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1600s courtier Stock Photos and Images
The figures represented here are French people around 1600. They are, from left to right: a courtier and a lady of rank. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figures-represented-here-are-french-people-around-1600-they-are-from-left-to-right-a-courtier-and-a-lady-of-rank-the-illustration-dates-to-1882-image246937435.htmlRFT9MY63–The figures represented here are French people around 1600. They are, from left to right: a courtier and a lady of rank. The illustration dates to 1882.
Courtier Following Edict Against Superfluity in Dress, mid-17th C. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/courtier-following-edict-against-superfluity-in-dress-mid-17th-c-image416773547.htmlRM2F61JWF–Courtier Following Edict Against Superfluity in Dress, mid-17th C.
Reclining Courtier, watercolour painting by Riza Abbasi (style of), 1565-1635 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reclining-courtier-watercolour-painting-by-riza-abbasi-style-of-1565-1635-image458365079.htmlRM2HHM99B–Reclining Courtier, watercolour painting by Riza Abbasi (style of), 1565-1635
Engraved portrait of Lady Anna Mackenzie (1621–1707) Scottish courtier and memoirist, wife of the first Earl of Balcarres and the mother of the second and third. After her first husband died, she married Archibald Campbell, 9th Earl of Argyll. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraved-portrait-of-lady-anna-mackenzie-16211707-scottish-courtier-and-memoirist-wife-of-the-first-earl-of-balcarres-and-the-mother-of-the-second-and-third-after-her-first-husband-died-she-married-archibald-campbell-9th-earl-of-argyll-image334231082.htmlRM2ABNF4A–Engraved portrait of Lady Anna Mackenzie (1621–1707) Scottish courtier and memoirist, wife of the first Earl of Balcarres and the mother of the second and third. After her first husband died, she married Archibald Campbell, 9th Earl of Argyll.
Edward Sackville portrait, 4th Earl of Dorset, 1591 – 1652, was an English courtier, soldier and politician, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edward-sackville-portrait-4th-earl-of-dorset-1591-1652-was-an-english-courtier-soldier-and-politician-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image397112671.htmlRM2E2217B–Edward Sackville portrait, 4th Earl of Dorset, 1591 – 1652, was an English courtier, soldier and politician, etching by Bohemian etcher Wenceslaus Hollar from 1600s
1500s 1600s PORTRAIT LORD FRANCIS BACON ENGLISH PHILOSOPHER ESSAYIST COURTIER Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1500s-1600s-portrait-lord-francis-bacon-english-philosopher-essayist-31574317.htmlRMBRA9A5–1500s 1600s PORTRAIT LORD FRANCIS BACON ENGLISH PHILOSOPHER ESSAYIST COURTIER
Cecilia Killigrew, d1685, courtier and maid of honour to Henrietta Maria, and subject of poems, etching by Bohemian etcher Wenceslaus Hollar from 1600s. From a portrait by Anthony van Dyck. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cecilia-killigrew-d1685-courtier-and-maid-of-honour-to-henrietta-maria-and-subject-of-poems-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-from-a-portrait-by-anthony-van-dyck-image340565752.htmlRM2AP232G–Cecilia Killigrew, d1685, courtier and maid of honour to Henrietta Maria, and subject of poems, etching by Bohemian etcher Wenceslaus Hollar from 1600s. From a portrait by Anthony van Dyck.
1600s 17TH CENTURY MAN IN FASHION OF THE TIMES CAVALIER HIGH BOOTS SWORD CUMMERBUND AND LACE COLLAR LOOKING AT CAMERA CIRCA 1640 - a3639 HAR001 HARS EYE CONTACT HISTORIC MUSTACHE STYLES CUFFS PRIDE FACIAL HAIR UNIFORMS EGO FASHIONS 1600s CIRCA HAUGHTY MALES SASH 1640 17TH CENTURY ARROGANT ATTITUDE B&W BLACK AND WHITE BREECHES CAUCASIAN ETHNICITY CAVALIER CONCEITED COURTIER CUMMERBUND DOUBLET EGOTISTICAL LOOKING AT CAMERA MUSKETEER OLD FASHIONED PERSONS POMPOUS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1600s-17th-century-man-in-fashion-of-the-times-cavalier-high-boots-175905654.htmlRMM655CP–1600s 17TH CENTURY MAN IN FASHION OF THE TIMES CAVALIER HIGH BOOTS SWORD CUMMERBUND AND LACE COLLAR LOOKING AT CAMERA CIRCA 1640 - a3639 HAR001 HARS EYE CONTACT HISTORIC MUSTACHE STYLES CUFFS PRIDE FACIAL HAIR UNIFORMS EGO FASHIONS 1600s CIRCA HAUGHTY MALES SASH 1640 17TH CENTURY ARROGANT ATTITUDE B&W BLACK AND WHITE BREECHES CAUCASIAN ETHNICITY CAVALIER CONCEITED COURTIER CUMMERBUND DOUBLET EGOTISTICAL LOOKING AT CAMERA MUSKETEER OLD FASHIONED PERSONS POMPOUS
Thomas Howard portrait, 14th Earl of Arundel, 1586 – 1646, was a prominent English courtier during the reigns of King James I and King Charles I, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-howard-portrait-14th-earl-of-arundel-1586-1646-was-a-prominent-english-courtier-during-the-reigns-of-king-james-i-and-king-charles-i-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image342442316.htmlRM2AW3GJM–Thomas Howard portrait, 14th Earl of Arundel, 1586 – 1646, was a prominent English courtier during the reigns of King James I and King Charles I, etching by Bohemian etcher Wenceslaus Hollar from 1600s
George Villiers, 1st Duke of Buckingham, c1626. By William Jacobszoon Delff (1580-1638). After Michiel Janszoon van Mierevelt (1566-1641). George Villiers, 1st Duke of Buckingham (1592-1628), English courtier, statesman, and patron of the arts. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-villiers-1st-duke-of-buckingham-c1626-by-william-jacobszoon-delff-1580-1638-after-michiel-janszoon-van-mierevelt-1566-1641-george-villiers-1st-duke-of-buckingham-1592-1628-english-courtier-statesman-and-patron-of-the-arts-image261852549.htmlRMW60BGN–George Villiers, 1st Duke of Buckingham, c1626. By William Jacobszoon Delff (1580-1638). After Michiel Janszoon van Mierevelt (1566-1641). George Villiers, 1st Duke of Buckingham (1592-1628), English courtier, statesman, and patron of the arts.
Sir Kenelm Digby portrait, 1603 – 1665, was an English courtier and diplomat, vintage illustration from 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-kenelm-digby-portrait-1603-1665-was-an-english-courtier-and-diplomat-vintage-illustration-from-1850-image328286623.htmlRM2A22MX7–Sir Kenelm Digby portrait, 1603 – 1665, was an English courtier and diplomat, vintage illustration from 1850
Scenes from the Tales of Ise, mid-1600s. Japan, Edo period (1615-1868). Pair of six-panel folding screens; ink, color, and gold on gilded paper; painting only: 95.2 x 276 cm (37 1/2 x 108 11/16 in.); overall: 109.3 x 258.9 cm (43 1/16 x 101 15/16 in.). While the 11th century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise. A 10th century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the c Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scenes-from-the-tales-of-ise-mid-1600s-japan-edo-period-1615-1868-pair-of-six-panel-folding-screens-ink-color-and-gold-on-gilded-paper-painting-only-952-x-276-cm-37-12-x-108-1116-in-overall-1093-x-2589-cm-43-116-x-101-1516-in-while-the-11th-century-tale-of-genji-is-universally-regarded-as-japans-literary-masterpiece-the-source-for-visual-imagery-in-japanese-culture-is-rivaled-by-another-literary-classic-the-tales-of-ise-a-10th-century-anthology-of-poems-interspersed-with-commentary-the-ise-portrays-the-emotional-and-geographical-journey-of-a-courtier-from-the-c-image448063545.htmlRM2H0Y1HD–Scenes from the Tales of Ise, mid-1600s. Japan, Edo period (1615-1868). Pair of six-panel folding screens; ink, color, and gold on gilded paper; painting only: 95.2 x 276 cm (37 1/2 x 108 11/16 in.); overall: 109.3 x 258.9 cm (43 1/16 x 101 15/16 in.). While the 11th century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise. A 10th century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the c
Walter Aston, 1st Lord Aston of Forfar , 1584 – 1639, was an English courtier and diplomat, antique engraving circa 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/walter-aston-1st-lord-aston-of-forfar-1584-1639-was-an-english-courtier-and-diplomat-antique-engraving-circa-1850-image178308254.htmlRMMA2HYX–Walter Aston, 1st Lord Aston of Forfar , 1584 – 1639, was an English courtier and diplomat, antique engraving circa 1850
George Villiers, 1st Duke of Buckingham (1592-1628), said to be 'the most handsomest-bodied man in all of England', a favourite of both King James I of England and VI of Scotland and of his son, King Charles I. Square detail of engraving created in the 1700s after a portrait painted by Cornelius Johnson (1593-1661). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-villiers-1st-duke-of-buckingham-1592-1628-said-to-be-the-most-handsomest-bodied-man-in-all-of-england-a-favourite-of-both-king-james-i-of-england-and-vi-of-scotland-and-of-his-son-king-charles-i-square-detail-of-engraving-created-in-the-1700s-after-a-portrait-painted-by-cornelius-johnson-1593-1661-image549417031.htmlRF2PWT30R–George Villiers, 1st Duke of Buckingham (1592-1628), said to be 'the most handsomest-bodied man in all of England', a favourite of both King James I of England and VI of Scotland and of his son, King Charles I. Square detail of engraving created in the 1700s after a portrait painted by Cornelius Johnson (1593-1661).
Edward Sackville portrait, 4th Earl of Dorset, 1591 – 1652, was an English courtier, soldier and politician, vintage illustration from 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edward-sackville-portrait-4th-earl-of-dorset-1591-1652-was-an-english-courtier-soldier-and-politician-vintage-illustration-from-1850-image328286491.htmlRM2A22MNF–Edward Sackville portrait, 4th Earl of Dorset, 1591 – 1652, was an English courtier, soldier and politician, vintage illustration from 1850
George Villiers, 1st Duke of Buckingham (1592-1628), said to be 'the most handsomest-bodied man in all of England', a favourite of both King James I of England and VI of Scotland and of his son, King Charles I. Engraving created in the 1700s after a portrait painted by Cornelius Johnson (1593-1661). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-villiers-1st-duke-of-buckingham-1592-1628-said-to-be-the-most-handsomest-bodied-man-in-all-of-england-a-favourite-of-both-king-james-i-of-england-and-vi-of-scotland-and-of-his-son-king-charles-i-engraving-created-in-the-1700s-after-a-portrait-painted-by-cornelius-johnson-1593-1661-image349561373.htmlRF2B8KW2N–George Villiers, 1st Duke of Buckingham (1592-1628), said to be 'the most handsomest-bodied man in all of England', a favourite of both King James I of England and VI of Scotland and of his son, King Charles I. Engraving created in the 1700s after a portrait painted by Cornelius Johnson (1593-1661).
Mountjoy Blount, 1st Earl of Newport, 1597–1666, was appointed master of ordnance to Charles I of England, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mountjoy-blount-1st-earl-of-newport-15971666-was-appointed-master-of-ordnance-to-charles-i-of-england-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image331526677.htmlRM2A7A9JD–Mountjoy Blount, 1st Earl of Newport, 1597–1666, was appointed master of ordnance to Charles I of England, etching by Bohemian etcher Wenceslaus Hollar from 1600s
Title page for a book of poems by Patrick Hannay, with portrait of the author. 17th century. Scottish poet and courtier, died Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-title-page-for-a-book-of-poems-by-patrick-hannay-with-portrait-of-83361804.htmlRMERHCR8–Title page for a book of poems by Patrick Hannay, with portrait of the author. 17th century. Scottish poet and courtier, died
Sir Henry Guildford portrait, KG, 1489 – 1532, was an English courtier of the reign of Henry VIII, master of the horse and comptroller of the royal household, etching by Bohemian etcher Wenceslaus Hollar from 1647 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-henry-guildford-portrait-kg-1489-1532-was-an-english-courtier-of-the-reign-of-henry-viii-master-of-the-horse-and-comptroller-of-the-royal-household-etching-by-bohemian-etcher-wenceslaus-hollar-from-1647-image231183220.htmlRMRC38FG–Sir Henry Guildford portrait, KG, 1489 – 1532, was an English courtier of the reign of Henry VIII, master of the horse and comptroller of the royal household, etching by Bohemian etcher Wenceslaus Hollar from 1647
The figure represented here is a French courtier around 1600. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figure-represented-here-is-a-french-courtier-around-1600-the-illustration-dates-to-1882-image246937452.htmlRFT9MY6M–The figure represented here is a French courtier around 1600. The illustration dates to 1882.
Sarah Churchill portrait, Duchess of Marlborough, 1660 - 1744, was an English courtier who rose to be one of the most influential women of her time through her close friendship with Anne, Queen of Great Britain, vintage illustration from 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sarah-churchill-portrait-duchess-of-marlborough-1660-1744-was-an-english-courtier-who-rose-to-be-one-of-the-most-influential-women-of-her-time-through-her-close-friendship-with-anne-queen-of-great-britain-vintage-illustration-from-1850-image329790586.htmlRM2A4F776–Sarah Churchill portrait, Duchess of Marlborough, 1660 - 1744, was an English courtier who rose to be one of the most influential women of her time through her close friendship with Anne, Queen of Great Britain, vintage illustration from 1850
George Villiers (1592-1628), 1st Duke of Buckingham, English courtier, statesman and patron of the arts, portrait painting by Paul van Somer, 1576-1621 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-villiers-1592-1628-1st-duke-of-buckinghamenglishcourtier-statesman-and-patron-of-the-arts-portrait-painting-by-paul-van-somer-1576-1621-image458365228.htmlRM2HHM9EM–George Villiers (1592-1628), 1st Duke of Buckingham, English courtier, statesman and patron of the arts, portrait painting by Paul van Somer, 1576-1621
George Villiers, 1st Duke of Buckingham, 1592 – 1628, was an English courtier, statesman, and patron of the arts. He was a favourite and possibly also a lover of King James I of England, antique illustration from circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-villiers-1st-duke-of-buckingham-1592-1628-was-an-english-courtier-statesman-and-patron-of-the-arts-he-was-a-favourite-and-possibly-also-a-lover-of-king-james-i-of-england-antique-illustration-from-circa-1880-image183102028.htmlRMMHW0E4–George Villiers, 1st Duke of Buckingham, 1592 – 1628, was an English courtier, statesman, and patron of the arts. He was a favourite and possibly also a lover of King James I of England, antique illustration from circa 1880
Mary, Lady Scudamore (circa 1550-1603), courtier appointed to the Privy Chamber of Queen Elizabeth I of England, portrait painting by Marcus Gheeraerts the Younger, 1601 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-lady-scudamore-circa-1550-1603-courtier-appointed-to-the-privy-chamber-of-queen-elizabeth-i-of-england-portrait-painting-by-marcus-gheeraerts-the-younger-1601-image364533380.htmlRM2C51X18–Mary, Lady Scudamore (circa 1550-1603), courtier appointed to the Privy Chamber of Queen Elizabeth I of England, portrait painting by Marcus Gheeraerts the Younger, 1601
![Scenes from the "Tales of Ise", mid-1600s. While the 11th century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise . A 10th century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the capital (Kyoto) into the countryside and beyond. The poems describe features of the natural, untamed terrain, linking them to the rather melancholy state of the traveler. Since the Tales of Ise Stock Photo](https://c8.alamy.com/comp/2A523HB/scenes-from-the-quottales-of-isequot-mid-1600s-while-the-11th-century-tale-of-genji-is-universally-regarded-as-japans-literary-masterpiece-the-source-for-visual-imagery-in-japanese-culture-is-rivaled-by-another-literary-classic-the-tales-of-ise-a-10th-century-anthology-of-poems-interspersed-with-commentary-the-ise-portrays-the-emotional-and-geographical-journey-of-a-courtier-from-the-capital-kyoto-into-the-countryside-and-beyond-the-poems-describe-features-of-the-natural-untamed-terrain-linking-them-to-the-rather-melancholy-state-of-the-traveler-since-the-tales-of-ise-2A523HB.jpg "Scenes from the "Tales of Ise", mid-1600s. While the 11th century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise . A 10th century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the capital (Kyoto) into the countryside and beyond. The poems describe features of the natural, untamed terrain, linking them to the rather melancholy state of the traveler. Since the Tales of Ise Stock Photo")
Scenes from the "Tales of Ise", mid-1600s. While the 11th century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise . A 10th century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the capital (Kyoto) into the countryside and beyond. The poems describe features of the natural, untamed terrain, linking them to the rather melancholy state of the traveler. Since the Tales of Ise Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scenes-from-the-quottales-of-isequot-mid-1600s-while-the-11th-century-tale-of-genji-is-universally-regarded-as-japans-literary-masterpiece-the-source-for-visual-imagery-in-japanese-culture-is-rivaled-by-another-literary-classic-the-tales-of-ise-a-10th-century-anthology-of-poems-interspersed-with-commentary-the-ise-portrays-the-emotional-and-geographical-journey-of-a-courtier-from-the-capital-kyoto-into-the-countryside-and-beyond-the-poems-describe-features-of-the-natural-untamed-terrain-linking-them-to-the-rather-melancholy-state-of-the-traveler-since-the-tales-of-ise-image330117015.htmlRM2A523HB–Scenes from the "Tales of Ise", mid-1600s. While the 11th century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise . A 10th century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the capital (Kyoto) into the countryside and beyond. The poems describe features of the natural, untamed terrain, linking them to the rather melancholy state of the traveler. Since the Tales of Ise
Catherine Sedley (1657-1717), Countess of Dorchester, English courtier and mistress of King James II of England, portrait miniature watercolour painting on vellum by Peter Cross, 1685-1690 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catherine-sedley-1657-1717-countess-of-dorchester-english-courtier-and-mistress-of-king-james-ii-of-england-portrait-miniature-watercolour-painting-on-vellum-by-peter-cross-1685-1690-image596543161.htmlRM2WJETTW–Catherine Sedley (1657-1717), Countess of Dorchester, English courtier and mistress of King James II of England, portrait miniature watercolour painting on vellum by Peter Cross, 1685-1690
Philip Herbert (1584-1650), 4th Earl of Pembroke, whose Puritan sympathies prompted him to support Parliament during the English Civil War and who was re-installed as Chancellor of Oxford University after Parliament’s victory. Square detail of an engraving created in the 1700s by George Vertue (1683-1756), after a portrait by Sir Anthony van Dyck (1599-1641). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philip-herbert-1584-1650-4th-earl-of-pembroke-whose-puritan-sympathies-prompted-him-to-support-parliament-during-the-english-civil-war-and-who-was-re-installed-as-chancellor-of-oxford-university-after-parliaments-victory-square-detail-of-an-engraving-created-in-the-1700s-by-george-vertue-1683-1756-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-image550986101.htmlRF2R0BGB1–Philip Herbert (1584-1650), 4th Earl of Pembroke, whose Puritan sympathies prompted him to support Parliament during the English Civil War and who was re-installed as Chancellor of Oxford University after Parliament’s victory. Square detail of an engraving created in the 1700s by George Vertue (1683-1756), after a portrait by Sir Anthony van Dyck (1599-1641).
Sir Ralph Bankes (1631–1677), courtier to the restored King Charles II of England and a knighted member of the Privy Chamber, portrait painting by Sir Peter Lely, circa 1660 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-ralph-bankes-16311677-courtier-to-the-restoredking-charles-ii-of-englandand-aknightedmember-of-theprivy-chamber-portrait-painting-by-sir-peter-lely-circa-1660-image364533440.htmlRM2C51X3C–Sir Ralph Bankes (1631–1677), courtier to the restored King Charles II of England and a knighted member of the Privy Chamber, portrait painting by Sir Peter Lely, circa 1660
Sir Walter Raleigh. Hand-colored steel engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-walter-raleigh-hand-colored-steel-engraving-image7737535.htmlRMAE1XM0–Sir Walter Raleigh. Hand-colored steel engraving
Mary Bagot (1645-1679), Countess of Falmouth and Dorset, English courtier and mistress of King Charles II, portrait painting in oil on canvas by Sir Peter Lely, 1664-1665 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-bagot-1645-1679-countess-of-falmouth-and-dorset-english-courtier-and-mistress-of-king-charles-ii-portrait-painting-in-oil-on-canvas-by-sir-peter-lely-1664-1665-image596543043.htmlRM2WJETMK–Mary Bagot (1645-1679), Countess of Falmouth and Dorset, English courtier and mistress of King Charles II, portrait painting in oil on canvas by Sir Peter Lely, 1664-1665
Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) by Paul Van Somer, oil on wood. Buckingham was a favourite of King James VI and I and reputed to have been his lover. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-george-villiers-1st-duke-of-buckingham-1592-1628-by-paul-van-somer-oil-on-wood-buckingham-was-a-favourite-of-king-james-vi-and-i-and-reputed-to-have-been-his-lover-image435619794.htmlRM2G8M5DP–Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) by Paul Van Somer, oil on wood. Buckingham was a favourite of King James VI and I and reputed to have been his lover.
Anne Boleyn's uncle, the prominent English nobleman and Tudor politician, Thomas Howard, 3rd Duke of Norfolk (1473-1554). Copperplate engraving created in the 1600s by engraver and printmaker Lucas Vorsterman the Elder (1595-1675), after a portrait painted in about 1540 by Hans Holbein the Younger (c. 1498-1543). Thomas Howard was the uncle of both Anne Boleyn and Catherine Howard, the second and fifth wives, respectively, of King Henry VIII of England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anne-boleyns-uncle-the-prominent-english-nobleman-and-tudor-politician-thomas-howard-3rd-duke-of-norfolk-1473-1554-copperplate-engraving-created-in-the-1600s-by-engraver-and-printmaker-lucas-vorsterman-the-elder-1595-1675-after-a-portrait-painted-in-about-1540-by-hans-holbein-the-younger-c-1498-1543-thomas-howard-was-the-uncle-of-both-anne-boleyn-and-catherine-howard-the-second-and-fifth-wives-respectively-of-king-henry-viii-of-england-image343197597.htmlRF2AXA011–Anne Boleyn's uncle, the prominent English nobleman and Tudor politician, Thomas Howard, 3rd Duke of Norfolk (1473-1554). Copperplate engraving created in the 1600s by engraver and printmaker Lucas Vorsterman the Elder (1595-1675), after a portrait painted in about 1540 by Hans Holbein the Younger (c. 1498-1543). Thomas Howard was the uncle of both Anne Boleyn and Catherine Howard, the second and fifth wives, respectively, of King Henry VIII of England.
George Villiers, 1st Duke of Buckingham (1592-1628), portrait by Michiel van Mierevelt, oil on panel, c.1625/6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-george-villiers-1st-duke-of-buckingham-1592-1628-portrait-by-michiel-165236768.htmlRMKGR554–George Villiers, 1st Duke of Buckingham (1592-1628), portrait by Michiel van Mierevelt, oil on panel, c.1625/6
John Wilmot 2nd Earl of Rochester was an English poet and a courtier at Charles II's court. This biography by Alexander Larman was published in 2014. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-wilmot-2nd-earl-of-rochester-was-an-english-poet-and-a-courtier-at-charles-iis-court-this-biography-by-alexander-larman-was-published-in-2014-image548326123.htmlRF2PT2BFR–John Wilmot 2nd Earl of Rochester was an English poet and a courtier at Charles II's court. This biography by Alexander Larman was published in 2014.
Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) by Peter Paul Rubens, oil on panel, c. 1617-28. Buckingham was a favourite of King James VI and I and reputed to have been his lover. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-george-villiers-1st-duke-of-buckingham-1592-1628-by-peter-paul-rubens-oil-on-panel-c-1617-28-buckingham-was-a-favourite-of-king-james-vi-and-i-and-reputed-to-have-been-his-lover-image535062684.htmlRM2P2E5WG–Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) by Peter Paul Rubens, oil on panel, c. 1617-28. Buckingham was a favourite of King James VI and I and reputed to have been his lover.
Vintage print depicting Sir Walter Raleigh bidding farewell to his wife on the morning of his execution for treason in 1618. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vintage-print-depicting-sir-walter-raleigh-bidding-farewell-to-his-29320694.htmlRMBKKJRJ–Vintage print depicting Sir Walter Raleigh bidding farewell to his wife on the morning of his execution for treason in 1618.
A Lady of the English Court from 'Ornatus Muliebris Anglicanus' by Wenceslaus Hollar, 1643; ; Black and White Illustration; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-lady-of-the-english-court-from-ornatus-muliebris-anglicanus-by-wenceslaus-38091509.htmlRMC5Y631–A Lady of the English Court from 'Ornatus Muliebris Anglicanus' by Wenceslaus Hollar, 1643; ; Black and White Illustration;
Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) by Michiel van Miereveld (1567-1641), oil on wood, 1625/6. Buckingham was favourite of King James VI and I and reputed to have been his lover. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-george-villiers-1st-duke-of-buckingham-1592-1628-by-michiel-van-miereveld-1567-1641-oil-on-wood-16256-buckingham-was-favourite-of-king-james-vi-and-i-and-reputed-to-have-been-his-lover-image260616961.htmlRMW403GH–Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) by Michiel van Miereveld (1567-1641), oil on wood, 1625/6. Buckingham was favourite of King James VI and I and reputed to have been his lover.
The figures represented here are French people around 1600. They are, from left to right: courtier, lady of rank, Louis XIV in 1680, courtier, courtier. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figures-represented-here-are-french-people-around-1600-they-are-from-left-to-right-courtier-lady-of-rank-louis-xiv-in-1680-courtier-courtier-the-illustration-dates-to-1882-image246937433.htmlRFT9MY61–The figures represented here are French people around 1600. They are, from left to right: courtier, lady of rank, Louis XIV in 1680, courtier, courtier. The illustration dates to 1882.
Thomas Howard (1585-1646), 14th Earl of Arundel, 4th Earl of Surrey, and 1st Earl of Norfolk, an English patron of the arts known as the 'collector earl'. On the eve of the first English Civil War, in 1642, the earl’s Roman Catholic sympathies prompted him into self-imposed exile. After donating £54,000 to the king's cause, he ended his days living in a villa near Padua, Italy. Square detail of an engraving created in the 1700s after a portrait by Sir Anthony Van Dyck (1599-1641). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-howard-1585-1646-14th-earl-of-arundel-4th-earl-of-surrey-and-1st-earl-of-norfolk-an-english-patron-of-the-arts-known-as-the-collector-earl-on-the-eve-of-the-first-english-civil-war-in-1642-the-earls-roman-catholic-sympathies-prompted-him-into-self-imposed-exile-after-donating-54000-to-the-kings-cause-he-ended-his-days-living-in-a-villa-near-padua-italy-square-detail-of-an-engraving-created-in-the-1700s-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-image550987276.htmlRF2R0BHW0–Thomas Howard (1585-1646), 14th Earl of Arundel, 4th Earl of Surrey, and 1st Earl of Norfolk, an English patron of the arts known as the 'collector earl'. On the eve of the first English Civil War, in 1642, the earl’s Roman Catholic sympathies prompted him into self-imposed exile. After donating £54,000 to the king's cause, he ended his days living in a villa near Padua, Italy. Square detail of an engraving created in the 1700s after a portrait by Sir Anthony Van Dyck (1599-1641).
Historic plaque at St James's Square marking the home of Henry Jermyn, 1st Earl of St Albans, London, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-historic-plaque-at-st-jamess-square-marking-the-home-of-henry-jermyn-80796029.htmlRMEKCG4D–Historic plaque at St James's Square marking the home of Henry Jermyn, 1st Earl of St Albans, London, UK
George Villiers, 1st Duke of Buckingham, 1592 – 1628, was an English courtier, statesman, and patron of the arts. He was a favourite and possibly also a lover of King James I of England, antique illustration from circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-villiers-1st-duke-of-buckingham-1592-1628-was-an-english-courtier-statesman-and-patron-of-the-arts-he-was-a-favourite-and-possibly-also-a-lover-of-king-james-i-of-england-antique-illustration-from-circa-1880-image183177683.htmlRMMJ0D03–George Villiers, 1st Duke of Buckingham, 1592 – 1628, was an English courtier, statesman, and patron of the arts. He was a favourite and possibly also a lover of King James I of England, antique illustration from circa 1880
Thomas Howard (1585-1646), 14th Earl of Arundel, 4th Earl of Surrey, and 1st Earl of Norfolk, an English patron of the arts known as the 'collector earl'. On the eve of the first English Civil War, in 1642, the earl’s Roman Catholic sympathies prompted him into self-imposed exile. After donating £54,000 to the king's cause, he ended his days living in a villa near Padua, Italy. Engraving created in the 1700s after a portrait by Sir Anthony Van Dyck (1599-1641). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-howard-1585-1646-14th-earl-of-arundel-4th-earl-of-surrey-and-1st-earl-of-norfolk-an-english-patron-of-the-arts-known-as-the-collector-earl-on-the-eve-of-the-first-english-civil-war-in-1642-the-earls-roman-catholic-sympathies-prompted-him-into-self-imposed-exile-after-donating-54000-to-the-kings-cause-he-ended-his-days-living-in-a-villa-near-padua-italy-engraving-created-in-the-1700s-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-image358623278.htmlRF2BRCKJ6–Thomas Howard (1585-1646), 14th Earl of Arundel, 4th Earl of Surrey, and 1st Earl of Norfolk, an English patron of the arts known as the 'collector earl'. On the eve of the first English Civil War, in 1642, the earl’s Roman Catholic sympathies prompted him into self-imposed exile. After donating £54,000 to the king's cause, he ended his days living in a villa near Padua, Italy. Engraving created in the 1700s after a portrait by Sir Anthony Van Dyck (1599-1641).
![Scenes from the "Tales of Ise", mid-1600s. While the 11th-century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise . A 10th-century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the capital (Kyoto) into the countryside and beyond. The poems describe features of the natural, untamed terrain, linking them to the rather melancholy state of the traveler. Since the Tales of Ise Stock Photo](https://c8.alamy.com/comp/2A523GX/scenes-from-the-quottales-of-isequot-mid-1600s-while-the-11th-century-tale-of-genji-is-universally-regarded-as-japans-literary-masterpiece-the-source-for-visual-imagery-in-japanese-culture-is-rivaled-by-another-literary-classic-the-tales-of-ise-a-10th-century-anthology-of-poems-interspersed-with-commentary-the-ise-portrays-the-emotional-and-geographical-journey-of-a-courtier-from-the-capital-kyoto-into-the-countryside-and-beyond-the-poems-describe-features-of-the-natural-untamed-terrain-linking-them-to-the-rather-melancholy-state-of-the-traveler-since-the-tales-of-ise-2A523GX.jpg "Scenes from the "Tales of Ise", mid-1600s. While the 11th-century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise . A 10th-century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the capital (Kyoto) into the countryside and beyond. The poems describe features of the natural, untamed terrain, linking them to the rather melancholy state of the traveler. Since the Tales of Ise Stock Photo")
Scenes from the "Tales of Ise", mid-1600s. While the 11th-century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise . A 10th-century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the capital (Kyoto) into the countryside and beyond. The poems describe features of the natural, untamed terrain, linking them to the rather melancholy state of the traveler. Since the Tales of Ise Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scenes-from-the-quottales-of-isequot-mid-1600s-while-the-11th-century-tale-of-genji-is-universally-regarded-as-japans-literary-masterpiece-the-source-for-visual-imagery-in-japanese-culture-is-rivaled-by-another-literary-classic-the-tales-of-ise-a-10th-century-anthology-of-poems-interspersed-with-commentary-the-ise-portrays-the-emotional-and-geographical-journey-of-a-courtier-from-the-capital-kyoto-into-the-countryside-and-beyond-the-poems-describe-features-of-the-natural-untamed-terrain-linking-them-to-the-rather-melancholy-state-of-the-traveler-since-the-tales-of-ise-image330117002.htmlRM2A523GX–Scenes from the "Tales of Ise", mid-1600s. While the 11th-century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise . A 10th-century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the capital (Kyoto) into the countryside and beyond. The poems describe features of the natural, untamed terrain, linking them to the rather melancholy state of the traveler. Since the Tales of Ise
Margaret, Lady Denham (circa 1642-1667), English courtier and mistress of King James II of England, portrait painting in oil on canvas by Sir Peter Lely, 1663-1665 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/margaret-lady-denham-circa-1642-1667-english-courtier-and-mistress-of-king-james-ii-of-england-portrait-painting-in-oil-on-canvas-by-sir-peter-lely-1663-1665-image596543168.htmlRM2WJETW4–Margaret, Lady Denham (circa 1642-1667), English courtier and mistress of King James II of England, portrait painting in oil on canvas by Sir Peter Lely, 1663-1665
John Wilmot 2nd Earl of Rochester was an English poet and a courtier at Charles II's court. This biography by Alexander Larman was published in 2014. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-wilmot-2nd-earl-of-rochester-was-an-english-poet-and-a-courtier-at-charles-iis-court-this-biography-by-alexander-larman-was-published-in-2014-image548329639.htmlRF2PT2G1B–John Wilmot 2nd Earl of Rochester was an English poet and a courtier at Charles II's court. This biography by Alexander Larman was published in 2014.
The figure represented here is a French servant around 1600. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figure-represented-here-is-a-french-servant-around-1600-the-illustration-dates-to-1882-image247534450.htmlRFTAM4M2–The figure represented here is a French servant around 1600. The illustration dates to 1882.
Assassination of George Villiers in 1628, 1st Duke of Buckingham, 1592 – 1628, was an English courtier, statesman, and patron of the arts. He was a favourite and possibly also a lover of King James I of England, antique illustration from circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assassination-of-george-villiers-in-1628-1st-duke-of-buckingham-1592-1628-was-an-english-courtier-statesman-and-patron-of-the-arts-he-was-a-favourite-and-possibly-also-a-lover-of-king-james-i-of-england-antique-illustration-from-circa-1880-image183177190.htmlRMMJ0CAE–Assassination of George Villiers in 1628, 1st Duke of Buckingham, 1592 – 1628, was an English courtier, statesman, and patron of the arts. He was a favourite and possibly also a lover of King James I of England, antique illustration from circa 1880
Philip Herbert (1584-1650), 4th Earl of Pembroke, whose Puritan sympathies prompted him to support Parliament during the English Civil War and who was re-installed as Chancellor of Oxford University after Parliament’s victory. Engraving created in the 1700s by George Vertue (1683-1756), after a portrait by Sir Anthony van Dyck (1599-1641). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philip-herbert-1584-1650-4th-earl-of-pembroke-whose-puritan-sympathies-prompted-him-to-support-parliament-during-the-english-civil-war-and-who-was-re-installed-as-chancellor-of-oxford-university-after-parliaments-victory-engraving-created-in-the-1700s-by-george-vertue-1683-1756-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-image358622970.htmlRF2BRCK76–Philip Herbert (1584-1650), 4th Earl of Pembroke, whose Puritan sympathies prompted him to support Parliament during the English Civil War and who was re-installed as Chancellor of Oxford University after Parliament’s victory. Engraving created in the 1700s by George Vertue (1683-1756), after a portrait by Sir Anthony van Dyck (1599-1641).
Sir Anthony Denny portrait, 1501 – 1549, was a confidant of King Henry VIII of England. Denny was the most prominent member of the Privy chamber in King Henry's last years. Etching by Bohemian etcher Wenceslaus Hollar from 1647 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-anthony-denny-portrait-1501-1549-was-a-confidant-of-king-henry-viii-of-england-denny-was-the-most-prominent-member-of-the-privy-chamber-in-king-henrys-last-years-etching-by-bohemian-etcher-wenceslaus-hollar-from-1647-image231183216.htmlRMRC38FC–Sir Anthony Denny portrait, 1501 – 1549, was a confidant of King Henry VIII of England. Denny was the most prominent member of the Privy chamber in King Henry's last years. Etching by Bohemian etcher Wenceslaus Hollar from 1647
Allegory of Justice, 1607. Series: Thronus Justitiae, pl. 12. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegory-of-justice-1607-series-thronus-justitiae-pl-12-image571914093.htmlRM2T6CX79–Allegory of Justice, 1607. Series: Thronus Justitiae, pl. 12.
Death of General Lindsey after the Battle of Edge Hill, English Civil War, 24th October 1642, illustration from the 1800s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/death-of-general-lindsey-after-the-battle-of-edge-hill-english-civil-war-24th-october-1642-illustration-from-the-1800s-image216487688.htmlRMPG5T74–Death of General Lindsey after the Battle of Edge Hill, English Civil War, 24th October 1642, illustration from the 1800s
English Civil War turncoat, Henry Rich (1590-1649), 1st Earl of Holland, English Peer, courtier and soldier. At first the Earl of Holland supported Parliament and then, in 1643, defected to the Royalists. Square detail of engraving created in the 1700s, after a portrait by Sir Anthony Van Dyck (1599-1641), and used in the 1740 edition of 'History of the Rebellion and Civil Wars in England' by Edward Hyde (1609-1674), raised to the peerage as 1st Earl of Clarendon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-civil-war-turncoat-henry-rich-1590-1649-1st-earl-of-holland-english-peer-courtier-and-soldier-at-first-the-earl-of-holland-supported-parliament-and-then-in-1643-defected-to-the-royalists-square-detail-of-engraving-created-in-the-1700s-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-and-used-in-the-1740-edition-of-history-of-the-rebellion-and-civil-wars-in-england-by-edward-hyde-1609-1674-raised-to-the-peerage-as-1st-earl-of-clarendon-image550663259.htmlRF2PYTTGY–English Civil War turncoat, Henry Rich (1590-1649), 1st Earl of Holland, English Peer, courtier and soldier. At first the Earl of Holland supported Parliament and then, in 1643, defected to the Royalists. Square detail of engraving created in the 1700s, after a portrait by Sir Anthony Van Dyck (1599-1641), and used in the 1740 edition of 'History of the Rebellion and Civil Wars in England' by Edward Hyde (1609-1674), raised to the peerage as 1st Earl of Clarendon.
The Sword of Damocles, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sword-of-damocles-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image233657186.htmlRMRG403E–The Sword of Damocles, etching by Bohemian etcher Wenceslaus Hollar from 1600s
Catherine Sedley (1657-1717), Countess of Dorchester, English courtier and mistress of King James II of England, portrait painting in oil on canvas by the workshop of Sir Peter Lely, circa 1675 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catherine-sedley-1657-1717-countess-of-dorchester-english-courtier-and-mistress-of-king-james-ii-of-england-portrait-painting-in-oil-on-canvas-by-the-workshop-of-sir-peter-lely-circa-1675-image596543177.htmlRM2WJETWD–Catherine Sedley (1657-1717), Countess of Dorchester, English courtier and mistress of King James II of England, portrait painting in oil on canvas by the workshop of Sir Peter Lely, circa 1675
Tomb of Sir Marmaduke Constable, Lord of Flamborough at Nuneaton, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tomb-of-sir-marmaduke-constable-lord-of-flamborough-at-nuneaton-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image230632823.htmlRMRB66EF–Tomb of Sir Marmaduke Constable, Lord of Flamborough at Nuneaton, etching by Bohemian etcher Wenceslaus Hollar from 1600s
Robert Dudley, 1st Earl of Leicester, 1532-1588, portrait painting by Jan van Ravesteyn, 1609 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robert-dudley-1st-earl-of-leicester-1532-1588-portrait-painting-by-jan-van-ravesteyn-1609-image255622106.htmlRMTRTGGX–Robert Dudley, 1st Earl of Leicester, 1532-1588, portrait painting by Jan van Ravesteyn, 1609
Edward Herbert portrait, 1st Baron Herbert of Cherbury, 1582 – 1648, was an Anglo-Welsh soldier, diplomat, historian, poet and religious philosopher, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edward-herbert-portrait-1st-baron-herbert-of-cherbury-1582-1648-was-an-anglo-welsh-soldier-diplomat-historian-poet-and-religious-philosopher-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image331526560.htmlRM2A7A9E8–Edward Herbert portrait, 1st Baron Herbert of Cherbury, 1582 – 1648, was an Anglo-Welsh soldier, diplomat, historian, poet and religious philosopher, etching by Bohemian etcher Wenceslaus Hollar from 1600s
John Wilmot 2nd Earl of Rochester was an English poet and a courtier at Charles II's court. This biography by Alexander Larman was published in 2014. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-wilmot-2nd-earl-of-rochester-was-an-english-poet-and-a-courtier-at-charles-iis-court-this-biography-by-alexander-larman-was-published-in-2014-image548329618.htmlRF2PT2G0J–John Wilmot 2nd Earl of Rochester was an English poet and a courtier at Charles II's court. This biography by Alexander Larman was published in 2014.
Philip Herbert portrait, 4th Earl of Pembroke and 1st Earl of Montgomery, 1584 – 1650, was an English courtier, nobleman, and politician active during the reigns of James I and Charles I, etching by Bohemian etcher Wenceslaus Hollar from 1642 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philip-herbert-portrait-4th-earl-of-pembroke-and-1st-earl-of-montgomery-1584-1650-was-an-english-courtier-nobleman-and-politician-active-during-the-reigns-of-james-i-and-charles-i-etching-by-bohemian-etcher-wenceslaus-hollar-from-1642-image230738826.htmlRMRBB1MA–Philip Herbert portrait, 4th Earl of Pembroke and 1st Earl of Montgomery, 1584 – 1650, was an English courtier, nobleman, and politician active during the reigns of James I and Charles I, etching by Bohemian etcher Wenceslaus Hollar from 1642
English Civil War turncoat, Henry Rich (1590-1649), 1st Earl of Holland, English Peer, courtier and soldier. At first the Earl of Holland supported Parliament and then, in 1643, defected to the Royalists. Engraving created in the 1700s, after a portrait by Sir Anthony Van Dyck (1599-1641), and used in the 1740 edition of 'History of the Rebellion and Civil Wars in England' by Edward Hyde (1609-1674), raised to the peerage as 1st Earl of Clarendon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-civil-war-turncoat-henry-rich-1590-1649-1st-earl-of-holland-english-peer-courtier-and-soldier-at-first-the-earl-of-holland-supported-parliament-and-then-in-1643-defected-to-the-royalists-engraving-created-in-the-1700s-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-and-used-in-the-1740-edition-of-history-of-the-rebellion-and-civil-wars-in-england-by-edward-hyde-1609-1674-raised-to-the-peerage-as-1st-earl-of-clarendon-image358296834.htmlRF2BPWR7E–English Civil War turncoat, Henry Rich (1590-1649), 1st Earl of Holland, English Peer, courtier and soldier. At first the Earl of Holland supported Parliament and then, in 1643, defected to the Royalists. Engraving created in the 1700s, after a portrait by Sir Anthony Van Dyck (1599-1641), and used in the 1740 edition of 'History of the Rebellion and Civil Wars in England' by Edward Hyde (1609-1674), raised to the peerage as 1st Earl of Clarendon.
Montague Bertie portrait, 2nd Earl of Lindsey, 1608 – 1666, was an English soldier, courtier, and politician, vintage illustration from 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/montague-bertie-portrait-2nd-earl-of-lindsey-1608-1666-was-an-english-soldier-courtier-and-politician-vintage-illustration-from-1850-image328508477.htmlRM2A2CRWH–Montague Bertie portrait, 2nd Earl of Lindsey, 1608 – 1666, was an English soldier, courtier, and politician, vintage illustration from 1850
The figure represented here is a French cuirassier around 1600. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figure-represented-here-is-a-french-cuirassier-around-1600-the-illustration-dates-to-1882-image247522777.htmlRFTAKHR5–The figure represented here is a French cuirassier around 1600. The illustration dates to 1882.
Lucy Percy portrait, Countess of Carlisle, 1599 – 1660, was an English courtier during the English Civil War, vintage illustration from 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lucy-percy-portrait-countess-of-carlisle-1599-1660-was-an-english-courtier-during-the-english-civil-war-vintage-illustration-from-1850-image328286601.htmlRM2A22MWD–Lucy Percy portrait, Countess of Carlisle, 1599 – 1660, was an English courtier during the English Civil War, vintage illustration from 1850
Sir Walter Raleigh, 1554 – 1618, was an English landed gentleman, writer, poet, soldier, politician, courtier, spy and explorer, shown here in prison in the Tower 1603 , antique illustration from circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-walter-raleigh-1554-1618-was-an-english-landed-gentleman-writer-poet-soldier-politician-courtier-spy-and-explorer-shown-here-in-prison-in-the-tower-1603-antique-illustration-from-circa-1880-image182766245.htmlRMMH9M5W–Sir Walter Raleigh, 1554 – 1618, was an English landed gentleman, writer, poet, soldier, politician, courtier, spy and explorer, shown here in prison in the Tower 1603 , antique illustration from circa 1880
Portrait of Sir Walter Raleigh, 1554 – 1618 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-sir-walter-raleigh-1554-1618-130804552.htmlRMHGPJF4–Portrait of Sir Walter Raleigh, 1554 – 1618
John Wilmot 2nd Earl of Rochester was an English poet and a courtier at Charles II's court. This biography by Alexander Larman was published in 2014. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-wilmot-2nd-earl-of-rochester-was-an-english-poet-and-a-courtier-at-charles-iis-court-this-biography-by-alexander-larman-was-published-in-2014-image548329629.htmlRF2PT2G11–John Wilmot 2nd Earl of Rochester was an English poet and a courtier at Charles II's court. This biography by Alexander Larman was published in 2014.
Anne Boleyn's uncle, the prominent English nobleman and Tudor politician, Thomas Howard, 3rd Duke of Norfolk (1473-1554). Detail of copperplate engraving created in the 1600s by engraver and printmaker Lucas Vorsterman the Elder (1595-1675), after a portrait painted in about 1540 by Hans Holbein the Younger (c. 1498-1543). Thomas Howard was the uncle of both Anne Boleyn and Catherine Howard, the second and fifth wives, respectively, of King Henry VIII of England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anne-boleyns-uncle-the-prominent-english-nobleman-and-tudor-politician-thomas-howard-3rd-duke-of-norfolk-1473-1554-detail-of-copperplate-engraving-created-in-the-1600s-by-engraver-and-printmaker-lucas-vorsterman-the-elder-1595-1675-after-a-portrait-painted-in-about-1540-by-hans-holbein-the-younger-c-1498-1543-thomas-howard-was-the-uncle-of-both-anne-boleyn-and-catherine-howard-the-second-and-fifth-wives-respectively-of-king-henry-viii-of-england-image346585986.htmlRF2B3T9XX–Anne Boleyn's uncle, the prominent English nobleman and Tudor politician, Thomas Howard, 3rd Duke of Norfolk (1473-1554). Detail of copperplate engraving created in the 1600s by engraver and printmaker Lucas Vorsterman the Elder (1595-1675), after a portrait painted in about 1540 by Hans Holbein the Younger (c. 1498-1543). Thomas Howard was the uncle of both Anne Boleyn and Catherine Howard, the second and fifth wives, respectively, of King Henry VIII of England.
The figure represented here is a French grenadier around 1600. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figure-represented-here-is-a-french-grenadier-around-1600-the-illustration-dates-to-1882-image247522717.htmlRFTAKHN1–The figure represented here is a French grenadier around 1600. The illustration dates to 1882.
Anne Boleyn's uncle, the prominent English nobleman and Tudor politician, Thomas Howard, 3rd Duke of Norfolk (1473-1554). Detail of copperplate engraving created in the 1600s by engraver and printmaker Lucas Vorsterman the Elder (1595-1675), after a portrait painted in about 1540 by Hans Holbein the Younger (c. 1498-1543). Thomas Howard was the uncle of both Anne Boleyn and Catherine Howard, the second and fifth wives, respectively, of King Henry VIII of England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anne-boleyns-uncle-the-prominent-english-nobleman-and-tudor-politician-thomas-howard-3rd-duke-of-norfolk-1473-1554-detail-of-copperplate-engraving-created-in-the-1600s-by-engraver-and-printmaker-lucas-vorsterman-the-elder-1595-1675-after-a-portrait-painted-in-about-1540-by-hans-holbein-the-younger-c-1498-1543-thomas-howard-was-the-uncle-of-both-anne-boleyn-and-catherine-howard-the-second-and-fifth-wives-respectively-of-king-henry-viii-of-england-image346586223.htmlRF2B3TA7B–Anne Boleyn's uncle, the prominent English nobleman and Tudor politician, Thomas Howard, 3rd Duke of Norfolk (1473-1554). Detail of copperplate engraving created in the 1600s by engraver and printmaker Lucas Vorsterman the Elder (1595-1675), after a portrait painted in about 1540 by Hans Holbein the Younger (c. 1498-1543). Thomas Howard was the uncle of both Anne Boleyn and Catherine Howard, the second and fifth wives, respectively, of King Henry VIII of England.
Thomas Wentworth, 1st Earl of Strafford (1593 - 1641), chief adviser to King Charles I of England in the run-up to the English Civil War. The king reluctantly signed Strafford's death warrant in a vain attempt to appease Parliament. Strafford, who is said to have remarked bitterly “put not your trust in Princes”, was executed in London in May 1641. The king never forgave himself for what he saw as betrayal of a man he had promised to protect. Square detail of engraving created in the 1700s by Jacobus Houbraken (1698 - 1780), after a portrait by Sir Anthony van Dyck (1599 - 1641). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-wentworth-1st-earl-of-strafford-1593-1641-chief-adviser-to-king-charles-i-of-england-in-the-run-up-to-the-english-civil-war-the-king-reluctantly-signed-straffords-death-warrant-in-a-vain-attempt-to-appease-parliament-strafford-who-is-said-to-have-remarked-bitterly-put-not-your-trust-in-princes-was-executed-in-london-in-may-1641-the-king-never-forgave-himself-for-what-he-saw-as-betrayal-of-a-man-he-had-promised-to-protect-square-detail-of-engraving-created-in-the-1700s-by-jacobus-houbraken-1698-1780-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-image549425300.htmlRF2PWTDG4–Thomas Wentworth, 1st Earl of Strafford (1593 - 1641), chief adviser to King Charles I of England in the run-up to the English Civil War. The king reluctantly signed Strafford's death warrant in a vain attempt to appease Parliament. Strafford, who is said to have remarked bitterly “put not your trust in Princes”, was executed in London in May 1641. The king never forgave himself for what he saw as betrayal of a man he had promised to protect. Square detail of engraving created in the 1700s by Jacobus Houbraken (1698 - 1780), after a portrait by Sir Anthony van Dyck (1599 - 1641).
The figures represented here are French people around 1600. They are, from left to right: Louis XIV in 1680, lady of rank, lady of rank in simple clothes. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figures-represented-here-are-french-people-around-1600-they-are-from-left-to-right-louis-xiv-in-1680-lady-of-rank-lady-of-rank-in-simple-clothes-the-illustration-dates-to-1882-image247506932.htmlRFTAJWH8–The figures represented here are French people around 1600. They are, from left to right: Louis XIV in 1680, lady of rank, lady of rank in simple clothes. The illustration dates to 1882.
Thomas Wentworth, 1st Earl of Strafford (1593 - 1641), chief adviser to King Charles I of England in the run-up to the English Civil War. The king reluctantly signed Strafford's death warrant in a vain attempt to appease Parliament. Strafford, who is said to have remarked bitterly “put not your trust in Princes”, was executed in London in May 1641. The king never forgave himself for what he saw as betrayal of a man he had promised to protect. Engraving created in the 1700s by Jacobus Houbraken (1698 - 1780), after a portrait by Sir Anthony van Dyck (1599 - 1641). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-wentworth-1st-earl-of-strafford-1593-1641-chief-adviser-to-king-charles-i-of-england-in-the-run-up-to-the-english-civil-war-the-king-reluctantly-signed-straffords-death-warrant-in-a-vain-attempt-to-appease-parliament-strafford-who-is-said-to-have-remarked-bitterly-put-not-your-trust-in-princes-was-executed-in-london-in-may-1641-the-king-never-forgave-himself-for-what-he-saw-as-betrayal-of-a-man-he-had-promised-to-protect-engraving-created-in-the-1700s-by-jacobus-houbraken-1698-1780-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-image349830096.htmlRF2B943T0–Thomas Wentworth, 1st Earl of Strafford (1593 - 1641), chief adviser to King Charles I of England in the run-up to the English Civil War. The king reluctantly signed Strafford's death warrant in a vain attempt to appease Parliament. Strafford, who is said to have remarked bitterly “put not your trust in Princes”, was executed in London in May 1641. The king never forgave himself for what he saw as betrayal of a man he had promised to protect. Engraving created in the 1700s by Jacobus Houbraken (1698 - 1780), after a portrait by Sir Anthony van Dyck (1599 - 1641).
The figures represented here are a French citizen and a French abbe around 1600. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figures-represented-here-are-a-french-citizen-and-a-french-abbe-around-1600-the-illustration-dates-to-1882-image247515086.htmlRFTAK80E–The figures represented here are a French citizen and a French abbe around 1600. The illustration dates to 1882.
Thomas Wentworth, 1st Earl of Strafford (1593 - 1641), chief adviser to King Charles I of England in the run-up to the English Civil War. The king reluctantly signed Strafford's death warrant in a vain attempt to appease Parliament. Engraving created in 1740 by the Dutch engraver, Jacobus Houbraken (1798 - 1780), after a portrait by Sir Anthony van Dyck (1599 - 1641). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-wentworth-1st-earl-of-strafford-1593-1641-chief-adviser-to-king-charles-i-of-england-in-the-run-up-to-the-english-civil-war-the-king-reluctantly-signed-straffords-death-warrant-in-a-vain-attempt-to-appease-parliament-engraving-created-in-1740-by-the-dutch-engraver-jacobus-houbraken-1798-1780-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-image349412094.htmlRF2B8D2KA–Thomas Wentworth, 1st Earl of Strafford (1593 - 1641), chief adviser to King Charles I of England in the run-up to the English Civil War. The king reluctantly signed Strafford's death warrant in a vain attempt to appease Parliament. Engraving created in 1740 by the Dutch engraver, Jacobus Houbraken (1798 - 1780), after a portrait by Sir Anthony van Dyck (1599 - 1641).
Thomas Wentworth, 1st Earl of Strafford (1593 - 1641), chief adviser to King Charles I of England in the run-up to the English Civil War. The king reluctantly signed Strafford's death warrant in a vain attempt to appease Parliament. Square detail of engraving created in 1740 by the Dutch engraver, Jacobus Houbraken (1798 - 1780), after a portrait by Sir Anthony van Dyck (1599 - 1641). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-wentworth-1st-earl-of-strafford-1593-1641-chief-adviser-to-king-charles-i-of-england-in-the-run-up-to-the-english-civil-war-the-king-reluctantly-signed-straffords-death-warrant-in-a-vain-attempt-to-appease-parliament-square-detail-of-engraving-created-in-1740-by-the-dutch-engraver-jacobus-houbraken-1798-1780-after-a-portrait-by-sir-anthony-van-dyck-1599-1641-image549084921.htmlRF2PW8YBN–Thomas Wentworth, 1st Earl of Strafford (1593 - 1641), chief adviser to King Charles I of England in the run-up to the English Civil War. The king reluctantly signed Strafford's death warrant in a vain attempt to appease Parliament. Square detail of engraving created in 1740 by the Dutch engraver, Jacobus Houbraken (1798 - 1780), after a portrait by Sir Anthony van Dyck (1599 - 1641).
The figures represented here are French ladies of rank around 1600. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figures-represented-here-are-french-ladies-of-rank-around-1600-the-illustration-dates-to-1882-image392104721.htmlRF2DNWWG1–The figures represented here are French ladies of rank around 1600. The illustration dates to 1882.
The figures represented here are French people around 1600. They are, from left to right: cuirassier, grenadier, soldier of the guards, Louis XIV in 1680, lady of rank, lady of rank en negligee, citizen, abbe, servingman. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figures-represented-here-are-french-people-around-1600-they-are-from-left-to-right-cuirassier-grenadier-soldier-of-the-guards-louis-xiv-in-1680-lady-of-rank-lady-of-rank-en-negligee-citizen-abbe-servingman-the-illustration-dates-to-1882-image246937475.htmlRFT9MY7F–The figures represented here are French people around 1600. They are, from left to right: cuirassier, grenadier, soldier of the guards, Louis XIV in 1680, lady of rank, lady of rank en negligee, citizen, abbe, servingman. The illustration dates to 1882.
The Countess of Grammont from painting by Sir Peter Lely at Hampton Court Palace. Elizabeth, comtesse de Gramont (1641-1708), was an Irish-born beauty. She was a courtier, first after the Restoration at the court of Charles II of England in Whitehall and later, after her marriage to Philibert de Gramont, at the court of Louis XIV where she was a lady-in-waiting to the French queen, Maria Theresa of Spain. Sir Peter Lely (1618-1680) was a painter of Dutch origin whose career was nearly all spent in England, where he became the dominant portrait painter to the court. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-countess-of-grammont-from-painting-by-sir-peter-lely-at-hampton-court-palace-elizabeth-comtesse-de-gramont-1641-1708-was-an-irish-born-beauty-she-was-a-courtier-first-after-the-restoration-at-the-court-of-charles-ii-of-england-in-whitehall-and-later-after-her-marriage-to-philibert-de-gramont-at-the-court-of-louis-xiv-where-she-was-a-lady-in-waiting-to-the-french-queen-maria-theresa-of-spain-sir-peter-lely-1618-1680-was-a-painter-of-dutch-origin-whose-career-was-nearly-all-spent-in-england-where-he-became-the-dominant-portrait-painter-to-the-court-image396470574.htmlRF2E10P7A–The Countess of Grammont from painting by Sir Peter Lely at Hampton Court Palace. Elizabeth, comtesse de Gramont (1641-1708), was an Irish-born beauty. She was a courtier, first after the Restoration at the court of Charles II of England in Whitehall and later, after her marriage to Philibert de Gramont, at the court of Louis XIV where she was a lady-in-waiting to the French queen, Maria Theresa of Spain. Sir Peter Lely (1618-1680) was a painter of Dutch origin whose career was nearly all spent in England, where he became the dominant portrait painter to the court.
Search Results for 1600s courtier Stock Photos and Images (79)
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