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1792 thomas rowlandson Stock Photos and Images
RM2DDHF32–Recto Pier At Amsterdam, 1792 Thomas Rowlandson, Recto: Pier at Amsterdam. On verso: Sketch of Dutch fisherfolk and inscribed by the artist, 'Drawn at Amsterdam 1792', Boat, Drawing, Watercolour, Ink, Coast, Harbour, Pen
RM2K0E655–Tom Jones and Sophia Western by Thomas Rowlandson 1792. Thomas Rowlandson (13 July 1757 - 21 April 1827) was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation.
RMPDABPN–THOMAS ROWLANDSON (1756-1827) English artist and cartoonist. His print The Contrast, 1792 with opposing views of Liberty
RM2G3FEAB–tobacco, caricature of a smoker's club, after drawing by Thomas Rowlandson, London, 1792, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED
RMTA0W72–The Board Room of the Admiralty, c1808-1810. A print from 'The Microcosm of London', by William Henry Pyne (1770-1843). Artists: Thomas Rowlandson (1756-1827) and Auguste Charles Pugin (1762-1832). The Admiralty Board Room is part of a complex of buildings sometimes know as the Old Admiralty, which were completed in 1726. It was the first purpose built office building in Britain and was partly designed by Robert Adam (1728-1792).
RF2HTXG3F–Art inspired by Seaport, 1792, Pen and Ink, sheet: 10 13/16 x 16 1/2 in. (27.5 x 41.9 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXMA5–Art inspired by Covent Garden Theatre, 1792, Etching and aquatint hand-colored with watercolor, 8 7/8 x 17 1/2 in. (22.5 x 44.5 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPKJFA3–Beauties. Dated: published 1792. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.
RM2M523B7–Etching by Thomas Rowlandson shows Ague, the snake, wrapped around the patient, while Fever, the furry monster, stands behind him. On the right is a physician writing a prescription. A quote by Milton on the bottom of the print reads, 'And fed by turns the bitter change of fierce extremes, extremes by change more fierce.' 1792
RMKE55M1–Pantheon Theatre stage with audience. Title : 'The Porspect Before us' by Thomas Rowlandson. After King's Theatre was burned down, The Pantheon in Oxford Street, London was converted into an Opera House by O'Reilly. Illustration shows opening night in February 1791 in front of the King and Queen. (one year later later destroyed by fire in January 1792)
RM2HG4PHR–Covent Garden Theatre, 1792. Artist: Thomas Rowlandson (1756-1827) an English artist and caricaturist of the Georgian Era. A social observer, he was a prolific artist and print maker. Credit: Thomas Rowlandson/Alamy
RMKND8J0–An Essay on the Sublime & Beautiful MET DP871822 736517 Artist: Thomas Rowlandson, British, London 1757?1827 London, An Essay on the Sublime & Beautiful, April 10, 1792, Hand-colored etching, Sheet: 9 5/16 ? 6 7/16 in. (23.7 ? 16.3 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.104)
RM2DDHF00–Verso Sketch of Dutch fisherfolk, Amsterdam, 1792 Thomas Rowlandson, On verso: Sketch of Dutch fisherfolk and inscribed by the artist, 'Drawn at Amsterdam 1792' Recto: Pier at Amsterdam., Drawing, Watercolour, Ink, Netherlands, Harbour, Pen
RF2HW6930–Art inspired by An Artist Travelling in Wales, February 10, 1799, Etching and aquatint with hand coloring, sheet: 13 3/16 x 15 1/2 in. (33.5 x 39.4 cm), Prints, Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760–after 1820), After Thomas Rowlandson (British, London 1757–1827, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HGW8TA–The Contrast December 1792 Thomas Rowlandson. The Contrast. December 1792. Etching. Prints
RMP55RWH–Mr. James Quin (1693-1766), English actor. Famous for killing the actor Bowen and another younger actor in duels and swordfights.. Copperplate engraving by Bromley from a portrait by Thomas Rowlandson, published in the European Magazine, 1792.
RM2HGW8PR–The Chairmen's Terror July 18, 1792 Thomas Rowlandson. The Chairmen's Terror. July 18, 1792. Hand-colored etching. Prints
RM2GGXCMR–Beauties 1792 Artist: Thomas Rowlandson (1756-1827) an English artist and caricaturist of the Georgian Era. A social observer, he was a prolific artist and print maker. Credit: Levenson Collection/Alamy
RM2R0CH0T–Recto. Pier At Amsterdam, 1792. Thomas Rowlandson. Recto: Pier at Amsterdam.. On verso: Sketch of Dutch fisherfolk and inscribed by the artist, 'Drawn at Amsterdam 1792'
RM2HGW8RY–The Pavior's Joy 1792 Thomas Rowlandson. The Pavior's Joy. Thomas Rowlandson (British, London 1757–1827 London). 1792. Hand-colored etching and aquatint. Prints
RFRAWD2J–Thomas Rowlandson (British, 1756 - 1827), Beauties, published 1792, hand-colored etching. Reimagined
RM2DCGEG1–Thomas Rowlandson, (artist), British, 1756 - 1827, Beauties, published 1792, hand-colored etching
RM2R0CDNA–Verso. Sketch of Dutch fisherfolk, Amsterdam, 1792. Thomas Rowlandson. On verso: Sketch of Dutch fisherfolk and inscribed by the artist, 'Drawn at Amsterdam 1792'. Recto: Pier at Amsterdam.
RM2HGW8N9–Dutch Academy March 1792 Thomas Rowlandson. Dutch Academy. Thomas Rowlandson (British, London 1757–1827 London). March 1792. Etching. S. W. Fores (London). Prints
![Tom Jones Rescues Mrs Waters from the Violence of Northerton, from "The History of Tom Jones, a Foundling", 1792. Stock Photo](https://c8.alamy.com/comp/2BH3DHJ/tom-jones-rescues-mrs-waters-from-the-violence-of-northerton-from-quotthe-history-of-tom-jones-a-foundlingquot-1792-2BH3DHJ.jpg "Tom Jones Rescues Mrs Waters from the Violence of Northerton, from "The History of Tom Jones, a Foundling", 1792. Stock Photo")
RM2BH3DHJ–Tom Jones Rescues Mrs Waters from the Violence of Northerton, from "The History of Tom Jones, a Foundling", 1792.
RMPARYGR–Art of Scaling. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 7/16 × 11 5/8 in. (24 × 29.6 cm). Date: 1792. Museum: Metropolitan Museum of Art, New York, USA.
RM2GJ27J2–At Dinner 1792 Artist: Thomas Rowlandson (1756-1827) an English artist and caricaturist of the Georgian Era. A social observer, he was a prolific artist and print maker. Credit: Thomas Rowlandson/Alamy
RFRA836D–Thomas Rowlandson (British, 1756 - 1827), Beauties, published 1792, hand-colored etching. Reimagined
RM2HGW8R9–St James's and St Giles's 1792 Thomas Rowlandson. St James's and St Giles's. Thomas Rowlandson (British, London 1757–1827 London). 1792. Etching. S. W. Fores (London). Prints
RM2DCGBB0–Thomas Rowlandson, (artist), British, 1756 - 1827, La Table d'Hote, published 1792, hand-colored etching
![Tom Jones & the Landlord, Partridge & Susan, Mrs Waters & the Landlady, from "The History of Tom Jones, a Foundling", 1792. Stock Photo](https://c8.alamy.com/comp/2BH3DJ9/tom-jones-amp-the-landlord-partridge-amp-susan-mrs-waters-amp-the-landlady-from-quotthe-history-of-tom-jones-a-foundlingquot-1792-2BH3DJ9.jpg "Tom Jones & the Landlord, Partridge & Susan, Mrs Waters & the Landlady, from "The History of Tom Jones, a Foundling", 1792. Stock Photo")
RM2BH3DJ9–Tom Jones & the Landlord, Partridge & Susan, Mrs Waters & the Landlady, from "The History of Tom Jones, a Foundling", 1792.
RMKC9GR2–Seaport, 1792, Pen and Ink, sheet: 10 13/16 x 16 1/2 in. (27.5 x 41.9 cm), Drawings, Thomas Rowlandson (British, London 1757
RM2B0KRND–Thomas Rowlandson, The Bank, January 1792 (reissued), Hand-colored etching, Sheet: 5 13/16 × 8 7/16 in. (14.7 × 21.4 cm), Prints
RM2DJ3817–A Lying-In Visit, or a Short-Sighted Mistake, Thomas Rowlandson, 1756–1827, British, 1792, Etching, hand-colored, Sheet: 8 3/4 x 13in. (22.2 x 33cm
RMPB58CF–Seaport. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: sheet: 10 13/16 x 16 1/2 in. (27.5 x 41.9 cm). Date: 1792. Museum: Metropolitan Museum of Art, New York, USA.
RM2GJABXR–The Bank of England 1792 Artist: Thomas Rowlandson (1756-1827) an English artist and caricaturist of the Georgian Era. A social observer, he was a prolific artist and print maker. Credit: Thomas Rowlandson/Alamy
RF2B8XWAC–The Caricature Magazine, or Hudibrastic Mirror, Vol. I and II, 1819, George Cruikshank (English, 1792-1878), Thomas Rowlandson (English, 1756-1827), Henry William Bunbury (English, 1750-1811), Piercy Roberts (English, 19th century), Charles Williams (English, active 1797-1830), after George Woodward (English, c.1760-1809), published by Thomas Tegg (English, 1776-1845), England, Book with hand-colored etchings in black on cream wove paper, 275 × 420 × 32 mm, The Caricature Magazine, or Hudibrastic Mirror, Vol. III, 1821, George Cruikshank (English, 1792-1878), Thomas Rowlandson (English, 1756-1
RM2HGW8PM–St James's and St Giles's 1792 Thomas Rowlandson. St James's and St Giles's. Thomas Rowlandson (British, London 1757–1827 London). 1792. Etching. S. W. Fores (London). Prints
RM2DHWP2J–Set of sixteen: Outlines of Figures and Landscapes, Thomas Rowlandson, 1756–1827, British, 1790-1792, Etching, colored by hand, Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm
RMPANKW0–The Paviors Joy. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 9/16 × 11 7/16 in. (24.3 × 29.1 cm). Date: 1792. Museum: Metropolitan Museum of Art, New York, USA.
RM2GKWH5A–A Bawd on her last legs 1792 Artist: Thomas Rowlandson (1756-1827) an English artist and caricaturist of the Georgian Era. A social observer, he was a prolific artist and print maker. Credit: Thomas Rowlandson/Alamy
RFRA836C–Thomas Rowlandson (British, 1756 - 1827), A Bawd on Her Last Legs, 1792, hand-colored etching and aquatint reimagined
RM2HGW8XJ–Philosophy Run Mad or a Stupendous Monument of Human Wisdom May 29, 1792 Thomas Rowlandson. Philosophy Run Mad or a Stupendous Monument of Human Wisdom. May 29, 1792. Etching. Prints
RM2DHWNX9–Set of Sixteen: Outlines of Figure and Landscapes, Thomas Rowlandson, 1756–1827, British, 1790-1792, Etching, colored by hand, Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm
RMPAPBTM–An Essay on the Sublime & Beautiful. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 5/16 × 6 7/16 in. (23.7 × 16.3 cm). Date: April 10, 1792. Museum: Metropolitan Museum of Art, New York, USA.
RM2GKWH6E–A Bawd on her last legs 1792 Artist: Thomas Rowlandson (1756-1827) an English artist and caricaturist of the Georgian Era. A social observer, he was a prolific artist and print maker. Credit: Thomas Rowlandson/Alamy
RFRAWD2P–Thomas Rowlandson (British, 1756 - 1827), A Bawd on Her Last Legs, 1792, hand-colored etching and aquatint reimagined
RM2HGW8YF–A Bawd on her Last Legs 1792 Thomas Rowlandson. A Bawd on her Last Legs. Thomas Rowlandson (British, London 1757–1827 London). 1792. Etching. S. W. Fores (London). Prints
RM2DHWNXC–Set of sixteen: Outlines of Figures and Landscapes, Thomas Rowlandson, 1756–1827, British, 1790-1792, Etching, colored by hand, Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm
RMPAP0C9–Six Stages of Marring a Face. Artist and publisher: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 3/16 × 14 3/16 in. (25.8 × 36.1 cm). Date: May 29, 1792. Museum: Metropolitan Museum of Art, New York, USA.
RM2GGXCM4–Six stages of mending a face 1792 Lady Archer Artist: Thomas Rowlandson (1756-1827) an English artist and caricaturist of the Georgian Era. A social observer, he was a prolific artist and print maker. Credit: Levenson Collection/Alamy
RM2HGYW0T–Waiting for Dinner November 5, 1792 Thomas Rowlandson. Waiting for Dinner. Different Sensations, No. 2. Thomas Rowlandson (British, London 1757–1827 London). November 5, 1792. Hand-colored etching and aquatint. Prints
RM2DHWNX4–Set of sixteen: Outlines of Figures and Landscapes, Thomas Rowlandson, 1756–1827, British, 1790-1792, Etching, colored by hand, Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm
RMPA921F–Covent Garden Theatre. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: 8 7/8 x 17 1/2 in. (22.5 x 44.5 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: 1792. Museum: Metropolitan Museum of Art, New York, USA.
RM2RFX6Y1–Set of Sixteen: Outlines of Figure and Landscapes between 1790 and 1792 by Thomas Rowlandson
RM2HGW5R3–An Essay on the Sublime & Beautiful April 10, 1792 Thomas Rowlandson. An Essay on the Sublime & Beautiful. Thomas Rowlandson (British, London 1757–1827 London). April 10, 1792. Hand-colored etching. Prints
RM2M2W5DT–The fall of Dagon : Or rare news for Leadenhall Street , Falling, Pedestals, Politicians, John Bull Symbolic character, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792. Thomas Rowlandson (1756-1827). Prints and Drawings
RM2HGYW1Y–At Dinner November 5, 1792 Thomas Rowlandson. At Dinner. Different Sensations, No. 3. Thomas Rowlandson (British, London 1757–1827 London). November 5, 1792. Hand-colored etching and aquatint. S. W. Fores (London). Prints
RM2DHWNX3–Set of sixteen: Outlines of Figures and Landscapes, Thomas Rowlandson, 1756–1827, British, 1790-1792, Etching, colored by hand, Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm
RMPB4N89–Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer. Artist and publisher: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 3/16 in. × 16 in. (28.4 × 40.6 cm) Plate: 10 7/8 × 14 15/16 in. (27.7 × 38 cm). Date: May 29, 1792. Museum: Metropolitan Museum of Art, New York, USA.
RM2RFX6YG–Set of sixteen: Outlines of Figures and Landscapes between 1790 and 1792 by Thomas Rowlandson
RM2HGW8K7–A Bawd on her Last Legs October 1, 1792 Thomas Rowlandson. A Bawd on her Last Legs. Thomas Rowlandson (British, London 1757–1827 London). October 1, 1792. Hand-colored etching. S. W. Fores (London). Prints
RM2DHWNX6–Set of sixteen: Outlines of Figures and Landscapes, Thomas Rowlandson, 1756–1827, British, 1790-1792, Etching, colored by hand, Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm
RMPB0KC4–Secret Influence Directing The New P-l-t. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 1/2 × 13 3/8 in. (24.2 × 33.9 cm). Publisher: William Humphrey (British, 1742?-before 1814). Subject: George Prince of Wales (British, London 1762-1830 Windsor); Baron Edward Thurlow (British, Norfolk 1731-1806 Brighton); William Pitt (British, 1759-1806); John Stuart, 3rd Earl of Bute (British, born Scotland, Edinburgh 1713-1792 London). Date: May 18, 1784. Museum: Metropolitan Museum of Art, New York, USA.
RM2RFX6Y4–Set of sixteen: Outlines of Figures and Landscapes between 1790 and 1792 by Thomas Rowlandson
RM2HGW8HP–The Sentinel Mistakes Tom Jones for an Apparition, from 'The History of Tom Jones, a Foundling' 1792 Thomas Rowlandson. The Sentinel Mistakes Tom Jones for an Apparition, from 'The History of Tom Jones, a Foundling'. The History of Tom Jones, a Foundling. Thomas Rowlandson (British, London 1757–1827 London). 1792. Etching. Prints
RM2DHWNXB–Set of sixteen: Outlines of Figures and Landscapes, Thomas Rowlandson, 1756–1827, British, 1790-1792, Etching, colored by hand, Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm
RMPAYD2M–The Pitt Fall. Artist: Frederick George Byron (British, Mansfield 1764-1792 Bristol); Formerly attributed to Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 14 7/16 × 10 5/8 in. (36.6 × 27 cm). Publisher: Possibly William Holland (British, 1757-1815). Subject: Baron Edward Thurlow (British, Norfolk 1731-1806 Brighton); William Pitt (British, 1759-1806); Augustus Henry Fitzroy, 3rd Duke of Grafton; Charles II, King of England (London 1630-1685 London). Date: January 1789. Museum: Metropolitan Museum of Art, New York, USA.
RM2RFX6Y7–Set of sixteen: Outlines of Figures and Landscapes between 1790 and 1792 by Thomas Rowlandson
RM2HGW97D–Partridge cruelly accused and maltreated by his Wife, from 'The History of Tom Jones, a Foundling' 1792 Thomas Rowlandson. Partridge cruelly accused and maltreated by his Wife, from 'The History of Tom Jones, a Foundling'. The History of Tom Jones, a Foundling. Thomas Rowlandson (British, London 1757–1827 London). 1792. Etching. Prints
Search Results for 1792 thomas rowlandson Stock Photos and Images (241)
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