RMFFB167–RICHARD SPAIGHT (1758-1802). /nAmerican statesman. Color etching, 1888, by Albert Rosenthal.
RM2DJ3N80–Henry IV, Part II: Act IV, The Palace at Westminster, Robert Thew, 1758–1802, British, after Josiah Boydell, 1752–1817, British, 1803, Engraving, Sheet: 14 3/4 x 20 1/16in. (37.5 x 51cm
RMP269FF–. Band van blank perkament, met voorstelling in zwart . Nederlands: Inhoud: Bordelon, voyage . 1758-1802; 26 Band van blank perkament, met voorstelling in zwart-KONB12-928G12
RMR3DNXC–Falstaff, Prince Henry and Poins at the Boar's Head Tavern (Shakespeare, King Henry the Fourth, Part 1, Act 2, Scene 4). Artist: After Robert Smirke (British, Wigton, Cumberland 1752/53-1845 London). Dimensions: Plate: 19 11/16 × 25 3/16 in. (50 × 64 cm). Engraver: Robert Thew (British, Patrington 1758-1802 Stevenage). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1796. Museum: Metropolitan Museum of Art, New York, USA.
RMD96NEB–Franz Joseph Gall (1758-1828), German physician and founder of Phrenology, c1790. The theory that different mental powers are governed by particular regions of the brain which can be recognised by the contours of the cranium had great popularity but was suppressed in 1802 as being a subversive religion. It enjoyed a second wave of popularity later in the 19th century. Stipple engraving c1790,
RM2JWGMXE–Jam spoon. Adams, Stephen I (fl. ca 1758-1802), goldsmith
RMMPANGJ–. French: Giacomo Meyerbeer à l'âge de 11 ans . 1802. Friedrich Georg Weitsch (1758–1828) Description German painter and engraver Date of birth/death 8 August 1758 30 May 1828 Location of birth/death Brunswick Berlin Work location Berlin, Brunswick Authority control : Q323498 VIAF: 64818540 ISNI: 0000 0000 6663 6002 ULAN: 500009312 LCCN: nr2005021718 GND: 119489694 WorldCat 886 Meyerbeer at11 Weitsch
RM2WP1EJ2–jerk to jam; Adams, Stephen I (fl. Ca 1758-1802); 1800/01 (1800-00-00-1801-00-00), approx. PO. 19th century (1840-00-00-1863-00-00);
RF2B908H0–Hamlet, Horatio, Marcellus and the Ghost, 1796, Robert Thew (English, 1758-1802), after Henry Fuseli (Swiss, active in England, 1741-1825), published by John Boydell (English, 1719-1804), authored by William Shakespeare (English, 1564-1616), England, Engraving on ivory wove paper, 502 × 637 mm (plate), 593 × 880 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2E421N1–Robert Thew, 1758–1802, British, As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age), 1803. Engraving on medium, slightly textured, cream wove paper. As You Like It, play by William Shakespeare , balcony , bed , bow (costume accessory) , breeches , buttons , cape , chain , chairs , cherubs , collar , cuffs , curtains , feathers , fringe , hat , jacket , lace , leading , light , literary theme , lover , man , miniature , moldings , paintings , panelling , paper , pillow , play , quill , sheets , shirt , shoe , slippers , stockings , sword , table , tablecloth , torch , trees , w
RMMPX7DF–Vice-Admiral Horatio Nelson (1758-1805), 1802.
RMF3EB6N–Rutger Jan Schimmelpenninck with his Wife and Children 1801-1802 Dutch Netherlands Pierre-Paul Prud'hon 1758-1823 France French
RMMP3TYJ–by and published by Samuel William Reynolds, after John Hoppner, mezzotint, published 17 June 1802 . Portrait of Thomas Pelham, 2nd Earl of Chichester by Samuel William Reynolds (1773-1835), after John Hoppner (1758-1810). Published by Samuel William Reynolds. published 17 June 1802. 1022 Portrait of Thomas Pelham 2nd Earl of Chichester
RM2GGE6CN–Portrait of Rutger Jan Schimmelpenninck and his Family, 1801 - 1802 by Pierre Prud'hon, 1758-1823 Dutch, The Netherlands. president of the National Assembly in 1796, envoy extraordinary and minister plenipotentiary in Paris from 1798 to 1800 and the Batavian ambassador to France
RM2HEDWA5–Admiral Horatio Nelson, Portait in oils by Artist 'Lemuel Francis Abbott' 1st Viscount Nelson, 1st Duke of Bronté, KB, also known simply as Admiral Nelson, was a British flag officer in the Royal Navy.-Admiral Sir Horatio Nelson, 1758-1805 Oil Painting 1799 Artist Lemuel Francis Abbott (1760–1802)
RMMMRJ9X–Russian: «??????? ?.?.?????????-????????» Portrait of Alexander Dmitriev-Mamonov (1758-1803). 1802. Nikolai Argunov 12
RM2B017AC–England: 'Rear-Admiral Sir Horatio Nelson, 1758-1805'. Oil on canvas painting by Lemuel Francis Abbott (1760-1802), 1799. Horatio Nelson, 1st Viscount Nelson, 1st Duke of Bronté, KB (29 September 1758 – 21 October 1805) was an English flag officer famous for his service in the Royal Navy, particularly during the Napoleonic Wars. He was noted for his inspirational leadership and having a superb grasp of strategy and unconventional tactics, which resulted in a number of decisive naval victories. He was wounded several times in combat, losing one arm and the sight in one eye.
RMCP1FJD–Monroe, James, 28.4.1758 - 4.7 1831, American politician, (democrat) , 5. President of the United States of America 5.3.1817 - 4.3.1825, half length, after copper engraving by J. R. Rice, wood engraving, 19th century, governor of Virginia 1799 - 1802 and 1811, foreign minister 1811 - 1814 and 1815 - 1817, minister of war 1814 - 1815, Artist's Copyright has not to be cleared
RM2B9CHC3–Walk Longchamp Carle Vernet (1758-1836). 'Promenade de Longchamp, An X (1802)'. Gravure. Paris, musée Carnavalet.
RM2RECXNA–Portrait d'Andre Massena (1758-1817, duc de Rivoli et prince d'Essling, marechal d'Empire), en commandant du 2e bataillon du Var (1792). Peinture de Ferdinand Wachsmuth (1802-1869), huile sur toile, 19e siecle. Musee Massena, Nice.
RM2DJ3TG8–Henry IV, Part I, Act II, Scene IV: ' The Boar's Head', Robert Thew, 1758–1802, British, after Robert Smirke, 1752–1845, British, 1803, Engraving, Sheet: 17 3/16 x 23 3/8in. (43.7 x 59.4cm
RM2JF37H3–Portrait d'Andre Massena (1758-1817, duc de Rivoli et prince d'Essling, marechal d'Empire), en commandant du 2e bataillon du Var (1792). Peinture de Ferdinand Wachsmuth (1802-1869), huile sur toile, 19e siecle. Musee Massena, Nice.
RMPANY59–The Palace at Westminster: King Henry and the Prince of Wales (Shakespeare, King Henry IV, Part 2, Act 4, Scene 4). Artist: After Josiah Boydell (British, Hawarden, Flintshire 1752-1817 Middlesex). Dimensions: Plate: 22 5/8 × 16 1/16 in. (57.4 × 40.8 cm) Sheet: 27 13/16 × 21 5/8 in. (70.7 × 55 cm). Engraver: Robert Thew (British, Patrington 1758-1802 Stevenage). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1795. Museum: Metropolitan Museum
RMD96NE7–Franz Joseph Gall (1758-1828), German physician and founder of Phrenology, c1820. The theory that different mental powers are governed by particular regions of the brain which can be recognised by the contours of the cranium had great popularity but was suppressed in 1802 as being a subversive religion. It enjoyed a second wave of popularity later in the 19th century. French lithograph c1820.
RM2E42BCW–George Romney, 1734–1802, British, Portrait of a Man, between 1758 and 1760. Oil on canvas. breeches , cliffs , figure study , gentleman , instrument , landscape , man , music , musician , rural , violin
RM2PMDG0T–Drawing, Minerva, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza, 1787–1802; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and ink, brush and bistre wash over black chalk on laid paper; 10.8 x 18 cm (4 1/4 x 7 1/16 in.)
RM2WPCCFF–Giovanni Battista Pittoni; Monaco, Pietro (1710-Post 1775), Nazzari, Bartolomeo (1699-1758), Piccini, Giacomo (Ca 1617-Ca 1669), Manfrin, Girolamo (1742-1802); 1787 (1787-00-00-1787-00-00);
RF2B908GY–King Henry Condemning Cambridge, Scroop and Northumberland, 1798, Robert Thew (English, 1758-1802), after Henry Fuseli (Swiss, active in England, 1741-1825), published by John Boydell (English, 1719-1804), authored by William Shakespeare (English, 1564-1616), England, Engraving on ivory wove paper, 502 × 636 mm (plate), 596 × 888 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cultu
RM2M3TB52–Search night - or - state watchmen mistaking honest men for conspirators , Politicians, Government officials, Rebels, Nobility, Authors, Emperors, Military officers, Revolutionaries, Escapes, Ambushes, O'Connor, Arthur, 1763-1852, Bedford, Francis Russell, Duke of, 1765-1802, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Dundas, Henry, 1742-1811, Napoleon I, Emperor of the French, 1769-1821, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, Robespierre, Maximilien, 1758-1794, Tierney, George, 1761-1830, Hastings, Francis Rawdon-Hastings, Marquess of
RMDE7177–Horatio Nelson (1758-1805), 1797. Artist: Abbott, Lemuel Francis (1760-1802)
RMAXYH9K–Monroe, James, 28.4.1758 - 4.7.1831, American politician (Republican Party), 5th President of the United States 5.3.1817 - 4.3.1825, portrait, 19th century,
RMHRNR6D–Heinrich Olbers, German Physician and Astronomer
RF2C5MG32–Honey bee Gather Honey From Blooming Colorful Lantana Flower
RMMMRJ8D–English: Portrait of Alexander Dmitriev-Mamonov (1758-1803) ???????: ???? ????????? ????????? ????????-??????? (1758-1803) . 1802. Le Comte Alexandre Matveewitch Dmitrieff-Mamonoff
RM2DJ3N9Y–Timon of Athens, Act IV, Scene III, A Wood--Timon, Phyrma, etc., Robert Thew, 1758–1802, British, after John Opie, 1761–1807, British, 1803, Engraving, Sheet: 17 5/16 x 23 7/16in. (44 x 59.5cm
RMR3DNX6–Queen Catherine, Cardinal Wolsey and Cardinal Campeius (Shakespeare, King Henry VIII, Act 3, Scene 1). Artist: After Matthew William Peters (British, Freshwater, Isle of Wight 1742-1814 Brasted, Kent). Dimensions: Plate: 19 1/2 × 25 in. (49.5 × 63.5 cm) Sheet: 21 7/8 × 27 15/16 in. (55.5 × 70.9 cm). Engraver: Robert Thew (British, Patrington 1758-1802 Stevenage). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1796. Museum: Metropolitan Museu
RM2PMDDA6–Drawing, Pales, Triptolemus, Decoration for a Vault, Sala dei Legislatori, Palazzo Conti-Sinibaldi, 1787–1802; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and ink, brush and bistre wash over black chalk on laid paper; 10.9 x 17.6 cm (4 5/16 x 6 15/16 in.)
RF2B8YFXW–La Route de St. Cloud ou de Poissy (Furnishing Fabric), 1822 or after, Designed by Carle Vernet (French, 1758–1836) and Delmès (French, founded 1815) engraved by Philibert Louis Debucourt (French, 1755-1831) after Carle Vernet (French 1758-1836), Manufactured by Favre Petitpierre et Cie. (French, 1802-1818), France, Nantes, Nantes, Cotton, plain weave, engraved roller printed, 85.1 x 80.5 cm (33 1/2 x 31 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dy
RM2M3D5CE–Integrity retiring from office , Government officials, Politicians, Nobility, Authors, Military officers, Kings, Riots, Crowds, Jekyll, Joseph, 1754-1837, Bedford, Francis Russell, Duke of, 1765-1802, Sheridan, Richard Brinsley, 1751-1816, Dundas, Henry, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Tierney, George, 1761-1830, Whitbread, Samuel, 1764-1815, George III, King of Great Britain, 1738-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Jones, T
RMMPWDD0–André Masséna (1758-1817) , 1802.
RMAXXBDG–Monroe, James, 28.4.1758 - 4.7.1831, American politician (Republican Party), 5th President of the United States 5.3.1817 - 4.3.1825, portrait, painting, 19th century, Artist's Copyright has not to be cleared
RMBA805T–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, as crown prince, with his brothers, painting by Francesco Carlo Rusca, 1737, Castle Monbijou, Berlin, Germany, Artist's Copyright has not to be cleared
RF2C5MG2F–Honey bee Gather Honey From Blooming Colorful Lantana Flower
RMMXAMAY–. Deutsch: Ignaz Sigismund Freiherr von Rotberg (1758-1819), Landvogt des Hochstifts Basel für die Landvogtei Schliengen 1788-1802 . circa 1800. Unknown 292 Ignaz v Rotberg
RM2DJ3N81–Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle, Robert Thew, 1758–1802, British, after John Opie, 1761–1807, British, 1803, Engraving, Sheet: 17 3/8 x 23 3/8in. (44.1 x 59.4cm
RMR3DNAB–Mrs. Ford and Mrs Page (Shakespeare, Merry Wives of Windsor, Act 2, Scene 1). Artist: After Matthew William Peters (British, Freshwater, Isle of Wight 1742-1814 Brasted, Kent). Dimensions: Plate: 25 1/4 × 18 in. (64.2 × 45.7 cm) Sheet: 27 1/16 × 19 1/2 in. (68.7 × 49.5 cm). Engraver: Robert Thew (British, Patrington 1758-1802 Stevenage). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA. A
RM2PMDGAP–Drawing, Numa Pompilius and Egeria, Sala di Numa Pompilius, Palazzo Milzetti, Faenza, 1802–05; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink, brown wash, over black chalk on white laid paper; 15.7 x 14.5 cm (6 3/16 x 5 11/16 in.) matted w/ -3458 Mat: 35.6 x 45.7 cm (14 x 18 in.)
RFRAX43M–Plate (assiette d'echantillons), Ground color painted by Antoine Capelle, French, active 1745 - 1800, Flowers painted reimagined
RMMPWEG9–Claude Jacques Lecourbe (1758-1815) , 1802.
RF2C5MG1Y–Honey bee Gather Honey From Blooming Colorful Lantana Flower
RMMWEANK–. Deutsch: Ignaz Sigismund Freiherr von Rotberg (1758-1819), Landvogt des Hochstifts Basel für die Landvogtei Schliengen 1788-1802 . circa 1800. Unknown 292 Ignaz v Rotberg
RM2DJ3N8N–Henry VIII: Act III, Scene I, A Room in the Queen's Apartments, Robert Thew, 1758–1802, British, after Matthew William Peters, 1742–1814, British, 1803, Engraving, Sheet: 17 3/8 x 23 1/4in. (44.1 x 59.1cm
RM2B0GF9B–Sèvres Porcelain Manufactory, French, 1756–present, Jacques-François-Louis de Laroche, (French, 1758–1802), Cup and Saucer, 1776–77, Soft-paste porcelain, Height of cup: 2 1/4 in. (5.7 cm); diameter: 2 1/4 in. (5.7 cm
RMRXHC1X–Hamlet, Horatio, Marcellus and the Ghost. Robert Thew (English, 1758-1802); after Henry Fuseli (Swiss, active in England, 1741-1825); published by John Boydell (English, 1719-1804); authored by William Shakespeare (English, 1564-1616). Date: 1796. Dimensions: 502 × 637 mm (plate); 593 × 880 mm (sheet). Engraving on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
RM2AN1HTE–Forty of Boston's historic houses; a brief illustrated description of the residences of historic characters of Boston who have lived in or near the business section . ous gardens and occupying the crest and eastern slope of Pem-berton Hill, or, as it was first known, Cotton Hill. It was built about 1758 byWilliam Vassall, and in 1790 the estate became the property of Patrick Jeffry, whowas known as the second husband of the wronged but eccentric Madame Haley.Jonathan Mason became the owner of the property in 1802, and in the followingyear sold it to Gardiner Greene, who occupied it until his d
RFRAX4F3–Pair of Vases (vases hollandois nouveaux, deuxième grandeur), Painted by Jacques-François-Louis de Laroche, French reimagined
RMMYGT9K–. Deutsch: Ignaz Sigismund Freiherr von Rotberg (1758-1819), Landvogt des Hochstifts Basel für die Landvogtei Schliengen 1788-1802 . circa 1800. Unknown 253 Ignaz v Rotberg
RM2B0GF83–Sèvres Porcelain Manufactory, French, 1756–present, Jacques-François-Louis de Laroche, (French, 1758–1802), Covered Cup and Saucer, c. 1795–1800, Soft-paste porcelain, Height of cup: 5 3/16 in. (13.2 cm); diameter: 3 in. (7.6 cm
RMRXD1H7–King Henry Condemning Cambridge, Scroop and Northumberland. Robert Thew (English, 1758-1802); after Henry Fuseli (Swiss, active in England, 1741-1825); published by John Boydell (English, 1719-1804); authored by William Shakespeare (English, 1564-1616). Date: 1798. Dimensions: 502 × 636 mm (plate); 596 × 888 mm (sheet). Engraving on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
RM2DJ3TEX–MacBeth, Act I,V Scene I: 'A Dark Cave in the Middle a Cauldrom Boiling', Robert Thew, 1758–1802, British, after Sir Joshua Reynolds RA, 1723–1792, British, 1803, Engraving, Sheet: 19 9/16 x 24 3/4in. (49.7 x 62.9cm
RM2AWY9GX–Ancient Middlesex with brief biographical sketches of the men who have served the country officially since its settlement . Born March 26, 1740. Son of Francis second. Graduatedfrom Harvard in 1758. Died in Cambridge, 1802, aged sixty-two years. Adjutant-General Ebene:er Bridge, of Chelmsford, April 23, 1776,to March J4, J7SI (5 years). See County Treasurers. Thaddcus Mason, of Charlestown, March 31, 1781, to December14, J 784 (3 years). See Clerks of Courts. Hon. William Winthrop, of Cambridge, December J5, 1784, toSeptember 27, 1794 (10 years).. 9^ Born April 19, 1753. Son of Professor John
RMMMRJB8–. Polski: Portret Franciszki ze Stawskich Horochowej (ok. 1758-1832) . 1802. Franz Joseph Pitschmann (1758–1834) Alternative names Franz Joseph Pitschmann Description Polish painter Date of birth/death 1758 1 September 1834 Location of birth/death English: Trieste Polski: Triest English: Kremenets Polski: Krzemieniec Authority control : Q11731155 VIAF:?121145067242966630120 ISNI:?0000 0000 6963 9110 ULAN:?500024192 RKD:?63720 Pitschmann - Portret Franciszki Horochowej 1802
RMMP3YEJ–. English: Portrait of Sir John William de la Pole, 6th Baronet (1757-1799), standing in hunting apparel, with hat and whip in his left hand, published in Turner, Maureen A., The Building of New Shute House 1787-1790, MA dissertation, University of Exeter, Sept 1999, plate 2.15, opp. p.53, unknown collection, possibly at Antony House, Cornwall. Pair to portrait of Lady Anne de la Pole (nee Templer) (1758-1832) by George Romney (1734-1802), painted in 1786, sold by Sir Frederick Arundell de la Pole, 11th Baronet (1850-1926) at auction at Christie's London on 13th July 1913, purchased by the de
RMT09J69–'Portrait of George John, 2nd Earl Spencer (1758-1834)'. Great Britain, 1802. Dimensions: 77x64 cm. Museum: State Hermitage, St. Petersburg. Author: JOHN HOPPNER.
RM2DJ3N8E–Henry V: Act II, Scene ii, Southamptom. The King, Scroop, etc., Robert Thew, 1758–1802, British, after Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on), 1803, Engraving, Sheet: 17 5/16 x 23 3/8in. (44 x 59.4cm
RM2AN3TDK–History of Worcester and its people . b. May 28,1730; Samuel, b. July 24, 1732; Hannah, b. July 28, 1736, m. (1) AbelHeywood, (2) Asa Wood; Joseph, b. Dec. 5, 1740, d. Apr. 19, 1758,at Wor. Goddard, SamueP (John^ Jos.-, Wm.), b. July 24, 1732, d. here,June 12, 1803. Came to Wor., 1754; ni. Abigail King, who d. Apr. 8,1804, (pp. 16, 35 Gen.). His will, dated Mar. 17, 1802, was proved 1803,bequeathing to wife Abigail and children—John, Joseph, Mehitable,Mary Lucy and grandchildren Polly and Nabby Taintor. Children, b.here: Abigail, b. Jan. 8, 1761, m. Joel Taintor; Hannah, b. Aug. 17,1762, m. Ca
RMRXJ195–Louis Seize. Johann Gotthard von Müller (German, 1747-1830); after Joseph Siffred Duplessis (French, 1725-1802); published by Johann Friedrich Frauenholz (German, 1758-1822); printed by François Dominique Ramboz (French, act. 1787-1819). Date: 1793. Dimensions: 703 x 535 mm (plate); 747 x 563 mm (sheet). Engraving, with etching, in black on paper. Origin: Germany. Museum: The Chicago Art Institute.
RM2DJ3N8D–Henry VI, Part II: Act I, Scene iv, Mother Jourdaine, Himi---, Charles Gauthier Playter, died 1809, And Robert Thew, 1758–1802, British, after John Opie, 1761–1807, British, 1803, Engraving, Sheet: 17 3/8 x 23 3/16in. (44.1 x 58.9cm
RM2A2KKTY–Hamlet, Horatio, Marcellus and the Ghost, 1796, Robert Thew (English, 1758-1802), after Henry Fuseli (Swiss, active in England, 1741-1825), published by John Boydell (English, 1719-1804), authored by William Shakespeare (English, 1564-1616), England, Engraving on ivory wove paper, 502 × 637 mm (plate), 593 × 880 mm (sheet
RMRXK9HR–La Route de St. Cloud ou de Poissy (Furnishing Fabric). Designed by Carle Vernet (French, 1758-1836) and Delmès (French, founded 1815) engraved by Philibert Louis Debucourt (French, 1755-1831) after Carle Vernet (French 1758-1836); Manufactured by Favre Petitpierre et Cie. (French, 1802-1818); France, Nantes. Date: 1822-1830. Dimensions: 85.1 x 80.5 cm (33 1/2 x 31 5/8 in.) Warp repeat: 46.9 cm (18 1/2 in.). Cotton, plain weave; engraved roller printed. Origin: Nantes. Museum: The Chicago Art Institute.
RMRGAGRM–. Bulletin of zoological nomenclature. nth Meeling, Paris, July, 1948. 447 (For theiule uwhr which a trivial name such as " 4:-maculatus " is to be transliterated as " quattuor- maculatus,''' see Paris Session, 7th Meeting, Conclusion 10). (Previous reference: Paris Session, 14<A Meeting, Conclusion 10) (b) to set aside the selection by Latrcillc (1810) of " Carabus i-maculalus Fab." {=Carabus quaUuor- mxicuhlus Linnaeus, 1758) as the type species of the genus Lebia Latreille [1802-1803], and to designate ni the place of that species Buprestis marginatus Fourcroy, 1
RM2A2KKTX–King Henry Condemning Cambridge, Scroop and Northumberland, 1798, Robert Thew (English, 1758-1802), after Henry Fuseli (Swiss, active in England, 1741-1825), published by John Boydell (English, 1719-1804), authored by William Shakespeare (English, 1564-1616), England, Engraving on ivory wove paper, 502 × 636 mm (plate), 596 × 888 mm (sheet
RM2DHXF7G–Shakespeare, Macbeth Act IV, Scene I, Robert Thew, 1758–1802, British, after Sir Joshua Reynolds RA, 1723–1792, British, 1802, Stipple engraving on moderately thick, moderately texture, cream, wove paper, Sheet: 19 15/16 × 25 1/16 inches (50.6 × 63.7 cm), Plate: 19 5/8 × 24 7/8 inches (49.8 × 63.2 cm), and Image: 17 5/16 × 23 3/8 inches (44 × 59.4 cm
RMRGAJ23–. Bulletin of zoological nomenclature. Bulletin of Zoological Nomenclature Name of specialist by whom application submitted (1) SirGuyA.K. Marshall H. E. Andrewes, W. A. F. Balfour- Browne, K. G. Blair, and M. Cameron do. do. do. do. do.. Gilbert Archey H. B. Hungerford J. Brookes Knight Proposed suspension of the Regies for Bradycellus Erichson, 1837 (Class In- secta, Order Coleoptera) Proposed suspension of the Regies for Carahus Linnaeus, 1758 (Class Insecta, Order Coleoptera) Proposed suspension of the Regies for Harpalus Latreille [1802-1803] and Ophonus Stephens, 1827 (Class Insecta, Ord
RM2DJ42HB–View of London Bloomsbury Square, Robert Pollard, 1755–1838, British, and Francis Jukes, 1747–1812, British, and Robert Thew, 1758–1802, British, after Edward Dayes, 1763–1804, British, 1787, Etching and aquatint on moderately thick, moderately textured, cream, laid paper, Sheet: 19 3/4 × 25 3/4 inches (50.2 × 65.4 cm), Plate: 17 1/2 × 22 15/16 inches (44.5 × 58.3 cm), and Image: 14 3/4 × 21 3/16 inches (37.5 × 53.8 cm
RMRETTFD–. Histoire naturelle de Buffon [microforme] : classée par ordres, genres et espèces, d'après le système de Linné avec les caractères géné riques et la nomenclature Linnéenne. Sciences naturelles; Anthropologie; Natural history; Anthropology. DE L'IMPRIMERIE DE. A PARIS, Che^ Detehyille , rue da Battoir, n^ 16, AN X—1802. l ï. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Castel, René-Richard, 1758-1832; Buffon, Georges Lo
RM2DJ38E2–Shakespeare's Tempest Act IV Scene I. Prospero's Cell., Robert Thew, 1758–1802, British, after Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75), 1800, Stipple engraving on moderately thick, moderately textured, cream, laid paper, Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm), Plate: 20 × 25 3/16 inches (50.8 × 64 cm), and Image: 17 9/16 × 23 1/2 inches (44.6 × 59.7 cm), literary theme, The Tempest, play by William Shakespeare, theater (discipline
RMRHDK4Y–. Bonn zoological bulletin. Zoology. of Lacerta Linnaeus, 1758 (see David et al. 2002: 24). La- cepede's volume 1 and volume 2 (on the snakes) were re- jected in general as a non-binominal work. This opinion remained heavily controversial (see David et al. 2002: 22; Dubois & Bour 2010). Anyway, one year later many species were adopted by Bonnaterre (1789) who has there- fore become the correct author of many of Lacepede's names not being available. On Bonnaterre's Lacerta see more in chapter 2.2. As obvious from the title, Bechstein's encyclopedia (1800-1802), "Herrn De la Cepede's Na
RM2DJ3TF0–King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London), Print made by Robert Thew, 1758–1802, British, after James Northcote, 1746–1831, British, Published by John Boydell, 1720–1804, British, 1801, Stipple engraving and line engraving on medium, slightly textured, cream wove paper, Sheet: 20 1/8 × 29 1/2 inches (51.1 × 74.9 cm), Plate: 19 1/2 × 25 inches (49.5 × 63.5 cm), and Image: 17 1/2 × 23 5/8 inches (44.5 × 60 cm), animal art, armor, crown, dog (animal), garlands, horses (animals), literary theme, soldiers, women
RMRR353T–. Acta Soc. pro Fauna et Flora Fennica. Natural history. 24 Jdrvi, Die Araneenfauna in der Umgebung von Tvarminne. Fam. Dysderidae. Gen. Segestria Latr. 1804, Segestria senoculata L, 1758. — Vereinzelt; unter der Rinde eines trockenes Baumstammes, im Risse einer Birkenrinde, an Bergabhangen in einer Steinritze gefunden (Krogarberget). Fam. Drassidae. Gen. Drassodes Westr. 1861. Drassodes lapidicola Walck. 1802. — Ziemlich allgemein unter Steinen (am Strande unterhalb Krogarberget). (K. c.) Drassodes pubescens Thor. 1856. — Unter Steinen (am Fusse des Krogar- berget); seltener als die vorige Ar
RM2DJ1PKF–As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age), Robert Thew, 1758–1802, British, after Robert Smirke, 1752–1845, British, Published by Boydell Shakespeare Gallery, 1720–1804, British, 1803, Engraving on medium, slightly textured, cream wove paper, Sheet: 20 1/4 x 26 3/4 inches (51.4 x 67.9 cm), Plate: 17 7/8 x 21 1/8 inches (45.4 x 53.7 cm), and Image: 15 1/8 x 19 1/2 inches (38.4 x 49.5 cm), As You Like It, play by William Shakespeare, balcony, bed, bow (costume accessory), breeches, buttons, cape, chain, chairs, cherubs, collar, cuffs, curtains, feathers, fringe, hat
RMRG7TTW–. Bulletin - United States National Museum. Science. Figure 6.—Portunus (Portunus) sati, male, natural size, dorsal view PORTUNUS (PORTUNUS) SAYI (Gibbes) Plate 14 Portunus hastatus Fabricius, Suppl. Entom. Syst., 1798, p. 367, in Americae Insults; not Cancer hastatus Linnaeus, 1767, Adriatic.—Latreille, Hist. Nat. Crust., vol. 6, 1802- 1803, p. 18. Portunus pelasgicus Bosc, Hist. Nat. Crust., vol. 1 [an X], 1801-1802, p. 219, pi. 5, fig. 3, not P. pelagicvs (Linnaeus, 1758); "dans la haute mer parmi les fucus." Lupa pelagica Say, Journ. Acad. Nat. Sci. Philadelphia, vol. 1,1817, p.
RM2DJ3N9T–Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc., Robert Thew, 1758–1802, British, after Richard Westall, 1765–1836, British, 1803, Engraving, Sheet: 17 5/16 x 23 1/4in. (44 x 59.1cm
RMRG7YB8–. Bulletin - United States National Museum. Science. 30 bulletin 154, united states national museum thf; lemniscatus group CNEMIDOPHORUS LEMNISCATUS LEMNISCATUS (Linnaeus) BLUE RACE-RUNNER 1758. Lacerta lemniscata Linnaeus, Syst. Nat., ed. 10, voL 1, p. 209, (type locality, "Guinea." lapsus calamus for Guiaua, S. Amer.) ; ed. 12, vol. 2, 1766, p. 309.—BoNNATERRK. Ei'petol., Tabl. Ency. Nature, 1789, p. 48.—Daudix, Hist. nat. Reptiles, vol. 3, 1802, p. 175.—Shaw, Gen. Zool. vol. 3, 1802, p. 238.— TuRTON, Syst. Nat., English edition of Linnaeus, 1806, p. 668.—Sonnini and Latreille, His
RM2DJ34F1–King Henry the Eighth: Act IV Scene II: Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc., Robert Thew, 1758–1802, British, after Richard Westall, 1765–1836, British, 1798, Engraving, Sheet: 17 7/16 x 23 1/2in. (44.3 x 59.7cm
RMRG7TW5–. Bulletin - United States National Museum. Science. THE CANCROID CRABS OF AMERICA 37. Figure 6.—Portunus (Portunus) sati, male, natural size, dorsal view PORTUNUS (PORTUNUS) SAYI (Gibbes) Plate 14 Portunus hastatus Fabricius, Suppl. Entom. Syst., 1798, p. 367, in Americae Insults; not Cancer hastatus Linnaeus, 1767, Adriatic.—Latreille, Hist. Nat. Crust., vol. 6, 1802- 1803, p. 18. Portunus pelasgicus Bosc, Hist. Nat. Crust., vol. 1 [an X], 1801-1802, p. 219, pi. 5, fig. 3, not P. pelagicvs (Linnaeus, 1758); "dans la haute mer parmi les fucus." Lupa pelagica Say, Journ. Acad. Nat. S
RM2DJ34AA–Hamlet, Prince of Denmark: Act I, Scene iv, Platform before the Palace of Elsineur--Hamlet, Horatio, Marcellus and the Ghost, Robert Thew, 1758–1802, British, after Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on), 1803, Engraving, Sheet: 17 x 23 1/2in. (43.2 x 59.7cm
RM2DJ3N8R–King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York), Print made by Robert Thew, 1758–1802, British, after James Northcote, 1746–1831, British, 1789, Stipple engraving and aquatint on medium, slightly textured, cream laid paper, Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm), Plate: 19 3/4 × 24 3/4 inches (50.2 × 62.9 cm), and Image: 17 3/8 × 23 1/4 inches (44.1 × 59.1 cm), armor, brothers, children, embrace, literary theme, princes, Richard III, play by William Shakespeare, royalty, soldiers
RM2CTDMK4–Philip earl of Hardwicke., still image, Prints, 1886, Romney, George (1734-1802), Bovi, Marino (b. 1758
RM2DHX4WW–Lord Hugh Seymour, Samuel William Reynolds, 1773–1835, British, after John Hoppner, 1758–1810, British, 1802, Mezzotint, Sheet: 10 1/4 x 14 1/8in. (26 x 35.9cm
RM2DJ41YP–Portrait of a Man, George Romney, 1734–1802, British, between 1758 and 1760, Oil on canvas, Support (PTG): 25 1/4 x 22 3/8 inches (64.1 x 56.8 cm), breeches, cliffs, figure study, gentleman, instrument, landscape, man, music, musician, rural, violin
RM2DHXE70–Vice Admiral Lord Hugh Seymour, Samuel William Reynolds, 1773–1835, British, after John Hoppner, 1758–1810, British, 1802, Mezzotint on moderately thick, slightly textured, cream, wove paper, Sheet: 15 1/2 × 11 9/16 inches (39.4 × 29.4 cm), Plate: 14 × 10 inches (35.6 × 25.4 cm), and Image: 12 1/16 × 9 15/16 inches (30.6 × 25.2 cm
RM2WRBG02–Shakespeare, Hamlet, Prince of Denmark, painted by H. Fuseli R.A., engraved by R. Thew., Act 1, scene 4, from Shakespeare's Hamlet, Prince of Denmark, showing Hamlet, Horatio, Marcellus, and the Ghost, on platform before the Palace of Elsinor., Thew, Robert, 1758-1802, artist, London: published by J. & J. Boydell, 1796., Shakespeare, William, 1564-1616., Hamlet, Engravings, 1790-1800., Engravings, 1790-1800, 1 print: engraving
RM2T8M9PC–Gentleman in Blue Coat, Joseph Kaltner (German, c. 1758-after 1824), 1802, drawing, watercolor on ivory, 6.4 x 5.1 cm
RM2T8J09G–Gentleman in a blue coat, Joseph Kaltner, Germany, around 1758 - after 1824, 1802, drawing, watercolor on ivory, 6.4 x 5.1 cm
RM2T8JRD4–Combat enter a Russian detachment and a French detachment on the Pont du Diable, Johann Heinrich Bleuler, Zollikon near Zurich 1758 - 1823 Feuerthalen near Zurich, 1802, drawing, gouache, 37.2 x 51.9 cm, l.l. Duke Albert of Saxe-Teschen, M.u. 'Battle on the Devil's Bridge on the Gotthardt in the Canton Urÿ v: Bleuler in the Lauffen Castle Canton Zurich. 1805
RM2T8MNF1–Combat enter un Detachment Russe et un Detachement français sur le pont du Diable, Johann Heinrich Bleuler (Zollikon near Zurich 1758 - 1823 Feuerthalen near Zurich), 1802, drawing, gouache, 37.2 x 51.9 cm, l.l. Duke Albert of Saxe-Teschen, M.u. 'Battle on the Devil's Bridge on the Gotthardt in Canton Urÿ v: Bleuler in Schloss Lauffen Canton Zurich. 1805
RM2DN6A15–Ten Octagons with Mythological Figures, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Ten octagons with Vesta, Cibele, Minerva, Bacus, Diana, Endimione, Jove, Giunone, Venus, Neptune, Pluto, Proserpina, Apollo, Daphne, Venus. Tondo with Madonna, infant and St. John; blessed family., Italy, 1802, figures, Drawing
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