1770s fashion hi-res stock photography and images

French clothing and hair fashion 1770s. Hand-colored print Stock Photo

RMA4KKJP–French clothing and hair fashion 1770s. Hand-colored print

1770s JULY 8 1776 READING DECLARATION OF INDEPENDENCE BY JOHN NIXON STEPS OF INDEPENDENCE HALL PHILADELPHIA PA BY EDWIN ABBEY Stock Photo

RMCMRT0D–1770s JULY 8 1776 READING DECLARATION OF INDEPENDENCE BY JOHN NIXON STEPS OF INDEPENDENCE HALL PHILADELPHIA PA BY EDWIN ABBEY

Caricature of stately dance performed at a British village assembly. 1776. Stock Photo

RMBTK4D6–Caricature of stately dance performed at a British village assembly. 1776.

1770s JULY 8 1776 MEN GATHERED OUTSIDE PHILADELPHIA PENNSYLVANIA STATE HOUSE FOR ANNOUNCEMENT OF DECLARATION OF INDEPENDENCE Stock Photo

RMDC0RKE–1770s JULY 8 1776 MEN GATHERED OUTSIDE PHILADELPHIA PENNSYLVANIA STATE HOUSE FOR ANNOUNCEMENT OF DECLARATION OF INDEPENDENCE

A 1770s floral patterned silk brocade dress Stock Photo

RMPFFJPH–A 1770s floral patterned silk brocade dress

Art inspired by Robe à la Polonaise, 1780–85, American, silk, The polonaise gown first came into fashion in the 1770s. It was a style of gown with a close-fitting bodice and the back of the skirt gathered up into three separate puffed sections to reveal the petticoat below, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW5DP–Art inspired by Robe à la Polonaise, 1780–85, American, silk, The polonaise gown first came into fashion in the 1770s. It was a style of gown with a close-fitting bodice and the back of the skirt gathered up into three separate puffed sections to reveal the petticoat below, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

1770s PORTRAIT OF LAFAYETTE FRENCH MARQUIS SERVED AS GENERAL IN AMERICAN REVOLUTIONARY WAR Stock Photo

RMG6CH6B–1770s PORTRAIT OF LAFAYETTE FRENCH MARQUIS SERVED AS GENERAL IN AMERICAN REVOLUTIONARY WAR

RM2BDYJ8F–Wigmaker, 1771

1770s BATTLE GROUND AT STILLWATER 1777 SARATOGA NEW YORK Stock Photo

RMG6CH03–1770s BATTLE GROUND AT STILLWATER 1777 SARATOGA NEW YORK

Robe à la Polonaise, 1780–85, American, silk, The polonaise gown first came into fashion in the 1770s. It was a style of gown Stock Photo

RMKCD5HP–Robe à la Polonaise, 1780–85, American, silk, The polonaise gown first came into fashion in the 1770s. It was a style of gown

1770s ENGRAVING OF GEORGE WASHINGTON SPEAKING IN FRONT OF TROOPS AT VALLEY FORGE WINTER OF 1777 TO 1778 Stock Photo

RMG6A5YX–1770s ENGRAVING OF GEORGE WASHINGTON SPEAKING IN FRONT OF TROOPS AT VALLEY FORGE WINTER OF 1777 TO 1778

A womans dress with silk brocade, (richly decorative shuttle-woven fabric) from the 1770s on display in the UK. Stock Photo

RM2JG51T3–A womans dress with silk brocade, (richly decorative shuttle-woven fabric) from the 1770s on display in the UK.

1770s CAPTAIN JAMES COOK ENGLISH EXPLORER CARTOGRAPHER CAPTAIN AND NAVIGATOR IN THE BRITISH ROYAL NAVY KILLED IN 1779 IN HAWAII - q58025 CPC001 HARS OLD FASHIONED Stock Photo

RM2KF2FRJ–1770s CAPTAIN JAMES COOK ENGLISH EXPLORER CARTOGRAPHER CAPTAIN AND NAVIGATOR IN THE BRITISH ROYAL NAVY KILLED IN 1779 IN HAWAII - q58025 CPC001 HARS OLD FASHIONED

Robe à la Polonaise. Culture: French. Date: 1774-93. The term robe à la polonaise is often applied to any late-eighteenth-century dress with back drapery, but it should be reserved for a dress with a fitted anglaise back and a skirt that can be drawn up on interior tapes into swags. These light, informal dresses enjoyed great popularity for daywear in the late 1770s and 1780s. 'Polish' fashion had appeared earlier in honor of Queen Maria Leczinska, who was a Polish princess before she married Louis XV. The 'Polish' styles consisted mainly of gowns trimmed with fur or a brocaded fur pattern. C Stock Photo

RMPA82HR–Robe à la Polonaise. Culture: French. Date: 1774-93. The term robe à la polonaise is often applied to any late-eighteenth-century dress with back drapery, but it should be reserved for a dress with a fitted anglaise back and a skirt that can be drawn up on interior tapes into swags. These light, informal dresses enjoyed great popularity for daywear in the late 1770s and 1780s. 'Polish' fashion had appeared earlier in honor of Queen Maria Leczinska, who was a Polish princess before she married Louis XV. The 'Polish' styles consisted mainly of gowns trimmed with fur or a brocaded fur pattern. C

1770s MARIE THERESE LOUISE DE SAVOIE MADAME LAMBALLE FRIEND OF MARIE ANTOINETTE AFTER A PAINTING BY LOUIS-EDOUARD RIOULT - ka9424 HAR001 HARS FASHIONS MADAME PINK ROSES YOUNG ADULT WOMAN 18TH CENTURY ANTOINETTE CAUCASIAN ETHNICITY HAR001 MARIE OLD FASHIONED POWDERED SILLY HAT Stock Photo

RM2KF28YN–1770s MARIE THERESE LOUISE DE SAVOIE MADAME LAMBALLE FRIEND OF MARIE ANTOINETTE AFTER A PAINTING BY LOUIS-EDOUARD RIOULT - ka9424 HAR001 HARS FASHIONS MADAME PINK ROSES YOUNG ADULT WOMAN 18TH CENTURY ANTOINETTE CAUCASIAN ETHNICITY HAR001 MARIE OLD FASHIONED POWDERED SILLY HAT

German Costumes, 1775, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880 Stock Photo

RM2J2BXTP–German Costumes, 1775, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880

Ladies Magazine 1771 print issued in colour A Lady with the Emblems of Spring in the Dress of 1771 Stock Photo

RMB5MC28–Ladies Magazine 1771 print issued in colour A Lady with the Emblems of Spring in the Dress of 1771

'A Hint to the Ladies to take Care of their Heads', 1770s. Artist: Unknown Stock Photo

RMBHYP0F–'A Hint to the Ladies to take Care of their Heads', 1770s. Artist: Unknown

1700s 1770s A MORGAN'S RIFLEMAN WEARING FRINGED HUNTING SHIRT UNIFORM HOLDING RIFLE Stock Photo

RMDC0TAG–1700s 1770s A MORGAN'S RIFLEMAN WEARING FRINGED HUNTING SHIRT UNIFORM HOLDING RIFLE

Lightning-rod hats, a Paris fashion inspired by Ben Franklin, 1778. Hand-colored woodcut Stock Photo

RMDC39WA–Lightning-rod hats, a Paris fashion inspired by Ben Franklin, 1778. Hand-colored woodcut

1700s 1770s JULY 4, 1776 SIGNING OF THE DECLARATION OF INDEPENDENCE PHILADELPHIA BY THE CONTINENTAL CONGRESS Stock Photo

RMDC0RK2–1700s 1770s JULY 4, 1776 SIGNING OF THE DECLARATION OF INDEPENDENCE PHILADELPHIA BY THE CONTINENTAL CONGRESS

Philip Dawe. The New Fashion Phaeton. 1776. England. Mezzotint with touches of engraving in black on off-white laid paper Devoting less effort to the fabric textures and pearly luster of high-society mezzotint portraits, publishers also mocked sartorial excesses, especially those with foreign sources. In 1770s London, the epithet macaroni was directed at dandyish men and overdressed women who adopted an outrageous, European style and acted in an affected manners that their genders were said to become indistinguishable. Such costumes evidently even made leaving home difficult. This print’s subt Stock Photo

RM2AHP8D0–Philip Dawe. The New Fashion Phaeton. 1776. England. Mezzotint with touches of engraving in black on off-white laid paper Devoting less effort to the fabric textures and pearly luster of high-society mezzotint portraits, publishers also mocked sartorial excesses, especially those with foreign sources. In 1770s London, the epithet macaroni was directed at dandyish men and overdressed women who adopted an outrageous, European style and acted in an affected manners that their genders were said to become indistinguishable. Such costumes evidently even made leaving home difficult. This print’s subt

1700s 1770s 1781 MAP OF HAMPTON ROADS SHOWING PLACEMENTS DURING THE SEIGE OF YORKTOWN AMERICAN WAR OF INDEPENDENCE Stock Photo

RMDBXF62–1700s 1770s 1781 MAP OF HAMPTON ROADS SHOWING PLACEMENTS DURING THE SEIGE OF YORKTOWN AMERICAN WAR OF INDEPENDENCE

RMD86E0Y–Fashions of 1773

1700s 1770s GENERAL DANIEL MORGAN LEADER OF MOUNTAINEER RIFLEMEN DURING AMERICAN REVOLUTIONARY WAR AND ALSO WHISKEY REBELLION Stock Photo

RMDC0TB0–1700s 1770s GENERAL DANIEL MORGAN LEADER OF MOUNTAINEER RIFLEMEN DURING AMERICAN REVOLUTIONARY WAR AND ALSO WHISKEY REBELLION

A satire on dandyish fashions of 1773. A Macaroni gentleman wearing a ridiculously long wig in which the hair is tied in a bundle down his back, tips his hat to two ladies with equally exaggerated tall wigs, one of whom wears an entire bunch of flowers in her bosom. Stock Photo

RM2RGDJE4–A satire on dandyish fashions of 1773. A Macaroni gentleman wearing a ridiculously long wig in which the hair is tied in a bundle down his back, tips his hat to two ladies with equally exaggerated tall wigs, one of whom wears an entire bunch of flowers in her bosom.

Elaborate Hairstyles, Wigs, 1773 Stock Photo

RM2BDYJCT–Elaborate Hairstyles, Wigs, 1773

1700s 1770s 1776 THOMAS JEFFERSON PORTRAIT THIRD PRESIDENT UNITED STATES OF AMERICA AUTHOR OF DECLARATION OF INDEPENDENCE Stock Photo

RMDC0TFY–1700s 1770s 1776 THOMAS JEFFERSON PORTRAIT THIRD PRESIDENT UNITED STATES OF AMERICA AUTHOR OF DECLARATION OF INDEPENDENCE

Breeches ca. 1795 British Leather breeches were popular with sports-minded English gentlemen for hunting and riding. They were usually made in tan or yellow leather with trouser legs long enough to meet the tops of the boots. Gentlemen bought their breeches from special breeches-makers, who, because of the nature of the material they worked in, organized a separate business. The fashion for English leather breeches spread to the Continent during the anglomania of the 1770s and 1780s. European dandies appreciated the tight fit of these breeches while finding them supple enough to wear while rid Stock Photo

RM2HHA3TN–Breeches ca. 1795 British Leather breeches were popular with sports-minded English gentlemen for hunting and riding. They were usually made in tan or yellow leather with trouser legs long enough to meet the tops of the boots. Gentlemen bought their breeches from special breeches-makers, who, because of the nature of the material they worked in, organized a separate business. The fashion for English leather breeches spread to the Continent during the anglomania of the 1770s and 1780s. European dandies appreciated the tight fit of these breeches while finding them supple enough to wear while rid

1770s 1776 PORTRAIT OF GENERAL CASIMIR PULASKI POLISH MILITARY CAVALRY COMMANDER IN AMERICAN CONTINENTAL ARMY Stock Photo

RMCMRJ58–1770s 1776 PORTRAIT OF GENERAL CASIMIR PULASKI POLISH MILITARY CAVALRY COMMANDER IN AMERICAN CONTINENTAL ARMY

Corset 1770s Italian By the 1770s, steel was being used in stays, which increased their strength, though not their flexibility. With the tight lacing made possible by stronger stays, doctors and others voiced health concerns, such as this comment from a 1775 correspondence: 'I hope Miss Sparrow will not fall into the absurd fashion of ye wasp-waisted ladies. Dr. Pringle declares he has had four of his patients martyrs to that folly (indeed wickedness), and when they were opened it was evident that their deaths were occasioned by strait laceing [sic].' Although admonitions on the dangers of str Stock Photo

RM2HH4WXJ–Corset 1770s Italian By the 1770s, steel was being used in stays, which increased their strength, though not their flexibility. With the tight lacing made possible by stronger stays, doctors and others voiced health concerns, such as this comment from a 1775 correspondence: 'I hope Miss Sparrow will not fall into the absurd fashion of ye wasp-waisted ladies. Dr. Pringle declares he has had four of his patients martyrs to that folly (indeed wickedness), and when they were opened it was evident that their deaths were occasioned by strait laceing [sic].' Although admonitions on the dangers of str

1770s 1776 MAJOR GENERAL ISRAEL PUTNAM OF CONNECTICUT FOUGHT AT BATTLE OF BUNKER HILL & LONG ISLAND NY IN AMERICAN REVOLUTION Stock Photo

RMDC0TFP–1770s 1776 MAJOR GENERAL ISRAEL PUTNAM OF CONNECTICUT FOUGHT AT BATTLE OF BUNKER HILL & LONG ISLAND NY IN AMERICAN REVOLUTION

'Woman in Blue'. Great Britain, Late 1770s - early 1780s. Dimensions: 76,5x63,5 cm. Museum: State Hermitage, St. Petersburg. Author: THOMAS GAINSBOROUGH. Stock Photo

RMT09P7P–'Woman in Blue'. Great Britain, Late 1770s - early 1780s. Dimensions: 76,5x63,5 cm. Museum: State Hermitage, St. Petersburg. Author: THOMAS GAINSBOROUGH.

1700s 1770s 1778 GERTRUDE OF WYOMING HEROINE OF POEM ABOUT MASSACRE AMERICAN REVOLUTIONARY SETTLERS BY BRITISH LOYALISTS INDIANS Stock Photo

RMDC0W3N–1700s 1770s 1778 GERTRUDE OF WYOMING HEROINE OF POEM ABOUT MASSACRE AMERICAN REVOLUTIONARY SETTLERS BY BRITISH LOYALISTS INDIANS

Robe à l'Anglaise ca. 1770 British This robe à l’anglaise is a superb expression of the English taste in dress—skillful cut and construction, and free from elaborate trimmings—a sensibility that increasingly influenced European modes of dress in the late eighteenth century. The refined simplicity and neat tailoring associated with English dress grew increasingly influential in France during the latter half of the eighteenth century. By the 1770s, French fashion magazines regularly featured the robe à l’anglaise, praising its elegance and modest charm. This example is impeccably made and discre Stock Photo

RM2HHEFA1–Robe à l'Anglaise ca. 1770 British This robe à l’anglaise is a superb expression of the English taste in dress—skillful cut and construction, and free from elaborate trimmings—a sensibility that increasingly influenced European modes of dress in the late eighteenth century. The refined simplicity and neat tailoring associated with English dress grew increasingly influential in France during the latter half of the eighteenth century. By the 1770s, French fashion magazines regularly featured the robe à l’anglaise, praising its elegance and modest charm. This example is impeccably made and discre

1770s ILLUSTRATION DEPICTING FULL LENGTH FIGURE OF SOLDIER FROM CONTINENTAL ARMY OF AMERICAN REVOLUTION - q59398 CPC001 HARS PERSONS TRICORN HAT Stock Photo

RMM66P84–1770s ILLUSTRATION DEPICTING FULL LENGTH FIGURE OF SOLDIER FROM CONTINENTAL ARMY OF AMERICAN REVOLUTION - q59398 CPC001 HARS PERSONS TRICORN HAT

Lady at a Toilette with a black boy, 1770s. Artist: Anonymous Stock Photo

RMDE0JNY–Lady at a Toilette with a black boy, 1770s. Artist: Anonymous

Marie Antoinette, wife of King Louis XVI of France, in elaborate hairstyle crowned with ribbons and pearls, 1770s. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895. Stock Photo

RMHH1AC4–Marie Antoinette, wife of King Louis XVI of France, in elaborate hairstyle crowned with ribbons and pearls, 1770s. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895.

RM2RAA9RB–A satire on dandyish fashions of 1773. A Macaroni gentleman wearing a ridiculously long wig in which the hair is tied in a bundle down his back, tips his hat to two ladies with equally exaggerated tall wigs, one of whom wears an entire bunch of flowers in her bosom. Date: 1773

RMCWAK33–Caricature of stately dance performed at a British village assembly. 1776.

Two Ladies in the newest Dress, from drawings taken at Ranelagh Gardens, London, May 1775. Stock Photo

RM2M988M4–Two Ladies in the newest Dress, from drawings taken at Ranelagh Gardens, London, May 1775.

Jean-Honoré Fragonard, The Love Letter, painting, 1770-1775 Stock Photo

RMWWWM3N–Jean-Honoré Fragonard, The Love Letter, painting, 1770-1775

Oil painting portrait of Louis XVI, King of France, dressed in his grand royal attire. Stock Photo

RF2A13JAN–Oil painting portrait of Louis XVI, King of France, dressed in his grand royal attire.

Thomas Gainsborough, Lady in Blue (Woman in Blue), portrait painting, 1775-1785 Stock Photo

RM2ARR4M7–Thomas Gainsborough, Lady in Blue (Woman in Blue), portrait painting, 1775-1785

American Revolutionary War painting of The Capture of the Hessians at Trenton, December 26, 1776. Stock Photo

RF2A13JFF–American Revolutionary War painting of The Capture of the Hessians at Trenton, December 26, 1776.

The head and shoulders of two fashionable women who wear extremely high wigs; to the right a gentleman greets them by taking his hat off. Stock Photo

RF2GGP7Y7–The head and shoulders of two fashionable women who wear extremely high wigs; to the right a gentleman greets them by taking his hat off.

Austrian General and Officer, 1760-1775, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880 Stock Photo

RM2JCHX19–Austrian General and Officer, 1760-1775, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880

Archduchess Maria Antoinette of France. Marble bust by French sculptor Jean-Baptiste Lemoyne (1771) on display in the Kunsthistorisches Museum, Vienna, Austria. Stock Photo

RMMMJ1JE–Archduchess Maria Antoinette of France. Marble bust by French sculptor Jean-Baptiste Lemoyne (1771) on display in the Kunsthistorisches Museum, Vienna, Austria.

game, board game, chess, The Game of Chess, wood engraving, later 19th century, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photo

RM2FNM85D–game, board game, chess, The Game of Chess, wood engraving, later 19th century, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE

A romantic (if not historically correct) 1936 illustration showing Horatio Nelson (1758-1805) as a boy of 12 saying goodbye to his mother before joining the Navy in 1770.His mother, Catherine Suckling (1725 – 1767) actually died on 26 December 1767, when he was nine years old Stock Photo

RMW43M3M–A romantic (if not historically correct) 1936 illustration showing Horatio Nelson (1758-1805) as a boy of 12 saying goodbye to his mother before joining the Navy in 1770.His mother, Catherine Suckling (1725 – 1767) actually died on 26 December 1767, when he was nine years old

Two couples dancing a Scottish reel. The ladies wear the monstrous feathered coiffures then fashionable. Ca. 1775. Stock Photo

RMBTK4D0–Two couples dancing a Scottish reel. The ladies wear the monstrous feathered coiffures then fashionable. Ca. 1775.

'Portrait of a Youth'. Russia, 1760s-1770s. Dimensions: 94,5x73 cm. Museum: State Hermitage, St. Petersburg. Author: Mina Kolokolnikov. Stock Photo

RMT07YYW–'Portrait of a Youth'. Russia, 1760s-1770s. Dimensions: 94,5x73 cm. Museum: State Hermitage, St. Petersburg. Author: Mina Kolokolnikov.

Dress for Excess Regency fashion exhibition opens at Brighton's Royal Pavilion-Curator Martin Pel (l) designer Gresham Blake (r) Stock Photo

RMBYT59K–Dress for Excess Regency fashion exhibition opens at Brighton's Royal Pavilion-Curator Martin Pel (l) designer Gresham Blake (r)

Robe à la Polonaise 1780–85 American The polonaise gown first came into fashion in the 1770s. It was a style of gown with a close-fitting bodice and the back of the skirt gathered up into three separate puffed sections to reveal the petticoat below. The method of suspending the fabric varied. Most often the dress had rows of little rings sewn inside the skirt through which a cord ran from hem to waist. Alternatively, ribbon ties would be used, with the ribbons forming decorative bows. However, in some instances the skirt was held in place by simple cords sewn to the inner waist of the dress an Stock Photo

RM2HJ4G0G–Robe à la Polonaise 1780–85 American The polonaise gown first came into fashion in the 1770s. It was a style of gown with a close-fitting bodice and the back of the skirt gathered up into three separate puffed sections to reveal the petticoat below. The method of suspending the fabric varied. Most often the dress had rows of little rings sewn inside the skirt through which a cord ran from hem to waist. Alternatively, ribbon ties would be used, with the ribbons forming decorative bows. However, in some instances the skirt was held in place by simple cords sewn to the inner waist of the dress an

FULL LENGTH PORTRAIT JOSEPH BRANT MOHAWK INDIAN THAYENDANEGEA SIDED WITH THE BRITISH DURING AMERICAN REVOLUTION 1770s - ki4304 CPC001 HARS THAYENDANEGEA TOMAHAWK Stock Photo

RMM66MHK–FULL LENGTH PORTRAIT JOSEPH BRANT MOHAWK INDIAN THAYENDANEGEA SIDED WITH THE BRITISH DURING AMERICAN REVOLUTION 1770s - ki4304 CPC001 HARS THAYENDANEGEA TOMAHAWK

Shoe (Single), England, 1770s. Stock Photo

RM2HFFC5H–Shoe (Single), England, 1770s.

Woman in hairstyle with ringlets and plumes tied with a love band, 1770s. Coiffure au Bandon d'amour. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895. Stock Photo

RMHH1AC5–Woman in hairstyle with ringlets and plumes tied with a love band, 1770s. Coiffure au Bandon d'amour. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895.

RMCWAK2W–Two couples dancing a Scottish reel. The ladies wear the monstrous feathered coiffures then fashionable. Ca. 1775.

Thomas Gainsborough, The Honourable Mrs Graham (1757 - 1792), portrait painting, 1775 Stock Photo

RM2ARR4EK–Thomas Gainsborough, The Honourable Mrs Graham (1757 - 1792), portrait painting, 1775

RF2GGP7X3–The head and shoulders of two fashionable women who wear extremely high wigs; to the right a gentleman greets them by taking his hat off.

Jean Baptiste Siméon Chardin, The Embroiderer, painting, before 1771 Stock Photo

RM2H4HX9G–Jean Baptiste Siméon Chardin, The Embroiderer, painting, before 1771

Austrian Hussar, Infantryman, 1760-1775, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880 Stock Photo

RM2JCHX18–Austrian Hussar, Infantryman, 1760-1775, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880

Portrait of Catherine II of Russia (1729-1796), Aleksey Antropov, 18th Century Stock Photo

RMT1T6EC–Portrait of Catherine II of Russia (1729-1796), Aleksey Antropov, 18th Century

RMMMJ1T6–Archduchess Maria Antoinette of France. Marble bust by French sculptor Jean-Baptiste Lemoyne (1771) on display in the Kunsthistorisches Museum, Vienna, Austria.

Catherine the Great (1729-1796), portrait painting, 18th Century Stock Photo

RMRT38YX–Catherine the Great (1729-1796), portrait painting, 18th Century

RMP9G7K2–Marie Antoinette, wife of King Louis XVI of France, in elaborate hairstyle crowned with ribbons and pearls, 1770s. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895.

Jean Honoré Fragonard, Portrait of a Young Woman, painting, 1770-1779 Stock Photo

RM2H0KM5H–Jean Honoré Fragonard, Portrait of a Young Woman, painting, 1770-1779

Dress ca. 1778 French This separate bodice and ankle-length skirt stand out from within the first waves of radical change in fashion in the late 1770s, for the horizontal separation of parts and the exposure of the feet. Such practical thinking--with primary reference to peasant traditions, not to elite clothing--was still combined with panniers and a conical silhouette of past practice. But, most significantly, a dialogue has begun: clothing can be changed by real needs, even the desire of women to be active, to walk more in nature (as advocated by Rousseau) and stand less on ceremony. In the Stock Photo

RM2HJ1H52–Dress ca. 1778 French This separate bodice and ankle-length skirt stand out from within the first waves of radical change in fashion in the late 1770s, for the horizontal separation of parts and the exposure of the feet. Such practical thinking--with primary reference to peasant traditions, not to elite clothing--was still combined with panniers and a conical silhouette of past practice. But, most significantly, a dialogue has begun: clothing can be changed by real needs, even the desire of women to be active, to walk more in nature (as advocated by Rousseau) and stand less on ceremony. In the

1770s JUNE 17 1775 AMERICAN REVOLUTION BRITISH ATTACK ON BUNKER HILL & BURNING CHARLESTOWN BOSTON MA USA - q73019 CPC001 HARS BUNKER HILL CHARLESTOWN JUNE 17 MA OLD FASHIONED Stock Photo

RMM66PC6–1770s JUNE 17 1775 AMERICAN REVOLUTION BRITISH ATTACK ON BUNKER HILL & BURNING CHARLESTOWN BOSTON MA USA - q73019 CPC001 HARS BUNKER HILL CHARLESTOWN JUNE 17 MA OLD FASHIONED

Pair of Shoes, France, c.1770s. Stock Photo

RM2HFFCBJ–Pair of Shoes, France, c.1770s.

1770s 1780s PORTRAIT OF GREAT AUSTRIAN COMPOSER WOLFGANG AMADEUS MOZART LOOKING AT CAMERA - q53149 CPC001 HARS HOLY ROMAN EMPIRE MID-ADULT MID-ADULT MAN MOZART REQUIEM SALZBURG VIENNA WOLFGANG AMADEUS MOZART 1780s BLACK AND WHITE CAUCASIAN ETHNICITY OLD FASHIONED Stock Photo

RM2GKHG1W–1770s 1780s PORTRAIT OF GREAT AUSTRIAN COMPOSER WOLFGANG AMADEUS MOZART LOOKING AT CAMERA - q53149 CPC001 HARS HOLY ROMAN EMPIRE MID-ADULT MID-ADULT MAN MOZART REQUIEM SALZBURG VIENNA WOLFGANG AMADEUS MOZART 1780s BLACK AND WHITE CAUCASIAN ETHNICITY OLD FASHIONED

Woman in the Asiatic hairstyle, 1770s. Her hair is combed up over a large support pouf and decorated with flowers, pearls, fabric and feathers. Pouf a l'Asiatique. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895. Stock Photo

RMHH1AD0–Woman in the Asiatic hairstyle, 1770s. Her hair is combed up over a large support pouf and decorated with flowers, pearls, fabric and feathers. Pouf a l'Asiatique. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895.

1700s 1770s 1776 WILLIAM PACA SIGNER OF DECLARATION OF INDEPENDENCE MEMBER OF CONTINENTAL CONGRESS FROM MARYLAND Stock Photo

RMDC0RT2–1700s 1770s 1776 WILLIAM PACA SIGNER OF DECLARATION OF INDEPENDENCE MEMBER OF CONTINENTAL CONGRESS FROM MARYLAND

Jacques-Louis David, Mademoiselle Guimard as Terpsichore, portrait painting, 1773-1775 Stock Photo

RM2E1J1AW–Jacques-Louis David, Mademoiselle Guimard as Terpsichore, portrait painting, 1773-1775

1770s 1778 BENJAMIN FRANKLIN PORTRAIT PAINTING BY JOSEPH SIFFRED DUPLESSIS Stock Photo

RMCMR9PB–1770s 1778 BENJAMIN FRANKLIN PORTRAIT PAINTING BY JOSEPH SIFFRED DUPLESSIS

Thomas Gainsborough, Mrs Robinson (Elizabeth Fortescue), (1745-1780), portrait painting, circa 1770 Stock Photo

RM2ARR4HR–Thomas Gainsborough, Mrs Robinson (Elizabeth Fortescue), (1745-1780), portrait painting, circa 1770

1700s 1770s ENGRAVING OF CARPENTERS HALL PHILADELPHIA PENNSYLVANIA IN 1790 Stock Photo

RMF14F8Y–1700s 1770s ENGRAVING OF CARPENTERS HALL PHILADELPHIA PENNSYLVANIA IN 1790

Thomas Gainsborough, Master John Heathcote, portrait, circa 1771 Stock Photo

RMT2W7T5–Thomas Gainsborough, Master John Heathcote, portrait, circa 1771

RF2GGP7Y3–The head and shoulders of two fashionable women who wear extremely high wigs; to the right a gentleman greets them by taking his hat off.

1980s 1770s COLONIAL AMERICA KITCHEN INTERIOR WITH NARROW 9 OVER 9 PANE GLASS WINDOW - ki2433 KNG001 HARS WARM LIGHT 1700s OLD FASHIONED Stock Photo

RM2E2MT4N–1980s 1770s COLONIAL AMERICA KITCHEN INTERIOR WITH NARROW 9 OVER 9 PANE GLASS WINDOW - ki2433 KNG001 HARS WARM LIGHT 1700s OLD FASHIONED

Man Using Sextant on Woman's Coiffure, 1771 Stock Photo

RMT808GH–Man Using Sextant on Woman's Coiffure, 1771

1700s 1770s DEATH GENERAL MERCER BATTLE PRINCETON NJ JANUARY 12 1777 AMERICA REVOLUTIONARY WAR PAINTING BY JOHN TRUMBULL - ka3749 HAR001 HARS 1777 COLONIES WEAPONS 1700s HAR001 OLD FASHIONED Stock Photo

RM2F7889A–1700s 1770s DEATH GENERAL MERCER BATTLE PRINCETON NJ JANUARY 12 1777 AMERICA REVOLUTIONARY WAR PAINTING BY JOHN TRUMBULL - ka3749 HAR001 HARS 1777 COLONIES WEAPONS 1700s HAR001 OLD FASHIONED

Elaborate Hairstyle, Wig, 1778 Stock Photo

RMHRP5PM–Elaborate Hairstyle, Wig, 1778

1700s 1770s DEATH OF GENERAL MONTGOMERY IN ATTACK ON QUEBEC DECEMBER 31 1775 AMERICA REVOLUTIONARY WAR PAINTING BY JOHN TRUMBULL - ka3751 HAR001 HARS 1700s 1775 HAR001 OLD FASHIONED SEPTEMBER Stock Photo

RM2F788AD–1700s 1770s DEATH OF GENERAL MONTGOMERY IN ATTACK ON QUEBEC DECEMBER 31 1775 AMERICA REVOLUTIONARY WAR PAINTING BY JOHN TRUMBULL - ka3751 HAR001 HARS 1700s 1775 HAR001 OLD FASHIONED SEPTEMBER

RMP9FPGD–Woman in hairstyle with ringlets and plumes tied with a love band, 1770s. Coiffure au Bandon d'amour. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895.

1770s ILLUSTRATION INDIAN MASSACRE AT WYOMING VALLEY IN PENNSYLVANIA JULY 3 1778 IROQUOIS INDIANS AND SETTLERS REVOLUTIONARY WAR Stock Photo

RMH3PMY3–1770s ILLUSTRATION INDIAN MASSACRE AT WYOMING VALLEY IN PENNSYLVANIA JULY 3 1778 IROQUOIS INDIANS AND SETTLERS REVOLUTIONARY WAR

Well-a-day, Is this my Son Tom ca. 1773 Probably after Samuel Hieronymus Grimm Swiss The extremes of 'macaroni' male fashion are mocked in this image which shows a fashionably dressed young man encountering his father during a visit home to the country. The older man, wearing the loose old-fashioned suit of a prosperous farmer, greets Tom with consternation. After living in London, the youth has adopted the dress favored by British dandies of the 1770s: tight breeches tied at the knee with ribbands, two watches seals falling below his waistcoat, a long tasseled walking stick and an enormous to Stock Photo

RM2HHB9BE–Well-a-day, Is this my Son Tom ca. 1773 Probably after Samuel Hieronymus Grimm Swiss The extremes of 'macaroni' male fashion are mocked in this image which shows a fashionably dressed young man encountering his father during a visit home to the country. The older man, wearing the loose old-fashioned suit of a prosperous farmer, greets Tom with consternation. After living in London, the youth has adopted the dress favored by British dandies of the 1770s: tight breeches tied at the knee with ribbands, two watches seals falling below his waistcoat, a long tasseled walking stick and an enormous to

1770s 1700s 1800s COLONIAL AND FRONTIER AMERICA ZIGZAG WOODEN SPLIT RAIL FENCE - kf25777 PHT001 HARS OLD FASHIONED Stock Photo

RMW5YRPA–1770s 1700s 1800s COLONIAL AND FRONTIER AMERICA ZIGZAG WOODEN SPLIT RAIL FENCE - kf25777 PHT001 HARS OLD FASHIONED

The Love Letter, early 1770s. Stock Photo

RM2AG0CB9–The Love Letter, early 1770s.

1700s 1770s PAINTING OF GEORGE WASHINGTON WINTER AT VALLEY FORGE WITH SOLDIERS AROUND HIM AMERICAN REVOLUTION Stock Photo

RMBRA1NR–1700s 1770s PAINTING OF GEORGE WASHINGTON WINTER AT VALLEY FORGE WITH SOLDIERS AROUND HIM AMERICAN REVOLUTION

Princess Polyxena of Hesse-Rotenburg (1706-1735), Queen Consort of Sardinia, portrait painting by Giovanni Panealbo, 1775-1799 Stock Photo

RM2CKGWH7–Princess Polyxena of Hesse-Rotenburg (1706-1735), Queen Consort of Sardinia, portrait painting by Giovanni Panealbo, 1775-1799

1770s APRIL 19, 1775 ILLUSTRATION MIDNIGHT RIDE OF PAUL REVERE Stock Photo

RMD11H6C–1770s APRIL 19, 1775 ILLUSTRATION MIDNIGHT RIDE OF PAUL REVERE

Sir Joshua Reynolds, Sarah Campbell, portrait painting, c. 1777 Stock Photo

RMT8H4M7–Sir Joshua Reynolds, Sarah Campbell, portrait painting, c. 1777

1770s ENGRAVING AMERICAN REVOLUTION MINUTEMAN MAN PREPARING TO GO TO WAR WITH AID OF HIS FAMILY Stock Photo

RMBRA99P–1770s ENGRAVING AMERICAN REVOLUTION MINUTEMAN MAN PREPARING TO GO TO WAR WITH AID OF HIS FAMILY

RMMMJ2NP–Archduchess Maria Antoinette of France. Marble bust by French sculptor Jean-Baptiste Lemoyne (1771) on display in the Kunsthistorisches Museum, Vienna, Austria.

1700s 1770s AMERICAN FLAG WITH 13 STARS REPRESENTING THE COLONIES COLONIAL 1776 REVOLUTION Stock Photo

RMD1182N–1700s 1770s AMERICAN FLAG WITH 13 STARS REPRESENTING THE COLONIES COLONIAL 1776 REVOLUTION

Susanna van Collen née Mogge and her Daughter, by Hermanus Numan, 1776, Dutch painting, oil on canvas. On back wall a portrait of her dead husband is half covered by a black cloth. She wears a high powered wig and is weaving bobbin lace (BSLOC 2016 2 81) Stock Photo

RMGMFY4J–Susanna van Collen née Mogge and her Daughter, by Hermanus Numan, 1776, Dutch painting, oil on canvas. On back wall a portrait of her dead husband is half covered by a black cloth. She wears a high powered wig and is weaving bobbin lace (BSLOC 2016 2 81)

1770s 1700s OFFICERS OF THE FRENCH CONTINGENT TO CONTINENTAL ARMY CIRCA 1780 AT INDEPENDENCE HALL PHILADELPHIA Stock Photo

RMDC0M5G–1770s 1700s OFFICERS OF THE FRENCH CONTINGENT TO CONTINENTAL ARMY CIRCA 1780 AT INDEPENDENCE HALL PHILADELPHIA

RMBYT58M–Dress for Excess Regency fashion exhibition opens at Brighton's Royal Pavilion-Curator Martin Pel (l) designer Gresham Blake (r)

PORTRAIT OF AARON BURR POLITICIAN 1770s CONTINENTAL ARMY THIRD VICE PRESIDENT KILLED ALEXANDER HAMILTON IN DUEL 1804 Stock Photo

RMDC0MYF–PORTRAIT OF AARON BURR POLITICIAN 1770s CONTINENTAL ARMY THIRD VICE PRESIDENT KILLED ALEXANDER HAMILTON IN DUEL 1804

1770s fashion Stock Photos and Images

1770s fashion Stock Photos and Images

Download Confirmation

Password Confirmation

Search Results for 1770s fashion Stock Photos and Images (408)

Filter by agency collections

Search builder

Get great features with your free account

Get inspired for your next project!