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1734 89 Stock Photos and Images
Trophies with Attributes of Fishing, Jean-Charles Delafosse, French, 1734–1791, Étienne Fessard, French, 1714–1777, Etching on Paper, Trophies with attributes of fishing., Europe, 1734–89, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trophies-with-attributes-of-fishing-jean-charles-delafosse-french-17341791-tienne-fessard-french-17141777-etching-on-paper-trophies-with-attributes-of-fishing-europe-173489-print-image391114967.htmlRM2DM8R3K–Trophies with Attributes of Fishing, Jean-Charles Delafosse, French, 1734–1791, Étienne Fessard, French, 1714–1777, Etching on Paper, Trophies with attributes of fishing., Europe, 1734–89, Print
Print, 1734–89 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-173489-image415085491.htmlRM2F38NNR–Print, 1734–89
Inspired by Corner Cabinet, Jean-Henri Riesener, French (born Germany), 1734–1806, 1785, Mahogany, oak, and marble with gilded brass, Made in Paris, Île-de-France, France, Europe, Furniture, 36 13/16 x 35 1/4 x 22 1/16 in. (93.5 x 89.5 x 56 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-corner-cabinet-jean-henri-riesener-french-born-germany-17341806-1785-mahogany-oak-and-marble-with-gilded-brass-made-in-paris-le-de-france-france-europe-furniture-36-1316-x-35-14-x-22-116-in-935-x-895-x-56-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459273564.htmlRF2HK5M38–Inspired by Corner Cabinet, Jean-Henri Riesener, French (born Germany), 1734–1806, 1785, Mahogany, oak, and marble with gilded brass, Made in Paris, Île-de-France, France, Europe, Furniture, 36 13/16 x 35 1/4 x 22 1/16 in. (93.5 x 89.5 x 56 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Cayer de 6 Grilles de Chenets et de Feux de Cheminées. Artist: Jean Charles Delafosse (French, Paris 1734-1789 Paris). Dimensions: Overall: 18 1/8 x 13 x 3/16 in. (46.1 x 33 x 0.4 cm). Etcher: Etched by Pierre G. Berthault (French, 1748-1819). Published in: Paris. Publisher: Published by Jacques François Chereau (French, Paris 1742-1794 Paris). Date: 1740-89. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cayer-de-6-grilles-de-chenets-et-de-feux-de-chemines-artist-jean-charles-delafosse-french-paris-1734-1789-paris-dimensions-overall-18-18-x-13-x-316-in-461-x-33-x-04-cm-etcher-etched-by-pierre-g-berthault-french-1748-1819-published-in-paris-publisher-published-by-jacques-franois-chereau-french-paris-1742-1794-paris-date-1740-89-museum-metropolitan-museum-of-art-new-york-usa-image213104611.htmlRMPAKN2Y–Cayer de 6 Grilles de Chenets et de Feux de Cheminées. Artist: Jean Charles Delafosse (French, Paris 1734-1789 Paris). Dimensions: Overall: 18 1/8 x 13 x 3/16 in. (46.1 x 33 x 0.4 cm). Etcher: Etched by Pierre G. Berthault (French, 1748-1819). Published in: Paris. Publisher: Published by Jacques François Chereau (French, Paris 1742-1794 Paris). Date: 1740-89. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Cayer de 6 Grilles de Chenets et de Feux de Cheminées, 1740–89, Etching, Overall: 18 1/8 x 13 x 3/16 in. (46.1 x 33 x 0.4 cm), Books, Jean Charles Delafosse (French, Paris 1734–1789 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cayer-de-6-grilles-de-chenets-et-de-feux-de-chemines-174089-etching-overall-18-18-x-13-x-316-in-461-x-33-x-04-cm-books-jean-charles-delafosse-french-paris-17341789-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462958877.htmlRF2HW5GNH–Art inspired by Cayer de 6 Grilles de Chenets et de Feux de Cheminées, 1740–89, Etching, Overall: 18 1/8 x 13 x 3/16 in. (46.1 x 33 x 0.4 cm), Books, Jean Charles Delafosse (French, Paris 1734–1789 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Porträt einer eleganten Dame in weißem Kleid mit Feuerholz (Porträt als Vestalin? als Personifikation des Winters?). Öl auf Leinwand, unsigniert. Verso auf einem Etikett bezeichnet mit dem Namen Jean Raoux. H. 89,5, B. 72 cm. 18th century. Attributed to Jean Raoux (1677–1734) Description French painter and printmaker Date of birth/death between 10 June 1677 and 12 June 1677 10 February 1734 Location of birth/death Montpellier Paris Work period from 1699 until 1734 Work location Montpellier (1699), Paris (1703), Rome (1706), Venice (1707-1709), Padua (1709-1712), Paris (1714-1734), Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrt-einer-eleganten-dame-in-weiem-kleid-mit-feuerholz-portrt-als-vestalin-als-personifikation-des-winters-l-auf-leinwand-unsigniert-verso-auf-einem-etikett-bezeichnet-mit-dem-namen-jean-raoux-h-895-b-72-cm-18th-century-attributed-to-jean-raoux-16771734-description-french-painter-and-printmaker-date-of-birthdeath-between-10-june-1677-and-12-june-1677-10-february-1734-location-of-birthdeath-montpellier-paris-work-period-from-1699-until-1734-work-location-montpellier-1699-paris-1703-rome-1706-venice-1707-1709-padua-1709-1712-paris-1714-1734-image185771978.htmlRMMP6J1E–. Porträt einer eleganten Dame in weißem Kleid mit Feuerholz (Porträt als Vestalin? als Personifikation des Winters?). Öl auf Leinwand, unsigniert. Verso auf einem Etikett bezeichnet mit dem Namen Jean Raoux. H. 89,5, B. 72 cm. 18th century. Attributed to Jean Raoux (1677–1734) Description French painter and printmaker Date of birth/death between 10 June 1677 and 12 June 1677 10 February 1734 Location of birth/death Montpellier Paris Work period from 1699 until 1734 Work location Montpellier (1699), Paris (1703), Rome (1706), Venice (1707-1709), Padua (1709-1712), Paris (1714-1734),
Art inspired by Corner Cabinet, Jean-Henri Riesener, French (born Germany), 1734-1806, 1785, Mahogany, oak, and marble with gilded brass, Made in Paris, Île-de-France, France, Europe, Furniture, 36 13/16 x 35 1/4 x 22 1/16 in. (93.5 x 89.5 x 56 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-corner-cabinet-jean-henri-riesener-french-born-germany-1734-1806-1785-mahogany-oak-and-marble-with-gilded-brass-made-in-paris-le-de-france-france-europe-furniture-36-1316-x-35-14-x-22-116-in-935-x-895-x-56-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459585419.htmlRF2HKKWTY–Art inspired by Corner Cabinet, Jean-Henri Riesener, French (born Germany), 1734-1806, 1785, Mahogany, oak, and marble with gilded brass, Made in Paris, Île-de-France, France, Europe, Furniture, 36 13/16 x 35 1/4 x 22 1/16 in. (93.5 x 89.5 x 56 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
1734 Thomas Butler Gunn Diaries- Volume 22, page 89, March 3, 1863 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1734-thomas-butler-gunn-diaries-volume-22-page-89-march-3-1863-image213498107.htmlRMPB9K0B–1734 Thomas Butler Gunn Diaries- Volume 22, page 89, March 3, 1863
Jozef door zijn broers herkend Draft prent. Manufacturer : artist: Jacobus Buys Dating: ca. 1734 - ca. 1801 Physical features: pen and brush gray material: paper ink technology: pen / brush dimensions: h 150 mm × W 89 mm Subject: Joseph reveals his identity and in tears forgives his brothers' suits misdeed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jozef-door-zijn-broers-herkend-draft-prent-manufacturer-artist-jacobus-buys-dating-ca-1734-ca-1801-physical-features-pen-and-brush-gray-material-paper-ink-technology-pen-brush-dimensions-h-150-mm-w-89-mm-subject-joseph-reveals-his-identity-and-in-tears-forgives-his-brothers-suits-misdeed-image348473595.htmlRM2B6X9HF–Jozef door zijn broers herkend Draft prent. Manufacturer : artist: Jacobus Buys Dating: ca. 1734 - ca. 1801 Physical features: pen and brush gray material: paper ink technology: pen / brush dimensions: h 150 mm × W 89 mm Subject: Joseph reveals his identity and in tears forgives his brothers' suits misdeed
Study for 'Silence' , c. 1780-89. Attributed to Louis-Philippe Mouchy (French, 1734-1801). Terracotta; overall: 26.5 x 15.3 x 16.4 cm (10 7/16 x 6 x 6 7/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-silence-c-1780-89-attributed-to-louis-philippe-mouchy-french-1734-1801-terracotta-overall-265-x-153-x-164-cm-10-716-x-6-x-6-716-in-image448107565.htmlRM2H111NH–Study for 'Silence' , c. 1780-89. Attributed to Louis-Philippe Mouchy (French, 1734-1801). Terracotta; overall: 26.5 x 15.3 x 16.4 cm (10 7/16 x 6 x 6 7/16 in.).
Print, Second Pastoral; Print Maker: Jean Baptiste Le Prince (French, 1734 – 1781); France; aquatint and etching in sepia ink on laid paper; 30.6 × 38 cm (12 1/16 × 14 15/16 in.); 1896-31-89 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-second-pastoral-print-maker-jean-baptiste-le-prince-french-1734-1781-france-aquatint-and-etching-in-sepia-ink-on-laid-paper-306-38-cm-12-116-14-1516-in-1896-31-89-image546199964.htmlRM2PMHFHG–Print, Second Pastoral; Print Maker: Jean Baptiste Le Prince (French, 1734 – 1781); France; aquatint and etching in sepia ink on laid paper; 30.6 × 38 cm (12 1/16 × 14 15/16 in.); 1896-31-89
Candle Bracket, c. 1765-1775. After a design by Jean Charles Delafosse (French, 1734-1789). Carved and gilded wood; overall: 89.2 x 63.5 x 45.1 cm (35 1/8 x 25 x 17 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/candle-bracket-c-1765-1775-after-a-design-by-jean-charles-delafosse-french-1734-1789-carved-and-gilded-wood-overall-892-x-635-x-451-cm-35-18-x-25-x-17-34-in-image448094081.htmlRM2H10CG1–Candle Bracket, c. 1765-1775. After a design by Jean Charles Delafosse (French, 1734-1789). Carved and gilded wood; overall: 89.2 x 63.5 x 45.1 cm (35 1/8 x 25 x 17 3/4 in.).
![Study for "Silence" , c. 1780-89. When originally acquired this work was understood as a sketch for "The Citizen"-a figure for a monument to King Louis XV in the French city of Rheims by Jean-Baptiste Pigalle. In that work the figure of "The Citizen" appears at the base, opposite an allegory of law, underneath a sculpture of Louis XV. The attribution was changed, however, after research made evident that the museum's sculpture precisely matches the iconography for "Silence"; moreover the figure differs considerably from Pigalle's final figure of "th Stock Photo](https://c8.alamy.com/comp/2A52AB2/study-for-quotsilencequot-c-1780-89-when-originally-acquired-this-work-was-understood-as-a-sketch-for-quotthe-citizenquot-a-figure-for-a-monument-to-king-louis-xv-in-the-french-city-of-rheims-by-jean-baptiste-pigalle-in-that-work-the-figure-of-quotthe-citizenquot-appears-at-the-base-opposite-an-allegory-of-law-underneath-a-sculpture-of-louis-xv-the-attribution-was-changed-however-after-research-made-evident-that-the-museums-sculpture-precisely-matches-the-iconography-for-quotsilencequot-moreover-the-figure-differs-considerably-from-pigalles-final-figure-of-quotth-2A52AB2.jpg "Study for "Silence" , c. 1780-89. When originally acquired this work was understood as a sketch for "The Citizen"-a figure for a monument to King Louis XV in the French city of Rheims by Jean-Baptiste Pigalle. In that work the figure of "The Citizen" appears at the base, opposite an allegory of law, underneath a sculpture of Louis XV. The attribution was changed, however, after research made evident that the museum's sculpture precisely matches the iconography for "Silence"; moreover the figure differs considerably from Pigalle's final figure of "th Stock Photo")
Study for "Silence" , c. 1780-89. When originally acquired this work was understood as a sketch for "The Citizen"-a figure for a monument to King Louis XV in the French city of Rheims by Jean-Baptiste Pigalle. In that work the figure of "The Citizen" appears at the base, opposite an allegory of law, underneath a sculpture of Louis XV. The attribution was changed, however, after research made evident that the museum's sculpture precisely matches the iconography for "Silence"; moreover the figure differs considerably from Pigalle's final figure of "th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-quotsilencequot-c-1780-89-when-originally-acquired-this-work-was-understood-as-a-sketch-for-quotthe-citizenquot-a-figure-for-a-monument-to-king-louis-xv-in-the-french-city-of-rheims-by-jean-baptiste-pigalle-in-that-work-the-figure-of-quotthe-citizenquot-appears-at-the-base-opposite-an-allegory-of-law-underneath-a-sculpture-of-louis-xv-the-attribution-was-changed-however-after-research-made-evident-that-the-museums-sculpture-precisely-matches-the-iconography-for-quotsilencequot-moreover-the-figure-differs-considerably-from-pigalles-final-figure-of-quotth-image330122326.htmlRM2A52AB2–Study for "Silence" , c. 1780-89. When originally acquired this work was understood as a sketch for "The Citizen"-a figure for a monument to King Louis XV in the French city of Rheims by Jean-Baptiste Pigalle. In that work the figure of "The Citizen" appears at the base, opposite an allegory of law, underneath a sculpture of Louis XV. The attribution was changed, however, after research made evident that the museum's sculpture precisely matches the iconography for "Silence"; moreover the figure differs considerably from Pigalle's final figure of "th
Portrait of Jane Hoskyns, c. 1778-1780. George Romney (British, 1734-1802). Oil on canvas; framed: 102 x 89 x 10.5 cm (40 3/16 x 35 1/16 x 4 1/8 in.); unframed: 69.8 x 59 cm (27 1/2 x 23 1/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jane-hoskyns-c-1778-1780-george-romney-british-1734-1802-oil-on-canvas-framed-102-x-89-x-105-cm-40-316-x-35-116-x-4-18-in-unframed-698-x-59-cm-27-12-x-23-14-in-image448104290.htmlRM2H10WGJ–Portrait of Jane Hoskyns, c. 1778-1780. George Romney (British, 1734-1802). Oil on canvas; framed: 102 x 89 x 10.5 cm (40 3/16 x 35 1/16 x 4 1/8 in.); unframed: 69.8 x 59 cm (27 1/2 x 23 1/4 in.).
Pair of Candle Brackets, c. 1765-1775. After a design by Jean Charles Delafosse (French, 1734-1789). Carved and gilded wood; part 1: 88.3 x 62.3 x 47.6 cm (34 3/4 x 24 1/2 x 18 3/4 in.); part 2: 89.2 x 63.5 x 45.1 cm (35 1/8 x 25 x 17 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pair-of-candle-brackets-c-1765-1775-after-a-design-by-jean-charles-delafosse-french-1734-1789-carved-and-gilded-wood-part-1-883-x-623-x-476-cm-34-34-x-24-12-x-18-34-in-part-2-892-x-635-x-451-cm-35-18-x-25-x-17-34-in-image448094095.htmlRM2H10CGF–Pair of Candle Brackets, c. 1765-1775. After a design by Jean Charles Delafosse (French, 1734-1789). Carved and gilded wood; part 1: 88.3 x 62.3 x 47.6 cm (34 3/4 x 24 1/2 x 18 3/4 in.); part 2: 89.2 x 63.5 x 45.1 cm (35 1/8 x 25 x 17 3/4 in.).
![Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear Stock Photo](https://c8.alamy.com/comp/2WT1R3R/girls-with-grapes-and-hunter-boucher-franois-french-1703-1770-author-of-design-1734-46-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-charron-andr-charlemagne-french-fl1754-1780-workshop-weaver-c-1750-tapestry-dimensions-h-89-x-w-6115-tapestry-materialstechniques-wool-warp-wool-silk-weft-culture-french-weaving-center-beauvais-ownership-history-count-harrach-coll-acquired-by-henry-e-huntington-in-1920-united-states-california-san-marino-huntington-library-art-gallery-and-botanical-gardens-accno-2084-2-girls-on-bank-of-ear-2WT1R3R.jpg "Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear Stock Photo")
Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girls-with-grapes-and-hunter-boucher-franois-french-1703-1770-author-of-design-1734-46-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-charron-andr-charlemagne-french-fl1754-1780-workshop-weaver-c-1750-tapestry-dimensions-h-89-x-w-6115-tapestry-materialstechniques-wool-warp-wool-silk-weft-culture-french-weaving-center-beauvais-ownership-history-count-harrach-coll-acquired-by-henry-e-huntington-in-1920-united-states-california-san-marino-huntington-library-art-gallery-and-botanical-gardens-accno-2084-2-girls-on-bank-of-ear-image599944347.htmlRM2WT1R3R–Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear
Trophies with Attributes of Fishing, Jean-Charles Delafosse, French, 1734–1791, Étienne Fessard, French, 1714–1777, Etching on Paper, Trophies with attributes of fishing., France, 1734–89, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trophies-with-attributes-of-fishing-jean-charles-delafosse-french-17341791-tienne-fessard-french-17141777-etching-on-paper-trophies-with-attributes-of-fishing-france-173489-print-image391102408.htmlRM2DM8734–Trophies with Attributes of Fishing, Jean-Charles Delafosse, French, 1734–1791, Étienne Fessard, French, 1714–1777, Etching on Paper, Trophies with attributes of fishing., France, 1734–89, Print
Print, 1734–89 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-173489-image415085483.htmlRM2F38NNF–Print, 1734–89
Design for an Illustration: 'Architecture', Fedele Fischetti, Italian, 1734 - 1789, Brush and gray wash on cream laid paper, ruled border in pen and black ink, Standing among remains of classical architecture, a woman points at a plan held by two putti. She carries instruments for measurement in her left hand. A third putto measures a capital. Bordering line., Verso: fragment of a design; pencil, pen. Volutes are connected by intertwined bands., Italy, 1760–89, architecture, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-illustration-architecture-fedele-fischetti-italian-1734-1789-brush-and-gray-wash-on-cream-laid-paper-ruled-border-in-pen-and-black-ink-standing-among-remains-of-classical-architecture-a-woman-points-at-a-plan-held-by-two-putti-she-carries-instruments-for-measurement-in-her-left-hand-a-third-putto-measures-a-capital-bordering-line-verso-fragment-of-a-design-pencil-pen-volutes-are-connected-by-intertwined-bands-italy-176089-architecture-drawing-image391170705.htmlRM2DMBA69–Design for an Illustration: 'Architecture', Fedele Fischetti, Italian, 1734 - 1789, Brush and gray wash on cream laid paper, ruled border in pen and black ink, Standing among remains of classical architecture, a woman points at a plan held by two putti. She carries instruments for measurement in her left hand. A third putto measures a capital. Bordering line., Verso: fragment of a design; pencil, pen. Volutes are connected by intertwined bands., Italy, 1760–89, architecture, Drawing
Battle with prisoners of war. Draughtsman: Jacobus Buys. Dating: 1734 - 1801. Measurements: h 149 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-with-prisoners-of-war-draughtsman-jacobus-buys-dating-1734-1801-measurements-h-149-mm-w-89-mm-museum-rijksmuseum-amsterdam-image232930637.htmlRMREXWB9–Battle with prisoners of war. Draughtsman: Jacobus Buys. Dating: 1734 - 1801. Measurements: h 149 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.
Study for an Oval Ceiling Design, Apollo, Strength, and Love, Fedele Fischetti, Italian, 1734 - 1789, Pen and brush and black ink, gray wash, black chalk on off-white laid paper, Figure of Apollo raises a torch. Allegory of Strength supports a column and holds her left hand with a sword over a fire. Love has a fire on her forehead and is accompanied by a dog and putti carrying burning hearts. The figures are seated on clouds. More putti are in attendance., Italy, 1760–89, interiors, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-an-oval-ceiling-design-apollo-strength-and-love-fedele-fischetti-italian-1734-1789-pen-and-brush-and-black-ink-gray-wash-black-chalk-on-off-white-laid-paper-figure-of-apollo-raises-a-torch-allegory-of-strength-supports-a-column-and-holds-her-left-hand-with-a-sword-over-a-fire-love-has-a-fire-on-her-forehead-and-is-accompanied-by-a-dog-and-putti-carrying-burning-hearts-the-figures-are-seated-on-clouds-more-putti-are-in-attendance-italy-176089-interiors-drawing-image391493493.htmlRM2DMX1XD–Study for an Oval Ceiling Design, Apollo, Strength, and Love, Fedele Fischetti, Italian, 1734 - 1789, Pen and brush and black ink, gray wash, black chalk on off-white laid paper, Figure of Apollo raises a torch. Allegory of Strength supports a column and holds her left hand with a sword over a fire. Love has a fire on her forehead and is accompanied by a dog and putti carrying burning hearts. The figures are seated on clouds. More putti are in attendance., Italy, 1760–89, interiors, Drawing
After Herman Hendrik Quiter dy, Prince Johan Vilhelm Friso, Johan Wilhelm Friso, 1687-1711, Prince of Nassau-Dietz-Oranien, painting, 1734, oil on canvas, Framed, Height, 89.5 cm (35.2 inches), Width, 69.5 cm (27.3 inches), Depth, 4 cm (1.5 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-herman-hendrik-quiter-dy-prince-johan-vilhelm-friso-johan-wilhelm-friso-1687-1711-prince-of-nassau-dietz-oranien-painting-1734-oil-on-canvas-framed-height-895-cm-352-inches-width-695-cm-273-inches-depth-4-cm-15-inches-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349931360.htmlRF2B98N0G–After Herman Hendrik Quiter dy, Prince Johan Vilhelm Friso, Johan Wilhelm Friso, 1687-1711, Prince of Nassau-Dietz-Oranien, painting, 1734, oil on canvas, Framed, Height, 89.5 cm (35.2 inches), Width, 69.5 cm (27.3 inches), Depth, 4 cm (1.5 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Cluwer mistreated by the Prussian hussars Cluwer, teacher Sluipwijk, mistreated by the Prussian hussars. Design for a prent. Manufacturer : draftsman: Jacobus Buys Dating: ca. 1734 - ca. 1801 Physical characteristics: pen or brush in gray material: paper Ink Technique: pen / brush dimensions: 141 mm × H b 89 mm Subject: historical events and situations (with DATE ) soldiers and civilianshistorical person (CLUWER) - scene directly related with life or life-story (CLUWER) Where: 1787-09-19 - 1787-09-19 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cluwer-mistreated-by-the-prussian-hussars-cluwer-teacher-sluipwijk-mistreated-by-the-prussian-hussars-design-for-a-prent-manufacturer-draftsman-jacobus-buys-dating-ca-1734-ca-1801-physical-characteristics-pen-or-brush-in-gray-material-paper-ink-technique-pen-brush-dimensions-141-mm-h-b-89-mm-subject-historical-events-and-situations-with-date-soldiers-and-civilianshistorical-person-cluwer-scene-directly-related-with-life-or-life-story-cluwer-where-1787-09-19-1787-09-19-image348271333.htmlRM2B6H3HW–Cluwer mistreated by the Prussian hussars Cluwer, teacher Sluipwijk, mistreated by the Prussian hussars. Design for a prent. Manufacturer : draftsman: Jacobus Buys Dating: ca. 1734 - ca. 1801 Physical characteristics: pen or brush in gray material: paper Ink Technique: pen / brush dimensions: 141 mm × H b 89 mm Subject: historical events and situations (with DATE ) soldiers and civilianshistorical person (CLUWER) - scene directly related with life or life-story (CLUWER) Where: 1787-09-19 - 1787-09-19
Domestic architecture of the American colonies and of the early republic . , a raking mould-ing extends along the gable. Usually this goes by the chimneys, also, although inthe north gable of the Van Cortlandt house, Lower Yonkers, it is interrupted bythe chimney, as late as 1748. Here, as in the McPhedris house, the eaves cornice 1 E. £., W. Salmons Palladio Londinensis, 1738 (first edition, 1734), pi. 34; Batty Langleys City andCountry Builders . . Treasury, 1745 (first edition, 1740), and Builders Jewel, 1752, pis. 89, 92; W. PainsPractical Builder, fourth edition, Boston, 1792, pis. 4, 5; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/domestic-architecture-of-the-american-colonies-and-of-the-early-republic-a-raking-mould-ing-extends-along-the-gable-usually-this-goes-by-the-chimneys-also-although-inthe-north-gable-of-the-van-cortlandt-house-lower-yonkers-it-is-interrupted-bythe-chimney-as-late-as-1748-here-as-in-the-mcphedris-house-the-eaves-cornice-1-e-w-salmons-palladio-londinensis-1738-first-edition-1734-pi-34-batty-langleys-city-andcountry-builders-treasury-1745-first-edition-1740-and-builders-jewel-1752-pis-89-92-w-painspractical-builder-fourth-edition-boston-1792-pis-4-5-image339353063.htmlRM2AM2T87–Domestic architecture of the American colonies and of the early republic . , a raking mould-ing extends along the gable. Usually this goes by the chimneys, also, although inthe north gable of the Van Cortlandt house, Lower Yonkers, it is interrupted bythe chimney, as late as 1748. Here, as in the McPhedris house, the eaves cornice 1 E. £., W. Salmons Palladio Londinensis, 1738 (first edition, 1734), pi. 34; Batty Langleys City andCountry Builders . . Treasury, 1745 (first edition, 1740), and Builders Jewel, 1752, pis. 89, 92; W. PainsPractical Builder, fourth edition, Boston, 1792, pis. 4, 5;
![Gypsy fortune-teller. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.7.3. Shepherdess having her fortune Stock Photo](https://c8.alamy.com/comp/2WT1HH6/gypsy-fortune-teller-boucher-franois-french-1703-1770-author-of-design-1734-46-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-charron-andr-charlemagne-french-fl1754-1780-workshop-weaver-c-1750-tapestry-dimensions-h-89-x-w-6115-tapestry-materialstechniques-wool-warp-wool-silk-weft-culture-french-weaving-center-beauvais-ownership-history-count-harrach-coll-acquired-by-henry-e-huntington-in-1920-united-states-california-san-marino-huntington-library-art-gallery-and-botanical-gardens-accno-2073-shepherdess-having-her-fortune-2WT1HH6.jpg "Gypsy fortune-teller. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.7.3. Shepherdess having her fortune Stock Photo")
Gypsy fortune-teller. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.7.3. Shepherdess having her fortune Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gypsy-fortune-teller-boucher-franois-french-1703-1770-author-of-design-1734-46-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-charron-andr-charlemagne-french-fl1754-1780-workshop-weaver-c-1750-tapestry-dimensions-h-89-x-w-6115-tapestry-materialstechniques-wool-warp-wool-silk-weft-culture-french-weaving-center-beauvais-ownership-history-count-harrach-coll-acquired-by-henry-e-huntington-in-1920-united-states-california-san-marino-huntington-library-art-gallery-and-botanical-gardens-accno-2073-shepherdess-having-her-fortune-image599940018.htmlRM2WT1HH6–Gypsy fortune-teller. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.7.3. Shepherdess having her fortune
Print (France), 1734–89 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-france-173489-image415082544.htmlRM2F38J0G–Print (France), 1734–89
Samson and Delila. Draughtsman: Jacobus Buys. Dating: c. 1734 - c. 1801. Measurements: h 150 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samson-and-delila-draughtsman-jacobus-buys-dating-c-1734-c-1801-measurements-h-150-mm-w-89-mm-museum-rijksmuseum-amsterdam-image233114707.htmlRMRF7857–Samson and Delila. Draughtsman: Jacobus Buys. Dating: c. 1734 - c. 1801. Measurements: h 150 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.
Tapestry Design: Apollo in his Chariot Led by Aurora, Fedele Fischetti, Italian, 1734 - 1789, Pen and brush and black ink, gray wash on off-white laid paper, ruled border in pen and black ink, lined, Design is based on Guido Reni's 'Aurora,' Palazzo Rospigliosi, Rome. The clouds rise from the sea and carry Apollo in his chariot. He is accompanied by the Hours; the group is preceded by Aurora and two genii holding a jar and flowers. In the lower right, Neptune stands onshore; he holds the reigns of his horse and his trident., Italy, 1760–89, textile designs, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tapestry-design-apollo-in-his-chariot-led-by-aurora-fedele-fischetti-italian-1734-1789-pen-and-brush-and-black-ink-gray-wash-on-off-white-laid-paper-ruled-border-in-pen-and-black-ink-lined-design-is-based-on-guido-renis-aurora-palazzo-rospigliosi-rome-the-clouds-rise-from-the-sea-and-carry-apollo-in-his-chariot-he-is-accompanied-by-the-hours-the-group-is-preceded-by-aurora-and-two-genii-holding-a-jar-and-flowers-in-the-lower-right-neptune-stands-onshore-he-holds-the-reigns-of-his-horse-and-his-trident-italy-176089-textile-designs-drawing-image391727986.htmlRM2DN8N16–Tapestry Design: Apollo in his Chariot Led by Aurora, Fedele Fischetti, Italian, 1734 - 1789, Pen and brush and black ink, gray wash on off-white laid paper, ruled border in pen and black ink, lined, Design is based on Guido Reni's 'Aurora,' Palazzo Rospigliosi, Rome. The clouds rise from the sea and carry Apollo in his chariot. He is accompanied by the Hours; the group is preceded by Aurora and two genii holding a jar and flowers. In the lower right, Neptune stands onshore; he holds the reigns of his horse and his trident., Italy, 1760–89, textile designs, Drawing
After Herman Hendrik Quiter dy, Prince Johan Vilhelm Friso, Johan Wilhelm Friso, 1687-1711, Prince of Nassau-Dietz-Oranien, painting, 1734, oil on canvas, Framed, Height, 89.5 cm (35.2 inches), Width, 69.5 cm (27.3 inches), Depth, 4 cm (1.5 inches) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-herman-hendrik-quiter-dy-prince-johan-vilhelm-friso-johan-wilhelm-friso-1687-1711-prince-of-nassau-dietz-oranien-painting-1734-oil-on-canvas-framed-height-895-cm-352-inches-width-695-cm-273-inches-depth-4-cm-15-inches-image261307956.htmlRMW53GY0–After Herman Hendrik Quiter dy, Prince Johan Vilhelm Friso, Johan Wilhelm Friso, 1687-1711, Prince of Nassau-Dietz-Oranien, painting, 1734, oil on canvas, Framed, Height, 89.5 cm (35.2 inches), Width, 69.5 cm (27.3 inches), Depth, 4 cm (1.5 inches)
John Flaxman Modeling the Bust of William Hayley, George Romney, 1734–1802, British, 1795 to 1796, Oil on canvas, Support (PTG): 89 x 57 inches (226.1 x 144.8 cm), artist, boy, breeches, bust, father, Georgian, men, modeling, portrait, sculptor, sculpture, son, stockings, studio (work space), writer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-flaxman-modeling-the-bust-of-william-hayley-george-romney-17341802-british-1795-to-1796-oil-on-canvas-support-ptg-89-x-57-inches-2261-x-1448-cm-artist-boy-breeches-bust-father-georgian-men-modeling-portrait-sculptor-sculpture-son-stockings-studio-work-space-writer-image389814341.htmlRM2DJ5G4N–John Flaxman Modeling the Bust of William Hayley, George Romney, 1734–1802, British, 1795 to 1796, Oil on canvas, Support (PTG): 89 x 57 inches (226.1 x 144.8 cm), artist, boy, breeches, bust, father, Georgian, men, modeling, portrait, sculptor, sculpture, son, stockings, studio (work space), writer
The coach of Prince William held by citizens in Nature Law (Dordrecht), June 29, 1672 The coach of Prince William held by citizens in Nature Law (Dordrecht?), June 29 1672 Object Type : Drawing Object number: RP-T 00-1450 Manufacturer : artist: Jacobus Buys Dating: 1734 - 1801 Physical features: pen and brush and gray material: paper ink technology: pen / brush dimensions: h 150 mm × W 89 mmToelichtingOntwerp for a picture in Cook, Vaderlandsch Dictionary, XI. Subject: four-wheeled vehicle drawn by two animal names of towns and village historical person (WILLEM III, prince of Orange-Nassau) hi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-coach-of-prince-william-held-by-citizens-in-nature-law-dordrecht-june-29-1672-the-coach-of-prince-william-held-by-citizens-in-nature-law-dordrecht-june-29-1672-object-type-drawing-object-number-rp-t-00-1450-manufacturer-artist-jacobus-buys-dating-1734-1801-physical-features-pen-and-brush-and-gray-material-paper-ink-technology-pen-brush-dimensions-h-150-mm-w-89-mmtoelichtingontwerp-for-a-picture-in-cook-vaderlandsch-dictionary-xi-subject-four-wheeled-vehicle-drawn-by-two-animal-names-of-towns-and-village-historical-person-willem-iii-prince-of-orange-nassau-hi-image348292004.htmlRM2B6J204–The coach of Prince William held by citizens in Nature Law (Dordrecht), June 29, 1672 The coach of Prince William held by citizens in Nature Law (Dordrecht?), June 29 1672 Object Type : Drawing Object number: RP-T 00-1450 Manufacturer : artist: Jacobus Buys Dating: 1734 - 1801 Physical features: pen and brush and gray material: paper ink technology: pen / brush dimensions: h 150 mm × W 89 mmToelichtingOntwerp for a picture in Cook, Vaderlandsch Dictionary, XI. Subject: four-wheeled vehicle drawn by two animal names of towns and village historical person (WILLEM III, prince of Orange-Nassau) hi
Joseph Wright, (painter), British, 1734 - 1797, Portrait of a Gentleman, c. 1760, oil on canvas, overall: 76.5 x 63.9 cm (30 1/8 x 25 3/16 in.), framed: 102.2 x 89.2 x 10.2 cm (40 1/4 x 35 1/8 x 4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-wright-painter-british-1734-1797-portrait-of-a-gentleman-c-1760-oil-on-canvas-overall-765-x-639-cm-30-18-x-25-316-in-framed-1022-x-892-x-102-cm-40-14-x-35-18-x-4-in-image386249930.htmlRM2DCB5MA–Joseph Wright, (painter), British, 1734 - 1797, Portrait of a Gentleman, c. 1760, oil on canvas, overall: 76.5 x 63.9 cm (30 1/8 x 25 3/16 in.), framed: 102.2 x 89.2 x 10.2 cm (40 1/4 x 35 1/8 x 4 in
. Cheshire, its traditions and history, including a record of the rise and progress of freemasonry in this ancient province . Brother LORD LEEKHULME,P.J.G.W., England.. Treasurer, Provincial Fund of Benevolence. CHESHIRE : ITS TRADITIONS AND HISTORY 301 Grand Lodge is the Cestrian, No. 425, constituted in 1734. The Lodge ofSt John, No. 104, Stockport, is, with the exception of the Unanimity, No. 89,Dukinfield, the oldest in the Province. The other eighteenth century warrantsin existence are Unity, No. 267, Macclesfield (1788) ; Unanimity, No. 287,Stockport (1792); the Kings Friends, No. 293, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cheshire-its-traditions-and-history-including-a-record-of-the-rise-and-progress-of-freemasonry-in-this-ancient-province-brother-lord-leekhulmepjgw-england-treasurer-provincial-fund-of-benevolence-cheshire-its-traditions-and-history-301-grand-lodge-is-the-cestrian-no-425-constituted-in-1734-the-lodge-ofst-john-no-104-stockport-is-with-the-exception-of-the-unanimity-no-89dukinfield-the-oldest-in-the-province-the-other-eighteenth-century-warrantsin-existence-are-unity-no-267-macclesfield-1788-unanimity-no-287stockport-1792-the-kings-friends-no-293-image369829279.htmlRM2CDK50F–. Cheshire, its traditions and history, including a record of the rise and progress of freemasonry in this ancient province . Brother LORD LEEKHULME,P.J.G.W., England.. Treasurer, Provincial Fund of Benevolence. CHESHIRE : ITS TRADITIONS AND HISTORY 301 Grand Lodge is the Cestrian, No. 425, constituted in 1734. The Lodge ofSt John, No. 104, Stockport, is, with the exception of the Unanimity, No. 89,Dukinfield, the oldest in the Province. The other eighteenth century warrantsin existence are Unity, No. 267, Macclesfield (1788) ; Unanimity, No. 287,Stockport (1792); the Kings Friends, No. 293,
Portrait of Jane Hoskyns, c. 1778-1780. George Romney (British, 1734-1802). Oil on canvas; framed: 102 x 89 x 10.5 cm (40 3/16 x 35 1/16 x 4 1/8 in.); unframed: 69.8 x 59 cm (27 1/2 x 23 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jane-hoskyns-c-1778-1780-george-romney-british-1734-1802-oil-on-canvas-framed-102-x-89-x-105-cm-40-316-x-35-116-x-4-18-in-unframed-698-x-59-cm-27-12-x-23-14-in-image240365447.htmlRMRY1GG7–Portrait of Jane Hoskyns, c. 1778-1780. George Romney (British, 1734-1802). Oil on canvas; framed: 102 x 89 x 10.5 cm (40 3/16 x 35 1/16 x 4 1/8 in.); unframed: 69.8 x 59 cm (27 1/2 x 23 1/4 in
Plans of Ancient Roman Church: 4. Terme di Tito, Giovanni Stern, 1734–1794, German, active in Italy, undated, Gray and brown wash with pen and black ink, over graphite on medium, moderatedly textured, cream laid paper, Sheet: 23 1/2 x 35 1/4 inches (59.7 x 89.5 cm), architectural subject, church, plans, Roman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plans-of-ancient-roman-church-4-terme-di-tito-giovanni-stern-17341794-german-active-in-italy-undated-gray-and-brown-wash-with-pen-and-black-ink-over-graphite-on-medium-moderatedly-textured-cream-laid-paper-sheet-23-12-x-35-14-inches-597-x-895-cm-architectural-subject-church-plans-roman-image389625279.htmlRM2DHTY0F–Plans of Ancient Roman Church: 4. Terme di Tito, Giovanni Stern, 1734–1794, German, active in Italy, undated, Gray and brown wash with pen and black ink, over graphite on medium, moderatedly textured, cream laid paper, Sheet: 23 1/2 x 35 1/4 inches (59.7 x 89.5 cm), architectural subject, church, plans, Roman
Field battle with prisoners of war, Jacobus Buys, 1734 - 1801, draughtsman: Jacobus Buys, 1734 - 1801, paper, pen, brush, h 149 mm × w 89 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/field-battle-with-prisoners-of-war-jacobus-buys-1734-1801-draughtsman-jacobus-buys-1734-1801-paper-pen-brush-h-149-mm-w-89-mm-image472036039.htmlRM2JBY2NY–Field battle with prisoners of war, Jacobus Buys, 1734 - 1801, draughtsman: Jacobus Buys, 1734 - 1801, paper, pen, brush, h 149 mm × w 89 mm
![Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear Stock Photo](https://c8.alamy.com/comp/2WT1N0D/girls-with-grapes-and-hunter-boucher-franois-french-1703-1770-author-of-design-1734-46-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-charron-andr-charlemagne-french-fl1754-1780-workshop-weaver-c-1750-tapestry-dimensions-h-89-x-w-6115-tapestry-materialstechniques-wool-warp-wool-silk-weft-culture-french-weaving-center-beauvais-ownership-history-count-harrach-coll-acquired-by-henry-e-huntington-in-1920-united-states-california-san-marino-huntington-library-art-gallery-and-botanical-gardens-accno-2084-2-girls-on-bank-of-ear-2WT1N0D.jpg "Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear Stock Photo")
Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girls-with-grapes-and-hunter-boucher-franois-french-1703-1770-author-of-design-1734-46-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-charron-andr-charlemagne-french-fl1754-1780-workshop-weaver-c-1750-tapestry-dimensions-h-89-x-w-6115-tapestry-materialstechniques-wool-warp-wool-silk-weft-culture-french-weaving-center-beauvais-ownership-history-count-harrach-coll-acquired-by-henry-e-huntington-in-1920-united-states-california-san-marino-huntington-library-art-gallery-and-botanical-gardens-accno-2084-2-girls-on-bank-of-ear-image599942685.htmlRM2WT1N0D–Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear
Joseph recognized by his brothers. Draughtsman: Jacobus Buys. Dating: c. 1734 - c. 1801. Measurements: h 150 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-recognized-by-his-brothers-draughtsman-jacobus-buys-dating-c-1734-c-1801-measurements-h-150-mm-w-89-mm-museum-rijksmuseum-amsterdam-image233132056.htmlRMRF828T–Joseph recognized by his brothers. Draughtsman: Jacobus Buys. Dating: c. 1734 - c. 1801. Measurements: h 150 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.
![. Bulletin - United States National Museum. Science. â â y. Figure 52.âStructure F (supposed smokehouse loundalion). Firing ciiamber in foreground. 59. 1731 Staffordshire salt-glazed white stoneware, some with molded rims, ca. 1 760 59.1734 Half of sheep shears (ill. 85) 59.1735 Convex copper escutcheon plate (fig. 83g) 59.1736 Brass-hinged handle or pull for strap (fig. 83i, ill. 89) Elsewhere, in the trenches next to the foiindaiiou walls, artifacts typical of those occurring in other parts of the site were found. Worth mentioning are pieces of yellow-streaked, red earthen "agate" Stock Photo](https://c8.alamy.com/comp/RG7D15/bulletin-united-states-national-museum-science-y-figure-52structure-f-supposed-smokehouse-loundalion-firing-ciiamber-in-foreground-59-1731-staffordshire-salt-glazed-white-stoneware-some-with-molded-rims-ca-1-760-591734-half-of-sheep-shears-ill-85-591735-convex-copper-escutcheon-plate-fig-83g-591736-brass-hinged-handle-or-pull-for-strap-fig-83i-ill-89-elsewhere-in-the-trenches-next-to-the-foiindaiiou-walls-artifacts-typical-of-those-occurring-in-other-parts-of-the-site-were-found-worth-mentioning-are-pieces-of-yellow-streaked-red-earthen-quotagatequot-RG7D15.jpg ". Bulletin - United States National Museum. Science. â â y. Figure 52.âStructure F (supposed smokehouse loundalion). Firing ciiamber in foreground. 59. 1731 Staffordshire salt-glazed white stoneware, some with molded rims, ca. 1 760 59.1734 Half of sheep shears (ill. 85) 59.1735 Convex copper escutcheon plate (fig. 83g) 59.1736 Brass-hinged handle or pull for strap (fig. 83i, ill. 89) Elsewhere, in the trenches next to the foiindaiiou walls, artifacts typical of those occurring in other parts of the site were found. Worth mentioning are pieces of yellow-streaked, red earthen "agate" Stock Photo")
. Bulletin - United States National Museum. Science. â â y. Figure 52.âStructure F (supposed smokehouse loundalion). Firing ciiamber in foreground. 59. 1731 Staffordshire salt-glazed white stoneware, some with molded rims, ca. 1 760 59.1734 Half of sheep shears (ill. 85) 59.1735 Convex copper escutcheon plate (fig. 83g) 59.1736 Brass-hinged handle or pull for strap (fig. 83i, ill. 89) Elsewhere, in the trenches next to the foiindaiiou walls, artifacts typical of those occurring in other parts of the site were found. Worth mentioning are pieces of yellow-streaked, red earthen "agate" Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-united-states-national-museum-science-y-figure-52structure-f-supposed-smokehouse-loundalion-firing-ciiamber-in-foreground-59-1731-staffordshire-salt-glazed-white-stoneware-some-with-molded-rims-ca-1-760-591734-half-of-sheep-shears-ill-85-591735-convex-copper-escutcheon-plate-fig-83g-591736-brass-hinged-handle-or-pull-for-strap-fig-83i-ill-89-elsewhere-in-the-trenches-next-to-the-foiindaiiou-walls-artifacts-typical-of-those-occurring-in-other-parts-of-the-site-were-found-worth-mentioning-are-pieces-of-yellow-streaked-red-earthen-quotagatequot-image233733169.htmlRMRG7D15–. Bulletin - United States National Museum. Science. â â y. Figure 52.âStructure F (supposed smokehouse loundalion). Firing ciiamber in foreground. 59. 1731 Staffordshire salt-glazed white stoneware, some with molded rims, ca. 1 760 59.1734 Half of sheep shears (ill. 85) 59.1735 Convex copper escutcheon plate (fig. 83g) 59.1736 Brass-hinged handle or pull for strap (fig. 83i, ill. 89) Elsewhere, in the trenches next to the foiindaiiou walls, artifacts typical of those occurring in other parts of the site were found. Worth mentioning are pieces of yellow-streaked, red earthen "agate"
Two women and a child, kneeling begging for a gentleman, Jacobus Buys, 1734 - 1801, draughtsman: Jacobus Buys, 1734 - 1801, paper, pen, brush, h 149 mm × w 89 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-women-and-a-child-kneeling-begging-for-a-gentleman-jacobus-buys-1734-1801-draughtsman-jacobus-buys-1734-1801-paper-pen-brush-h-149-mm-w-89-mm-image472036043.htmlRM2JBY2P3–Two women and a child, kneeling begging for a gentleman, Jacobus Buys, 1734 - 1801, draughtsman: Jacobus Buys, 1734 - 1801, paper, pen, brush, h 149 mm × w 89 mm
![Bacchus (Dionysus). Audran, Claude III (French, 1658-1734) (designed after) [painter] Boulogne, Louis (the Younger) (French, 1654-1733) (designed after, figures) [painter] Corneille, Jean-Baptiste (French, 1649-1695) (designed after, figures) [painter] Desportes, Alexandre-François (French, 1661-1743) (designed after, animals) [painter] c. 1700-1800 Tapestry Dimensions: H 8'9' x W 6'7.5' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Mrs. Seton Porter, received 4/1/1949; sold to Mr. Alfred Jaeger 12/31/1961. Bacchus h Stock Photo](https://c8.alamy.com/comp/2WTGF3X/bacchus-dionysus-audran-claude-iii-french-1658-1734-designed-after-painter-boulogne-louis-the-younger-french-1654-1733-designed-after-figures-painter-corneille-jean-baptiste-french-1649-1695-designed-after-figures-painter-desportes-alexandre-franois-french-1661-1743-designed-after-animals-painter-c-1700-1800-tapestry-dimensions-h-89-x-w-675-tapestry-materialstechniques-unknown-culture-french-weaving-center-paris-ownership-history-french-co-purchased-from-mrs-seton-porter-received-411949-sold-to-mr-alfred-jaeger-12311961-bacchus-h-2WTGF3X.jpg "Bacchus (Dionysus). Audran, Claude III (French, 1658-1734) (designed after) [painter] Boulogne, Louis (the Younger) (French, 1654-1733) (designed after, figures) [painter] Corneille, Jean-Baptiste (French, 1649-1695) (designed after, figures) [painter] Desportes, Alexandre-François (French, 1661-1743) (designed after, animals) [painter] c. 1700-1800 Tapestry Dimensions: H 8'9' x W 6'7.5' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Mrs. Seton Porter, received 4/1/1949; sold to Mr. Alfred Jaeger 12/31/1961. Bacchus h Stock Photo")
Bacchus (Dionysus). Audran, Claude III (French, 1658-1734) (designed after) [painter] Boulogne, Louis (the Younger) (French, 1654-1733) (designed after, figures) [painter] Corneille, Jean-Baptiste (French, 1649-1695) (designed after, figures) [painter] Desportes, Alexandre-François (French, 1661-1743) (designed after, animals) [painter] c. 1700-1800 Tapestry Dimensions: H 8'9' x W 6'7.5' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Mrs. Seton Porter, received 4/1/1949; sold to Mr. Alfred Jaeger 12/31/1961. Bacchus h Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-dionysus-audran-claude-iii-french-1658-1734-designed-after-painter-boulogne-louis-the-younger-french-1654-1733-designed-after-figures-painter-corneille-jean-baptiste-french-1649-1695-designed-after-figures-painter-desportes-alexandre-franois-french-1661-1743-designed-after-animals-painter-c-1700-1800-tapestry-dimensions-h-89-x-w-675-tapestry-materialstechniques-unknown-culture-french-weaving-center-paris-ownership-history-french-co-purchased-from-mrs-seton-porter-received-411949-sold-to-mr-alfred-jaeger-12311961-bacchus-h-image600267358.htmlRM2WTGF3X–Bacchus (Dionysus). Audran, Claude III (French, 1658-1734) (designed after) [painter] Boulogne, Louis (the Younger) (French, 1654-1733) (designed after, figures) [painter] Corneille, Jean-Baptiste (French, 1649-1695) (designed after, figures) [painter] Desportes, Alexandre-François (French, 1661-1743) (designed after, animals) [painter] c. 1700-1800 Tapestry Dimensions: H 8'9' x W 6'7.5' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Mrs. Seton Porter, received 4/1/1949; sold to Mr. Alfred Jaeger 12/31/1961. Bacchus h
Cluwer mistreated by the Prussian hussars. Draughtsman: Jacobus Buys. Dating: c. 1734 - c. 1801. Measurements: h 141 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cluwer-mistreated-by-the-prussian-hussars-draughtsman-jacobus-buys-dating-c-1734-c-1801-measurements-h-141-mm-w-89-mm-museum-rijksmuseum-amsterdam-image233126085.htmlRMRF7PKH–Cluwer mistreated by the Prussian hussars. Draughtsman: Jacobus Buys. Dating: c. 1734 - c. 1801. Measurements: h 141 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.
Samson and Delilah, Jacobus Buys, c. 1734 - c. 1801, Design for a print., draughtsman: Jacobus Buys, c. 1734 - c. 1801, paper, pen, brush, h 150 mm × w 89 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samson-and-delilah-jacobus-buys-c-1734-c-1801-design-for-a-print-draughtsman-jacobus-buys-c-1734-c-1801-paper-pen-brush-h-150-mm-w-89-mm-image472043143.htmlRM2JBYBRK–Samson and Delilah, Jacobus Buys, c. 1734 - c. 1801, Design for a print., draughtsman: Jacobus Buys, c. 1734 - c. 1801, paper, pen, brush, h 150 mm × w 89 mm
![Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear Stock Photo](https://c8.alamy.com/comp/2WT1JBF/girls-with-grapes-and-hunter-boucher-franois-french-1703-1770-author-of-design-1734-46-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-charron-andr-charlemagne-french-fl1754-1780-workshop-weaver-c-1750-tapestry-dimensions-h-89-x-w-6115-tapestry-materialstechniques-wool-warp-wool-silk-weft-culture-french-weaving-center-beauvais-ownership-history-count-harrach-coll-acquired-by-henry-e-huntington-in-1920-united-states-california-san-marino-huntington-library-art-gallery-and-botanical-gardens-accno-2084-2-girls-on-bank-of-ear-2WT1JBF.jpg "Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear Stock Photo")
Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girls-with-grapes-and-hunter-boucher-franois-french-1703-1770-author-of-design-1734-46-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-charron-andr-charlemagne-french-fl1754-1780-workshop-weaver-c-1750-tapestry-dimensions-h-89-x-w-6115-tapestry-materialstechniques-wool-warp-wool-silk-weft-culture-french-weaving-center-beauvais-ownership-history-count-harrach-coll-acquired-by-henry-e-huntington-in-1920-united-states-california-san-marino-huntington-library-art-gallery-and-botanical-gardens-accno-2084-2-girls-on-bank-of-ear-image599940643.htmlRM2WT1JBF–Girls with grapes and Hunter. Boucher, François (French, 1703-1770) (author of design, 1734-46) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] Charron, André-Charlemagne (French, fl.1754-1780) (workshop) [weaver] c. 1750 Tapestry Dimensions: H 8'9' x W 6'11.5' Tapestry Materials/Techniques: wool (warp); wool & silk (weft) Culture: French Weaving Center: Beauvais Ownership History: Count Harrach coll. Acquired by Henry E. Huntington in 1920. United States, California, San Marino, Huntington Library, Art Gallery and Botanical Gardens, accno. 20.8.4. 2 girls on bank of ear
Two women and a child, kneeling begging for a gentleman. Draughtsman: Jacobus Buys. Dating: 1734 - 1801. Measurements: h 149 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-women-and-a-child-kneeling-begging-for-a-gentleman-draughtsman-jacobus-buys-dating-1734-1801-measurements-h-149-mm-w-89-mm-museum-rijksmuseum-amsterdam-image232946070.htmlRMREYH2E–Two women and a child, kneeling begging for a gentleman. Draughtsman: Jacobus Buys. Dating: 1734 - 1801. Measurements: h 149 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.
Joseph recognized by his brothers, Jacobus Buys, c. 1734 - c. 1801, Design for a print., draughtsman: Jacobus Buys, c. 1734 - c. 1801, paper, pen, brush, h 150 mm × w 89 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-recognized-by-his-brothers-jacobus-buys-c-1734-c-1801-design-for-a-print-draughtsman-jacobus-buys-c-1734-c-1801-paper-pen-brush-h-150-mm-w-89-mm-image472043139.htmlRM2JBYBRF–Joseph recognized by his brothers, Jacobus Buys, c. 1734 - c. 1801, Design for a print., draughtsman: Jacobus Buys, c. 1734 - c. 1801, paper, pen, brush, h 150 mm × w 89 mm
The carriage of Prince William III arrested by citizens at Aardrecht (Dordrecht?), June 29, 1672. Draughtsman: Jacobus Buys. Dating: 1734 - 1801. Measurements: h 150 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-carriage-of-prince-william-iii-arrested-by-citizens-at-aardrecht-dordrecht-june-29-1672-draughtsman-jacobus-buys-dating-1734-1801-measurements-h-150-mm-w-89-mm-museum-rijksmuseum-amsterdam-image232946017.htmlRMREYH0H–The carriage of Prince William III arrested by citizens at Aardrecht (Dordrecht?), June 29, 1672. Draughtsman: Jacobus Buys. Dating: 1734 - 1801. Measurements: h 150 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.
The carriage of Prince William III stopped by civilians near Aardrecht (Dordrecht?), 29 June 1672, Jacobus Buys, 1734 - 1801, draughtsman: Jacobus Buys, 1734 - 1801, paper, pen, brush, h 150 mm × w 89 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-carriage-of-prince-william-iii-stopped-by-civilians-near-aardrecht-dordrecht-29-june-1672-jacobus-buys-1734-1801-draughtsman-jacobus-buys-1734-1801-paper-pen-brush-h-150-mm-w-89-mm-image472036120.htmlRM2JBY2TT–The carriage of Prince William III stopped by civilians near Aardrecht (Dordrecht?), 29 June 1672, Jacobus Buys, 1734 - 1801, draughtsman: Jacobus Buys, 1734 - 1801, paper, pen, brush, h 150 mm × w 89 mm
Cluwer mistreated by the Prussian hussars, Jacobus Buys, c. 1734 - c. 1801, Cluwer, teacher at Sluipwijk, mistreated by the Prussian hussars. Design for a print., draughtsman: Jacobus Buys, c. 1734 - c. 1801, paper, pen, brush, h 141 mm × w 89 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cluwer-mistreated-by-the-prussian-hussars-jacobus-buys-c-1734-c-1801-cluwer-teacher-at-sluipwijk-mistreated-by-the-prussian-hussars-design-for-a-print-draughtsman-jacobus-buys-c-1734-c-1801-paper-pen-brush-h-141-mm-w-89-mm-image472043042.htmlRM2JBYBM2–Cluwer mistreated by the Prussian hussars, Jacobus Buys, c. 1734 - c. 1801, Cluwer, teacher at Sluipwijk, mistreated by the Prussian hussars. Design for a print., draughtsman: Jacobus Buys, c. 1734 - c. 1801, paper, pen, brush, h 141 mm × w 89 mm
Corner Cabinet, Jean-Henri Riesener, French (born Germany), 1734–1806, 1785, Mahogany, oak, and marble with gilded brass, Made in Paris, Île-de-France, France, Europe, Furniture, 36 13/16 x 35 1/4 x 22 1/16 in. (93.5 x 89.5 x 56 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/corner-cabinet-jean-henri-riesener-french-born-germany-17341806-1785-mahogany-oak-and-marble-with-gilded-brass-made-in-paris-le-de-france-france-europe-furniture-36-1316-x-35-14-x-22-116-in-935-x-895-x-56-cm-image454290073.htmlRM2HB2KHD–Corner Cabinet, Jean-Henri Riesener, French (born Germany), 1734–1806, 1785, Mahogany, oak, and marble with gilded brass, Made in Paris, Île-de-France, France, Europe, Furniture, 36 13/16 x 35 1/4 x 22 1/16 in. (93.5 x 89.5 x 56 cm
Poet's Party in Arashiyama, late 18th century, Minagawa Kien, Japanese, 1734 - 1807, 37 9/16 × 11 3/8 in. (95.41 × 28.89 cm) (image)68 5/16 × 16 13/16 in. (173.51 × 42.7 cm) (mount, without roller), Ink on paper, Japan, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/poets-party-in-arashiyama-late-18th-century-minagawa-kien-japanese-1734-1807-37-916-11-38-in-9541-2889-cm-image68-516-16-1316-in-17351-427-cm-mount-without-roller-ink-on-paper-japan-18th-century-image573483926.htmlRM2T90CGP–Poet's Party in Arashiyama, late 18th century, Minagawa Kien, Japanese, 1734 - 1807, 37 9/16 × 11 3/8 in. (95.41 × 28.89 cm) (image)68 5/16 × 16 13/16 in. (173.51 × 42.7 cm) (mount, without roller), Ink on paper, Japan, 18th century
Agourtzi Seller, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 x 3 1/2 in. (12.7 x 8.89 cm) (image)5 5/8 x 3 7/8 in. (14.29 x 9.84 cm) (plate)7 3/8 x 5 in. (18.73 x 12.7 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/agourtzi-seller-1764-jean-baptiste-le-prince-french-1734-1781-5-x-3-12-in-127-x-889-cm-image5-58-x-3-78-in-1429-x-984-cm-plate7-38-x-5-in-1873-x-127-cm-sheet-etching-france-18th-century-image573510673.htmlRM2T91JM1–Agourtzi Seller, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 x 3 1/2 in. (12.7 x 8.89 cm) (image)5 5/8 x 3 7/8 in. (14.29 x 9.84 cm) (plate)7 3/8 x 5 in. (18.73 x 12.7 cm) (sheet), Etching, France, 18th century
Peasant Woman, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 1/16 x 3 1/2 in. (12.86 x 8.89 cm) (image)6 3/4 x 3 7/8 in. (17.15 x 9.84 cm) (plate)7 3/4 x 4 3/4 in. (19.69 x 12.07 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peasant-woman-1764-jean-baptiste-le-prince-french-1734-1781-5-116-x-3-12-in-1286-x-889-cm-image6-34-x-3-78-in-1715-x-984-cm-plate7-34-x-4-34-in-1969-x-1207-cm-sheet-etching-france-18th-century-image573510663.htmlRM2T91JKK–Peasant Woman, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 1/16 x 3 1/2 in. (12.86 x 8.89 cm) (image)6 3/4 x 3 7/8 in. (17.15 x 9.84 cm) (plate)7 3/4 x 4 3/4 in. (19.69 x 12.07 cm) (sheet), Etching, France, 18th century
The Dovecote, 1765-1767, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 3/8 x 3 1/2 in. (11.11 x 8.89 cm) (image)4 7/8 x 3 15/16 in. (12.38 x 10 cm) (plate)6 5/8 x 5 7/16 in. (16.83 x 13.81 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dovecote-1765-1767-jean-baptiste-le-prince-french-1734-1781-4-38-x-3-12-in-1111-x-889-cm-image4-78-x-3-1516-in-1238-x-10-cm-plate6-58-x-5-716-in-1683-x-1381-cm-sheet-etching-france-18th-century-image573510728.htmlRM2T91JP0–The Dovecote, 1765-1767, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 3/8 x 3 1/2 in. (11.11 x 8.89 cm) (image)4 7/8 x 3 15/16 in. (12.38 x 10 cm) (plate)6 5/8 x 5 7/16 in. (16.83 x 13.81 cm) (sheet), Etching, France, 18th century
Tartar Officer, 1765, Jean-Baptiste Le Prince, French, 1734 - 1781, 3 1/2 x 2 1/16 in. (8.89 x 5.24 cm) (image)4 1/2 x 2 9/16 in. (11.43 x 6.51 cm) (plate)6 9/16 x 4 1/8 in. (16.67 x 10.48 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tartar-officer-1765-jean-baptiste-le-prince-french-1734-1781-3-12-x-2-116-in-889-x-524-cm-image4-12-x-2-916-in-1143-x-651-cm-plate6-916-x-4-18-in-1667-x-1048-cm-sheet-etching-france-18th-century-image573510609.htmlRM2T91JHN–Tartar Officer, 1765, Jean-Baptiste Le Prince, French, 1734 - 1781, 3 1/2 x 2 1/16 in. (8.89 x 5.24 cm) (image)4 1/2 x 2 9/16 in. (11.43 x 6.51 cm) (plate)6 9/16 x 4 1/8 in. (16.67 x 10.48 cm) (sheet), Etching, France, 18th century
The Milkmaid from Oetha, 1765, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 7/8 x 9 1/8 in. (17.46 x 23.18 cm) (image)8 x 9 7/8 in. (20.32 x 25.08 cm) (plate)9 x 11 3/8 in. (22.86 x 28.89 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-milkmaid-from-oetha-1765-jean-baptiste-le-prince-french-1734-1781-6-78-x-9-18-in-1746-x-2318-cm-image8-x-9-78-in-2032-x-2508-cm-plate9-x-11-38-in-2286-x-2889-cm-sheet-etching-france-18th-century-image573510717.htmlRM2T91JNH–The Milkmaid from Oetha, 1765, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 7/8 x 9 1/8 in. (17.46 x 23.18 cm) (image)8 x 9 7/8 in. (20.32 x 25.08 cm) (plate)9 x 11 3/8 in. (22.86 x 28.89 cm) (sheet), Etching, France, 18th century
Turkish Officer, 1765, Jean-Baptiste Le Prince, French, 1734 - 1781, 3 1/2 x 2 in. (8.89 x 5.08 cm) (image)4 1/2 x 2 5/8 in. (11.43 x 6.67 cm) (plate)6 3/8 x 4 3/16 in. (16.19 x 10.64 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/turkish-officer-1765-jean-baptiste-le-prince-french-1734-1781-3-12-x-2-in-889-x-508-cm-image4-12-x-2-58-in-1143-x-667-cm-plate6-38-x-4-316-in-1619-x-1064-cm-sheet-etching-france-18th-century-image573510610.htmlRM2T91JHP–Turkish Officer, 1765, Jean-Baptiste Le Prince, French, 1734 - 1781, 3 1/2 x 2 in. (8.89 x 5.08 cm) (image)4 1/2 x 2 5/8 in. (11.43 x 6.67 cm) (plate)6 3/8 x 4 3/16 in. (16.19 x 10.64 cm) (sheet), Etching, France, 18th century
Russian Abbot, 1765, Jean-Baptiste Le Prince, French, 1734 - 1781, 3 1/2 x 2 1/8 in. (8.89 x 5.4 cm) (image)3 7/8 x 2 1/2 in. (9.84 x 6.35 cm) (plate)6 5/8 x 4 5/8 in. (16.83 x 11.75 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/russian-abbot-1765-jean-baptiste-le-prince-french-1734-1781-3-12-x-2-18-in-889-x-54-cm-image3-78-x-2-12-in-984-x-635-cm-plate6-58-x-4-58-in-1683-x-1175-cm-sheet-etching-france-18th-century-image573510550.htmlRM2T91JFJ–Russian Abbot, 1765, Jean-Baptiste Le Prince, French, 1734 - 1781, 3 1/2 x 2 1/8 in. (8.89 x 5.4 cm) (image)3 7/8 x 2 1/2 in. (9.84 x 6.35 cm) (plate)6 5/8 x 4 5/8 in. (16.83 x 11.75 cm) (sheet), Etching, France, 18th century
Old Women's Clothing, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 x 3 1/2 in. (12.7 x 8.89 cm) (image)5 3/8 x 3 7/8 in. (13.65 x 9.84 cm) (plate)7 x 5 7/16 in. (17.78 x 13.81 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-womens-clothing-1764-jean-baptiste-le-prince-french-1734-1781-5-x-3-12-in-127-x-889-cm-image5-38-x-3-78-in-1365-x-984-cm-plate7-x-5-716-in-1778-x-1381-cm-sheet-etching-france-18th-century-image573510667.htmlRM2T91JKR–Old Women's Clothing, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 x 3 1/2 in. (12.7 x 8.89 cm) (image)5 3/8 x 3 7/8 in. (13.65 x 9.84 cm) (plate)7 x 5 7/16 in. (17.78 x 13.81 cm) (sheet), Etching, France, 18th century
Servant in Winter Clothing, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 x 3 1/2 in. (12.7 x 8.89 cm) (image)5 3/8 x 3 15/16 in. (13.65 x 10 cm) (plate)7 1/8 x 5 1/8 in. (18.1 x 13.02 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/servant-in-winter-clothing-1764-jean-baptiste-le-prince-french-1734-1781-5-x-3-12-in-127-x-889-cm-image5-38-x-3-1516-in-1365-x-10-cm-plate7-18-x-5-18-in-181-x-1302-cm-sheet-etching-france-18th-century-image573510626.htmlRM2T91JJA–Servant in Winter Clothing, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 x 3 1/2 in. (12.7 x 8.89 cm) (image)5 3/8 x 3 15/16 in. (13.65 x 10 cm) (plate)7 1/8 x 5 1/8 in. (18.1 x 13.02 cm) (sheet), Etching, France, 18th century
Finn Bringing Goods to the Market, 1765, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 1/2 x 8 3/4 in. (16.51 x 22.23 cm) (image)8 x 9 1/2 in. (20.32 x 24.13 cm) (plate)9 1/4 x 11 3/8 in. (23.5 x 28.89 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/finn-bringing-goods-to-the-market-1765-jean-baptiste-le-prince-french-1734-1781-6-12-x-8-34-in-1651-x-2223-cm-image8-x-9-12-in-2032-x-2413-cm-plate9-14-x-11-38-in-235-x-2889-cm-sheet-etching-france-18th-century-image573510655.htmlRM2T91JKB–Finn Bringing Goods to the Market, 1765, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 1/2 x 8 3/4 in. (16.51 x 22.23 cm) (image)8 x 9 1/2 in. (20.32 x 24.13 cm) (plate)9 1/4 x 11 3/8 in. (23.5 x 28.89 cm) (sheet), Etching, France, 18th century
The River Boat, 1773, Jean-Baptiste Le Prince, French, 1734 - 1781, 9 x 11 3/8 in. (22.86 x 28.89 cm) (image)10 1/2 x 12 1/2 in. (26.67 x 31.75 cm) (plate)12 1/8 x 14 in. (30.8 x 35.56 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-river-boat-1773-jean-baptiste-le-prince-french-1734-1781-9-x-11-38-in-2286-x-2889-cm-image10-12-x-12-12-in-2667-x-3175-cm-plate12-18-x-14-in-308-x-3556-cm-sheet-etching-and-aquatint-in-sepia-ink-france-18th-century-image573510785.htmlRM2T91JT1–The River Boat, 1773, Jean-Baptiste Le Prince, French, 1734 - 1781, 9 x 11 3/8 in. (22.86 x 28.89 cm) (image)10 1/2 x 12 1/2 in. (26.67 x 31.75 cm) (plate)12 1/8 x 14 in. (30.8 x 35.56 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century
Russian Women Conversing, 1763, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 1/4 x 3 1/2 in. (13.34 x 8.89 cm) (image)5 11/16 x 3 11/16 in. (14.45 x 9.37 cm) (plate)7 1/8 x 4 1/4 in. (18.1 x 10.8 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/russian-women-conversing-1763-jean-baptiste-le-prince-french-1734-1781-5-14-x-3-12-in-1334-x-889-cm-image5-1116-x-3-1116-in-1445-x-937-cm-plate7-18-x-4-14-in-181-x-108-cm-sheet-etching-france-18th-century-image573510652.htmlRM2T91JK8–Russian Women Conversing, 1763, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 1/4 x 3 1/2 in. (13.34 x 8.89 cm) (image)5 11/16 x 3 11/16 in. (14.45 x 9.37 cm) (plate)7 1/8 x 4 1/4 in. (18.1 x 10.8 cm) (sheet), Etching, France, 18th century
Head of Turk without a Moustache, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 1/4 x 3 1/2 in. (10.8 x 8.89 cm) (image)6 1/8 x 4 9/16 in. (15.56 x 11.59 cm) (plate)7 1/8 x 5 7/16 in. (18.1 x 13.81 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-turk-without-a-moustache-1768-jean-baptiste-le-prince-french-1734-1781-4-14-x-3-12-in-108-x-889-cm-image6-18-x-4-916-in-1556-x-1159-cm-plate7-18-x-5-716-in-181-x-1381-cm-sheet-etching-and-aquatint-in-sepia-ink-france-18th-century-image573510786.htmlRM2T91JT2–Head of Turk without a Moustache, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 1/4 x 3 1/2 in. (10.8 x 8.89 cm) (image)6 1/8 x 4 9/16 in. (15.56 x 11.59 cm) (plate)7 1/8 x 5 7/16 in. (18.1 x 13.81 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century
Head of a Woman in a Headdress, Facing Front, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 1/16 x 3 3/8 in. (10.32 x 8.57 cm) (image)6 1/4 x 4 9/16 in. (15.88 x 11.59 cm) (plate)7 7/16 x 5 1/4 in. (18.89 x 13.34 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-woman-in-a-headdress-facing-front-1768-jean-baptiste-le-prince-french-1734-1781-4-116-x-3-38-in-1032-x-857-cm-image6-14-x-4-916-in-1588-x-1159-cm-plate7-716-x-5-14-in-1889-x-1334-cm-sheet-etching-and-aquatint-in-sepia-ink-france-18th-century-image573510763.htmlRM2T91JR7–Head of a Woman in a Headdress, Facing Front, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 1/16 x 3 3/8 in. (10.32 x 8.57 cm) (image)6 1/4 x 4 9/16 in. (15.88 x 11.59 cm) (plate)7 7/16 x 5 1/4 in. (18.89 x 13.34 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century
Design for an Altar Painting, Saint Dominic and Saint Catherine of Siena Receiving the Rosary from the Virgin and Child, Fedele Fischetti, Italian, 1734 - 1789, Pen and brush and black ink, gray wash on off-white laid paper, Drawn border in brown ink forms the arch at the top. The Saints kneel before a pedestal upon which the Virgin is seated with the Child in her lap. She gives a rosary to Dominic; Catherine receives hers from the Child. Angels and attributes accompany the Saints., Italy, 1760–89, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-altar-painting-saint-dominic-and-saint-catherine-of-siena-receiving-the-rosary-from-the-virgin-and-child-fedele-fischetti-italian-1734-1789-pen-and-brush-and-black-ink-gray-wash-on-off-white-laid-paper-drawn-border-in-brown-ink-forms-the-arch-at-the-top-the-saints-kneel-before-a-pedestal-upon-which-the-virgin-is-seated-with-the-child-in-her-lap-she-gives-a-rosary-to-dominic-catherine-receives-hers-from-the-child-angels-and-attributes-accompany-the-saints-italy-176089-figures-drawing-image391581880.htmlRM2DN22K4–Design for an Altar Painting, Saint Dominic and Saint Catherine of Siena Receiving the Rosary from the Virgin and Child, Fedele Fischetti, Italian, 1734 - 1789, Pen and brush and black ink, gray wash on off-white laid paper, Drawn border in brown ink forms the arch at the top. The Saints kneel before a pedestal upon which the Virgin is seated with the Child in her lap. She gives a rosary to Dominic; Catherine receives hers from the Child. Angels and attributes accompany the Saints., Italy, 1760–89, figures, Drawing
Cayer de 6 Grilles de Chenets et de Feux de Cheminées, Jean Charles Delafosse, 1740–89 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cayer-de-6-grilles-de-chenets-et-de-feux-de-chemines-jean-charles-162402625.htmlRMKC625N–Cayer de 6 Grilles de Chenets et de Feux de Cheminées, Jean Charles Delafosse, 1740–89
Search Results for 1734 89 Stock Photos and Images (67)
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