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1504 1570 Stock Photos and Images
RMWH9MR1–Francesco Primaticcio (1504-1570), Italian Mannerist painter, sculptor and architect and decorator.
RME8F8JX–Dance of the Hours and three putti with cornucopiae. Artist: Primaticcio, Francesco (1504-1570)
RMGG2A65–Drawing of bandages attributed to Francesco Primaticcio, a.k.a. Il Primaticcio (1504-1570) Surgery by Guido Guido. Latin manuscript Undated
RMP5N9XE–N/A. Grafik aus dem Klebeband Nr.13 der Fürstlich Waldeckschen Hofbibliothek Arolsen Aus dem Theatrum pictorium: Reproduktion eines Gemäldes von Francesco Primaticcio: Moses schlägt Wasser aus dem Felsen . 1660. After Francesco Primaticcio (1504–1570) Alternative names Primadizzi, , Francesco; Primaticio, Francesco; Primatitio, François, Primatixi, Franciscus Description Italian painter, architect and sculptor Date of birth/death 30 April 1504 1570 Location of birth/death Bologna Paris Work location Mantua, Fontainebleau, Paris Authority control : Q333366 VIAF:19687875 ISNI:0000 0
RM2CE9BFJ–The dance of the hours and three putti , cornucopiae. cornucopia, Primaticcio Francesco (1504-1570)
RMPB5X5K–Christ in Limbo. Artist: Luca Penni (Italian, Florence 1500/1504-1557 Paris). Dimensions: Sheet: 14 1/2 × 10 5/8 in. (36.8 × 27 cm). Date: ca.1547-48. Trained in the studio of Raphael (1483-1520) in Rome, Luca Penni then assisted his brother-in-law Perino del Vaga (1501-1547) in Lucca and Genoa, before travelling to France around 1537-38, later joining Rosso Fiorentino (1494-1540) and Francesco Primaticcio (1504-1570) to work in the employ of the French king, François I. This newly-discovered drawing was until recently believed to be lost: it is a splendid example of Penni's mature fluid styl
RM2B8WRJ6–Musée Condé (Cahntilly) - Ecole bolonaise / 8 Primaticcio (Francesco) (1504-1570) / Henri II, King of France
RM2R1GC1C–Francesco Primaticcio, Italian Mannerist painter, architect and sculptor from Bologna who spent most of his career in France, 1504-1570. Francesco Primaticcio Mahl U Archit. Bolog. Copperplate engraving by Jacob von Sandrart after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
RMBBJ7M7–Jean Le Feron learned French heraldic scholar 1504 1570 presents one of his works to King Henry II.
RM2PGB024–Francesco Primaticcio, Italian Mannerist painter, architect and sculptor who spent most of his career in France, 1504-1570. Worked with Giulio Romano in the Palazza del Te, and with il Rosso at Fontainbleau. Detto l'Abate Primaticcio o il Bologna. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RM2JD6A8X–JEAN LE FERON French herald, depicted presenting his 'Blason d'armoiries' to king Henri II. Colourised version of : 10162987 Date: 1504 - 1570
RF2HW5C54–Art inspired by Minerva Beautifies Ulysses, 19th century, Drawings, Anonymous, Italian, 19th century, After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMBYDW–Drawing, Group of Men in a Boat; After Francesco Primaticco (Italian, 1504–1570); Italy; graphite, brush and gray wash on paper; 18.8 x 25.3 cm (7 3/8 x 9 15/16 in.); 1962-47-8
RF2B98Y5E–Francesco Primaticcio, ca 1504-1570, painting, Watercolor and gouache on parchment, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2DCD497–Louis Elle I, (artist), French, 1612 - 1689, Francesco Primaticcio, (artist after), Italian, 1504 - 1570, The Forge of Vulcan, etching
RMHT24D4–The Room of the Stuccoes (Camera degli Stucchi) of the Palazzo del Tè, 1526-1534. Artist: Primaticcio, Francesco (1504-1570)
RMCR7MMA–Philip I 'the Magnanimous', 13.11.1504 - 31.3.1567, Landgrave of Hesse 11.7.1509 - 31.3.1567, full length, statue, epitaph, St. Martin's Church, Kassel, circa 1570, wood engraving, 19th century,
RF2TANBW3–Alexander Mastering Bucephalus. Leon Davent (French, active 1540-56). After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris) Date: ca. 1540-
RMRX8NRC–Astronomy. Eloi Bonnejonne (Italian, c. 1630-1695); after Francesco Primaticcio (Italian, 1504-1570). Date: 1649-1695. Dimensions: 138 x 198 mm. Etching printed in black on paper. Origin: Italy. Museum: The Chicago Art Institute.
RMMX1X5E–. Svenska: Francesco Primaticcio, ca 1504-1570 . Unknown date 216 Francesco Primaticcio, ca 1504-1570 - Nationalmuseum - 31878
RM2RGC4P3–JEAN LE FERON French herald, depicted presenting his 'Blason d'armoiries' to king Henri II.
RM2CDM4EB–. Transactions and journal of proceedings . rd Balliols and his English Sovereigns. Itwould recover during the later years of David II., but itsuffered again and again from raids. It was burnt in 1384,1415, and possibly in 1483. There was a considerable firein 1504,5^ and it suffered from the auld enemy in 1547, 1549,and 1570; it was, in the words of Lord Herries, oft burnedand harried. Plague. It was decimated also by plague, its marshy surroundingsand relaxing climate rendering it particularly liable to suchattacks. In 1439 the pestilence but mercy ffor thar tuke itnane that ever recoverit,
RF2B9CMJE–Centaur and Lapith, Francesco Primaticcio (Italian, 1504 - 1570), Italy, about 1540, Red chalk, 21.7 x 27.8 cm (8 9,16 x 10 15,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2DCGBT4–Léon Davent, (artist), French, active 1540 - 1556, Francesco Primaticcio, (artist after), Italian, 1504 - 1570, Diana Resting, etching
RM2A50HX6–Covered Cup with Grape Festoon, mid 1500s. When the French king Francis I (reigned 1515-47) decided to renovate his hunting lodge at Fontainebleau, near Paris, he set the stage for the development of Mannerism in France. In the early 1530s, Francis I successfully lured the Italian artists Rosso Fiorentino (1495-1540) and Francesco Primaticcio (1504/5-1570) to Fontainebleau to participate in its redecoration. The most influential project at Fontainebleau was the long corridor now known as the Gallery of Francis I. Here, Rosso developed an innovative system of wall decoration that combined paint
RMRXHE18–Return of Agamemnon. After Francesco Primaticcio; Italian, 1504-1570. Date: 1779-1799. Dimensions: 229 x 198 mm (max.). Black chalk with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
RMMW5B7E–. Svenska: Francesco Primaticcio, ca 1504-1570 . Unknown date 215 Francesco Primaticcio, ca 1504-1570 - Nationalmuseum - 31878
RMMWYNMG–. English: Léon Davent, French, active ca. 1540–1560, after Francesco Primaticcio, Italian, 1504–1570, Diana at Rest, after 1547, Etching . 1540s. Léon Davent - French printmaker in the mid 16th century 154 Davent Cornell
RF2B9F79X–Double Head, Attributed to Francesco Primaticcio (Italian, 1504 - 1570), Fontainebleau, France, about 1543, Bronze, 38.5 × 35 × 20 cm (15 3,16 × 13 3,4 × 7 7,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2DC80ND–Léon Davent, (artist), French, active 1540 - 1556, Francesco Primaticcio, (artist after), Italian, 1504 - 1570, Fishing Scene, 1547, etching
RMRX6R2W–Sacrifice of a Bull. Attributed to Francesco Primaticcio; Italian, 1504-1570. Date: 1550-1559. Dimensions: 251 x 137 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white, over traces of black chalk, on cream laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
RMMW3234–. English: Léon Davent, French, active ca. 1540–1560, after Francesco Primaticcio, Italian, 1504–1570, Diana at Rest, after 1547, Etching . 1540s. Léon Davent - French printmaker in the mid 16th century 154 Davent Cornell
RF2B9CM7H–Vulcan at His Forge, Francesco Primaticcio (Italian, 1504 - 1570), about 1550, Pen and brown ink and brown wash with white gouache heightening, squared, 25.1 x 14 cm (9 7,8 x 5 1,2 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2DCEGY6–Master FG, (artist), Italian, active 1540s, Francesco Primaticcio, (artist after), Italian, 1504 - 1570, Vulcan and the Cyclopes Forging Arrows, engraving
RM2HWME9C–Juno. Etcher: Léon Davent, French, active 1540–1556After: Francesco Primaticcio, Italian, 1504–1570
RMRXHDTF–The Return of Ulysses. After Theodor van Thulden (Dutch, 1606-1669); after Francesco Primaticcio (Italian, 1504-1570). Date: 1633-1669. Dimensions: 198 x 253 mm. Pen and brown ink with brush and gray wash, over traces of black chalk, on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute. Author: Theodoor van Thulden.
RMMY5W9A–. English: Léon Davent, French, active ca. 1540–1560, after Francesco Primaticcio, Italian, 1504–1570, Diana at Rest, after 1547, Etching . 1540s. Léon Davent - French printmaker in the mid 16th century 133 Davent Cornell
RMP5NDM9–Battle of Tunis 1535 Attack on Goletta 16th century. Frans Hogenberg (before 1540–1590) Alternative names Franz Hogenberg, Frans Hogenbergh, Frans Hogenberch Description Flemish engraver and cartographer Date of birth/death before 1540 1590 Location of birth/death Mechelen Cologne Work period 1568-1588 Work location Antwerp (1568), London (1568), Cologne (1570-1585), Hamburg (1585-1588), Denmark (1588) Authority control : Q959748 VIAF:100197099 ISNI:0000 0001 1839 1431 ULAN:500000956 LCCN:n50043890 WGA:HOGENBERG, Frans WorldCat After Jan Cornelisz Vermeyen (circa 1504–1559
RF2B96X6D–Study of God the Father with Angels, Francesco Primaticcio (Italian, 1504 - 1570), Italy, about 1555 - 1560, Red chalk with white gouache heightening on pink prepared paper, 17.1 × 22.4 cm (6 3/4 × 8 13/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2DCFHAH–French 16th Century, (artist), Francesco Primaticcio, (artist after), Italian, 1504 - 1570, Young Man Drinking Water (Rebecca and Eliezer?), etching
RM2HWME4N–Garden of Pomona. Engraver: Léon Davent, French, active 1540–1556After: Francesco Primaticcio, Italian, 1504–1570
![Fortitude (Study for the 'Cabinet du roi' [King's Study]). Francesco Primaticcio; Italian, 1504-1570. Date: 1541-1545. Dimensions: 219 x 152 mm. Brush and vermilion wash, heightened with lead white, over stylus incising, on cream laid paper toned pink, laid down on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photo](https://c8.alamy.com/comp/RX578R/fortitude-study-for-the-cabinet-du-roi-kings-study-francesco-primaticcio-italian-1504-1570-date-1541-1545-dimensions-219-x-152-mm-brush-and-vermilion-wash-heightened-with-lead-white-over-stylus-incising-on-cream-laid-paper-toned-pink-laid-down-on-cream-laid-paper-origin-italy-museum-the-chicago-art-institute-RX578R.jpg "Fortitude (Study for the 'Cabinet du roi' [King's Study]). Francesco Primaticcio; Italian, 1504-1570. Date: 1541-1545. Dimensions: 219 x 152 mm. Brush and vermilion wash, heightened with lead white, over stylus incising, on cream laid paper toned pink, laid down on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photo")
RMRX578R–Fortitude (Study for the 'Cabinet du roi' [King's Study]). Francesco Primaticcio; Italian, 1504-1570. Date: 1541-1545. Dimensions: 219 x 152 mm. Brush and vermilion wash, heightened with lead white, over stylus incising, on cream laid paper toned pink, laid down on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute.
RF2B8X5Y5–The Return of Ulysses, c. 1633, After Theodor van Thulden (Dutch, 1606-1669), After Francesco Primaticcio (Italian, 1504-1570), Holland, Pen and brown ink with brush and gray wash, over traces of black chalk, on ivory laid paper, 198 x 253 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2DCG1NB–Léon Davent, (artist), French, active 1540 - 1556, Francesco Primaticcio, (artist after), Italian, 1504 - 1570, Bellona Seated on Her Trophies, etching
RM2HWHJ14–The Banquet of Alexander the Great. Engraver: Domenico del Barbiere, Italian, 1506–1565After: Francesco Primaticcio, Italian, 1504–1570
RMRX6TH0–Cupid with Bandaged Eyes. Léon Davent (French, fl. 1540-1560); after Rosso Fiorentino (Italian, 1494-1540); after Francesco Primaticcio (Italian, 1504-1570); after Giulio Pippi, called Giulio Romano (Italian, c. 1499-1546). Date: 1500-1546. Dimensions: 193 x 354 mm (plate); 198 x 358 mm (sheet). Engraving on dark cream laid paper. Origin: Italy. Museum: The Chicago Art Institute.
RF2B8WF56–Return of Agamemnon, 18th century, After Francesco Primaticcio, Italian, 1504-1570, Italy, Black chalk with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper, 229 x 198 mm (max.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2DCAD32–Léon Davent, (artist), French, active 1540 - 1556, Francesco Primaticcio, (artist after), Italian, 1504 - 1570, Mars Seated on Trophies, etching
RM2HWDDTB–A Youth Drinking Water offered by a Woman. Artist: Unknown After: Francesco Primaticcio, Italian, 1504–1570
RM2T69BRY–Francesco Primaticcio, Italian Mannerist painter, architect and sculptor from Bologna who spent most of his career in France, 1504-1570. Francesco Primaticcio Mahl U Archit. Bolog. Copperplate engraving by Jacob von Sandrart after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
RF2B9FEBF–Plate 48, Les trauaux d'Vlysse, Abate, Nicolò dell', ca. 1509-1571, Primaticcio, Francesco, 1504-1570, Thulden, Theodoor van, 1606-1669, Etching, 1640, Etching by Theodoor van Thulden of a scene from the Galerie d'Ulysse in Fontainebleau, painted by Nicolò dell' Abate after Primaticcio, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2HXYY–Astronomy, n.d., Eloi Bonnejonne (Italian, c. 1630-1695), after Francesco Primaticcio (Italian, 1504-1570), Italy, Etching printed in black on paper, 138 x 198 mm
RM2HWMF24–Rebecca and Eliezer at the Well. Artist: Master IV, French, active ca. 1543After: Francesco Primaticcio, Italian, 1504–1570
RM2T6CR43–Francesco Primaticcio, Italian Mannerist painter, architect and sculptor who spent most of his career in France, 1504-1570. Worked with Giulio Romano in the Palazza del Te, and with il Rosso at Fontainbleau. Detto l'Abate Primaticcio o il Bologna. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RF2B9FEBJ–Plate 4, Les trauaux d'Vlysse, Abate, Nicolò dell', ca. 1509-1571, Primaticcio, Francesco, 1504-1570, Thulden, Theodoor van, 1606-1669, Etching, 1640, Etching by Theodoor van Thulden of a scene from the Galerie d'Ulysse in Fontainebleau, painted by Nicolò dell' Abate after Primaticcio, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2DCAKKN–Master IV, (artist), French, active c. 1544, Francesco Primaticcio, (artist after), Italian, 1504 - 1570, Moses Striking the Rock, etching, sheet: 26.6 x 41.4 cm (10 1/2 x 16 5/16 in
RM2HWME58–Love (Amour). Engraver: Jacques Androuet du Cerceau, French, 1510–1584After: Francesco Primaticcio, Italian, 1504–1570
RM2DT5H1N–Artist, style of: Francesco Primaticcio, Italian, 1504–1570, The Art of Music, ca. 1565, Oil on panel, 93 × 89 cm (36 5/8 × 35 1/16 in.), Not on view, French, 16th century, Paintings
RMW51AK4–Study of God the Father with Angels, Francesco Primaticcio (Italian, 1504 - 1570), Italy, about 1555 - 1560, Red chalk with white gouache heightening on pink prepared paper, 17.1 × 22.4 cm (6 3/4 × 8 13/16 in
RMPB199J–Jupiter and Callisto. Artist: Master FG (Italian, active mid-16th century); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Date: 1540-56. Museum: Metropolitan Museum of Art, New York, USA.
RF2B9FEBM–Plate 29, Les trauaux d'Vlysse, Abate, Nicolò dell', ca. 1509-1571, Primaticcio, Francesco, 1504-1570, Thulden, Theodoor van, 1606-1669, Etching, 1640, Etching by Theodoor van Thulden of a scene from the Galerie d'Ulysse in Fontainebleau, painted by Nicolò dell' Abate after Primaticcio, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HWME4X–Alexander Mastering Bucephalus. Etcher: Léon Davent, French, active 1540–1556After: Francesco Primaticcio, Italian, 1504–1570
RM2A2JH3B–The Return of Ulysses, c. 1633, After Theodor van Thulden (Dutch, 1606-1669), After Francesco Primaticcio (Italian, 1504-1570), Holland, Pen and brown ink with brush and gray wash, over traces of black chalk, on ivory laid paper, 198 x 253 mm
RMR2MN2G–The Wounded Paris Carried from the Field of Battle. Artist: Master FG (Italian, active mid-16th century); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Museum: Metropolitan Museum of Art, New York, USA.
RF2B9FEBT–Plate 18, Les trauaux d'Vlysse, Abate, Nicolò dell', ca. 1509-1571, Primaticcio, Francesco, 1504-1570, Thulden, Theodoor van, 1606-1669, Etching, 1640, Etching by Theodoor van Thulden of a scene from the Galerie d'Ulysse in Fontainebleau, painted by Nicolò dell' Abate after Primaticcio, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HWMF3G–Grotto. Etcher: The Master of the Story of Cadmus, French, active ca. 1542 - 1545After: Francesco Primaticcio, Italian, 1504–1570
RM2A2J486–Return of Agamemnon, 18th century, After Francesco Primaticcio, Italian, 1504-1570, Italy, Black chalk with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper, 229 x 198 mm (max
RMPAAE7W–Three Standing Figures. Artist: After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: 17 1/8 x 12 in. (43.5 x 30.5 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
RF2B8Y55D–Sacrifice of a Bull, n.d., Attributed to Francesco Primaticcio, Italian, 1504-1570, Italy, Pen and brown ink with brush and brown wash, heightened with lead white, over traces of black chalk, on cream laid paper, laid down on ivory laid paper, 251 x 137 mm (max.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HWME4Y–Three Muses and a Gesturing Putto. Engraver: Giorgio Ghisi, Italian, 1520–1582After: Francesco Primaticcio, Italian, 1504–1570
RM2DCB1GW–Master FG, (artist), Italian, active 1540s, Francesco Primaticcio, (artist after), Italian, 1504 - 1570, Penelope and Her Maids Weaving, c. 1545, engraving on laid paper, sheet: 21.1 x 44.8 cm (8 5/16 x 17 5/8 in
RMPAP0WE–Vulcan Forging the Darts of Cupid. Artist: Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: 13-7/16 x 17-3/16 in. (34.1 x 43.7 cm). Date: 1552-56. Museum: Metropolitan Museum of Art, New York, USA.
RM2DT309G–After: Francesco Primaticcio, Italian, 1504–1570, A Youth Drinking Water offered by a Woman, Etching, touched up with burin, platemark: 35.8 × 32 cm (14 1/8 × 12 5/8 in.), French, 16th century, Works on Paper - Prints
![Fortitude (Study for the Cabinet du roi [King’s Study]), 1541/45, Francesco Primaticcio, Italian, 1504-1570, Italy, Brush and vermilion wash, heightened with lead white, over stylus incising, on cream laid paper toned pink, laid down on cream laid paper, 219 x 152 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo](https://c8.alamy.com/comp/2B905DT/fortitude-study-for-the-cabinet-du-roi-kings-study-154145-francesco-primaticcio-italian-1504-1570-italy-brush-and-vermilion-wash-heightened-with-lead-white-over-stylus-incising-on-cream-laid-paper-toned-pink-laid-down-on-cream-laid-paper-219-x-152-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-2B905DT.jpg "Fortitude (Study for the Cabinet du roi [King’s Study]), 1541/45, Francesco Primaticcio, Italian, 1504-1570, Italy, Brush and vermilion wash, heightened with lead white, over stylus incising, on cream laid paper toned pink, laid down on cream laid paper, 219 x 152 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo")
RF2B905DT–Fortitude (Study for the Cabinet du roi [King’s Study]), 1541/45, Francesco Primaticcio, Italian, 1504-1570, Italy, Brush and vermilion wash, heightened with lead white, over stylus incising, on cream laid paper toned pink, laid down on cream laid paper, 219 x 152 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HWME4T–Three Muses and a Putto with Cymbals. Engraver: Giorgio Ghisi, Italian, 1520–1582After: Francesco Primaticcio, Italian, 1504–1570
RMPB1KGF–Eros and Anteros. Artist: Léon Davent (French, active 1540-56); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet (trimmed): 6 in. × 10 1/4 in. (15.2 × 26 cm). Date: 1540-56. Museum: Metropolitan Museum of Art, New York, USA.
RM2DRR402–Engraver: Giorgio Ghisi, Italian, 1520–1582, After: Francesco Primaticcio, Italian, 1504–1570, Three Muses and a Putto with Cymbals, Engraving, platemark: 29 × 16.5 cm (11 7/16 × 6 1/2 in.), Italian, 16th century, Works on Paper - Prints
RF2B9FB7D–Plate 10, Les trauaux d'Vlysse, Abate, Nicolò dell', ca. 1509-1571, Primaticcio, Francesco, 1504-1570, Thulden, Theodoor van, 1606-1669, Etching, 1640, Etching by Theodoor van Thulden of a scene from the Galerie d'Ulysse in Fontainebleau, painted by Nicolò dell' Abate after Primaticcio (Thieme-Becker, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HWME55–Jupiter and Antiope. Engraver: Girolamo Faccioli (Fagiuoli), Italian, active by 1539, died 1574After: Francesco Primaticcio, Italian, 1504–1570
RF2HTXP01–Art inspired by Jupiter and Callisto, 1540–56, Engraving, Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW5RBE–Art inspired by The Wounded Paris Carried from the Field of Battle, Engraving, Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for 1504 1570 Stock Photos and Images (523)
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