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1746 1810 Stock Photos and Images
RMKF0J63–RAUZZINI, Venanzio (1746-1810) Italian Castrato Soprano. Mozart wrote Exultate Jubilate for him. Taught the singers Nancy Storace, Michael Kelly and John Braham castrati. Peformed in Lucio Silla. Colourised version.
RFHDXMB7–Anna Katharina Schoenkopf, 1746-1810, the young Johann Wolfgang Goethe, who studied in Leipzig from 1765 to 1768, fell in love with her in 1766, woodcut from the year 1882, digital improved
RMCR4D4C–Anna Katharina Schoenkopf (1746-1810), girlfriend of J.W. von Goethe, steel engraving, before 1880
RMMP8H69–. Deutsch: Joseph d'Hémery (1722-1806), oberster polizeilicher Inspektor des Buchhandels in Frankreich . circa 1780. Nicolas-François Regnault (1746-1810) 741 Joseph D'Hemery
RMPAATJB–Designs for Silver. Artist: Jean Guillaume Moitte (French, Paris 1746-1810 Paris). Dimensions: 7 15/16 x 12 7/8 in. (20.2 x 32.7 cm). Museum: Metropolitan Museum of Art, New York, USA.
RM2WBAKYE–Numa Pompilius. Portrait of the second king of Rome, Numa Pompilius (c. 753–672 BC) by Jean Guillaume Moitte (1746–1810), relief
RMBJTT4X–Goethe, Johann Wolfgang von 28.8.1749 - 22.3.1832, German poet, author / writer, his early love Anna Katherina Schoentopf called Kaethchen (1746-1810), portrait, wood engraving,
RM2B9978J–PORTRAIT OF JOHN WILLIAM Moitte (1746-1810), SCULPTOR David D'Angers (1788-1856). Portrait de Jean-Guillaume Moitte (1746-1810), sculpteur. Bronze. Fonte au sable. Paris, musée Carnavalet.
RM2RJD2RD–Portrait of Anna Potocka née Ossolińska with her grandson Alfred (1746-1810). 1790s by Johann Baptist von Lampi the Elder
RM2JWH7M4–Photograph of a painting from the collection of the Sanctuary House of Jesus the Child in Warsaw: unknown Polish painter, Portrait of Kunegunda Czacka, born duchess Sanguszko (1746-1810), wife to grand guard of the Polish crown, Franciszek Czacki in 1766-???????????????????. Sztolcman, Władysław Roman (1873-1950), photographer
RF2HW50YE–Art inspired by A Medal Cabinet for Napoleon, 1804–10, Pen and ink and watercolor, 36 7/8 x 21 7/8 in. (93.7 x 55.6 cm), Jean Guillaume Moitte (French, Paris 1746–1810 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Anna Katharina ("Käthchen") Schönkopf (1746-1810), ca 1820. Private Collection. Stock Photo](https://c8.alamy.com/comp/WWJMR4/anna-katharina-quotkxe4thchenquot-schxf6nkopf-1746-1810-ca-1820-private-collection-WWJMR4.jpg "Anna Katharina ("Käthchen") Schönkopf (1746-1810), ca 1820. Private Collection. Stock Photo")
RMWWJMR4–Anna Katharina ("Käthchen") Schönkopf (1746-1810), ca 1820. Private Collection.
RMG5G921–Anna Katharina Schönkopf (1746 - 1810), Wirtstochter. Daughter of an innkeeper, where Goethe used to lunch. woman, girl, young, portait, 18th century, fashion, Europe, Germany, history, historical, 1910s, 1920s, 20th century, archive, Carl Simon,
RM2PMDC2H–Drawing, Design for a Panel; Designed by Jean-Guillaume Moitte (French, 1746–1810); France; graphite, pen and ink, brush and watercolor, sepia on paper
RMKXFJMA–Francisco de Goya y Lucientes (1746-1828). Spanish painter. Night scene from the Inquisition, 1810. National Gallery, Oslo. Norway.
RMG2NK4T–Mary (Sackville), wife of the eighth Earl of Thanet (1746-1778). By Ozias Humphry (1742-1810) a leading English painter of portrait miniatures.
RMHH9NR1–Antique c1890 engraving, John Henry Livingston. John Henry Livingston (1746-1825) was the fourth President of Queen's College (now Rutgers University), serving from 1810 until his death in 1825. SOURCE: ORIGINAL ENGRAVING.
RF2E99K5R–Anna Katharina Schönkopf, Käthchen, August 22, 1746 - May 20, 1810, the daughter of Christian Gottlieb Schönkopf, a pewterer and wine merchant / Anna Katharina Schönkopf, Käthchen, 22. August 1746 - 20. Mai 1810, die Tochter des Zinngießers und Weinhändlers Christian Gottlieb Schönkopf, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
RM2DCAEC5–Nicolas François Regnault, (artist), French, 1746 - 1810, Le Lever, color stipple etching and etching
RM2WPK2T5–Francisco de Goya (1746-1828), Ravages of War (Disasters of War, plate 30), hacia 1810-1814
RMMWPKDR–. Italiano: Eruzione dell'Etna del 1766, incisione colorata di Alessandro D'Anna. circa 1770. Alessandro D'Anna (1746-1810) 195 Eruzione dell'Etna del 1766, incisione colorata di Alessandro D'Anna
RMPAC0GT–The Death of Seneca. Artist: Jean Guillaume Moitte (French, Paris 1746-1810 Paris). Dimensions: 8 3/4 x 11 13/16 in. (22.2 x 30 cm.). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
RM2M1W53X–Goya. Painting entitled Majas on a Balcony by Francisco José de Goya y Lucientes (1746-1828), oil on canvas, c. 1800-1810
RMA3YB2W–'fine arts, Goya y Lucientes, Francisco de, (1746 - 1828), painting, 'woman carrying water', circa 1810, oil on canvas, 68 cm
RM2B9GATR–Portrait-charge of the sculptor Jean Guillaume Moitte, Rome 1772 François-André Vincent (1746-1816). 'Portrait-charge de Jean-Guillaume Moitte' (1746-1810), sculpteur français. Rome, 1772. Crayon. Paris, musée Carnavalet.
RM2RH65WB–Francisco de Goya y Lucientes (1746-1828). Spanish painter. Allegory of the Villa of Madrid, 1810. History Museum, Madrid, Spain.
![Portrait of Kunegunda Czacka from the princely Sanguszko family (1746-1810), wife to grand guard of the Polish crown, Franciszek Czacki, who performed this function in the years 1766-1787 - drawing of a picture [unknown Polish painter, pastel, 49 x 38 cm]???????????????????. unknown, draughtsman, cartoonist Stock Photo](https://c8.alamy.com/comp/2JWH7JY/portrait-of-kunegunda-czacka-from-the-princely-sanguszko-family-1746-1810-wife-to-grand-guard-of-the-polish-crown-franciszek-czacki-who-performed-this-function-in-the-years-1766-1787-drawing-of-a-picture-unknown-polish-painter-pastel-49-x-38-cm-unknown-draughtsman-cartoonist-2JWH7JY.jpg "Portrait of Kunegunda Czacka from the princely Sanguszko family (1746-1810), wife to grand guard of the Polish crown, Franciszek Czacki, who performed this function in the years 1766-1787 - drawing of a picture [unknown Polish painter, pastel, 49 x 38 cm]???????????????????. unknown, draughtsman, cartoonist Stock Photo")
RM2JWH7JY–Portrait of Kunegunda Czacka from the princely Sanguszko family (1746-1810), wife to grand guard of the Polish crown, Franciszek Czacki, who performed this function in the years 1766-1787 - drawing of a picture [unknown Polish painter, pastel, 49 x 38 cm]???????????????????. unknown, draughtsman, cartoonist
RF2HW563C–Art inspired by Kneeling Draped Male Figure, 1776, Red chalk, framing lines in pen and brown ink., 10 1/16 x 13 in. (25.6 x 33 cm), Drawings, Jean Guillaume Moitte (French, Paris 1746–1810 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMBNGY5J–Portrait of Mariana Waldstein by Francisco Goya y Lucientes oil on canvas 1810 France Paris Musee du Louvre 1746-1828
RF2R0MYAX–Portrait of General José Manuel Romero Date: c. 1810 Artist: Francisco José de Goya y Lucientes Spanish, 1746-1828
RM2PMDD7X–Drawing, Design for a Painted Panel; Designed by Jean-Guillaume Moitte (French, 1746–1810); France; pen and ink, brush and watercolor, sepia, graphite on paper
RMC93MGY–Francisco de Goya (1746-1828). Spanish painter and printmaker. The Burial of the Sardine (1810). Detail. Oil on wood.
RMD96TD5–Albion Mills, on the south side of Blackfriars Bridge, burning, 3 March 1791, after set alight by arsonists. Built by Boulton and Watt, it was first steam-powered flour mill in London, (1786) Engineer for mill machinery: John Rennie (1761-1821) Architect: James Wyatt (1746-1813). From 'Microcosm of London', Rudolph Ackermann, London 1808-1810, illustrated Pugin and Rowlandson. Aquatint.
RM2T0CRDN–Dancing Old Woman with Castanets / Contenta con su suerta = Happy with one's fate (c.1810-1820) by Francisco de Goya (1746-1828).
RF2R201RF–Shakspeare, Midsummer Night's Dream, Act IV, Scene I., Historic, digitally restored reproduction of an original from the period / Shakspeare, Mittsommernachtstraum, Akt IV, Szene I., Historisch, digital restaurierte Reproduktion einer Vorlage aus der damaligen Zeit
RM2DHY5DD–Henry Bunbury, Esq., Thomas Ryder, 1746–1810, Irish, after Sir Thomas Lawrence, 1769–1830, British, 1789, Stipple engraving
RM2WPK2T4–Francisco de Goya (1746-1828), It's a Hard Step! (Disasters of War, plate 14), hacia 1810-1814
RMMY4YXH–. Italiano: Eruzione dell'Etna del 1766, incisione colorata di Alessandro D'Anna. circa 1770. Alessandro D'Anna (1746-1810) 167 Eruzione dell'Etna del 1766, incisione colorata di Alessandro D'Anna
RMPAAYP1–Elevation of a Wall. Artist: Attributed to Jean Guillaume Moitte (French, Paris 1746-1810 Paris). Dimensions: 20 3/8 x 13 15/16 in. (51.8 x 35.4 cm). Date: 1776. Museum: Metropolitan Museum of Art, New York, USA.
RM2KYN8X1–Goya. Painting entitled 'José Costa y Bonells, Called Pepito' by Francisco José de Goya y Lucientes (1746-1828), oil on canvas, c. 1810
RMAHY1JK–'fine arts, Goya y Lucientes, Francisco de, (1746 - 1828), painting, 'the plucked turkey', 1810 / 1823, oil on canvas, 44,8 cm
RM2B71JND–Landscape with ruins and a tree object type: Drawing Object number: RP-T-1953-344 (V) Manufacture Creator: artist: Jean Jacques de Boissieu Dating: 1746 - 1810 Physical features: pencil on light brown paper material: paper pencil Dimensions: h 181 mm × W 194 mm Subject: landscape with gelding
RF2HW5DPW–Art inspired by Elevation of a Wall, 1776, Pen and gray ink, brush and gray wash, 20 3/8 x 13 15/16 in. (51.8 x 35.4 cm), Drawings, Attributed to Jean Guillaume Moitte (French, Paris 1746–1810 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMDE9327–The Custody of a Criminal Does Not Call for Torture, c. 1810. Artist: Goya, Francisco, de (1746-1828)
RMBK9H5T–Portrait of Mariana Waldstein by Francisco Goya y Lucientes, oil on canvas, 1810, France, Paris, Musee du Louvre, 1746-1828
RM2PMC691–Drawing, Design for a Frieze; Designed by Jean-Guillaume Moitte (French, 1746–1810); France; pen and ink, brush and watercolor on paper; 5.9 × 18.1 cm (2 5/16 × 7 1/8 in.)
RM2AA9TH3–Francisco de Goya y Lucientes (1746-1828). Spanish painter. Allegory of the Villa of Madrid, 1810. History Museum. Madrid. Spain.
RM2T0CRDM–Dancing Old Woman with Castanets / Contenta con su suerta = Happy with one's fate (c.1810-1820) by Francisco de Goya (1746-1828).
RM2DJ47B1–Henry Bunbury, Esq., Thomas Ryder, 1746–1810, Irish, after Sir Thomas Lawrence, 1769–1830, British, 1789, Stipple engraving
RMMW1WT1–. Italiano: Eruzione dell'Etna del 1766, incisione colorata di Alessandro D'Anna. circa 1770. Alessandro D'Anna (1746-1810) 194 Eruzione dell'Etna del 1766, incisione colorata di Alessandro D'Anna
RMPB1E3B–Candelabrum with Alternative Designs for the Arms. Artist: Workshop of Henri Auguste (French, Paris 1759-1816 Port-au-Prince); After a Design by Jean Guillaume Moitte (French, Paris 1746-1810 Paris). Dimensions: 25 1/16 x 19 1/2 in. (63.7 x 49.5 cm). Date: ca. 1770-1800. Museum: Metropolitan Museum of Art, New York, USA.
RM2X2DH0N–Schoenkopf, Anna Katharina, 22.8.1746 - 20.5.1810, Saxon landlord's daughter, wood engraving, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
RM2B997FX–TRADERS OF PARIS A NOTABLE VIGNON STONE, PRESIDENT OF THE COURT OF COMMERCE 1810 Jean-Pierre Droz (1746-1823). 'Les notables commerçants de Paris à Pierre Vignon, président du tribunal de commerce, 1810'. Bronze. 1810. Paris, musée Carnavalet.
RF2HW6FCW–Art inspired by Studies of Eight Silver Pieces, n.d., Pen and black ink, brush and gray wash, sheet: 12 x 18 1/4 in. (30.5 x 46.4 cm), Drawings, Jean Guillaume Moitte (French, Paris 1746–1810 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMDE9405–Tampoco (Nor this). Plate 36 from The Disasters of War (Los Desastros de la Guerra), 1810-1820. Artist: Goya, Francisco, de (1746-1828)
RM2PMCR87–Drawing, Design for a Painted Panel; Designed by Jean-Guillaume Moitte (French, 1746–1810); France; pen and chinese ink, sepia on paper; 26.9 × 10.6 cm (10 9/16 × 4 3/16 in.)
RM2AA9TH1–Francisco de Goya y Lucientes (1746-1828). Spanish painter. Allegory of the Villa of Madrid, 1810. Detail. History Museum. Madrid. Spain.
RM2DCB7M5–Nicolas François Regnault, (artist), French, 1746 - 1810, Pierre-Antoine Baudouin, (artist after), French, 1723 - 1769, Le bain (The Bath), color stipple etching and etching
RMMMPK2E–Portrait of Anna Potocka née Ossoli?ska with her grandson Alfred (1746-1810).. 1790s. Lampi Anna Potocka with her grandson
RMPB0G09–The Princess, Rosaline, etc. (Shakespeare, Love's Labour Lost, Act 4, Scene 1). Artist: After William Hamilton (British, London 1751-1801 London). Dimensions: Plate: 19 5/16 × 24 3/4 in. (49 × 62.8 cm) Sheet: 21 13/16 × 27 13/16 in. (55.4 × 70.7 cm). Engraver: Thomas Ryder I (British, 1746-1810). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA.
RM2AEJH89–D19097 XBD-4K.jpgLuigi Schiavonetti after William Blake, Christ descending into the Grave, 1808 and 1813 Luigi Schiavonetti after William Blake (Italian, 1765 - 1810), Christ descending into the Grave, 1808 and 1813, etched copper plate, Rosenwald Collection 1943.3.1746
RM2E46RBP–Thomas Ryder, 1746–1810, Irish, The Beautiful Stranger Poisoned by Her Sister. Engraving. Public Domain
RF2HW562Y–Art inspired by Manius Curius Dentatus Refusing the Presents of the Samnite Ambassadors, 1795–96, Pen and black ink, gray wash., 8 9/16 x 11 1/4 in. (21.8 x 28.6 cm), Drawings, Jean Guillaume Moitte (French, Paris 1746–1810 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B7NMAX–Hospital fire, c. 1810. Found in the Collection of Museo Nacional de Bellas Artes de Buenos Aires.
RM2PMCP29–Drawing, Design for a Painted Panel; Designed by Jean-Guillaume Moitte (French, 1746–1810); France; pen and chinese ink, brush and sepia on paper; 39.7 × 10.7 cm (15 5/8 × 4 3/16 in.)
RM2DCFJ1D–Nicolas François Regnault, (artist), French, 1746 - 1810, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, Le Songe d'Amour (Love's Dream), 1785, stipple etching
RMMNXM4R–. Polski: Anna Teresa Potocka z Ossolińskich (1746-1810) . 18th century. 1166 Teresa Potocka 1
RMR3DN5G–Prince Henry, Hotspur and Falstaff (Shakespeare, King Henry IV, Part 1, Act 5, Scene 4). Artist: After John Francis Rigaud (British (born Italy), Turin 1742-1810 Packington). Dimensions: Plate: 22 7/16 × 16 5/8 in. (57 × 42.3 cm) Sheet: 27 5/8 × 21 7/8 in. (70.2 × 55.5 cm). Engraver: Thomas Ryder I (British, 1746-1810). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1796. Museum: Metropolitan Museum of Art, New York, USA.
RM2E46RC3–Thomas Ryder, 1746–1810, Irish, Henry Bunbury, Esq, 1789. Stipple engraving. Public Domain
RF2HTXAGR–Art inspired by Designs for Silver, Pen and black ink, brush and black and gray wash, with framing lines in pen and black ink., 7 15/16 x 12 7/8 in. (20.2 x 32.7 cm), Drawings, Jean Guillaume Moitte (French, Paris 1746–1810 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HTCHTH–El Tiempo (Time and the old woman), c. 1810. Found in the Collection of the Musée des Beaux-Arts, Lille.
RM2PMCTP9–Drawing, Panel of Arabesques for the Hôtel de Salm, Paris; Designed by Jean-Guillaume Moitte (French, 1746–1810); France; pen and black ink, brush and gouache, black chalk on toned paper, lined; 43 x 10.1cm (16 15/16 x 4in.) Mat: 55.9 x 40.6 cm (22 x 16 in.) Mount: 46.8 x 13.8 cm (18 7/16 x 5 7/16 in.) Frame: 60.3 x 44.8 x 2.5 cm (23 3/4 in. x 17 5/8 in. x 1 in.)
RM2DJ0B3G–A View from Constitution Hill, Anno 1735, Edmund Scott, c.1746–1810, after Augustin Heckel, (after J.H.), active 1690–1770, German, 1779, Engraving
RMMNX0P7–. St. Hermengild at prison. circa 1810. Francisco Goya (1746–1828) Alternative names Francisco Goya Lucientes, Francisco de Goya y Lucientes, Francisco José Goya Lucientes Description Spanish painter, printmaker, lithographer, engraver and etcher Date of birth/death 30 March 1746 16 April 1828 Location of birth/death Fuendetodos Bordeaux Work location Madrid, Zaragoza, Bordeaux Authority control : Q5432 VIAF: 54343141 ISNI: 0000 0001 2280 1608 ULAN: 500118936 LCCN: n79003363 NLA: 36545788 WorldCat 1084 Saint Hermenegild in Prision by Goya
RMPB5XKK–La Fontaine d'Amour. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: sheet: 24 15/16 x 19 in. (63.4 x 48.3 cm) image: 23 7/16 x 16 15/16 in. (59.5 x 43.1 cm). Engraver: Engraved by Nicholas François Regnault (French, Paris 1746-1810). Date: 1785. Museum: Metropolitan Museum of Art, New York, USA.
RM2E46YRC–Thomas Ryder, 1746–1810, Irish, Henry Bunbury, Esq, 1789. Stipple engraving. Public Domain
RF2HTXDGR–Art inspired by The Death of Seneca, n.d., Pen and black ink, brush and brown wash, heightened with white gouache on blue paper, 8 3/4 x 11 13/16 in. (22.2 x 30 cm.), Drawings, Jean Guillaume Moitte (French, Paris 1746–1810 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMDE9409–Contra el bien general (Against the common good). Plate 71 from The Disasters of War (Los Desastros de la Guerra), 1810-1820. Artist: Goya, Francisco,
RM2AJ64AC–Wonders of sculpture . 1855, would bea good companion s-tatue. A Young Hunter Woimdedby a Snake, by M. Messidor Lebon Petitot (1794-).The Luxembourg also contains a few works bydeceased sculptors. We find, for instance, a Vesta,by Houdon ; a Pomona, by Dupaty (1771—1825) ;a bas-relief of France, calling her children to herdefence, by Moitte (1746^1810) ; a Son of Niobe,a Psyche, an Atalanta, by the Genevese JamesPradier (1794—1852), who is also the author of theFontaine Moliere in the Rue Richelieu ; and lastly,the Young Fisher Playing with a Tortoise, aMercury, and a Joan of Arc, by Frangois
RM2DCB89B–Nicolas François Regnault, (artist), French, 1746 - 1810, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, Le Baiser à la Derobée (The Stolen Kiss), stipple etching
RMP5C922–N/A. Español: 'Esto es lo verdadero', Desastres de la guerra, n.º 82. (1810-1815). Aguafuerte, aguatinta, punta seca, buril y bruñidor; 174 x 216 mm http://servicios.bne.es/productos/Goya/es home desastres.html . between 1810 and 1815. Francisco Goya (1746–1828) Alternative names Francisco Goya Lucientes, Francisco de Goya y Lucientes, Francisco José Goya Lucientes Description Spanish painter, printmaker, lithographer, engraver and etcher Date of birth/death 30 March 1746 16 April 1828 Location of birth/death Fuendetodos Bordeaux Work location Madrid, Zaragoza, Bordeaux Authority
RM2AGPWEC–Anna Katharina ('Käthchen') Schönkopf (1746-1810). Museum: PRIVATE COLLECTION. Author: ANONYMOUS.
RM2HWJ2P2–The Hoop. Artist: Antoine-François Gérard, French, 1760–1843After: Jean-Guillaume Moitte, French, 1746–1810
RF2HW62RB–Art inspired by Le Songe d'Amour, n.d., Etching, second state, sheet: 24 15/16 x 19 in. (63.4 x 48.3 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Nicholas François Regnault (French, Paris 1746–1810, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2AJ3AEJ–Andrews genealogy and alliance . ll of Philadel-phia, is certainly the most historic bell in the country.The bell cracked the second time when tolling forPresident McKinleys funeral. Tablet in St. Johns Church: Rev. John Andrews, D.D., born April 4, 1746,died March 29, 1813, under whose ministrations asMissionary to York and Carlisle, this edifice in itsoriginal form was erected in 1771. Founder of thefirst Classical School, West of the SusquehannaRiver, afterward the York County Academy. Pro-fessor of Moral Philosophy and Vice-Provost of theUniversity of Pennsylvania, 1791-1810. Provost of th
RM2DJ6AY7–Female Curiosity, Printed by Thomas Ryder, 1746–1810, Irish, after William Hogarth, 1697–1764, British, Published by Samuel Ireland, active 1760–died 1800, British, 1799, Etching and line engraving on medium, slightly textured, cream wove paper
RMP5RCEJ–N/A. Anton Bucher (1746-1817) bayerischer Priester, Adeliger und Gelehrter . 1810. zeitgenössischer Lithograph 247 Bucher Anton 3
RM2R6EKJ9–Samuel Griffin. oil on canvas. Date: 1770. Possibly Samuel Griffin, 1746 - 1810. Formerly identified as Cyrus Griffin, 1748 - 1810. Museum: NATIONAL PORTRAIT GALLERY.
RM2WGWC70–Landscape with ruins and a tree, Jean Jacques de Boissieu, 1746 - 1810 drawing paper. pencil landscape with ruins
RF2HW62R4–Art inspired by Le Songe d'Amour, n.d., Etching, third state, sheet: 22 15/16 x 17 15/16 in. (58.2 x 45.6 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Nicholas François Regnault (French, Paris 1746–1810, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for 1746 1810 Stock Photos and Images (1,060)
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