig-omschrift-keerzijde-naar-elkaar-gewende-borststukken-van-twee-mannen-boven-opschrift-binnen-omschrift-manufacturer-gottfried-bernhard-loosplaats-manufacture-berlijn-dating-1817-material-zilver-techniek-slaan-dimensions-d-39-cm-g-1939-gr-date-1517-10-31-1817-10-31wie-martin-lutherulrich-zwingliphilipp-melanchton-image348306571.html
RM2B6JMGB–Third centenary of the Reformation Zilveren penning. Voorzijde: borststuk man binnen tweeregelig omschrift. Keerzijde: naar elkaar gewende borststukken van twee mannen boven opschrift binnen omschrift. Manufacturer : Gottfried Bernhard LoosPlaats manufacture: Berlijn Dating: 1817 Material: zilver Techniek: slaan Dimensions: d 3,9 cm. × g 19,39 gr Date: 1517-10-31 - 1817-10-31Wie: Martin LutherUlrich ZwingliPhilipp Melanchton
Antoine Auguste Ernest Hébert, 1817 - 1908, a French painter, Historic steel engraving from the 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-antoine-auguste-ernest-hbert-1817-1908-a-french-painter-historic-steel-47852020.html
RMCNRRMM–Antoine Auguste Ernest Hébert, 1817 - 1908, a French painter, Historic steel engraving from the 19th century,
Verger Normand (Orchard in Normandy), c. 1867/75, black chalk, sheet: 19.4 x 32.6 cm, unsigned, Charles-François Daubigny, Paris 1817–1878 Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/verger-normand-orchard-in-normandy-c-186775-black-chalk-sheet-194-x-326-cm-unsigned-charles-franois-daubigny-paris-18171878-paris-image328709174.html
RM2A2NYWA–Verger Normand (Orchard in Normandy), c. 1867/75, black chalk, sheet: 19.4 x 32.6 cm, unsigned, Charles-François Daubigny, Paris 1817–1878 Paris
Moritz August von Thuemmel, 1738 - 1817, a German writer, Historische Zeichnung aus dem 19. Jahrhundert, Portrait von Moritz Aug Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-moritz-august-von-thuemmel-1738-1817-a-german-writer-historische-zeichnung-48131978.html
RFCP8GR6–Moritz August von Thuemmel, 1738 - 1817, a German writer, Historische Zeichnung aus dem 19. Jahrhundert, Portrait von Moritz Aug
. Nederlands: Stilleven met vier vruchten, glas en aardewerk. Schilderij. 25.7 × 30.5 × 3.4 cm (10.1 × 12 × 1.3 in). Amsterdam, Rijksmuseum Amsterdam. Schenking Vereniging Rembrandt, 1964. . between 1827 and 1887. François Bonvin (1817–1887) Description French painter Date of birth/death 22 November 1817 19 December 1887 Location of birth/death Paris Saint-Germain-en-Laye Work location Paris Authority control : Q1357683 VIAF: 61818091 ISNI: 0000 0000 8141 4707 ULAN: 500011069 LCCN: n84010352 NLA: 35205216 WorldCat 576 Stilleven met vier vruchten, glas en aardewerk SK-A-5034 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nederlands-stilleven-met-vier-vruchten-glas-en-aardewerk-schilderij-257-305-34-cm-101-12-13-in-amsterdam-rijksmuseum-amsterdam-schenking-vereniging-rembrandt-1964-between-1827-and-1887-franois-bonvin-18171887-description-french-painter-date-of-birthdeath-22-november-1817-19-december-1887-location-of-birthdeath-paris-saint-germain-en-laye-work-location-paris-authority-control-q1357683-viaf61818091-isni0000-0000-8141-4707-ulan500011069-lccnn84010352-nla35205216-worldcat-576-stilleven-met-vier-vruchten-glas-en-aardewerk-sk-a-5034-image187537175.html
RMMW31G7–. Nederlands: Stilleven met vier vruchten, glas en aardewerk. Schilderij. 25.7 × 30.5 × 3.4 cm (10.1 × 12 × 1.3 in). Amsterdam, Rijksmuseum Amsterdam. Schenking Vereniging Rembrandt, 1964. . between 1827 and 1887. François Bonvin (1817–1887) Description French painter Date of birth/death 22 November 1817 19 December 1887 Location of birth/death Paris Saint-Germain-en-Laye Work location Paris Authority control : Q1357683 VIAF: 61818091 ISNI: 0000 0000 8141 4707 ULAN: 500011069 LCCN: n84010352 NLA: 35205216 WorldCat 576 Stilleven met vier vruchten, glas en aardewerk SK-A-5034
Europa, Schweiz, Aargau, Brugg, Johann Georg Zimmermann, Schweizer Arzt , Philosoph und Schriftsteller , Motiv aus : ' Von der Einsamkeit ' von J. G. Ritter von Zimmermann , Verlag : F. W. Forstmann, Aachen, 1817 . / Europe, Switzerland, Aargau, Brugg, Johann Georg Zimmermann, Swiss doctor, philosopher and author , image from : ' Von der Einsamkeit ' ( from the loneliness ) , by J. G. Zimmermann, publishing house : F. W. Forstmann, Aachen, 1817 . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europa-schweiz-aargau-brugg-johann-georg-zimmermann-schweizer-arzt-philosoph-und-schriftsteller-motiv-aus-von-der-einsamkeit-von-j-g-ritter-von-zimmermann-verlag-f-w-forstmann-aachen-1817-europe-switzerland-aargau-brugg-johann-georg-zimmermann-swiss-doctor-philosopher-and-author-image-from-von-der-einsamkeit-from-the-loneliness-by-j-g-zimmermann-publishing-house-f-w-forstmann-aachen-1817-image335970666.html
RM2AEGP0A–Europa, Schweiz, Aargau, Brugg, Johann Georg Zimmermann, Schweizer Arzt , Philosoph und Schriftsteller , Motiv aus : ' Von der Einsamkeit ' von J. G. Ritter von Zimmermann , Verlag : F. W. Forstmann, Aachen, 1817 . / Europe, Switzerland, Aargau, Brugg, Johann Georg Zimmermann, Swiss doctor, philosopher and author , image from : ' Von der Einsamkeit ' ( from the loneliness ) , by J. G. Zimmermann, publishing house : F. W. Forstmann, Aachen, 1817 .
The natural history of British butterflies (Plate 19) (6077217642) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-natural-history-of-british-butterflies-plate-19-6077217642-161595172.html
RMKAW884–The natural history of British butterflies (Plate 19) (6077217642)
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