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1535 40 Stock Photos and Images
Dish (coppa), ca. 1535–40, Italian, Castel Durante and Gubbio, Maiolica (tin-glazed earthenware), Diameter: 10 5/8 in. (27cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dish-coppa-ca-153540-italian-castel-durante-and-gubbio-maiolica-tin-162569667.htmlRMKCDK7F–Dish (coppa), ca. 1535–40, Italian, Castel Durante and Gubbio, Maiolica (tin-glazed earthenware), Diameter: 10 5/8 in. (27cm
Jean de Brosse , Duc d'/etampes 1505 - 1565 : husband of Francois's favourite mistress , from a drawing 1535-40 by Jean Clouet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-de-brosse-duc-detampes-1505-1565-husband-of-francoiss-favourite-mistress-from-a-drawing-1535-40-by-jean-clouet-image268853809.htmlRMWHB9NN–Jean de Brosse , Duc d'/etampes 1505 - 1565 : husband of Francois's favourite mistress , from a drawing 1535-40 by Jean Clouet
Lucretia, c. 1535/40, oil on panel, 79 x 64 cm, unsigned, Lucas Cranach d. Ä., Kronach 1472–1553 Weimar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lucretia-c-153540-oil-on-panel-79-x-64-cm-unsigned-lucas-cranach-d-kronach-14721553-weimar-image328708091.htmlRM2A2NXEK–Lucretia, c. 1535/40, oil on panel, 79 x 64 cm, unsigned, Lucas Cranach d. Ä., Kronach 1472–1553 Weimar
Art inspired by Dish (coppa), ca. 1535–40, Italian, Castel Durante and Gubbio, Maiolica (tin-glazed earthenware), Diameter: 10 5/8 in. (27cm), Ceramics-Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-dish-coppa-ca-153540-italian-castel-durante-and-gubbio-maiolica-tin-glazed-earthenware-diameter-10-58-in-27cm-ceramics-pottery-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462824694.htmlRF2HTYDHA–Art inspired by Dish (coppa), ca. 1535–40, Italian, Castel Durante and Gubbio, Maiolica (tin-glazed earthenware), Diameter: 10 5/8 in. (27cm), Ceramics-Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
English: Jupiter and Antiope (Pardo Venus) 1535-40, reworked c. 1560. 1195 Titian - Jupiter and Antiope (Pardo Venus) - WGA22902 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-jupiter-and-antiope-pardo-venus-1535-40-reworked-c-1560-1195-titian-jupiter-and-antiope-pardo-venus-wga22902-image185602527.htmlRMMNXWWK–English: Jupiter and Antiope (Pardo Venus) 1535-40, reworked c. 1560. 1195 Titian - Jupiter and Antiope (Pardo Venus) - WGA22902
Inspired by St. Catherine of Alexandria, Antonello Gagini, Italian, 1478–1536, Antonio Gagini, Italian, 1514–1574, c.1535–40, Marble with traces of polychrome, Made in Palermo, Sicily, Italy, Europe, Sculpture, 66 x 27 x 18 in. (167.6 x 68.6 x 45.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-st-catherine-of-alexandria-antonello-gagini-italian-14781536-antonio-gagini-italian-15141574-c153540-marble-with-traces-of-polychrome-made-in-palermo-sicily-italy-europe-sculpture-66-x-27-x-18-in-1676-x-686-x-457-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459281877.htmlRF2HK62M5–Inspired by St. Catherine of Alexandria, Antonello Gagini, Italian, 1478–1536, Antonio Gagini, Italian, 1514–1574, c.1535–40, Marble with traces of polychrome, Made in Palermo, Sicily, Italy, Europe, Sculpture, 66 x 27 x 18 in. (167.6 x 68.6 x 45.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Dish (coppa). Culture: Italian, Castel Durante and Gubbio. Dimensions: Diameter: 10 5/8 in. (27cm). Date: ca. 1535-40. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dish-coppa-culture-italian-castel-durante-and-gubbio-dimensions-diameter-10-58-in-27cm-date-ca-1535-40-museum-metropolitan-museum-of-art-new-york-usa-image212884314.htmlRMPA9M36–Dish (coppa). Culture: Italian, Castel Durante and Gubbio. Dimensions: Diameter: 10 5/8 in. (27cm). Date: ca. 1535-40. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Dish (coppa), ca. 1535–40, Italian, probably Urbino, Lustered earthenware Maiolica (tin-glazed earthenware), Diameter: 10 15/16 in. (27.8 cm), Ceramics-Pottery, perhaps workshop of Guido Durantino (Italian, Urbino, active 1516–ca. 1576, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-dish-coppa-ca-153540-italian-probably-urbino-lustered-earthenware-maiolica-tin-glazed-earthenware-diameter-10-1516-in-278-cm-ceramics-pottery-perhaps-workshop-of-guido-durantino-italian-urbino-active-1516ca-1576-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463031511.htmlRF2HW8WBK–Art inspired by Dish (coppa), ca. 1535–40, Italian, probably Urbino, Lustered earthenware Maiolica (tin-glazed earthenware), Diameter: 10 15/16 in. (27.8 cm), Ceramics-Pottery, perhaps workshop of Guido Durantino (Italian, Urbino, active 1516–ca. 1576, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Gerolamo Giovenone (1490-1555) - Madonna and Child,1535-40 Italy, Italian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gerolamo-giovenone-1490-1555-madonna-and-child1535-40-italy-italian-image453549268.htmlRM2H9TXM4–Gerolamo Giovenone (1490-1555) - Madonna and Child,1535-40 Italy, Italian.
Art inspired by St. Catherine of Alexandria, Antonello Gagini, Italian, 1478-1536, Antonio Gagini, Italian, 1514-1574, c.1535-40, Marble with traces of polychrome, Made in Palermo, Sicily, Italy, Europe, Sculpture, 66 x 27 x 18 in. (167.6 x 68.6 x 45.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-st-catherine-of-alexandria-antonello-gagini-italian-1478-1536-antonio-gagini-italian-1514-1574-c1535-40-marble-with-traces-of-polychrome-made-in-palermo-sicily-italy-europe-sculpture-66-x-27-x-18-in-1676-x-686-x-457-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459594463.htmlRF2HKM9BY–Art inspired by St. Catherine of Alexandria, Antonello Gagini, Italian, 1478-1536, Antonio Gagini, Italian, 1514-1574, c.1535-40, Marble with traces of polychrome, Made in Palermo, Sicily, Italy, Europe, Sculpture, 66 x 27 x 18 in. (167.6 x 68.6 x 45.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
PORTRAIT OF SIMON GEORGE OF CORNWALL 1535–40 HANS HOLBEIN THE YOUNGER 1497 - 1543 German Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-simon-george-of-cornwall-153540-hans-holbein-the-younger-78639248.htmlRMEFX94G–PORTRAIT OF SIMON GEORGE OF CORNWALL 1535–40 HANS HOLBEIN THE YOUNGER 1497 - 1543 German Germany
Art inspired by Armor for Man and Horse Presumably Made for Baron Pankraz von Freyberg (1508–1565), man's armor, ca. 1535–40; horse armor, dated 1554; saddle steels, later restorations, Landshut, German, Landshut, Steel; leather, copper alloy, textile, Wt. of man's armor approx. 55 lb, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-armor-for-man-and-horse-presumably-made-for-baron-pankraz-von-freyberg-15081565-mans-armor-ca-153540-horse-armor-dated-1554-saddle-steels-later-restorations-landshut-german-landshut-steel-leather-copper-alloy-textile-wt-of-mans-armor-approx-55-lb-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463048452.htmlRF2HW9K0M–Art inspired by Armor for Man and Horse Presumably Made for Baron Pankraz von Freyberg (1508–1565), man's armor, ca. 1535–40; horse armor, dated 1554; saddle steels, later restorations, Landshut, German, Landshut, Steel; leather, copper alloy, textile, Wt. of man's armor approx. 55 lb, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Moretto da Brescia. The Annunciation by Alessandro Bonvicino (also Buonvicino) (c. 1498-1554), oil on canvas, c. 1535-40 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moretto-da-brescia-the-annunciation-by-alessandro-bonvicino-also-buonvicino-c1498-1554-oil-on-canvas-c-1535-40-image442890223.htmlRM2GMFAYY–Moretto da Brescia. The Annunciation by Alessandro Bonvicino (also Buonvicino) (c. 1498-1554), oil on canvas, c. 1535-40
Art inspired by Anne de Pisseleu (1508–1576), Duchesse d'Étampes, ca. 1535–40, Oil on wood, 7 x 5 5/8 in. (17.8 x 14.3 cm), Paintings, Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533–died 1575 Lyons), Renowned for her brilliance and beauty, Anne de Pisseleu, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-anne-de-pisseleu-15081576-duchesse-dtampes-ca-153540-oil-on-wood-7-x-5-58-in-178-x-143-cm-paintings-attributed-to-corneille-de-lyon-netherlandish-the-hague-active-by-1533died-1575-lyons-renowned-for-her-brilliance-and-beauty-anne-de-pisseleu-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463024197.htmlRF2HW8G2D–Art inspired by Anne de Pisseleu (1508–1576), Duchesse d'Étampes, ca. 1535–40, Oil on wood, 7 x 5 5/8 in. (17.8 x 14.3 cm), Paintings, Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533–died 1575 Lyons), Renowned for her brilliance and beauty, Anne de Pisseleu, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Madonna and Child in a Landscape with Tobias and the Angel by Tiziano Vecellio (Titian - 1490-1576), oil on panel, c.1535-40 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-madonna-and-child-in-a-landscape-with-tobias-and-the-angel-by-tiziano-174711981.htmlRMM46PWH–Madonna and Child in a Landscape with Tobias and the Angel by Tiziano Vecellio (Titian - 1490-1576), oil on panel, c.1535-40
Mercurii Templum (Views of Ancient Roman Temples and Arches), 1535-40. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mercurii-templum-views-of-ancient-roman-temples-and-arches-1535-40-image469815120.htmlRM2J89WYC–Mercurii Templum (Views of Ancient Roman Temples and Arches), 1535-40.
Parmigianino. Painting entitled 'Virgin and Child with Saint John the Baptist and Mary Magdalene' by the Italian Mannerist painter, Girolamo Francesco Maria Mazzola (1503-1540), oil on paper, laid down on panel, c. 1535-40. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parmigianino-painting-entitled-virgin-and-child-with-saint-john-the-baptist-and-mary-magdalene-by-the-italian-mannerist-painter-girolamo-francesco-maria-mazzola-1503-1540-oil-on-paper-laid-down-on-panel-c-1535-40-image418857218.htmlRM2F9CGJA–Parmigianino. Painting entitled 'Virgin and Child with Saint John the Baptist and Mary Magdalene' by the Italian Mannerist painter, Girolamo Francesco Maria Mazzola (1503-1540), oil on paper, laid down on panel, c. 1535-40.
Marco Cardisco (1486-1542). Italian painer. Dormition of the Mother of God. Oil on the table. 1535-40. Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-marco-cardisco-1486-1542-italian-painer-dormition-of-the-mother-of-133539898.htmlRMHN77E2–Marco Cardisco (1486-1542). Italian painer. Dormition of the Mother of God. Oil on the table. 1535-40. Museum of Capodimonte. Naples. Italy.
Noli me Tangere - Noli and Tangere 1515-1520 by Sperindio Cagnoli 1490-1535 Gerolamo Giovenone (1490-1555) - Madonna and Child,1535-40 Italy, Italian. Noli me tangere , touch me not, according to John 20:17, by Jesus to, Mary Magdalene, when she recognized him after his resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-noli-and-tangere-1515-1520-by-sperindio-cagnoli-1490-1535-gerolamo-giovenone-1490-1555-madonna-and-child1535-40-italy-italian-noli-me-tangere-touch-me-not-according-to-john-2017-by-jesus-to-mary-magdalene-when-she-recognized-him-after-his-resurrection-image453514755.htmlRM2H9RAKF–Noli me Tangere - Noli and Tangere 1515-1520 by Sperindio Cagnoli 1490-1535 Gerolamo Giovenone (1490-1555) - Madonna and Child,1535-40 Italy, Italian. Noli me tangere , touch me not, according to John 20:17, by Jesus to, Mary Magdalene, when she recognized him after his resurrection,
Portrait of a Young Man, c. 1535-40, Hans Holbein the Younger. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-young-man-c-1535-40-hans-holbein-the-younger-image414570833.htmlRM2F2D995–Portrait of a Young Man, c. 1535-40, Hans Holbein the Younger.
Self-portrait (?) 1535-40 by Girolamo Romanino Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-1535-40-by-girolamo-romanino-image574025012.htmlRM2T9W2N8–Self-portrait (?) 1535-40 by Girolamo Romanino
Fingered Gauntlet for the Left Hand, c. 1535/40, Wolfgang Grosschedel, Southern German, Landshut, active 1551–1562, Landshut, Steel and leather, etched, L. 33.7 cm (13 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fingered-gauntlet-for-the-left-hand-c-153540-wolfgang-grosschedel-southern-german-landshut-active-15511562-landshut-steel-and-leather-etched-l-337-cm-13-14-in-image328651250.htmlRM2A2KA0J–Fingered Gauntlet for the Left Hand, c. 1535/40, Wolfgang Grosschedel, Southern German, Landshut, active 1551–1562, Landshut, Steel and leather, etched, L. 33.7 cm (13 1/4 in
Corneille de Lyon (1533 - 1575 ) , Portrait of Anne de Pisseleu (1508–1576), Duchesse d'Étampes ca. 1535–40 ( Oil on wood 0,17 x 0,14) mistress of the king francois 1st Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/corneille-de-lyon-1533-1575-portrait-of-anne-de-pisseleu-15081576-duchesse-dtampes-ca-153540-oil-on-wood-017-x-014-mistress-of-the-king-francois-1st-image341382066.htmlRM2ARB88J–Corneille de Lyon (1533 - 1575 ) , Portrait of Anne de Pisseleu (1508–1576), Duchesse d'Étampes ca. 1535–40 ( Oil on wood 0,17 x 0,14) mistress of the king francois 1st
. Deutsch: Szenen aus dem Leben des Apostels Paulus: Ergreifung des Apostels Paulus im Tempel von Jerusalem . 1535/40. 991 Pieter Coecke van Aelst 001 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-szenen-aus-dem-leben-des-apostels-paulus-ergreifung-des-apostels-paulus-im-tempel-von-jerusalem-153540-991-pieter-coecke-van-aelst-001-image185545370.htmlRMMNT90A–. Deutsch: Szenen aus dem Leben des Apostels Paulus: Ergreifung des Apostels Paulus im Tempel von Jerusalem . 1535/40. 991 Pieter Coecke van Aelst 001
Fine art museum, Budapest, Hungary. Paolo catalina, Christ washing the feet of the apostles, ca.1535-40, detached fresco Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fine-art-museum-budapest-hungary-paolo-catalina-christ-washing-the-feet-of-the-apostles-ca1535-40-detached-fresco-image575861921.htmlRF2TCTNN5–Fine art museum, Budapest, Hungary. Paolo catalina, Christ washing the feet of the apostles, ca.1535-40, detached fresco
Portrait of a Man with a Black-Plumed Hat. Artist: Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533-died 1575 Lyons). Dimensions: 7 x 5 1/2 in. (17.8 x 14 cm); with added strips, 8 1/2 x 6 in. (21.6 x 15.2 cm). Date: ca. 1535-40. A replica of this panel is in the Museum of Fine Arts, Houston. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-with-a-black-plumed-hat-artist-attributed-to-corneille-de-lyon-netherlandish-the-hague-active-by-1533-died-1575-lyons-dimensions-7-x-5-12-in-178-x-14-cm-with-added-strips-8-12-x-6-in-216-x-152-cm-date-ca-1535-40-a-replica-of-this-panel-is-in-the-museum-of-fine-arts-houston-museum-metropolitan-museum-of-art-new-york-usa-image213132928.htmlRMPAN168–Portrait of a Man with a Black-Plumed Hat. Artist: Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533-died 1575 Lyons). Dimensions: 7 x 5 1/2 in. (17.8 x 14 cm); with added strips, 8 1/2 x 6 in. (21.6 x 15.2 cm). Date: ca. 1535-40. A replica of this panel is in the Museum of Fine Arts, Houston. Museum: Metropolitan Museum of Art, New York, USA.
David Jorisz (1501-56), glass painter in Delft, fanatical Anabaptist, since 1544 in Basel, SK-A-977 Portrait of David Jorisz (1501-56). Glass Painting in Delft, later leader of the Anabaptists between 1535-40 and then the Davidjorisme. Since 1544 in Basel. Bust in oval with barrette, right corner of the family crest. Subsequent copy from an original of ca. 1550. Manufacturer : painter: anonymous (copy to) Place manufacture: The Netherlands Date: ca. 1550 and / or 1600 - 1649 Physical characteristics: oil on panel material: panel oil Dimensions: carrier: h 36 cm. B × 28 cm. external dimensions: Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-jorisz-1501-56-glass-painter-in-delft-fanatical-anabaptist-since-1544-in-basel-sk-a-977-portrait-of-david-jorisz-1501-56-glass-painting-in-delft-later-leader-of-the-anabaptists-between-1535-40-and-then-the-davidjorisme-since-1544-in-basel-bust-in-oval-with-barrette-right-corner-of-the-family-crest-subsequent-copy-from-an-original-of-ca-1550-manufacturer-painter-anonymous-copy-to-place-manufacture-the-netherlands-date-ca-1550-and-or-1600-1649-physical-characteristics-oil-on-panel-material-panel-oil-dimensions-carrier-h-36-cm-b-28-cm-external-dimensions-image348281571.htmlRM2B6HGKF–David Jorisz (1501-56), glass painter in Delft, fanatical Anabaptist, since 1544 in Basel, SK-A-977 Portrait of David Jorisz (1501-56). Glass Painting in Delft, later leader of the Anabaptists between 1535-40 and then the Davidjorisme. Since 1544 in Basel. Bust in oval with barrette, right corner of the family crest. Subsequent copy from an original of ca. 1550. Manufacturer : painter: anonymous (copy to) Place manufacture: The Netherlands Date: ca. 1550 and / or 1600 - 1649 Physical characteristics: oil on panel material: panel oil Dimensions: carrier: h 36 cm. B × 28 cm. external dimensions:
Giovanni Girolamo Savoldo - Mary Magdalene 1535-40 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-girolamo-savoldo-mary-magdalene-1535-40-image565211410.htmlRF2RRFGWP–Giovanni Girolamo Savoldo - Mary Magdalene 1535-40
Crespina plate; around 1535-40 (1530-00-00-1540-00-00); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crespina-plate-around-1535-40-1530-00-00-1540-00-00-image598972511.htmlRM2WPDFFB–Crespina plate; around 1535-40 (1530-00-00-1540-00-00);
Iskandar comforting the dying Dara. Khamsa by Nizami. Herat, 1442 (manuscript), c.1535-40(folio). Source: Add. 25900, f.234v. Language: Persian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/iskandar-comforting-the-dying-dara-khamsa-by-nizami-herat-1442-manuscript-c1535-40folio-source-add-25900-f234v-language-persian-image231242410.htmlRMRC601E–Iskandar comforting the dying Dara. Khamsa by Nizami. Herat, 1442 (manuscript), c.1535-40(folio). Source: Add. 25900, f.234v. Language: Persian.
Bowl with A Lover Tied to a Tree Italian, Faenza ca. 1535–40 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-with-a-lover-tied-to-a-tree-italian-faenza-ca-153540-image569501407.htmlRM2T2F0RY–Bowl with A Lover Tied to a Tree Italian, Faenza ca. 1535–40
Mazzola Girolamo Francesco Maria (Parmigianino) - Los Angeles - J. Paul Getty Museum - Virgin and Child with St. John the Baptist and Mary Magdalene (1535 40) (olio su carta, posato su tav Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mazzola-girolamo-francesco-maria-parmigianino-los-angeles-j-paul-getty-museum-virgin-and-child-with-st-john-the-baptist-and-mary-magdalene-1535-40-olio-su-carta-posato-su-tav-image457727331.htmlRF2HGK7TK–Mazzola Girolamo Francesco Maria (Parmigianino) - Los Angeles - J. Paul Getty Museum - Virgin and Child with St. John the Baptist and Mary Magdalene (1535 40) (olio su carta, posato su tav
Art inspired by Portrait of a Man with a Black-Plumed Hat, ca. 1535–40, Oil on wood, 7 x 5 1/2 in. (17.8 x 14 cm); with added strips, 8 1/2 x 6 in. (21.6 x 15.2 cm), Paintings, Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533–died 1575 Lyons, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-man-with-a-black-plumed-hat-ca-153540-oil-on-wood-7-x-5-12-in-178-x-14-cm-with-added-strips-8-12-x-6-in-216-x-152-cm-paintings-attributed-to-corneille-de-lyon-netherlandish-the-hague-active-by-1533died-1575-lyons-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463024260.htmlRF2HW8G4M–Art inspired by Portrait of a Man with a Black-Plumed Hat, ca. 1535–40, Oil on wood, 7 x 5 1/2 in. (17.8 x 14 cm); with added strips, 8 1/2 x 6 in. (21.6 x 15.2 cm), Paintings, Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533–died 1575 Lyons, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dish (coppa) ca. 1535–40 perhaps workshop of Guido Durantino Italian. Dish (coppa) 460220 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dish-coppa-ca-153540-perhaps-workshop-of-guido-durantino-italian-dish-coppa-460220-image458578020.htmlRM2HJ20XC–Dish (coppa) ca. 1535–40 perhaps workshop of Guido Durantino Italian. Dish (coppa) 460220
Art inspired by Landscape with a milkmaid at right and a boy at left, ca. 1535–40, Woodcut, sheet: 14 7/16 x 20 11/16 in. (36.7 x 52.5 cm), Prints, Nicolò Boldrini (Italian, Vicenza ca. 1500–after 1566 Venice), After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-with-a-milkmaid-at-right-and-a-boy-at-left-ca-153540-woodcut-sheet-14-716-x-20-1116-in-367-x-525-cm-prints-nicol-boldrini-italian-vicenza-ca-1500after-1566-venice-after-titian-tiziano-vecellio-italian-pieve-di-cadore-ca-1485901576-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463002113.htmlRF2HW7FWN–Art inspired by Landscape with a milkmaid at right and a boy at left, ca. 1535–40, Woodcut, sheet: 14 7/16 x 20 11/16 in. (36.7 x 52.5 cm), Prints, Nicolò Boldrini (Italian, Vicenza ca. 1500–after 1566 Venice), After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Porta Antonae (Views of Ancient Roman Temples and Arches), 1535-40. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porta-antonae-views-of-ancient-roman-temples-and-arches-1535-40-image469815087.htmlRM2J89WX7–Porta Antonae (Views of Ancient Roman Temples and Arches), 1535-40.
Art inspired by Landscape with family walking together in the foreground, at left two figures with herd of goats and sheep; a mill (?) and other buildings in the background, ca. 1535–40, Woodcut, Sheet (trimmed): 13 1/16 × 17 1/2 in. (33.2 × 44.5 cm), Prints, Possible offset of another, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-with-family-walking-together-in-the-foreground-at-left-two-figures-with-herd-of-goats-and-sheep-a-mill-and-other-buildings-in-the-background-ca-153540-woodcut-sheet-trimmed-13-116-17-12-in-332-445-cm-prints-possible-offset-of-another-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462971299.htmlRF2HW64H7–Art inspired by Landscape with family walking together in the foreground, at left two figures with herd of goats and sheep; a mill (?) and other buildings in the background, ca. 1535–40, Woodcut, Sheet (trimmed): 13 1/16 × 17 1/2 in. (33.2 × 44.5 cm), Prints, Possible offset of another, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
More, Thomas, 7.2. 1478 - 6.7.1535, English philosopher and politician, portrait, drawing by Hans Holbein the Younger, 1527, Windsor Castle, England, 40 x 30 cm, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-more-thomas-72-1478-671535-english-philosopher-and-politician-portrait-58346754.htmlRMDAWWTJ–More, Thomas, 7.2. 1478 - 6.7.1535, English philosopher and politician, portrait, drawing by Hans Holbein the Younger, 1527, Windsor Castle, England, 40 x 30 cm,
Inspired by Portrait of Anne Stafford, Ambrosius Benson, Netherlandish (born Italy), c.1495–before 1550, Lady Anne Stafford, English, c.1535, Oil on panel, Made in Bruges, West-Vlaanderen, Belgium, Europe, Paintings, 16 x 13 3/8 in. (40.6 x 34 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-portrait-of-anne-stafford-ambrosius-benson-netherlandish-born-italy-c1495before-1550-lady-anne-stafford-english-c1535-oil-on-panel-made-in-bruges-west-vlaanderen-belgium-europe-paintings-16-x-13-38-in-406-x-34-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459275238.htmlRF2HK5P72–Inspired by Portrait of Anne Stafford, Ambrosius Benson, Netherlandish (born Italy), c.1495–before 1550, Lady Anne Stafford, English, c.1535, Oil on panel, Made in Bruges, West-Vlaanderen, Belgium, Europe, Paintings, 16 x 13 3/8 in. (40.6 x 34 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Self-portrait (?) 1535-40 by Girolamo Romanino Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-1535-40-by-girolamo-romanino-image574024943.htmlRM2T9W2JR–Self-portrait (?) 1535-40 by Girolamo Romanino
Female Heads, 1535/40, Attributed to Parmigianino, Italian, 1503-1540, Italy, Pen and brown ink with traces of black chalk, on buff laid paper, laid down on ivory laid paper, tipped onto board, 108 x 88 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/female-heads-153540-attributed-to-parmigianino-italian-1503-1540-italy-pen-and-brown-ink-with-traces-of-black-chalk-on-buff-laid-paper-laid-down-on-ivory-laid-paper-tipped-onto-board-108-x-88-mm-image328624766.htmlRM2A2J46P–Female Heads, 1535/40, Attributed to Parmigianino, Italian, 1503-1540, Italy, Pen and brown ink with traces of black chalk, on buff laid paper, laid down on ivory laid paper, tipped onto board, 108 x 88 mm
Art inspired by Speculum Romanae Magnificentiae: Plan of St. Peter's, 1569, Engraving, sheet: 18 11/16 x 15 15/16 in. (47.4 x 40.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-speculum-romanae-magnificentiae-plan-of-st-peters-1569-engraving-sheet-18-1116-x-15-1516-in-474-x-405-cm-prints-etienne-duprac-french-ca-15351604-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463004775.htmlRF2HW7K8R–Art inspired by Speculum Romanae Magnificentiae: Plan of St. Peter's, 1569, Engraving, sheet: 18 11/16 x 15 15/16 in. (47.4 x 40.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
English: Portrait of an Unidentified Man, possibly the goldsmith Hans of Antwerp. The same man is depicted in a painting by Holbein. circa 1535–40. 1213 Unidentified Man, workshop of Hans Holbein the Younger Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-portrait-of-an-unidentified-man-possibly-the-goldsmith-hans-of-antwerp-the-same-man-is-depicted-in-a-painting-by-holbein-circa-153540-1213-unidentified-man-workshop-of-hans-holbein-the-younger-image185605449.htmlRMMNY1J1–English: Portrait of an Unidentified Man, possibly the goldsmith Hans of Antwerp. The same man is depicted in a painting by Holbein. circa 1535–40. 1213 Unidentified Man, workshop of Hans Holbein the Younger
Fine art museum, Budapest, Hungary. Paolo catalina, Christ washing the feet of the apostles, ca.1535-40, detached fresco (detail) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fine-art-museum-budapest-hungary-paolo-catalina-christ-washing-the-feet-of-the-apostles-ca1535-40-detached-fresco-detail-image575861905.htmlRF2TCTNMH–Fine art museum, Budapest, Hungary. Paolo catalina, Christ washing the feet of the apostles, ca.1535-40, detached fresco (detail)
Jupiter et Antiope (le Titien) English: Jupiter and Antiope (Pardo Venus) 1535-40, reworked c. 1560. 752 Jupiter et Antiope -Venus du Pardo- (Louvre, INV 752) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jupiter-et-antiope-le-titien-english-jupiter-and-antiope-pardo-venus-1535-40-reworked-c-1560-752-jupiter-et-antiope-venus-du-pardo-louvre-inv-752-image185775481.htmlRMMP6PEH–Jupiter et Antiope (le Titien) English: Jupiter and Antiope (Pardo Venus) 1535-40, reworked c. 1560. 752 Jupiter et Antiope -Venus du Pardo- (Louvre, INV 752)
Leaping Horseman. Artist: After Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis) (Italian, Pordenone 1483?-1539 Ferrara); Nicolò Boldrini (Italian, Vicenza ca. 1500-after 1566 Venice). Dimensions: Mount: 12 11/16 in. × 10 7/16 in. (32.3 × 26.5 cm) Sheet: 9 1/16 × 7 5/16 in. (23 × 18.5 cm). Date: ca. 1535-40. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leaping-horseman-artist-after-giovanni-antonio-da-pordenone-giovanni-antonio-de-sacchis-italian-pordenone-1483-1539-ferrara-nicol-boldrini-italian-vicenza-ca-1500-after-1566-venice-dimensions-mount-12-1116-in-10-716-in-323-265-cm-sheet-9-116-7-516-in-23-185-cm-date-ca-1535-40-museum-metropolitan-museum-of-art-new-york-usa-image213297903.htmlRMPB0FJ7–Leaping Horseman. Artist: After Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis) (Italian, Pordenone 1483?-1539 Ferrara); Nicolò Boldrini (Italian, Vicenza ca. 1500-after 1566 Venice). Dimensions: Mount: 12 11/16 in. × 10 7/16 in. (32.3 × 26.5 cm) Sheet: 9 1/16 × 7 5/16 in. (23 × 18.5 cm). Date: ca. 1535-40. Museum: Metropolitan Museum of Art, New York, USA.
Ulrich Ehinger as Knight of the Order of Santiago *oil on panel *72,5 x 63 cm *1530-1533 English: Ulrich Ehinger as Knight of the Order of Santiago Deutsch: Bildnis eines Santjagoritters Deutsch: um 1535/40 . 1212 Ulrich Ehinger as Knight of the Order of Santiago, by Christoph Amberger Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ulrich-ehinger-as-knight-of-the-order-of-santiago-oil-on-panel-725-x-63-cm-1530-1533-english-ulrich-ehinger-as-knight-of-the-order-of-santiago-deutsch-bildnis-eines-santjagoritters-deutsch-um-153540-1212-ulrich-ehinger-as-knight-of-the-order-of-santiago-by-christoph-amberger-image185746215.htmlRMMP5D5B–Ulrich Ehinger as Knight of the Order of Santiago *oil on panel *72,5 x 63 cm *1530-1533 English: Ulrich Ehinger as Knight of the Order of Santiago Deutsch: Bildnis eines Santjagoritters Deutsch: um 1535/40 . 1212 Ulrich Ehinger as Knight of the Order of Santiago, by Christoph Amberger
Giovanni Battista Rosso Fiorentino – The Vengeance of Nauplius 1535-40 fresco detail of 695081 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-rosso-fiorentino-the-vengeance-of-nauplius-1535-40-fresco-detail-of-695081-image566465488.htmlRF2RWGME8–Giovanni Battista Rosso Fiorentino – The Vengeance of Nauplius 1535-40 fresco detail of 695081
. „Sankt Gallener Versuchungsretabel“ (Teil der ehemaligen Retabelausstatung der St. Martinskirche, Meßkirch; geschlossener Zustand) Standflügel links: Hl. Gebhard als Bischof von Konstanz Standflügel rechts: Pelagius von Aemona als Martyrer (Patron der Stadt Konstanz) Flügelaußenseite links: Sankt Gallus als Abt mit holztragendem Bären Flügelaußenseite rechts: Fridolin von Säckingen als Abt mit auferwecktem Stifter Urso St. Gallen, Bischöfliche Sammlungen, ohne Inv.Nr. Standflügel abgetrennt (Donaueschingen, Fürstenbergsammlungen, Inv.Nrn. 93 und 94) . um 1535/40. Master of Messkirch (1500 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sankt-gallener-versuchungsretabel-teil-der-ehemaligen-retabelausstatung-der-st-martinskirche-mekirch-geschlossener-zustand-standflgel-links-hl-gebhard-als-bischof-von-konstanz-standflgel-rechts-pelagius-von-aemona-als-martyrer-patron-der-stadt-konstanz-flgelauenseite-links-sankt-gallus-als-abt-mit-holztragendem-bren-flgelauenseite-rechts-fridolin-von-sckingen-als-abt-mit-auferwecktem-stifter-urso-st-gallen-bischfliche-sammlungen-ohne-invnr-standflgel-abgetrennt-donaueschingen-frstenbergsammlungen-invnrn-93-und-94-um-153540-master-of-messkirch-1500-image185593063.htmlRMMNXDRK–. „Sankt Gallener Versuchungsretabel“ (Teil der ehemaligen Retabelausstatung der St. Martinskirche, Meßkirch; geschlossener Zustand) Standflügel links: Hl. Gebhard als Bischof von Konstanz Standflügel rechts: Pelagius von Aemona als Martyrer (Patron der Stadt Konstanz) Flügelaußenseite links: Sankt Gallus als Abt mit holztragendem Bären Flügelaußenseite rechts: Fridolin von Säckingen als Abt mit auferwecktem Stifter Urso St. Gallen, Bischöfliche Sammlungen, ohne Inv.Nr. Standflügel abgetrennt (Donaueschingen, Fürstenbergsammlungen, Inv.Nrn. 93 und 94) . um 1535/40. Master of Messkirch (1500
Iskandar lassoing Kintal, the Russian champion. Khamsa by Nizami. Herat, 1442 (manuscript), c.1535-40 (folio). Source: Add. 25900, f.271v. Language: Persian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/iskandar-lassoing-kintal-the-russian-champion-khamsa-by-nizami-herat-1442-manuscript-c1535-40-folio-source-add-25900-f271v-language-persian-image227162805.htmlRMR5G4D9–Iskandar lassoing Kintal, the Russian champion. Khamsa by Nizami. Herat, 1442 (manuscript), c.1535-40 (folio). Source: Add. 25900, f.271v. Language: Persian.
Art inspired by Portrait of Anne Stafford, Ambrosius Benson, Netherlandish (born Italy), c.1495-before 1550, Lady Anne Stafford, English, c.1535, Oil on panel, Made in Bruges, West-Vlaanderen, Belgium, Europe, Paintings, 16 x 13 3/8 in. (40.6 x 34 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-anne-stafford-ambrosius-benson-netherlandish-born-italy-c1495-before-1550-lady-anne-stafford-english-c1535-oil-on-panel-made-in-bruges-west-vlaanderen-belgium-europe-paintings-16-x-13-38-in-406-x-34-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459586457.htmlRF2HKKY61–Art inspired by Portrait of Anne Stafford, Ambrosius Benson, Netherlandish (born Italy), c.1495-before 1550, Lady Anne Stafford, English, c.1535, Oil on panel, Made in Bruges, West-Vlaanderen, Belgium, Europe, Paintings, 16 x 13 3/8 in. (40.6 x 34 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kapiteel, gedecoreerd met bladmotieven en een ramskop Kapitelen (serietitel) Linksonder bevindt zich een bloem. Eén van 3 bladen. Manufacturer : prentmaker: Monogrammist AL (16e eeuw) (vermeld op object)naar ontwerp van: Monogrammist AL (16e eeuw) (vermeld op object)uitgever: anoniemPlaats manufacture: Duitsland (mogelijk) Dating: ca. 1535 Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 32 mm × b 40 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kapiteel-gedecoreerd-met-bladmotieven-en-een-ramskop-kapitelen-serietitel-linksonder-bevindt-zich-een-bloem-en-van-3-bladen-manufacturer-prentmaker-monogrammist-al-16e-eeuw-vermeld-op-objectnaar-ontwerp-van-monogrammist-al-16e-eeuw-vermeld-op-objectuitgever-anoniemplaats-manufacture-duitsland-mogelijk-dating-ca-1535-material-papier-techniek-graveren-drukproced-dimensions-blad-h-32-mm-b-40-mm-image348494750.htmlRM2B6Y8H2–Kapiteel, gedecoreerd met bladmotieven en een ramskop Kapitelen (serietitel) Linksonder bevindt zich een bloem. Eén van 3 bladen. Manufacturer : prentmaker: Monogrammist AL (16e eeuw) (vermeld op object)naar ontwerp van: Monogrammist AL (16e eeuw) (vermeld op object)uitgever: anoniemPlaats manufacture: Duitsland (mogelijk) Dating: ca. 1535 Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 32 mm × b 40 mm
Joseph Making Himself Known to His Brethren ca. 1535–40 Style of Jan Swart van Groningen Netherlandish. Joseph Making Himself Known to His Brethren 191953 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-making-himself-known-to-his-brethren-ca-153540-style-of-jan-swart-van-groningen-netherlandish-joseph-making-himself-known-to-his-brethren-191953-image458142410.htmlRM2HHA58X–Joseph Making Himself Known to His Brethren ca. 1535–40 Style of Jan Swart van Groningen Netherlandish. Joseph Making Himself Known to His Brethren 191953
Art inspired by The Le Cellier Altarpiece, 1509, Oil on wood, Shaped top: central panel 40 x 24 in. (101.6 x 61 cm); left wing 37 3/4 x 10 in. (95.9 x 25.4 cm); right wing 37 1/2 x 9 1/2 in. (95.3 x 24.1 cm), Paintings, Jean Bellegambe (French, Douai ca. 1470–1535/36 Douai), Saint, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-le-cellier-altarpiece-1509-oil-on-wood-shaped-top-central-panel-40-x-24-in-1016-x-61-cm-left-wing-37-34-x-10-in-959-x-254-cm-right-wing-37-12-x-9-12-in-953-x-241-cm-paintings-jean-bellegambe-french-douai-ca-1470153536-douai-saint-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814148.htmlRF2HTY04M–Art inspired by The Le Cellier Altarpiece, 1509, Oil on wood, Shaped top: central panel 40 x 24 in. (101.6 x 61 cm); left wing 37 3/4 x 10 in. (95.9 x 25.4 cm); right wing 37 1/2 x 9 1/2 in. (95.3 x 24.1 cm), Paintings, Jean Bellegambe (French, Douai ca. 1470–1535/36 Douai), Saint, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sepulchrum Adriani (Views of Ancient Roman Temples and Arches), 1535-40. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sepulchrum-adriani-views-of-ancient-roman-temples-and-arches-1535-40-image469815103.htmlRM2J89WXR–Sepulchrum Adriani (Views of Ancient Roman Temples and Arches), 1535-40.
Landscape with a milkmaid at right and a boy at left ca. 1535–40 Nicolò Boldrini Italian. Landscape with a milkmaid at right and a boy at left 400008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-a-milkmaid-at-right-and-a-boy-at-left-ca-153540-nicol-boldrini-italian-landscape-with-a-milkmaid-at-right-and-a-boy-at-left-400008-image458516990.htmlRM2HHY72P–Landscape with a milkmaid at right and a boy at left ca. 1535–40 Nicolò Boldrini Italian. Landscape with a milkmaid at right and a boy at left 400008
Lucretia, c. 1535/40, oil on panel, 79 x 64 cm, unsigned, Lucas Cranach d. Ä., Kronach 1472–1553 Weimar, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lucretia-c-153540-oil-on-panel-79-x-64-cm-unsigned-lucas-cranach-d-kronach-14721553-weimar-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349802248.htmlRF2B92T9C–Lucretia, c. 1535/40, oil on panel, 79 x 64 cm, unsigned, Lucas Cranach d. Ä., Kronach 1472–1553 Weimar, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Christ proves his disciples that he is son of God Life of Christ (series title) Christ proves his disciples that he is son of God by their Father in heaven tonen. Manufacturer : printmaker Georg Pencz (listed building) in its design: Georg PenczPlaats manufacture: Germany Date: 1534 - 1535 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 40 mm × b 60 mm Subject: Christ explaining his doctrine to the apostles and disciples Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-proves-his-disciples-that-he-is-son-of-god-life-of-christ-series-title-christ-proves-his-disciples-that-he-is-son-of-god-by-their-father-in-heaven-tonen-manufacturer-printmaker-georg-pencz-listed-building-in-its-design-georg-penczplaats-manufacture-germany-date-1534-1535-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-plate-edge-h-40-mm-b-60-mm-subject-christ-explaining-his-doctrine-to-the-apostles-and-disciples-image348258389.htmlRM2B6GF3H–Christ proves his disciples that he is son of God Life of Christ (series title) Christ proves his disciples that he is son of God by their Father in heaven tonen. Manufacturer : printmaker Georg Pencz (listed building) in its design: Georg PenczPlaats manufacture: Germany Date: 1534 - 1535 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 40 mm × b 60 mm Subject: Christ explaining his doctrine to the apostles and disciples
Abraham and Isaac 1535-40 by Pieter Coecke Van Aelst Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abraham-and-isaac-1535-40-by-pieter-coecke-van-aelst-image573727406.htmlRM2T9BF4E–Abraham and Isaac 1535-40 by Pieter Coecke Van Aelst
Domenico Campagnola, Landscape with a Satyr, Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua), 1535–40, Pen and brown ink, touches of darker ink on the hut at center., 10 5/16 x 8 5/16 in. (26.2 x 21.1 cm), Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/domenico-campagnola-landscape-with-a-satyr-domenico-campagnola-italian-venice-15001564-padua-153540-pen-and-brown-ink-touches-of-darker-ink-on-the-hut-at-center-10-516-x-8-516-in-262-x-211-cm-drawings-image344665269.htmlRM2B0MT1W–Domenico Campagnola, Landscape with a Satyr, Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua), 1535–40, Pen and brown ink, touches of darker ink on the hut at center., 10 5/16 x 8 5/16 in. (26.2 x 21.1 cm), Drawings
Memorial shrine, to 40 martyrs killed (1535-1681) in England because of their catholic christian religion , Westminster Cathedral, London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memorial-shrine-to-40-martyrs-killed-1535-1681-in-england-because-of-their-catholic-christian-religion-westminster-cathedral-london-image519549706.htmlRM2N57EXJ–Memorial shrine, to 40 martyrs killed (1535-1681) in England because of their catholic christian religion , Westminster Cathedral, London.
Head of a beardless old man in profile to the right, Camillo Ballini (Italy, 1535/40 - 1592), drawing, red chalk, 11 x 8.3 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-beardless-old-man-in-profile-to-the-right-camillo-ballini-italy-153540-1592-drawing-red-chalk-11-x-83-cm-ll-duke-albert-of-saxe-teschen-image573300542.htmlRM2T8M2KA–Head of a beardless old man in profile to the right, Camillo Ballini (Italy, 1535/40 - 1592), drawing, red chalk, 11 x 8.3 cm, l.l. Duke Albert of Saxe-Teschen
Farquhar's 1910 garden annual . ; 1490 Mixed .30; 1495 Collection of 6 Varieties, separate, our selection, ... For Perennial Coreopsis see I^os. 6530-6540. CANDYTUFT. Iberis. Ifoot. Well-knowndwarf annuals, valuable for edgings and forcutting. 1525 Carmine. An attractive color. Oz., .50; 1530 Dark Crimson. A splendid dark shade. Oz., .30; 1535 Flesh Color. Fine delicate tint. .40; 1540 Rose Cardinal. Bright rosy cardinal; arich and striking color. Oz., 1.00;.J oz., .35 ; 1545 Giant White Perfection, a greatly improved strain of Giant White Candy-tuft producing immense spikes of pure whiteflowe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/farquhars-1910-garden-annual-1490-mixed-30-1495-collection-of-6-varieties-separate-our-selection-for-perennial-coreopsis-see-ios-6530-6540-candytuft-iberis-ifoot-well-knowndwarf-annuals-valuable-for-edgings-and-forcutting-1525-carmine-an-attractive-color-oz-50-1530-dark-crimson-a-splendid-dark-shade-oz-30-1535-flesh-color-fine-delicate-tint-40-1540-rose-cardinal-bright-rosy-cardinal-arich-and-striking-color-oz-100j-oz-35-1545-giant-white-perfection-a-greatly-improved-strain-of-giant-white-candy-tuft-producing-immense-spikes-of-pure-whiteflowe-image340278211.htmlRM2ANH097–Farquhar's 1910 garden annual . ; 1490 Mixed .30; 1495 Collection of 6 Varieties, separate, our selection, ... For Perennial Coreopsis see I^os. 6530-6540. CANDYTUFT. Iberis. Ifoot. Well-knowndwarf annuals, valuable for edgings and forcutting. 1525 Carmine. An attractive color. Oz., .50; 1530 Dark Crimson. A splendid dark shade. Oz., .30; 1535 Flesh Color. Fine delicate tint. .40; 1540 Rose Cardinal. Bright rosy cardinal; arich and striking color. Oz., 1.00;.J oz., .35 ; 1545 Giant White Perfection, a greatly improved strain of Giant White Candy-tuft producing immense spikes of pure whiteflowe
St. Catherine of Alexandria, Antonello Gagini, Italian, 1478–1536, Antonio Gagini, Italian, 1514–1574, c.1535–40, Marble with traces of polychrome, Made in Palermo, Sicily, Italy, Europe, Sculpture, 66 x 27 x 18 in. (167.6 x 68.6 x 45.7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-catherine-of-alexandria-antonello-gagini-italian-14781536-antonio-gagini-italian-15141574-c153540-marble-with-traces-of-polychrome-made-in-palermo-sicily-italy-europe-sculpture-66-x-27-x-18-in-1676-x-686-x-457-cm-image454292882.htmlRM2HB2R5P–St. Catherine of Alexandria, Antonello Gagini, Italian, 1478–1536, Antonio Gagini, Italian, 1514–1574, c.1535–40, Marble with traces of polychrome, Made in Palermo, Sicily, Italy, Europe, Sculpture, 66 x 27 x 18 in. (167.6 x 68.6 x 45.7 cm
Landscape with a milkmaid at right and a boy at left. Artist: After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?-1576 Venice); Nicolò Boldrini (Italian, Vicenza ca. 1500-after 1566 Venice). Dimensions: Sheet: 14 7/16 × 20 11/16 in. (36.7 × 52.5 cm). Date: ca. 1535-40. Museum: Metropolitan Museum of Art, New York, USA. Author: After Titian (Tiziano Vecellio). Nicolò Boldrini. Niccolò Boldrini after Titian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-a-milkmaid-at-right-and-a-boy-at-left-artist-after-titian-tiziano-vecellio-italian-pieve-di-cadore-ca-148590-1576-venice-nicol-boldrini-italian-vicenza-ca-1500-after-1566-venice-dimensions-sheet-14-716-20-1116-in-367-525-cm-date-ca-1535-40-museum-metropolitan-museum-of-art-new-york-usa-author-after-titian-tiziano-vecellio-nicol-boldrini-niccol-boldrini-after-titian-image225417167.htmlRMR2MHW3–Landscape with a milkmaid at right and a boy at left. Artist: After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?-1576 Venice); Nicolò Boldrini (Italian, Vicenza ca. 1500-after 1566 Venice). Dimensions: Sheet: 14 7/16 × 20 11/16 in. (36.7 × 52.5 cm). Date: ca. 1535-40. Museum: Metropolitan Museum of Art, New York, USA. Author: After Titian (Tiziano Vecellio). Nicolò Boldrini. Niccolò Boldrini after Titian.
Dish (coppa), perhaps workshop of Guido Durantino, ca. 1535–40 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dish-coppa-perhaps-workshop-of-guido-durantino-ca-153540-162557914.htmlRMKCD47P–Dish (coppa), perhaps workshop of Guido Durantino, ca. 1535–40
The Remuh Cemetery, also known as the Old Jewish Cemetery of Kraków, in Kraków (Cracow), Poland, is an inactive Jewish cemetery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-remuh-cemetery-also-known-as-the-old-jewish-cemetery-of-krakw-58342187.htmlRMDAWM1F–The Remuh Cemetery, also known as the Old Jewish Cemetery of Kraków, in Kraków (Cracow), Poland, is an inactive Jewish cemetery
. Sankt Gallener Abendmahlsretabel Teil der ehemaligen Retabelausstatung der St. Martinskirche, Meßkirch geöffneter Zustand. Mittelteil: Fußwaschung Petri durch Christus und letztes Abendmahl Flügelinnenseite links: Heiliger Antonius Abbas als Abt (Vater der Mönche) Flügelinnenseite rechts: Heiliger Konrad als Bischof von Konstanz Eingescannt aus: Anna Moraht-Fromm und Hans Westhoff: Der Meister von Meßkirch – Forschungen zur südwestdeutschen Malerei des 16. Jahrhunderts, Ulm, 1997, S. 134 . um 1535/40. Master of Messkirch (1500–1543) Description German painter Date of birth/death circ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sankt-gallener-abendmahlsretabel-teil-der-ehemaligen-retabelausstatung-der-st-martinskirche-mekirch-geffneter-zustand-mittelteil-fuwaschung-petri-durch-christus-und-letztes-abendmahl-flgelinnenseite-links-heiliger-antonius-abbas-als-abt-vater-der-mnche-flgelinnenseite-rechts-heiliger-konrad-als-bischof-von-konstanz-eingescannt-aus-anna-moraht-fromm-und-hans-westhoff-der-meister-von-mekirch-forschungen-zur-sdwestdeutschen-malerei-des-16-jahrhunderts-ulm-1997-s-134-um-153540-master-of-messkirch-15001543-description-german-painter-date-of-birthdeath-circ-image185593062.htmlRMMNXDRJ–. Sankt Gallener Abendmahlsretabel Teil der ehemaligen Retabelausstatung der St. Martinskirche, Meßkirch geöffneter Zustand. Mittelteil: Fußwaschung Petri durch Christus und letztes Abendmahl Flügelinnenseite links: Heiliger Antonius Abbas als Abt (Vater der Mönche) Flügelinnenseite rechts: Heiliger Konrad als Bischof von Konstanz Eingescannt aus: Anna Moraht-Fromm und Hans Westhoff: Der Meister von Meßkirch – Forschungen zur südwestdeutschen Malerei des 16. Jahrhunderts, Ulm, 1997, S. 134 . um 1535/40. Master of Messkirch (1500–1543) Description German painter Date of birth/death circ
Nushaba recognising Iskandar by his portrait. (Inscription: The gate of the afflicted ones through which God comes). Khamsa by Nizami. Herat, 1442 (manuscript), c.1535-40 (folio). Source: Add. 25900, f.245v. Language: Persian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nushaba-recognising-iskandar-by-his-portrait-inscription-the-gate-of-the-afflicted-ones-through-which-god-comes-khamsa-by-nizami-herat-1442-manuscript-c1535-40-folio-source-add-25900-f245v-language-persian-image231623590.htmlRMRCRA72–Nushaba recognising Iskandar by his portrait. (Inscription: The gate of the afflicted ones through which God comes). Khamsa by Nizami. Herat, 1442 (manuscript), c.1535-40 (folio). Source: Add. 25900, f.245v. Language: Persian.
Arcus in Provincia (Views of Ancient Roman Temples and Arches), 1535-40. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arcus-in-provincia-views-of-ancient-roman-temples-and-arches-1535-40-image469815070.htmlRM2J89WWJ–Arcus in Provincia (Views of Ancient Roman Temples and Arches), 1535-40.
Dish (coppa) ca. 1535–40 Italian, Castel Durante and Gubbio. Dish (coppa). Italian, Castel Durante and Gubbio. ca. 1535–40. Maiolica (tin-glazed earthenware). Ceramics-Pottery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dish-coppa-ca-153540-italian-castel-durante-and-gubbio-dish-coppa-italian-castel-durante-and-gubbio-ca-153540-maiolica-tin-glazed-earthenware-ceramics-pottery-image458465636.htmlRM2HHTWGM–Dish (coppa) ca. 1535–40 Italian, Castel Durante and Gubbio. Dish (coppa). Italian, Castel Durante and Gubbio. ca. 1535–40. Maiolica (tin-glazed earthenware). Ceramics-Pottery
Fingered Gauntlet for the Left Hand, c. 1535/40, Wolfgang Grosschedel, Southern German, Landshut, active 1551–1562, Landshut, Steel and leather, etched, L. 33.7 cm (13 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fingered-gauntlet-for-the-left-hand-c-153540-wolfgang-grosschedel-southern-german-landshut-active-15511562-landshut-steel-and-leather-etched-l-337-cm-13-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349732160.htmlRF2B8YJX8–Fingered Gauntlet for the Left Hand, c. 1535/40, Wolfgang Grosschedel, Southern German, Landshut, active 1551–1562, Landshut, Steel and leather, etched, L. 33.7 cm (13 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Renaissance cup with anti -coins; Schweiglin (Fl. Ca 1535-Ca 1540); 1535-40 (1535-00-00-1540-00-00);Roman denarios, coins, numismats, renaissance (style), purchase (provenance) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/renaissance-cup-with-anti-coins-schweiglin-fl-ca-1535-ca-1540-1535-40-1535-00-00-1540-00-00roman-denarios-coins-numismats-renaissance-style-purchase-provenance-image598824646.htmlRM2WP6PXE–Renaissance cup with anti -coins; Schweiglin (Fl. Ca 1535-Ca 1540); 1535-40 (1535-00-00-1540-00-00);Roman denarios, coins, numismats, renaissance (style), purchase (provenance)
Virgin and Child 1535-40 by Perino Del Vaga Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-and-child-1535-40-by-perino-del-vaga-image573572601.htmlRM2T94DKN–Virgin and Child 1535-40 by Perino Del Vaga
Bowl with A Lover Tied to a Tree ca. 1535–40 Italian, Faenza. Bowl with A Lover Tied to a Tree. Italian, Faenza. ca. 1535–40. Maiolica (tin-glazed earthenware). Ceramics-Pottery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-with-a-lover-tied-to-a-tree-ca-153540-italian-faenza-bowl-with-a-lover-tied-to-a-tree-italian-faenza-ca-153540-maiolica-tin-glazed-earthenware-ceramics-pottery-image458219050.htmlRM2HHDK22–Bowl with A Lover Tied to a Tree ca. 1535–40 Italian, Faenza. Bowl with A Lover Tied to a Tree. Italian, Faenza. ca. 1535–40. Maiolica (tin-glazed earthenware). Ceramics-Pottery
Three Marys at the empty tomb of Christ Life (series title) An angel tells the three Marys or holy women at the empty tomb of Christ is opgestaan. Manufacturer : printmaker Georg Pencz (listed building) in its design: Georg PenczPlaats manufacture: Germany Date: 1534 - 1535 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 40 mm × b 60 mm Subject: angel (s) addressing the holy women Resurrection of Christ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-marys-at-the-empty-tomb-of-christ-life-series-title-an-angel-tells-the-three-marys-or-holy-women-at-the-empty-tomb-of-christ-is-opgestaan-manufacturer-printmaker-georg-pencz-listed-building-in-its-design-georg-penczplaats-manufacture-germany-date-1534-1535-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-plate-edge-h-40-mm-b-60-mm-subject-angel-s-addressing-the-holy-women-resurrection-of-christ-image348315974.htmlRM2B6K4G6–Three Marys at the empty tomb of Christ Life (series title) An angel tells the three Marys or holy women at the empty tomb of Christ is opgestaan. Manufacturer : printmaker Georg Pencz (listed building) in its design: Georg PenczPlaats manufacture: Germany Date: 1534 - 1535 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 40 mm × b 60 mm Subject: angel (s) addressing the holy women Resurrection of Christ
Tazza with Ganymede and the eagle ca. 1535–40 Italian, Castel Durante with Gubbio luster. Tazza with Ganymede and the eagle. Italian, Castel Durante with Gubbio luster. ca. 1535–40. Maiolica (tin-glazed earthenware), lustered. Ceramics-Pottery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tazza-with-ganymede-and-the-eagle-ca-153540-italian-castel-durante-with-gubbio-luster-tazza-with-ganymede-and-the-eagle-italian-castel-durante-with-gubbio-luster-ca-153540-maiolica-tin-glazed-earthenware-lustered-ceramics-pottery-image458404440.htmlRM2HHP3F4–Tazza with Ganymede and the eagle ca. 1535–40 Italian, Castel Durante with Gubbio luster. Tazza with Ganymede and the eagle. Italian, Castel Durante with Gubbio luster. ca. 1535–40. Maiolica (tin-glazed earthenware), lustered. Ceramics-Pottery
Names of the 40 martyrs killed (1535-1681) in England because of their catholic christian religion -- on the ceiling at Westminster Cathedral. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/names-of-the-40-martyrs-killed-1535-1681-in-england-because-of-their-catholic-christian-religion-on-the-ceiling-at-westminster-cathedral-image519548857.htmlRM2N57DT9–Names of the 40 martyrs killed (1535-1681) in England because of their catholic christian religion -- on the ceiling at Westminster Cathedral.
Landscape with a Satyr 1535–40 Domenico Campagnola Italian. Landscape with a Satyr. Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua). 1535–40. Pen and brown ink, touches of darker ink on the hut at center.. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-a-satyr-153540-domenico-campagnola-italian-landscape-with-a-satyr-domenico-campagnola-italian-venice-15001564-padua-153540-pen-and-brown-ink-touches-of-darker-ink-on-the-hut-at-center-drawings-image457892276.htmlRM2HGXP7G–Landscape with a Satyr 1535–40 Domenico Campagnola Italian. Landscape with a Satyr. Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua). 1535–40. Pen and brown ink, touches of darker ink on the hut at center.. Drawings
Anne de Pisseleu (1508-1576), Duchesse d'Étampes. Artist: Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533-died 1575 Lyons). Dimensions: 7 x 5 5/8 in. (17.8 x 14.3 cm). Date: ca. 1535-40. Renowned for her brilliance and beauty, Anne de Pisseleu was the mistress of Francis I. She was introduced to the king at court in 1526 when she was seventeen. After his death in 1547, she was dismissed from court by the mistress of the succeeding king (Henry II), and died in obscurity. Here she wears a gold necklace and a pendant with her initial 'A' and a pearl. Museum: Metropoli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anne-de-pisseleu-1508-1576-duchesse-dtampes-artist-attributed-to-corneille-de-lyon-netherlandish-the-hague-active-by-1533-died-1575-lyons-dimensions-7-x-5-58-in-178-x-143-cm-date-ca-1535-40-renowned-for-her-brilliance-and-beauty-anne-de-pisseleu-was-the-mistress-of-francis-i-she-was-introduced-to-the-king-at-court-in-1526-when-she-was-seventeen-after-his-death-in-1547-she-was-dismissed-from-court-by-the-mistress-of-the-succeeding-king-henry-ii-and-died-in-obscurity-here-she-wears-a-gold-necklace-and-a-pendant-with-her-initial-a-and-a-pearl-museum-metropoli-image213150764.htmlRMPANRY8–Anne de Pisseleu (1508-1576), Duchesse d'Étampes. Artist: Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533-died 1575 Lyons). Dimensions: 7 x 5 5/8 in. (17.8 x 14.3 cm). Date: ca. 1535-40. Renowned for her brilliance and beauty, Anne de Pisseleu was the mistress of Francis I. She was introduced to the king at court in 1526 when she was seventeen. After his death in 1547, she was dismissed from court by the mistress of the succeeding king (Henry II), and died in obscurity. Here she wears a gold necklace and a pendant with her initial 'A' and a pearl. Museum: Metropoli
Landscape with a milkmaid at right and a boy at left, Nicolò Boldrini, ca. 1535–40 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-landscape-with-a-milkmaid-at-right-and-a-boy-at-left-nicol-boldrini-162552005.htmlRMKCCTMN–Landscape with a milkmaid at right and a boy at left, Nicolò Boldrini, ca. 1535–40
An analytical Chinese-English dictionary . 07 ( 606) JJS 320532554095 jtj| 4222| 43491286259257845951 ffl 3032i| 3631 tm 5880IS 5149J8 3918^4228JB 4717 3130 132 -f 5571tF 739 1—6 JL 2967^ 5977^ 5682^f 5573^ 1535 ^ 4337dK 5574347Jffi 2980j£ 367539141603 40 **-> 3729 2—5 ^ 10955£ 4447 RADICAL B 3070±£> 3711^fe 4035^ 5011Js* 5259 ^ 5628% 5782 6—10 1§i8n ^ 400;g 2828^ 4819j|[ 2284 ^ej 2698JH 280^ 1601^ 61129492092|p 5429J| 2521;§f 2648 W 36°S 2879 -ST. -3712 400J|| 2575 2221 % 5944 | l§ 1607#£ 3659 3885 % 4820 I!! 5915 is? JHj 517 4035 3884 4579 3t 876 11—17 ^ 84HI 10012353Jb 3022!H 3348j|g Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-analytical-chinese-english-dictionary-07-606-jjs-320532554095-jtj-4222-43491286259257845951-ffl-3032i-3631-tm-5880is-5149j8-39184228jb-4717-3130-132-f-5571tf-739-16-jl-2967-5977-5682f-5573-1535-4337dk-5574347jffi-2980j-367539141603-40-gt-3729-25-10955-4447-radical-b-3070gt-3711fe-4035-5011js-5259-5628-5782-610-1i8n-400g-2828-4819j-2284-ej-2698jh-280-1601-61129492092p-5429j-2521f-2648-w-36s-2879-st-3712-400j-2575-2221-5944-l-1607-3659-3885-4820-i!!-5915-is-jhj-517-4035-3884-4579-3t-876-1117-84hi-10012353jb-3022!h-3348jg-image338160702.htmlRM2AJ4FBX–An analytical Chinese-English dictionary . 07 ( 606) JJS 320532554095 jtj| 4222| 43491286259257845951 ffl 3032i| 3631 tm 5880IS 5149J8 3918^4228JB 4717 3130 132 -f 5571tF 739 1—6 JL 2967^ 5977^ 5682^f 5573^ 1535 ^ 4337dK 5574347Jffi 2980j£ 367539141603 40 **-> 3729 2—5 ^ 10955£ 4447 RADICAL B 3070±£> 3711^fe 4035^ 5011Js* 5259 ^ 5628% 5782 6—10 1§i8n ^ 400;g 2828^ 4819j|[ 2284 ^ej 2698JH 280^ 1601^ 61129492092|p 5429J| 2521;§f 2648 W 36°S 2879 -ST. -3712 400J|| 2575 2221 % 5944 | l§ 1607#£ 3659 3885 % 4820 I!! 5915 is? JHj 517 4035 3884 4579 3t 876 11—17 ^ 84HI 10012353Jb 3022!H 3348j|g
. Sankt Gallener Versuchungsretabel Teil der ehemaligen Retabelausstatung der St. Martinskirche, Meßkirch geöffneter Zustand Mittelteil: Versuchung und Taufe Christi linker Innenflügel: Heiliger Erasmus von Formio als Bischof rechter Innenflügel: Heiliger Valentin von Rätien als Bischof Eingescannt aus: Anna Moraht-Fromm und Hans Westhoff: Der Meister von Meßkirch – Forschungen zur südwestdeutschen Malerei des 16. Jahrhunderts, Ulm, 1997, S. 130 . um 1535/40. Master of Messkirch (1500–1543) Description German painter Date of birth/death circa 1500 circa 1543 Work location Messkirch A Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sankt-gallener-versuchungsretabel-teil-der-ehemaligen-retabelausstatung-der-st-martinskirche-mekirch-geffneter-zustand-mittelteil-versuchung-und-taufe-christi-linker-innenflgel-heiliger-erasmus-von-formio-als-bischof-rechter-innenflgel-heiliger-valentin-von-rtien-als-bischof-eingescannt-aus-anna-moraht-fromm-und-hans-westhoff-der-meister-von-mekirch-forschungen-zur-sdwestdeutschen-malerei-des-16-jahrhunderts-ulm-1997-s-130-um-153540-master-of-messkirch-15001543-description-german-painter-date-of-birthdeath-circa-1500-circa-1543-work-location-messkirch-a-image185593064.htmlRMMNXDRM–. Sankt Gallener Versuchungsretabel Teil der ehemaligen Retabelausstatung der St. Martinskirche, Meßkirch geöffneter Zustand Mittelteil: Versuchung und Taufe Christi linker Innenflügel: Heiliger Erasmus von Formio als Bischof rechter Innenflügel: Heiliger Valentin von Rätien als Bischof Eingescannt aus: Anna Moraht-Fromm und Hans Westhoff: Der Meister von Meßkirch – Forschungen zur südwestdeutschen Malerei des 16. Jahrhunderts, Ulm, 1997, S. 130 . um 1535/40. Master of Messkirch (1500–1543) Description German painter Date of birth/death circa 1500 circa 1543 Work location Messkirch A
Portrait of a Man with a Black-Plumed Hat, Attributed to Corneille de Lyon, ca. 1535–40 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-portrait-of-a-man-with-a-black-plumed-hat-attributed-to-corneille-162537584.htmlRMKCC69M–Portrait of a Man with a Black-Plumed Hat, Attributed to Corneille de Lyon, ca. 1535–40
The Remuh Cemetery, also known as the Old Jewish Cemetery of Kraków, in Kraków (Cracow), Poland, is an inactive Jewish cemetery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-remuh-cemetery-also-known-as-the-old-jewish-cemetery-of-krakw-58342529.htmlRMDAWMDN–The Remuh Cemetery, also known as the Old Jewish Cemetery of Kraków, in Kraków (Cracow), Poland, is an inactive Jewish cemetery
Templum Iovis Ultoris (Views of Ancient Roman Temples and Arches), 1535-40. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/templum-iovis-ultoris-views-of-ancient-roman-temples-and-arches-1535-40-image469815086.htmlRM2J89WX6–Templum Iovis Ultoris (Views of Ancient Roman Temples and Arches), 1535-40.
Female Heads, 1535/40, Attributed to Parmigianino, Italian, 1503-1540, Italy, Pen and brown ink with traces of black chalk, on buff laid paper, laid down on ivory laid paper, tipped onto board, 108 x 88 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/female-heads-153540-attributed-to-parmigianino-italian-1503-1540-italy-pen-and-brown-ink-with-traces-of-black-chalk-on-buff-laid-paper-laid-down-on-ivory-laid-paper-tipped-onto-board-108-x-88-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349685149.htmlRF2B8WEY9–Female Heads, 1535/40, Attributed to Parmigianino, Italian, 1503-1540, Italy, Pen and brown ink with traces of black chalk, on buff laid paper, laid down on ivory laid paper, tipped onto board, 108 x 88 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Christ Blessing the Children (detail) 1535-40 by Lucas The Elder Cranach Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-blessing-the-children-detail-1535-40-by-lucas-the-elder-cranach-image574182155.htmlRM2TA475F–Christ Blessing the Children (detail) 1535-40 by Lucas The Elder Cranach
Art inspired by 明, 王穉登, 行草書山水窟殘稿, 冊頁, Fragment of a Manuscript, Ming dynasty (1368–1644), China, Album leaf; ink on ruled paper, Image: 9 5/8 x 15 13/16 in. (24.4 x 40.2 cm), Calligraphy, Wang Zhideng (Chinese, 1535–1612), Like many talented men, Wang Zhideng failed to gain an official, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fragment-of-a-manuscript-ming-dynasty-13681644-china-album-leaf-ink-on-ruled-paper-image-9-58-x-15-1316-in-244-x-402-cm-calligraphy-wang-zhideng-chinese-15351612-like-many-talented-men-wang-zhideng-failed-to-gain-an-official-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910942.htmlRF2HW3BHJ–Art inspired by 明, 王穉登, 行草書山水窟殘稿, 冊頁, Fragment of a Manuscript, Ming dynasty (1368–1644), China, Album leaf; ink on ruled paper, Image: 9 5/8 x 15 13/16 in. (24.4 x 40.2 cm), Calligraphy, Wang Zhideng (Chinese, 1535–1612), Like many talented men, Wang Zhideng failed to gain an official, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Intocht van Christus in Jeruzalem Leven van Christus (serietitel) Entry of Christ into Jerusalem Life of Christ (series title) Property Type: print Serial number: 16 / 26Objectnummer: RP-P-OB-11.006Catalogusreferentie: Bartsch 44Hollstein German 57 Inscriptions / Brands: collector's mark, verso left, stamped: Lugt 240 Manufacturer : print maker: Georg Pencz (indicated on object), at its design: Georg PenczPlaats manufacture: Germany Date: 1534 - 1535 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 40 mm × b 60 mm Subject: entry in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/intocht-van-christus-in-jeruzalem-leven-van-christus-serietitel-entry-of-christ-into-jerusalem-life-of-christ-series-title-property-type-print-serial-number-16-26objectnummer-rp-p-ob-11006catalogusreferentie-bartsch-44hollstein-german-57-inscriptions-brands-collectors-mark-verso-left-stamped-lugt-240-manufacturer-print-maker-georg-pencz-indicated-on-object-at-its-design-georg-penczplaats-manufacture-germany-date-1534-1535-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-plate-edge-h-40-mm-b-60-mm-subject-entry-in-image348456761.htmlRM2B6WG49–Intocht van Christus in Jeruzalem Leven van Christus (serietitel) Entry of Christ into Jerusalem Life of Christ (series title) Property Type: print Serial number: 16 / 26Objectnummer: RP-P-OB-11.006Catalogusreferentie: Bartsch 44Hollstein German 57 Inscriptions / Brands: collector's mark, verso left, stamped: Lugt 240 Manufacturer : print maker: Georg Pencz (indicated on object), at its design: Georg PenczPlaats manufacture: Germany Date: 1534 - 1535 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 40 mm × b 60 mm Subject: entry in
Portrait of David Jorisz, Glass Painter in Delft, Fanatic Anabaptist, after 1544 in Basel, Portrait of David Jorisz (1501-56). Glass painter in Delft, later the leader of the Anabaptists between 1535-40 and afterwards of Davidjorism. Since 1544 in Basel. Bust in oval with beret, top right the family crest. Later copy to an original from ca. 1550, Basel, David Jorisz., anonymous (copy after), Nederlanden, c. 1550 and/or 1600 - 1649, panel, oil paint (paint), h 36 cm × w 28 cm d 4.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinve Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-david-jorisz-glass-painter-in-delft-fanatic-anabaptist-after-1544-in-basel-portrait-of-david-jorisz-1501-56-glass-painter-in-delft-later-the-leader-of-the-anabaptists-between-1535-40-and-afterwards-of-davidjorism-since-1544-in-basel-bust-in-oval-with-beret-top-right-the-family-crest-later-copy-to-an-original-from-ca-1550-basel-david-jorisz-anonymous-copy-after-nederlanden-c-1550-andor-1600-1649-panel-oil-paint-paint-h-36-cm-w-28-cm-d-45-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinve-image350017720.htmlRF2B9CK4T–Portrait of David Jorisz, Glass Painter in Delft, Fanatic Anabaptist, after 1544 in Basel, Portrait of David Jorisz (1501-56). Glass painter in Delft, later the leader of the Anabaptists between 1535-40 and afterwards of Davidjorism. Since 1544 in Basel. Bust in oval with beret, top right the family crest. Later copy to an original from ca. 1550, Basel, David Jorisz., anonymous (copy after), Nederlanden, c. 1550 and/or 1600 - 1649, panel, oil paint (paint), h 36 cm × w 28 cm d 4.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinve
Sepulchrum Adriani (Views of Ancient Roman Temples and Arches) 1535–40 Anonymous, Italian, 16th century Half view of Hadrian's Tomb.. Sepulchrum Adriani (Views of Ancient Roman Temples and Arches). Anonymous, Italian, 16th century. 1535–40. Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sepulchrum-adriani-views-of-ancient-roman-temples-and-arches-153540-anonymous-italian-16th-century-half-view-of-hadrians-tomb-sepulchrum-adriani-views-of-ancient-roman-temples-and-arches-anonymous-italian-16th-century-153540-engraving-image457911358.htmlRM2HGYJH2–Sepulchrum Adriani (Views of Ancient Roman Temples and Arches) 1535–40 Anonymous, Italian, 16th century Half view of Hadrian's Tomb.. Sepulchrum Adriani (Views of Ancient Roman Temples and Arches). Anonymous, Italian, 16th century. 1535–40. Engraving
Marco Cardisco (1486-1542). Italian painer. Dormition of the Mother of God. Oil on the table. 1535-40. Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marco-cardisco-1486-1542-italian-painer-dormition-of-the-mother-of-god-oil-on-the-table-1535-40-museum-of-capodimonte-naples-italy-image220244149.htmlRMPP8YJD–Marco Cardisco (1486-1542). Italian painer. Dormition of the Mother of God. Oil on the table. 1535-40. Museum of Capodimonte. Naples. Italy.
Large Dish with Artichokes, c. 1535–40. Turkey, Iznik, Ottoman period (1299–1922). Fritware with underglaze-painted design; diameter: 36.4 cm (14 5/16 in.); overall: 6.9 cm (2 11/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/large-dish-with-artichokes-c-153540-turkey-iznik-ottoman-period-12991922-fritware-with-underglaze-painted-design-diameter-364-cm-14-516-in-overall-69-cm-2-1116-in-image448097401.htmlRM2H10GPH–Large Dish with Artichokes, c. 1535–40. Turkey, Iznik, Ottoman period (1299–1922). Fritware with underglaze-painted design; diameter: 36.4 cm (14 5/16 in.); overall: 6.9 cm (2 11/16 in.).
![Report . ] 23 43 241 531 19 47i 17! 36 32i 61 13i 31 10 47 321 61141 491153710122190 2518262318 27235517273153...I 7313 23161 3024 5016| 3531 i 7019 50251 5961 48...I 69131 5629! 59211 52 4630475540 3313l| 1535 16113371225414212 4842 34 56 23; 45 30! 53 24i 42 2643 2718! 2718| 2634: 4921 39 222148172533516522 181 30 23 43 20: 38 39; 65 32 j 44 37 52 29i 42 44j 63 26: 42 351 53 251 40 301 33 191 26 27! 35 361 50 23 32 27|.29 .37|.24.28.25.141.23.11.14:.131.27|.161392510152532411220152326202324352130181914132016 Annual Report of the State Board of Education. 279WICOMICO COUNTY SCHOOL STATISTICS. Stock Photo](https://c8.alamy.com/comp/2AWNW0E/report-23-43-241-531-19-47i-17!-36-32i-61-13i-31-10-47-321-61141-491153710122190-2518262318-27235517273153i-7313-23161-3024-5016-3531-i-7019-50251-5961-48i-69131-5629!-59211-52-4630475540-3313l-1535-16113371225414212-4842-34-56-23-45-30!-53-24i-42-2643-2718!-2718-2634-4921-39-222148172533516522-181-30-23-43-20-38-39-65-32-j-44-37-52-29i-42-44j-63-26-42-351-53-251-40-301-33-191-26-27!-35-361-50-23-32-2729-3724282514123111413127161392510152532411220152326202324352130181914132016-annual-report-of-the-state-board-of-education-279wicomico-county-school-statistics-2AWNW0E.jpg "Report . ] 23 43 241 531 19 47i 17! 36 32i 61 13i 31 10 47 321 61141 491153710122190 2518262318 27235517273153...I 7313 23161 3024 5016| 3531 i 7019 50251 5961 48...I 69131 5629! 59211 52 4630475540 3313l| 1535 16113371225414212 4842 34 56 23; 45 30! 53 24i 42 2643 2718! 2718| 2634: 4921 39 222148172533516522 181 30 23 43 20: 38 39; 65 32 j 44 37 52 29i 42 44j 63 26: 42 351 53 251 40 301 33 191 26 27! 35 361 50 23 32 27|.29 .37|.24.28.25.141.23.11.14:.131.27|.161392510152532411220152326202324352130181914132016 Annual Report of the State Board of Education. 279WICOMICO COUNTY SCHOOL STATISTICS. Stock Photo")
Report . ] 23 43 241 531 19 47i 17! 36 32i 61 13i 31 10 47 321 61141 491153710122190 2518262318 27235517273153...I 7313 23161 3024 5016| 3531 i 7019 50251 5961 48...I 69131 5629! 59211 52 4630475540 3313l| 1535 16113371225414212 4842 34 56 23; 45 30! 53 24i 42 2643 2718! 2718| 2634: 4921 39 222148172533516522 181 30 23 43 20: 38 39; 65 32 j 44 37 52 29i 42 44j 63 26: 42 351 53 251 40 301 33 191 26 27! 35 361 50 23 32 27|.29 .37|.24.28.25.141.23.11.14:.131.27|.161392510152532411220152326202324352130181914132016 Annual Report of the State Board of Education. 279WICOMICO COUNTY SCHOOL STATISTICS. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/report-23-43-241-531-19-47i-17!-36-32i-61-13i-31-10-47-321-61141-491153710122190-2518262318-27235517273153i-7313-23161-3024-5016-3531-i-7019-50251-5961-48i-69131-5629!-59211-52-4630475540-3313l-1535-16113371225414212-4842-34-56-23-45-30!-53-24i-42-2643-2718!-2718-2634-4921-39-222148172533516522-181-30-23-43-20-38-39-65-32-j-44-37-52-29i-42-44j-63-26-42-351-53-251-40-301-33-191-26-27!-35-361-50-23-32-2729-3724282514123111413127161392510152532411220152326202324352130181914132016-annual-report-of-the-state-board-of-education-279wicomico-county-school-statistics-image342843998.htmlRM2AWNW0E–Report . ] 23 43 241 531 19 47i 17! 36 32i 61 13i 31 10 47 321 61141 491153710122190 2518262318 27235517273153...I 7313 23161 3024 5016| 3531 i 7019 50251 5961 48...I 69131 5629! 59211 52 4630475540 3313l| 1535 16113371225414212 4842 34 56 23; 45 30! 53 24i 42 2643 2718! 2718| 2634: 4921 39 222148172533516522 181 30 23 43 20: 38 39; 65 32 j 44 37 52 29i 42 44j 63 26: 42 351 53 251 40 301 33 191 26 27! 35 361 50 23 32 27|.29 .37|.24.28.25.141.23.11.14:.131.27|.161392510152532411220152326202324352130181914132016 Annual Report of the State Board of Education. 279WICOMICO COUNTY SCHOOL STATISTICS.
. Nebenaltäre, Mittelstücke, ehemals in der St. Martinskirche in Meßkirch Kreuztragung Christi, im Hintergrund Handwaschung Pilati Eingescannt aus: Anna Moraht-Fromm und Hans Westhoff: Der Meister von Meßkirch – Forschungen zur südwestdeutschen Malerei des 16. Jahrhunderts, Ulm, 1997, S. 150 . um 1535/40. Master of Messkirch (1500–1543) Description German painter Date of birth/death circa 1500 circa 1543 Work location Messkirch Authority control : Q568760 VIAF: 4843738 ISNI: 0000 0000 9586 1583 ULAN: 500124279 LCCN: nr98024038 GND: 11936929X WorldCat 775 Kreuztragung Christi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nebenaltre-mittelstcke-ehemals-in-der-st-martinskirche-in-mekirch-kreuztragung-christi-im-hintergrund-handwaschung-pilati-eingescannt-aus-anna-moraht-fromm-und-hans-westhoff-der-meister-von-mekirch-forschungen-zur-sdwestdeutschen-malerei-des-16-jahrhunderts-ulm-1997-s-150-um-153540-master-of-messkirch-15001543-description-german-painter-date-of-birthdeath-circa-1500-circa-1543-work-location-messkirch-authority-control-q568760-viaf4843738-isni0000-0000-9586-1583-ulan500124279-lccnnr98024038-gnd11936929x-worldcat-775-kreuztragung-christi-image185821648.htmlRMMP8WBC–. Nebenaltäre, Mittelstücke, ehemals in der St. Martinskirche in Meßkirch Kreuztragung Christi, im Hintergrund Handwaschung Pilati Eingescannt aus: Anna Moraht-Fromm und Hans Westhoff: Der Meister von Meßkirch – Forschungen zur südwestdeutschen Malerei des 16. Jahrhunderts, Ulm, 1997, S. 150 . um 1535/40. Master of Messkirch (1500–1543) Description German painter Date of birth/death circa 1500 circa 1543 Work location Messkirch Authority control : Q568760 VIAF: 4843738 ISNI: 0000 0000 9586 1583 ULAN: 500124279 LCCN: nr98024038 GND: 11936929X WorldCat 775 Kreuztragung Christi
Anne de Pisseleu (1508–1576), Duchesse d'Étampes, Attributed to Corneille de Lyon, ca. 1535–40 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-anne-de-pisseleu-15081576-duchesse-dtampes-attributed-to-corneille-162387223.htmlRMKC5AFK–Anne de Pisseleu (1508–1576), Duchesse d'Étampes, Attributed to Corneille de Lyon, ca. 1535–40
Mercurii Templum (Views of Ancient Roman Temples and Arches) 1535–40 Anonymous, Italian, 16th century Half view of a temple dedicated to Mercury.. Mercurii Templum (Views of Ancient Roman Temples and Arches). Anonymous, Italian, 16th century. 1535–40. Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mercurii-templum-views-of-ancient-roman-temples-and-arches-153540-anonymous-italian-16th-century-half-view-of-a-temple-dedicated-to-mercury-mercurii-templum-views-of-ancient-roman-temples-and-arches-anonymous-italian-16th-century-153540-engraving-image458115812.htmlRM2HH8YB0–Mercurii Templum (Views of Ancient Roman Temples and Arches) 1535–40 Anonymous, Italian, 16th century Half view of a temple dedicated to Mercury.. Mercurii Templum (Views of Ancient Roman Temples and Arches). Anonymous, Italian, 16th century. 1535–40. Engraving
Armor for Man and Horse Presumably Made for Baron Pankraz von Freyberg (1508–1565), man's armor, ca. 1535–40; horse armor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armor-for-man-and-horse-presumably-made-for-baron-pankraz-von-freyberg-162536705.htmlRMKCC569–Armor for Man and Horse Presumably Made for Baron Pankraz von Freyberg (1508–1565), man's armor, ca. 1535–40; horse armor
Arcus Vespasiani (Views of Ancient Roman Temples and Arches) 1535–40 Anonymous, Italian, 16th century Half view of a triumphal arch dedicated to the Vespasian, at left.. Arcus Vespasiani (Views of Ancient Roman Temples and Arches). Anonymous, Italian, 16th century. 1535–40. Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arcus-vespasiani-views-of-ancient-roman-temples-and-arches-153540-anonymous-italian-16th-century-half-view-of-a-triumphal-arch-dedicated-to-the-vespasian-at-left-arcus-vespasiani-views-of-ancient-roman-temples-and-arches-anonymous-italian-16th-century-153540-engraving-image457911354.htmlRM2HGYJGX–Arcus Vespasiani (Views of Ancient Roman Temples and Arches) 1535–40 Anonymous, Italian, 16th century Half view of a triumphal arch dedicated to the Vespasian, at left.. Arcus Vespasiani (Views of Ancient Roman Temples and Arches). Anonymous, Italian, 16th century. 1535–40. Engraving
Search Results for 1535 40 Stock Photos and Images (222)
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