17th century glass Stock Photos and Images
RMHX29YH–Late 17th century copy of a lost gold glass portrait (Reserve Collection of the Vatican Museum)
RMP5KPHW–N/A. Architectura Capucinorum, Handschrift, 17. Jh., Württembergische Landesbibliothek, Cod. Don. 879, fol. 53v, Rezepte, Ein blauw Glaß, Grien auf Weiß, Tübinger Weiß, Blauw Glaß auf die Leisten zum Weißen; Goldgelb vnd Schmeltzgelb; Grien auff Weiß; Gelb auff Weiß; Gelb auff Blauw; Ein Decke vber alle Farben . 17th century. Unknown 120 Architectura Capucinorum 53v
RMWAB3AW–Edinburgh, Scotland, UK. 19 August 2019. Caroline Lea. Caroline LeaÕs novel The Glass Woman sees a 17th Century Icelandic village plunged into paranoia with the arrival of a newly married couple. Iain Masterton/Alamy Live News.
RMD07D8T–PAINTING UNDER GLASS F.E. RICOIS (1795-1881) DATING FROM 1838 CHATEAU DE MAINTENON SEEN THROUGH AQUEDUCT SAXONY ROOM CHATEAU DE
RMANXPYA–INDIA, Goa, Chandor: Braganca House, 17th century Goan Trader's Mansion (PR) Stained Glass Windows
RMR8W19R–France, Gers, Auch, stop on El Camino de Santiago, St Marie Cathedral dated 15th-17th centuries, , stained glass window created by Arnaud de Moles between 1507 and 1513, crucifixion
RMR1285J–Saint Margaret Pattens church on Eastcheap in the City of London UK, next to the Walkie Talkie Tower.
RMR07MBN–Window on old English house from the 17th century exhibited at the Frontier Culture Museum in Staunton, VA, USA
RF2HTYETE–Art inspired by Cruet, 17th century, Italian (Venice), Colorless (slightly grayish tan) and transparent turquoise blue nonlead glass. Blown, pattern molded, trailed, pincered., H. 13.3 cm, Glass, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2T68XP5–17th century English drunk playing a drinking game. He must drink more if the last drop from an empty glass covers the edge of his fingernail. Tasting. A drunkards joys consist in tast, Who sucks as long as life will last. An empty glass on touchstone thumb, Is standard supernaculum. Possibly from an original print in The merry conceited five senses, Robert Walton, 1661. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.
RMRJAX7C–A woodcut engraving depicting Santorio Santorio's clinical thermometer. The globular end was placed in the patient's mouth and the other end in a bowl of water. The serpentine thermometer was graduated with glass beads. Santorio Santorio (1561-1636) a Venetian physiologist, physician and professor. Dated 17th century
RMGD2HPN–fine arts, glass painting, bottle lidded, flower, 16th / 17th century, Artist's Copyright has not to be cleared
RMKN92EW–Flask MET 175977 186409 probably French, Flask, 17th century, Glass, H. 3 3/8 in. (8.6 cm); L. 4 1/2 in. (11.4 cm.). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1883 (83.7.139)
RMBTMCR2–A Stained glass window, Flemish School, circa 17th century; St Michael's and All Angels Church, Teffont Evias, Wiltshire
RMWH99R8–Designs for 'a 12 inch Frame for a Looking Glass for Jappan Worke' from Stalker and Parker's Treatise published in 1688.
RMHX29YJ–Late 17th century copy of a lost gold glass portrait (Reserve Collection of the Vatican Museum) mirrored
RMMP8W6N–A Still Life of Roses, Carnations, Tulips and other Flowers in a glass Vase, with Pastries and Sweetmeats on a pewter Platter and earthenware Pots, on a stone Ledge in front of a red Curtain 17th century. 1044 Recco, Giuseppe - A Still Life of Roses, Carnations, Tulips and other Flowers in a glass Vase, with Pastries and Sweetmeats on a pewter Platter and earthenware Pots - 17th c
RMWAB3DM–Edinburgh, Scotland, UK. 19 August 2019. Caroline Lea. Caroline LeaÕs novel The Glass Woman sees a 17th Century Icelandic village plunged into paranoia with the arrival of a newly married couple. Iain Masterton/Alamy Live News.
RFTX3YKB–The NoBody Inn is a 17th century Devon Inn, Dartmoor, Devon, England, House, No People, Overcast, Summer, Ancient, Architecture, Bar Doddiscombsleigh
RMANXPYB–INDIA, Goa, Chandor: Braganca House, 17th century Goan Trader's Mansion (PR) Stained Glass Windows
RMR8W12T–France, Gers, Auch, stop on El Camino de Santiago, St Marie Cathedral dated 15th-17th centuries, , stained glass window created by Arnaud de Moles between 1507 and 1513, crucifixion
![Two silver cups, 17th century?, (1881). Etching of two silver-gilt drinking cups or beakers. The one on the left was made c1600 in Wesel in the German Rhineland. The inspiration for the shape is a 16th-century glass drinking vessel called a 'romer'. The raised knobs (called 'prunts') on the lower half mimic the decoration which forms naturally in the handling molten glass. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Stock Photo](https://c8.alamy.com/comp/WX0YRX/two-silver-cups-17th-century-1881-etching-of-two-silver-gilt-drinking-cups-or-beakers-the-one-on-the-left-was-made-c1600-in-wesel-in-the-german-rhineland-the-inspiration-for-the-shape-is-a-16th-century-glass-drinking-vessel-called-a-romer-the-raised-knobs-called-prunts-on-the-lower-half-mimic-the-decoration-which-forms-naturally-in-the-handling-molten-glass-from-quotthe-south-kensington-museumquot-a-book-of-engraved-illustrations-with-descriptions-of-the-works-of-art-in-the-collection-of-the-victoria-amp-albert-museum-in-london-formerly-known-as-the-south-kensington-WX0YRX.jpg "Two silver cups, 17th century?, (1881). Etching of two silver-gilt drinking cups or beakers. The one on the left was made c1600 in Wesel in the German Rhineland. The inspiration for the shape is a 16th-century glass drinking vessel called a 'romer'. The raised knobs (called 'prunts') on the lower half mimic the decoration which forms naturally in the handling molten glass. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Stock Photo")
RMWX0YRX–Two silver cups, 17th century?, (1881). Etching of two silver-gilt drinking cups or beakers. The one on the left was made c1600 in Wesel in the German Rhineland. The inspiration for the shape is a 16th-century glass drinking vessel called a 'romer'. The raised knobs (called 'prunts') on the lower half mimic the decoration which forms naturally in the handling molten glass. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington
RM2B0H9Y6–Ewer, French, Nevers, early 17th century, French, Nevers, Glass, Height: 10 in. (25.4 cm), Glass
RF2HTYXXW–Art inspired by Fragment, 12th–17th century (?), European, Pot-metal glass and vitreous paint, 2 3/16 × 1/8 in. (5.5 × 0.3 cm), Glass-Stained, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1N9F–Door and Part of the Wall Paneling with Mirrored Glass from the House of 'Monsieur le Maître' at Plessis Piquet, plate VI from the Series 'Portes a Placard et Lambris', published as part of 'L'Architecture à la Mode'. Dimensions: image: 7 11/16 x 5 5/16 in. (19.5 x 13.5 cm). Etcher: Jean Le Pautre (French, Paris 1618-1682 Paris). Publisher: Nicolas Langlois (French, Paris 1640-1703). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMMR6JGK–A Table of the Refraction of the Air: Using a glass U-tube and a column of mercury, the volume of air contained in one arm of the tube increased as the length, and so the pressure, of a column of mercury in the other arm was reduced. The change in volume was in accord with the theoretical law (Boyle's Law) that volume is inversely proportional to the pressure. Dated 17th century
RMGD2HNT–fine arts, glass painting, evangelist goblet, Jesus Christ as Saviour, Germany, late 17th century, Artist's Copyright has not to be cleared
RMKN92ET–Flask MET 175974 186406 possibly French, Flask, 17th century, Glass, H. 3 1/2 in. (8.9 cm); L. 4 3/8 in. (11.1 cm.). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1883 (83.7.136)
RMBTMBW3–A Stained glass window, Flemish School, circa 17th century; St Michael's and All Angels Church, Teffont Evias, Wiltshire
RF2G5NP01–Amsterdam, the Netherlands. September 2020. Stained glass windows in the Grote Kerk and Rijskmuseum in Amsterdam, the Netherlands. High quality photo
RMMP7R34–4.0.1 Roses, Cornflowers, a Poppy and a Tulip in a glass Vase on a Table with Moths, Beetles, a Caterpillar and Butterflies; and Roses, Jasmine, Convolvulus, Primula and a Tulip in a glass Vase on a Table with Butterflies and a Caterpillar 17th century. 704 Jan van Kessel de Oude - Roses, Korenbloemen, een Poppy en een tulp in een glazen vaas etc
RMWAB3AJ–Edinburgh, Scotland, UK. 19 August 2019. Caroline Lea. Caroline LeaÕs novel The Glass Woman sees a 17th Century Icelandic village plunged into paranoia with the arrival of a newly married couple. Iain Masterton/Alamy Live News.
RM2BF2DX5–Pleated fan. Pleated fan. Leaf of 17th century white Milanese bobbin lace. Carved and painted ivory sticks with flowers and feathers. Guards carved with baroque detail and painted. Rivet is set with faceted glass. Gilt metal bail.
RMJ2BX30–Architectural detail. Diwan-i-Khas, Glass Palace. Hall of private Audience. Amber Fort. Jaipur Rajasthan. India.
RMT7PK71–France, Gers, Auch, stop on El Camino de Santiago, St Marie Cathedral dated 15th-17th centuries, , stained glass window created by Arnaud de Moles between 1507 and 1513, the Temptation of Adam and Eve in the Purgatory chapell
RM2A92P0T–A wrought iron hourglass and 17th century pulpit in the 13th century church of St Mary in the Cotswold village of Shipton Solers, Gloucestershire UK
RM2B0N606–Bottle, French, Nevers, 17th century, French, Nevers, Glass, Height: 10 1/4 in. (26 cm), Glass
RF2HTYEF3–Art inspired by Plate, probably late 17th century, Italian (Venice), Colorless (slightly gray), opaque red-brown, and opaque white (slightly gray) nonlead glass. Blown, 'vetro a retorti'., Diam. 47.5 cm, Glass, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP6HA8H–Two Swiss knights in battle garb holding a heraldic shield with image of a fish, halberd and lance, 1510-1550. They wear quilted doublets, breeches, stockings, codpiece and garters. From a stained glass in Nilkheim bei Aschaffenburg. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
RMMR6JH2–A Table of the Refraction of the Air: Using a glass U-tube and a column of mercury, the volume of air contained in one arm of the tube increased as the length, and so the pressure, of a column of mercury in the other arm was reduced. The change in volume was in accord with the theoretical law (Boyle's Law) that volume is inversely proportional to the pressure. Dated 17th century
RMGD2HPF–fine arts, glass painting, tankard, ages, fourty years, hundred years, Bohemia, early 17th century, Artist's Copyright has not to be cleared
RMKN4W9R–Flask MET 118998 186417 possibly French or Italian, Venice, Flask, 17th century, Glass, H. 3 1/8 in. (7.9 cm); L. 4 1/4 in. (10.8 cm.). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1883 (83.7.147)
RMBTHX3A–A Stained glass window, Flemish School, circa 17th century; St Michael's and All Angels Church, Teffont Evias, Wiltshire
RF2G5NNX9–Amsterdam, the Netherlands. September 2020. Stained glass windows in the Grote Kerk and Rijskmuseum in Amsterdam, the Netherlands. High quality photo
RF2DEN574–Zacharias Jansen (1585-1632) Dutch spectacle and optical devices maker, known for the first optical telescope and compound telescope invention
RMP5KPJ7–N/A. Architectura Capucinorum, Handschrift, 17. Jh., Württembergische Landesbibliothek, Cod. Don. 879, fol. 56v, Rezepte: Blauw, Des Hans Findel Blauw; Ein grund zue einem Geschirr, Volgt jetzt daß Glaß, Gold-Gelb, Deß Hans Dollingers; Von Augspurg; Solche zue Weißen . 17th century. Probus Heine (–1677) Alternative names Probus Haine Description German monk and builder Date of birth/death 17th century 30 October 1677 Location of birth/death Pfullendorf Freiburg im Breisgau Work location Switzerland (1654-1668), Baden-Württemberg (1656-1673) , France (ca. 1654-1659) Authority control
RMWAB3DY–Edinburgh, Scotland, UK. 19 August 2019. Caroline Lea. Caroline LeaÕs novel The Glass Woman sees a 17th Century Icelandic village plunged into paranoia with the arrival of a newly married couple. Iain Masterton/Alamy Live News.
RMJ2BX31–Architectural detail. Diwan-i-Khas, Glass Palace. Hall of private Audience. Amber Fort. Jaipur Rajasthan. India.
RMR8KW10–France, Gers, Auch, stop on El Camino de Santiago, St Marie Cathedral dated 15th-17th centuries, , stained glass window created by Arnaud de Moles between 1507 and 1513, the Temptation of Adam and Eve in the Purgatory chapell
RM2E1GH16–A row of narrow doors on houses in the Brouwersgracht Canal district of Amsterdam, Netherlands.
RF2HTYX6R–Art inspired by Glass Fragment, 17th century, Made in Paris, France, French, Glass, Overall: 5 1/4 x 3 3/4 in. (13.3 x 9.5 cm), Glass-Stained, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP6H59B–Swiss costume of a knight, Alixander Paner of Shaffhausen, with heraldic shield, helmet, hourglass and skull, 1510-1550. He wears quilted and slashed doublet and breeches, codpiece and garters. From a stained glass portrait in Nilkheim bei Aschaffenburg. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
RMMR7778–Diagram depicting Galileo's experiment to prove the existence of a vacuum. ABC is a section of metal or glass cylinder, with a recess at V. EFGH is a section of a wooden plug. K is a metal hook at the bottom of a thick wire (K,I). The vacuum is generated in the space between the plug and cylinder. Galileo Galilei (1564-1642) an Italian polymath. Dated 17th century
RMGD2HPB–fine arts, glass painting, tankard, ages, twenty years, eighty years, Bohemia, early 17th century, Artist's Copyright has not to be cleared
RMKN4W9X–Flask MET 175975 186407 possibly French or German, Flask, 17th century, Glass, H. 3 1/8 in. (7.9 cm); L. 3 3/4 in. (9.5 cm.). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1883 (83.7.137)
RMBTHT76–A Stained glass window depicting Daniel being raised from the Lions' Den, Flemish School, Circa 17th Century
RMP5KPJE–N/A. Architectura Capucinorum, Handschrift, 17. Jh., Württembergische Landesbibliothek, Cod. Don. 879, fol. 57v, Rezepte: Von Costanz ein Gelb auff Weiß; Blauw Glaß, Weißglaß von Überlnigen; Eisenfarb Glaß, urras() zue tödten damit man Lötten könde; Gelb aufs Weiß; Schwartz auff Weiß, Guett Weißglaß, Ein Anders, Ein Anders Weißglaß . 17th century. Probus Heine (–1677) Alternative names Probus Haine Description German monk and builder Date of birth/death 17th century 30 October 1677 Location of birth/death Pfullendorf Freiburg im Breisgau Work location Switzerland (1654-1668), Baden-W
RM2D6K01E–17th century Dutch drinking scene with men and women carousing around a table. A man pours ale from a jug, another embraces a woman on a bench. A man sits defecating on a chamberpot. Copperplate engraving by David Deuchar after an original by Adriaen van Ostade from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.
RMJ2BX3Y–Architectural detail. Diwan-i-Khas, Glass Palace. Hall of private Audience. Amber Fort. Jaipur Rajasthan. India.
RF2JBT4GW–France, Somme, Saint Valery sur Somme, Place Saint Martin, Saint Martin church, stained glass
RM2E1GH0X–A small decorative oval window adorns the black walled exterior of a canal house on Reguliersgracht in Amsterdam, Netherlands.
RF2HTYX9P–Art inspired by Glass Fragment, early 17th century, South Netherlandish, Colorless glass, Overall: 2 9/16 x 1 3/4 in. (6.5 x 4.5 cm), Glass-Stained, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB0N46–Mirror frame. Culture: British. Dimensions: H. 23 3/4 x W. 19 1/2 inches (60.3 x 49.5 cm). Date: third quarter 17th century. Improvements in English domestic glass production in the second half of the century coincided with the fashion for raised-work embroidery and resulted in the production of some of the most spectacular examples of embroidered household furnishings of the seventeenth century. The three-dimensionality of the embroidery and the creative use of materials on this example are very impressive. The tail feathers of the peacock are created from fragments of actual bird feathers,
RMMR6K00–Engraving depicting a family enjoying a magic lantern show. The apparatus here differs little from that of Kircher in the 17th century, consisting of a metal box with lamp placed in focus of a concave mirror. Reflected light falls on a condensing lens which concentrates it on a glass slide, and the enlarged image is thrown on to a screen. Dated 19th century
RMGD2HPM–fine arts, glass painting, tankard, ages, ten years, seventy years, Bohemia, early 17th century, Artist's Copyright has not to be cleared
RMKN99PF–Flask MET SF83 7 107 186380 French, Flask, 17th century, Glass, H. 2 5/8 in. (6.7 cm); L. 3 1/8 in. (7.9 cm.). The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1883 (83.7.107)
RMBTMCH6–A Stained glass window depicting Philip, Count of Nassau Siegen, 1566 - 1595, Flemish School, circa 17th century
RM2RJDHDK–Still-Life with Glass, Cheese, Butter and Cake first half of 17th century by Floris van Schooten
RMP5KPJ6–N/A. Architectura Capucinorum, Handschrift, 17. Jh., Württembergische Landesbibliothek, Cod. Don. 879, fol. 56r, Rezepte: Viol-blauw; Blauw Grund, Schwartz auff Weiß, Ein Weiß Glaß, Die Farb auff Weiß zue machen: Roth-Gelb, Gold-Gelb, Schwefel-Gelb, Weißgrund, Ein Weiß-glaß, Saltzburger Weiß . 17th century. Probus Heine (–1677) Alternative names Probus Haine Description German monk and builder Date of birth/death 17th century 30 October 1677 Location of birth/death Pfullendorf Freiburg im Breisgau Work location Switzerland (1654-1668), Baden-Württemberg (1656-1673) , France (ca. 1654
RM2R65EH2–A massive stained glass window depicting the French naval commander and privateer Jean Bart (1650-1702) at the town hall of Dunkirk (Nord), France
RM2F2P4XK–Portrait of the Italian painter Benedetto Caliari, 1538-1598. In Venetian costume of white silk brocade tunic tied with a ribbon, holding a glass. Costume Venetien, Benedetto Caliari. After the Marriage at Cana by his brother Paul Veronese. Handcolored lithograph after an illustration by Edmond Lechevallier-Chevignard from Georges Duplessis's Costumes historiques des XVIe, XVIIe et XVIIIe siecles (Historical costumes of the 16th, 17th and 18th centuries), Paris, 1867. Edmond Lechevallier-Chevignard was an artist, book illustrator, and interior designer.
Search Results for 17th century glass Stock Photos and Images (3,999)
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