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1723 1774 Stock Photos and Images
Louis XV 's (1723-1774) coronation at Rheims Cathedral, 25 October 1722 . From l-r: Marquis de Dreux, grand master of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-xv-s-1723-1774-coronation-at-rheims-cathedral-25-october-1722-83348547.htmlRMERGRWR–Louis XV 's (1723-1774) coronation at Rheims Cathedral, 25 October 1722 . From l-r: Marquis de Dreux, grand master of
Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; overall: 88.3 x 53.3 cm (34 3/4 x 21 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/length-of-textile-1723-1774-france-18th-century-period-of-louis-xv-1723-1774-brocade-silk-overall-883-x-533-cm-34-34-x-21-in-image240420052.htmlRMRY426C–Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; overall: 88.3 x 53.3 cm (34 3/4 x 21 in
Susanne Katharina Seiffart von Klettenberg, 1723-1774, a German abbess and writer, woodcut from the year 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-susanne-katharina-seiffart-von-klettenberg-1723-1774-a-german-abbess-129019512.htmlRFHDW9KM–Susanne Katharina Seiffart von Klettenberg, 1723-1774, a German abbess and writer, woodcut from the year 1880
Cortège of Janus, 1764. Artist: De Fehrt, A. J. (1723-1774) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cortge-of-janus-1764-artist-de-fehrt-a-j-1723-1774-image60377754.htmlRMDE6CCA–Cortège of Janus, 1764. Artist: De Fehrt, A. J. (1723-1774)
Colonel of the French Infantry, era of King Louis XV, 1723-1774. In wig, white coat with gold epaulettes, blue jacket and breeches, buckle shoes, with tricorn and sword. Colonel d'Infanterie. Regne de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colonel-of-the-french-infantry-era-of-king-louis-xv-1723-1774-in-wig-white-coat-with-gold-epaulettes-blue-jacket-and-breeches-buckle-shoes-with-tricorn-and-sword-colonel-dinfanterie-regne-de-louis-xv-handcoloured-lithograph-by-lorenzo-bianchi-and-domenico-cuciniello-after-hippolyte-lecomte-from-costumi-civili-e-militari-della-monarchia-francese-dal-1200-al-1820-naples-1825-italian-edition-of-lecomtes-civilian-and-military-costumes-of-the-french-monarchy-from-1200-to-1820-image571833667.htmlRM2T697JY–Colonel of the French Infantry, era of King Louis XV, 1723-1774. In wig, white coat with gold epaulettes, blue jacket and breeches, buckle shoes, with tricorn and sword. Colonel d'Infanterie. Regne de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.
Colonel of the French Infantry, era of King Louis XV, 1723-1774. In wig, white coat with gold epaulettes, blue jacket and breeches, buckle shoes, with tricorn and sword. Colonel d'Infanterie. Regne de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colonel-of-the-french-infantry-era-of-king-louis-xv-1723-1774-in-wig-white-coat-with-gold-epaulettes-blue-jacket-and-breeches-buckle-shoes-with-tricorn-and-sword-colonel-dinfanterie-regne-de-louis-xv-handcoloured-lithograph-by-lorenzo-bianchi-and-domenico-cuciniello-after-hippolyte-lecomte-from-costumi-civili-e-militari-della-monarchia-francese-dal-1200-al-1820-naples-1825-italian-edition-of-lecomtes-civilian-and-military-costumes-of-the-french-monarchy-from-1200-to-1820-image465599359.htmlRM2J1DTMF–Colonel of the French Infantry, era of King Louis XV, 1723-1774. In wig, white coat with gold epaulettes, blue jacket and breeches, buckle shoes, with tricorn and sword. Colonel d'Infanterie. Regne de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820.
La France sous Louis XV, 1723-1774 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-la-france-sous-louis-xv-1723-1774-140859383.htmlRMJ54KG7–La France sous Louis XV, 1723-1774
. Portrait of Caroline Fox, 1st Baroness Holland (1723-1774) . 1766. Lady Holland by Ramsay Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-caroline-fox-1st-baroness-holland-1723-1774-1766-lady-holland-by-ramsay-image184885061.htmlRMMMP6NW–. Portrait of Caroline Fox, 1st Baroness Holland (1723-1774) . 1766. Lady Holland by Ramsay
Louis XV (1710-1774), King of France from 1715, with the Duke of Orleans as regent until 1723. He was the great-grandson of Louis XIV. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xv-1710-1774-king-of-france-from-1715-with-the-duke-of-orleans-as-regent-until-1723-he-was-the-great-grandson-of-louis-xiv-image268814540.htmlRMWH9FK8–Louis XV (1710-1774), King of France from 1715, with the Duke of Orleans as regent until 1723. He was the great-grandson of Louis XIV.
Portrait of Caroline Fox, 1st Baroness Holland (1723-1774). 1757-1758. Caroline Lady Holland 1757 58 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-caroline-fox-1st-baroness-holland-1723-1774-1757-1758-caroline-lady-holland-1757-58-image184768388.htmlRMMMGWY0–Portrait of Caroline Fox, 1st Baroness Holland (1723-1774). 1757-1758. Caroline Lady Holland 1757 58
Art inspired by The Little Schoolmistress, mid to late 18th century, Etching and engraving, Sheet (trimmed): 10 5/8 × 7 15/16 in. (27 × 20.2 cm), Prints, A. J. Defehrt (French (born Denmark), Huring 1723–1774), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-little-schoolmistress-mid-to-late-18th-century-etching-and-engraving-sheet-trimmed-10-58-7-1516-in-27-202-cm-prints-a-j-defehrt-french-born-denmark-huring-17231774-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462995069.htmlRF2HW76X5–Art inspired by The Little Schoolmistress, mid to late 18th century, Etching and engraving, Sheet (trimmed): 10 5/8 × 7 15/16 in. (27 × 20.2 cm), Prints, A. J. Defehrt (French (born Denmark), Huring 1723–1774), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Image from page 159 of 'La France sous Louis XV, 1723-1774' . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-from-page-159-of-la-france-sous-louis-xv-1723-1774-image217396317.htmlRMPHK765–Image from page 159 of 'La France sous Louis XV, 1723-1774' .
Image taken from page 33 of 'La France sous Louis XV, 1723-1774' Image taken from page 33 of 'La France sous Louis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-33-of-la-france-sous-louis-xv-1723-1774-image-85968962.htmlRMEYT682–Image taken from page 33 of 'La France sous Louis XV, 1723-1774' Image taken from page 33 of 'La France sous Louis
Lengths of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; average: 88.3 x 53.3 cm (34 3/4 x 21 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lengths-of-textile-1723-1774-france-18th-century-period-of-louis-xv-1723-1774-brocade-silk-average-883-x-533-cm-34-34-x-21-in-image448070874.htmlRM2H0YAY6–Lengths of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; average: 88.3 x 53.3 cm (34 3/4 x 21 in.).
Susanna Catharina von Klettenberg, 1723-1774, a canoness and religious writer, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/susanna-catharina-von-klettenberg-1723-1774-a-canoness-and-religious-image69800547.htmlRME1FK8K–Susanna Catharina von Klettenberg, 1723-1774, a canoness and religious writer,
Art inspired by Man Smoking and Drinking at a Window, March 17, 1774, Mezzotint with etching, Plate: 11 1/2 × 9 1/4 in. (29.2 × 23.5 cm), Prints, Captain William E. Baillie (Irish, County Kilbride 1723–1810 London), After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-man-smoking-and-drinking-at-a-window-march-17-1774-mezzotint-with-etching-plate-11-12-9-14-in-292-235-cm-prints-captain-william-e-baillie-irish-county-kilbride-17231810-london-after-adriaen-van-ostade-dutch-haarlem-16101685-haarlem-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020335.htmlRF2HW8B4F–Art inspired by Man Smoking and Drinking at a Window, March 17, 1774, Mezzotint with etching, Plate: 11 1/2 × 9 1/4 in. (29.2 × 23.5 cm), Prints, Captain William E. Baillie (Irish, County Kilbride 1723–1810 London), After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Susanna Catharina von Klettenberg, 1723-1774, a canoness and religious writer, Susanne Katharina von Klettenberg (1723 - 1774), Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-susanna-catharina-von-klettenberg-1723-1774-a-canoness-and-religious-75155127.htmlRMEA7H3K–Susanna Catharina von Klettenberg, 1723-1774, a canoness and religious writer, Susanne Katharina von Klettenberg (1723 - 1774),
Art inspired by Wall hangings (3), 1774–93, French, Silk on satin, .35: H. 127 x W. 80 1/2 inches (322.6 x 204.5 cm); .36 and .37 each: H. 126 x W. 83 inches (320 x 210.8 cm), Textiles-Embroidered, After a design by Philippe de Lasalle (French, 1723–1804, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-wall-hangings-3-177493-french-silk-on-satin-35-h-127-x-w-80-12-inches-3226-x-2045-cm-36-and-37-each-h-126-x-w-83-inches-320-x-2108-cm-textiles-embroidered-after-a-design-by-philippe-de-lasalle-french-17231804-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462923250.htmlRF2HW3Y96–Art inspired by Wall hangings (3), 1774–93, French, Silk on satin, .35: H. 127 x W. 80 1/2 inches (322.6 x 204.5 cm); .36 and .37 each: H. 126 x W. 83 inches (320 x 210.8 cm), Textiles-Embroidered, After a design by Philippe de Lasalle (French, 1723–1804, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. This is an image of a 50.5 x 35.5 cm mezzotint print of 'Sir Joseph Banks when Mr Banks'. That is, it purportedly shows Banks before he came into his baronetcy in 1761. 1774. Joshua Reynolds (1723–1792) Description British painter Date of birth/death 16 July 1723 23 February 1792 Location of birth/death Plympton London Work location London, Plympton, Italy Authority control : Q194402 VIAF: 27081216 ISNI: 0000 0001 0881 5237 ULAN: 500004539 LCCN: n84168483 NLA: 35449606 WorldCat 1124 Sir Joseph Banks when Mr Banks Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-is-an-image-of-a-505-x-355-cm-mezzotint-print-of-sir-joseph-banks-when-mr-banks-that-is-it-purportedly-shows-banks-before-he-came-into-his-baronetcy-in-1761-1774-joshua-reynolds-17231792-description-british-painter-date-of-birthdeath-16-july-1723-23-february-1792-location-of-birthdeath-plympton-london-work-location-london-plympton-italy-authority-control-q194402-viaf27081216-isni0000-0001-0881-5237-ulan500004539-lccnn84168483-nla35449606-worldcat-1124-sir-joseph-banks-when-mr-banks-image185591056.htmlRMMNXB80–. This is an image of a 50.5 x 35.5 cm mezzotint print of 'Sir Joseph Banks when Mr Banks'. That is, it purportedly shows Banks before he came into his baronetcy in 1761. 1774. Joshua Reynolds (1723–1792) Description British painter Date of birth/death 16 July 1723 23 February 1792 Location of birth/death Plympton London Work location London, Plympton, Italy Authority control : Q194402 VIAF: 27081216 ISNI: 0000 0001 0881 5237 ULAN: 500004539 LCCN: n84168483 NLA: 35449606 WorldCat 1124 Sir Joseph Banks when Mr Banks
The 'Jeu du Roi' gaming table in the court of Louis XV. Louis XV reigned 1723-1774. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-jeu-du-roi-gaming-table-in-the-court-of-louis-xv-louis-xv-reigned-83348549.htmlRMERGRWW–The 'Jeu du Roi' gaming table in the court of Louis XV. Louis XV reigned 1723-1774.
Lengths of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; average: 88.3 x 53.3 cm (34 3/4 x 21 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lengths-of-textile-1723-1774-france-18th-century-period-of-louis-xv-1723-1774-brocade-silk-average-883-x-533-cm-34-34-x-21-in-image240420054.htmlRMRY426E–Lengths of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; average: 88.3 x 53.3 cm (34 3/4 x 21 in
N/A. English: Emily Mary, Duchess of Leinster oil on canvas 86.2 x 62.6cm circa 1774 . circa 1774. Joshua Reynolds (1723–1792) Alternative names Sir Joshua Reynolds Description British painter Date of birth/death 16 July 1723 23 February 1792 Location of birth/death Plympton London Work location London, Plympton, Italy Authority control : Q194402 VIAF:27081216 ISNI:0000 0001 0881 5237 ULAN:500004539 LCCN:n84168483 NLA:35449606 WorldCat 508 Emily Mary, Duchess of Leinster, by Joshua Reynolds Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-emily-mary-duchess-of-leinster-oil-on-canvas-862-x-626cm-circa-1774-circa-1774-joshua-reynolds-17231792-alternative-names-sir-joshua-reynolds-description-british-painter-date-of-birthdeath-16-july-1723-23-february-1792-location-of-birthdeath-plympton-london-work-location-london-plympton-italy-authority-control-q194402-viaf27081216-isni0000-0001-0881-5237-ulan500004539-lccnn84168483-nla35449606-worldcat-508-emily-mary-duchess-of-leinster-by-joshua-reynolds-image210137551.htmlRMP5TGGF–N/A. English: Emily Mary, Duchess of Leinster oil on canvas 86.2 x 62.6cm circa 1774 . circa 1774. Joshua Reynolds (1723–1792) Alternative names Sir Joshua Reynolds Description British painter Date of birth/death 16 July 1723 23 February 1792 Location of birth/death Plympton London Work location London, Plympton, Italy Authority control : Q194402 VIAF:27081216 ISNI:0000 0001 0881 5237 ULAN:500004539 LCCN:n84168483 NLA:35449606 WorldCat 508 Emily Mary, Duchess of Leinster, by Joshua Reynolds
The Chariot of Apollo, 1764. Artist: De Fehrt, A. J. (1723-1774) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-chariot-of-apollo-1764-artist-de-fehrt-a-j-1723-1774-image60377861.htmlRMDE6CG5–The Chariot of Apollo, 1764. Artist: De Fehrt, A. J. (1723-1774)
Costume of a banker during the reign of King Louis XV of France, 1723-1774. In wig, gold-embroidered velvet jacket, waistcoat and breeches, with bags of money. Financier. Regne de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-a-banker-during-the-reign-of-king-louis-xv-of-france-1723-1774-in-wig-gold-embroidered-velvet-jacket-waistcoat-and-breeches-with-bags-of-money-financier-regne-de-louis-xv-handcoloured-lithograph-by-lorenzo-bianchi-and-domenico-cuciniello-after-hippolyte-lecomte-from-costumi-civili-e-militari-della-monarchia-francese-dal-1200-al-1820-naples-1825-italian-edition-of-lecomtes-civilian-and-military-costumes-of-the-french-monarchy-from-1200-to-1820-image571812864.htmlRM2T68940–Costume of a banker during the reign of King Louis XV of France, 1723-1774. In wig, gold-embroidered velvet jacket, waistcoat and breeches, with bags of money. Financier. Regne de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.
Fencing. From Encyclopédie by Denis Diderot and Jean Le Rond d'Alembert, 1751-1765. Creator: Defehrt, A.-J. (1723-1774). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fencing-from-encyclopdie-by-denis-diderot-and-jean-le-rond-dalembert-1751-1765-creator-defehrt-a-j-1723-1774-image248912615.htmlRMTCXXG7–Fencing. From Encyclopédie by Denis Diderot and Jean Le Rond d'Alembert, 1751-1765. Creator: Defehrt, A.-J. (1723-1774).
La France sous Louis XV, 1723-1774 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-la-france-sous-louis-xv-1723-1774-140828045.htmlRMJ537H1–La France sous Louis XV, 1723-1774
Costume of a banker during the reign of King Louis XV of France, 1723-1774. In wig, gold-embroidered velvet jacket, waistcoat and breeches, with bags of money. Financier. Regne de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-a-banker-during-the-reign-of-king-louis-xv-of-france-1723-1774-in-wig-gold-embroidered-velvet-jacket-waistcoat-and-breeches-with-bags-of-money-financier-regne-de-louis-xv-handcoloured-lithograph-by-lorenzo-bianchi-and-domenico-cuciniello-after-hippolyte-lecomte-from-costumi-civili-e-militari-della-monarchia-francese-dal-1200-al-1820-naples-1825-italian-edition-of-lecomtes-civilian-and-military-costumes-of-the-french-monarchy-from-1200-to-1820-image465599408.htmlRM2J1DTP8–Costume of a banker during the reign of King Louis XV of France, 1723-1774. In wig, gold-embroidered velvet jacket, waistcoat and breeches, with bags of money. Financier. Regne de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820.
N/A. English: Anna Maria Tollemache as 'Miranda' oil on canvas 241.4 x 147.4 cm 1773-1774 . from 1773 until 1774. Joshua Reynolds (1723–1792) Alternative names Sir Joshua Reynolds Description British painter Date of birth/death 16 July 1723 23 February 1792 Location of birth/death Plympton London Work location London, Plympton, Italy Authority control : Q194402 VIAF:27081216 ISNI:0000 0001 0881 5237 ULAN:500004539 LCCN:n84168483 NLA:35449606 WorldCat 104 Anna Maria Tollemache, by Joshua Reynolds Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-anna-maria-tollemache-as-miranda-oil-on-canvas-2414-x-1474-cm-1773-1774-from-1773-until-1774-joshua-reynolds-17231792-alternative-names-sir-joshua-reynolds-description-british-painter-date-of-birthdeath-16-july-1723-23-february-1792-location-of-birthdeath-plympton-london-work-location-london-plympton-italy-authority-control-q194402-viaf27081216-isni0000-0001-0881-5237-ulan500004539-lccnn84168483-nla35449606-worldcat-104-anna-maria-tollemache-by-joshua-reynolds-image209968980.htmlRMP5GWG4–N/A. English: Anna Maria Tollemache as 'Miranda' oil on canvas 241.4 x 147.4 cm 1773-1774 . from 1773 until 1774. Joshua Reynolds (1723–1792) Alternative names Sir Joshua Reynolds Description British painter Date of birth/death 16 July 1723 23 February 1792 Location of birth/death Plympton London Work location London, Plympton, Italy Authority control : Q194402 VIAF:27081216 ISNI:0000 0001 0881 5237 ULAN:500004539 LCCN:n84168483 NLA:35449606 WorldCat 104 Anna Maria Tollemache, by Joshua Reynolds
Assembly in the Great Chamber of the Paris Parlement : the Seat of Justice, to be addressed by Louis XV (King of France 1715-1774) 22 February 1723, who took control of government on this, his 13th birthday. Nicolas Lancret (1690-1743. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-assembly-in-the-great-chamber-of-the-paris-parlement-the-seat-of-justice-57353838.htmlRMD98KBA–Assembly in the Great Chamber of the Paris Parlement : the Seat of Justice, to be addressed by Louis XV (King of France 1715-1774) 22 February 1723, who took control of government on this, his 13th birthday. Nicolas Lancret (1690-1743.
![. Caerte van de Purmer met haer wegen, wateringhen, cavels en watermolens, also de selve gecavelt is, op den XIII.en Augusti anno MDC.XXII : mitsgaders de omleggende steden, dorpen en landen / aldus in koper ghemaeckt door Johannes Cóvens en Cornelis Mortier . Scale [c. 1:10.000]. 4-sheet map of the Purmer. 1723. Johannes Covens (1697-1774), Cornelis Mortier (1699-1783) XUBAKZL12A5 084, 3/23/12, 2:46 PM, 8C, 7992x10656 (0+0), 100%%%%, JUNI 2011 PPRO, 1/120 s, R55.1, G22.4, B20.2 189 Map - Special Collections University of Amsterdam - OTM- HB-KZL I 2 A 5 (84) Stock Photo](https://c8.alamy.com/comp/P21M19/caerte-van-de-purmer-met-haer-wegen-wateringhen-cavels-en-watermolens-also-de-selve-gecavelt-is-op-den-xiiien-augusti-anno-mdcxxiimitsgaders-de-omleggende-steden-dorpen-en-landenaldus-in-koper-ghemaeckt-door-johannes-cvens-en-cornelis-mortier-scale-c-110000-4-sheet-map-of-the-purmer-1723-johannes-covens-1697-1774-cornelis-mortier-1699-1783-xubakzl12a5-084-32312-246-pm-8c-7992x10656-00-100-juni-2011-ppro-1120-s-r551-g224-b202-189-map-special-collections-university-of-amsterdam-otm-hb-kzl-i-2-a-5-84-P21M19.jpg ". Caerte van de Purmer met haer wegen, wateringhen, cavels en watermolens, also de selve gecavelt is, op den XIII.en Augusti anno MDC.XXII : mitsgaders de omleggende steden, dorpen en landen / aldus in koper ghemaeckt door Johannes Cóvens en Cornelis Mortier . Scale [c. 1:10.000]. 4-sheet map of the Purmer. 1723. Johannes Covens (1697-1774), Cornelis Mortier (1699-1783) XUBAKZL12A5 084, 3/23/12, 2:46 PM, 8C, 7992x10656 (0+0), 100%%%%, JUNI 2011 PPRO, 1/120 s, R55.1, G22.4, B20.2 189 Map - Special Collections University of Amsterdam - OTM- HB-KZL I 2 A 5 (84) Stock Photo")
. Caerte van de Purmer met haer wegen, wateringhen, cavels en watermolens, also de selve gecavelt is, op den XIII.en Augusti anno MDC.XXII : mitsgaders de omleggende steden, dorpen en landen / aldus in koper ghemaeckt door Johannes Cóvens en Cornelis Mortier . Scale [c. 1:10.000]. 4-sheet map of the Purmer. 1723. Johannes Covens (1697-1774), Cornelis Mortier (1699-1783) XUBAKZL12A5 084, 3/23/12, 2:46 PM, 8C, 7992x10656 (0+0), 100%%%%, JUNI 2011 PPRO, 1/120 s, R55.1, G22.4, B20.2 189 Map - Special Collections University of Amsterdam - OTM- HB-KZL I 2 A 5 (84) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caerte-van-de-purmer-met-haer-wegen-wateringhen-cavels-en-watermolens-also-de-selve-gecavelt-is-op-den-xiiien-augusti-anno-mdcxxiimitsgaders-de-omleggende-steden-dorpen-en-landenaldus-in-koper-ghemaeckt-door-johannes-cvens-en-cornelis-mortier-scale-c-110000-4-sheet-map-of-the-purmer-1723-johannes-covens-1697-1774-cornelis-mortier-1699-1783-xubakzl12a5-084-32312-246-pm-8c-7992x10656-00-100-juni-2011-ppro-1120-s-r551-g224-b202-189-map-special-collections-university-of-amsterdam-otm-hb-kzl-i-2-a-5-84-image207791397.htmlRMP21M19–. Caerte van de Purmer met haer wegen, wateringhen, cavels en watermolens, also de selve gecavelt is, op den XIII.en Augusti anno MDC.XXII : mitsgaders de omleggende steden, dorpen en landen / aldus in koper ghemaeckt door Johannes Cóvens en Cornelis Mortier . Scale [c. 1:10.000]. 4-sheet map of the Purmer. 1723. Johannes Covens (1697-1774), Cornelis Mortier (1699-1783) XUBAKZL12A5 084, 3/23/12, 2:46 PM, 8C, 7992x10656 (0+0), 100%%%%, JUNI 2011 PPRO, 1/120 s, R55.1, G22.4, B20.2 189 Map - Special Collections University of Amsterdam - OTM- HB-KZL I 2 A 5 (84)
Image from page 25 of 'La France sous Louis XV, 1723-1774' . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-from-page-25-of-la-france-sous-louis-xv-1723-1774-image217407910.htmlRMPHKP06–Image from page 25 of 'La France sous Louis XV, 1723-1774' .
39 of 'La France sous Louis XV, 1723-1774' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-39-of-la-france-sous-louis-xv-1723-1774-95946927.htmlRFFG2N7Y–39 of 'La France sous Louis XV, 1723-1774'
Fragment, 1715-1725. France, 18th century, Period of Louis XV (1723-1774). Silk, gold and silver filé, silver strips; overall: 61 x 53.3 cm (24 x 21 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-1715-1725-france-18th-century-period-of-louis-xv-1723-1774-silk-gold-and-silver-fil-silver-strips-overall-61-x-533-cm-24-x-21-in-image448120798.htmlRM2H11JJ6–Fragment, 1715-1725. France, 18th century, Period of Louis XV (1723-1774). Silk, gold and silver filé, silver strips; overall: 61 x 53.3 cm (24 x 21 in.).
French: Louis XV, roi de France et de Navarre (1710-1774) Louis XV, King of France and Navarre (1710-1774) circa 1723. 713 Jean-Baptiste Van Loo - Louis XV, roi de France et de Navarre (1710-1774) - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-louis-xv-roi-de-france-et-de-navarre-1710-1774-louis-xv-king-of-france-and-navarre-1710-1774-circa-1723-713-jean-baptiste-van-loo-louis-xv-roi-de-france-et-de-navarre-1710-1774-google-art-project-image185809696.htmlRMMP8A4G–French: Louis XV, roi de France et de Navarre (1710-1774) Louis XV, King of France and Navarre (1710-1774) circa 1723. 713 Jean-Baptiste Van Loo - Louis XV, roi de France et de Navarre (1710-1774) - Google Art Project
Louis XV (1710–1774), King of France and Navarre, portrait painting by Jean-Baptiste van Loo, circa 1723 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xv-17101774-king-of-france-and-navarre-portrait-painting-by-jean-baptiste-van-loo-circa-1723-image369584437.htmlRM2CD80M5–Louis XV (1710–1774), King of France and Navarre, portrait painting by Jean-Baptiste van Loo, circa 1723
Oliver Goldsmith (1728-1774), c1770. By Joshua Reynolds (1723-1792). Anglo-Irish novelist, playwright, dramatist and poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oliver-goldsmith-1728-1774-c1770-by-joshua-reynolds-1723-1792-anglo-irish-novelist-playwright-dramatist-and-poet-image479363736.htmlRM2JRTW9C–Oliver Goldsmith (1728-1774), c1770. By Joshua Reynolds (1723-1792). Anglo-Irish novelist, playwright, dramatist and poet.
Engraving of a Litterary Party at Sir Joshua Reynold's. Left to Right: James Boswell (1740-1795), Samuel Johnson (1709-1784), Joshua Reynolds (1723-1793), David Garrick (1717-1779), Edmund Burke (1729-1797), Pasquale Paoli (1725-1807), Thomas Warton (1728-1790) and Oliver Goldsmith (1728-1774). Dated 1770 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-engraving-of-a-litterary-party-at-sir-joshua-reynolds-left-to-right-76395593.htmlRMEC83A1–Engraving of a Litterary Party at Sir Joshua Reynold's. Left to Right: James Boswell (1740-1795), Samuel Johnson (1709-1784), Joshua Reynolds (1723-1793), David Garrick (1717-1779), Edmund Burke (1729-1797), Pasquale Paoli (1725-1807), Thomas Warton (1728-1790) and Oliver Goldsmith (1728-1774). Dated 1770
Warren Hastings (1732-1818), 1777. By Thomas Watson (1750-1781) after Sir Joshua Reynolds (1723-1792). Warren Hastings (1732-1818) English statesman and first de facto Governor-General of India from 1774 to 1785. In 1787 he was accused of corruption and impeached but after a long trial he was acquitted in 1795. He was made a Privy Councillor in 1814. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/warren-hastings-1732-1818-1777-by-thomas-watson-1750-1781-after-sir-joshua-reynolds-1723-1792-warren-hastings-1732-1818-english-statesman-and-first-de-facto-governor-general-of-india-from-1774-to-1785-in-1787-he-was-accused-of-corruption-and-impeached-but-after-a-long-trial-he-was-acquitted-in-1795-he-was-made-a-privy-councillor-in-1814-image261852257.htmlRMW60B69–Warren Hastings (1732-1818), 1777. By Thomas Watson (1750-1781) after Sir Joshua Reynolds (1723-1792). Warren Hastings (1732-1818) English statesman and first de facto Governor-General of India from 1774 to 1785. In 1787 he was accused of corruption and impeached but after a long trial he was acquitted in 1795. He was made a Privy Councillor in 1814.
Klettenberg, Susanna Katherina von, 19.12.1723 - 13.12.1774, German author / writer, wood engraving, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-klettenberg-susanna-katherina-von-19121723-13121774-german-author-47971185.htmlRMCP17MH–Klettenberg, Susanna Katherina von, 19.12.1723 - 13.12.1774, German author / writer, wood engraving, 19th century,
Fragment, 1715-1725. France, 18th century, Period of Louis XV (1723-1774). Silk, gold and silver filé, silver strips; overall: 61 x 53.3 cm (24 x 21 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-1715-1725-france-18th-century-period-of-louis-xv-1723-1774-silk-gold-and-silver-fil-silver-strips-overall-61-x-533-cm-24-x-21-in-image240382901.htmlRMRY2ARH–Fragment, 1715-1725. France, 18th century, Period of Louis XV (1723-1774). Silk, gold and silver filé, silver strips; overall: 61 x 53.3 cm (24 x 21 in
Philippe II, Duke of Orleans (1674-1723). Member of the royal family of France. He served as Regent of the Kingdom from 1715-1723, during the minority of the king Louis XV (1710-1774). The Regent with Louis XV child in the Parliament. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-philippe-ii-duke-of-orleans-1674-1723-member-of-the-royal-family-of-162916685.htmlRMKD1DW1–Philippe II, Duke of Orleans (1674-1723). Member of the royal family of France. He served as Regent of the Kingdom from 1715-1723, during the minority of the king Louis XV (1710-1774). The Regent with Louis XV child in the Parliament. Engraving.
The early 1900s caption reads: 'The Three Graces by Reynolds (1723-1792) in the National Gallery. This picture was exhibited at the Royal Academy in 1774 and calld “Three Ladies Adorning a Term of Hymen.” It was bequeathed to the National Gallery by the Earl of Blessington. The Graces are the three daughters of Sir W Montgomery. The one on the left kneeling down is the Hon Mrs Beresford, in the center is the Hon Mrs Gardener, mother of Lord Blessington, and on the right is the Marchioness Townsend.' Joshua Reynolds (1723-1792) was the leading English portraitist of the 18th century. Through st Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-early-1900s-caption-reads-the-three-graces-by-reynolds-1723-1792-in-the-national-gallery-this-picture-was-exhibited-at-the-royal-academy-in-1774-and-calld-three-ladies-adorning-a-term-of-hymen-it-was-bequeathed-to-the-national-gallery-by-the-earl-of-blessington-the-graces-are-the-three-daughters-of-sir-w-montgomery-the-one-on-the-left-kneeling-down-is-the-hon-mrs-beresford-in-the-center-is-the-hon-mrs-gardener-mother-of-lord-blessington-and-on-the-right-is-the-marchioness-townsend-joshua-reynolds-1723-1792-was-the-leading-english-portraitist-of-the-18th-century-through-st-image554978271.htmlRF2R6WCCF–The early 1900s caption reads: 'The Three Graces by Reynolds (1723-1792) in the National Gallery. This picture was exhibited at the Royal Academy in 1774 and calld “Three Ladies Adorning a Term of Hymen.” It was bequeathed to the National Gallery by the Earl of Blessington. The Graces are the three daughters of Sir W Montgomery. The one on the left kneeling down is the Hon Mrs Beresford, in the center is the Hon Mrs Gardener, mother of Lord Blessington, and on the right is the Marchioness Townsend.' Joshua Reynolds (1723-1792) was the leading English portraitist of the 18th century. Through st
Wall hangings (3). Artist: After a design by Philippe de Lasalle (French, 1723-1804). Culture: French. Dimensions: .35: H. 127 x W. 80 1/2 inches (322.6 x 204.5 cm); .36 and .37 each: H. 126 x W. 83 inches (320 x 210.8 cm). Date: 1774-93. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wall-hangings-3-artist-after-a-design-by-philippe-de-lasalle-french-1723-1804-culture-french-dimensions-35-h-127-x-w-80-12-inches-3226-x-2045-cm-36-and-37-each-h-126-x-w-83-inches-320-x-2108-cm-date-1774-93-museum-metropolitan-museum-of-art-new-york-usa-image213184214.htmlRMPARAHX–Wall hangings (3). Artist: After a design by Philippe de Lasalle (French, 1723-1804). Culture: French. Dimensions: .35: H. 127 x W. 80 1/2 inches (322.6 x 204.5 cm); .36 and .37 each: H. 126 x W. 83 inches (320 x 210.8 cm). Date: 1774-93. Museum: Metropolitan Museum of Art, New York, USA.
Wax Bleaching. From Encyclopédie by Denis Diderot and Jean Le Rond d'Alembert, 1751-1765. Creator: Defehrt, A.-J. (1723-1774). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wax-bleaching-from-encyclopdie-by-denis-diderot-and-jean-le-rond-dalembert-1751-1765-creator-defehrt-a-j-1723-1774-image248912613.htmlRMTCXXG5–Wax Bleaching. From Encyclopédie by Denis Diderot and Jean Le Rond d'Alembert, 1751-1765. Creator: Defehrt, A.-J. (1723-1774).
La France sous Louis XV, 1723-1774 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-la-france-sous-louis-xv-1723-1774-140856448.htmlRMJ54FRC–La France sous Louis XV, 1723-1774
Louis XV of France (Versailles, 1710-Versailles, 1774), so-called Louis the Beloved or Louis the Well-Beloved. King of France and Navarra (1715-1774). Monarch of the House of Borbon. During his nonage, until 1723, Philippe II (Duke of Orleans) acted the Regency. Engraving, Ca. 1880. Later colouration. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xv-of-france-versailles-1710-versailles-1774-so-called-louis-the-beloved-or-louis-the-well-beloved-king-of-france-and-navarra-1715-1774-monarch-of-the-house-of-borbon-during-his-nonage-until-1723-philippe-ii-duke-of-orleans-acted-the-regency-engraving-ca-1880-later-colouration-image184060629.htmlRMMKCK5W–Louis XV of France (Versailles, 1710-Versailles, 1774), so-called Louis the Beloved or Louis the Well-Beloved. King of France and Navarra (1715-1774). Monarch of the House of Borbon. During his nonage, until 1723, Philippe II (Duke of Orleans) acted the Regency. Engraving, Ca. 1880. Later colouration.
Louis XV, King of France and Navarre (1710-1774) circa 1723 by Jean-Baptiste van Loo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xv-king-of-france-and-navarre-1710-1774-circa-1723-by-jean-baptiste-van-loo-image545547237.htmlRM2PKFR1W–Louis XV, King of France and Navarre (1710-1774) circa 1723 by Jean-Baptiste van Loo
Thirsk Hall North Yorkshire home of the Lords of the Manor since 1723 extended by local architect John Carr in 1774 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thirsk-hall-north-yorkshire-home-of-the-lords-of-the-manor-since-1723-29584761.htmlRMBM3KJH–Thirsk Hall North Yorkshire home of the Lords of the Manor since 1723 extended by local architect John Carr in 1774
![Louis XV of France Louis XV (15 February 1710 – 10 May 1774), known as Louis the Beloved (French: le Bien-Aimé),[1] was King of France from 1 September 1715 until his death in 1774. He succeeded his great-grandfather Louis XIV at the age of five. Until he reached maturity (then defined as his 13th birthday) on 15 February 1723, the kingdom was ruled by Philippe II, Duke of Orléans, as Regent of France. Cardinal Fleury was chief minister from 1726 until his death in 1743, at which time the king took sole control of the kingdom. Copperplate engraving From the Encyclopaedia Londinensis or, Univer Stock Photo](https://c8.alamy.com/comp/2G37NWM/louis-xv-of-france-louis-xv-15-february-1710-10-may-1774-known-as-louis-the-beloved-french-le-bien-aim-1-was-king-of-france-from-1-september-1715-until-his-death-in-1774-he-succeeded-his-great-grandfather-louis-xiv-at-the-age-of-five-until-he-reached-maturity-then-defined-as-his-13th-birthday-on-15-february-1723-the-kingdom-was-ruled-by-philippe-ii-duke-of-orlans-as-regent-of-france-cardinal-fleury-was-chief-minister-from-1726-until-his-death-in-1743-at-which-time-the-king-took-sole-control-of-the-kingdom-copperplate-engraving-from-the-encyclopaedia-londinensis-or-univer-2G37NWM.jpg "Louis XV of France Louis XV (15 February 1710 – 10 May 1774), known as Louis the Beloved (French: le Bien-Aimé),[1] was King of France from 1 September 1715 until his death in 1774. He succeeded his great-grandfather Louis XIV at the age of five. Until he reached maturity (then defined as his 13th birthday) on 15 February 1723, the kingdom was ruled by Philippe II, Duke of Orléans, as Regent of France. Cardinal Fleury was chief minister from 1726 until his death in 1743, at which time the king took sole control of the kingdom. Copperplate engraving From the Encyclopaedia Londinensis or, Univer Stock Photo")
Louis XV of France Louis XV (15 February 1710 – 10 May 1774), known as Louis the Beloved (French: le Bien-Aimé),[1] was King of France from 1 September 1715 until his death in 1774. He succeeded his great-grandfather Louis XIV at the age of five. Until he reached maturity (then defined as his 13th birthday) on 15 February 1723, the kingdom was ruled by Philippe II, Duke of Orléans, as Regent of France. Cardinal Fleury was chief minister from 1726 until his death in 1743, at which time the king took sole control of the kingdom. Copperplate engraving From the Encyclopaedia Londinensis or, Univer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xv-of-france-louis-xv-15-february-1710-10-may-1774-known-as-louis-the-beloved-french-le-bien-aim-1-was-king-of-france-from-1-september-1715-until-his-death-in-1774-he-succeeded-his-great-grandfather-louis-xiv-at-the-age-of-five-until-he-reached-maturity-then-defined-as-his-13th-birthday-on-15-february-1723-the-kingdom-was-ruled-by-philippe-ii-duke-of-orlans-as-regent-of-france-cardinal-fleury-was-chief-minister-from-1726-until-his-death-in-1743-at-which-time-the-king-took-sole-control-of-the-kingdom-copperplate-engraving-from-the-encyclopaedia-londinensis-or-univer-image432274016.htmlRM2G37NWM–Louis XV of France Louis XV (15 February 1710 – 10 May 1774), known as Louis the Beloved (French: le Bien-Aimé),[1] was King of France from 1 September 1715 until his death in 1774. He succeeded his great-grandfather Louis XIV at the age of five. Until he reached maturity (then defined as his 13th birthday) on 15 February 1723, the kingdom was ruled by Philippe II, Duke of Orléans, as Regent of France. Cardinal Fleury was chief minister from 1726 until his death in 1743, at which time the king took sole control of the kingdom. Copperplate engraving From the Encyclopaedia Londinensis or, Univer
Image from page 195 of 'La France sous Louis XV, 1723-1774' . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-from-page-195-of-la-france-sous-louis-xv-1723-1774-image217381418.htmlRMPHJG62–Image from page 195 of 'La France sous Louis XV, 1723-1774' .
95 of 'La France sous Louis XV, 1723-1774' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-95-of-la-france-sous-louis-xv-1723-1774-95893814.htmlRFFG09F2–95 of 'La France sous Louis XV, 1723-1774'
Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; overall: 88.3 x 53.3 cm (34 3/4 x 21 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/length-of-textile-1723-1774-france-18th-century-period-of-louis-xv-1723-1774-brocade-silk-overall-883-x-533-cm-34-34-x-21-in-image448141656.htmlRM2H12H74–Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; overall: 88.3 x 53.3 cm (34 3/4 x 21 in.).
. Deutsch: Der 'große Oezthaler Ferner' (Gurgler Ferner), Ausschnitt aus dem Atlas Tyrolensis von Peter Anich und Blasius Hueber (1774) . 30 April 2014, 00:33:02. Peter Anich (1723-1766), Blasius Hueber (1735-1814) 223 Gurgler Ferner Atlas Tyrolensis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-der-groe-oezthaler-ferner-gurgler-ferner-ausschnitt-aus-dem-atlas-tyrolensis-von-peter-anich-und-blasius-hueber-1774-30-april-2014-003302-peter-anich-1723-1766-blasius-hueber-1735-1814-223-gurgler-ferner-atlas-tyrolensis-image189028528.htmlRMMYEYPT–. Deutsch: Der 'große Oezthaler Ferner' (Gurgler Ferner), Ausschnitt aus dem Atlas Tyrolensis von Peter Anich und Blasius Hueber (1774) . 30 April 2014, 00:33:02. Peter Anich (1723-1766), Blasius Hueber (1735-1814) 223 Gurgler Ferner Atlas Tyrolensis
SUSANNA VON KLETTENBERG Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-susanna-von-klettenberg-105347553.htmlRMG3AYTH–SUSANNA VON KLETTENBERG
A portrait of Henry Fox, 1st Baron Holland (1705-1774), by Sir Joshua Reynolds, (1723-1792). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-portrait-of-henry-fox-1st-baron-holland-1705-1774-by-sir-joshua-reynolds-1723-1792-image372208307.htmlRM2CHFFDR–A portrait of Henry Fox, 1st Baron Holland (1705-1774), by Sir Joshua Reynolds, (1723-1792).
GEORGIANA LADY HOLLAND Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-georgiana-lady-holland-56779992.htmlRMD8AFCT–GEORGIANA LADY HOLLAND
William Baillie, English, 1723-1810, after Peter Paul Rubens, Flemish, 1577-1640, The Siamese Ambassador at the Court of King Charles I, 1774, crayon manner engraving printed in black ink on wove paper, Plate: 19 1/2 × 13 inches (49.5 × 33 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-baillie-english-1723-1810-after-peter-paul-rubens-flemish-1577-1640-the-siamese-ambassador-at-the-court-of-king-charles-i-1774-crayon-manner-engraving-printed-in-black-ink-on-wove-paper-plate-19-12-13-inches-495-33-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349813405.htmlRF2B93AFW–William Baillie, English, 1723-1810, after Peter Paul Rubens, Flemish, 1577-1640, The Siamese Ambassador at the Court of King Charles I, 1774, crayon manner engraving printed in black ink on wove paper, Plate: 19 1/2 × 13 inches (49.5 × 33 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Thirsk Hall, in the market town of Thirsk, North Yorkshire; home of the Lords of the Manor since 1723 and extended by John Carr in 1774 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thirsk-hall-in-the-market-town-of-thirsk-north-yorkshire-home-of-the-lords-of-the-manor-since-1723-and-extended-by-john-carr-in-1774-image211898189.htmlRFP8MP8D–Thirsk Hall, in the market town of Thirsk, North Yorkshire; home of the Lords of the Manor since 1723 and extended by John Carr in 1774
Two Pieces of Embroidery, 1723-1774. Philippe de Lasalle (French, 1723-1805). Embroidery, silk; overall: 24.8 x 41.3 cm (9 3/4 x 16 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-pieces-of-embroidery-1723-1774-philippe-de-lasalle-french-1723-1805-embroidery-silk-overall-248-x-413-cm-9-34-x-16-14-in-image240414398.htmlRMRY3R0E–Two Pieces of Embroidery, 1723-1774. Philippe de Lasalle (French, 1723-1805). Embroidery, silk; overall: 24.8 x 41.3 cm (9 3/4 x 16 1/4 in
History of Union and Middlesex Counties, New Jersey with Biographical Sketches of many of their Prominent Men . ey (now called) in 1780, when alltheir salt was emptied in this brook, their objectbeing the preventing of its getting in the hands of the on to Morristown by or through thi.s village. Salt British forces. BIOGRAPHICAL SKETCH. MAJ. JOTHAM POTTER.Samuel Potter, the ancester of the Potter family inthis country, came from Wales. Daniel, second childin a family of eight of Samuel Potter, was born in1692. Daniel 2d, son of Daniel, born 1723, diedby accident Oct. 15, 1774. Jacob, fourth ch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-union-and-middlesex-counties-new-jersey-with-biographical-sketches-of-many-of-their-prominent-men-ey-now-called-in-1780-when-alltheir-salt-was-emptied-in-this-brook-their-objectbeing-the-preventing-of-its-getting-in-the-hands-of-the-on-to-morristown-by-or-through-this-village-salt-british-forces-biographical-sketch-maj-jotham-pottersamuel-potter-the-ancester-of-the-potter-family-inthis-country-came-from-wales-daniel-second-childin-a-family-of-eight-of-samuel-potter-was-born-in1692-daniel-2d-son-of-daniel-born-1723-diedby-accident-oct-15-1774-jacob-fourth-ch-image342810708.htmlRM2AWMAFG–History of Union and Middlesex Counties, New Jersey with Biographical Sketches of many of their Prominent Men . ey (now called) in 1780, when alltheir salt was emptied in this brook, their objectbeing the preventing of its getting in the hands of the on to Morristown by or through thi.s village. Salt British forces. BIOGRAPHICAL SKETCH. MAJ. JOTHAM POTTER.Samuel Potter, the ancester of the Potter family inthis country, came from Wales. Daniel, second childin a family of eight of Samuel Potter, was born in1692. Daniel 2d, son of Daniel, born 1723, diedby accident Oct. 15, 1774. Jacob, fourth ch
Man Smoking and Drinking at a Window. Artist: Captain William E. Baillie (Irish, County Kilbride 1723-1810 London); After Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Plate: 11 1/2 × 9 1/4 in. (29.2 × 23.5 cm) Sheet: 14 × 11 9/16 in. (35.6 × 29.4 cm). Date: March 17, 1774. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-smoking-and-drinking-at-a-window-artist-captain-william-e-baillie-irish-county-kilbride-1723-1810-london-after-adriaen-van-ostade-dutch-haarlem-1610-1685-haarlem-dimensions-plate-11-12-9-14-in-292-235-cm-sheet-14-11-916-in-356-294-cm-date-march-17-1774-museum-metropolitan-museum-of-art-new-york-usa-image213424055.htmlRMPB68FK–Man Smoking and Drinking at a Window. Artist: Captain William E. Baillie (Irish, County Kilbride 1723-1810 London); After Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Plate: 11 1/2 × 9 1/4 in. (29.2 × 23.5 cm) Sheet: 14 × 11 9/16 in. (35.6 × 29.4 cm). Date: March 17, 1774. Museum: Metropolitan Museum of Art, New York, USA.
Camera obscura. From Encyclopédie by Denis Diderot and Jean Le Rond d'Alembert, 1751-1765. Creator: Defehrt, A.-J. (1723-1774). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/camera-obscura-from-encyclopdie-by-denis-diderot-and-jean-le-rond-dalembert-1751-1765-creator-defehrt-a-j-1723-1774-image248912618.htmlRMTCXXGA–Camera obscura. From Encyclopédie by Denis Diderot and Jean Le Rond d'Alembert, 1751-1765. Creator: Defehrt, A.-J. (1723-1774).
La France sous Louis XV, 1723-1774 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-la-france-sous-louis-xv-1723-1774-140878834.htmlRMJ55GAX–La France sous Louis XV, 1723-1774
Blue Plaque on Thirsk Hall North Yorkshire home of the Lords of the Manor since 1723 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blue-plaque-on-thirsk-hall-north-yorkshire-home-of-the-lords-of-the-29567941.htmlRMBM2X5W–Blue Plaque on Thirsk Hall North Yorkshire home of the Lords of the Manor since 1723
Image from page 139 of 'La France sous Louis XV, 1723-1774' . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-from-page-139-of-la-france-sous-louis-xv-1723-1774-image217373312.htmlRMPHJ5TG–Image from page 139 of 'La France sous Louis XV, 1723-1774' .
23 of 'La France sous Louis XV, 1723-1774' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-23-of-la-france-sous-louis-xv-1723-1774-95966358.htmlRFFG3J1X–23 of 'La France sous Louis XV, 1723-1774'
Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; overall: 6.4 x 53 cm (2 1/2 x 20 7/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/length-of-textile-1723-1774-france-18th-century-period-of-louis-xv-1723-1774-brocade-silk-overall-64-x-53-cm-2-12-x-20-78-in-image448146262.htmlRM2H12R3J–Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; overall: 6.4 x 53 cm (2 1/2 x 20 7/8 in.).
. Deutsch: Der 'große Oezthaler Ferner' (Gurgler Ferner), Ausschnitt aus dem Atlas Tyrolensis von Peter Anich und Blasius Hueber (1774) . 30 April 2014, 00:33:02. Peter Anich (1723-1766), Blasius Hueber (1735-1814) 258 Gurgler Ferner Atlas Tyrolensis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-der-groe-oezthaler-ferner-gurgler-ferner-ausschnitt-aus-dem-atlas-tyrolensis-von-peter-anich-und-blasius-hueber-1774-30-april-2014-003302-peter-anich-1723-1766-blasius-hueber-1735-1814-258-gurgler-ferner-atlas-tyrolensis-image188295555.htmlRMMX9GW7–. Deutsch: Der 'große Oezthaler Ferner' (Gurgler Ferner), Ausschnitt aus dem Atlas Tyrolensis von Peter Anich und Blasius Hueber (1774) . 30 April 2014, 00:33:02. Peter Anich (1723-1766), Blasius Hueber (1735-1814) 258 Gurgler Ferner Atlas Tyrolensis
Korean Man, Captain William Baillie (British, 1723 - 1792), After Peter Paul Rubens (Flemish, 1577 - 1640), June 17, 1774, Crayon manner etching, 49.8 x 32.4 cm (19 5,8 x 12 3,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/korean-man-captain-william-baillie-british-1723-1792-after-peter-paul-rubens-flemish-1577-1640-june-17-1774-crayon-manner-etching-498-x-324-cm-19-58-x-12-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350018985.htmlRF2B9CMP1–Korean Man, Captain William Baillie (British, 1723 - 1792), After Peter Paul Rubens (Flemish, 1577 - 1640), June 17, 1774, Crayon manner etching, 49.8 x 32.4 cm (19 5,8 x 12 3,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Two Pieces of Embroidery, 1723-1774. Philippe de Lasalle (French, 1723-1805). Embroidery, silk; overall: 24.8 x 41.3 cm (9 3/4 x 16 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-pieces-of-embroidery-1723-1774-philippe-de-lasalle-french-1723-1805-embroidery-silk-overall-248-x-413-cm-9-34-x-16-14-in-image240414403.htmlRMRY3R0K–Two Pieces of Embroidery, 1723-1774. Philippe de Lasalle (French, 1723-1805). Embroidery, silk; overall: 24.8 x 41.3 cm (9 3/4 x 16 1/4 in
. Appleton's cyclopaedia of American biography . 7 Feb., 1740; d. in Durham, N. H., 23 Jan., 1795.Dermod, chief of Beare and Bantry, Ireland, whowas killed in his castle of Dunboy in 1549, was hiswr,i-known lineal ancestor. His father. Owen,who died in 1796 at the age of 105, was born inLimerick during the siege in 1691, and came tothis country in 1723. The son studied law, prac-tised with success in Durham, N. H., and from1772 held the commission of major in the militia.He was sent from New Hampshire in May. 1774.to the Continental congress at Philadelphia at theage of thirty-three, and was a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/appletons-cyclopaedia-of-american-biography-7-feb-1740-d-in-durham-n-h-23-jan-1795dermod-chief-of-beare-and-bantry-ireland-whowas-killed-in-his-castle-of-dunboy-in-1549-was-hiswri-known-lineal-ancestor-his-father-owenwho-died-in-1796-at-the-age-of-105-was-born-inlimerick-during-the-siege-in-1691-and-came-tothis-country-in-1723-the-son-studied-law-prac-tised-with-success-in-durham-n-h-and-from1772-held-the-commission-of-major-in-the-militiahe-was-sent-from-new-hampshire-in-may-1774to-the-continental-congress-at-philadelphia-at-theage-of-thirty-three-and-was-a-image374610375.htmlRM2CNCY9Y–. Appleton's cyclopaedia of American biography . 7 Feb., 1740; d. in Durham, N. H., 23 Jan., 1795.Dermod, chief of Beare and Bantry, Ireland, whowas killed in his castle of Dunboy in 1549, was hiswr,i-known lineal ancestor. His father. Owen,who died in 1796 at the age of 105, was born inLimerick during the siege in 1691, and came tothis country in 1723. The son studied law, prac-tised with success in Durham, N. H., and from1772 held the commission of major in the militia.He was sent from New Hampshire in May. 1774.to the Continental congress at Philadelphia at theage of thirty-three, and was a
View of the Palace from the Lawn at Kew. Architect: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Artist: Joshua Kirby (British, Parham, Suffolk 1716-1774 Kew Green, Surrey). Dimensions: sheet: 11 1/4 x 18 3/16 in. (28.5 x 46.2 cm). Date: 1763. Leaf 36 in William Chambers album of drawings, 'Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew' (25.19). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-palace-from-the-lawn-at-kew-architect-sir-william-chambers-british-born-sweden-gteborg-1723-1796-london-artist-joshua-kirby-british-parham-suffolk-1716-1774-kew-green-surrey-dimensions-sheet-11-14-x-18-316-in-285-x-462-cm-date-1763-leaf-36-in-william-chambers-album-of-drawings-plans-elevations-sections-and-perspective-views-of-the-gardens-and-buildings-of-kew-2519-museum-metropolitan-museum-of-art-new-york-usa-image213121089.htmlRMPAME3D–View of the Palace from the Lawn at Kew. Architect: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Artist: Joshua Kirby (British, Parham, Suffolk 1716-1774 Kew Green, Surrey). Dimensions: sheet: 11 1/4 x 18 3/16 in. (28.5 x 46.2 cm). Date: 1763. Leaf 36 in William Chambers album of drawings, 'Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew' (25.19). Museum: Metropolitan Museum of Art, New York, USA.
Camera obscura. From Encyclopédie by Denis Diderot and Jean Le Rond d'Alembert, 1751-1765. Creator: Defehrt, A.-J. (1723-1774). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/camera-obscura-from-encyclopdie-by-denis-diderot-and-jean-le-rond-dalembert-1751-1765-creator-defehrt-a-j-1723-1774-image248912619.htmlRMTCXXGB–Camera obscura. From Encyclopédie by Denis Diderot and Jean Le Rond d'Alembert, 1751-1765. Creator: Defehrt, A.-J. (1723-1774).
La France sous Louis XV, 1723-1774 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-la-france-sous-louis-xv-1723-1774-140879047.htmlRMJ55GJF–La France sous Louis XV, 1723-1774
Length of Textile, 1723-1774. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/length-of-textile-1723-1774-image330103393.htmlRM2A51E6W–Length of Textile, 1723-1774.
Image from page 123 of 'La France sous Louis XV, 1723-1774' . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-from-page-123-of-la-france-sous-louis-xv-1723-1774-image217378105.htmlRMPHJBYN–Image from page 123 of 'La France sous Louis XV, 1723-1774' .
7 of 'La France sous Louis XV, 1723-1774' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-7-of-la-france-sous-louis-xv-1723-1774-95905989.htmlRFFG0W1W–7 of 'La France sous Louis XV, 1723-1774'
Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Plain twill, brocaded; silk; overall: 99.1 x 54 cm (39 x 21 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/length-of-textile-1723-1774-france-18th-century-period-of-louis-xv-1723-1774-plain-twill-brocaded-silk-overall-991-x-54-cm-39-x-21-14-in-image448145622.htmlRM2H12P8P–Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Plain twill, brocaded; silk; overall: 99.1 x 54 cm (39 x 21 1/4 in.).
. Deutsch: Der 'große Oezthaler Ferner' (Gurgler Ferner), Ausschnitt aus dem Atlas Tyrolensis von Peter Anich und Blasius Hueber (1774) . 30 April 2014, 00:33:02. Peter Anich (1723-1766), Blasius Hueber (1735-1814) 257 Gurgler Ferner Atlas Tyrolensis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-der-groe-oezthaler-ferner-gurgler-ferner-ausschnitt-aus-dem-atlas-tyrolensis-von-peter-anich-und-blasius-hueber-1774-30-april-2014-003302-peter-anich-1723-1766-blasius-hueber-1735-1814-257-gurgler-ferner-atlas-tyrolensis-image187728867.htmlRMMWBP2B–. Deutsch: Der 'große Oezthaler Ferner' (Gurgler Ferner), Ausschnitt aus dem Atlas Tyrolensis von Peter Anich und Blasius Hueber (1774) . 30 April 2014, 00:33:02. Peter Anich (1723-1766), Blasius Hueber (1735-1814) 257 Gurgler Ferner Atlas Tyrolensis
William Baillie, English, 1723-1810, after Peter Paul Rubens, Flemish, 1577-1640, Siamese Priest Attached to the Embassy at the Court of Charles I, 1774, crayon manner engraving printed in black ink on wove paper, Plate: 18 × 13 inches (45.7 × 33 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-baillie-english-1723-1810-after-peter-paul-rubens-flemish-1577-1640-siamese-priest-attached-to-the-embassy-at-the-court-of-charles-i-1774-crayon-manner-engraving-printed-in-black-ink-on-wove-paper-plate-18-13-inches-457-33-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349813418.htmlRF2B93AGA–William Baillie, English, 1723-1810, after Peter Paul Rubens, Flemish, 1577-1640, Siamese Priest Attached to the Embassy at the Court of Charles I, 1774, crayon manner engraving printed in black ink on wove paper, Plate: 18 × 13 inches (45.7 × 33 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; overall: 6.4 x 53 cm (2 1/2 x 20 7/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/length-of-textile-1723-1774-france-18th-century-period-of-louis-xv-1723-1774-brocade-silk-overall-64-x-53-cm-2-12-x-20-78-in-image240420053.htmlRMRY426D–Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade, silk; overall: 6.4 x 53 cm (2 1/2 x 20 7/8 in
Philippe II, Duke of Orleans (1674-1723). Member of the royal family of France. He served as Regent of the Kingdom from 1715-1723, during the minority of the king Louis XV (1710-1774). The Regent with Louis XV child in the Parliament. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philippe-ii-duke-of-orleans-1674-1723-member-of-the-royal-family-of-france-he-served-as-regent-of-the-kingdom-from-1715-1723-during-the-minority-of-the-king-louis-xv-1710-1774-the-regent-with-louis-xv-child-in-the-parliament-engraving-image212354345.htmlRMP9DG3N–Philippe II, Duke of Orleans (1674-1723). Member of the royal family of France. He served as Regent of the Kingdom from 1715-1723, during the minority of the king Louis XV (1710-1774). The Regent with Louis XV child in the Parliament. Engraving.
La France sous Louis XV, 1723-1774 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-la-france-sous-louis-xv-1723-1774-140808488.htmlRMJ52AJG–La France sous Louis XV, 1723-1774
Two Pieces of Embroidery, 1723-1774. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-pieces-of-embroidery-1723-1774-image330132432.htmlRM2A52R80–Two Pieces of Embroidery, 1723-1774.
Image from page 167 of 'La France sous Louis XV, 1723-1774' . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-from-page-167-of-la-france-sous-louis-xv-1723-1774-image217405274.htmlRMPHKJJ2–Image from page 167 of 'La France sous Louis XV, 1723-1774' .
67 of 'La France sous Louis XV, 1723-1774' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-67-of-la-france-sous-louis-xv-1723-1774-95974557.htmlRFFG40EN–67 of 'La France sous Louis XV, 1723-1774'
Length of Brocaded Silk, 1723-1774. Style of Jean Baptiste Pillement (French, 1728-1808). Brocade; silk, gold and silver threads; overall: 53.3 x 104.1 cm (21 x 41 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/length-of-brocaded-silk-1723-1774-style-of-jean-baptiste-pillement-french-1728-1808-brocade-silk-gold-and-silver-threads-overall-533-x-1041-cm-21-x-41-in-image448120777.htmlRM2H11JHD–Length of Brocaded Silk, 1723-1774. Style of Jean Baptiste Pillement (French, 1728-1808). Brocade; silk, gold and silver threads; overall: 53.3 x 104.1 cm (21 x 41 in.).
. Deutsch: Der Osten von Innsbruck (Reichenau, Pradl, Amras) im Atlas Tyrolensis von Peter Anich und Blasius Hueber (1774) English: Eastern part of Innsbruck (Reichenau, Pradl, Amras) in the Atlas Tyrolensis by Peter Anich and Blasius Hueber (1774) . 20 June 2014, 00:47:37. Peter Anich (1723-1766), Blasius Hueber (1735-1814) 449 Reichenau Atlas Tyrolensis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-der-osten-von-innsbruck-reichenau-pradl-amras-im-atlas-tyrolensis-von-peter-anich-und-blasius-hueber-1774-english-eastern-part-of-innsbruck-reichenau-pradl-amras-in-the-atlas-tyrolensis-by-peter-anich-and-blasius-hueber-1774-20-june-2014-004737-peter-anich-1723-1766-blasius-hueber-1735-1814-449-reichenau-atlas-tyrolensis-image189177090.htmlRMMYNN8J–. Deutsch: Der Osten von Innsbruck (Reichenau, Pradl, Amras) im Atlas Tyrolensis von Peter Anich und Blasius Hueber (1774) English: Eastern part of Innsbruck (Reichenau, Pradl, Amras) in the Atlas Tyrolensis by Peter Anich and Blasius Hueber (1774) . 20 June 2014, 00:47:37. Peter Anich (1723-1766), Blasius Hueber (1735-1814) 449 Reichenau Atlas Tyrolensis
Korean Man, Captain William Baillie (British, 1723 - 1792), After Peter Paul Rubens (Flemish, 1577 - 1640), June 17 reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/korean-man-captain-william-baillie-british-1723-1792-after-peter-paul-rubens-flemish-1577-1640-june-17-reimagined-image230209725.htmlRFRAEXRW–Korean Man, Captain William Baillie (British, 1723 - 1792), After Peter Paul Rubens (Flemish, 1577 - 1640), June 17 reimagined
Two Pieces of Embroidery, 1723-1774. Philippe de Lasalle (French, 1723-1805). Embroidery, silk; overall: 23.7 x 40.2 cm (9 5/16 x 15 13/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-pieces-of-embroidery-1723-1774-philippe-de-lasalle-french-1723-1805-embroidery-silk-overall-237-x-402-cm-9-516-x-15-1316-in-image240414400.htmlRMRY3R0G–Two Pieces of Embroidery, 1723-1774. Philippe de Lasalle (French, 1723-1805). Embroidery, silk; overall: 23.7 x 40.2 cm (9 5/16 x 15 13/16 in
Luis XV (Versalles, 1710-Versalles, 1774). Rey de Francia y de Navarra (1715-1774), bisnieto de Luis XIV. Durante su minoría de edad desempeñó la regencia Felipe de Orleans (1715-1723). Grabado del siglo XIX. Coloreado. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/luis-xv-versalles-1710-versalles-1774-rey-de-francia-y-de-navarra-1715-1774-bisnieto-de-luis-xiv-durante-su-minora-de-edad-desempe-la-regencia-felipe-de-orleans-1715-1723-grabado-del-siglo-xix-coloreado-image213525556.htmlRMPBAX0M–Luis XV (Versalles, 1710-Versalles, 1774). Rey de Francia y de Navarra (1715-1774), bisnieto de Luis XIV. Durante su minoría de edad desempeñó la regencia Felipe de Orleans (1715-1723). Grabado del siglo XIX. Coloreado.
La France sous Louis XV, 1723-1774 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-la-france-sous-louis-xv-1723-1774-140808769.htmlRMJ52B0H–La France sous Louis XV, 1723-1774
Two Pieces of Embroidery, 1723-1774. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-pieces-of-embroidery-1723-1774-image330132411.htmlRM2A52R77–Two Pieces of Embroidery, 1723-1774.
Image from page 57 of 'La France sous Louis XV, 1723-1774' . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-from-page-57-of-la-france-sous-louis-xv-1723-1774-image217424930.htmlRMPHMFM2–Image from page 57 of 'La France sous Louis XV, 1723-1774' .
5 of 'La France sous Louis XV, 1723-1774' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-5-of-la-france-sous-louis-xv-1723-1774-95916142.htmlRFFG1A0E–5 of 'La France sous Louis XV, 1723-1774'
Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade; silk and metal; overall: 108 x 54 cm (42 1/2 x 21 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/length-of-textile-1723-1774-france-18th-century-period-of-louis-xv-1723-1774-brocade-silk-and-metal-overall-108-x-54-cm-42-12-x-21-14-in-image448145607.htmlRM2H12P87–Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade; silk and metal; overall: 108 x 54 cm (42 1/2 x 21 1/4 in.).
. Deutsch: Der Osten von Innsbruck (Reichenau, Pradl, Amras) im Atlas Tyrolensis von Peter Anich und Blasius Hueber (1774) English: Eastern part of Innsbruck (Reichenau, Pradl, Amras) in the Atlas Tyrolensis by Peter Anich and Blasius Hueber (1774) . 20 June 2014, 00:47:37. Peter Anich (1723-1766), Blasius Hueber (1735-1814) 514 Reichenau Atlas Tyrolensis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-der-osten-von-innsbruck-reichenau-pradl-amras-im-atlas-tyrolensis-von-peter-anich-und-blasius-hueber-1774-english-eastern-part-of-innsbruck-reichenau-pradl-amras-in-the-atlas-tyrolensis-by-peter-anich-and-blasius-hueber-1774-20-june-2014-004737-peter-anich-1723-1766-blasius-hueber-1735-1814-514-reichenau-atlas-tyrolensis-image187502332.htmlRMMW1D3T–. Deutsch: Der Osten von Innsbruck (Reichenau, Pradl, Amras) im Atlas Tyrolensis von Peter Anich und Blasius Hueber (1774) English: Eastern part of Innsbruck (Reichenau, Pradl, Amras) in the Atlas Tyrolensis by Peter Anich and Blasius Hueber (1774) . 20 June 2014, 00:47:37. Peter Anich (1723-1766), Blasius Hueber (1735-1814) 514 Reichenau Atlas Tyrolensis
Bell-shaped cup and saucer with a snail ornament and flowering plants, Bell-shaped porcelain cup and saucer, painted on the glaze in blue, red, pink, green, yellow, black and gold. On the plate of the dish a European shell ornament with a shell-shaped vase with flowering plants on it. The head with the same decoration, with a flower branch. Two cracks in the wall of the dish. European representation in enamel colors., anonymous, China, c. 1750 - c. 1774, Qing-dynasty (1644-1912) / Yongzheng-period (1723-1735) / Qianlong-period (1736-1795), porcelain (material), glaze, gold (metal), vitrificati Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bell-shaped-cup-and-saucer-with-a-snail-ornament-and-flowering-plants-bell-shaped-porcelain-cup-and-saucer-painted-on-the-glaze-in-blue-red-pink-green-yellow-black-and-gold-on-the-plate-of-the-dish-a-european-shell-ornament-with-a-shell-shaped-vase-with-flowering-plants-on-it-the-head-with-the-same-decoration-with-a-flower-branch-two-cracks-in-the-wall-of-the-dish-european-representation-in-enamel-colors-anonymous-china-c-1750-c-1774-qing-dynasty-1644-1912-yongzheng-period-1723-1735-qianlong-period-1736-1795-porcelain-material-glaze-gold-metal-vitrificati-image349940168.htmlRF2B99474–Bell-shaped cup and saucer with a snail ornament and flowering plants, Bell-shaped porcelain cup and saucer, painted on the glaze in blue, red, pink, green, yellow, black and gold. On the plate of the dish a European shell ornament with a shell-shaped vase with flowering plants on it. The head with the same decoration, with a flower branch. Two cracks in the wall of the dish. European representation in enamel colors., anonymous, China, c. 1750 - c. 1774, Qing-dynasty (1644-1912) / Yongzheng-period (1723-1735) / Qianlong-period (1736-1795), porcelain (material), glaze, gold (metal), vitrificati
Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade; silk and metal; overall: 89.5 x 55.9 cm (35 1/4 x 22 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/length-of-textile-1723-1774-france-18th-century-period-of-louis-xv-1723-1774-brocade-silk-and-metal-overall-895-x-559-cm-35-14-x-22-in-image240420042.htmlRMRY4262–Length of Textile, 1723-1774. France, 18th century, Period of Louis XV (1723-1774). Brocade; silk and metal; overall: 89.5 x 55.9 cm (35 1/4 x 22 in
Louis XV, roi de France et de Navarre (1710-1774) / Louis XV, King of France and Navarre (1710-1774). Date/Period: Ca. 1723. Painting. Oil on canvas. Height: 205 cm (80.7 in); Width: 171 cm (67.3 in). Author: Jean-Baptiste Van Loo. VAN LOO, JEAN-BAPTISTE. LOO, JEAN BAPTISTE VAN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xv-roi-de-france-et-de-navarre-1710-1774-louis-xv-king-of-france-and-navarre-1710-1774-dateperiod-ca-1723-painting-oil-on-canvas-height-205-cm-807-in-width-171-cm-673-in-author-jean-baptiste-van-loo-van-loo-jean-baptiste-loo-jean-baptiste-van-image219748596.htmlRMPNEBG4–Louis XV, roi de France et de Navarre (1710-1774) / Louis XV, King of France and Navarre (1710-1774). Date/Period: Ca. 1723. Painting. Oil on canvas. Height: 205 cm (80.7 in); Width: 171 cm (67.3 in). Author: Jean-Baptiste Van Loo. VAN LOO, JEAN-BAPTISTE. LOO, JEAN BAPTISTE VAN.
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