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1703 1730 Stock Photos and Images
RF2HK4D59–Inspired by Fountain of Sultan Ahmet III, r. 1703-1730, Gelatin silver photograph, ca. 1860-1880, Ottoman Period, sheet: height: 12 in, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMP4WGP–. English: A part of 18th century map showing the city of Kyoto as Meaco . circa 1730 (undated). Johann Christoph Homann (1703–1730) Description German physician, publisher and cartographer Date of birth/death 1703 1730 Location of birth/death Nuremberg Nuremberg Work location Nuremberg Authority control : Q18508380 VIAF: 74749664 ISNI: 0000 0000 6684 3343 LCCN: n2006091311 GND: 12304071X SUDOC: 119964775 WorldCat 879 Meaco in map
RMMNXGN2–. English: Portrait of Sultan Ahmed III (1703-1730) with two followers, left the palace. Part of a series of paintings with Turkish subjects from Turkey to the Netherlands by Cornelis Calkoen the ambassador and his cousin Nicholas in 1817 gelegateerd to the Executive Board of the Levant Schenardi Commerce in Amsterdam. Nederlands: Portret van Sultan Ahmed III (1703-1730) met twee volgelingen, links het paleis. Onderdeel van een reeks schilderijen met Turkse onderwerpen uit Turkije naar Nederland gebracht door de ambassadeur Cornelis Calkoen en door zijn neef Nicolaas in 1817 gelegateerd aan d
![Plan of St. George the Martyr, Queen Square . Map information: Title: [Plan of St. George the Martyr, Queen Square]. 27.27.3.b. Date of publication: [1703-1730 c.] Item type: 1 map Medium: pen and ink Dimensions: 25.2 x 31.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HHK4/plan-of-st-george-the-martyr-queen-square-map-information-title-plan-of-st-george-the-martyr-queen-square-27273b-date-of-publication-1703-1730-c-item-type-1-map-medium-pen-and-ink-dimensions-252-x-310-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HHK4.jpg "Plan of St. George the Martyr, Queen Square . Map information: Title: [Plan of St. George the Martyr, Queen Square]. 27.27.3.b. Date of publication: [1703-1730 c.] Item type: 1 map Medium: pen and ink Dimensions: 25.2 x 31.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9HHK4–Plan of St. George the Martyr, Queen Square . Map information: Title: [Plan of St. George the Martyr, Queen Square]. 27.27.3.b. Date of publication: [1703-1730 c.] Item type: 1 map Medium: pen and ink Dimensions: 25.2 x 31.0 cm Former owner: George III, King of Great Britain, 1738-1820
RMPMD2CK–Berat (imperial warrant granting a privilege) of Sultan Ahmed III (r. 1703-1730). Date/Period: 1704. Ink, colours and gold on paper. Height: 1,295 mm (50.98 in); Width: 470 mm (18.50 in). Author: Unknown scribe.
RM2B6XXF9–Map of part of the duchy of Brabant. Right Under the title cartouche. Top left scale three poles: 10 Mille Pas Geometriques / 4 Lieues communes de France / 3 Lieues communes Pays Bas. The card has a degree distribution along the randen. Manufacturer : printmaker: anonymous cartographer Nicolas Sanson (I) (listed building) publisher: Pierre Moullart-Sanson (possible) provider of privilege: Louis XIV (King of France) (listed on object) Place manufacture: Paris Date: 1647 - 1667 and / or 1703 - 1730 Physical characteristics: etching and engra, hand-colored material: paper Technique: etching / eng
RM2R47Y69–Unknown scribe - Berat (imperial warrant granting a privilege) of Sultan Ahmed III (r. 1703-1730)
RM2D3DJW9–Marie Leszczyńska (1703-1768), Queen Consort of France with her son Louis, Dauphin of France (1729-1765), portrait painting by Alexis Simon Belle, circa 1730
RF2BM20JK–Ahmed III, 1673 -. July 1, 1736, was from 1703 to 1730 Sultan of the Ottoman Empire / Ahmed III., 1673 - 1. Juli 1736, war 1703 bis 1730 Sultan des Osmanischen Reiches, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
RMKFRBNJ–Thomas Morell . Engraving by James Basire the Elder (1730-1802), 1762,after work by William Hogarth (1697-1764). TM worked with Handel on several oratorios, including Theodora. TM: classical scholar and librettist.18 March 1703 – 19 February 1784
RM2BWKH40–Portrait of John Wesley (1703 – 1791), English cleric, theologian and evangelist who was a leader of a revival movement within the Church of England known as Methodism. Artist George Romney (1734 -1802), Date 1789, oil on canvas, Location National Portrait Gallery, London
RM2CWBFFE–The Queen's Bedchamber, The Queen's Suite (Grand Apartment de la Reine), Chateau de Versailles, France. The Rococo-style woodwork, as well as the ceiling painting by Francois Boucher (1703-1770) were commissioned around 1730 by Louis XV in order to please his wife, Maria Leszczynska. Marie-Antoinette found this terribly old-fashioned, and decided to replace all the furnishings, notably commissioning silk hangings woven in patterns of lilacs and peacock feathers, garnishing the alcove and the enormous four-poster bed (restored in 1976).
RMTA98R2–A silver donation box, Dresden, circa 1730 Cylindrical body with gadrooned decoration. Handle with thumb plate, the hinged lid with hasp and attached fake silver padlock. Conical coin slit riveted to the body. On the base assayer's mark beside a Dresden proof mark for twelve-lot silver and master mark 'IGS', probably for Johann Georg Süßt, who began working as a master silversmith in Dresden in 1703. Mis-struck hallmark of the year's letter. Height 13 cm, weight 340 g. historic, historical, handicrafts, handcraft, craft, object, objects, stills, , Additional-Rights-Clearance-Info-Not-Available
RM2PMC1Y2–Teapot with Chinoiserie Vignettes Teapot; Manufactured by Royal Porcelain Manufactory, Berlin (Germany); Style of Jacques-Gabriel Huquier (French, 1730 - 1805), François Boucher (French, 1703–1770); Germany; hard paste porcelain, vitreous enamel, gold
RMW585PC–Portrait of Sultan Ahmed III, Portrait of Sultan Ahmed III (1703-1730) with two followers, on the left the palace. Part of a series of paintings with Turkish subjects brought from Turkey to the Netherlands by the ambassador Cornelis Calkoen and his cousin Nicolaas in 1817 delegated to the Management of the Levantsche Handel in Amsterdam, ruler, sovereign, historical persons, Turkey, Ahmed III (sultan of the Ottoman Empire), Jean Baptiste Vanmour (workshop of), Istanbul, 1700 - 1737, canvas, oil paint (paint), h 38 cm × w 31 cm
RF2HKJWCX–Art inspired by Fountain of Sultan Ahmet III, r. 1703-1730, Gelatin silver photograph, ca. 1860-1880, Ottoman Period, sheet: height: 12 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW257K–Art inspired by Beaker, 1730–70, Made in New York, New York, United States, American, Silver, Overall: H. 7 in. (17.8 cm); 13 oz. 5 dwt. (412 g), Silver, Adrian Bancker (1703–1772, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMKBJY–Slop Bowl with Chinoiserie Vignettes Bowl; Manufactured by Royal Porcelain Manufactory, Berlin (Germany); Style of Jacques-Gabriel Huquier (French, 1730 - 1805), François Boucher (French, 1703–1770); Germany; hard paste porcelain, vitreous enamel, gold
RMMPA1NW–. Flower still life with a view of a landscape. circa 1700. Alida Withoos (1661–1730) Alternative names A. Withoos Description Dutch botanical illustrator, painter and illustrator Date of birth/death 1661 5 December 1730 Location of birth/death Amersfoort Amsterdam Work location Hoorn (....-February 1703), Amsterdam (February 1703-1730) Authority control : Q441625 VIAF: 95742240 ULAN: 500010028 BPN: 10004074 RKD: 85141 Maria Withoos (1663–after 1698) Description Dutch botanical illustrator and painter Date of birth/death 8 May 1663 (baptised) after 1698 Location of birt
![Plan of St. George the Martyr, Queen Square, with variations. . Map information: Title: [Plan of St. George the Martyr, Queen Square, with variations.]. 27.27.3.a. Date of publication: [1703-1730 c.] Item type: 1 map Medium: pen and ink Dimensions: 74.2 x 54.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HHK0/plan-of-st-george-the-martyr-queen-square-with-variations-map-information-title-plan-of-st-george-the-martyr-queen-square-with-variations-27273a-date-of-publication-1703-1730-c-item-type-1-map-medium-pen-and-ink-dimensions-742-x-542-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HHK0.jpg "Plan of St. George the Martyr, Queen Square, with variations. . Map information: Title: [Plan of St. George the Martyr, Queen Square, with variations.]. 27.27.3.a. Date of publication: [1703-1730 c.] Item type: 1 map Medium: pen and ink Dimensions: 74.2 x 54.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9HHK0–Plan of St. George the Martyr, Queen Square, with variations. . Map information: Title: [Plan of St. George the Martyr, Queen Square, with variations.]. 27.27.3.a. Date of publication: [1703-1730 c.] Item type: 1 map Medium: pen and ink Dimensions: 74.2 x 54.2 cm Former owner: George III, King of Great Britain, 1738-1820
RF2HW2D4T–Art inspired by Porringer, 1730–1750, Made in New York, New York, United States, American, Silver, Overall: 2 1/4 x 7 3/8 in. (5.7 x 18.7 cm); 7 oz. 6 dwt. (227.5 g), Silver, Adrian Bancker (1703–1772, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA9EPF–Dangerous Caresses. Artist: After François Boucher (French, Paris 1703-1770 Paris); Joseph de Longueil (French, Givet, Ardennes 1730-1792 Paris). Dimensions: sheet: 10 7/8 x 8 1/8 in. (27.7 x 20.6 cm). Museum: Metropolitan Museum of Art, New York, USA.
RM2B6XGHX–Kaart met het ontzet van Leiden, 1574 't Ontzet van Leyden (titel op object) Card with the relief of Leyden bird's eye view perspective, October 3rd 1574. Top Leiden, in front the army of the prince in boats on the water. Top left a dove Where: examples of paper hanging emergency money, circulated during the siege. Right a second dove legend 1-20 draagt. Manufacturer : printmaker: Coenraet Decker (attributed to) Place manufacture: Amsterdam Date: on or after 1703 - characteristics or 1730 Physical: etching material: paper Technique: etching Dimensions: sheet: H 263 mm b × 351 mmToelichtingEerd
RM2A51AFX–Kitchen Utensils with Leeks, Fish, and Eggs, c. 1734. Chardin was already famous by 1730, when he began to paint small, sparse still lifes of kitchen utensils. He often used the same elements in his compositions, varying slightly the position of the objects and adding or subtracting a utensil—always carefully placing each in relation to the rest to achieve a balanced design. Chardin was the contemporary of François Boucher (1703-1770) and he taught Jean-Honoré Fragonard (1732-1806), but his work is a contrast to theirs, representing the naturalistic tendency that persisted alo
RF2TAND6J–First Guard-Room. Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury) After Franзois Boucher (French, Paris 1703-1770 Paris) Date: ca. 1754.
RMKH90P0–Thomas Morell . Engraving by James Basire the Elder (1730-1802), 1762, after work by William Hogarth (1697-1764). TM worked with Handel on several oratorios, including Theodora. TM: classical scholar and librettist.18 March 1703 – 19 February 1784
RMKNK433–First View of Clarenton near Paris, print, Peter Paul Benazech (1730-1783), after François Boucher (1703-1770), mid to late 18th century
RMTA98R3–A silver donation box, Dresden, circa 1730 Cylindrical body with gadrooned decoration. Handle with thumb plate, the hinged lid with hasp and attached fake silver padlock. Conical coin slit riveted to the body. On the base assayer's mark beside a Dresden proof mark for twelve-lot silver and master mark 'IGS', probably for Johann Georg Süßt, who began working as a master silversmith in Dresden in 1703. Mis-struck hallmark of the year's letter. Height 13 cm, weight 340 g. historic, historical, handicrafts, handcraft, craft, object, objects, stills, , Additional-Rights-Clearance-Info-Not-Available
RM2HB1K9W–Fountain of Sultan Ahmet III, r. 1703-1730, Gelatin silver photograph, ca. 1860-1880, Ottoman Period, sheet: height: 12 in
RM2WR7YFH–Portrait of Johann Jacob Braumann, Text in Latin on the pedestal., print maker: Diederich Lemkus, after drawing by: Hans Hinrich Rundt, 1703 - 1730, paper, engraving, height 249 mm × width 169 mm, print
RMHR8TN9–Unknown scribe - Berat (imperial warrant granting a privilege) of Sultan Ahmed III (r. 1703-1730) - Google Art Project
RM2B0GYEM–Adrian Bancker, American, active 1703–1772, Tumbler, c. 1730, Silver, Height: 1 13/16 in. (4.6 cm
RMMNXGN1–Sultan Ahmed III . Nederlands: Portret van Sultan Ahmed III (1703-1730), ten voeten uit, scepter in de rechterhand. Op de achtergrond twee volgelingen. Onderdeel van een reeks schilderijen met Turkse onderwerpen uit Turkije naar Nederland gebracht door de ambassadeur Cornelis Calkoen en door zijn neef Nicolaas in 1817 gelegateerd aan de Directie van de Levantsche Handel te Amsterdam. English: Portrait of Sultan Ahmed III (1703-1730). In the background, two followers. Part of a series of paintings with Turkish subjects from Turkey to the Netherlands by Cornelis Calkoen the ambassador and his c
RM2A2KWPE–The Confirmation, c. 1730, Pierre Charles Trémolières, French, 1703-1739, France, Etching in brown on tan laid paper, 270 × 421 mm
RM2WDWW9E–Portrait van Johann Jacob Braumann, Diederich Lemkus, After Hans Hinrich Rundt, 1703 - 1730 print Text in Latin on the pedestal. paper engraving historical persons
RF2HW26XF–Art inspired by Ladle, ca. 1730–1772, Made in Philadelphia, Pennsylvania, United States, American, Silver, 15 13/16 x 3 7/8 in. (40.2 x 9.8 cm); 7 oz. 12 dwt. (236.6 g), Silver, Philip Syng Jr. (1703–1789, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAM56B–The Good Mother. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: Sheet (trimmed): 7 1/2 × 5 1/2 in. (19 × 14 cm). Publisher: Buldet (French). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW2H1H–Art inspired by Tankard, 1730–50, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 7 1/16 x 8 1/8 in. (17.9 x 20.6 cm); 34 oz. 4 dwt. (1063.1 g), Silver, Philip Syng Jr. (1703–1789, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B6XGGM–Kaart met het ontzet van Leiden, 1574 't Ontzet van Leyden (titel op object) Card with the relief of Leyden in bird's-eye perspective, October 3 1574. Top Leiden, in front the army of the prince in boats on the water. Top left a dove Where: examples of paper hanging emergency money, circulated during the siege. The upper right, a second dove that the legend 1-20 draagt. Manufacturer : print maker: Coenraet Decker (attributed to) Place manufacture: Amsterdam Dated: in or after 1703 - characteristics in or for 1730 Physical: etching material: paper Technique: etching dimensions: plate edge: h 27
RF2HW6GG9–Art inspired by Surprised Young Couple Under a Tree, 1730–70, Etching, Sheet (trimmed): 11 5/8 × 7 11/16 in. (29.6 × 19.5 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKFRBXW–Thomas Morell . Engraving by James Basire the Elder (1730-1802), 1762, after work by William Hogarth (1697-1764). TM worked with Handel on several oratorios, including Theodora. TM: classical scholar and librettist.18 March 1703 – 19 February 1784
RM2PMM8A2–Tea Caddy with Chinoiserie Vignettes Tea Caddy; Manufactured by Royal Porcelain Manufactory, Berlin (Germany); Style of Jacques-Gabriel Huquier (French, 1730 - 1805), François Boucher (French, 1703–1770); Germany; hard paste porcelain, vitreous enamel, gold
RMKNK52X–Bagpipes by Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris 1703–1770 Paris), mid to late 18th century
RMT4TCEX–A silver donation box, Dresden, circa 1730 Cylindrical body with gadrooned decoration. Handle with thumb plate, the hinged lid with hasp and attached fake silver padlock. Conical coin slit riveted to the body. On the base assayer's mark beside a Dresden proof mark for twelve-lot silver and master mark 'IGS', probably for Johann Georg Süßt, who began working as a master silversmith in Dresden in 1703. Mis-struck hallmark of the year's letter. Height 13 cm, weight 340 g. historic, historical, handicrafts, handcraft, craft, object, objects, stills, , Additional-Rights-Clearance-Info-Not-Available
RM2G4KB29–Tea Party at Lord Harrington's House, St. James's, 1730. Found in the collection of Yale Center for British Art.
RMBABTND–Ahmad III, 1673 - 30.6.1736, Sultan of the Ottoman Empire 22.8.1703 - 1.10.1730, portrait, wood engraving after contemporary painting, Uffizi, Florence,
RMMMP4YH–. English: Portrait of Ahmed III, Sultan of the Ottoman Empire (1703-1730). The portrait has been printed using the Giclée process. . Published in 1815.. John Young (1755-1825) Ahmed III by John Young
RM2A2HJGC–Monseigneur the Dauphin of France, 1730/33, Jean Daullé (French, 1703-1763), after Alexis-Simon Belle (French, 1674-1734), France, Engraving on ivory laid paper, 393 × 272 mm (image), 407 × 280 mm (plate), 515 × 399 mm (sheet
RM2M9421G–Fountain of Sultan Ahmet III (r. 1703-1730) Fountain of Sultan Ahmet III (r. 1703-1730), ca. 1860-1880. Gelatin silver photograph, sheet: height: 12 in. Arts of the Islamic World ca. 1860-1880
RMPAKR9X–The Caravan. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: Sheet (trimmed): 9 3/16 × 13 3/8 in. (23.3 × 34 cm). Date: mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW7BFK–Art inspired by Plate 14: View of the facade of St. Moses church, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 3/16 x 11 7/16 in. (20.8 x 29.1 cm), Luca Carlevaris (Italian, Udine 1663/65–1730 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKH90FR–Thomas Morell . Engraving by James Basire the Elder (1730-1802), 1762,after work by William Hogarth (1697-1764). TM worked with Handel on several oratorios, including Theodora. TM: classical scholar and librettist.18 March 1703 – 19 February 1784
RF2HW22C1–Art inspired by Creampot, 1730–45, Made in New York, New York, United States, American, Silver, 3 1/2 x 3 11/16 x 2 1/2 in. (8.9 x 9.4 x 6.4 cm); 4 oz. 9 dwt. (138.4 g), Silver, Adrian Bancker (1703–1772, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMJ3DE–Cup and Saucer with Chinoiserie Vignettes Cup And Saucer; Manufactured by Royal Porcelain Manufactory, Berlin (Germany); Style of Jacques-Gabriel Huquier (French, 1730 - 1805), François Boucher (French, 1703–1770); Germany; hard paste porcelain, vitreous enamel, gold
RF2HW7BFX–Art inspired by Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 1/4 x 11 5/8 in. (21 x 29.5 cm), Luca Carlevaris (Italian, Udine 1663/65–1730 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKNK54C–Frontispiece, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris 1703–1770 Paris), mid to late 18th century
RM2F3EMB7–The painter in his studio (Self-Portrait), ca 1730. Found in the collection of Musée du Louvre, Paris.
RMMNY221–Berat (imperial warrant granting a privilege) of Sultan Ahmed III (r. 1703-1730) 1704. 1215 Unknown scribe - Berat (imperial warrant granting a privilege) of Sultan Ahmed III (r. 1703-1730) - Google Art Project
RM2DCB875–Jean Daullé, (artist), French, 1703 - 1763, François de Troy, (artist after), French, 1645 - 1730, Michel Baron, 1732, engraving on laid paper, plate: 42 x 30 cm (16 9/16 x 11 13/16 in.), sheet: 51 x 38 cm (20 1/16 x 14 15/16 in
RM2M94222–Fountain of Sultan Ahmet III (r. 1703-1730) Fountain of Sultan Ahmet III (r. 1703-1730), ca. 1860-1880. Gelatin silver photograph, sheet: height: 12 in. Arts of the Islamic World ca. 1860-1880
RM2T90TXP–Covered sugar bowl, c. 1730-1740, Jacob Hurd, American, 1703-1758, 4 in. (10.16 cm), Silver, United States, 18th century
RMPAX3N2–Frontispiece. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: Sheet (trimmed): 9 1/2 × 7 1/2 in. (24.2 × 19 cm). Date: mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2PMK210–Covered Milk Jug with Chinoiserie Vignettes Milk Jug; Manufactured by Royal Porcelain Manufactory, Berlin (Germany); Style of Jacques-Gabriel Huquier (French, 1730 - 1805), François Boucher (French, 1703–1770); Germany; hard paste porcelain, vitreous enamel, gold
RF2HW7BE9–Art inspired by Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 1/4 x 11 5/8 in. (21 x 29.5 cm), Luca Carlevaris (Italian, Udine 1663/65–1730 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMJERT–Bound Print, Ornamental Vase Design; Designed by François Boucher (French, 1703–1770); Print Maker: A. Bouchet (French, active ca. 1730-1740); Published by Chez Le Pere et Avaulez; France; etching on cream laid paper
RF2B9CCX2–Portrait of Sultan Ahmed III, Portrait of Sultan Ahmed III (1703-1730) with two followers, on the left the palace. Part of a series of paintings with Turkish subjects brought from Turkey to the Netherlands by the ambassador Cornelis Calkoen and his cousin Nicolaas in 1817 delegated to the Management of the Levantsche Handel in Amsterdam, ruler, sovereign, historical persons, Turkey, Ahmed III (sultan of the Ottoman Empire), Jean Baptiste Vanmour (workshop of), Istanbul, 1700 - 1737, canvas, oil paint (paint), h 38 cm × w 31 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness
RMKNK545–Girl with a Bird by Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), after François Boucher (French, Paris 1703–1770 Paris), mid to late 18th century
RF2HW7BFJ–Art inspired by Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 1/4 x 11 5/8 in. (21 x 29.5 cm), Luca Carlevaris (Italian, Udine 1663/, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7BFA–Art inspired by Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 1/4 x 11 5/8 in. (21 x 29.5 cm), Luca, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNY0DD–Русский: Тугра султана Ахмеда III Français : Toughra du sultan Ahmed III English: Tughra of Sultan Ahmed III 中文: 苏丹艾哈迈德三世的图格拉 Português: Tughra do Sultão Ahmed III العربية: طغراء السلطان أحمد الثالث Español: Tugra del sultán Ahmed III . Русский: Эта тугра (символ высочайшей власти) принадлежала турецкому султану Ахмеду III, она представлена на обороте фрагмента, состоящего из одного листа, из корана 'фаль' времен иранской шахской династии Сефевидов 16-го века. Кораны 'фаль' служили для гадания путем случайного выбора букв. Ахмед III правил с 1115-го по 1143-ий г. хиджры (1703-1730 гг. н.э.),
RF2HW7BF4–Art inspired by Plate 96: View of the facade of the Pisani Palace in Campo Santo Stefano, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 3/16 x 11 5/8 in. (20.8 x 29.5 cm), Luca Carlevaris (Italian, Udine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Akce from Turkey by Sultan Ahmed III, 1115-1143 [= 1703-1730] ,, 1703 coin Silver coin. Front: three -faced inscription in Arabic letters. Roun: three-line inscription in Arabic letters, with coinage designation: Constantinople. This year: 1115 Constantinople silver (metal) striking (metalworking) Stock Photo](https://c8.alamy.com/comp/2W96HCC/akce-from-turkey-by-sultan-ahmed-iii-1115-1143-=-1703-1730-1703-coin-silver-coin-front-three-faced-inscription-in-arabic-letters-roun-three-line-inscription-in-arabic-letters-with-coinage-designation-constantinople-this-year-1115-constantinople-silver-metal-striking-metalworking-2W96HCC.jpg "Akce from Turkey by Sultan Ahmed III, 1115-1143 [= 1703-1730] ,, 1703 coin Silver coin. Front: three -faced inscription in Arabic letters. Roun: three-line inscription in Arabic letters, with coinage designation: Constantinople. This year: 1115 Constantinople silver (metal) striking (metalworking) Stock Photo")
RM2W96HCC–Akce from Turkey by Sultan Ahmed III, 1115-1143 [= 1703-1730] ,, 1703 coin Silver coin. Front: three -faced inscription in Arabic letters. Roun: three-line inscription in Arabic letters, with coinage designation: Constantinople. This year: 1115 Constantinople silver (metal) striking (metalworking)
RM2T90P05–Teapot, c. 1730-1740, Adrian Bancker, American, 1703 - 1772, 7 1/2 x 7 1/2 in. (19 x 19.05 cm), Silver, ebony, United States, 18th century
RMPAA7D0–Bagpipes. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: Sheet (trimmed): 7 1/2 × 9 7/8 in. (19 × 25.1 cm). Date: mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2T8G23G–Luca Carlevarijs (1663 - c. 1730), artist, Le Fabriche, e Vedute di Venetia, Origin of illustrations: Before 1703 Publication:, etching on paper vergé, book size: 45.4 x 31.4 cm, plates each numbered consecutively at the bottom '1-103' plates 1-101 lower right and plates 102-103
RF2HW7BEK–Art inspired by Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 3/16 x 11 5/8 in. (20.8 x 29.5 cm), Luca Carlevaris (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DMXDF8–Memorial to William Earl Cowper, François Boucher, French, 1703 – 1770, Nicolas Dauphin Beauvais, Etching on paper, France, ca. 1730, Print
RF2HW7BFC–Art inspired by Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 1/4 x 11 5/8 in. (20.9 x 29.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW83A7–Art inspired by The Good Mother, 18th century, Etching, Sheet (trimmed): 7 1/2 × 5 1/2 in. (19 × 14 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXPX1–Art inspired by Dangerous Caresses, Etching and engraving, sheet: 10 7/8 x 8 1/8 in. (27.7 x 20.6 cm), Prints, Joseph de Longueil (French, Givet, Ardennes 1730–1792 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMJMGH–Bound Print, Ornamental Vase Design; Designed by François Boucher (French, 1703–1770); Print Maker: A. Bouchet (French, active ca. 1730-1740); Published by Chez Le Pere et Avaulez; France; etching on cream laid paper
RF2HW82JX–Art inspired by Diploma of Free Masons of Bordeaux, 1765–66, Etching and engraving, Sheet: 16 1/8 x 11 1/8 in. (41 x 28.3 cm), Pierre Philippe Choffard (French, Paris 1730–1809 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKNK53F–Head of a Woman by Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris 1703–1770 Paris), mid to late 18th century
RF2HW7773–Art inspired by Frontispiece, mid to late 18th century, Etching and engraving, Sheet (trimmed): 9 1/2 × 7 1/2 in. (24.2 × 19 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMMYB3X–. Русский: На этой карте 1743 года изображена западная Африка от территории современного Габона на юге до Нигера, Мали и Мавритании на севере. Карта была напечатана в Нюрнберге (Германия) фирмой 'Homännische Erben', то есть преемниками гравера и издателя из Нюрнберга Иоганна Баптиста Хоманна (1663-1724 гг.) и его сына Иоганна Кристофа Хоманна (1703-1730 гг.). Она основана на более раннем труде великого французского картографа Жана Баптиста д'Анвиля (1697-1782 гг.). На иллюстрации в нижнем левом углу изображена африканская деревня. Одежда, дома и другие здания, а также виды экономической деяте
RM2WH0DRA–Portrait of Sultan Ahmed III, Jean Baptiste Vanmour (workshop of), 1700 - 1737 painting Portrait of Sultan Ahmed III (1703-1730) with two followers, on the left the palace. Part of a series of paintings with Turkish subjects from Turkey brought to the Netherlands by the ambassador Cornelis Calkoen and by his cousin Nicolaas in 1817 to the management of the Levantsche Handel in Amsterdam. Istanbul canvas. oil paint (paint) ruler, sovereign. historical persons Turkey
RMMP35PF–. English: Levni. Ottoman Ahmed I. 1703. Topkapi Saray museum . between 1703 and 1730. Levni 808 Levni. Ottoman Ahmed I. 1703. Topkapi Saray museum.
RMPAMACR–The Traveling Children. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: Sheet (trimmed): 12 7/16 × 8 3/8 in. (31.6 × 21.2 cm). Date: mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2DN8RTR–Memorial to William Earl Cowper, François Boucher, French, 1703 – 1770, Nicolas Dauphin Beauvais, Engraving on cream laid paper, Leblanc 48. 'Guilelmo/Comiti Cowper/Magnae Britanniae/Cancellario.', ca. 1730, ornament, Print
RM2DMJ11T–Design for an Escutcheon in Honor of William Earl Cowper (ca. 1665-1723), François Boucher, French, 1703 – 1770, Charcoal, brush and brown wash on tan paper, In the same direction as the etching--a memorial to William Earl Cowper after François Boucher by Nicolas-Dauphin de Beauvais, 1921- 6- 58. Justice with a pair of scales and a sword; Prudence and Peace are on top; attributes referring to Cowper at the bottom., ca. 1730, graphic design, Drawing
RMW51DBD–Terrestrial Globe, Globe designed and assembled by Jean-Antoine Nollet (French, 1700 - 1770), Map engraved by Louis Borde (French, active 1730 - 1740), lacquer decoration attributed to the Workshop of Guillaume Martin (French, 1689 - 1749), and Étienne-Simon Martin (French, 1703 - 1770), Paris, France, about 1728, Printed paper, papier-mâché, poplar, spruce, and alder painted with vernis Martin, bronze, 109.2 x 44.5 x 31.8 cm (43 x 17 1/2 x 12 1/2 in
RM2DMY6GN–Plate 11, Livre de vases (Book of Vases), François Boucher, French, 1703 – 1770, A. Bouchet, French, active ca. 1730-1740, Chez Le Pere et Avaulez, Paris, France, Etching on cream laid paper, Folio 11, plate 11 of a series of 12. Design for a vase influenced by shell forms to be executed in metal, placed on a pedestal. The body, accentuated with rocky ribs and sea plant forms, rests upon a siren mermaid figure at left and a triton at right, their tails intertwined to form the base., Paris, France, 1738–72, metalwork, Bound print
Search Results for 1703 1730 Stock Photos and Images (251)
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