Quick filters:
Page 1 of 3
1500 1502 Stock Photos and Images
Master MZ, (artist), German, active c. 1500, Memento Mori, c. 1500/1502, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/master-mz-artist-german-active-c-1500-memento-mori-c-15001502-engraving-image386251402.htmlRM2DCB7GX–Master MZ, (artist), German, active c. 1500, Memento Mori, c. 1500/1502, engraving
Bartolomeo Montagna (1450-1523), San Biagio and saint bishop, 1500-1502, tempera on wood Italy Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bartolomeo-montagna-1450-1523-san-biagio-and-saint-bishop-1500-1502-tempera-on-wood-italy-italian-image211799781.htmlRMP8G8NW–Bartolomeo Montagna (1450-1523), San Biagio and saint bishop, 1500-1502, tempera on wood Italy Italian
The Life of the Virgin: The Virgin and Child Surrounded by Saints and Angels, c. 1500-1502. Albrecht Dürer (German, 1471-1528). Woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-life-of-the-virgin-the-virgin-and-child-surrounded-by-saints-and-angels-c-1500-1502-albrecht-drer-german-1471-1528-woodcut-image240434639.htmlRMRY4MRB–The Life of the Virgin: The Virgin and Child Surrounded by Saints and Angels, c. 1500-1502. Albrecht Dürer (German, 1471-1528). Woodcut
'fine arts, Bosch, Hieronymus (circa 1450 - 1515), painting, 'the haywain', outer wings, 'the wayfarer', 1500 - 1502, oil on Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fine-arts-bosch-hieronymus-circa-1450-1515-painting-the-haywain-outer-image7984692.htmlRMAFKWR5–'fine arts, Bosch, Hieronymus (circa 1450 - 1515), painting, 'the haywain', outer wings, 'the wayfarer', 1500 - 1502, oil on
Artist: Albrecht Dürer, German, 1471–1528, The Virgin Mary with the Infant Jesus and Saint Anne, ca. 1500–1502, Engraving, 11.5 × 7.1 cm (4 1/2 × 2 13/16 in.), Made in Germany, German, 16th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-albrecht-drer-german-14711528-the-virgin-mary-with-the-infant-jesus-and-saintanne-ca15001502-engraving-115-71-cm-4-12-2-1316in-made-in-germany-german-16thcentury-works-on-paper-prints-image393438224.htmlRM2DT2JD4–Artist: Albrecht Dürer, German, 1471–1528, The Virgin Mary with the Infant Jesus and Saint Anne, ca. 1500–1502, Engraving, 11.5 × 7.1 cm (4 1/2 × 2 13/16 in.), Made in Germany, German, 16th century, Works on Paper - Prints
N/A. Français : Blaise de Montesquiou, seigneur de Monluc (1500/1502-1577) . Léonard Gaultier 207 Blaise de Montluc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-franais-blaise-de-montesquiou-seigneur-de-monluc-15001502-1577-lonard-gaultier-207-blaise-de-montluc-image209905858.htmlRMP5E11P–N/A. Français : Blaise de Montesquiou, seigneur de Monluc (1500/1502-1577) . Léonard Gaultier 207 Blaise de Montluc
ICONO DE LA VIRGEN MADRE - 1500-1502. Location: GALERIA DE LOS ICONOS, NOVGOROD. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icono-de-la-virgen-madre-1500-1502-location-galeria-de-los-iconos-novgorod-image208349493.htmlRMP2Y3W9–ICONO DE LA VIRGEN MADRE - 1500-1502. Location: GALERIA DE LOS ICONOS, NOVGOROD.
Garden scene Islamic book illustration. From Bustan-i-Sadi folio 39 mandu c. 1500-1502 a.d. National Museum of New Delhi India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-garden-scene-islamic-book-illustration-from-bustan-i-sadi-folio-39-20827069.htmlRMB5TN3W–Garden scene Islamic book illustration. From Bustan-i-Sadi folio 39 mandu c. 1500-1502 a.d. National Museum of New Delhi India
Adam and Eve, Hans Sebald Beham, German, 1500–1550, Barthel Beham, 1502 - 1540, Engraving on laid paper, 1543, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adam-and-eve-hans-sebald-beham-german-15001550-barthel-beham-1502-1540-engraving-on-laid-paper-1543-print-image391708686.htmlRM2DN7TBX–Adam and Eve, Hans Sebald Beham, German, 1500–1550, Barthel Beham, 1502 - 1540, Engraving on laid paper, 1543, Print
Master MZ, Memento Mori, c 1500-1502 Memento Mori; c. 1500/1502 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/master-mz-memento-mori-c-1500-1502-memento-mori-c-15001502-image336023144.htmlRM2AEK4XG–Master MZ, Memento Mori, c 1500-1502 Memento Mori; c. 1500/1502
Matthew, from The Four Evangelists, 1539, Heinrich Aldegrever (German, 1502-c. 1560), after Georg Pencz (c. 1500-1550), Germany, Engraving in black on ivory laid paper, 116 x 75 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matthew-from-the-four-evangelists-1539-heinrich-aldegrever-german-1502-c-1560-after-georg-pencz-c-1500-1550-germany-engraving-in-black-on-ivory-laid-paper-116-x-75-mm-sheet-image328632068.htmlRM2A2JDFG–Matthew, from The Four Evangelists, 1539, Heinrich Aldegrever (German, 1502-c. 1560), after Georg Pencz (c. 1500-1550), Germany, Engraving in black on ivory laid paper, 116 x 75 mm (sheet
Melk, Lower Austria, Austria. July 19, 2014. Jörg Breu (the Elder) Melk high altar 1500-1502 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/melk-lower-austria-austria-july-19-2014-jrg-breu-the-elder-melk-high-altar-1500-1502-image560516223.htmlRM2RFWM4F–Melk, Lower Austria, Austria. July 19, 2014. Jörg Breu (the Elder) Melk high altar 1500-1502
The Life of the Virgin: The Virgin and Child Surrounded by Saints and Angels, c. 1500-1502. Albrecht Dürer (German, 1471-1528). Woodcut; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-life-of-the-virgin-the-virgin-and-child-surrounded-by-saints-and-angels-c-1500-1502-albrecht-drer-german-1471-1528-woodcut-image448107057.htmlRM2H1113D–The Life of the Virgin: The Virgin and Child Surrounded by Saints and Angels, c. 1500-1502. Albrecht Dürer (German, 1471-1528). Woodcut;
The Virgin and Child Surrounded by Saints and Angels, c. 1500-1502. Dürer depicted the scene of the Virgin’s death (1959.99.18) as an intimate one, with the apostles keeping vigil around her deathbed. Three days later they witnessed Mary’s bodily assumption into paradise where she was crowned the Queen of Heaven (1959.99.19). The final print (1959.99.20), which some believe was conceived independently from the series because it falls outside of the typical narrative, shows the Virgin in a domestic setting surrounded by several saints, angels, and putti that celebrate her lif Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-surrounded-by-saints-and-angels-c-1500-1502-dxfcrer-depicted-the-scene-of-the-virginx2019s-death-19599918-as-an-intimate-one-with-the-apostles-keeping-vigil-around-her-deathbed-three-days-later-they-witnessed-maryx2019s-bodily-assumption-into-paradise-where-she-was-crowned-the-queen-of-heaven-19599919-the-final-print-19599920-which-some-believe-was-conceived-independently-from-the-series-because-it-falls-outside-of-the-typical-narrative-shows-the-virgin-in-a-domestic-setting-surrounded-by-several-saints-angels-and-putti-that-celebrate-her-lif-image330131022.htmlRM2A52NDJ–The Virgin and Child Surrounded by Saints and Angels, c. 1500-1502. Dürer depicted the scene of the Virgin’s death (1959.99.18) as an intimate one, with the apostles keeping vigil around her deathbed. Three days later they witnessed Mary’s bodily assumption into paradise where she was crowned the Queen of Heaven (1959.99.19). The final print (1959.99.20), which some believe was conceived independently from the series because it falls outside of the typical narrative, shows the Virgin in a domestic setting surrounded by several saints, angels, and putti that celebrate her lif
Saint. Eustachy, copperplate photography (1500-1502); unknown, Dürer, Albrecht (1471-1528); after 1870 (1871-00-00-1877-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-eustachy-copperplate-photography-1500-1502-unknown-drer-albrecht-1471-1528-after-1870-1871-00-00-1877-00-00-image598903549.htmlRM2WPABGD–Saint. Eustachy, copperplate photography (1500-1502); unknown, Dürer, Albrecht (1471-1528); after 1870 (1871-00-00-1877-00-00);
Portrait of the Charles V, Holy Roman Emperor. 1531, by Barthel Beham (1502-1540) – graphic artist Charles V (1500 – 1558) was Holy Roman Emperor and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-charles-v-holy-roman-emperor-1531-by-barthel-beham-1502-1540-graphic-artist-charles-v-1500-1558-was-holy-roman-emperor-and-image457380698.htmlRM2HG3DMX–Portrait of the Charles V, Holy Roman Emperor. 1531, by Barthel Beham (1502-1540) – graphic artist Charles V (1500 – 1558) was Holy Roman Emperor and
![Coronation of Virgin Mary. Aelst, Pieter van (Netherlandish (before 1600) - Flanders, act.1495-1532) (workshop) [weaver] c. 1500-1502 Tapestry Dimensions: H 322 x W 375 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Southern Netherlands Ownership History: Inventory of Queen Doña Juana (1545). Inventory of Emperor Carlos V (1561). Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.224-6132. Slender columns divide composition, creating sever Stock Photo](https://c8.alamy.com/comp/2WT26DA/coronation-of-virgin-mary-aelst-pieter-van-netherlandish-before-1600-flanders-act1495-1532-workshop-weaver-c-1500-1502-tapestry-dimensions-h-322-x-w-375-cm-tapestry-materialstechniques-wool-silk-metallic-thread-gold-metallic-thread-silver-culture-southern-netherlands-ownership-history-inventory-of-queen-doa-juana-1545-inventory-of-emperor-carlos-v-1561-inventory-of-carlos-ii-1701-1703-inventory-of-carlos-iii-1788-inventory-of-fernando-vii-1834-spain-madrid-palacio-real-de-madrid-accno-a224-6132-slender-columns-divide-composition-creating-sever-2WT26DA.jpg "Coronation of Virgin Mary. Aelst, Pieter van (Netherlandish (before 1600) - Flanders, act.1495-1532) (workshop) [weaver] c. 1500-1502 Tapestry Dimensions: H 322 x W 375 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Southern Netherlands Ownership History: Inventory of Queen Doña Juana (1545). Inventory of Emperor Carlos V (1561). Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.224-6132. Slender columns divide composition, creating sever Stock Photo")
Coronation of Virgin Mary. Aelst, Pieter van (Netherlandish (before 1600) - Flanders, act.1495-1532) (workshop) [weaver] c. 1500-1502 Tapestry Dimensions: H 322 x W 375 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Southern Netherlands Ownership History: Inventory of Queen Doña Juana (1545). Inventory of Emperor Carlos V (1561). Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.224-6132. Slender columns divide composition, creating sever Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coronation-of-virgin-mary-aelst-pieter-van-netherlandish-before-1600-flanders-act1495-1532-workshop-weaver-c-1500-1502-tapestry-dimensions-h-322-x-w-375-cm-tapestry-materialstechniques-wool-silk-metallic-thread-gold-metallic-thread-silver-culture-southern-netherlands-ownership-history-inventory-of-queen-doa-juana-1545-inventory-of-emperor-carlos-v-1561-inventory-of-carlos-ii-1701-1703-inventory-of-carlos-iii-1788-inventory-of-fernando-vii-1834-spain-madrid-palacio-real-de-madrid-accno-a224-6132-slender-columns-divide-composition-creating-sever-image599953238.htmlRM2WT26DA–Coronation of Virgin Mary. Aelst, Pieter van (Netherlandish (before 1600) - Flanders, act.1495-1532) (workshop) [weaver] c. 1500-1502 Tapestry Dimensions: H 322 x W 375 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Southern Netherlands Ownership History: Inventory of Queen Doña Juana (1545). Inventory of Emperor Carlos V (1561). Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.224-6132. Slender columns divide composition, creating sever
Art inspired by Judgment of Paris (copy), 16th century, Engraving, Prints, After Barthel Beham (German, Nuremberg ca. 1502–1540 Italy), ? Jacob Binck (German, Cologne 1494/1500–1569 Kaliningrad (Königsberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-judgment-of-paris-copy-16th-century-engraving-prints-after-barthel-beham-german-nuremberg-ca-15021540-italy-jacob-binck-german-cologne-149415001569-kaliningrad-knigsberg-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462992836.htmlRF2HW742C–Art inspired by Judgment of Paris (copy), 16th century, Engraving, Prints, After Barthel Beham (German, Nuremberg ca. 1502–1540 Italy), ? Jacob Binck (German, Cologne 1494/1500–1569 Kaliningrad (Königsberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Cantino planisphere (or Cantino World Map) is the earliest surviving map showing Portuguese Discoveries in the east and west. It is named after Alberto Cantino, an agent for the Duke of Ferrara, who successfully smuggled it from Portugal to Italy in 1502. The map is particularly notable for portraying a fragmentary record of the Brazilian coast, discovered in 1500 by the Portuguese explorer Pedro Álvares Cabral who conjectured that he had landed on a continent previously unknown to Europeans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-cantino-planisphere-or-cantino-world-map-is-the-earliest-surviving-57362096.htmlRMD991X8–The Cantino planisphere (or Cantino World Map) is the earliest surviving map showing Portuguese Discoveries in the east and west. It is named after Alberto Cantino, an agent for the Duke of Ferrara, who successfully smuggled it from Portugal to Italy in 1502. The map is particularly notable for portraying a fragmentary record of the Brazilian coast, discovered in 1500 by the Portuguese explorer Pedro Álvares Cabral who conjectured that he had landed on a continent previously unknown to Europeans
Sebastian Brant, Brandt, 1458 – 10 May 152, a German humanist and satirist.He is best known for his satire Das Narrenschiff, The Ship of Fools / Sebastian Brant, 1457 oder 1458 - 10. Mai 1521, deutscher Jurist, Professor für Rechtswissenschaft an der Universität Basel (1489–1500) und von 1502 bis zu seinem Tod 1521 Stadtsyndikus und Kanzler der Freien Reichsstadt Straßburg, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sebastian-brant-brandt-1458-10-may-152-a-german-humanist-and-satiristhe-is-best-known-for-his-satire-das-narrenschiff-the-ship-of-fools-sebastian-brant-1457-oder-1458-10-mai-1521-deutscher-jurist-professor-fr-rechtswissenschaft-an-der-universitt-basel-14891500-und-von-1502-bis-zu-seinem-tod-1521-stadtsyndikus-und-kanzler-der-freien-reichsstadt-straburg-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image386004778.htmlRF2DC010X–Sebastian Brant, Brandt, 1458 – 10 May 152, a German humanist and satirist.He is best known for his satire Das Narrenschiff, The Ship of Fools / Sebastian Brant, 1457 oder 1458 - 10. Mai 1521, deutscher Jurist, Professor für Rechtswissenschaft an der Universität Basel (1489–1500) und von 1502 bis zu seinem Tod 1521 Stadtsyndikus und Kanzler der Freien Reichsstadt Straßburg, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
The Cantino planisphere (or Cantino World Map) is the earliest surviving map showing Portuguese geographic discoveries in the east and west. It is named after Alberto Cantino, an agent for the Duke of Ferrara, who successfully smuggled it from Portugal to Italy in 1502. The map is particularly notable for portraying a fragmentary record of the Brazilian coast, discovered in 1500 by the Portuguese explorer Pedro Álvares Cabral, and for depicting the African coast of the Atlantic and Indian Oceans with a remarkable accuracy and detail. It was valuable at the beginning of the sixteenth century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cantino-planisphere-or-cantino-world-map-is-the-earliest-surviving-map-showing-portuguese-geographic-discoveries-in-the-east-and-west-it-is-named-after-alberto-cantino-an-agent-for-the-duke-of-ferrara-who-successfully-smuggled-it-from-portugal-to-italy-in-1502-the-map-is-particularly-notable-for-portraying-a-fragmentary-record-of-the-brazilian-coast-discovered-in-1500-by-the-portuguese-explorer-pedro-lvares-cabral-and-for-depicting-the-african-coast-of-the-atlantic-and-indian-oceans-with-a-remarkable-accuracy-and-detail-it-was-valuable-at-the-beginning-of-the-sixteenth-century-image344264703.htmlRM2B02H3Y–The Cantino planisphere (or Cantino World Map) is the earliest surviving map showing Portuguese geographic discoveries in the east and west. It is named after Alberto Cantino, an agent for the Duke of Ferrara, who successfully smuggled it from Portugal to Italy in 1502. The map is particularly notable for portraying a fragmentary record of the Brazilian coast, discovered in 1500 by the Portuguese explorer Pedro Álvares Cabral, and for depicting the African coast of the Atlantic and Indian Oceans with a remarkable accuracy and detail. It was valuable at the beginning of the sixteenth century
Francisco de Bobadilla (m. 1502) arriving as Governor and arresting Christopher Columbus (1451-1506) in Hispaniola, 1500. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-francisco-de-bobadilla-m-1502-arriving-as-governor-and-arresting-christopher-73959358.htmlRME893WJ–Francisco de Bobadilla (m. 1502) arriving as Governor and arresting Christopher Columbus (1451-1506) in Hispaniola, 1500.
'fine arts, Bosch, Hieronymus, (circa 1450 - 1516), 'haywain', central panel, detail, 1500 - 1502, oil on panel, 135 cm x 100 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fine-arts-bosch-hieronymus-circa-1450-1516-haywain-central-panel-detail-image7984376.htmlRMAFKRY9–'fine arts, Bosch, Hieronymus, (circa 1450 - 1516), 'haywain', central panel, detail, 1500 - 1502, oil on panel, 135 cm x 100
Amerigo Vespucci (9 March 1454 - 22 February 1512) was an Italian explorer, navigator and cartographer, born and brought up by his uncle in the Republic of Florence, in what is now Italy. Vespucci worked for Lorenzo de Medici and his son, Giovanni. In 1492, he was sent to work at the Seville branch of the Medici bank. At the invitation of King Manuel I of Portugal, Vespucci participated as an observer in several voyages that explored the east coast of South America between 1499 and 1502. Manuel's commander Pedro Alvares Cabral, on his way to the Cape of Good Hope and India in 1500, had discov Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amerigo-vespucci-9-march-1454-22-february-1512-was-an-italian-explorer-navigator-and-cartographer-born-and-brought-up-by-his-uncle-in-the-republic-of-florence-in-what-is-now-italy-vespucci-worked-for-lorenzo-de-medici-and-his-son-giovanni-in-1492-he-was-sent-to-work-at-the-seville-branch-of-the-medici-bank-at-the-invitation-of-king-manuel-i-of-portugal-vespucci-participated-as-an-observer-in-several-voyages-that-explored-the-east-coast-of-south-america-between-1499-and-1502-manuels-commander-pedro-alvares-cabral-on-his-way-to-the-cape-of-good-hope-and-india-in-1500-had-discov-image344279596.htmlRM2B0383T–Amerigo Vespucci (9 March 1454 - 22 February 1512) was an Italian explorer, navigator and cartographer, born and brought up by his uncle in the Republic of Florence, in what is now Italy. Vespucci worked for Lorenzo de Medici and his son, Giovanni. In 1492, he was sent to work at the Seville branch of the Medici bank. At the invitation of King Manuel I of Portugal, Vespucci participated as an observer in several voyages that explored the east coast of South America between 1499 and 1502. Manuel's commander Pedro Alvares Cabral, on his way to the Cape of Good Hope and India in 1500, had discov
Jan Mandijn / Ян Мандейн (1500/1502 - 1559/1560) (возможно) - De beproevingen van Job / Испытания Иова (около 1540-1550) Job and his tormentors circa 1540-1550. 699 Jan Mandijn 003 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-mandijn-15001502-15591560-de-beproevingen-van-job-1540-1550-job-and-his-tormentors-circa-1540-1550-699-jan-mandijn-003-image185740771.htmlRMMP566Y–Jan Mandijn / Ян Мандейн (1500/1502 - 1559/1560) (возможно) - De beproevingen van Job / Испытания Иова (около 1540-1550) Job and his tormentors circa 1540-1550. 699 Jan Mandijn 003
Memento Mori. Dated: c. 1500/1502. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master MZ. MATTAHUS E. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/memento-mori-dated-c-15001502-medium-engraving-museum-national-gallery-of-art-washington-dc-author-master-mz-mattahus-e-image218671782.htmlRMPKNA2E–Memento Mori. Dated: c. 1500/1502. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master MZ. MATTAHUS E.
1530 ca , SPAIN : The King of Spain Charles V of HABSBURG ( 1500 - 1558 ) of Holy Roman Empire and Austria and Flandes ( Charle II of Holland ). Engraving by Barthel Beham ( 1502 c - 1540 ) - KARL - CARLO V Imperatore - Emperor - Sacro Romano Impero - FIANDRE - OLANDA - SPAGNA - NOBILITY - NOBILI - Nobiltà austriaca e spagnola - ROYALTY - Imperial House of Habsburg - incisione - engraving - ritratto - portrait - Toson d'Oro - ASBURGO - HABSBURG - HASBURG - ABSBURGO - beard - barba - hat - cappello --- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1530-ca-spain-the-king-of-spain-charles-v-of-habsburg-1500-1558-of-holy-roman-empire-and-austria-and-flandes-charle-ii-of-holland-engraving-by-barthel-beham-1502-c-1540-karl-carlo-v-imperatore-emperor-sacro-romano-impero-fiandre-olanda-spagna-nobility-nobili-nobilt-austriaca-e-spagnola-royalty-imperial-house-of-habsburg-incisione-engraving-ritratto-portrait-toson-doro-asburgo-habsburg-hasburg-absburgo-beard-barba-hat-cappello-archivio-gbb-image359208009.htmlRM2BTB9DD–1530 ca , SPAIN : The King of Spain Charles V of HABSBURG ( 1500 - 1558 ) of Holy Roman Empire and Austria and Flandes ( Charle II of Holland ). Engraving by Barthel Beham ( 1502 c - 1540 ) - KARL - CARLO V Imperatore - Emperor - Sacro Romano Impero - FIANDRE - OLANDA - SPAGNA - NOBILITY - NOBILI - Nobiltà austriaca e spagnola - ROYALTY - Imperial House of Habsburg - incisione - engraving - ritratto - portrait - Toson d'Oro - ASBURGO - HABSBURG - HASBURG - ABSBURGO - beard - barba - hat - cappello --- Archivio GBB
Jadwiga Jagiellonka's book in Landshuitz, from a tapestry from the castle in Neuburg made in 1541, according to the drawing of the painter Mathias Gerüng from Nordingen in the Munich Museum; Lesser, Aleksander (1814-1884), Gerung, Matthias (1500-1570); 1830-1884 (1830-00-00-1884-00-00);Bavaria (Germany), Jadwiga Jagiellonka (Polish princess and Lithuanian princess- 1457-1502), Jadwiga Jagiellonka (Polish princess and Lithuanian princess- 1457-1502)- iconography, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814- 1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jadwiga-jagiellonkas-book-in-landshuitz-from-a-tapestry-from-the-castle-in-neuburg-made-in-1541-according-to-the-drawing-of-the-painter-mathias-gerng-from-nordingen-in-the-munich-museum-lesser-aleksander-1814-1884-gerung-matthias-1500-1570-1830-1884-1830-00-00-1884-00-00bavaria-germany-jadwiga-jagiellonka-polish-princess-and-lithuanian-princess-1457-1502-jadwiga-jagiellonka-polish-princess-and-lithuanian-princess-1457-1502-iconography-lesser-aleksander-1814-1884-lesser-aleksander-1814-1884-collections-lesser-wiktor-stanisaw-zygmunt-baron-1853-1935-image598724823.htmlRM2WP27HB–Jadwiga Jagiellonka's book in Landshuitz, from a tapestry from the castle in Neuburg made in 1541, according to the drawing of the painter Mathias Gerüng from Nordingen in the Munich Museum; Lesser, Aleksander (1814-1884), Gerung, Matthias (1500-1570); 1830-1884 (1830-00-00-1884-00-00);Bavaria (Germany), Jadwiga Jagiellonka (Polish princess and Lithuanian princess- 1457-1502), Jadwiga Jagiellonka (Polish princess and Lithuanian princess- 1457-1502)- iconography, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814- 1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935),
Albrecht Dürer. Witch Riding Backwards on a Goat. 1500–1502. Germany. Engraving in black on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albrecht-drer-witch-riding-backwards-on-a-goat-15001502-germany-engraving-in-black-on-ivory-laid-paper-image337962356.htmlRM2AHREC4–Albrecht Dürer. Witch Riding Backwards on a Goat. 1500–1502. Germany. Engraving in black on ivory laid paper
The Judgment of Paris, 1546, Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 69 x 46 mm (image/plate), 70 x 47 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-judgment-of-paris-1546-sebald-beham-german-1500-1550-after-barthel-beham-german-1502-1540-germany-engraving-in-black-on-ivory-laid-paper-69-x-46-mm-imageplate-70-x-47-mm-sheet-image328618925.htmlRM2A2HTP5–The Judgment of Paris, 1546, Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 69 x 46 mm (image/plate), 70 x 47 mm (sheet
Charles V (1500-1558). Artist: Barthel Beham, German, 1502–1540 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-v1500-1558-artist-barthel-beham-german-15021540-image463154183.htmlRM2HWEDTR–Charles V (1500-1558). Artist: Barthel Beham, German, 1502–1540
History of England. 1450-1500. From left to right, 11: Margaret Tudor (1489-1541), Queen consort of Scotland, 12: knight, 13: Earl of Warwick. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-england-1450-1500-from-left-to-right-11-margaret-tudor-1489-1541-queen-consort-of-scotland-12-knight-13-earl-of-warwick-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594745423.htmlRM2WFGYRY–History of England. 1450-1500. From left to right, 11: Margaret Tudor (1489-1541), Queen consort of Scotland, 12: knight, 13: Earl of Warwick. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Portrait of the Elector Palatine Otto Henry (1502-1559). Artist: Gertner, Peter (c. 1495/1500-after 1541) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-the-elector-palatine-otto-henry-1502-1559-artist-gertner-135276978.htmlRMHT2B4J–Portrait of the Elector Palatine Otto Henry (1502-1559). Artist: Gertner, Peter (c. 1495/1500-after 1541)
Licorice; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/licorice-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image599009607.htmlRM2WPF6T7–Licorice; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
Portrait of a Venetian Jewish lady with the attributes of Jael, c. 1500. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-venetian-jewish-lady-with-the-attributes-of-jael-c-1500-image186191115.htmlRMMPWMJK–Portrait of a Venetian Jewish lady with the attributes of Jael, c. 1500.
Giovanni Battista Cima da Conegliano - The Incredulity of Saint Thomas 1502-04 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-cima-da-conegliano-the-incredulity-of-saint-thomas-1502-04-image565082788.htmlRF2RR9MT4–Giovanni Battista Cima da Conegliano - The Incredulity of Saint Thomas 1502-04
Art inspired by Coat of Arms of Maximilian I as King of the Romans from Reuelationes sancte Birgitte, 1500, Woodcut; a double-sided sheet, the recto in the first state of two, from the German edition of 1502, sheet: 9 15/16 x 6 1/4 in. (25.2 x 15.8 cm), Prints, Dürer-School (German, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-coat-of-arms-of-maximilian-i-as-king-of-the-romans-from-reuelationes-sancte-birgitte-1500-woodcut-a-double-sided-sheet-the-recto-in-the-first-state-of-two-from-the-german-edition-of-1502-sheet-9-1516-x-6-14-in-252-x-158-cm-prints-drer-school-german-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462986786.htmlRF2HW6TAA–Art inspired by Coat of Arms of Maximilian I as King of the Romans from Reuelationes sancte Birgitte, 1500, Woodcut; a double-sided sheet, the recto in the first state of two, from the German edition of 1502, sheet: 9 15/16 x 6 1/4 in. (25.2 x 15.8 cm), Prints, Dürer-School (German, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Archduke Charles, the later Holy Roman Emperor Charles V., with his sisters Eleanor and Isabella at the age of 2 years, 1502. Artist: Master of St.Geo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archduke-charles-the-later-holy-roman-emperor-charles-v-with-his-sisters-image60438462.htmlRMDE95TE–Archduke Charles, the later Holy Roman Emperor Charles V., with his sisters Eleanor and Isabella at the age of 2 years, 1502. Artist: Master of St.Geo
Art inspired by Adam and Eve, 1543, Engraving, Sheet: 3 1/8 x 2 1/8 in. (8 x 5.4 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), after Barthel Beham (German, Nuremberg ca. 1502–1540 Italy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-adam-and-eve-1543-engraving-sheet-3-18-x-2-18-in-8-x-54-cm-prints-sebald-beham-german-nuremberg-15001550-frankfurt-after-barthel-beham-german-nuremberg-ca-15021540-italy-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462811936.htmlRF2HTXW9M–Art inspired by Adam and Eve, 1543, Engraving, Sheet: 3 1/8 x 2 1/8 in. (8 x 5.4 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), after Barthel Beham (German, Nuremberg ca. 1502–1540 Italy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Giovanni Francesco Maineri – The Head of St John the Baptist 1502. 44x30 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-francesco-maineri-the-head-of-st-john-the-baptist-1502-44x30-image599860357.htmlRF2WRX005–Giovanni Francesco Maineri – The Head of St John the Baptist 1502. 44x30
Arbore Commune, Suceava County, Romania, approx. 1977. Exterior view of the Arbore Monastery, a historical monument from 1502. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arbore-commune-suceava-county-romania-approx-1977-exterior-view-of-the-arbore-monastery-a-historical-monument-from-1502-image556198681.htmlRM2R8W12H–Arbore Commune, Suceava County, Romania, approx. 1977. Exterior view of the Arbore Monastery, a historical monument from 1502.
'fine arts, Bosch, Hieronymus, (circa 1450 - 1516), 'haywain', central panel, 1500 - 1502, oil on panel, 135 cm x 100 cm, Prad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fine-arts-bosch-hieronymus-circa-1450-1516-haywain-central-panel-1500-image7984372.htmlRMAFKRY5–'fine arts, Bosch, Hieronymus, (circa 1450 - 1516), 'haywain', central panel, 1500 - 1502, oil on panel, 135 cm x 100 cm, Prad
Bronzino, Agnolo (Agnolo di Cosimo di Mariano) (Florence 1502-1572) – Touch me not Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronzino-agnolo-agnolo-di-cosimo-di-mariano-florence-1502-1572-touch-me-not-image566357866.htmlRF2RWBR6J–Bronzino, Agnolo (Agnolo di Cosimo di Mariano) (Florence 1502-1572) – Touch me not
The Family of the Madonna between 1500 and 1502. 974 Perugin-Famille-de-la-Vierge-Marseille Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-family-of-the-madonna-between-1500-and-1502-974-perugin-famille-de-la-vierge-marseille-image185541904.htmlRMMNT4GG–The Family of the Madonna between 1500 and 1502. 974 Perugin-Famille-de-la-Vierge-Marseille
Processioned Cross with Franciscan Saints (verso). Date/Period: 1500 - 1502. Panel. Height: 46.80 mm (1.84 in); Width: 31 mm (1.22 in). Author: Attributed to Raffaello Santi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/processioned-cross-with-franciscan-saints-verso-dateperiod-1500-1502-panel-height-4680-mm-184-in-width-31-mm-122-in-author-attributed-to-raffaello-santi-image219729673.htmlRMPNDFC9–Processioned Cross with Franciscan Saints (verso). Date/Period: 1500 - 1502. Panel. Height: 46.80 mm (1.84 in); Width: 31 mm (1.22 in). Author: Attributed to Raffaello Santi.
Tempietto by Bramante Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tempietto-by-bramante-104623404.htmlRMG26064–Tempietto by Bramante
. The general catalogue of Jacobson & co. 1500^ OM4. 3% X 67« I50IA 15015 1502 /4l)ta. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-general-catalogue-of-jacobson-co-1500-om4-3-x-67-i50ia-15015-1502-4lta-image336790854.htmlRM2AFX44P–. The general catalogue of Jacobson & co. 1500^ OM4. 3% X 67« I50IA 15015 1502 /4l)ta.
Discovery reports (1943) Discovery reports discoveryreports22inst Year: 1943 DISCOVERY REPORTS, VOL. XXII PLATE IV 38 36°W 34 149S 1497 1498 1405 1404 K03. • •-( • - • • IZ09 1208 IZIO 40° 1401 '1200 »- 1502 „I400 1201 *503 1399 1202 1504 <fcfe- XJ 38' 1500 1398 1341 507 1205 ,506 • • • 397 1396 >04 '203 •;lS05,50*a: 1395 1394 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/discovery-reports-1943-discovery-reports-discoveryreports22inst-year-1943-discovery-reports-vol-xxii-plate-iv-38-36w-34-149s-1497-1498-1405-1404-k03-iz09-1208-izio-40-1401-1200-1502-i400-1201-503-1399-1202-1504-ltfcfe-xj-38-1500-1398-1341-507-1205-506-397-1396-gt04-203-ls0550a-1395-1394-image241947284.htmlRMT1HJ6C–Discovery reports (1943) Discovery reports discoveryreports22inst Year: 1943 DISCOVERY REPORTS, VOL. XXII PLATE IV 38 36°W 34 149S 1497 1498 1405 1404 K03. • •-( • - • • IZ09 1208 IZIO 40° 1401 '1200 »- 1502 „I400 1201 *503 1399 1202 1504 <fcfe- XJ 38' 1500 1398 1341 507 1205 ,506 • • • 397 1396 >04 '203 •;lS05,50*a: 1395 1394
Adam and Eve, 1543, Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 82 x 57 mm (image/plate), 84 x 58 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adam-and-eve-1543-sebald-beham-german-1500-1550-after-barthel-beham-german-1502-1540-germany-engraving-in-black-on-ivory-laid-paper-82-x-57-mm-imageplate-84-x-58-mm-sheet-image328621946.htmlRM2A2J0J2–Adam and Eve, 1543, Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 82 x 57 mm (image/plate), 84 x 58 mm (sheet
Judyta; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/judyta-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image599041317.htmlRM2WPGK8N–Judyta; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
Art inspired by Ensign, Drummer and Piper, 1543, Engraving, Sheet: 2 7/8 x 2 in. (7.3 x 5.1 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), after Barthel Beham (German, Nuremberg ca. 1502–1540 Italy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ensign-drummer-and-piper-1543-engraving-sheet-2-78-x-2-in-73-x-51-cm-prints-sebald-beham-german-nuremberg-15001550-frankfurt-after-barthel-beham-german-nuremberg-ca-15021540-italy-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462812445.htmlRF2HTXWYW–Art inspired by Ensign, Drummer and Piper, 1543, Engraving, Sheet: 2 7/8 x 2 in. (7.3 x 5.1 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), after Barthel Beham (German, Nuremberg ca. 1502–1540 Italy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Arbore Commune, Suceava County, Romania, approx. 1977. Exterior view of the Arbore Monastery, a historical monument from 1502. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arbore-commune-suceava-county-romania-approx-1977-exterior-view-of-the-arbore-monastery-a-historical-monument-from-1502-image556198748.htmlRM2R8W150–Arbore Commune, Suceava County, Romania, approx. 1977. Exterior view of the Arbore Monastery, a historical monument from 1502.
Henry VIII Meynnart Wewyck - a Netherlandish painter, active c. 1502 to 1525 in England and Scotland, where he was known as 'Maynard' and 'Mynours' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-viii-meynnart-wewyck-a-netherlandish-painter-active-c1502-to-1525-in-england-and-scotland-where-he-was-known-as-maynard-and-mynours-image613620094.htmlRM2XJ8PKA–Henry VIII Meynnart Wewyck - a Netherlandish painter, active c. 1502 to 1525 in England and Scotland, where he was known as 'Maynard' and 'Mynours'
4 T . Русский: Уверение Фомы. Дионисий и мастерская. Икона из церкви Св. Троицы Павлова Обнорского монастыря. 1500 г. (ГРМ) . 1500. Dionisius (1444–1502) Alternative names Русский: Дионисий English: Dionisius Description Russian iconographer and painter Date of birth/death circa 1444 1502 Authority control : Q920111 WGA: DIONYSIUS 1171 The confession of Saint Thomas (icon) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/4-t-1500-1500-dionisius-14441502-alternative-names-english-dionisius-description-russian-iconographer-and-painter-date-of-birthdeath-circa-1444-1502-authority-control-q920111-wgadionysius-1171-the-confession-of-saint-thomas-icon-image185598727.htmlRMMNXN1Y–4 T . Русский: Уверение Фомы. Дионисий и мастерская. Икона из церкви Св. Троицы Павлова Обнорского монастыря. 1500 г. (ГРМ) . 1500. Dionisius (1444–1502) Alternative names Русский: Дионисий English: Dionisius Description Russian iconographer and painter Date of birth/death circa 1444 1502 Authority control : Q920111 WGA: DIONYSIUS 1171 The confession of Saint Thomas (icon)
Processioned Cross with Franciscan Saints (recto). Date/Period: 1500 - 1502. Panel. Height: 46.80 mm (1.84 in); Width: 31 mm (1.22 in). Author: Attributed to Raffaello Santi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/processioned-cross-with-franciscan-saints-recto-dateperiod-1500-1502-panel-height-4680-mm-184-in-width-31-mm-122-in-author-attributed-to-raffaello-santi-image219705938.htmlRMPNCD4J–Processioned Cross with Franciscan Saints (recto). Date/Period: 1500 - 1502. Panel. Height: 46.80 mm (1.84 in); Width: 31 mm (1.22 in). Author: Attributed to Raffaello Santi.
The University Prints Student series D Art of the Netherlands and Germany; five hundred reproductions illustrating the Flemish, Dutch, and German schools of painting, from the early fifteenth to the eighteenth century; German sculpture from the eleventh to the seventeenth century . PORTRAIT OF SEBASTIAN MUNSTER Kaiser Friedrich Museum, Berlin THE UNIVERSITY PRINTSBOSTON CHRISTOPH AMBERGER. c. 1500-1561?GERMAN SCHOOL D446. PORTRAIT OF A YOUTH Liechtenstein, Vienna THE UNIVERSITY PRINTSBOSTON HEINRICH ALDEGREVER. c. 1502 — 1558?GERMAN SCHOOL D447 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-university-prints-student-series-d-art-of-the-netherlands-and-germany-five-hundred-reproductions-illustrating-the-flemish-dutch-and-german-schools-of-painting-from-the-early-fifteenth-to-the-eighteenth-century-german-sculpture-from-the-eleventh-to-the-seventeenth-century-portrait-of-sebastian-munster-kaiser-friedrich-museum-berlin-the-university-printsboston-christoph-amberger-c-1500-1561german-school-d446-portrait-of-a-youth-liechtenstein-vienna-the-university-printsboston-heinrich-aldegrever-c-1502-1558german-school-d447-image338428974.htmlRM2AJGNH2–The University Prints Student series D Art of the Netherlands and Germany; five hundred reproductions illustrating the Flemish, Dutch, and German schools of painting, from the early fifteenth to the eighteenth century; German sculpture from the eleventh to the seventeenth century . PORTRAIT OF SEBASTIAN MUNSTER Kaiser Friedrich Museum, Berlin THE UNIVERSITY PRINTSBOSTON CHRISTOPH AMBERGER. c. 1500-1561?GERMAN SCHOOL D446. PORTRAIT OF A YOUTH Liechtenstein, Vienna THE UNIVERSITY PRINTSBOSTON HEINRICH ALDEGREVER. c. 1502 — 1558?GERMAN SCHOOL D447
The Virgin and Child with the Parrot, 1549, Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 81 x 57 mm (image/plate), 83 x 59 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-with-the-parrot-1549-sebald-beham-german-1500-1550-after-barthel-beham-german-1502-1540-germany-engraving-in-black-on-ivory-laid-paper-81-x-57-mm-imageplate-83-x-59-mm-sheet-image328618914.htmlRM2A2HTNP–The Virgin and Child with the Parrot, 1549, Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 81 x 57 mm (image/plate), 83 x 59 mm (sheet
Parysa; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parysa-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image598906752.htmlRM2WPAFJT–Parysa; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
Miser; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miser-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image598987877.htmlRM2WPE745–Miser; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
Apollo and Dafne; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apollo-and-dafne-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image598958722.htmlRM2WPCWXX–Apollo and Dafne; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
Art inspired by Saint Luke, from The Four Evangelists, 1539, Engraving, Sheet: 4 5/8 × 3 in. (11.8 × 7.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-luke-from-the-four-evangelists-1539-engraving-sheet-4-58-3-in-118-76-cm-prints-heinrich-aldegrever-german-paderborn-ca-150215551561-soest-after-georg-pencz-german-wroclaw-ca-15001550-leipzig-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463022109.htmlRF2HW8DBW–Art inspired by Saint Luke, from The Four Evangelists, 1539, Engraving, Sheet: 4 5/8 × 3 in. (11.8 × 7.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kniemia with spectacles; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kniemia-with-spectacles-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image598984000.htmlRM2WPE25M–Kniemia with spectacles; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
Arbore Commune, Suceava County, Romania, approx. 1998. Fresco on the exterior of the Arbore Monastery, a historical monument from 1502. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arbore-commune-suceava-county-romania-approx-1998-fresco-on-the-exterior-of-the-arbore-monastery-a-historical-monument-from-1502-image556198744.htmlRM2R8W14T–Arbore Commune, Suceava County, Romania, approx. 1998. Fresco on the exterior of the Arbore Monastery, a historical monument from 1502.
Night. Aldegrever, Heinrich (1502-1555/1561), graphic artist, Beham, Sebald (1500-1550), graphic artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/night-aldegrever-heinrich-1502-15551561-graphic-artist-beham-sebald-1500-1550-graphic-artist-image480422760.htmlRM2JWH43M–Night. Aldegrever, Heinrich (1502-1555/1561), graphic artist, Beham, Sebald (1500-1550), graphic artist
CARPACCIO, Vittore (b. 1472, Venezia, d. 1526, Capodistria) Baptism of the Selenites (detail) 1502 Tempera on canvas Scuola di San Giorgio degli Schiavoni, Venice --- Keywords: -------------- Author: CARPACCIO, Vittore Title: Baptism of the Selenites (detail) Time-line: 1501-1550 School: Italian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carpaccio-vittore-b-1472-venezia-d-1526-capodistria-baptism-of-the-selenites-detail-1502-tempera-on-canvas-scuola-di-san-giorgio-degli-schiavoni-venice-keywords-author-carpaccio-vittore-title-baptism-of-the-selenites-detail-time-line-1501-1550-school-italian-form-painting-type-religious-image616242401.htmlRM2XPG7D5–CARPACCIO, Vittore (b. 1472, Venezia, d. 1526, Capodistria) Baptism of the Selenites (detail) 1502 Tempera on canvas Scuola di San Giorgio degli Schiavoni, Venice --- Keywords: -------------- Author: CARPACCIO, Vittore Title: Baptism of the Selenites (detail) Time-line: 1501-1550 School: Italian Form: painting Type: religious
Resurrection of the Flesh (detail lower right) 1500. 1120 Signorelli, Luca - Resurrection of the Flesh, detail lower right - 1499-1502 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/resurrection-of-the-flesh-detail-lower-right-1500-1120-signorelli-luca-resurrection-of-the-flesh-detail-lower-right-1499-1502-image185590096.htmlRMMNXA1M–Resurrection of the Flesh (detail lower right) 1500. 1120 Signorelli, Luca - Resurrection of the Flesh, detail lower right - 1499-1502
Judgment of Paris (copy). Artist: After Barthel Beham (German, Nuremberg ca. 1502-1540 Italy); ? Jacob Binck (German, Cologne 1494/1500-1569 Kaliningrad (Königsberg)). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/judgment-of-paris-copy-artist-after-barthel-beham-german-nuremberg-ca-1502-1540-italy-jacob-binck-german-cologne-14941500-1569-kaliningrad-knigsberg-date-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image212936401.htmlRMPAC2FD–Judgment of Paris (copy). Artist: After Barthel Beham (German, Nuremberg ca. 1502-1540 Italy); ? Jacob Binck (German, Cologne 1494/1500-1569 Kaliningrad (Königsberg)). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
Mother with two children; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mother-with-two-children-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image598978582.htmlRM2WPDR86–Mother with two children; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
. Italian wall decorations of the 15th and 16th centuries : A handbook to the models, illustrating interiors of Italian buildings, in the Victoria and Albert museum, South Kensington. can. 1500. Decorates a chapel in the Collegiate Church at Spello, finished next year, as dated under the portrait of the painter. 1501. Elected Decemvir of Perugia. 1502. June 29th, contract between Cardinal Francesco Piccolomini and Bernardino (Pinturicchio) for decoration of the libraryin the Cathedral of Siena. 1503. Begins the ceiling of the library early in the year, and completes it in the autumn.In October Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-wall-decorations-of-the-15th-and-16th-centuries-a-handbook-to-the-models-illustrating-interiors-of-italian-buildings-in-the-victoria-and-albert-museum-south-kensington-can-1500-decorates-a-chapel-in-the-collegiate-church-at-spello-finished-next-year-as-dated-under-the-portrait-of-the-painter-1501-elected-decemvir-of-perugia-1502-june-29th-contract-between-cardinal-francesco-piccolomini-and-bernardino-pinturicchio-for-decoration-of-the-libraryin-the-cathedral-of-siena-1503-begins-the-ceiling-of-the-library-early-in-the-year-and-completes-it-in-the-autumnin-october-image336820382.htmlRM2AFYDRA–. Italian wall decorations of the 15th and 16th centuries : A handbook to the models, illustrating interiors of Italian buildings, in the Victoria and Albert museum, South Kensington. can. 1500. Decorates a chapel in the Collegiate Church at Spello, finished next year, as dated under the portrait of the painter. 1501. Elected Decemvir of Perugia. 1502. June 29th, contract between Cardinal Francesco Piccolomini and Bernardino (Pinturicchio) for decoration of the libraryin the Cathedral of Siena. 1503. Begins the ceiling of the library early in the year, and completes it in the autumn.In October
Mier and three witches; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mier-and-three-witches-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image598998201.htmlRM2WPEM8W–Mier and three witches; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
The Abduction of Helen, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 26 x 116 mm (image/plate), 25 x 114.5 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-abduction-of-helen-nd-sebald-beham-german-1500-1550-after-barthel-beham-german-1502-1540-germany-engraving-in-black-on-ivory-laid-paper-26-x-116-mm-imageplate-25-x-1145-mm-sheet-image328618923.htmlRM2A2HTP3–The Abduction of Helen, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 26 x 116 mm (image/plate), 25 x 114.5 mm (sheet
Tryton and Nereida turned left; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tryton-and-nereida-turned-left-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image598909944.htmlRM2WPAKMT–Tryton and Nereida turned left; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
Portrait of Martin Luter. Aldegrever, Heinrich (1502-1555/1561), graphic artist, Brosamer, Hans (ca 1500-1552), painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-martin-luter-aldegrever-heinrich-1502-15551561-graphic-artist-brosamer-hans-ca-1500-1552-painter-image480459404.htmlRM2JWJPTC–Portrait of Martin Luter. Aldegrever, Heinrich (1502-1555/1561), graphic artist, Brosamer, Hans (ca 1500-1552), painter
Portrait of Emperor Ferdinand I; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emperor-ferdinand-i-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image599007638.htmlRM2WPF49X–Portrait of Emperor Ferdinand I; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
Portrait of Leonard Van Eckh; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-leonard-van-eckh-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image599031292.htmlRM2WPG6EM–Portrait of Leonard Van Eckh; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
Art inspired by Saint Luke, from The Four Evangelists, 1539, Engraving, Sheet: 4 3/4 × 3 1/8 in. (12 × 7.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-luke-from-the-four-evangelists-1539-engraving-sheet-4-34-3-18-in-12-79-cm-prints-heinrich-aldegrever-german-paderborn-ca-150215551561-soest-after-georg-pencz-german-wroclaw-ca-15001550-leipzig-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463022115.htmlRF2HW8DC3–Art inspired by Saint Luke, from The Four Evangelists, 1539, Engraving, Sheet: 4 3/4 × 3 1/8 in. (12 × 7.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sleeping Justice - 'Der Welt Lavf'; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sleeping-justice-der-welt-lavf-beham-barthel-1502-1540-16th-century-1500-00-00-1600-00-00-image598977561.htmlRM2WPDNYN–Sleeping Justice - 'Der Welt Lavf'; Beham, Barthel (1502-1540); 16th century (1500-00-00-1600-00-00);
Arbore Commune, Suceava County, Romania, approx. 1998. Fresco on the exterior of the Arbore Monastery, a historical monument from 1502. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arbore-commune-suceava-county-romania-approx-1998-fresco-on-the-exterior-of-the-arbore-monastery-a-historical-monument-from-1502-image556198732.htmlRM2R8W14C–Arbore Commune, Suceava County, Romania, approx. 1998. Fresco on the exterior of the Arbore Monastery, a historical monument from 1502.
Soldier and His Family. Aldegrever, Heinrich (1502-1555/1561), graphic artist, Claesz. Allaert, graphic artist, Binck, Jacob (ca 1500-1569), draughtsman, cartoonist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/soldier-and-his-family-aldegrever-heinrich-1502-15551561-graphic-artist-claesz-allaert-graphic-artist-binck-jacob-ca-1500-1569-draughtsman-cartoonist-image480459315.htmlRM2JWJPN7–Soldier and His Family. Aldegrever, Heinrich (1502-1555/1561), graphic artist, Claesz. Allaert, graphic artist, Binck, Jacob (ca 1500-1569), draughtsman, cartoonist
CARPACCIO, Vittore (b. 1472, Venezia, d. 1526, Capodistria) Vision of St Augustin (detail) 1502 Tempera on canvas Scuola di San Giorgio degli Schiavoni, Venice --- Keywords: -------------- Author: CARPACCIO, Vittore Title: Vision of St Augustin (detail) Time-line: 1501-1550 School: Italian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carpaccio-vittore-b-1472-venezia-d-1526-capodistria-vision-of-st-augustin-detail-1502-tempera-on-canvas-scuola-di-san-giorgio-degli-schiavoni-venice-keywords-author-carpaccio-vittore-title-vision-of-st-augustin-detail-time-line-1501-1550-school-italian-form-painting-type-religious-image616242581.htmlRM2XPG7KH–CARPACCIO, Vittore (b. 1472, Venezia, d. 1526, Capodistria) Vision of St Augustin (detail) 1502 Tempera on canvas Scuola di San Giorgio degli Schiavoni, Venice --- Keywords: -------------- Author: CARPACCIO, Vittore Title: Vision of St Augustin (detail) Time-line: 1501-1550 School: Italian Form: painting Type: religious
. St Jerome . circa 1500. Bartolomeo Montagna (1450–) Alternative names Bartolomeo Montagna, Bartolomeo Cincani Description Italian painter Date of birth/death 11 October 1450 11 October 1523 / 11 October 1523 Location of birth/death Vicenza Vicenza Work location Venice (1469); Bergamo (1487); Padua (1490); Vicenza (1474 - 1502); Verona (1493 - 1496) Authority control : Q809507 VIAF: 2325220 ISNI: 0000 0000 8338 7925 ULAN: 500029837 LCCN: nr91028759 NLA: 35945057 WorldCat 903 Montagna St Jerome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-jerome-circa-1500-bartolomeo-montagna-1450-alternative-names-bartolomeo-montagna-bartolomeo-cincani-description-italian-painter-date-of-birthdeath-11-october-1450-11-october-1523-11-october-1523-location-of-birthdeath-vicenza-vicenza-work-location-venice-1469-bergamo-1487-padua-1490-vicenza-1474-1502-verona-1493-1496-authority-control-q809507-viaf2325220-isni0000-0000-8338-7925-ulan500029837-lccnnr91028759-nla35945057-worldcat-903-montagna-st-jerome-image185866060.htmlRMMPAX1G–. St Jerome . circa 1500. Bartolomeo Montagna (1450–) Alternative names Bartolomeo Montagna, Bartolomeo Cincani Description Italian painter Date of birth/death 11 October 1450 11 October 1523 / 11 October 1523 Location of birth/death Vicenza Vicenza Work location Venice (1469); Bergamo (1487); Padua (1490); Vicenza (1474 - 1502); Verona (1493 - 1496) Authority control : Q809507 VIAF: 2325220 ISNI: 0000 0000 8338 7925 ULAN: 500029837 LCCN: nr91028759 NLA: 35945057 WorldCat 903 Montagna St Jerome
Adam and Eve. Sebald Beham (German, 1500-1550); after Barthel Beham (German, 1502-1540). Date: 1543. Dimensions: 82 x 57 mm (image/plate); 84 x 58 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Author: Hans Sebald Beham. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adam-and-eve-sebald-beham-german-1500-1550-after-barthel-beham-german-1502-1540-date-1543-dimensions-82-x-57-mm-imageplate-84-x-58-mm-sheet-engraving-in-black-on-ivory-laid-paper-origin-germany-museum-the-chicago-art-institute-author-hans-sebald-beham-image239838989.htmlRMRX5H25–Adam and Eve. Sebald Beham (German, 1500-1550); after Barthel Beham (German, 1502-1540). Date: 1543. Dimensions: 82 x 57 mm (image/plate); 84 x 58 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Author: Hans Sebald Beham.
A treatise on wood engravings : historical and practical . by Simon Vostre, about 1502, are examples ofthis mode of diminishing the effects of a ground which would otherwisebe entirely black. Books printed in France between 1500 and 1520 affordthe most numerous instances of dark backgrounds dotted with white. Inmany cuts executed about the latter period the dots are of larger size andmore numerous in proportion to the black, and they evidently have been * Bartsch describes this print in his Peintre-Graveur, torn. vi. p. 364, No. 4; but hetakes no notice of Joseph holding a candle, nor of its w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-treatise-on-wood-engravings-historical-and-practical-by-simon-vostre-about-1502-are-examples-ofthis-mode-of-diminishing-the-effects-of-a-ground-which-would-otherwisebe-entirely-black-books-printed-in-france-between-1500-and-1520-affordthe-most-numerous-instances-of-dark-backgrounds-dotted-with-white-inmany-cuts-executed-about-the-latter-period-the-dots-are-of-larger-size-andmore-numerous-in-proportion-to-the-black-and-they-evidently-have-been-bartsch-describes-this-print-in-his-peintre-graveur-torn-vi-p-364-no-4-but-hetakes-no-notice-of-joseph-holding-a-candle-nor-of-its-w-image343315768.htmlRM2AXFANC–A treatise on wood engravings : historical and practical . by Simon Vostre, about 1502, are examples ofthis mode of diminishing the effects of a ground which would otherwisebe entirely black. Books printed in France between 1500 and 1520 affordthe most numerous instances of dark backgrounds dotted with white. Inmany cuts executed about the latter period the dots are of larger size andmore numerous in proportion to the black, and they evidently have been * Bartsch describes this print in his Peintre-Graveur, torn. vi. p. 364, No. 4; but hetakes no notice of Joseph holding a candle, nor of its w
Penance of St. John Chrysostomus, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 55 x 77 mm (image/sheet, trimmed within plate mark Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/penance-of-st-john-chrysostomus-nd-sebald-beham-german-1500-1550-after-barthel-beham-german-1502-1540-germany-engraving-in-black-on-ivory-laid-paper-55-x-77-mm-imagesheet-trimmed-within-plate-mark-image328630686.htmlRM2A2JBP6–Penance of St. John Chrysostomus, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 55 x 77 mm (image/sheet, trimmed within plate mark
Artist: Barthel Beham, German, 1502–1540, Charles V (1500-1558), Engraving, sheet: 20.8 × 13.5 cm (8 3/16 × 5 5/16 in.), Made in Germany, German, 16th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-barthel-beham-german-15021540-charles-v1500-1558-engraving-sheet-208-135-cm-8-316-5-516in-made-in-germany-german-16thcentury-works-on-paper-prints-image393652420.htmlRM2DTCBK0–Artist: Barthel Beham, German, 1502–1540, Charles V (1500-1558), Engraving, sheet: 20.8 × 13.5 cm (8 3/16 × 5 5/16 in.), Made in Germany, German, 16th century, Works on Paper - Prints
Penance of St. John Chrysostomus, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 54 x 77 mm (image/plate), 60 x 82 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/penance-of-st-john-chrysostomus-nd-sebald-beham-german-1500-1550-after-barthel-beham-german-1502-1540-germany-engraving-in-black-on-ivory-laid-paper-54-x-77-mm-imageplate-60-x-82-mm-sheet-image328632218.htmlRM2A2JDMX–Penance of St. John Chrysostomus, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 54 x 77 mm (image/plate), 60 x 82 mm (sheet
Art inspired by Saint John, from The Four Evangelists, 1539, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-john-from-the-four-evangelists-1539-engraving-sheet-4-34-3-116-in-12-78-cm-prints-heinrich-aldegrever-german-paderborn-ca-150215551561-soest-after-georg-pencz-german-wroclaw-ca-15001550-leipzig-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463022116.htmlRF2HW8DC4–Art inspired by Saint John, from The Four Evangelists, 1539, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Arbore Commune, Suceava County, Romania, approx. 1977. Spectacular fresco on the exterior of the Arbore Monastery, a historical monument from 1502. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arbore-commune-suceava-county-romania-approx-1977-spectacular-fresco-on-the-exterior-of-the-arbore-monastery-a-historical-monument-from-1502-image556198752.htmlRM2R8W154–Arbore Commune, Suceava County, Romania, approx. 1977. Spectacular fresco on the exterior of the Arbore Monastery, a historical monument from 1502.
Aldegrever, Heinrich (Ca 1502-1555 cars 1561), Claesz. Allaert, Binck, Jacob (1500-1569); 16th century (1561-00-00-1561-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aldegrever-heinrich-ca-1502-1555-cars-1561-claesz-allaert-binck-jacob-1500-1569-16th-century-1561-00-00-1561-00-00-image599020917.htmlRM2WPFN85–Aldegrever, Heinrich (Ca 1502-1555 cars 1561), Claesz. Allaert, Binck, Jacob (1500-1569); 16th century (1561-00-00-1561-00-00);
CARPACCIO, Vittore (b. 1472, Venezia, d. 1526, Capodistria) Vision of St Augustin (detail) 1502 Tempera on canvas Scuola di San Giorgio degli Schiavoni, Venice --- Keywords: -------------- Author: CARPACCIO, Vittore Title: Vision of St Augustin (detail) Time-line: 1501-1550 School: Italian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carpaccio-vittore-b-1472-venezia-d-1526-capodistria-vision-of-st-augustin-detail-1502-tempera-on-canvas-scuola-di-san-giorgio-degli-schiavoni-venice-keywords-author-carpaccio-vittore-title-vision-of-st-augustin-detail-time-line-1501-1550-school-italian-form-painting-type-religious-image616242582.htmlRM2XPG7KJ–CARPACCIO, Vittore (b. 1472, Venezia, d. 1526, Capodistria) Vision of St Augustin (detail) 1502 Tempera on canvas Scuola di San Giorgio degli Schiavoni, Venice --- Keywords: -------------- Author: CARPACCIO, Vittore Title: Vision of St Augustin (detail) Time-line: 1501-1550 School: Italian Form: painting Type: religious
Italian: Lira da braccio . detail . circa 1500. Bartolomeo Montagna (1450–) Alternative names Bartolomeo Montagna, Bartolomeo Cincani Description Italian painter Date of birth/death 11 October 1450 11 October 1523 / 11 October 1523 Location of birth/death Vicenza Vicenza Work location Venice (1469); Bergamo (1487); Padua (1490); Vicenza (1474 - 1502); Verona (1493 - 1496) Authority control : Q809507 VIAF: 2325220 ISNI: 0000 0000 8338 7925 ULAN: 500029837 LCCN: nr91028759 NLA: 35945057 WorldCat 903 Montagna lira da braccio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-lira-da-braccio-detail-circa-1500-bartolomeo-montagna-1450-alternative-names-bartolomeo-montagna-bartolomeo-cincani-description-italian-painter-date-of-birthdeath-11-october-1450-11-october-1523-11-october-1523-location-of-birthdeath-vicenza-vicenza-work-location-venice-1469-bergamo-1487-padua-1490-vicenza-1474-1502-verona-1493-1496-authority-control-q809507-viaf2325220-isni0000-0000-8338-7925-ulan500029837-lccnnr91028759-nla35945057-worldcat-903-montagna-lira-da-braccio-image185866054.htmlRMMPAX1A–Italian: Lira da braccio . detail . circa 1500. Bartolomeo Montagna (1450–) Alternative names Bartolomeo Montagna, Bartolomeo Cincani Description Italian painter Date of birth/death 11 October 1450 11 October 1523 / 11 October 1523 Location of birth/death Vicenza Vicenza Work location Venice (1469); Bergamo (1487); Padua (1490); Vicenza (1474 - 1502); Verona (1493 - 1496) Authority control : Q809507 VIAF: 2325220 ISNI: 0000 0000 8338 7925 ULAN: 500029837 LCCN: nr91028759 NLA: 35945057 WorldCat 903 Montagna lira da braccio
Ensign, Drummer and Piper. Artist: After Barthel Beham (German, Nuremberg ca. 1502-1540 Italy); Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Dimensions: Sheet: 2 7/8 x 2 in. (7.3 x 5.1 cm). Date: 1543. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ensign-drummer-and-piper-artist-after-barthel-beham-german-nuremberg-ca-1502-1540-italy-sebald-beham-german-nuremberg-1500-1550-frankfurt-dimensions-sheet-2-78-x-2-in-73-x-51-cm-date-1543-museum-metropolitan-museum-of-art-new-york-usa-image225413913.htmlRMR2MDMW–Ensign, Drummer and Piper. Artist: After Barthel Beham (German, Nuremberg ca. 1502-1540 Italy); Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Dimensions: Sheet: 2 7/8 x 2 in. (7.3 x 5.1 cm). Date: 1543. Museum: Metropolitan Museum of Art, New York, USA.
Christian Christ; approx. 1502 (1500-00-00-1510-00-00);National Museum in Wrocław (1948), Devotio Moderna, Dewotive performances, medieval art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christian-christ-approx-1502-1500-00-00-1510-00-00national-museum-in-wrocaw-1948-devotio-moderna-dewotive-performances-medieval-art-image598837911.htmlRM2WP7BT7–Christian Christ; approx. 1502 (1500-00-00-1510-00-00);National Museum in Wrocław (1948), Devotio Moderna, Dewotive performances, medieval art
![. Japanische Stichblätter und Schwertzieraten : Sammlung Georg Oeder, Düsseldorf : [Katalog]. usgefülltenDurchbrechung in Gestalt einerKürbisflasche und einem Wels imWasser in tiefer Gravierung aufgraviertem Strichmuster. Bez.: Zaisai 1500 TSUBA aus Eisen, durchbrochen, mit blühendem Schilf in Schattenriß.Bez.: Zaisai wie 1499 (II, Sohn desZaisai I). Miite 18. Jahrh. 1501 TSUBA aus Eisen. In hohem Relief und Gravierung sitzender Tiger imRegen am Wasser, auf der RückseiteWellen und Regen. Bez.: Miiiai)ioioAtsuhiro jj^ Jjc jL und Kakihan.18. Jahrh. (Abb.) 1502 TSUBA aus Eisen, durchbrochen. In s Stock Photo](https://c8.alamy.com/comp/2AFXK2G/japanische-stichbltter-und-schwertzieraten-sammlung-georg-oeder-dsseldorf-katalog-usgeflltendurchbrechung-in-gestalt-einerkrbisflasche-und-einem-wels-imwasser-in-tiefer-gravierung-aufgraviertem-strichmuster-bez-zaisai-1500-tsuba-aus-eisen-durchbrochen-mit-blhendem-schilf-in-schattenribez-zaisai-wie-1499-ii-sohn-deszaisai-i-miite-18-jahrh-1501-tsuba-aus-eisen-in-hohem-relief-und-gravierung-sitzender-tiger-imregen-am-wasser-auf-der-rckseitewellen-und-regen-bez-miiiaiioioatsuhiro-jj-jjc-jl-und-kakihan18-jahrh-abb-1502-tsuba-aus-eisen-durchbrochen-in-s-2AFXK2G.jpg ". Japanische Stichblätter und Schwertzieraten : Sammlung Georg Oeder, Düsseldorf : [Katalog]. usgefülltenDurchbrechung in Gestalt einerKürbisflasche und einem Wels imWasser in tiefer Gravierung aufgraviertem Strichmuster. Bez.: Zaisai 1500 TSUBA aus Eisen, durchbrochen, mit blühendem Schilf in Schattenriß.Bez.: Zaisai wie 1499 (II, Sohn desZaisai I). Miite 18. Jahrh. 1501 TSUBA aus Eisen. In hohem Relief und Gravierung sitzender Tiger imRegen am Wasser, auf der RückseiteWellen und Regen. Bez.: Miiiai)ioioAtsuhiro jj^ Jjc jL und Kakihan.18. Jahrh. (Abb.) 1502 TSUBA aus Eisen, durchbrochen. In s Stock Photo")
. Japanische Stichblätter und Schwertzieraten : Sammlung Georg Oeder, Düsseldorf : [Katalog]. usgefülltenDurchbrechung in Gestalt einerKürbisflasche und einem Wels imWasser in tiefer Gravierung aufgraviertem Strichmuster. Bez.: Zaisai 1500 TSUBA aus Eisen, durchbrochen, mit blühendem Schilf in Schattenriß.Bez.: Zaisai wie 1499 (II, Sohn desZaisai I). Miite 18. Jahrh. 1501 TSUBA aus Eisen. In hohem Relief und Gravierung sitzender Tiger imRegen am Wasser, auf der RückseiteWellen und Regen. Bez.: Miiiai)ioioAtsuhiro jj^ Jjc jL und Kakihan.18. Jahrh. (Abb.) 1502 TSUBA aus Eisen, durchbrochen. In s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japanische-stichbltter-und-schwertzieraten-sammlung-georg-oeder-dsseldorf-katalog-usgeflltendurchbrechung-in-gestalt-einerkrbisflasche-und-einem-wels-imwasser-in-tiefer-gravierung-aufgraviertem-strichmuster-bez-zaisai-1500-tsuba-aus-eisen-durchbrochen-mit-blhendem-schilf-in-schattenribez-zaisai-wie-1499-ii-sohn-deszaisai-i-miite-18-jahrh-1501-tsuba-aus-eisen-in-hohem-relief-und-gravierung-sitzender-tiger-imregen-am-wasser-auf-der-rckseitewellen-und-regen-bez-miiiaiioioatsuhiro-jj-jjc-jl-und-kakihan18-jahrh-abb-1502-tsuba-aus-eisen-durchbrochen-in-s-image336802552.htmlRM2AFXK2G–. Japanische Stichblätter und Schwertzieraten : Sammlung Georg Oeder, Düsseldorf : [Katalog]. usgefülltenDurchbrechung in Gestalt einerKürbisflasche und einem Wels imWasser in tiefer Gravierung aufgraviertem Strichmuster. Bez.: Zaisai 1500 TSUBA aus Eisen, durchbrochen, mit blühendem Schilf in Schattenriß.Bez.: Zaisai wie 1499 (II, Sohn desZaisai I). Miite 18. Jahrh. 1501 TSUBA aus Eisen. In hohem Relief und Gravierung sitzender Tiger imRegen am Wasser, auf der RückseiteWellen und Regen. Bez.: Miiiai)ioioAtsuhiro jj^ Jjc jL und Kakihan.18. Jahrh. (Abb.) 1502 TSUBA aus Eisen, durchbrochen. In s
In. Christopher; Beham, Barthel (1502-1540); 1520 (1500-00-00-1600-00-00);Gołuchów - collection, Krzysztof (Saint -? -A 250), German (culture) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-christopher-beham-barthel-1502-1540-1520-1500-00-00-1600-00-00gouchw-collection-krzysztof-saint-a-250-german-culture-image598796633.htmlRM2WP5F61–In. Christopher; Beham, Barthel (1502-1540); 1520 (1500-00-00-1600-00-00);Gołuchów - collection, Krzysztof (Saint -? -A 250), German (culture)
The Penance of Saint John Chrysostom. Barthel Beham (Germany, Nuremberg, 1502-1540)Hans Sebald Beham (Germany, Nuremberg, 1500-1550). Germany, circa 1541-45. Prints; engravings. Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-penance-of-saint-john-chrysostom-barthel-beham-germany-nuremberg-1502-1540hans-sebald-beham-germany-nuremberg-1500-1550-germany-circa-1541-45-prints-engravings-engraving-image464683844.htmlRM2J004YG–The Penance of Saint John Chrysostom. Barthel Beham (Germany, Nuremberg, 1502-1540)Hans Sebald Beham (Germany, Nuremberg, 1500-1550). Germany, circa 1541-45. Prints; engravings. Engraving
Portrait of Marcin Luther; Aldegrever, Heinrich (CA 1502-1555 Cars 1561), Brosamer, Hans (CA 1500-1552); 1540 (1st edition) (1540-00-00-1561-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-marcin-luther-aldegrever-heinrich-ca-1502-1555-cars-1561-brosamer-hans-ca-1500-1552-1540-1st-edition-1540-00-00-1561-00-00-image599014954.htmlRM2WPFDK6–Portrait of Marcin Luther; Aldegrever, Heinrich (CA 1502-1555 Cars 1561), Brosamer, Hans (CA 1500-1552); 1540 (1st edition) (1540-00-00-1561-00-00);
Penance of St. John Chrysostomus, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 55 x 78 mm (image/plate), 57 x 80 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/penance-of-st-john-chrysostomus-nd-sebald-beham-german-1500-1550-after-barthel-beham-german-1502-1540-germany-engraving-in-black-on-ivory-laid-paper-55-x-78-mm-imageplate-57-x-80-mm-sheet-image328632216.htmlRM2A2JDMT–Penance of St. John Chrysostomus, n.d., Sebald Beham (German, 1500-1550), after Barthel Beham (German, 1502-1540), Germany, Engraving in black on ivory laid paper, 55 x 78 mm (image/plate), 57 x 80 mm (sheet
![Inspection of troops at Barcelona. Vermeyen, Jan Cornelis (Barbalonga) (Netherlandish (before 1600) - North Netherlands, ca.1500-1559) (cartoon creator) [painter] Coecke van Aelst, Pieter (the Elder) (Netherlandish (before 1600) - Flanders, 1502-1550) (cartoon creator, attr.) [painter] Goten, Jacob van der (the Younger) (Netherlandish (after 1600), act.1720-d.1768) (workshop) [weaver] Goten, Adriaen van der (Netherlandish (after 1600), act.1720-d.1773) (workshop) [weaver] Goten, Cornelis van der (Netherlandish (after 1600), act.1720-d.1786) (workshop) [weaver] c. 1740-1743 Tapestry Materials/T Stock Photo](https://c8.alamy.com/comp/2WT1MF2/inspection-of-troops-at-barcelona-vermeyen-jan-cornelis-barbalonga-netherlandish-before-1600-north-netherlands-ca1500-1559-cartoon-creator-painter-coecke-van-aelst-pieter-the-elder-netherlandish-before-1600-flanders-1502-1550-cartoon-creator-attr-painter-goten-jacob-van-der-the-younger-netherlandish-after-1600-act1720-d1768-workshop-weaver-goten-adriaen-van-der-netherlandish-after-1600-act1720-d1773-workshop-weaver-goten-cornelis-van-der-netherlandish-after-1600-act1720-d1786-workshop-weaver-c-1740-1743-tapestry-materialst-2WT1MF2.jpg "Inspection of troops at Barcelona. Vermeyen, Jan Cornelis (Barbalonga) (Netherlandish (before 1600) - North Netherlands, ca.1500-1559) (cartoon creator) [painter] Coecke van Aelst, Pieter (the Elder) (Netherlandish (before 1600) - Flanders, 1502-1550) (cartoon creator, attr.) [painter] Goten, Jacob van der (the Younger) (Netherlandish (after 1600), act.1720-d.1768) (workshop) [weaver] Goten, Adriaen van der (Netherlandish (after 1600), act.1720-d.1773) (workshop) [weaver] Goten, Cornelis van der (Netherlandish (after 1600), act.1720-d.1786) (workshop) [weaver] c. 1740-1743 Tapestry Materials/T Stock Photo")
Inspection of troops at Barcelona. Vermeyen, Jan Cornelis (Barbalonga) (Netherlandish (before 1600) - North Netherlands, ca.1500-1559) (cartoon creator) [painter] Coecke van Aelst, Pieter (the Elder) (Netherlandish (before 1600) - Flanders, 1502-1550) (cartoon creator, attr.) [painter] Goten, Jacob van der (the Younger) (Netherlandish (after 1600), act.1720-d.1768) (workshop) [weaver] Goten, Adriaen van der (Netherlandish (after 1600), act.1720-d.1773) (workshop) [weaver] Goten, Cornelis van der (Netherlandish (after 1600), act.1720-d.1786) (workshop) [weaver] c. 1740-1743 Tapestry Materials/T Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspection-of-troops-at-barcelona-vermeyen-jan-cornelis-barbalonga-netherlandish-before-1600-north-netherlands-ca1500-1559-cartoon-creator-painter-coecke-van-aelst-pieter-the-elder-netherlandish-before-1600-flanders-1502-1550-cartoon-creator-attr-painter-goten-jacob-van-der-the-younger-netherlandish-after-1600-act1720-d1768-workshop-weaver-goten-adriaen-van-der-netherlandish-after-1600-act1720-d1773-workshop-weaver-goten-cornelis-van-der-netherlandish-after-1600-act1720-d1786-workshop-weaver-c-1740-1743-tapestry-materialst-image599942310.htmlRM2WT1MF2–Inspection of troops at Barcelona. Vermeyen, Jan Cornelis (Barbalonga) (Netherlandish (before 1600) - North Netherlands, ca.1500-1559) (cartoon creator) [painter] Coecke van Aelst, Pieter (the Elder) (Netherlandish (before 1600) - Flanders, 1502-1550) (cartoon creator, attr.) [painter] Goten, Jacob van der (the Younger) (Netherlandish (after 1600), act.1720-d.1768) (workshop) [weaver] Goten, Adriaen van der (Netherlandish (after 1600), act.1720-d.1773) (workshop) [weaver] Goten, Cornelis van der (Netherlandish (after 1600), act.1720-d.1786) (workshop) [weaver] c. 1740-1743 Tapestry Materials/T
Art inspired by Saint Mark, from The Four Evangelists, 1539, Engraving, Sheet: 4 5/8 × 3 in. (11.8 × 7.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-mark-from-the-four-evangelists-1539-engraving-sheet-4-58-3-in-118-76-cm-prints-heinrich-aldegrever-german-paderborn-ca-150215551561-soest-after-georg-pencz-german-wroclaw-ca-15001550-leipzig-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463022123.htmlRF2HW8DCB–Art inspired by Saint Mark, from The Four Evangelists, 1539, Engraving, Sheet: 4 5/8 × 3 in. (11.8 × 7.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for 1500 1502 Stock Photos and Images (225)
Page 1 of 3