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1532 1603 Stock Photos and Images
Maarten de Vos (Flemish, 1532 - 1603), A Roman Triumph, pen and brown ink with brown and gray wash' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maarten-de-vos-flemish-1532-1603-a-roman-triumph-pen-and-brown-ink-77435512.htmlRMEDYDP0–Maarten de Vos (Flemish, 1532 - 1603), A Roman Triumph, pen and brown ink with brown and gray wash'
Art inspired by Drawings and Prints, Print, Labor, Artist, After, Maerten de Vos, Raphael Sadeler I, Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-labor-artist-after-maerten-de-vos-raphael-sadeler-i-netherlandish-antwerp-15321603-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463066549.htmlRF2HWAE31–Art inspired by Drawings and Prints, Print, Labor, Artist, After, Maerten de Vos, Raphael Sadeler I, Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Allegory of Peace and Justice. Artist: Vos, Maerten, de (1532-1603) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-peace-and-justice-artist-vos-maerten-de-1532-1603-image60116455.htmlRMDDPF47–Allegory of Peace and Justice. Artist: Vos, Maerten, de (1532-1603)
. The Last Judgment . 1570. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF: 88877213 ISNI: 0000 0001 2102 9361 ULAN: 500029816 LCCN: n81032181 WGA: VOS, Marten de WorldCat 750 Juicio Final Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-last-judgment-1570-maerten-de-vos-15321603-alternative-names-maarten-de-vos-marten-de-vos-description-flemish-painter-and-drawer-date-of-birthdeath-1532-4-december-1603-location-of-birthdeath-antwerp-antwerp-work-period-between-circa-1550-and-circa-1603-work-location-rome-circa-1550-1558-antwerp-1558-1603-authority-control-q555022-viaf88877213-isni0000-0001-2102-9361-ulan500029816-lccnn81032181-wgavos-marten-de-worldcat-750-juicio-final-image185817063.htmlRMMP8KFK–. The Last Judgment . 1570. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF: 88877213 ISNI: 0000 0001 2102 9361 ULAN: 500029816 LCCN: n81032181 WGA: VOS, Marten de WorldCat 750 Juicio Final
The Pride of Women: Ruffs. Artist: Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Culture: Dutch. Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pride-of-women-ruffs-artist-maerten-de-vos-netherlandish-antwerp-1532-1603-antwerp-culture-dutch-date-ca-1600-museum-metropolitan-museum-of-art-new-york-usa-image213303684.htmlRMPB0R0M–The Pride of Women: Ruffs. Artist: Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Culture: Dutch. Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA.
Farewell Rebekah her family 1563 Marten ( Martin ) de Vos 1532 - 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-farewell-rebekah-her-family-1563-marten-martin-de-vos-1532-1603-flemish-95736191.htmlRMFFN4DK–Farewell Rebekah her family 1563 Marten ( Martin ) de Vos 1532 - 1603 Flemish Belgian Belgium
The Last Supper by Maerten de Vos (1532-1603), oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-last-supper-by-maerten-de-vos-1532-1603-oil-on-canvas-image435537024.htmlRM2G8GBWM–The Last Supper by Maerten de Vos (1532-1603), oil on canvas
A young woman, perhaps Prudentia,alchemist , alchimista, alchimia, alchemy,dangers of abusing fire: in the background fires rage in buildings and mines. Oil painting after Marten de Vos. Vos, Maarten de, 1532-1603. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-young-woman-perhaps-prudentiaalchemist-alchimista-alchimia-alchemydangers-of-abusing-fire-in-the-background-fires-rage-in-buildings-and-mines-oil-painting-after-marten-de-vos-vos-maarten-de-1532-1603-image607445662.htmlRM2X87F3X–A young woman, perhaps Prudentia,alchemist , alchimista, alchimia, alchemy,dangers of abusing fire: in the background fires rage in buildings and mines. Oil painting after Marten de Vos. Vos, Maarten de, 1532-1603.
Maerten de Vos (1531 of 1532 - 1603) - Verzoeking van de heilige Antonius 28-02-2010 14-03-13kopie. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maerten-de-vos-1531-of-1532-1603-verzoeking-van-de-heilige-antonius-28-02-2010-14-03-13kopie-image387134905.htmlRM2DDREEH–Maerten de Vos (1531 of 1532 - 1603) - Verzoeking van de heilige Antonius 28-02-2010 14-03-13kopie.
Kmska Maerten de Vos (1531 of 1532 - 1603) - Verzoeking van de heilige Antonius 28-02-2010 14-03-13kopie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kmska-maerten-de-vos-1531-of-1532-1603-verzoeking-van-de-heilige-antonius-132844488.htmlRMHM3GE0–Kmska Maerten de Vos (1531 of 1532 - 1603) - Verzoeking van de heilige Antonius 28-02-2010 14-03-13kopie
Maarten de Vos (Flemish, 1532-1603) - Adoration of the Magi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maarten-de-vos-flemish-1532-1603-adoration-of-the-magi-image397784214.htmlRM2E34HR2–Maarten de Vos (Flemish, 1532-1603) - Adoration of the Magi
1592 , BELGIUM : The belgian flamish painter MAARTEN DE VOS ( 1532 - 1603 ) in Rome , Italy. Portrait from a work by J.J. Heinz the young , engrav Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1592-belgium-the-belgian-flamish-painter-maarten-de-vos-1532-1603-in-rome-italy-portrait-from-a-work-by-jj-heinz-the-young-engrav-image342430590.htmlRM2AW31KX–1592 , BELGIUM : The belgian flamish painter MAARTEN DE VOS ( 1532 - 1603 ) in Rome , Italy. Portrait from a work by J.J. Heinz the young , engrav
The Marriage at Cana 1596-1597, Oil on panel by Martin de Vos (1532 - 1603), Flemish painter. The transformation of water into wine at the Marriage at Cana or Wedding at Cana is the first miracle attributed to Jesus in the Gospel of John. In the Gospel account, Jesus, his mother and his disciples are invited to a wedding, and when the wine runs out, Jesus delivers a sign of his glory by turning water into wine. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marriage-at-cana-1596-1597-oil-on-panel-by-martin-de-vos-1532-1603-flemish-painter-the-transformation-of-water-into-wine-at-the-marriage-at-cana-or-wedding-at-cana-is-the-first-miracle-attributed-to-jesus-in-the-gospel-of-john-in-the-gospel-account-jesus-his-mother-and-his-disciples-are-invited-to-a-wedding-and-when-the-wine-runs-out-jesus-delivers-a-sign-of-his-glory-by-turning-water-into-wine-image235175905.htmlRMRJH57D–The Marriage at Cana 1596-1597, Oil on panel by Martin de Vos (1532 - 1603), Flemish painter. The transformation of water into wine at the Marriage at Cana or Wedding at Cana is the first miracle attributed to Jesus in the Gospel of John. In the Gospel account, Jesus, his mother and his disciples are invited to a wedding, and when the wine runs out, Jesus delivers a sign of his glory by turning water into wine.
fine arts, Marten de Vos (1532 - 1603), print, copper engraving, 'Februarius' (February), diameter 12 cm, private collection, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-marten-de-vos-1532-1603-print-copper-engraving-februarius-111302962.htmlRMGD281P–fine arts, Marten de Vos (1532 - 1603), print, copper engraving, 'Februarius' (February), diameter 12 cm, private collection, Artist's Copyright has not to be cleared
Maarten de Vos (1532-1603). Flemish painter. The Descent from the Cross. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maarten-de-vos-1532-1603-flemish-painter-the-descent-from-the-cross-san-fernando-royal-academy-of-fine-arts-madrid-spain-image328172348.htmlRM2A1WF50–Maarten de Vos (1532-1603). Flemish painter. The Descent from the Cross. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
superstition, hell, pain and agonies, woodcut by Martin de Voss (um 1532 - 1603), detail, 16th century, fine arts, fire, agony, religion, historic, historical, punishment, purgatory, woman, man, sinner, sinners, mortal sin, deadly sins, lust, demon, people, women, female, men, male, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-superstition-hell-pain-and-agonies-woodcut-by-martin-de-voss-um-1532-47872834.htmlRMCNTP82–superstition, hell, pain and agonies, woodcut by Martin de Voss (um 1532 - 1603), detail, 16th century, fine arts, fire, agony, religion, historic, historical, punishment, purgatory, woman, man, sinner, sinners, mortal sin, deadly sins, lust, demon, people, women, female, men, male, Additional-Rights-Clearences-Not Available
Allegory of Mercury and Childhood from a Cycle of Planets and Age of Man after Adriaen Collaert (1560-1618) and Marten de Vos (1532-1603). Netherlands (?), late 16th century. Stained glass. Schnütgen Museum. Cologne, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-allegory-of-mercury-and-childhood-from-a-cycle-of-planets-and-age-177254151.htmlRMM8AHDB–Allegory of Mercury and Childhood from a Cycle of Planets and Age of Man after Adriaen Collaert (1560-1618) and Marten de Vos (1532-1603). Netherlands (?), late 16th century. Stained glass. Schnütgen Museum. Cologne, Germany.
Maerten de Vos, Flemish history painter, 1532-1603. Son of artist Pieter de Vos, studied in Rome and Venice, before returning to paint portraits in Antwerp. Martino de Vos, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maerten-de-vos-flemish-history-painter-1532-1603-son-of-artist-pieter-de-vos-studied-in-rome-and-venice-before-returning-to-paint-portraits-in-antwerp-martino-de-vos-pittore-copperplate-engraving-by-pietro-antonio-pazzi-after-giovanni-domenico-ferretti-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image543598823.htmlRM2PGB1RK–Maerten de Vos, Flemish history painter, 1532-1603. Son of artist Pieter de Vos, studied in Rome and Venice, before returning to paint portraits in Antwerp. Martino de Vos, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
The Resurrection of Christ by Maerten de Vos (1532–1603) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-resurrection-of-christ-by-maerten-de-vos-15321603-image472230201.htmlRM2JC7XC9–The Resurrection of Christ by Maerten de Vos (1532–1603)
Maarten de Vos (Flemish, 1532 - 1603), A Roman Triumph, pen and brown ink with brown and gray wash' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maarten-de-vos-flemish-1532-1603-a-roman-triumph-pen-and-brown-ink-123363340.htmlRMH4KK5G–Maarten de Vos (Flemish, 1532 - 1603), A Roman Triumph, pen and brown ink with brown and gray wash'
'Adoration of the Magi' by Maerten de Vos (1532-1603). Museum of Fine Arts in Valenciennes, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-magi-by-maerten-de-vos-1532-1603-museum-of-fine-arts-in-valenciennes-france-image329822075.htmlRF2A4GKBR–'Adoration of the Magi' by Maerten de Vos (1532-1603). Museum of Fine Arts in Valenciennes, France.
The Arrest of St. Paul, 1581. Jan I Sadeler (Flemish, 1550-1600), after Maarten de Vos (Flemish, 1532-1603). Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-arrest-of-st-paul-1581-jan-i-sadeler-flemish-1550-1600-after-maarten-de-vos-flemish-1532-1603-engraving-image240434670.htmlRMRY4MTE–The Arrest of St. Paul, 1581. Jan I Sadeler (Flemish, 1550-1600), after Maarten de Vos (Flemish, 1532-1603). Engraving
The Last Supper. Artist: Vos, Maerten, de (1532-1603) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-last-supper-artist-vos-maerten-de-1532-1603-74094662.htmlRME8F8DX–The Last Supper. Artist: Vos, Maerten, de (1532-1603)
Maarten de Vos (Flemish, 1532 - 1603), Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life, c. 1561, pen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maarten-de-vos-flemish-1532-1603-apollo-diana-and-time-with-the-cyclic-123363286.htmlRMH4KK3J–Maarten de Vos (Flemish, 1532 - 1603), Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life, c. 1561, pen
Saint Dorotheus of Gaza as a hermit, 1600. Creator: Vos, Maerten, de (1532-1603). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-dorotheus-of-gaza-as-a-hermit-1600-creator-vos-maerten-de-1532-1603-image221500953.htmlRMPTA6M9–Saint Dorotheus of Gaza as a hermit, 1600. Creator: Vos, Maerten, de (1532-1603).
. The Last Judgment . 1570. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF: 88877213 ISNI: 0000 0001 2102 9361 ULAN: 500029816 LCCN: n81032181 WGA: VOS, Marten de WorldCat 750 Juizo final - marten de vos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-last-judgment-1570-maerten-de-vos-15321603-alternative-names-maarten-de-vos-marten-de-vos-description-flemish-painter-and-drawer-date-of-birthdeath-1532-4-december-1603-location-of-birthdeath-antwerp-antwerp-work-period-between-circa-1550-and-circa-1603-work-location-rome-circa-1550-1558-antwerp-1558-1603-authority-control-q555022-viaf88877213-isni0000-0001-2102-9361-ulan500029816-lccnn81032181-wgavos-marten-de-worldcat-750-juizo-final-marten-de-vos-image185615783.htmlRMMNYER3–. The Last Judgment . 1570. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF: 88877213 ISNI: 0000 0001 2102 9361 ULAN: 500029816 LCCN: n81032181 WGA: VOS, Marten de WorldCat 750 Juizo final - marten de vos
The Vanity of Women: Masks and Bustles. Artist: Attributed to Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Culture: Dutch. Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vanity-of-women-masks-and-bustles-artist-attributed-to-maerten-de-vos-netherlandish-antwerp-1532-1603-antwerp-culture-dutch-date-ca-1600-museum-metropolitan-museum-of-art-new-york-usa-image213309206.htmlRMPB121X–The Vanity of Women: Masks and Bustles. Artist: Attributed to Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Culture: Dutch. Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA.
The meeting of Eliezer and Rebecca at the fountain 1563 Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-meeting-of-eliezer-and-rebecca-at-the-fountain-1563-marten-martin-95736207.htmlRMFFN4E7–The meeting of Eliezer and Rebecca at the fountain 1563 Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium
Art inspired by The Pride of Women: Ruffs, ca. 1600, Dutch, engraved paper, Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-pride-of-women-ruffs-ca-1600-dutch-engraved-paper-maerten-de-vos-netherlandish-antwerp-15321603-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462921228.htmlRF2HW3TN0–Art inspired by The Pride of Women: Ruffs, ca. 1600, Dutch, engraved paper, Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pieter in the Jode (1570-1634); Maerten de Vos (1532-1603); , The songvin temper, 1570-1634 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-in-the-jode-1570-1634-maerten-de-vos-1532-1603-the-songvin-temper-1570-1634-image407982704.htmlRM2EKN62T–Pieter in the Jode (1570-1634); Maerten de Vos (1532-1603); , The songvin temper, 1570-1634
L'adoration des mages. Au dessus de la Sainte Famille et des Rois Mages, l'etoile du berger. Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), art flamand 16e siecle. Musee des Beaux Arts de Valenciennes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ladoration-des-mages-au-dessus-de-la-sainte-famille-et-des-rois-mages-letoile-du-berger-peinture-de-maaerten-de-vos-martin-de-vos-marten-de-vos-1532-1603-art-flamand-16e-siecle-musee-des-beaux-arts-de-valenciennes-image559621490.htmlRM2RECXWP–L'adoration des mages. Au dessus de la Sainte Famille et des Rois Mages, l'etoile du berger. Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), art flamand 16e siecle. Musee des Beaux Arts de Valenciennes.
Figure of Africa Panel; After Marten de Vos (Flemish, 1532-1603), Julius Goltzius; fruitwood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-of-africa-panel-after-marten-de-vos-flemish-1532-1603-julius-goltzius-fruitwood-image546111158.htmlRM2PMDE9X–Figure of Africa Panel; After Marten de Vos (Flemish, 1532-1603), Julius Goltzius; fruitwood
The Adoration of the Kings Vos, Maerten de 1532 - 1603 Painting Raisonneret Catalog over Consul West's Samling af Malerier med Indledning samt Liste over Haandtegninger, Figurer, Kobberstik og trykte Værker Samlingen tilhörende, Hans West, nr. 71, 5660, 1807 The Adoration of the Kings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-kings-vos-maerten-de-1532-1603-painting-raisonneret-catalog-over-consul-wests-samling-af-malerier-med-indledning-samt-liste-over-haandtegninger-figurer-kobberstik-og-trykte-vrker-samlingen-tilhrende-hans-west-nr-71-5660-1807-the-adoration-of-the-kings-image613389466.htmlRM2XHX8EJ–The Adoration of the Kings Vos, Maerten de 1532 - 1603 Painting Raisonneret Catalog over Consul West's Samling af Malerier med Indledning samt Liste over Haandtegninger, Figurer, Kobberstik og trykte Værker Samlingen tilhörende, Hans West, nr. 71, 5660, 1807 The Adoration of the Kings
Saint Paul bitten by a viper on the island of Malta, 1566, Maarten De Vos, Martin de VOS, Anvers 1532-1603, Musée du Louvre, Paris, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-paul-bitten-by-a-viper-on-the-island-of-malta-1566-maarten-de-vos-martin-de-vos-anvers-1532-1603-muse-du-louvre-paris-france-image621630427.htmlRM2Y39KXK–Saint Paul bitten by a viper on the island of Malta, 1566, Maarten De Vos, Martin de VOS, Anvers 1532-1603, Musée du Louvre, Paris, France
Portrait of Niccolò Machiavelli(1469–1527) Artist Santi di Tito (1536–1603) Italian diplomat, author, philosopher, historian. Famous for his political treatise'The Prince' (Il Principe) published in 1532. Location Palazzo Vecchio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-niccol-machiavelli14691527-artist-santi-di-tito-15361603-italian-diplomat-author-philosopher-historian-famous-for-his-political-treatisethe-prince-il-principe-published-in-1532-location-palazzo-vecchio-image460378213.htmlRM2HN0131–Portrait of Niccolò Machiavelli(1469–1527) Artist Santi di Tito (1536–1603) Italian diplomat, author, philosopher, historian. Famous for his political treatise'The Prince' (Il Principe) published in 1532. Location Palazzo Vecchio
From left to right: William Cecil, 1st Baron Burghley, 1520-1598. Statesman, advisor to Queen Elizabeth I. Queen Elizabeth I, 1568-1603. Monarch of England and Ireland. Sir Francis Walsingham, 1532-1590. Principal secretary to Queen Elizabeth I. From a 17th century line engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-from-left-to-right-william-cecil-1st-baron-burghley-1520-1598-statesman-94602289.htmlRMFDWE55–From left to right: William Cecil, 1st Baron Burghley, 1520-1598. Statesman, advisor to Queen Elizabeth I. Queen Elizabeth I, 1568-1603. Monarch of England and Ireland. Sir Francis Walsingham, 1532-1590. Principal secretary to Queen Elizabeth I. From a 17th century line engraving.
The Temptation of Saint Anthony, 1585-1590. Found in the Collection of Museum Mayer van den Bergh, Antwerp. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-temptation-of-saint-anthony-1585-1590-found-in-the-collection-of-museum-mayer-van-den-bergh-antwerp-image348985120.htmlRM2B7NJ28–The Temptation of Saint Anthony, 1585-1590. Found in the Collection of Museum Mayer van den Bergh, Antwerp.
The Hermit Friardus, from Sylvae Sacrae by Rafael Sadeler (c. 1600), Historical, digitally restored reproduction from a 19th century original / Der Einsiedler Friardus, aus Sylvae Sacrae von Rafael Sadeler (um 1600), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermit-friardus-from-sylvae-sacrae-by-rafael-sadeler-c-1600-historical-digitally-restored-reproduction-from-a-19th-century-original-der-einsiedler-friardus-aus-sylvae-sacrae-von-rafael-sadeler-um-1600-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-image551814462.htmlRF2R1N8YA–The Hermit Friardus, from Sylvae Sacrae by Rafael Sadeler (c. 1600), Historical, digitally restored reproduction from a 19th century original / Der Einsiedler Friardus, aus Sylvae Sacrae von Rafael Sadeler (um 1600), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert
'Adoration of the Magi' by Maerten de Vos (1532-1603). Museum of Fine Arts in Valenciennes, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-magi-by-maerten-de-vos-1532-1603-museum-of-fine-arts-in-valenciennes-france-image329822083.htmlRF2A4GKC3–'Adoration of the Magi' by Maerten de Vos (1532-1603). Museum of Fine Arts in Valenciennes, France.
Maarten de Vos (Flemish, 1532 - 1603), Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life, c. 1561, pen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maarten-de-vos-flemish-1532-1603-apollo-diana-and-time-with-the-cyclic-77435563.htmlRMEDYDRR–Maarten de Vos (Flemish, 1532 - 1603), Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life, c. 1561, pen
Noah's Ark, Jan Sadeler, the Elder, ca. 1550 – 1600, Marten de Vos, Flemish, 1532-1603, Engraving Support: white laid paper, Netherlands, Netherlands, 1657, graphic design, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noahs-ark-jan-sadeler-the-elder-ca-1550-1600-marten-de-vos-flemish-1532-1603-engraving-support-white-laid-paper-netherlands-netherlands-1657-graphic-design-print-image391274814.htmlRM2DMG30E–Noah's Ark, Jan Sadeler, the Elder, ca. 1550 – 1600, Marten de Vos, Flemish, 1532-1603, Engraving Support: white laid paper, Netherlands, Netherlands, 1657, graphic design, Print
N/A. : . . . 1590. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF:88877213 ISNI:0000 0001 2102 9361 ULAN:500029816 LCCN:n81032181 WGA:VOS, Marten de WorldCat 268 Canticum canticorum Marten de Vos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-1590-maerten-de-vos-15321603-alternative-names-maarten-de-vos-marten-de-vos-description-flemish-painter-and-drawer-date-of-birthdeath-1532-4-december-1603-location-of-birthdeath-antwerp-antwerp-work-period-between-circa-1550-and-circa-1603-work-location-rome-circa-1550-1558-antwerp-1558-1603-authority-control-q555022-viaf88877213-isni0000-0001-2102-9361-ulan500029816-lccnn81032181-wgavos-marten-de-worldcat-268-canticum-canticorum-marten-de-vos-image210120573.htmlRMP5RPX5–N/A. : . . . 1590. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF:88877213 ISNI:0000 0001 2102 9361 ULAN:500029816 LCCN:n81032181 WGA:VOS, Marten de WorldCat 268 Canticum canticorum Marten de Vos
The king has his servants invite guests to the wedding party, from the series 'Parable of the Wedding Feast', Marten de Vos, Flemish, 1532-1603, Engraving on laid paper, late 16th century, religion, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-king-has-his-servants-invite-guests-to-the-wedding-party-from-the-series-parable-of-the-wedding-feast-marten-de-vos-flemish-1532-1603-engraving-on-laid-paper-late-16th-century-religion-print-image391128310.htmlRM2DM9C46–The king has his servants invite guests to the wedding party, from the series 'Parable of the Wedding Feast', Marten de Vos, Flemish, 1532-1603, Engraving on laid paper, late 16th century, religion, Print
Innocentia. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: Sheet: 11 x 8 1/8 in. (27.9 x 20.6 cm). Date: ca. 1581. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/innocentia-artist-after-maerten-de-vos-netherlandish-antwerp-1532-1603-antwerp-dimensions-sheet-11-x-8-18-in-279-x-206-cm-date-ca-1581-museum-metropolitan-museum-of-art-new-york-usa-image213108422.htmlRMPAKWY2–Innocentia. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: Sheet: 11 x 8 1/8 in. (27.9 x 20.6 cm). Date: ca. 1581. Museum: Metropolitan Museum of Art, New York, USA.
The Reconciliation of Jacob and Esau, 1581, Maerten de Vos, Flemish, 1532–1603, Flanders, Pen and brown ink and brush and brown wash on cream laid paper, incised with a stylus for transfer, 212 × 195 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-reconciliation-of-jacob-and-esau-1581-maerten-de-vos-flemish-15321603-flanders-pen-and-brown-ink-and-brush-and-brown-wash-on-cream-laid-paper-incised-with-a-stylus-for-transfer-212-195-mm-image328664149.htmlRM2A2KXD9–The Reconciliation of Jacob and Esau, 1581, Maerten de Vos, Flemish, 1532–1603, Flanders, Pen and brown ink and brush and brown wash on cream laid paper, incised with a stylus for transfer, 212 × 195 mm
The meeting of Eliezer and Rebecca at the fountain 1563 Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-meeting-of-eliezer-and-rebecca-at-the-fountain-1563-marten-martin-95736208.htmlRMFFN4E8–The meeting of Eliezer and Rebecca at the fountain 1563 Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium
Art inspired by The Vanity of Women: Masks and Bustles, ca. 1600, Dutch, engraved paper, Attributed to Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-vanity-of-women-masks-and-bustles-ca-1600-dutch-engraved-paper-attributed-to-maerten-de-vos-netherlandish-antwerp-15321603-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462921255.htmlRF2HW3TNY–Art inspired by The Vanity of Women: Masks and Bustles, ca. 1600, Dutch, engraved paper, Attributed to Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pieter in the Jode (1570-1634); Maerten de Vos (1532-1603); , The flegatic temper, 1570-1634 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-in-the-jode-1570-1634-maerten-de-vos-1532-1603-the-flegatic-temper-1570-1634-image407982709.htmlRM2EKN631–Pieter in the Jode (1570-1634); Maerten de Vos (1532-1603); , The flegatic temper, 1570-1634
Art inspired by Innocentia, ca. 1581, Engraving, Sheet: 11 x 8 1/8 in. (27.9 x 20.6 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-innocentia-ca-1581-engraving-sheet-11-x-8-18-in-279-x-206-cm-prints-after-maerten-de-vos-netherlandish-antwerp-15321603-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462806867.htmlRF2HTXJTK–Art inspired by Innocentia, ca. 1581, Engraving, Sheet: 11 x 8 1/8 in. (27.9 x 20.6 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Augustine of Hippo - Saint Augustin (Augustin d'Hippone, 354-430) Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), huile sur bois, 1570, partie du retable du couvent de Saint Augustin, a Seville - Musee des Beaux Arts de Seville, Espagne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/augustine-of-hippo-saint-augustin-augustin-dhippone-354-430-peinture-de-maaerten-de-vos-martin-de-vos-marten-de-vos-1532-1603-huile-sur-bois-1570-partie-du-retable-du-couvent-de-saint-augustin-a-seville-musee-des-beaux-arts-de-seville-espagne-image559619269.htmlRM2RECT2D–Augustine of Hippo - Saint Augustin (Augustin d'Hippone, 354-430) Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), huile sur bois, 1570, partie du retable du couvent de Saint Augustin, a Seville - Musee des Beaux Arts de Seville, Espagne
Figure of Asia Panel; After Marten de Vos (Flemish, 1532-1603), Julius Goltzius; fruitwood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-of-asia-panel-after-marten-de-vos-flemish-1532-1603-julius-goltzius-fruitwood-image546109456.htmlRM2PMDC54–Figure of Asia Panel; After Marten de Vos (Flemish, 1532-1603), Julius Goltzius; fruitwood
Augustine of Hippo - Saint Augustin (Augustin d'Hippone, 354-430) Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), huile sur b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/augustine-of-hippo-saint-augustin-augustin-dhippone-354-430-peinture-de-maaerten-de-vos-martin-de-vos-marten-de-vos-1532-1603-huile-sur-b-image338557089.htmlRM2AJPH0H–Augustine of Hippo - Saint Augustin (Augustin d'Hippone, 354-430) Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), huile sur b
The statue of Jupiter at Olympia Danckerts I, Cornelis 1603 - 1656, Vos, Maerten de 1532 - 1603 Engraving, Print Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. XLIV - XLVI), Maarten de Vos, Dieuwke de Hoop Scheffer, 1307 (kopi ikke omtalt), C 38945, 1996 The statue of Jupiter at Olympia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-statue-of-jupiter-at-olympia-danckerts-i-cornelis-1603-1656-vos-maerten-de-1532-1603-engraving-print-hollsteins-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-vol-xliv-xlvi-maarten-de-vos-dieuwke-de-hoop-scheffer-1307-kopi-ikke-omtalt-c-38945-1996-the-statue-of-jupiter-at-olympia-image613577510.htmlRM2XJ6TAE–The statue of Jupiter at Olympia Danckerts I, Cornelis 1603 - 1656, Vos, Maerten de 1532 - 1603 Engraving, Print Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. XLIV - XLVI), Maarten de Vos, Dieuwke de Hoop Scheffer, 1307 (kopi ikke omtalt), C 38945, 1996 The statue of Jupiter at Olympia
Portrait of a Thirty-Three-Year-Old Man, 1565, Attribué à Martin de VOS, Maarten De Vos, Anvers (Belgique), 1532 - 1603, Musée du Louvre, Paris, Franc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-thirty-three-year-old-man-1565-attribu-martin-de-vos-maarten-de-vos-anvers-belgique-1532-1603-muse-du-louvre-paris-franc-image621630428.htmlRM2Y39KXM–Portrait of a Thirty-Three-Year-Old Man, 1565, Attribué à Martin de VOS, Maarten De Vos, Anvers (Belgique), 1532 - 1603, Musée du Louvre, Paris, Franc
Otilia Bavara. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/otilia-bavara-image330109317.htmlRM2A51NPD–Otilia Bavara.
The Hermit Anub, from Sylvae Sacrae by Rafael Sadeler (c. 1600), Historical, digitally restored reproduction from a 19th century original / Der Einsiedler Anub, aus Sylvae Sacrae von Rafael Sadeler (um 1600), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermit-anub-from-sylvae-sacrae-by-rafael-sadeler-c-1600-historical-digitally-restored-reproduction-from-a-19th-century-original-der-einsiedler-anub-aus-sylvae-sacrae-von-rafael-sadeler-um-1600-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-image551814479.htmlRF2R1N8YY–The Hermit Anub, from Sylvae Sacrae by Rafael Sadeler (c. 1600), Historical, digitally restored reproduction from a 19th century original / Der Einsiedler Anub, aus Sylvae Sacrae von Rafael Sadeler (um 1600), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert
. English: Allegory of the First Estate, engraved by Adriaen Collaert after Maarten de Vos and published by Philip Galle; dedicated to Jean Sarrazin . before 1589. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF: 88877213 ISNI: 0000 0001 2102 9361 ULAN: 500029816 LCCN: n81032181 WGA: VOS, Marten de Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-allegory-of-the-first-estate-engraved-by-adriaen-collaert-after-maarten-de-vos-and-published-by-philip-galle-dedicated-to-jean-sarrazin-before-1589-maerten-de-vos-15321603-alternative-names-maarten-de-vos-marten-de-vos-description-flemish-painter-and-drawer-date-of-birthdeath-1532-4-december-1603-location-of-birthdeath-antwerp-antwerp-work-period-between-circa-1550-and-circa-1603-work-location-rome-circa-1550-1558-antwerp-1558-1603-authority-control-q555022-viaf88877213-isni0000-0001-2102-9361-ulan500029816-lccnn81032181-wgavos-marten-de-image188171355.htmlRMMX3XDF–. English: Allegory of the First Estate, engraved by Adriaen Collaert after Maarten de Vos and published by Philip Galle; dedicated to Jean Sarrazin . before 1589. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF: 88877213 ISNI: 0000 0001 2102 9361 ULAN: 500029816 LCCN: n81032181 WGA: VOS, Marten de
Constantia. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: sheet: 11 3/8 x 8 1/4 in. (28.9 x 21 cm). Date: ca. 1581. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/constantia-artist-after-maerten-de-vos-netherlandish-antwerp-1532-1603-antwerp-dimensions-sheet-11-38-x-8-14-in-289-x-21-cm-date-ca-1581-museum-metropolitan-museum-of-art-new-york-usa-image212909902.htmlRMPAATN2–Constantia. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: sheet: 11 3/8 x 8 1/4 in. (28.9 x 21 cm). Date: ca. 1581. Museum: Metropolitan Museum of Art, New York, USA.
Maarten de Vos, (artist), Flemish, 1532 - 1603, Fortitude, pen and brown ink with brown wash over black chalk, overall: 25.5 x 15.4 cm (10 1/16 x 6 1/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maarten-de-vos-artist-flemish-1532-1603-fortitude-pen-and-brown-ink-with-brown-wash-over-black-chalk-overall-255-x-154-cm-10-116-x-6-116-in-image386188537.htmlRM2DC8BBN–Maarten de Vos, (artist), Flemish, 1532 - 1603, Fortitude, pen and brown ink with brown wash over black chalk, overall: 25.5 x 15.4 cm (10 1/16 x 6 1/16 in
Isaac presents Rebecca to Abraham 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-isaac-presents-rebecca-to-abraham-1563-marten-martin-de-vos-1532-1603-95736178.htmlRMFFN4D6–Isaac presents Rebecca to Abraham 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium
Pieter in the Jode (1570-1634); Maerten de Vos (1532-1603); , The melancholy temper, 1570-1634 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-in-the-jode-1570-1634-maerten-de-vos-1532-1603-the-melancholy-temper-1570-1634-image407982688.htmlRM2EKN628–Pieter in the Jode (1570-1634); Maerten de Vos (1532-1603); , The melancholy temper, 1570-1634
Art inspired by Constantia, ca. 1581, Engraving, Sheet: 11 3/8 x 8 1/4 in. (28.9 x 21 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-constantia-ca-1581-engraving-sheet-11-38-x-8-14-in-289-x-21-cm-prints-after-maerten-de-vos-netherlandish-antwerp-15321603-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462806936.htmlRF2HTXJY4–Art inspired by Constantia, ca. 1581, Engraving, Sheet: 11 3/8 x 8 1/4 in. (28.9 x 21 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Figure of Europe Panel; After Marten de Vos (Flemish, 1532-1603), Julius Goltzius; fruitwood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-of-europe-panel-after-marten-de-vos-flemish-1532-1603-julius-goltzius-fruitwood-image546110184.htmlRM2PMDD34–Figure of Europe Panel; After Marten de Vos (Flemish, 1532-1603), Julius Goltzius; fruitwood
Mercy shows the culprit the way to remorse Vos, Maerten de 1532 - 1603 Copper engraving, Print Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. XLIV - XLVI), Maarten de Vos, Dieuwke de Hoop Scheffer, 1137 II, C 38945, 1996 Barmhjertigheden viser synderen vejen til angeren Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mercy-shows-the-culprit-the-way-to-remorse-vos-maerten-de-1532-1603-copper-engraving-print-hollsteins-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-vol-xliv-xlvi-maarten-de-vos-dieuwke-de-hoop-scheffer-1137-ii-c-38945-1996-barmhjertigheden-viser-synderen-vejen-til-angeren-image613396384.htmlRM2XHXH9M–Mercy shows the culprit the way to remorse Vos, Maerten de 1532 - 1603 Copper engraving, Print Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. XLIV - XLVI), Maarten de Vos, Dieuwke de Hoop Scheffer, 1137 II, C 38945, 1996 Barmhjertigheden viser synderen vejen til angeren
The Arrest of St. Paul, 1581. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-arrest-of-st-paul-1581-image330124818.htmlRM2A52DG2–The Arrest of St. Paul, 1581.
The hermit Origen, Origen of Alexandria, (c. 185 - c. 253) also Origen Adamantius, was an early Christian scholar, ascetic, and theologian, from Sylvae Sacrae by Rafael Sadeler (c. 1600), Historical, digitally restored reproduction from a 19th century original / Der Einsiedler Origen, Origenes von Alexandria, (ca. 185 - ca. 253) auch Origenes Adamantius, war ein frühchristlicher Gelehrter, Asket, und Theologe, aus Sylvae Sacrae von Rafael Sadeler (um 1600), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermit-origen-origen-of-alexandria-c-185-c-253-also-origen-adamantius-was-an-early-christian-scholar-ascetic-and-theologian-from-sylvae-sacrae-by-rafael-sadeler-c-1600-historical-digitally-restored-reproduction-from-a-19th-century-original-der-einsiedler-origen-origenes-von-alexandria-ca-185-ca-253-auch-origenes-adamantius-war-ein-frhchristlicher-gelehrter-asket-und-theologe-aus-sylvae-sacrae-von-rafael-sadeler-um-1600-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-image551814471.htmlRF2R1N8YK–The hermit Origen, Origen of Alexandria, (c. 185 - c. 253) also Origen Adamantius, was an early Christian scholar, ascetic, and theologian, from Sylvae Sacrae by Rafael Sadeler (c. 1600), Historical, digitally restored reproduction from a 19th century original / Der Einsiedler Origen, Origenes von Alexandria, (ca. 185 - ca. 253) auch Origenes Adamantius, war ein frühchristlicher Gelehrter, Asket, und Theologe, aus Sylvae Sacrae von Rafael Sadeler (um 1600), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert
. English: Allegory of the First Estate, engraved by Adriaen Collaert after Maarten de Vos and published by Philip Galle; dedicated to Jean Sarrazin . before 1589. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF: 88877213 ISNI: 0000 0001 2102 9361 ULAN: 500029816 LCCN: n81032181 WGA: VOS, Marten de Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-allegory-of-the-first-estate-engraved-by-adriaen-collaert-after-maarten-de-vos-and-published-by-philip-galle-dedicated-to-jean-sarrazin-before-1589-maerten-de-vos-15321603-alternative-names-maarten-de-vos-marten-de-vos-description-flemish-painter-and-drawer-date-of-birthdeath-1532-4-december-1603-location-of-birthdeath-antwerp-antwerp-work-period-between-circa-1550-and-circa-1603-work-location-rome-circa-1550-1558-antwerp-1558-1603-authority-control-q555022-viaf88877213-isni0000-0001-2102-9361-ulan500029816-lccnn81032181-wgavos-marten-de-image187635239.htmlRMMW7EJF–. English: Allegory of the First Estate, engraved by Adriaen Collaert after Maarten de Vos and published by Philip Galle; dedicated to Jean Sarrazin . before 1589. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF: 88877213 ISNI: 0000 0001 2102 9361 ULAN: 500029816 LCCN: n81032181 WGA: VOS, Marten de
Pax. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: Sheet: 11 1/8 x 8 3/16 in. (28.3 x 20.8 cm). Date: ca. 1581. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pax-artist-after-maerten-de-vos-netherlandish-antwerp-1532-1603-antwerp-dimensions-sheet-11-18-x-8-316-in-283-x-208-cm-date-ca-1581-museum-metropolitan-museum-of-art-new-york-usa-image212915791.htmlRMPAB47B–Pax. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: Sheet: 11 1/8 x 8 3/16 in. (28.3 x 20.8 cm). Date: ca. 1581. Museum: Metropolitan Museum of Art, New York, USA.
Maarten de Vos, (artist), Flemish, 1532 - 1603, A Roman Triumph, pen and brown ink with brown and gray wash, overall: 30.1 x 53.7 cm (11 7/8 x 21 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maarten-de-vos-artist-flemish-1532-1603-a-roman-triumph-pen-and-brown-ink-with-brown-and-gray-wash-overall-301-x-537-cm-11-78-x-21-18-in-image386365480.htmlRM2DCGD34–Maarten de Vos, (artist), Flemish, 1532 - 1603, A Roman Triumph, pen and brown ink with brown and gray wash, overall: 30.1 x 53.7 cm (11 7/8 x 21 1/8 in
Isaac presents Rebecca to Abraham 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-isaac-presents-rebecca-to-abraham-1563-marten-martin-de-vos-1532-1603-95736177.htmlRMFFN4D5–Isaac presents Rebecca to Abraham 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium
Jode Pieter I (1570-1634); Maerten de Vos (1532-1603); , Det Wrong Temperament, 1570-1634 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jode-pieter-i-1570-1634-maerten-de-vos-1532-1603-det-wrong-temperament-1570-1634-image407982680.htmlRM2EKN620–Jode Pieter I (1570-1634); Maerten de Vos (1532-1603); , Det Wrong Temperament, 1570-1634
Art inspired by Pax, ca. 1581, Engraving, sheet: 11 1/8 x 8 3/16 in. (28.3 x 20.8 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pax-ca-1581-engraving-sheet-11-18-x-8-316-in-283-x-208-cm-prints-after-maerten-de-vos-netherlandish-antwerp-15321603-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462806914.htmlRF2HTXJXA–Art inspired by Pax, ca. 1581, Engraving, sheet: 11 1/8 x 8 3/16 in. (28.3 x 20.8 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Figure of America Allegorical Panel; After Julius Goltzius, Marten de Vos (Flemish, 1532-1603); fruitwood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-of-america-allegorical-panel-after-julius-goltzius-marten-de-vos-flemish-1532-1603-fruitwood-image546109713.htmlRM2PMDCE9–Figure of America Allegorical Panel; After Julius Goltzius, Marten de Vos (Flemish, 1532-1603); fruitwood
Ninus of Nineiveh Collaert, Adriaen 1558 - 1618, Vos, Maerten de 1532 - 1603, Danckerts I, Cornelis 1603 - 1656 Copper engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, The Collaert Dynasty, part I-VIII, Ann Diels, 1174 kopien ikke omtalt, 2005-2006 Ninus of Niniveh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ninus-of-nineiveh-collaert-adriaen-1558-1618-vos-maerten-de-1532-1603-danckerts-i-cornelis-1603-1656-copper-engraving-print-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-the-collaert-dynasty-part-i-viii-ann-diels-1174-kopien-ikke-omtalt-2005-2006-ninus-of-niniveh-image613579030.htmlRM2XJ6X8P–Ninus of Nineiveh Collaert, Adriaen 1558 - 1618, Vos, Maerten de 1532 - 1603, Danckerts I, Cornelis 1603 - 1656 Copper engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, The Collaert Dynasty, part I-VIII, Ann Diels, 1174 kopien ikke omtalt, 2005-2006 Ninus of Niniveh
Holy Jerome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-jerome-image330095486.htmlRM2A5144E–Holy Jerome.
The Hermit Helanus, from Sylvae Sacrae by Rafael Sadeler (c. 1600), Historical, digitally restored reproduction from a 19th century original / Der Einsiedler Helanus, aus Sylvae Sacrae von Rafael Sadeler (um 1600), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermit-helanus-from-sylvae-sacrae-by-rafael-sadeler-c-1600-historical-digitally-restored-reproduction-from-a-19th-century-original-der-einsiedler-helanus-aus-sylvae-sacrae-von-rafael-sadeler-um-1600-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-image551814478.htmlRF2R1N8YX–The Hermit Helanus, from Sylvae Sacrae by Rafael Sadeler (c. 1600), Historical, digitally restored reproduction from a 19th century original / Der Einsiedler Helanus, aus Sylvae Sacrae von Rafael Sadeler (um 1600), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert
. English: Allegory of the First Estate, engraved by Adriaen Collaert after Maarten de Vos and published by Philip Galle; dedicated to Jean Sarrazin . before 1589. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF: 88877213 ISNI: 0000 0001 2102 9361 ULAN: 500029816 LCCN: n81032181 WGA: VOS, Marten de Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-allegory-of-the-first-estate-engraved-by-adriaen-collaert-after-maarten-de-vos-and-published-by-philip-galle-dedicated-to-jean-sarrazin-before-1589-maerten-de-vos-15321603-alternative-names-maarten-de-vos-marten-de-vos-description-flemish-painter-and-drawer-date-of-birthdeath-1532-4-december-1603-location-of-birthdeath-antwerp-antwerp-work-period-between-circa-1550-and-circa-1603-work-location-rome-circa-1550-1558-antwerp-1558-1603-authority-control-q555022-viaf88877213-isni0000-0001-2102-9361-ulan500029816-lccnn81032181-wgavos-marten-de-image188904542.htmlRMMY99JP–. English: Allegory of the First Estate, engraved by Adriaen Collaert after Maarten de Vos and published by Philip Galle; dedicated to Jean Sarrazin . before 1589. Maerten de Vos (1532–1603) Alternative names Maarten de Vos, Marten de Vos Description Flemish painter and drawer Date of birth/death 1532 4 December 1603 Location of birth/death Antwerp Antwerp Work period between circa 1550 and circa 1603 Work location Rome (circa 1550-1558), Antwerp (1558-1603) Authority control : Q555022 VIAF: 88877213 ISNI: 0000 0001 2102 9361 ULAN: 500029816 LCCN: n81032181 WGA: VOS, Marten de
Concordia. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: sheet: 11 1/4 x 8 5/16 in. (28.6 x 21.1 cm). Date: ca. 1581. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/concordia-artist-after-maerten-de-vos-netherlandish-antwerp-1532-1603-antwerp-dimensions-sheet-11-14-x-8-516-in-286-x-211-cm-date-ca-1581-museum-metropolitan-museum-of-art-new-york-usa-image212894583.htmlRMPAA55Y–Concordia. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: sheet: 11 1/4 x 8 5/16 in. (28.6 x 21.1 cm). Date: ca. 1581. Museum: Metropolitan Museum of Art, New York, USA.
St Michael Triumphing Over the Dragon, 1584, Jerome Wierix (Flemish, 1553-1619), after Martin de Vos (Flemish, 1532-1603), Flanders, Engraving in black on ivory laid paper, 291 × 202 mm (image/plate), 300 × 214 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-michael-triumphing-over-the-dragon-1584-jerome-wierix-flemish-1553-1619-after-martin-de-vos-flemish-1532-1603-flanders-engraving-in-black-on-ivory-laid-paper-291-202-mm-imageplate-300-214-mm-sheet-image328639465.htmlRM2A2JPYN–St Michael Triumphing Over the Dragon, 1584, Jerome Wierix (Flemish, 1553-1619), after Martin de Vos (Flemish, 1532-1603), Flanders, Engraving in black on ivory laid paper, 291 × 202 mm (image/plate), 300 × 214 mm (sheet
The meeting of Eliezer and Rebecca at the fountain 1563 Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-meeting-of-eliezer-and-rebecca-at-the-fountain-1563-marten-martin-95736212.htmlRMFFN4EC–The meeting of Eliezer and Rebecca at the fountain 1563 Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium
Unchanged - after the Maeren de Vos (-); The Maeren de Vos (1532-1603), the sinner is delivered from the mercy to the remorse, 2nd Half of 16th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unchanged-after-the-maeren-de-vos-the-maeren-de-vos-1532-1603-the-sinner-is-delivered-from-the-mercy-to-the-remorse-2nd-half-of-16th-century-image407982703.htmlRM2EKN62R–Unchanged - after the Maeren de Vos (-); The Maeren de Vos (1532-1603), the sinner is delivered from the mercy to the remorse, 2nd Half of 16th Century
Art inspired by Concordia, ca. 1581, Engraving, sheet: 11 1/4 x 8 5/16 in. (28.6 x 21.1 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-concordia-ca-1581-engraving-sheet-11-14-x-8-516-in-286-x-211-cm-prints-after-maerten-de-vos-netherlandish-antwerp-15321603-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462806917.htmlRF2HTXJXD–Art inspired by Concordia, ca. 1581, Engraving, sheet: 11 1/4 x 8 5/16 in. (28.6 x 21.1 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bliżej Kultury You, marten from (1532 1603) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bliej-kultury-you-marten-from-1532-1603-image471415284.htmlRM2JAXR04–Bliżej Kultury You, marten from (1532 1603)
Art inspired by Asia from The Four Continents, 16th century, Engraving, Sheet: 8 5/8 x 11 1/16 in. (21.9 x 28.1 cm), Prints, After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-asia-from-the-four-continents-16th-century-engraving-sheet-8-58-x-11-116-in-219-x-281-cm-prints-after-maerten-de-vos-netherlandish-antwerp-15321603-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463017235.htmlRF2HW875R–Art inspired by Asia from The Four Continents, 16th century, Engraving, Sheet: 8 5/8 x 11 1/16 in. (21.9 x 28.1 cm), Prints, After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Freeing Saint. Piotr Unknown, Vos, Marten of (1532 1603) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/freeing-saint-piotr-unknown-vos-marten-of-1532-1603-image471456479.htmlRM2JB0KFB–Freeing Saint. Piotr Unknown, Vos, Marten of (1532 1603)
Art inspired by The Entombment, 1584, Engraving, Sheet: 10 1/4 × 7 15/16 in. (26 × 20.1 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-entombment-1584-engraving-sheet-10-14-7-1516-in-26-201-cm-prints-hieronymus-jerome-wierix-netherlandish-ca-15531619-antwerp-after-maerten-de-vos-netherlandish-antwerp-15321603-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462812881.htmlRF2HTXXFD–Art inspired by The Entombment, 1584, Engraving, Sheet: 10 1/4 × 7 15/16 in. (26 × 20.1 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jonah Thrown Overboard. Artist: Maarten de Vos, Flemish, 1532–1603 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jonah-thrownoverboard-artist-maarten-de-vos-flemish-15321603-image463145287.htmlRM2HWE2F3–Jonah Thrown Overboard. Artist: Maarten de Vos, Flemish, 1532–1603
Art inspired by Africa from The Four Continents, 16th century, Engraving, Sheet: 8 11/16 x 10 7/8 in. (22 x 27.7 cm), Prints, Julius Goltzius (Netherlandish, died ca. 1595), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-africa-from-the-four-continents-16th-century-engraving-sheet-8-1116-x-10-78-in-22-x-277-cm-prints-julius-goltzius-netherlandish-died-ca-1595-after-maerten-de-vos-netherlandish-antwerp-15321603-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463017220.htmlRF2HW8758–Art inspired by Africa from The Four Continents, 16th century, Engraving, Sheet: 8 11/16 x 10 7/8 in. (22 x 27.7 cm), Prints, Julius Goltzius (Netherlandish, died ca. 1595), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Print, Discord: The Good and the Bad Household; Designed by Crispijn de Passe the Elder (Dutch, ca. 1565 - 1637); After Marten de Vos (Flemish, 1532-1603); Netherlands; engraving with black ink on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-discord-the-good-and-the-bad-household-designed-by-crispijn-de-passe-the-elder-dutch-ca-1565-1637-after-marten-de-vos-flemish-1532-1603-netherlands-engraving-with-black-ink-on-paper-image546139995.htmlRM2PMER3R–Print, Discord: The Good and the Bad Household; Designed by Crispijn de Passe the Elder (Dutch, ca. 1565 - 1637); After Marten de Vos (Flemish, 1532-1603); Netherlands; engraving with black ink on paper
Cyrus, King of Persia Collaert, Adriaen 1558 - 1618, Vos, Maerten de 1532 - 1603, Danckerts I, Cornelis 1603 - 1656 Copper engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, The Collaert Dynasty, part I-VIII, Ann Diels, 1175 kopien ikke omtalt, 2005-2006 Cyrus, King of Persia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cyrus-king-of-persia-collaert-adriaen-1558-1618-vos-maerten-de-1532-1603-danckerts-i-cornelis-1603-1656-copper-engraving-print-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-the-collaert-dynasty-part-i-viii-ann-diels-1175-kopien-ikke-omtalt-2005-2006-cyrus-king-of-persia-image613394477.htmlRM2XHXEWH–Cyrus, King of Persia Collaert, Adriaen 1558 - 1618, Vos, Maerten de 1532 - 1603, Danckerts I, Cornelis 1603 - 1656 Copper engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, The Collaert Dynasty, part I-VIII, Ann Diels, 1175 kopien ikke omtalt, 2005-2006 Cyrus, King of Persia
The Hermit Didymus, from Sylvae Sacrae by Rafael Sadeler (c. 1600), Historical, digitally restored reproduction from a 19th century original / Der Einsiedler Didymus, aus Sylvae Sacrae von Rafael Sadeler (um 1600), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermit-didymus-from-sylvae-sacrae-by-rafael-sadeler-c-1600-historical-digitally-restored-reproduction-from-a-19th-century-original-der-einsiedler-didymus-aus-sylvae-sacrae-von-rafael-sadeler-um-1600-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-image551814481.htmlRF2R1N901–The Hermit Didymus, from Sylvae Sacrae by Rafael Sadeler (c. 1600), Historical, digitally restored reproduction from a 19th century original / Der Einsiedler Didymus, aus Sylvae Sacrae von Rafael Sadeler (um 1600), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert
Allegory of the Seven Liberal Arts, Second half of the16th . Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-the-seven-liberal-arts-second-half-of-the16th-private-collection-image485495568.htmlRM2K5T6FC–Allegory of the Seven Liberal Arts, Second half of the16th . Private Collection.
. Deutsch: St. Disibod, gestochen von Raphael Sadeler (1561-1616) nach Gemälde von Marten de Vos (1532-1603) . 1594. Raphael Sadeler (1561-1616) 1137 St. Disibod, Ausschnitt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-st-disibod-gestochen-von-raphael-sadeler-1561-1616-nach-gemlde-von-marten-de-vos-1532-1603-1594-raphael-sadeler-1561-1616-1137-st-disibod-ausschnitt-image185593235.htmlRMMNXE1R–. Deutsch: St. Disibod, gestochen von Raphael Sadeler (1561-1616) nach Gemälde von Marten de Vos (1532-1603) . 1594. Raphael Sadeler (1561-1616) 1137 St. Disibod, Ausschnitt
Baptism of Christ. Artist: Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: 12 5/16 x 16 3/8 in. (31.3 x 41.6 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baptism-of-christ-artist-maerten-de-vos-netherlandish-antwerp-1532-1603-antwerp-dimensions-12-516-x-16-38-in-313-x-416-cm-date-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image213109534.htmlRMPAKYAP–Baptism of Christ. Artist: Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: 12 5/16 x 16 3/8 in. (31.3 x 41.6 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
Anonymous Artist, (artist), Maarten de Vos, (artist after), Flemish, 1532 - 1603, Coronation of the Emperor, pen and brown ink over graphite and touches of black crayon on laid paper, overall (approximate): 28.9 x 50.8 cm (11 3/8 x 20 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-artist-artist-maarten-de-vos-artist-after-flemish-1532-1603-coronation-of-the-emperor-pen-and-brown-ink-over-graphite-and-touches-of-black-crayon-on-laid-paper-overall-approximate-289-x-508-cm-11-38-x-20-in-image386363127.htmlRM2DCGA33–Anonymous Artist, (artist), Maarten de Vos, (artist after), Flemish, 1532 - 1603, Coronation of the Emperor, pen and brown ink over graphite and touches of black crayon on laid paper, overall (approximate): 28.9 x 50.8 cm (11 3/8 x 20 in
The meeting of Eliezer and Rebecca at the fountain 1563 Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-meeting-of-eliezer-and-rebecca-at-the-fountain-1563-marten-martin-95736204.htmlRMFFN4E4–The meeting of Eliezer and Rebecca at the fountain 1563 Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium
The Temptations of Antony Abbot of Egypt. The Temptation of Saint Anthony . 1594. 771 Kmska Maerten de Vos (1531 of 1532 - 1603) - Verzoeking van de heilige Antonius 28-02-2010 14-03-13kopie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-temptations-of-antony-abbot-of-egypt-the-temptation-of-saint-anthony-1594-771-kmska-maerten-de-vos-1531-of-1532-1603-verzoeking-van-de-heilige-antonius-28-02-2010-14-03-13kopie-image185694544.htmlRMMP3380–The Temptations of Antony Abbot of Egypt. The Temptation of Saint Anthony . 1594. 771 Kmska Maerten de Vos (1531 of 1532 - 1603) - Verzoeking van de heilige Antonius 28-02-2010 14-03-13kopie
Triptych Crucifixion of Christ 1569 Marten de Vos 1532-1603 Antwerp Flemish Belgian Belgium ( detail ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-triptych-crucifixion-of-christ-1569-marten-de-vos-1532-1603-antwerp-80937434.htmlRMEKK0EJ–Triptych Crucifixion of Christ 1569 Marten de Vos 1532-1603 Antwerp Flemish Belgian Belgium ( detail )
N/A. English: America, from The Four Continents, by Julius Goltzius (Dutch, died ca. 1595), after Maerten de Vos (Netherlandish, 1532–1603), Dutch, 16th century. Engraving, 21.9 x 28.1 cm The Metropolitan Museum of Art . Julius Goltzius (Dutch, died ca. 1595) 93 America, from The Four Continents by Julius Goltzius Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-america-from-the-four-continents-by-julius-goltzius-dutch-died-ca-1595-after-maerten-de-vos-netherlandish-15321603-dutch-16th-century-engraving-219-x-281-cm-the-metropolitan-museum-of-art-julius-goltzius-dutch-died-ca-1595-93-america-from-the-four-continents-by-julius-goltzius-image210028914.htmlRMP5KJ0J–N/A. English: America, from The Four Continents, by Julius Goltzius (Dutch, died ca. 1595), after Maerten de Vos (Netherlandish, 1532–1603), Dutch, 16th century. Engraving, 21.9 x 28.1 cm The Metropolitan Museum of Art . Julius Goltzius (Dutch, died ca. 1595) 93 America, from The Four Continents by Julius Goltzius
St Paul Bitten by a viper on the Island of Malta 1566 by Martin de Vos 1532-1603 Dutch The Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-paul-bitten-by-a-viper-on-the-island-of-malta-1566-by-martin-de-vos-1532-1603-dutch-the-netherlands-image242589370.htmlRMT2JW62–St Paul Bitten by a viper on the Island of Malta 1566 by Martin de Vos 1532-1603 Dutch The Netherlands
Search Results for 1532 1603 Stock Photos and Images (428)
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