Emperor Charles V (1500-1558) meeting with Francisco Pizarro (1487-1541) in Toledo (1529), after returning from his first expedition to Peru. Engraving by Vela after a painting by Angel Lizcano. Later colouration. La Ilustración Española y Americana, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emperor-charles-v-1500-1558-meeting-with-francisco-pizarro-1487-1541-in-toledo-1529-after-returning-from-his-first-expedition-to-peru-engraving-by-vela-after-a-painting-by-angel-lizcano-later-colouration-la-ilustracin-espaola-y-americana-1881-image437256857.html
RM2GBANG9–Emperor Charles V (1500-1558) meeting with Francisco Pizarro (1487-1541) in Toledo (1529), after returning from his first expedition to Peru. Engraving by Vela after a painting by Angel Lizcano. Later colouration. La Ilustración Española y Americana, 1881.
Hans Cranach (ca.1513-1537). German painter. Portrait of a Prince, 1529. Wallraf-Richartz Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-cranach-ca1513-1537-german-painter-portrait-of-a-prince-1529-wallraf-richartz-museum-cologne-germany-image217495267.html
RMPHRNC3–Hans Cranach (ca.1513-1537). German painter. Portrait of a Prince, 1529. Wallraf-Richartz Museum. Cologne. Germany.
Guy du Faur de Pibrac (1529-1584). French lawyer and judge, diplomat and poet. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guy-du-faur-de-pibrac-1529-1584-french-lawyer-and-judge-diplomat-and-poet-portrait-engraving-sciences-lettres-au-moyen-age-et-lpoque-de-la-renaissance-paris-1877-image591660327.html
RM2WAGCNY–Guy du Faur de Pibrac (1529-1584). French lawyer and judge, diplomat and poet. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
Frei Carlos. Portuguese Renaissance painter, active between 1517 and 1540. 'Christ Appearing to the Virgin', 1529. Oil on oak panel. From the Monastery of Esphinheiro, Evora, Portugal. National Museum of Ancient Art. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frei-carlos-portuguese-renaissance-painter-active-between-1517-and-1540-christ-appearing-to-the-virgin-1529-oil-on-oak-panel-from-the-monastery-of-esphinheiro-evora-portugal-national-museum-of-ancient-art-lisbon-portugal-image464801658.html
RM2J05F76–Frei Carlos. Portuguese Renaissance painter, active between 1517 and 1540. 'Christ Appearing to the Virgin', 1529. Oil on oak panel. From the Monastery of Esphinheiro, Evora, Portugal. National Museum of Ancient Art. Lisbon, Portugal.
Frei Carlos. Portuguese Renaissance painter, active between 1517 and 1540. 'Christ Appearing to the Virgin', 1529. Detail. Oil on oak panel. From the Monastery of Esphinheiro, Evora, Portugal. National Museum of Ancient Art. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frei-carlos-portuguese-renaissance-painter-active-between-1517-and-1540-christ-appearing-to-the-virgin-1529-detail-oil-on-oak-panel-from-the-monastery-of-esphinheiro-evora-portugal-national-museum-of-ancient-art-lisbon-portugal-image464801665.html
RM2J05F7D–Frei Carlos. Portuguese Renaissance painter, active between 1517 and 1540. 'Christ Appearing to the Virgin', 1529. Detail. Oil on oak panel. From the Monastery of Esphinheiro, Evora, Portugal. National Museum of Ancient Art. Lisbon, Portugal.
Torture of the wheel, executed by demons. Engraving after 'Le grant Kalendrier et compost des Bergiers', Troyes, 1529. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/torture-of-the-wheel-executed-by-demons-engraving-after-le-grant-kalendrier-et-compost-des-bergiers-troyes-1529-moeurs-usages-et-costumes-au-moyen-ge-et-lpoque-de-la-renaissance-by-paul-lacroix-paris-1878-image593720326.html
RM2WDX89A–Torture of the wheel, executed by demons. Engraving after 'Le grant Kalendrier et compost des Bergiers', Troyes, 1529. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
Emperor Charles V (1500-1558) meeting with Francisco Pizarro (1487-1541) in Toledo (1529), after returning from his first expedition to Peru. Engraving by Vela after a painting by Angel Lizcano. La Ilustracion Española y Americana, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emperor-charles-v-1500-1558-meeting-with-francisco-pizarro-1487-1541-in-toledo-1529-after-returning-from-his-first-expedition-to-peru-engraving-by-vela-after-a-painting-by-angel-lizcano-la-ilustracion-espaola-y-americana-1881-image369558180.html
RM2CD6R6C–Emperor Charles V (1500-1558) meeting with Francisco Pizarro (1487-1541) in Toledo (1529), after returning from his first expedition to Peru. Engraving by Vela after a painting by Angel Lizcano. La Ilustracion Española y Americana, 1881.
Torture of the wheel, executed by demons. Engraving after 'Le grant Kalendrier et compost des Bergiers', Troyes, 1529. Later colouration. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/torture-of-the-wheel-executed-by-demons-engraving-after-le-grant-kalendrier-et-compost-des-bergiers-troyes-1529-later-colouration-moeurs-usages-et-costumes-au-moyen-ge-et-lpoque-de-la-renaissance-by-paul-lacroix-paris-1878-image602785535.html
RM2X0K72R–Torture of the wheel, executed by demons. Engraving after 'Le grant Kalendrier et compost des Bergiers', Troyes, 1529. Later colouration. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
Catherine of Aragon (1485-1536). Queen consort of England (1509-1533). First wife of King Henry VIII. The trial of Queen Catherine on June 21, 1529. Engraving after a painting by Laslett J. Pott (1837-1898). La Ilustracion Española y Americana, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catherine-of-aragon-1485-1536-queen-consort-of-england-1509-1533-first-wife-of-king-henry-viii-the-trial-of-queen-catherine-on-june-21-1529-engraving-after-a-painting-by-laslett-j-pott-1837-1898-la-ilustracion-espaola-y-americana-1881-image368760453.html
RM2CBXDM5–Catherine of Aragon (1485-1536). Queen consort of England (1509-1533). First wife of King Henry VIII. The trial of Queen Catherine on June 21, 1529. Engraving after a painting by Laslett J. Pott (1837-1898). La Ilustracion Española y Americana, 1881.
Catherine of Aragon (1485-1536). Queen consort of England (1509-1533). First wife of King Henry VIII. The trial of Queen Catherine on June 21, 1529. Engraving after a painting by Laslett J. Pott (1837-1898). La Ilustracion Española y Americana, 1881. Later colouration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catherine-of-aragon-1485-1536-queen-consort-of-england-1509-1533-first-wife-of-king-henry-viii-the-trial-of-queen-catherine-on-june-21-1529-engraving-after-a-painting-by-laslett-j-pott-1837-1898-la-ilustracion-espaola-y-americana-1881-later-colouration-image386304726.html
RM2DCDKHA–Catherine of Aragon (1485-1536). Queen consort of England (1509-1533). First wife of King Henry VIII. The trial of Queen Catherine on June 21, 1529. Engraving after a painting by Laslett J. Pott (1837-1898). La Ilustracion Española y Americana, 1881. Later colouration.
Italy. Bologna. Fountain of Neptune by Giambologna (1529-1608), 1567. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-bologna-fountain-of-neptune-by-giambologna-1529-1608-1567-73527500.html
RME7HD24–Italy. Bologna. Fountain of Neptune by Giambologna (1529-1608), 1567.
Martin Luther (1483-1546). German monk, icon of the Protestant Reformation. Portrait by Lucas Cranach the Elder, 1529. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-martin-luther-1483-1546-german-monk-icon-of-the-protestant-reformation-50457982.html
RMCX2FJP–Martin Luther (1483-1546). German monk, icon of the Protestant Reformation. Portrait by Lucas Cranach the Elder, 1529.
Malinche (c.1496-1529). Nahua woman. Interpreter of the spanish conqueror Hernan Cortes. Mexican engraving, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-malinche-c1496-1529-nahua-woman-interpreter-of-the-spanish-conqueror-49521397.html
RMCTFW19–Malinche (c.1496-1529). Nahua woman. Interpreter of the spanish conqueror Hernan Cortes. Mexican engraving, 1885.
Malinche (c.1496-1529). Nahua woman. Interpreter of the spanish conqueror Hernan Cortes. Mexican engraving, 1885. Colored. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-malinche-c1496-1529-nahua-woman-interpreter-of-the-spanish-conqueror-50875128.html
RMCXNFMT–Malinche (c.1496-1529). Nahua woman. Interpreter of the spanish conqueror Hernan Cortes. Mexican engraving, 1885. Colored.
Italy. Rome. Basilica of Santa Maria in Domnica. Facade. Renaissance (1512-1513). Attributed to Andrea Sansovino (1467-1529). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-rome-basilica-of-santa-maria-in-domnica-facade-renaissance-1512-73666527.html
RME7RPBB–Italy. Rome. Basilica of Santa Maria in Domnica. Facade. Renaissance (1512-1513). Attributed to Andrea Sansovino (1467-1529).
Samson and the Philistine by Giambologna (1529-1608). Marble. Italy (Florence), 1560-62. Victoria and Albert Museum. London. England. United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-samson-and-the-philistine-by-giambologna-1529-1608-marble-italy-florence-78797335.html
RMEG5EPF–Samson and the Philistine by Giambologna (1529-1608). Marble. Italy (Florence), 1560-62. Victoria and Albert Museum. London. England. United Kingdom.
Andrea Navagero (1483-1529). Venetian humanist and politician. Portrait, 17th century, copy after Raphael (1483-1520). Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-andrea-navagero-1483-1529-venetian-humanist-and-politician-portrait-103984560.html
RMG14WA8–Andrea Navagero (1483-1529). Venetian humanist and politician. Portrait, 17th century, copy after Raphael (1483-1520). Prado Museum. Madrid. Spain.
Baldassare Castiglione (1478-1529). Count of Casatico, was an Italian courtier, diplomat, soldier and prominent Renaissance author. Portrait by Raphael (1483-1520). Louvre. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-baldassare-castiglione-1478-1529-count-of-casatico-was-an-italian-79213119.html
RMEGTD3Y–Baldassare Castiglione (1478-1529). Count of Casatico, was an Italian courtier, diplomat, soldier and prominent Renaissance author. Portrait by Raphael (1483-1520). Louvre. Paris. France.
The French explorer Rene Goulaine de Laudonniere (1529-1574) and the Indian Chief Athore visit the Jean Ribault's (1520-1565) column, erected in 1568 in the Northern Florida. Engraving, 1841. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-french-explorer-rene-goulaine-de-laudonniere-1529-1574-and-the-138018166.html
RMJ0F7G6–The French explorer Rene Goulaine de Laudonniere (1529-1574) and the Indian Chief Athore visit the Jean Ribault's (1520-1565) column, erected in 1568 in the Northern Florida. Engraving, 1841.
Bartolomeo Passerotti (1529-1592). Italian painter. Portrait of a young general, ca. 1575. Oil on canvas (93,8 x 76,2 cm). El Greco Museum. Toledo, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-passerotti-1529-1592-italian-painter-portrait-of-a-young-general-ca-1575-oil-on-canvas-938-x-762-cm-el-greco-museum-toledo-spain-image475241720.html
RM2JH53JG–Bartolomeo Passerotti (1529-1592). Italian painter. Portrait of a young general, ca. 1575. Oil on canvas (93,8 x 76,2 cm). El Greco Museum. Toledo, Spain.
Juan de Fermoselle (1468-1529), called Juan del Encina. Spanish poet, playwiright and composer. Illustration by Llanta. Lithography. Cronica General de España. Historia Ilustrada y Descriptiva de sus Provincias. Asturias and Leon, 1867. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/juan-de-fermoselle-1468-1529-called-juan-del-encina-spanish-poet-playwiright-and-composer-illustration-by-llanta-lithography-cronica-general-de-espaa-historia-ilustrada-y-descriptiva-de-sus-provincias-asturias-and-leon-1867-image344519659.html
RM2B0E69F–Juan de Fermoselle (1468-1529), called Juan del Encina. Spanish poet, playwiright and composer. Illustration by Llanta. Lithography. Cronica General de España. Historia Ilustrada y Descriptiva de sus Provincias. Asturias and Leon, 1867.
Juan de Fermoselle (1468-1529), called Juan del Encina. Spanish poet, playwiright and composer. Illustration by Llanta. Detail. Lithography. Cronica General de España. Historia Ilustrada y Descriptiva de sus Provincias. Asturias and Leon, 1867. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/juan-de-fermoselle-1468-1529-called-juan-del-encina-spanish-poet-playwiright-and-composer-illustration-by-llanta-detail-lithography-cronica-general-de-espaa-historia-ilustrada-y-descriptiva-de-sus-provincias-asturias-and-leon-1867-image344519693.html
RM2B0E6AN–Juan de Fermoselle (1468-1529), called Juan del Encina. Spanish poet, playwiright and composer. Illustration by Llanta. Detail. Lithography. Cronica General de España. Historia Ilustrada y Descriptiva de sus Provincias. Asturias and Leon, 1867.
Jan Provost (1465-1529). Flemish painter. Tryptich of Our Lady of Mercy, 1512-1515. Left panel: St. Sebastian; central panel: Our Lady of Mercy with King Manuel I and Queen Mary at her feet; right panel: St. Christopher. Oil on wood. National Museum of Ancient Art. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-provost-1465-1529-flemish-painter-tryptich-of-our-lady-of-mercy-1512-1515-left-panel-st-sebastian-central-panel-our-lady-of-mercy-with-king-manuel-i-and-queen-mary-at-her-feet-right-panel-st-christopher-oil-on-wood-national-museum-of-ancient-art-lisbon-portugal-image457404759.html
RM2HG4GC7–Jan Provost (1465-1529). Flemish painter. Tryptich of Our Lady of Mercy, 1512-1515. Left panel: St. Sebastian; central panel: Our Lady of Mercy with King Manuel I and Queen Mary at her feet; right panel: St. Christopher. Oil on wood. National Museum of Ancient Art. Lisbon, Portugal.
Sir Thomas More (1478-1535). English humanist and social philosopher. Chancellor of England (1529-1532). He opposed the King's divorce from Katherine of Aragon, refusing to take the Oath of Supremacy, which acknowledged Henry as head of the Church of England. He was executed for treason on Tower Hill, London, on July 6, 1535. Portrait by an unknown artist after Hans Holbein the Younger. Oil on panel, early 17th century (after a portrait of 1527). National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-thomas-more-1478-1535-english-humanist-and-social-philosopher-chancellor-of-england-1529-1532-he-opposed-the-kings-divorce-from-katherine-of-aragon-refusing-to-take-the-oath-of-supremacy-which-acknowledged-henry-as-head-of-the-church-of-england-he-was-executed-for-treason-on-tower-hill-london-on-july-6-1535-portrait-by-an-unknown-artist-after-hans-holbein-the-younger-oil-on-panel-early-17th-century-after-a-portrait-of-1527-national-portrait-gallery-london-england-united-kingdom-image384661736.html
RM2D9PRY4–Sir Thomas More (1478-1535). English humanist and social philosopher. Chancellor of England (1529-1532). He opposed the King's divorce from Katherine of Aragon, refusing to take the Oath of Supremacy, which acknowledged Henry as head of the Church of England. He was executed for treason on Tower Hill, London, on July 6, 1535. Portrait by an unknown artist after Hans Holbein the Younger. Oil on panel, early 17th century (after a portrait of 1527). National Portrait Gallery. London, England, United Kingdom.
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