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16 6 1815 Stock Photos and Images
Blücher, Gebhard Leberecht von, 16.12.1742 - , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blcher-gebhard-leberecht-von-16121742-artists-copyright-has-not-to-23532849.htmlRMBA80AW–Blücher, Gebhard Leberecht von, 16.12.1742 - , Artist's Copyright has not to be cleared
George Wintle, British, 1787–1823, Caddy Spoon, c. 1815, Silver, Overall: 2 9/16 in. (6.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-wintle-british-17871823-caddy-spoon-c-1815-silver-overall-2-916-in-65-cm-image344581845.htmlRM2B0H1JD–George Wintle, British, 1787–1823, Caddy Spoon, c. 1815, Silver, Overall: 2 9/16 in. (6.5 cm
Charles II, 30.10.1804 - 18.8.1873, Duke of Brunswick 16.6.1815 - 2.12.1830, portrait, 1825, wood engraving by Adolf Neumann, 2nd half 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-ii-30101804-1881873-duke-of-brunswick-1661815-2121830-portrait-106899020.htmlRMG5WJP4–Charles II, 30.10.1804 - 18.8.1873, Duke of Brunswick 16.6.1815 - 2.12.1830, portrait, 1825, wood engraving by Adolf Neumann, 2nd half 19th century,
Art inspired by Fender, 1790–1815, Made in United States, Brass, 16 x 52 in. (40.6 x 132.1 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fender-17901815-made-in-united-states-brass-16-x-52-in-406-x-1321-cm-metal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462883597.htmlRF2HW24N1–Art inspired by Fender, 1790–1815, Made in United States, Brass, 16 x 52 in. (40.6 x 132.1 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
War of the Seventh Coalition 1815, Battle of Ligny, 16.6.1815, plan of action, drawing, 1913, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-war-of-the-seventh-coalition-1815-battle-of-ligny-1661815-plan-of-96418151.htmlRMFGT69B–War of the Seventh Coalition 1815, Battle of Ligny, 16.6.1815, plan of action, drawing, 1913, Additional-Rights-Clearences-Not Available
Inspired by Portrait of Blücher, Adolf Friedrich Erdmann von Menzel, German, 1815-1905, Wood engraving on China paper, 1882, Image: 6 7/8 x 5 11/16 in., 17.4 x 14.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-blcher-adolf-friedrich-erdmann-von-menzel-german-1815-1905-wood-engraving-on-china-paper-1882-image-6-78-x-5-1116-in-174-x-145-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253558.htmlRF2HK4PGP–Inspired by Portrait of Blücher, Adolf Friedrich Erdmann von Menzel, German, 1815-1905, Wood engraving on China paper, 1882, Image: 6 7/8 x 5 11/16 in., 17.4 x 14.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
War of the Seventh Coalition 1815, Battle of Ligny, 16.6.1815, the Prussian army under field marshal Gebhard Leberecht von Bluecher in combat, wood engraving, late 19th century, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-war-of-the-seventh-coalition-1815-battle-of-ligny-1661815-the-prussian-96418682.htmlRMFGT70A–War of the Seventh Coalition 1815, Battle of Ligny, 16.6.1815, the Prussian army under field marshal Gebhard Leberecht von Bluecher in combat, wood engraving, late 19th century, Additional-Rights-Clearences-Not Available
Art inspired by Compote, 1815–30, Made in Paris, France, French, Porcelain, 10 3/16 x 12 x 6 5/8 in. (25.9 x 30.5 x 16.8 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-compote-181530-made-in-paris-france-french-porcelain-10-316-x-12-x-6-58-in-259-x-305-x-168-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462880654.htmlRF2HW20YX–Art inspired by Compote, 1815–30, Made in Paris, France, French, Porcelain, 10 3/16 x 12 x 6 5/8 in. (25.9 x 30.5 x 16.8 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pocket bottle. Culture: American. Dimensions: H. 6 5/8 in. (16.8 cm). Date: 1815-45. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pocket-bottle-culture-american-dimensions-h-6-58-in-168-cm-date-1815-45-museum-metropolitan-museum-of-art-new-york-usa-image213249978.htmlRMPAXAEJ–Pocket bottle. Culture: American. Dimensions: H. 6 5/8 in. (16.8 cm). Date: 1815-45. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by A Boy with Three Goats, 1815, Etching; third state, plate: 6 1/8 x 7 11/16 in., Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-boy-with-three-goats-1815-etching-third-state-plate-6-18-x-7-1116-in-prints-johann-christoph-erhard-german-nuremberg-17951822-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462969023.htmlRF2HW61KY–Art inspired by A Boy with Three Goats, 1815, Etching; third state, plate: 6 1/8 x 7 11/16 in., Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Figure Studies; Adolf von Menzel, German, 1815 - 1905; 1872; Carpenter's pencil; 37.9 x 26.3 cm (14 15/16 x 10 3/8 in.); 84.GB.6 Adolph Menzel - Figurenstudie (1872) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-studies-adolf-von-menzel-german-1815-1905-1872-carpenters-pencil-379-x-263-cm-14-1516-x-10-38-in-84gb6-adolph-menzel-figurenstudie-1872-image185020181.htmlRMMN0B3H–Figure Studies; Adolf von Menzel, German, 1815 - 1905; 1872; Carpenter's pencil; 37.9 x 26.3 cm (14 15/16 x 10 3/8 in.); 84.GB.6 Adolph Menzel - Figurenstudie (1872)
Art inspired by Pocket bottle, 1815–45, Possibly made in Pennsylvania, United States; Probably made in Ohio, United States, American, Blown pattern-molded glass, H. 6 5/8 in. (16.8 cm), Glass, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pocket-bottle-181545-possibly-made-in-pennsylvania-united-states-probably-made-in-ohio-united-states-american-blown-pattern-molded-glass-h-6-58-in-168-cm-glass-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462890123.htmlRF2HW2D23–Art inspired by Pocket bottle, 1815–45, Possibly made in Pennsylvania, United States; Probably made in Ohio, United States, American, Blown pattern-molded glass, H. 6 5/8 in. (16.8 cm), Glass, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Display Artist: Khelnath Creation Date: ca. 1815 Display Dimensions: 7 7/8 in. x 10 9/16 in. (20 cm x 26.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.662 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 January 2009, 10:27:05. English: thesandiegomuseumofartcollection Gokaldas on his stallion Lalparogh hunting boar (6125099188) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-khelnath-creation-date-ca-1815-display-dimensions-7-78-in-x-10-916-in-20-cm-x-268-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990662-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-january-2009-102705-english-thesandiegomuseumofartcollection-gokaldas-on-his-stallion-lalparogh-hunting-boar-6125099188-image184797233.htmlRMMMJ6N5–. English: Display Artist: Khelnath Creation Date: ca. 1815 Display Dimensions: 7 7/8 in. x 10 9/16 in. (20 cm x 26.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.662 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 January 2009, 10:27:05. English: thesandiegomuseumofartcollection Gokaldas on his stallion Lalparogh hunting boar (6125099188)
Actors on T-6 Texan aboard USS Lexington (AVT-16) during filming of War and Remenbrance 1987. Actors in World War II aviator uniforms take direction from atop an SNJ Texan aircraft parked on the deck of the training aircraft carrier USS LEXINGTON (AVT 16) during the filming of the ABC-TV movie 'War and Remembrance. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actors-on-t-6-texan-aboard-uss-lexington-avt-16-during-filming-of-war-and-remenbrance-1987-actors-in-world-war-ii-aviator-uniforms-take-direction-from-atop-an-snj-texan-aircraft-parked-on-the-deck-of-the-training-aircraft-carrier-uss-lexington-avt-16-during-the-filming-of-the-abc-tv-movie-war-and-remembrance-image213811437.htmlRMPBRXJN–Actors on T-6 Texan aboard USS Lexington (AVT-16) during filming of War and Remenbrance 1987. Actors in World War II aviator uniforms take direction from atop an SNJ Texan aircraft parked on the deck of the training aircraft carrier USS LEXINGTON (AVT 16) during the filming of the ABC-TV movie 'War and Remembrance.
. English: Display Artist: Sarup Ramji Creation Date: ca. 1815 Display Dimensions: 6 11/16 in. x 7 29/32 in. (17 cm x 20.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1015 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 12 February 2003, 10:47:00. English: thesandiegomuseumofartcollection 1136 Sri Babaji Masat receives visitors at his hut (6124578251) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-sarup-ramji-creation-date-ca-1815-display-dimensions-6-1116-in-x-7-2932-in-17-cm-x-201-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901015-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-12-february-2003-104700-english-thesandiegomuseumofartcollection-1136-sri-babaji-masat-receives-visitors-at-his-hut-6124578251-image185613269.htmlRMMNYBH9–. English: Display Artist: Sarup Ramji Creation Date: ca. 1815 Display Dimensions: 6 11/16 in. x 7 29/32 in. (17 cm x 20.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1015 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 12 February 2003, 10:47:00. English: thesandiegomuseumofartcollection 1136 Sri Babaji Masat receives visitors at his hut (6124578251)
Urn, c. 1815. Flight, Barr and Barr (British). Artificial porcelain; overall: 18.6 x 11.4 cm (7 5/16 x 4 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/urn-c-1815-flight-barr-and-barr-british-artificial-porcelain-overall-186-x-114-cm-7-516-x-4-12-in-image448059399.htmlRM2H0XT9B–Urn, c. 1815. Flight, Barr and Barr (British). Artificial porcelain; overall: 18.6 x 11.4 cm (7 5/16 x 4 1/2 in.).
Print, Portrait of a Lady (The Grecian Daughter), 1780; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); Italy; stipple engraving in brown ink on white paper; 35.7 × 26.6 cm (14 1/16 × 10 1/2 in.); Bequest of George Campbell Cooper; 1896-3-334 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-portrait-of-a-lady-the-grecian-daughter-1780-print-maker-francesco-bartolozzi-italian-17271815-italy-stipple-engraving-in-brown-ink-on-white-paper-357-266-cm-14-116-10-12-in-bequest-of-george-campbell-cooper-1896-3-334-image546219686.htmlRM2PMJCNX–Print, Portrait of a Lady (The Grecian Daughter), 1780; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); Italy; stipple engraving in brown ink on white paper; 35.7 × 26.6 cm (14 1/16 × 10 1/2 in.); Bequest of George Campbell Cooper; 1896-3-334
Sword Guard (Tsuba) with Flowering Vine, c. 1815-50. Masakata (Japanese). Iron; overall: 6.8 x 7 cm (2 11/16 x 2 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sword-guard-tsuba-with-flowering-vine-c-1815-50-masakata-japanese-iron-overall-68-x-7-cm-2-1116-x-2-34-in-image448067498.htmlRM2H0Y6JJ–Sword Guard (Tsuba) with Flowering Vine, c. 1815-50. Masakata (Japanese). Iron; overall: 6.8 x 7 cm (2 11/16 x 2 3/4 in.).
'Luigi Rados, after Luigi Bramati or Antonio Bramati, Ennio Quirino Visconti, 1815-1818, etching and stipple engraving, sheet: 27 × 19 cm (10 5/8 × 7 1/2 in.) sheet: 22 × 15.5 cm (8 11/16 × 6 1/8 in.), Gift of John O'Brien, 2012.96.7' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/luigi-rados-after-luigi-bramati-or-antonio-bramati-ennio-quirino-visconti-1815-1818-etching-and-stipple-engraving-sheet-27-19-cm-10-58-7-12-in-sheet-22-155-cm-8-1116-6-18-in-gift-of-john-obrien-2012967-image559760421.htmlRM2REK83H–'Luigi Rados, after Luigi Bramati or Antonio Bramati, Ennio Quirino Visconti, 1815-1818, etching and stipple engraving, sheet: 27 × 19 cm (10 5/8 × 7 1/2 in.) sheet: 22 × 15.5 cm (8 11/16 × 6 1/8 in.), Gift of John O'Brien, 2012.96.7'
Urn and cover, c. 1815. Flight, Barr and Barr (British). Artificial porcelain; overall: 18.6 x 11.4 cm (7 5/16 x 4 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/urn-and-cover-c-1815-flight-barr-and-barr-british-artificial-porcelain-overall-186-x-114-cm-7-516-x-4-12-in-image448059390.htmlRM2H0XT92–Urn and cover, c. 1815. Flight, Barr and Barr (British). Artificial porcelain; overall: 18.6 x 11.4 cm (7 5/16 x 4 1/2 in.).
Fender, 1790–1815, Made in United States, Brass, 16 x 52 in. (40.6 x 132.1 cm), Metal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fender-17901815-made-in-united-states-brass-16-x-52-in-406-x-1321-cm-metal-image344641002.htmlRM2B0KN36–Fender, 1790–1815, Made in United States, Brass, 16 x 52 in. (40.6 x 132.1 cm), Metal
Boating Party on the Sumida River, 1789. Torii Kiyonaga (Japanese, 1752-1815). Color woodblock print; sheet: 35.6 x 23.7 cm (14 x 9 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boating-party-on-the-sumida-river-1789-torii-kiyonaga-japanese-1752-1815-color-woodblock-print-sheet-356-x-237-cm-14-x-9-516-in-image448066767.htmlRM2H0Y5MF–Boating Party on the Sumida River, 1789. Torii Kiyonaga (Japanese, 1752-1815). Color woodblock print; sheet: 35.6 x 23.7 cm (14 x 9 5/16 in.).
The Prince of Orange distributing his medals. William II (Willem Frederik George Lodewijk van Oranje-Nassau) (6 December 1792 – 17 March 1849) was King of the Netherlands, Grand Duke of Luxembourg, and Duke of Limburg. He fought as commander of I Allied Corps at the Battle of Quatre Bras (16 June 1815) and the Battle of Waterloo (18 June 1815), where he was wounded. History of the French Revolution, and of the wars produced by that ... event ...; and the ... Battle of Waterloo. London : T. Kelly, 1820-22. Source: 9525.f.1 volume 2 plate opposite page 10. Author: CHRISTOPHER KELLY. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-prince-of-orange-distributing-his-medals-william-ii-willem-frederik-george-lodewijk-van-oranje-nassau-6-december-1792-17-march-1849-was-king-of-the-netherlands-grand-duke-of-luxembourg-and-duke-of-limburg-he-fought-as-commander-of-i-allied-corps-at-the-battle-of-quatre-bras-16-june-1815-and-the-battle-of-waterloo-18-june-1815-where-he-was-wounded-history-of-the-french-revolution-and-of-the-wars-produced-by-that-event-and-the-battle-of-waterloo-london-t-kelly-1820-22-source-9525f1-volume-2-plate-opposite-page-10-author-christopher-kelly-image227190428.htmlRMR5HBKT–The Prince of Orange distributing his medals. William II (Willem Frederik George Lodewijk van Oranje-Nassau) (6 December 1792 – 17 March 1849) was King of the Netherlands, Grand Duke of Luxembourg, and Duke of Limburg. He fought as commander of I Allied Corps at the Battle of Quatre Bras (16 June 1815) and the Battle of Waterloo (18 June 1815), where he was wounded. History of the French Revolution, and of the wars produced by that ... event ...; and the ... Battle of Waterloo. London : T. Kelly, 1820-22. Source: 9525.f.1 volume 2 plate opposite page 10. Author: CHRISTOPHER KELLY.
Martyrdom of a Saint, after 1866. Hermann Samuel Ratzerdorfer (Austrian, 1815-1891). Silver; overall: 9.6 x 5.5 cm (3 3/4 x 2 3/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martyrdom-of-a-saint-after-1866-hermann-samuel-ratzerdorfer-austrian-1815-1891-silver-overall-96-x-55-cm-3-34-x-2-316-in-image448107926.htmlRM2H1126E–Martyrdom of a Saint, after 1866. Hermann Samuel Ratzerdorfer (Austrian, 1815-1891). Silver; overall: 9.6 x 5.5 cm (3 3/4 x 2 3/16 in.).
Beaker MET DP106816 405 Maker: Thomas Richards, active ca. 1815, Beaker, 1800?1825, Silver, Overall: H. 3 1/2 in. (8.9 cm); 4 oz. 8 dwt. (136.1 g) Lip: Diam. 2 7/8 in. (7.3 cm) Base: Diam. 2 9/16 in. (6.5 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.118) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-beaker-met-dp106816-405-maker-thomas-richards-active-ca-1815-beaker-168098806.htmlRMKNDFMP–Beaker MET DP106816 405 Maker: Thomas Richards, active ca. 1815, Beaker, 1800?1825, Silver, Overall: H. 3 1/2 in. (8.9 cm); 4 oz. 8 dwt. (136.1 g) Lip: Diam. 2 7/8 in. (7.3 cm) Base: Diam. 2 9/16 in. (6.5 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.118)
War of the Seventh Coalition 1815, Battle of Ligny, 16.6.1815, field marshal Gebhard Leberecht von Bluecher under his shot horse, is covered by Major August von Nostitz, wood engraving, late 19th century, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-war-of-the-seventh-coalition-1815-battle-of-ligny-1661815-field-marshal-96418683.htmlRMFGT70B–War of the Seventh Coalition 1815, Battle of Ligny, 16.6.1815, field marshal Gebhard Leberecht von Bluecher under his shot horse, is covered by Major August von Nostitz, wood engraving, late 19th century, Additional-Rights-Clearences-Not Available
Frederick William, Duke of Brunswick-Wolfenbuettel, 9.10.1771 - 16.6.1815, nicknamed 'The Black Duke', portrait, engraving, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frederick-william-duke-of-brunswick-wolfenbuettel-9101771-1661815-23529251.htmlRMBA7RPB–Frederick William, Duke of Brunswick-Wolfenbuettel, 9.10.1771 - 16.6.1815, nicknamed 'The Black Duke', portrait, engraving, ,
Figured flask. Culture: American. Dimensions: H. 6 1/2 in. (16.5 cm). Maker: Keene Glass Works (1815-41). Date: 1830-40. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figured-flask-culture-american-dimensions-h-6-12-in-165-cm-maker-keene-glass-works-1815-41-date-1830-40-museum-metropolitan-museum-of-art-new-york-usa-image213167149.htmlRMPAPGTD–Figured flask. Culture: American. Dimensions: H. 6 1/2 in. (16.5 cm). Maker: Keene Glass Works (1815-41). Date: 1830-40. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Covered Dish, 1815–30, Made in Paris, France, French, Porcelain, 6 5/8 x 9 1/2 x 9 1/2 in. (16.8 x 24.1 x 24.1 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-covered-dish-181530-made-in-paris-france-french-porcelain-6-58-x-9-12-x-9-12-in-168-x-241-x-241-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462881255.htmlRF2HW21NB–Art inspired by Covered Dish, 1815–30, Made in Paris, France, French, Porcelain, 6 5/8 x 9 1/2 x 9 1/2 in. (16.8 x 24.1 x 24.1 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Dead Soldier; Ange-Louis Janet Lange (French, 1815–1872); Italy; black, white chalk, graphite on gray-green paper; Mat: 71.2 x 91.6 cm (28 1/16 x 36 1/16 in.) 41.3 x 72 cm (16 1/4 x 28 3/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-dead-soldier-ange-louis-janet-lange-french-18151872-italy-black-white-chalk-graphite-on-gray-green-paper-mat-712-x-916-cm-28-116-x-36-116-in-413-x-72-cm-16-14-x-28-38-in-image546128700.htmlRM2PME8MC–Drawing, Dead Soldier; Ange-Louis Janet Lange (French, 1815–1872); Italy; black, white chalk, graphite on gray-green paper; Mat: 71.2 x 91.6 cm (28 1/16 x 36 1/16 in.) 41.3 x 72 cm (16 1/4 x 28 3/8 in.)
Saucer, French, Paris, ca. 1815–21, French, Paris, Hard-paste porcelain, Diameter: 6 1/2 in. (16.5 cm), Ceramics-Porcelain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saucer-french-paris-ca-181521-french-paris-hard-paste-porcelain-diameter-6-12-in-165-cm-ceramics-porcelain-image344602559.htmlRM2B0J027–Saucer, French, Paris, ca. 1815–21, French, Paris, Hard-paste porcelain, Diameter: 6 1/2 in. (16.5 cm), Ceramics-Porcelain
Duel after the Masked Ball (recto), c. 1857. Thomas Couture (French, 1815-1879). Black chalk; sheet: 34.1 x 28.6 cm (13 7/16 x 11 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/duel-after-the-masked-ball-recto-c-1857-thomas-couture-french-1815-1879-black-chalk-sheet-341-x-286-cm-13-716-x-11-14-in-image448119644.htmlRM2H11H50–Duel after the Masked Ball (recto), c. 1857. Thomas Couture (French, 1815-1879). Black chalk; sheet: 34.1 x 28.6 cm (13 7/16 x 11 1/4 in.).
Beaker MET DP106817 405 Maker: Thomas Richards, active ca. 1815, Beaker, 1800?1825, Silver, Overall: H. 3 1/2 in. (8.9 cm); 4 oz. 8 dwt. (136.1 g) Lip: Diam. 2 7/8 in. (7.3 cm) Base: Diam. 2 9/16 in. (6.5 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.118) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-beaker-met-dp106817-405-maker-thomas-richards-active-ca-1815-beaker-168098807.htmlRMKNDFMR–Beaker MET DP106817 405 Maker: Thomas Richards, active ca. 1815, Beaker, 1800?1825, Silver, Overall: H. 3 1/2 in. (8.9 cm); 4 oz. 8 dwt. (136.1 g) Lip: Diam. 2 7/8 in. (7.3 cm) Base: Diam. 2 9/16 in. (6.5 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.118)
The Eighth Month (from the series Fashionable Presentations of the Twelve Months), 1779. Torii Kiyonaga (Japanese, 1752-1815). Color woodblock print; sheet: 23 x 16 cm (9 1/16 x 6 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eighth-month-from-the-series-fashionable-presentations-of-the-twelve-months-1779-torii-kiyonaga-japanese-1752-1815-color-woodblock-print-sheet-23-x-16-cm-9-116-x-6-516-in-image448066187.htmlRM2H0Y4YR–The Eighth Month (from the series Fashionable Presentations of the Twelve Months), 1779. Torii Kiyonaga (Japanese, 1752-1815). Color woodblock print; sheet: 23 x 16 cm (9 1/16 x 6 5/16 in.).
Frederick William, Duke of Brunswick-Wolfenbuettel, 9.10.1771 - 16.6.1815, nicknamed 'The Black Duke', portrait, lithograph, after Krafft, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frederick-william-duke-of-brunswick-wolfenbuettel-9101771-1661815-23529246.htmlRMBA7RP6–Frederick William, Duke of Brunswick-Wolfenbuettel, 9.10.1771 - 16.6.1815, nicknamed 'The Black Duke', portrait, lithograph, after Krafft,
Pint flask. Culture: American. Dimensions: H. 6 5/8 in. (16.8 cm). Maker: Keene Marlboro Street Glassworks (1815-41). Date: ca. 1828-40. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pint-flask-culture-american-dimensions-h-6-58-in-168-cm-maker-keene-marlboro-street-glassworks-1815-41-date-ca-1828-40-museum-metropolitan-museum-of-art-new-york-usa-image212863112.htmlRMPA8N20–Pint flask. Culture: American. Dimensions: H. 6 5/8 in. (16.8 cm). Maker: Keene Marlboro Street Glassworks (1815-41). Date: ca. 1828-40. Museum: Metropolitan Museum of Art, New York, USA.
Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, portrait, 1809, wood engraving, 1912, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frederick-william-9101771-1661815-duke-of-brunswick-22121813-1661815-58427552.htmlRMDB1GX8–Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, portrait, 1809, wood engraving, 1912,
Art inspired by Covered Bowl, 1815–30, Made in Paris, France, French, Porcelain, 6 5/8 x 9 1/2 x 6 in. (16.8 x 24.1 x 15.2 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-covered-bowl-181530-made-in-paris-france-french-porcelain-6-58-x-9-12-x-6-in-168-x-241-x-152-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462881348.htmlRF2HW21TM–Art inspired by Covered Bowl, 1815–30, Made in Paris, France, French, Porcelain, 6 5/8 x 9 1/2 x 6 in. (16.8 x 24.1 x 15.2 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, portrait, wood engraving, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frederick-william-9101771-1661815-duke-of-brunswick-22121813-1661815-58427532.htmlRMDB1GWG–Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, portrait, wood engraving, 19th century,
Landscape, 1815. Uragami Shunkin (Japanese, 1779-1846). Album leaf; ink and light color on ivory silk; sheet: 24.9 x 17.4 cm (9 13/16 x 6 7/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-1815-uragami-shunkin-japanese-1779-1846-album-leaf-ink-and-light-color-on-ivory-silk-sheet-249-x-174-cm-9-1316-x-6-78-in-image448114434.htmlRM2H11AEX–Landscape, 1815. Uragami Shunkin (Japanese, 1779-1846). Album leaf; ink and light color on ivory silk; sheet: 24.9 x 17.4 cm (9 13/16 x 6 7/8 in.).
Print, Portrait of Francesco Berni (c. 1497-1535); Francesco Bartolozzi (Italian, 1727–1815); Italy; engraving on paper; Plate: 16.3 × 10.3 cm (6 7/16 × 4 1/16 in.) Paper: 17.1 × 10.7 cm (6 3/4 × 4 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-portrait-of-francesco-berni-c-1497-1535-francesco-bartolozzi-italian-17271815-italy-engraving-on-paper-plate-163-103-cm-6-716-4-116-in-paper-171-107-cm-6-34-4-316-in-image546086057.htmlRM2PMCA9D–Print, Portrait of Francesco Berni (c. 1497-1535); Francesco Bartolozzi (Italian, 1727–1815); Italy; engraving on paper; Plate: 16.3 × 10.3 cm (6 7/16 × 4 1/16 in.) Paper: 17.1 × 10.7 cm (6 3/4 × 4 3/16 in.)
Ebenezer Slocum Burling, American, ca. 1815, American, Watercolor on ivory, 3 7/16 x 2 11/16 in. (8.7 x 6.8 cm), Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ebenezer-slocum-burling-american-ca-1815-american-watercolor-on-ivory-3-716-x-2-1116-in-87-x-68-cm-paintings-image344609150.htmlRM2B0J8DJ–Ebenezer Slocum Burling, American, ca. 1815, American, Watercolor on ivory, 3 7/16 x 2 11/16 in. (8.7 x 6.8 cm), Paintings
Jean-Louis-Ernest Meissonier, French, 1815–1891, Man Reading, 1851, Oil on panel, 6 13/16 x 5 1/8 in. (17.3 x 13 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-louis-ernest-meissonier-french-18151891-man-reading-1851-oil-on-panel-6-1316-x-5-18-in-173-x-13-cm-image344574652.htmlRM2B0GMDG–Jean-Louis-Ernest Meissonier, French, 1815–1891, Man Reading, 1851, Oil on panel, 6 13/16 x 5 1/8 in. (17.3 x 13 cm
Jean-Louis-Ernest Meissonier, French, 1815-1891, Le Fumeur, 1848, Etching on paper, image: 3 11/16 x 2 5/8 in. (9.3 x 6.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-louis-ernest-meissonier-french-1815-1891-le-fumeur-1848-etching-on-paper-image-3-1116-x-2-58-in-93-x-66-cm-image344572349.htmlRM2B0GHF9–Jean-Louis-Ernest Meissonier, French, 1815-1891, Le Fumeur, 1848, Etching on paper, image: 3 11/16 x 2 5/8 in. (9.3 x 6.6 cm
Creamer MET 97822 2724 Maker: William B. Heyer, active ca. 1807?22, Retailer: Hyde and Nevins, active ca. 1814?19, Creamer, ca. 1815, Silver, 6 1/8 x 6 1/2 x 3 11/16 in. (5.4 x 11.6 x 10 cm); 7 oz. 17 dwt. (244.4 g). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.562) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-creamer-met-97822-2724-maker-william-b-heyer-active-ca-180722-retailer-168109744.htmlRMKNE1KC–Creamer MET 97822 2724 Maker: William B. Heyer, active ca. 1807?22, Retailer: Hyde and Nevins, active ca. 1814?19, Creamer, ca. 1815, Silver, 6 1/8 x 6 1/2 x 3 11/16 in. (5.4 x 11.6 x 10 cm); 7 oz. 17 dwt. (244.4 g). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.562)
Head of a Bearded Man. Artist: Adolph Menzel (German, Breslau 1815-1905 Berlin). Dimensions: 7 3/4 x 4 15/16 in. (19.7 x 12.6 cm). Date: 1884. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-bearded-man-artist-adolph-menzel-german-breslau-1815-1905-berlin-dimensions-7-34-x-4-1516-in-197-x-126-cm-date-1884-museum-metropolitan-museum-of-art-new-york-usa-image212911754.htmlRMPAAY36–Head of a Bearded Man. Artist: Adolph Menzel (German, Breslau 1815-1905 Berlin). Dimensions: 7 3/4 x 4 15/16 in. (19.7 x 12.6 cm). Date: 1884. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Cup, 1815–30, Made in Paris, France, French, Porcelain, Overall: 2 1/2 x 4 1/4 x 3 9/16 in. (6.4 x 10.8 x 9 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cup-181530-made-in-paris-france-french-porcelain-overall-2-12-x-4-14-x-3-916-in-64-x-108-x-9-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462882210.htmlRF2HW22YE–Art inspired by Cup, 1815–30, Made in Paris, France, French, Porcelain, Overall: 2 1/2 x 4 1/4 x 3 9/16 in. (6.4 x 10.8 x 9 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, half length, lithograph, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederick-william-9101771-1661815-duke-of-brunswick-22121813-1661815-image60144054.htmlRMDDRP9X–Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, half length, lithograph, 19th century,
A Hussar Officer on Horseback, 1812. John Singleton Copley (American, 1738-1815). Black and white chalk; sheet: 27.6 x 22.1 cm (10 7/8 x 8 11/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-hussar-officer-on-horseback-1812-john-singleton-copley-american-1738-1815-black-and-white-chalk-sheet-276-x-221-cm-10-78-x-8-1116-in-image448096861.htmlRM2H10G39–A Hussar Officer on Horseback, 1812. John Singleton Copley (American, 1738-1815). Black and white chalk; sheet: 27.6 x 22.1 cm (10 7/8 x 8 11/16 in.).
Print, An Old Man's Head, 1796; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Annibale Carracci (Italian, 1560–1609); Italy; stipple with etching in sanguine and brown ink on white paper; 44.6 × 32.8 cm (17 9/16 × 12 15/16 in.); Bequest of George Campbell Cooper; 1896-3-303 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-an-old-mans-head-1796-print-maker-francesco-bartolozzi-italian-17271815-after-annibale-carracci-italian-15601609-italy-stipple-with-etching-in-sanguine-and-brown-ink-on-white-paper-446-328-cm-17-916-12-1516-in-bequest-of-george-campbell-cooper-1896-3-303-image546228494.htmlRM2PMJT0E–Print, An Old Man's Head, 1796; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Annibale Carracci (Italian, 1560–1609); Italy; stipple with etching in sanguine and brown ink on white paper; 44.6 × 32.8 cm (17 9/16 × 12 15/16 in.); Bequest of George Campbell Cooper; 1896-3-303
Scenes from a romance, French, Nantes or Rouen, 1815–25, French, Nantes or Rouen, Cotton, L. 23 1/4 x W. 16 inches, 59.1 x 40.6 cm, Textiles-Printed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scenes-from-a-romance-french-nantes-or-rouen-181525-french-nantes-or-rouen-cotton-l-23-14-x-w-16-inches-591-x-406-cm-textiles-printed-image344616339.htmlRM2B0JHJB–Scenes from a romance, French, Nantes or Rouen, 1815–25, French, Nantes or Rouen, Cotton, L. 23 1/4 x W. 16 inches, 59.1 x 40.6 cm, Textiles-Printed
Plum Blossom. Artist: Kubo Shunman (Japanese, 1757-1820). Culture: Japan. Dimensions: 5 1/2 x 6 5/8 in. (14 x 16.8 cm). Date: 1815. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plum-blossom-artist-kubo-shunman-japanese-1757-1820-culture-japan-dimensions-5-12-x-6-58-in-14-x-168-cm-date-1815-museum-metropolitan-museum-of-art-new-york-usa-image233250669.htmlRMRFDDH1–Plum Blossom. Artist: Kubo Shunman (Japanese, 1757-1820). Culture: Japan. Dimensions: 5 1/2 x 6 5/8 in. (14 x 16.8 cm). Date: 1815. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Platter, 1815–30, Made in Paris, France, French, Porcelain, 2 1/16 x 16 1/4 x 10 7/8 in. (5.2 x 41.3 x 27.6 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-platter-181530-made-in-paris-france-french-porcelain-2-116-x-16-14-x-10-78-in-52-x-413-x-276-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462889992.htmlRF2HW2CWC–Art inspired by Platter, 1815–30, Made in Paris, France, French, Porcelain, 2 1/16 x 16 1/4 x 10 7/8 in. (5.2 x 41.3 x 27.6 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, portrait, wood engraving, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frederick-william-9101771-1661815-duke-of-brunswick-22121813-1661815-58324500.htmlRMDATWDT–Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, portrait, wood engraving, 19th century,
Head of a Woman (verso), c. 1857. Thomas Couture (French, 1815-1879). Black chalk; crossed out in graphite; sheet: 34.1 x 28.6 cm (13 7/16 x 11 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-woman-verso-c-1857-thomas-couture-french-1815-1879-black-chalk-crossed-out-in-graphite-sheet-341-x-286-cm-13-716-x-11-14-in-image448117825.htmlRM2H11ET1–Head of a Woman (verso), c. 1857. Thomas Couture (French, 1815-1879). Black chalk; crossed out in graphite; sheet: 34.1 x 28.6 cm (13 7/16 x 11 1/4 in.).
Print, Rinaldo and Armida, 1784; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Maria Anna Angelica Kauffmann (Swiss, 1741 – 1807); Italy; stipple engraving in sanguine ink on paper; 24.6 × 18.4 cm (9 11/16 × 7 1/4 in.); Bequest of George Campbell Cooper; 1896-3-330 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-rinaldo-and-armida-1784-print-maker-francesco-bartolozzi-italian-17271815-after-maria-anna-angelica-kauffmann-swiss-1741-1807-italy-stipple-engraving-in-sanguine-ink-on-paper-246-184-cm-9-1116-7-14-in-bequest-of-george-campbell-cooper-1896-3-330-image546153695.htmlRM2PMFCH3–Print, Rinaldo and Armida, 1784; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Maria Anna Angelica Kauffmann (Swiss, 1741 – 1807); Italy; stipple engraving in sanguine ink on paper; 24.6 × 18.4 cm (9 11/16 × 7 1/4 in.); Bequest of George Campbell Cooper; 1896-3-330
Print, Woman Studying, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 26.4 × 23.6 cm (10 3/8 × 9 5/16 in.); Bequest of George Campbell Cooper; 1896-3-270 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-woman-studying-ca-17601770-print-maker-francesco-bartolozzi-italian-17271815-after-giovanni-francesco-barbieri-called-guercino-italian-1591-1666-italy-engraving-in-brown-ink-on-white-paper-264-236-cm-10-38-9-516-in-bequest-of-george-campbell-cooper-1896-3-270-image546203033.htmlRM2PMHKF5–Print, Woman Studying, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 26.4 × 23.6 cm (10 3/8 × 9 5/16 in.); Bequest of George Campbell Cooper; 1896-3-270
Print, A Woman Turned in Profile to the Right, ca. 1775–1790; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Maria Anna Angelica Kauffmann (Swiss, 1741 – 1807); Italy; stipple engraving on paper; 24.6 × 20.4 cm (9 11/16 × 8 1/16 in.); Bequest of George Campbell Cooper; 1896-3-328 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-a-woman-turned-in-profile-to-the-right-ca-17751790-print-maker-francesco-bartolozzi-italian-17271815-after-maria-anna-angelica-kauffmann-swiss-1741-1807-italy-stipple-engraving-on-paper-246-204-cm-9-1116-8-116-in-bequest-of-george-campbell-cooper-1896-3-328-image546182643.htmlRM2PMGNEY–Print, A Woman Turned in Profile to the Right, ca. 1775–1790; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Maria Anna Angelica Kauffmann (Swiss, 1741 – 1807); Italy; stipple engraving on paper; 24.6 × 20.4 cm (9 11/16 × 8 1/16 in.); Bequest of George Campbell Cooper; 1896-3-328
Print, A Sybil, with a Book, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 35.8 × 30.6 cm (14 1/8 × 12 1/16 in.); Bequest of George Campbell Cooper; 1896-3-258 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-a-sybil-with-a-book-ca-17601770-print-maker-francesco-bartolozzi-italian-17271815-after-giovanni-francesco-barbieri-called-guercino-italian-1591-1666-italy-engraving-in-brown-ink-on-white-paper-358-306-cm-14-18-12-116-in-bequest-of-george-campbell-cooper-1896-3-258-image546250443.htmlRM2PMKT0B–Print, A Sybil, with a Book, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 35.8 × 30.6 cm (14 1/8 × 12 1/16 in.); Bequest of George Campbell Cooper; 1896-3-258
Unknown Artist, Armchair, 1790-1815, fruitwood, and cane, 16 3/4 in. x 21 7/8 in. x 18 in. (42.5 cm. x 55.6 cm. x 45.7 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-armchair-1790-1815-fruitwood-and-cane-16-34-in-x-21-78-in-x-18-in-425-cm-x-556-cm-x-457-cm-image344469747.htmlRM2B0BXJY–Unknown Artist, Armchair, 1790-1815, fruitwood, and cane, 16 3/4 in. x 21 7/8 in. x 18 in. (42.5 cm. x 55.6 cm. x 45.7 cm.)
The Fish-monger. Artist: Torii Kiyonaga (Japanese, 1752-1815). Culture: Japan. Dimensions: H. 10 1/16 in. (25.6 cm); W. 7 9/16 in. (19.2 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fish-monger-artist-torii-kiyonaga-japanese-1752-1815-culture-japan-dimensions-h-10-116-in-256-cm-w-7-916-in-192-cm-museum-metropolitan-museum-of-art-new-york-usa-image213121080.htmlRMPAME34–The Fish-monger. Artist: Torii Kiyonaga (Japanese, 1752-1815). Culture: Japan. Dimensions: H. 10 1/16 in. (25.6 cm); W. 7 9/16 in. (19.2 cm). Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Compote, 1815–30, Made in Paris, France, French, Porcelain, 10 3/8 x 12 5/16 x 6 3/8 in. (26.4 x 31.3 x 16.2 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-compote-181530-made-in-paris-france-french-porcelain-10-38-x-12-516-x-6-38-in-264-x-313-x-162-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462880673.htmlRF2HW210H–Art inspired by Compote, 1815–30, Made in Paris, France, French, Porcelain, 10 3/8 x 12 5/16 x 6 3/8 in. (26.4 x 31.3 x 16.2 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, portrait, wood engraving, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederick-william-9101771-1661815-duke-of-brunswick-22121813-1661815-image60144047.htmlRMDDRP9K–Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, portrait, wood engraving, 19th century,
Art inspired by Goblet, ca. 1815, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 6 5/16 in. (16 cm); 8 oz. 6 dwt. (258.9 g), Silver, Anthony Rasch (ca. 1778–1858, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-goblet-ca-1815-made-in-philadelphia-pennsylvania-united-states-american-silver-overall-6-516-in-16-cm-8-oz-6-dwt-2589-g-silver-anthony-rasch-ca-17781858-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462884509.htmlRF2HW25WH–Art inspired by Goblet, ca. 1815, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 6 5/16 in. (16 cm); 8 oz. 6 dwt. (258.9 g), Silver, Anthony Rasch (ca. 1778–1858, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Duel after the Masked Ball (recto); Head of a Woman (verso), c. 1857. Thomas Couture (French, 1815-1879). Black chalk; sheet: 34.1 x 28.6 cm (13 7/16 x 11 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/duel-after-the-masked-ball-recto-head-of-a-woman-verso-c-1857-thomas-couture-french-1815-1879-black-chalk-sheet-341-x-286-cm-13-716-x-11-14-in-image448063572.htmlRM2H0Y1JC–Duel after the Masked Ball (recto); Head of a Woman (verso), c. 1857. Thomas Couture (French, 1815-1879). Black chalk; sheet: 34.1 x 28.6 cm (13 7/16 x 11 1/4 in.).
Print, Cupid with a Dart, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 21.6 × 18.5 cm (8 1/2 × 7 5/16 in.); Bequest of George Campbell Cooper; 1896-3-277 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-cupid-with-a-dart-ca-17601770-print-maker-francesco-bartolozzi-italian-17271815-after-giovanni-francesco-barbieri-called-guercino-italian-1591-1666-italy-engraving-in-brown-ink-on-white-paper-216-185-cm-8-12-7-516-in-bequest-of-george-campbell-cooper-1896-3-277-image546112101.htmlRM2PMDFFH–Print, Cupid with a Dart, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 21.6 × 18.5 cm (8 1/2 × 7 5/16 in.); Bequest of George Campbell Cooper; 1896-3-277
Unknown, Le Suprème Bon Ton, No. 7: Caricatures Parisiennes, 1815, Hand-colored etching on paper, Overall: 6 5/8 x 9 5/8 in. (16.9 x 24.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-le-suprme-bon-ton-no-7-caricatures-parisiennes-1815-hand-colored-etching-on-paper-overall-6-58-x-9-58-in-169-x-245-cm-image344572195.htmlRM2B0GH9R–Unknown, Le Suprème Bon Ton, No. 7: Caricatures Parisiennes, 1815, Hand-colored etching on paper, Overall: 6 5/8 x 9 5/8 in. (16.9 x 24.5 cm
Enmei Jizo. Artist: Torii Kiyonaga (Japanese, 1752-1815). Culture: Japan. Dimensions: H. 9 11/16 in. (24.6 cm); W. 7 1/4 in. (18.4 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/enmei-jizo-artist-torii-kiyonaga-japanese-1752-1815-culture-japan-dimensions-h-9-1116-in-246-cm-w-7-14-in-184-cm-museum-metropolitan-museum-of-art-new-york-usa-image213259776.htmlRMPAXR0G–Enmei Jizo. Artist: Torii Kiyonaga (Japanese, 1752-1815). Culture: Japan. Dimensions: H. 9 11/16 in. (24.6 cm); W. 7 1/4 in. (18.4 cm). Museum: Metropolitan Museum of Art, New York, USA.
Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, portrait, wood engraving, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frederick-william-9101771-1661815-duke-of-brunswick-22121813-1661815-58427527.htmlRMDB1GWB–Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, portrait, wood engraving, 19th century,
Art inspired by Goblet, ca. 1815, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 6 5/16 in. (16 cm); 7 oz. 16 dwt. (242.4 g), Silver, Anthony Rasch (ca. 1778–1858, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-goblet-ca-1815-made-in-philadelphia-pennsylvania-united-states-american-silver-overall-6-516-in-16-cm-7-oz-16-dwt-2424-g-silver-anthony-rasch-ca-17781858-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462884478.htmlRF2HW25TE–Art inspired by Goblet, ca. 1815, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 6 5/16 in. (16 cm); 7 oz. 16 dwt. (242.4 g), Silver, Anthony Rasch (ca. 1778–1858, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lady Godina's Rout;-or-Peeping-Tom Spying out Pope-Joan, 1796. James Gillray (British, 1757-1815), Hannah Humphrey. Etching hand-colored with watercolor; sheet: 26.6 x 37 cm (10 1/2 x 14 9/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lady-godinas-rout-or-peeping-tom-spying-out-pope-joan-1796-james-gillray-british-1757-1815-hannah-humphrey-etching-hand-colored-with-watercolor-sheet-266-x-37-cm-10-12-x-14-916-in-image448150504.htmlRM2H130F4–Lady Godina's Rout;-or-Peeping-Tom Spying out Pope-Joan, 1796. James Gillray (British, 1757-1815), Hannah Humphrey. Etching hand-colored with watercolor; sheet: 26.6 x 37 cm (10 1/2 x 14 9/16 in.).
Art inspired by Medal of Captain James Biddle, 1815, Made in United States, American, Bronze, Diam. 2 9/16 in. (6.5 cm), Metal, Moritz Fürst (born 1782, active United States, 1807–ca. 1840, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-medal-of-captain-james-biddle-1815-made-in-united-states-american-bronze-diam-2-916-in-65-cm-metal-moritz-frst-born-1782-active-united-states-1807ca-1840-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462886107.htmlRF2HW27XK–Art inspired by Medal of Captain James Biddle, 1815, Made in United States, American, Bronze, Diam. 2 9/16 in. (6.5 cm), Metal, Moritz Fürst (born 1782, active United States, 1807–ca. 1840, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Général sans pareil (The Peerless General), Summer 1815, Hand-colored etching, plate: 11 5/8 x 7 5/16 in. (29.5 x 18.6 cm), Prints, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-gnral-sans-pareil-the-peerless-general-summer-1815-hand-colored-etching-plate-11-58-x-7-516-in-295-x-186-cm-prints-anonymous-french-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463000016.htmlRF2HW7D6T–Art inspired by Général sans pareil (The Peerless General), Summer 1815, Hand-colored etching, plate: 11 5/8 x 7 5/16 in. (29.5 x 18.6 cm), Prints, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Goblet, ca. 1815, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 6 5/16 in. (16 cm); 7 oz. 18 dwt. (245.2 g), Silver, Anthony Rasch (ca. 1778–1858, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-goblet-ca-1815-made-in-philadelphia-pennsylvania-united-states-american-silver-overall-6-516-in-16-cm-7-oz-18-dwt-2452-g-silver-anthony-rasch-ca-17781858-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462884506.htmlRF2HW25WE–Art inspired by Goblet, ca. 1815, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 6 5/16 in. (16 cm); 7 oz. 18 dwt. (245.2 g), Silver, Anthony Rasch (ca. 1778–1858, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Jean-Joseph Fournier, 1815, Graphite on wove paper, Sheet: 9 1/2 x 6 3/8 in. (24.2 x 16.2 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-jean-joseph-fournier-1815-graphite-on-wove-paper-sheet-9-12-x-6-38-in-242-x-162-cm-drawings-jean-auguste-dominique-ingres-french-montauban-17801867-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463009290.htmlRF2HW7W22–Art inspired by Jean-Joseph Fournier, 1815, Graphite on wove paper, Sheet: 9 1/2 x 6 3/8 in. (24.2 x 16.2 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Print, Flora, with a Cupid, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 23.6 × 28.8 cm (9 5/16 × 11 5/16 in.); Bequest of George Campbell Cooper; 1896-3-287 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-flora-with-a-cupid-ca-17601770-print-maker-francesco-bartolozzi-italian-17271815-after-giovanni-francesco-barbieri-called-guercino-italian-1591-1666-italy-engraving-in-brown-ink-on-white-paper-236-288-cm-9-516-11-516-in-bequest-of-george-campbell-cooper-1896-3-287-image546182238.htmlRM2PMGN0E–Print, Flora, with a Cupid, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 23.6 × 28.8 cm (9 5/16 × 11 5/16 in.); Bequest of George Campbell Cooper; 1896-3-287
Art inspired by Study of a Left Arm and Hand, 1815–63, Graphite on laid paper, 7 15/16 x 6 in. (20.1 x 15.2 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-study-of-a-left-arm-and-hand-181563-graphite-on-laid-paper-7-1516-x-6-in-201-x-152-cm-drawings-eugne-delacroix-french-charenton-saint-maurice-17981863-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957394.htmlRF2HW5ETJ–Art inspired by Study of a Left Arm and Hand, 1815–63, Graphite on laid paper, 7 15/16 x 6 in. (20.1 x 15.2 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Thomas Rowlandson, Snips, Thomas Rowlandson (British, London 1757–1827 London), 1815, Hand-colored etching, Sheet: 12 1/16 × 8 3/4 in. (30.6 × 22.2 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-rowlandson-snips-thomas-rowlandson-british-london-17571827-london-1815-hand-colored-etching-sheet-12-116-8-34-in-306-222-cm-prints-image344646851.htmlRM2B0M0G3–Thomas Rowlandson, Snips, Thomas Rowlandson (British, London 1757–1827 London), 1815, Hand-colored etching, Sheet: 12 1/16 × 8 3/4 in. (30.6 × 22.2 cm), Prints
Art inspired by Portrait of Blücher, Adolf Friedrich Erdmann von Menzel, German, 1815-1905, Wood engraving on China paper, 1882, Image: 6 7/8 x 5 11/16 in., 17.4 x 14.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-blcher-adolf-friedrich-erdmann-von-menzel-german-1815-1905-wood-engraving-on-china-paper-1882-image-6-78-x-5-1116-in-174-x-145-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568271.htmlRF2HKK40F–Art inspired by Portrait of Blücher, Adolf Friedrich Erdmann von Menzel, German, 1815-1905, Wood engraving on China paper, 1882, Image: 6 7/8 x 5 11/16 in., 17.4 x 14.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Study of a Left Arm and Hand. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: 7 15/16 x 6 in. (20.1 x 15.2 cm). Date: 1815-63. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-a-left-arm-and-hand-artist-eugne-delacroix-french-charenton-saint-maurice-1798-1863-paris-dimensions-7-1516-x-6-in-201-x-152-cm-date-1815-63-museum-metropolitan-museum-of-art-new-york-usa-image213168200.htmlRMPAPJ60–Study of a Left Arm and Hand. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: 7 15/16 x 6 in. (20.1 x 15.2 cm). Date: 1815-63. Museum: Metropolitan Museum of Art, New York, USA.
Charles II, 30.10.1804 - 18.8.1873, duke of Brunswick, 16.6.1815 - 2.12.1830, portrait, wood engraving, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-ii-30101804-1881873-duke-of-brunswick-1661815-2121830-portrait-106908925.htmlRMG5X3BW–Charles II, 30.10.1804 - 18.8.1873, duke of Brunswick, 16.6.1815 - 2.12.1830, portrait, wood engraving, 19th century,
Portrait of Blücher Adolf Friedrich Erdmann von Menzel (German, 1815-1905). Portrait of Blücher, 1882. Wood engraving on China paper, Image: 6 7/8 x 5 11/16 in. (17.4 x 14.5 cm). European Art 1882 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-blcher-adolf-friedrich-erdmann-von-menzel-german-1815-1905-portrait-of-blcher-1882-wood-engraving-on-china-paper-image-6-78-x-5-1116-in-174-x-145-cm-european-art-1882-image504722900.htmlRM2M9435T–Portrait of Blücher Adolf Friedrich Erdmann von Menzel (German, 1815-1905). Portrait of Blücher, 1882. Wood engraving on China paper, Image: 6 7/8 x 5 11/16 in. (17.4 x 14.5 cm). European Art 1882
Print, Lady, Boy, and Two Old Men, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 22.8 × 15.7 cm (9 in. × 6 3/16 in.); Bequest of George Campbell Cooper; 1896-3-276 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-lady-boy-and-two-old-men-ca-17601770-print-maker-francesco-bartolozzi-italian-17271815-after-giovanni-francesco-barbieri-called-guercino-italian-1591-1666-italy-engraving-in-brown-ink-on-white-paper-228-157-cm-9-in-6-316-in-bequest-of-george-campbell-cooper-1896-3-276-image546109043.htmlRM2PMDBJB–Print, Lady, Boy, and Two Old Men, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 22.8 × 15.7 cm (9 in. × 6 3/16 in.); Bequest of George Campbell Cooper; 1896-3-276
Unknown, Le Suprême Bon Ton, No. 4: La Bouillotte Parisienne, 1815, Hand-colored etching on paper, Overall: 6 9/16 x 9 5/8 in. (16.6 x 24.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-le-suprme-bon-ton-no-4-la-bouillotte-parisienne-1815-hand-colored-etching-on-paper-overall-6-916-x-9-58-in-166-x-245-cm-image344572093.htmlRM2B0GH65–Unknown, Le Suprême Bon Ton, No. 4: La Bouillotte Parisienne, 1815, Hand-colored etching on paper, Overall: 6 9/16 x 9 5/8 in. (16.6 x 24.5 cm
Inspired by A Book Auction at Sotheby's, Thomas Rowlandson, British, 1756-1827, Wash drawing on heavy paper pasted down, ca. 1810-1815, 5 3/4 x 9 5/16 in., 14.6 x 23.6 cm, bidding, business, buyers, capitalism, collecting, commerce, gavel, gentlemen, rare books, sellers, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-a-book-auction-at-sothebys-thomas-rowlandson-british-1756-1827-wash-drawing-on-heavy-paper-pasted-down-ca-1810-1815-5-34-x-9-516-in-146-x-236-cm-bidding-business-buyers-capitalism-collecting-commerce-gavel-gentlemen-rare-books-sellers-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253694.htmlRF2HK4PNJ–Inspired by A Book Auction at Sotheby's, Thomas Rowlandson, British, 1756-1827, Wash drawing on heavy paper pasted down, ca. 1810-1815, 5 3/4 x 9 5/16 in., 14.6 x 23.6 cm, bidding, business, buyers, capitalism, collecting, commerce, gavel, gentlemen, rare books, sellers, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Print, Boys Playing with a Bird, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 25.5 × 32.6 cm (10 1/16 × 12 13/16 in.); Bequest of George Campbell Cooper; 1896-3-288 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-boys-playing-with-a-bird-ca-17601770-print-maker-francesco-bartolozzi-italian-17271815-after-giovanni-francesco-barbieri-called-guercino-italian-1591-1666-italy-engraving-in-brown-ink-on-white-paper-255-326-cm-10-116-12-1316-in-bequest-of-george-campbell-cooper-1896-3-288-image546257442.htmlRM2PMM4XA–Print, Boys Playing with a Bird, ca. 1760–1770; Print Maker: Francesco Bartolozzi (Italian, 1727–1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 – 1666); Italy; engraving in brown ink on white paper; 25.5 × 32.6 cm (10 1/16 × 12 13/16 in.); Bequest of George Campbell Cooper; 1896-3-288
Art inspired by Portrait of a Lady, ca. 1815–17, Graphite on wove paper, Sheet: 10 7/8 x 7 13/16 in. (27.6 x 19.9 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-lady-ca-181517-graphite-on-wove-paper-sheet-10-78-x-7-1316-in-276-x-199-cm-drawings-jean-auguste-dominique-ingres-french-montauban-17801867-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463009274.htmlRF2HW7W1E–Art inspired by Portrait of a Lady, ca. 1815–17, Graphite on wove paper, Sheet: 10 7/8 x 7 13/16 in. (27.6 x 19.9 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sugar bowl. Culture: American. Dimensions: H. 9 11/16 in. (24.6 cm); Diam. 6 in. (15.2 cm). Maker: Probably South Boston Flint Glass Works. Date: 1815-35. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sugar-bowl-culture-american-dimensions-h-9-1116-in-246-cm-diam-6-in-152-cm-maker-probably-south-boston-flint-glass-works-date-1815-35-museum-metropolitan-museum-of-art-new-york-usa-image213148098.htmlRMPANMG2–Sugar bowl. Culture: American. Dimensions: H. 9 11/16 in. (24.6 cm); Diam. 6 in. (15.2 cm). Maker: Probably South Boston Flint Glass Works. Date: 1815-35. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Demosthenes, Cicero and William Pitt, Earl of Chatham, 1750–1815, Etching and engraving, plate: 9 9/16 x 6 5/16 in. (24.3 x 16.1 cm), Prints, Attributed to Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-demosthenes-cicero-and-william-pitt-earl-of-chatham-17501815-etching-and-engraving-plate-9-916-x-6-516-in-243-x-161-cm-prints-attributed-to-francesco-bartolozzi-italian-florence-17281815-lisbon-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462974151.htmlRF2HW6873–Art inspired by Demosthenes, Cicero and William Pitt, Earl of Chatham, 1750–1815, Etching and engraving, plate: 9 9/16 x 6 5/16 in. (24.3 x 16.1 cm), Prints, Attributed to Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, half length, 1806, wood engraving, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frederick-william-9101771-1661815-duke-of-brunswick-22121813-1661815-58324499.htmlRMDATWDR–Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, half length, 1806, wood engraving, 19th century,
Art inspired by Portrait of Edmond Burke, ca. 1815, Pen and grey ink with brush and brown washes., 6 5/8 x 4 5/8 in. (16.9 x 11.7 cm.), Drawings, Antoine Louis François Sergent Marceau (French, Chartres 1751–1847 Nice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-edmond-burke-ca-1815-pen-and-grey-ink-with-brush-and-brown-washes-6-58-x-4-58-in-169-x-117-cm-drawings-antoine-louis-franois-sergent-marceau-french-chartres-17511847-nice-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462946686.htmlRF2HW5166–Art inspired by Portrait of Edmond Burke, ca. 1815, Pen and grey ink with brush and brown washes., 6 5/8 x 4 5/8 in. (16.9 x 11.7 cm.), Drawings, Antoine Louis François Sergent Marceau (French, Chartres 1751–1847 Nice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, during the engagement in Halberstadt, 29.7.1809, after drawing by Richard Knoetel, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frederick-william-9101771-1661815-duke-of-brunswick-22121813-1661815-58479164.htmlRMDB3XNG–Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, during the engagement in Halberstadt, 29.7.1809, after drawing by Richard Knoetel, 19th century,
Art inspired by Landscape with Cottage, 1844, Daguerreotype, 16.4 x 21.7 cm (6 7/16 x 8 9/16 in.), Photographs, Marie-Charles-Isidore Choiselat (French, 1815–1858), Stanislas Ratel (French, 1824–1904), In the first decade of photography the overwhelming majority of daguerreotypes were, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-landscape-with-cottage-1844-daguerreotype-164-x-217-cm-6-716-x-8-916-in-photographs-marie-charles-isidore-choiselat-french-18151858-stanislas-ratel-french-18241904-in-the-first-decade-of-photography-the-overwhelming-majority-of-daguerreotypes-were-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462936859.htmlRF2HW4GK7–Art inspired by Landscape with Cottage, 1844, Daguerreotype, 16.4 x 21.7 cm (6 7/16 x 8 9/16 in.), Photographs, Marie-Charles-Isidore Choiselat (French, 1815–1858), Stanislas Ratel (French, 1824–1904), In the first decade of photography the overwhelming majority of daguerreotypes were, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, in the bivouac outside of Brunswick, 31.7.1809, after contemporary etching by Eberhard Siegfried Henne, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederick-william-9101771-1661815-duke-of-brunswick-22121813-1661815-image60144061.htmlRMDDRPA5–Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, in the bivouac outside of Brunswick, 31.7.1809, after contemporary etching by Eberhard Siegfried Henne,
Art inspired by Teapot, ca. 1815, Made in Philadelphia, Pennsylvania, United States, American, Silver, 7 5/16 x 9 15/16 x 5 3/4 in. (18.6 x 25.2 x 14.6 cm); 26 oz. 2 dwt. (811.8 g), Silver, Joseph Lownes (1758–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-teapot-ca-1815-made-in-philadelphia-pennsylvania-united-states-american-silver-7-516-x-9-1516-x-5-34-in-186-x-252-x-146-cm-26-oz-2-dwt-8118-g-silver-joseph-lownes-17581820-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462893631.htmlRF2HW2HFB–Art inspired by Teapot, ca. 1815, Made in Philadelphia, Pennsylvania, United States, American, Silver, 7 5/16 x 9 15/16 x 5 3/4 in. (18.6 x 25.2 x 14.6 cm); 26 oz. 2 dwt. (811.8 g), Silver, Joseph Lownes (1758–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, embarkation for England at Elsfleth, 7.8.1809, steel engraving by Jean Meno Haas, 1810, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederick-william-9101771-1661815-duke-of-brunswick-22121813-1661815-image60144067.htmlRMDDRPAB–Frederick William, 9.10.1771 - 16.6.1815, Duke of Brunswick 22.12.1813 - 16.6.1815, embarkation for England at Elsfleth, 7.8.1809, steel engraving by Jean Meno Haas, 1810, Artist's Copyright has not to be cleared
Art inspired by A Book Auction at Sotheby's, Thomas Rowlandson, British, 1756-1827, Wash drawing on heavy paper pasted down, ca. 1810-1815, 5 3/4 x 9 5/16 in., 14.6 x 23.6 cm, bidding, business, buyers, capitalism, collecting, commerce, gavel, gentlemen, rare books, sellers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-book-auction-at-sothebys-thomas-rowlandson-british-1756-1827-wash-drawing-on-heavy-paper-pasted-down-ca-1810-1815-5-34-x-9-516-in-146-x-236-cm-bidding-business-buyers-capitalism-collecting-commerce-gavel-gentlemen-rare-books-sellers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568366.htmlRF2HKK43X–Art inspired by A Book Auction at Sotheby's, Thomas Rowlandson, British, 1756-1827, Wash drawing on heavy paper pasted down, ca. 1810-1815, 5 3/4 x 9 5/16 in., 14.6 x 23.6 cm, bidding, business, buyers, capitalism, collecting, commerce, gavel, gentlemen, rare books, sellers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, in the Battle of Ligny, 16.6.1815, is covered by his aide-de-camp Major August Ludwig von Nostitz, wood engraving after drawing by G. Huenten, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bluecher-gebhard-leberecht-von-16-121742-1291819-prussian-general-29116977.htmlRMBKAB01–Bluecher, Gebhard Leberecht von, 16. 12.1742 - 12.9.1819, Prussian general, in the Battle of Ligny, 16.6.1815, is covered by his aide-de-camp Major August Ludwig von Nostitz, wood engraving after drawing by G. Huenten, 19th century, ,
Art inspired by Cream pitcher, 1815–35, Made in Massachusetts, United States, American, Free-blown glass with applied decoration, 6 1/16 x 5 9/16 in. (15.4 x 14.1 cm), Glass, Attributed to New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888), Possibly South, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cream-pitcher-181535-made-in-massachusetts-united-states-american-free-blown-glass-with-applied-decoration-6-116-x-5-916-in-154-x-141-cm-glass-attributed-to-new-england-glass-company-american-east-cambridge-massachusetts-18181888-possibly-south-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463046006.htmlRF2HW9FWA–Art inspired by Cream pitcher, 1815–35, Made in Massachusetts, United States, American, Free-blown glass with applied decoration, 6 1/16 x 5 9/16 in. (15.4 x 14.1 cm), Glass, Attributed to New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888), Possibly South, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Blücher Adolf Friedrich Erdmann von Menzel (German, 1815-1905). Portrait of Blücher, 1882. Wood engraving on China paper, Image: 6 7/8 x 5 11/16 in. (17.4 x 14.5 cm). European Art 1882 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-blcher-adolf-friedrich-erdmann-von-menzel-german-1815-1905-portrait-of-blcher-1882-wood-engraving-on-china-paper-image-6-78-x-5-1116-in-174-x-145-cm-european-art-1882-image504722903.htmlRM2M9435Y–Portrait of Blücher Adolf Friedrich Erdmann von Menzel (German, 1815-1905). Portrait of Blücher, 1882. Wood engraving on China paper, Image: 6 7/8 x 5 11/16 in. (17.4 x 14.5 cm). European Art 1882
Search Results for 16 6 1815 Stock Photos and Images (826)
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