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Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/der-ruckzughei-marignano-retreat-at-marignano-ferdinand-hodler-swiss-1853-1918-lithograph-on-japan-paper-ca1898-15-78-x-23-14-in-403-x-591-cm-image454283857.htmlRM2HB2BKD–Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm
Inspired by Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-der-ruckzughei-marignano-retreat-at-marignano-ferdinand-hodler-swiss-1853-1918-lithograph-on-japan-paper-ca1898-15-78-x-23-14-in-403-x-591-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459265243.htmlRF2HK59E3–Inspired by Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Der Ruckzughei Marignano (Retreat at Marignano) Ferdinand Hodler (Swiss, 1853-1918). Der Ruckzughei Marignano (Retreat at Marignano), ca.1898. Lithograph on Japan paper, 15 7/8 x 23 1/4 in. (40.3 x 59.1 cm). European Art ca.1898 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/der-ruckzughei-marignano-retreat-at-marignano-ferdinand-hodler-swiss-1853-1918-der-ruckzughei-marignano-retreat-at-marignano-ca1898-lithograph-on-japan-paper-15-78-x-23-14-in-403-x-591-cm-european-art-ca1898-image504721302.htmlRM2M9414P–Der Ruckzughei Marignano (Retreat at Marignano) Ferdinand Hodler (Swiss, 1853-1918). Der Ruckzughei Marignano (Retreat at Marignano), ca.1898. Lithograph on Japan paper, 15 7/8 x 23 1/4 in. (40.3 x 59.1 cm). European Art ca.1898
![[Effluvia from a Hand Resting on a Photographic Plate]. Artist: Adrien Majewski (French). Dimensions: 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.). Date: 1898-99. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PAPR8N/effluvia-from-a-hand-resting-on-a-photographic-plate-artist-adrien-majewski-french-dimensions-237-x-158-cm-9-516-x-6-14-in-date-1898-99-museum-metropolitan-museum-of-art-new-york-usa-PAPR8N.jpg "[Effluvia from a Hand Resting on a Photographic Plate]. Artist: Adrien Majewski (French). Dimensions: 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.). Date: 1898-99. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[Effluvia from a Hand Resting on a Photographic Plate]. Artist: Adrien Majewski (French). Dimensions: 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.). Date: 1898-99. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/effluvia-from-a-hand-resting-on-a-photographic-plate-artist-adrien-majewski-french-dimensions-237-x-158-cm-9-516-x-6-14-in-date-1898-99-museum-metropolitan-museum-of-art-new-york-usa-image213172197.htmlRMPAPR8N–[Effluvia from a Hand Resting on a Photographic Plate]. Artist: Adrien Majewski (French). Dimensions: 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.). Date: 1898-99. Museum: Metropolitan Museum of Art, New York, USA.
. English: Series Title: Rama's Journey Suite Name: Ramayana Creation Date: ca. 1780 Display Dimensions: 7 1/8 in. x 4 23/32 in. (18.1 cm x 12 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.430 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 October 2001, 09:23:42. English: thesandiegomuseumofartcollection 1041 Rama and Sita enthroned, adored by Hanuman; Lakshmana holds a morchal (6125082400) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-ramas-journey-suite-name-ramayana-creation-date-ca-1780-display-dimensions-7-18-in-x-4-2332-in-181-cm-x-12-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990430-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-15-october-2001-092342-english-thesandiegomuseumofartcollection-1041-rama-and-sita-enthroned-adored-by-hanuman-lakshmana-holds-a-morchal-6125082400-image185858998.htmlRMMPAH1A–. English: Series Title: Rama's Journey Suite Name: Ramayana Creation Date: ca. 1780 Display Dimensions: 7 1/8 in. x 4 23/32 in. (18.1 cm x 12 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.430 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 October 2001, 09:23:42. English: thesandiegomuseumofartcollection 1041 Rama and Sita enthroned, adored by Hanuman; Lakshmana holds a morchal (6125082400)
Eugen Sandow, full-length portrait, standing, left profile, wearing fig leaf and flexing muscle with fist raised to forehead Abstract/medium: 1 photograph : albumen silver print, 15 x 8 cm (5 3/4 x 3 13/16 in.) photographic print on card 23 x 13 cm (9 1/8 x 4 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eugen-sandow-full-length-portrait-standing-left-profile-wearing-fig-leaf-and-flexing-muscle-with-fist-raised-to-forehead-abstractmedium-1-photograph-albumen-silver-print-15-x-8-cm-5-34-x-3-1316-in-photographic-print-on-card-23-x-13-cm-9-18-x-4-78-in-image265044851.htmlRMWB5RBF–Eugen Sandow, full-length portrait, standing, left profile, wearing fig leaf and flexing muscle with fist raised to forehead Abstract/medium: 1 photograph : albumen silver print, 15 x 8 cm (5 3/4 x 3 13/16 in.) photographic print on card 23 x 13 cm (9 1/8 x 4 7/8 in.)
. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 366 Miss Flite Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-little-old-lady-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-23-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151325-hablot-knight-browne-phiz-366-miss-flite-image188840519.htmlRMMY6C07–. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 366 Miss Flite
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image235128797.htmlRMRJF151–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Benin kingdom court style; Nigeria; Late 15th-early 16th century; Copper alloy, iron inlay; H x W x D: 23.2 x 15.9 x 20 cm (9 1/8 x 6 1/4 x 7 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benin-kingdom-court-style-nigeria-late-15th-early-16th-century-copper-alloy-iron-inlay-h-x-w-x-d-232-x-159-x-20-cm-9-18-x-6-14-x-7-78-in-image353573269.htmlRM2BF6J8N–Benin kingdom court style; Nigeria; Late 15th-early 16th century; Copper alloy, iron inlay; H x W x D: 23.2 x 15.9 x 20 cm (9 1/8 x 6 1/4 x 7 7/8 in.)
Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/irish-members-in-their-seats-in-the-house-of-parliament-1886-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoher-image330688927.htmlRM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
Ruins of Karnac from Egypt and Nubia, Volume I: Ruins of Karnac, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43 x 60.4 cm (16 15/16 x 23 3/4 in.); image: 35.2 x 51 cm (13 7/8 x 20 1/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruins-of-karnac-from-egypt-and-nubia-volume-i-ruins-of-karnac-1847-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-43-x-604-cm-16-1516-x-23-34-in-image-352-x-51-cm-13-78-x-20-116-in-image349560291.htmlRM2B8KRM3–Ruins of Karnac from Egypt and Nubia, Volume I: Ruins of Karnac, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43 x 60.4 cm (16 15/16 x 23 3/4 in.); image: 35.2 x 51 cm (13 7/8 x 20 1/16 in.).
Sidewall (possibly USA); block-printed on handmade paper; a) Overall: 65 x 50 cm (25 9/16 x 19 11/16 in.) b) Overall: 18 x 23.5 cm (7 1/16 x 9 1/4 in.) c) Overall: 7.5 x 21 cm (2 15/16 x 8 1/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sidewall-possibly-usa-block-printed-on-handmade-paper-a-overall-65-x-50-cm-25-916-x-19-1116-in-b-overall-18-x-235-cm-7-116-x-9-14-in-c-overall-75-x-21-cm-2-1516-x-8-14-in-image546109040.htmlRM2PMDBJ8–Sidewall (possibly USA); block-printed on handmade paper; a) Overall: 65 x 50 cm (25 9/16 x 19 11/16 in.) b) Overall: 18 x 23.5 cm (7 1/16 x 9 1/4 in.) c) Overall: 7.5 x 21 cm (2 15/16 x 8 1/4 in.)
'Jean-Baptiste-Camille Corot, Italian Landscape, c. 1865, etching on wove paper, plate: 15.8 x 23 cm (6 1/4 x 9 1/16 in.) sheet: 16 x 23.2 cm (6 5/16 x 9 1/8 in.), Gift of Gaillard F. Ravenel and Frances P. Smyth-Ravenel, 2000.7.10' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-camille-corot-italian-landscape-c-1865-etching-on-wove-paper-plate-158-x-23-cm-6-14-x-9-116-in-sheet-16-x-232-cm-6-516-x-9-18-in-gift-of-gaillard-f-ravenel-and-frances-p-smyth-ravenel-2000710-image560340344.htmlRM2RFHKR4–'Jean-Baptiste-Camille Corot, Italian Landscape, c. 1865, etching on wove paper, plate: 15.8 x 23 cm (6 1/4 x 9 1/16 in.) sheet: 16 x 23.2 cm (6 5/16 x 9 1/8 in.), Gift of Gaillard F. Ravenel and Frances P. Smyth-Ravenel, 2000.7.10'
Female figure MET DP124716 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-female-figure-met-dp124716-251429-italic-female-figure-5th-century-168468914.htmlRMKP2BPX–Female figure MET DP124716 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96)
Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-31-of-denkschriften-sterreichische-akademie-der-denkschriften-sterreichische-akademie-der-wissenschaften-denkschriftens871912akad-year-1850-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-x-411-55-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-image259539534.htmlRMW27192–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39
Ants; Unknown; England, Europe; about 1250 - 1260; Pen-and-ink drawings tinted with body color and translucent washes on parchment; Leaf: 21 x 15.7 cm (8 1/4 x 6 3/16 in.); 2007.16.23 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ants-unknown-england-europe-about-1250-1260-pen-and-ink-drawings-tinted-with-body-color-and-translucent-washes-on-parchment-leaf-21-x-157-cm-8-14-x-6-316-in-20071623-image212362000.htmlRMP9DWW4–Ants; Unknown; England, Europe; about 1250 - 1260; Pen-and-ink drawings tinted with body color and translucent washes on parchment; Leaf: 21 x 15.7 cm (8 1/4 x 6 3/16 in.); 2007.16.23
![. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo](https://c8.alamy.com/comp/PFYFDM/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-PFYFDM.jpg ". Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo")
. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-image216349104.htmlRMPFYFDM–. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx:
Zanobi Strozzi (Italian, Florence 1412–1468 Florence)The Nativity, Tempera and gold on wood; Overall, with engaged frame, 15 1/4 x 11 1/2 in. (38.7 x 29.2 cm); painted surface 13 x 9 1/8 in. (33 x 23.2 cm) The Metropolitan Museum of Art, New York, Rogers Fund, 1924 (24.22) http://www.metmuseum.org/Collections/search-the-collections/435579 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zanobi-strozzi-italian-florence-14121468-florencethe-nativity-tempera-and-gold-on-wood-overall-with-engaged-frame-15-14-x-11-12-in-387-x-292-cm-painted-surface-13-x-9-18-in-33-x-232-cm-the-metropolitan-museum-of-art-new-york-rogers-fund-1924-2422-httpwwwmetmuseumorgcollectionssearch-the-collections435579-image335800946.htmlRM2AE91EX–Zanobi Strozzi (Italian, Florence 1412–1468 Florence)The Nativity, Tempera and gold on wood; Overall, with engaged frame, 15 1/4 x 11 1/2 in. (38.7 x 29.2 cm); painted surface 13 x 9 1/8 in. (33 x 23.2 cm) The Metropolitan Museum of Art, New York, Rogers Fund, 1924 (24.22) http://www.metmuseum.org/Collections/search-the-collections/435579
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241496945.htmlRFT0W3PW–Illustration Xray Icon
The Beach, Scituate, Thomas Buford Meteyard (American, 1865-1928), about 1895-1898, oil on canvas, 15 x 22 in. (canvas) 23-7/8 x 30-1/4 x 2-3/8 in. (framed), American Painting and Sculpture to 1945 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-beach-scituate-thomas-buford-meteyard-american-1865-1928-about-1895-1898-oil-on-canvas-15-x-22-in-canvas-23-78-x-30-14-x-2-38-in-framed-american-painting-and-sculpture-to-1945-image328780417.htmlRM2A2W6NN–The Beach, Scituate, Thomas Buford Meteyard (American, 1865-1928), about 1895-1898, oil on canvas, 15 x 22 in. (canvas) 23-7/8 x 30-1/4 x 2-3/8 in. (framed), American Painting and Sculpture to 1945
Art inspired by Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-der-ruckzughei-marignano-retreat-at-marignano-ferdinand-hodler-swiss-1853-1918-lithograph-on-japan-paper-ca1898-15-78-x-23-14-in-403-x-591-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459574335.htmlRF2HKKBN3–Art inspired by Der Ruckzughei Marignano, Retreat at Marignano, Ferdinand Hodler, Swiss, 1853-1918, Lithograph on Japan paper, ca.1898, 15 7/8 x 23 1/4 in., 40.3 x 59.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Der Ruckzughei Marignano (Retreat at Marignano) Ferdinand Hodler (Swiss, 1853-1918). Der Ruckzughei Marignano (Retreat at Marignano), ca.1898. Lithograph on Japan paper, 15 7/8 x 23 1/4 in. (40.3 x 59.1 cm). European Art ca.1898 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/der-ruckzughei-marignano-retreat-at-marignano-ferdinand-hodler-swiss-1853-1918-der-ruckzughei-marignano-retreat-at-marignano-ca1898-lithograph-on-japan-paper-15-78-x-23-14-in-403-x-591-cm-european-art-ca1898-image504721282.htmlRM2M94142–Der Ruckzughei Marignano (Retreat at Marignano) Ferdinand Hodler (Swiss, 1853-1918). Der Ruckzughei Marignano (Retreat at Marignano), ca.1898. Lithograph on Japan paper, 15 7/8 x 23 1/4 in. (40.3 x 59.1 cm). European Art ca.1898
Art inspired by Effluvia from a Hand Resting on a Photographic Plate, 1898–99, Gelatin silver print, 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.), Photographs, Adrien Majewski (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-effluvia-from-a-hand-resting-on-a-photographic-plate-189899-gelatin-silver-print-237-x-158-cm-9-516-x-6-14-in-photographs-adrien-majewski-french-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938842.htmlRF2HW4K62–Art inspired by Effluvia from a Hand Resting on a Photographic Plate, 1898–99, Gelatin silver print, 23.7 x 15.8 cm (9 5/16 x 6 1/4 in.), Photographs, Adrien Majewski (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Trouville. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 6 1/4 x 9 5/16 in. (15.8 x 23.7 cm) (trimmed to plateline). Date: 1884. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trouville-artist-charles-adams-platt-american-new-york-1861-1933-dimensions-plate-6-14-x-9-516-in-158-x-237-cm-trimmed-to-plateline-date-1884-museum-metropolitan-museum-of-art-new-york-usa-image213423052.htmlRMPB677T–Trouville. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 6 1/4 x 9 5/16 in. (15.8 x 23.7 cm) (trimmed to plateline). Date: 1884. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Hot or Cold, 1911–24, Watercolor and blue ink, Sheet: 5 7/8 x 9 1/4 in. (15 x 23.5 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-hot-or-cold-191124-watercolor-and-blue-ink-sheet-5-78-x-9-14-in-15-x-235-cm-drawings-herbert-e-crowley-british-london-18731939-zurich-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462811823.htmlRF2HTXW5K–Art inspired by Hot or Cold, 1911–24, Watercolor and blue ink, Sheet: 5 7/8 x 9 1/4 in. (15 x 23.5 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 420 Miss Flite Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-little-old-lady-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-23-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151325-hablot-knight-browne-phiz-420-miss-flite-image187566255.htmlRMMW4AJR–. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 420 Miss Flite
Art inspired by Trouville, 1884, Etching; second? state, plate: 6 1/4 x 9 5/16 in. (15.8 x 23.7 cm) (trimmed to plateline), Prints, Charles Adams Platt (American, New York 1861–1933, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-trouville-1884-etching-second-state-plate-6-14-x-9-516-in-158-x-237-cm-trimmed-to-plateline-prints-charles-adams-platt-american-new-york-18611933-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462807207.htmlRF2HTXK8R–Art inspired by Trouville, 1884, Etching; second? state, plate: 6 1/4 x 9 5/16 in. (15.8 x 23.7 cm) (trimmed to plateline), Prints, Charles Adams Platt (American, New York 1861–1933, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image387336939.htmlRM2DE4M63–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Art inspired by Relief Frieze, 6th century, Made in Byzantine Egypt, Coptic, Pinewood with traces of polychromy, Overall: 6 3/16 x 23 1/4 x 7/8 in. (15.7 x 59 x 2.2 cm), Sculpture-Wood, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-relief-frieze-6th-century-made-in-byzantine-egypt-coptic-pinewood-with-traces-of-polychromy-overall-6-316-x-23-14-x-78-in-157-x-59-x-22-cm-sculpture-wood-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836907.htmlRF2HW015F–Art inspired by Relief Frieze, 6th century, Made in Byzantine Egypt, Coptic, Pinewood with traces of polychromy, Overall: 6 3/16 x 23 1/4 x 7/8 in. (15.7 x 59 x 2.2 cm), Sculpture-Wood, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jean Fautrier. (French, 1898-1964). Otages fond noir (Hostages Black Ground). (1944-47, printed c. 1962). Etching, relief printed, plate: 9 1/4 x 12 9/16' (23.5 x 31.9 cm); sheet: 14 7/8 x 21 15/16' (37.8 x 55.8 cm). Publisher: Édition Couturier, Paris. Printer: Jacques David, Paris. Edition: 50. Arthur B. Stanton Fund. © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-jean-fautrier-french-1898-1964-otages-fond-noir-hostages-black-ground-166919058.htmlRMKKFPXX–Jean Fautrier. (French, 1898-1964). Otages fond noir (Hostages Black Ground). (1944-47, printed c. 1962). Etching, relief printed, plate: 9 1/4 x 12 9/16' (23.5 x 31.9 cm); sheet: 14 7/8 x 21 15/16' (37.8 x 55.8 cm). Publisher: Édition Couturier, Paris. Printer: Jacques David, Paris. Edition: 50. Arthur B. Stanton Fund. © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris
Art inspired by Reliquary, 15th century, with modern additions, Italian, Silver-gilt, basse taille enamel, Overall: 16 15/16 x 9 1/8 x 7 5/8 in. (43 x 23.2 x 19.4 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-reliquary-15th-century-with-modern-additions-italian-silver-gilt-basse-taille-enamel-overall-16-1516-x-9-18-x-7-58-in-43-x-232-x-194-cm-metalwork-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462835774.htmlRF2HTYYN2–Art inspired by Reliquary, 15th century, with modern additions, Italian, Silver-gilt, basse taille enamel, Overall: 16 15/16 x 9 1/8 x 7 5/8 in. (43 x 23.2 x 19.4 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Chair; Designed by Giuseppe Barberi (Italian, 1746–1809); Italy; pen and brown ink, brush and brown wash on off-white laid paper; Image: 23.9 x 15.8 cm (9 7/16 x 6 1/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-chair-designed-by-giuseppe-barberi-italian-17461809-italy-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-image-239-x-158-cm-9-716-x-6-14-in-image546104362.htmlRM2PMD5K6–Drawing, Chair; Designed by Giuseppe Barberi (Italian, 1746–1809); Italy; pen and brown ink, brush and brown wash on off-white laid paper; Image: 23.9 x 15.8 cm (9 7/16 x 6 1/4 in.)
'Albert Besnard, Madeleine Lemaire, 1900, etching and aquatint on laid paper, plate: 17.7 x 23.1 cm (6 15/16 x 9 1/8 in.) sheet: 34.4 x 50 cm (13 9/16 x 19 11/16 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.59.24' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albert-besnard-madeleine-lemaire-1900-etching-and-aquatint-on-laid-paper-plate-177-x-231-cm-6-1516-x-9-18-in-sheet-344-x-50-cm-13-916-x-19-1116-in-gift-of-mr-and-mrs-daniel-bell-in-honor-of-the-50th-anniversary-of-the-national-gallery-of-art-19925924-image557243272.htmlRM2RAGHDC–'Albert Besnard, Madeleine Lemaire, 1900, etching and aquatint on laid paper, plate: 17.7 x 23.1 cm (6 15/16 x 9 1/8 in.) sheet: 34.4 x 50 cm (13 9/16 x 19 11/16 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.59.24'
Drawing, Design for a Book Cover; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and gouache on paper; Mount: 20 x 12.6 x 0.1 cm (7 7/8 x 4 15/16 x 1/16 in.); 1943-33-1-23 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-a-book-cover-designed-by-alice-cordelia-morse-american-18631961-usa-brush-and-gouache-on-paper-mount-20-x-126-x-01-cm-7-78-x-4-1516-x-116-in-1943-33-1-23-image546086666.htmlRM2PMCB36–Drawing, Design for a Book Cover; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and gouache on paper; Mount: 20 x 12.6 x 0.1 cm (7 7/8 x 4 15/16 x 1/16 in.); 1943-33-1-23
Female figure MET DP124727 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-female-figure-met-dp124727-251429-italic-female-figure-5th-century-168301344.htmlRMKNPP28–Female figure MET DP124727 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96)
Samples (USA); Manufactured by Orinoka Mills (United States); Warp x Weft (a): 15 × 44.5 cm (5 7/8 × 17 1/2 in.) Warp x Weft (b): 11.5 × 23.5 cm (4 1/2 × 9 1/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samples-usa-manufactured-by-orinoka-mills-united-states-warp-x-weft-a-15-445-cm-5-78-17-12-in-warp-x-weft-b-115-235-cm-4-12-9-14-in-image546087942.htmlRM2PMCCMP–Samples (USA); Manufactured by Orinoka Mills (United States); Warp x Weft (a): 15 × 44.5 cm (5 7/8 × 17 1/2 in.) Warp x Weft (b): 11.5 × 23.5 cm (4 1/2 × 9 1/4 in.)
Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-31-of-denkschriften-sterreichische-akademie-der-denkschriften-sterreichische-akademie-der-wissenschaften-denkschriftens871912akad-year-1850-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-x-411-55-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-image259539542.htmlRMW2719A–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77
![. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française. Natural history; Scientific expeditions; Music. 664 DE L ETAT ACTUEL 6.* Tabaqah. 4 6 9 ii *3 i4 «7 {9 -5 y J L l ^ jo f L -cr x-e- 7.c Tabaqah. L l »3 l8 20 2 1 24 26 t B* oT / 8,e Tabaqah I* 1. 9.e Tabaqah. 8 IG C *3 15 17 «3U / t 2 I 23 io.e Tabaqah. 13 IJ 17 20 22 24 e^ S? 25 28 30 j -eâ 11 .e Tabaqah. S 10 C 12 i4 15 =1 18 20 t ^i fer -e- I2.e Tabaqah. 10 12 -tD- i4 17 19 21 c^ 25 27 13.' Tabaqah. â 7 "9 / w ir *4 »6 28 29 3* 3 Stock Photo](https://c8.alamy.com/comp/PFBDTJ/description-de-legypte-ou-recueil-des-observations-et-des-recherches-qui-ont-ete-faites-en-egypte-pendant-lexpedition-de-larmee-francaise-natural-history-scientific-expeditions-music-664-de-l-etat-actuel-6-tabaqah-4-6-9-ii-3-i4-7-9-5-y-j-l-l-jo-f-l-cr-x-e-7c-tabaqah-l-l-3-l8-20-2-1-24-26-t-b-ot-8e-tabaqah-i-1-9e-tabaqah-8-ig-c-3-15-17-3u-t-2-i-23-ioe-tabaqah-13-ij-17-20-22-24-e-s-25-28-30-j-e-11-e-tabaqah-s-10-c-12-i4-15-=1-18-20-t-i-fer-e-i2e-tabaqah-10-12-td-i4-17-19-21-c-25-27-13-tabaqah-7-quot9-w-ir-4-6-28-29-3-3-PFBDTJ.jpg ". Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française. Natural history; Scientific expeditions; Music. 664 DE L ETAT ACTUEL 6.* Tabaqah. 4 6 9 ii *3 i4 «7 {9 -5 y J L l ^ jo f L -cr x-e- 7.c Tabaqah. L l »3 l8 20 2 1 24 26 t B* oT / 8,e Tabaqah I* 1. 9.e Tabaqah. 8 IG C *3 15 17 «3U / t 2 I 23 io.e Tabaqah. 13 IJ 17 20 22 24 e^ S? 25 28 30 j -eâ 11 .e Tabaqah. S 10 C 12 i4 15 =1 18 20 t ^i fer -e- I2.e Tabaqah. 10 12 -tD- i4 17 19 21 c^ 25 27 13.' Tabaqah. â 7 "9 / w ir *4 »6 28 29 3* 3 Stock Photo")
. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française. Natural history; Scientific expeditions; Music. 664 DE L ETAT ACTUEL 6.* Tabaqah. 4 6 9 ii *3 i4 «7 {9 -5 y J L l ^ jo f L -cr x-e- 7.c Tabaqah. L l »3 l8 20 2 1 24 26 t B* oT / 8,e Tabaqah I* 1. 9.e Tabaqah. 8 IG C *3 15 17 «3U / t 2 I 23 io.e Tabaqah. 13 IJ 17 20 22 24 e^ S? 25 28 30 j -eâ 11 .e Tabaqah. S 10 C 12 i4 15 =1 18 20 t ^i fer -e- I2.e Tabaqah. 10 12 -tD- i4 17 19 21 c^ 25 27 13.' Tabaqah. â 7 "9 / w ir *4 »6 28 29 3* 3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/description-de-legypte-ou-recueil-des-observations-et-des-recherches-qui-ont-ete-faites-en-egypte-pendant-lexpedition-de-larmee-francaise-natural-history-scientific-expeditions-music-664-de-l-etat-actuel-6-tabaqah-4-6-9-ii-3-i4-7-9-5-y-j-l-l-jo-f-l-cr-x-e-7c-tabaqah-l-l-3-l8-20-2-1-24-26-t-b-ot-8e-tabaqah-i-1-9e-tabaqah-8-ig-c-3-15-17-3u-t-2-i-23-ioe-tabaqah-13-ij-17-20-22-24-e-s-25-28-30-j-e-11-e-tabaqah-s-10-c-12-i4-15-=1-18-20-t-i-fer-e-i2e-tabaqah-10-12-td-i4-17-19-21-c-25-27-13-tabaqah-7-quot9-w-ir-4-6-28-29-3-3-image215996610.htmlRMPFBDTJ–. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française. Natural history; Scientific expeditions; Music. 664 DE L ETAT ACTUEL 6.* Tabaqah. 4 6 9 ii *3 i4 «7 {9 -5 y J L l ^ jo f L -cr x-e- 7.c Tabaqah. L l »3 l8 20 2 1 24 26 t B* oT / 8,e Tabaqah I* 1. 9.e Tabaqah. 8 IG C *3 15 17 «3U / t 2 I 23 io.e Tabaqah. 13 IJ 17 20 22 24 e^ S? 25 28 30 j -eâ 11 .e Tabaqah. S 10 C 12 i4 15 =1 18 20 t ^i fer -e- I2.e Tabaqah. 10 12 -tD- i4 17 19 21 c^ 25 27 13.' Tabaqah. â 7 "9 / w ir *4 »6 28 29 3* 3
Aquamanile in the Form of a Lion, North German, ca. 1200, North German, Copper alloy, Overall: 9 1/8 x 8 15/16 x 3 3/4 in. (23.2 x 22.7 x 9.5 cm), Thickness PD: 3/50-1/10 in. (0.15-0.25 cm), Weight PD: 84.3oz. (2391g), Metalwork-Copper alloy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aquamanile-in-the-form-of-a-lion-north-german-ca-1200-north-german-copper-alloy-overall-9-18-x-8-1516-x-3-34-in-232-x-227-x-95-cm-thickness-pd-350-110-in-015-025-cm-weight-pd-843oz-2391g-metalwork-copper-alloy-image344664651.htmlRM2B0MR7R–Aquamanile in the Form of a Lion, North German, ca. 1200, North German, Copper alloy, Overall: 9 1/8 x 8 15/16 x 3 3/4 in. (23.2 x 22.7 x 9.5 cm), Thickness PD: 3/50-1/10 in. (0.15-0.25 cm), Weight PD: 84.3oz. (2391g), Metalwork-Copper alloy
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241496848.htmlRFT0W3KC–Illustration Xray Icon
Bottle, 800-1500. Peru, Chimú, 9th-15th Century. Pottery; overall: 40.1 x 25.7 x 23.5 cm (15 13/16 x 10 1/8 x 9 1/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bottle-800-1500-peru-chim-9th-15th-century-pottery-overall-401-x-257-x-235-cm-15-1316-x-10-18-x-9-14-in-image448149418.htmlRM2H12Y4A–Bottle, 800-1500. Peru, Chimú, 9th-15th Century. Pottery; overall: 40.1 x 25.7 x 23.5 cm (15 13/16 x 10 1/8 x 9 1/4 in.).
Design for a Facade (unfinished). Artist: Anonymous, Italian, late 16th century. Dimensions: sheet: 5 7/8 x 9 1/4 in. (15 x 23.5 cm). Date: late 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-facade-unfinished-artist-anonymous-italian-late-16th-century-dimensions-sheet-5-78-x-9-14-in-15-x-235-cm-date-late-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image212906093.htmlRMPAAKW1–Design for a Facade (unfinished). Artist: Anonymous, Italian, late 16th century. Dimensions: sheet: 5 7/8 x 9 1/4 in. (15 x 23.5 cm). Date: late 16th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 420 Miss Flite Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-little-old-lady-phiz-hablot-k-browne-1853-etching-4-18-x-4-18-inches-on-a-page-of-8-716-x-5-inches-facing-p-23-the-close-of-the-third-chapter-of-dickenss-bleak-house-6-february-2012-151325-hablot-knight-browne-phiz-420-miss-flite-image188121141.htmlRMMX1JC5–. English: The Little Old Lady Phiz (Hablot K. Browne) 1853 Etching 4 1/8 x 4 1/8 inches on a page of 8 7/16 x 5 inches Facing p. 23, the close of the third chapter of Dickens's Bleak House . 6 February 2012, 15:13:25. Hablot Knight Browne (Phiz) 420 Miss Flite
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image261850251.htmlRMW608JK–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Art inspired by Saint Michael, Tempera on wood, Overall 23 1/2 x 15 1/2 in. (59.7 x 39.4 cm); central field 10 x 5 5/8 in. (25.4 x 14.3 cm), Paintings, Copy after Neroccio de' Landi (Italian, before 1907, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-saint-michael-tempera-on-wood-overall-23-12-x-15-12-in-597-x-394-cm-central-field-10-x-5-58-in-254-x-143-cm-paintings-copy-after-neroccio-de-landi-italian-before-1907-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462816217.htmlRF2HTY2PH–Art inspired by Saint Michael, Tempera on wood, Overall 23 1/2 x 15 1/2 in. (59.7 x 39.4 cm); central field 10 x 5 5/8 in. (25.4 x 14.3 cm), Paintings, Copy after Neroccio de' Landi (Italian, before 1907, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Albert Besnard, Eve before the Apple Tree (Eve de dos devant le pommier), 1892, etching in black on thin cream laid paper, plate: 17.9 x 23.9 cm (7 1/16 x 9 7/16 in.) sheet: 25.3 x 32.8 cm (9 15/16 x 12 15/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1994.4.16' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albert-besnard-eve-before-the-apple-tree-eve-de-dos-devant-le-pommier-1892-etching-in-black-on-thin-cream-laid-paper-plate-179-x-239-cm-7-116-x-9-716-in-sheet-253-x-328-cm-9-1516-x-12-1516-in-gift-of-mr-and-mrs-daniel-bell-1994416-image557243222.htmlRM2RAGHBJ–'Albert Besnard, Eve before the Apple Tree (Eve de dos devant le pommier), 1892, etching in black on thin cream laid paper, plate: 17.9 x 23.9 cm (7 1/16 x 9 7/16 in.) sheet: 25.3 x 32.8 cm (9 15/16 x 12 15/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1994.4.16'
Female figure MET DP124727 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-female-figure-met-dp124727-251429-italic-female-figure-5th-century-168458780.htmlRMKP1XW0–Female figure MET DP124727 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96)
Drawing, Moses Rock, Mountain House; Frederic Edwin Church (American, 1826–1900); USA; black crayon on paper.; Sheet: 25.7 x 38.8 cm (10 1/8 x 15 1/4 in.) Frame: 44.8 x 60.3 cm (17 5/8 x 23 3/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-moses-rock-mountain-house-frederic-edwin-church-american-18261900-usa-black-crayon-on-paper-sheet-257-x-388-cm-10-18-x-15-14-in-frame-448-x-603-cm-17-58-x-23-34-in-image546256110.htmlRM2PMM36P–Drawing, Moses Rock, Mountain House; Frederic Edwin Church (American, 1826–1900); USA; black crayon on paper.; Sheet: 25.7 x 38.8 cm (10 1/8 x 15 1/4 in.) Frame: 44.8 x 60.3 cm (17 5/8 x 23 3/4 in.)
Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-240-of-the-directional-spectrum-of-a-the-directional-spectrum-of-a-wind-generated-sea-as-determined-from-data-obtained-by-the-stereo-wave-observation-project-directionalspect00chas-year-1957-cm-13-12-11-10-9-8-7-6-5-4-3-2-1-0-10-fl-cz-c3-x-c4-0-c5-rn-gtv-0-0-n-ce-0-x-0-0-i0-20-30-1-1-ii-ik-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-figure-1130-cp-and-yp-as-a-function-of-k-229-image242266434.htmlRMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
Print, Design for a Cartouche; Designed by Jacques de Lajoüe (French, 1687–1761); Engraved by Gabriel Huquier (French, 1695–1772); France; engraving on white laid paper; Platemark: 24.3 x 21 cm (9 9/16 x 8 1/4 in.) Sheet: 32.8 x 23.9 cm (12 15/16 x 9 7/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-design-for-a-cartouche-designed-by-jacques-de-lajoe-french-16871761-engraved-by-gabriel-huquier-french-16951772-france-engraving-on-white-laid-paper-platemark-243-x-21-cm-9-916-x-8-14-in-sheet-328-x-239-cm-12-1516-x-9-716-in-image546264984.htmlRM2PMMEFM–Print, Design for a Cartouche; Designed by Jacques de Lajoüe (French, 1687–1761); Engraved by Gabriel Huquier (French, 1695–1772); France; engraving on white laid paper; Platemark: 24.3 x 21 cm (9 9/16 x 8 1/4 in.) Sheet: 32.8 x 23.9 cm (12 15/16 x 9 7/16 in.)
Camille Corot, Bacchante by the Sea, Camille Corot (French, Paris 1796–1875 Paris), 1865, Oil on wood, 15 1/4 x 23 3/8 in. (38.7 x 59.4 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/camille-corot-bacchante-by-the-sea-camille-corot-french-paris-17961875-paris-1865-oil-on-wood-15-14-x-23-38-in-387-x-594-cm-paintings-image344641611.htmlRM2B0KNTY–Camille Corot, Bacchante by the Sea, Camille Corot (French, Paris 1796–1875 Paris), 1865, Oil on wood, 15 1/4 x 23 3/8 in. (38.7 x 59.4 cm), Paintings
Print, Napoleon Bonaparte at Fon; Giuseppe Guzzi; Italy; etching support: white wove paper; 23.6 x 15.4 cm (9 5/16 x 6 1/16 in.) Platemark/repeat: 15.7 x 11.7 cm (6 3/16 x 4 5/8 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-napoleon-bonaparte-at-fon-giuseppe-guzzi-italy-etching-support-white-wove-paper-236-x-154-cm-9-516-x-6-116-in-platemarkrepeat-157-x-117-cm-6-316-x-4-58-in-mat-457-x-356-cm-18-x-14-in-image546109192.htmlRM2PMDBRM–Print, Napoleon Bonaparte at Fon; Giuseppe Guzzi; Italy; etching support: white wove paper; 23.6 x 15.4 cm (9 5/16 x 6 1/16 in.) Platemark/repeat: 15.7 x 11.7 cm (6 3/16 x 4 5/8 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)
Kneeling Angel, c. 1760. Ignaz Günther (German, 1725-1775). Gessoed and painted wood; overall: 83.5 x 39 x 23.5 cm (32 7/8 x 15 3/8 x 9 1/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kneeling-angel-c-1760-ignaz-gnther-german-1725-1775-gessoed-and-painted-wood-overall-835-x-39-x-235-cm-32-78-x-15-38-x-9-14-in-image448098574.htmlRM2H10J8E–Kneeling Angel, c. 1760. Ignaz Günther (German, 1725-1775). Gessoed and painted wood; overall: 83.5 x 39 x 23.5 cm (32 7/8 x 15 3/8 x 9 1/4 in.).
![. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo](https://c8.alamy.com/comp/PFE8G1/denkschriften-sterreichische-akademie-der-wissenschaften-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-PFE8G1.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo")
. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/denkschriften-sterreichische-akademie-der-wissenschaften-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-image216058305.htmlRMPFE8G1–. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27
Reliquary. Culture: Italian. Dimensions: Overall: 16 15/16 x 9 1/8 x 7 5/8 in. (43 x 23.2 x 19.4 cm). Date: 15th century, with modern additions. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reliquary-culture-italian-dimensions-overall-16-1516-x-9-18-x-7-58-in-43-x-232-x-194-cm-date-15th-century-with-modern-additions-museum-metropolitan-museum-of-art-new-york-usa-image213153545.htmlRMPANYEH–Reliquary. Culture: Italian. Dimensions: Overall: 16 15/16 x 9 1/8 x 7 5/8 in. (43 x 23.2 x 19.4 cm). Date: 15th century, with modern additions. Museum: Metropolitan Museum of Art, New York, USA.
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241496398.htmlRFT0W33A–Illustration Xray Icon
Painting; oil on canvas; overall: 50.7 x 63 cm (19 15/16 x 24 13/16 in.) framed: 58.9 x 72.4 x 6 cm (23 3/16 x 28 1/2 x 2 3/8 in.); 502 Prize Bull E11433 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-507-x-63-cm-19-1516-x-24-1316-in-framed-589-x-724-x-6-cm-23-316-x-28-12-x-2-38-in-502-prize-bull-e11433-image213975204.htmlRMPC3BFG–Painting; oil on canvas; overall: 50.7 x 63 cm (19 15/16 x 24 13/16 in.) framed: 58.9 x 72.4 x 6 cm (23 3/16 x 28 1/2 x 2 3/8 in.); 502 Prize Bull E11433
Art inspired by Portrait of a Young Woman, ca. 1490–1500, Oil on wood, 23 1/8 x 15 3/4 in. (58.7 x 40 cm), Paintings, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian, Florence 1456/59–1536 Florence), This damaged but evocative portrait has been identified as the widow of Credi's, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-young-woman-ca-14901500-oil-on-wood-23-18-x-15-34-in-587-x-40-cm-paintings-lorenzo-di-credi-lorenzo-dandrea-doderigo-italian-florence-1456591536-florence-this-damaged-but-evocative-portrait-has-been-identified-as-the-widow-of-credis-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025264.htmlRF2HW8HCG–Art inspired by Portrait of a Young Woman, ca. 1490–1500, Oil on wood, 23 1/8 x 15 3/4 in. (58.7 x 40 cm), Paintings, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian, Florence 1456/59–1536 Florence), This damaged but evocative portrait has been identified as the widow of Credi's, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Female figure MET DP124716 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-female-figure-met-dp124716-251429-italic-female-figure-5th-century-168301499.htmlRMKNPP7R–Female figure MET DP124716 251429 Italic, Female figure, 5th century B.C., Amber, Height: 1 5/8 x 2 15/16 in. (4.1 x 7.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1923 (23.160.96)
Effects of the rays of Effects of the rays of radium on plants . effectsofraysofr1908gage Year: 1908 EXPOSED WATER AND FRESHLY FALLEN RAIN 159 of the other two. On April 17 measurements of the heights of the seedHngs were recorded as follows : RaBr, RaBr, No. 1,500,000 X 10,000 X Control I 29.50 mm. 18.00 mm. 16.50 mm. 2 23.00 12.50 25.00 3 25.00 18.50 4-50 4 not up 23.00 15-50 5 25.00 not up 10.50 6 16.00 13.00 7-50 7 not up 13.00 5.00 8 12.00 20.00 118.00 mm. 15-50 130.50 mm. 100.00 mm. 21.75 ^'^^^' 16.86 mm.. 12.50 mm. The relative heights of the plants in the three cultures remained as ab Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/effects-of-the-rays-of-effects-of-the-rays-of-radium-on-plants-effectsofraysofr1908gage-year-1908-exposed-water-and-freshly-fallen-rain-159-of-the-other-two-on-april-17-measurements-of-the-heights-of-the-seedhngs-were-recorded-as-follows-rabr-rabr-no-1500000-x-10000-x-control-i-2950-mm-1800-mm-1650-mm-2-2300-1250-2500-3-2500-1850-4-50-4-not-up-2300-15-50-5-2500-not-up-1050-6-1600-1300-7-50-7-not-up-1300-500-8-1200-2000-11800-mm-15-50-13050-mm-10000-mm-2175-1686-mm-1250-mm-the-relative-heights-of-the-plants-in-the-three-cultures-remained-as-ab-image240840749.htmlRMRYR6R9–Effects of the rays of Effects of the rays of radium on plants . effectsofraysofr1908gage Year: 1908 EXPOSED WATER AND FRESHLY FALLEN RAIN 159 of the other two. On April 17 measurements of the heights of the seedHngs were recorded as follows : RaBr, RaBr, No. 1,500,000 X 10,000 X Control I 29.50 mm. 18.00 mm. 16.50 mm. 2 23.00 12.50 25.00 3 25.00 18.50 4-50 4 not up 23.00 15-50 5 25.00 not up 10.50 6 16.00 13.00 7-50 7 not up 13.00 5.00 8 12.00 20.00 118.00 mm. 15-50 130.50 mm. 100.00 mm. 21.75 ^'^^^' 16.86 mm.. 12.50 mm. The relative heights of the plants in the three cultures remained as ab
Boat Along a Bank, Jan Vijlbrief (Dutch, 1868-1895), 1894 or 1895, wax-resin medium on canvas, 21-3/4 x 15-7/8 in. (canvas) 29-1/4 x 23 in. (framed), European Painting and Sculpture 1800-1945 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boat-along-a-bank-jan-vijlbrief-dutch-1868-1895-1894-or-1895-wax-resin-medium-on-canvas-21-34-x-15-78-in-canvas-29-14-x-23-in-framed-european-painting-and-sculpture-1800-1945-image328777678.htmlRM2A2W37X–Boat Along a Bank, Jan Vijlbrief (Dutch, 1868-1895), 1894 or 1895, wax-resin medium on canvas, 21-3/4 x 15-7/8 in. (canvas) 29-1/4 x 23 in. (framed), European Painting and Sculpture 1800-1945
Miniature, Portrait of the Empress Eugenie; France; enamel on porcelain in brass frame.; Frame H x W x D: 18.9 x 15.1 cm (7 7/16 x 5 15/16 in.) Image: 13.6 x 11.8 cm (5 3/8 x 4 5/8 in.); Bequest of Katherine Strong Welman; 1908-23-37 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miniature-portrait-of-the-empress-eugenie-france-enamel-on-porcelain-in-brass-frame-frame-h-x-w-x-d-189-x-151-cm-7-716-x-5-1516-in-image-136-x-118-cm-5-38-x-4-58-in-bequest-of-katherine-strong-welman-1908-23-37-image546076936.htmlRM2PMBXKM–Miniature, Portrait of the Empress Eugenie; France; enamel on porcelain in brass frame.; Frame H x W x D: 18.9 x 15.1 cm (7 7/16 x 5 15/16 in.) Image: 13.6 x 11.8 cm (5 3/8 x 4 5/8 in.); Bequest of Katherine Strong Welman; 1908-23-37
Bacchante by the Sea, 1865, Oil on wood, 15 1/4 x 23 3/8 in. (38.7 x 59.4 cm), Paintings, Camille Corot (French, Paris 1796–1875 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bacchante-by-the-sea-1865-oil-on-wood-15-14-x-23-38-in-387-x-594-cm-162535807.htmlRMKCC427–Bacchante by the Sea, 1865, Oil on wood, 15 1/4 x 23 3/8 in. (38.7 x 59.4 cm), Paintings, Camille Corot (French, Paris 1796–1875
Figure, 317-987. Mexico, Jaina, Campeche, Maya, 4th-10th Century. Terracotta; overall: 23.5 x 10.5 x 7.5 cm (9 1/4 x 4 1/8 x 2 15/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-317-987-mexico-jaina-campeche-maya-4th-10th-century-terracotta-overall-235-x-105-x-75-cm-9-14-x-4-18-x-2-1516-in-image448150565.htmlRM2H130H9–Figure, 317-987. Mexico, Jaina, Campeche, Maya, 4th-10th Century. Terracotta; overall: 23.5 x 10.5 x 7.5 cm (9 1/4 x 4 1/8 x 2 15/16 in.).
Crucifix, Italian, 14th century, Made in Venice, Italy, Italian, Silver-gilt, crystal, enamel, Overall: 11 5/8 x 6 7/8 x 1 3/8 in. (29.5 x 17.5 x 3.5 cm), Overall (Crystal only): 9 1/4 x 6 7/8 x 1/2 in. (23.5 x 17.5 x 1.3 cm), Overall With Base: 15 9/16 x 4 13/16 in. (39.6 x 12.3 cm), Metalwork-Silver Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crucifix-italian-14th-century-made-in-venice-italy-italian-silver-gilt-crystal-enamel-overall-11-58-x-6-78-x-1-38-in-295-x-175-x-35-cm-overall-crystal-only-9-14-x-6-78-x-12-in-235-x-175-x-13-cm-overall-with-base-15-916-x-4-1316-in-396-x-123-cm-metalwork-silver-image344657134.htmlRM2B0MDKA–Crucifix, Italian, 14th century, Made in Venice, Italy, Italian, Silver-gilt, crystal, enamel, Overall: 11 5/8 x 6 7/8 x 1 3/8 in. (29.5 x 17.5 x 3.5 cm), Overall (Crystal only): 9 1/4 x 6 7/8 x 1/2 in. (23.5 x 17.5 x 1.3 cm), Overall With Base: 15 9/16 x 4 13/16 in. (39.6 x 12.3 cm), Metalwork-Silver
Saint Michael. Artist: Copy after Neroccio de' Landi (Italian, before 1907). Dimensions: Overall 23 1/2 x 15 1/2 in. (59.7 x 39.4 cm); central field 10 x 5 5/8 in. (25.4 x 14.3 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-michael-artist-copy-after-neroccio-de-landi-italian-before-1907-dimensions-overall-23-12-x-15-12-in-597-x-394-cm-central-field-10-x-5-58-in-254-x-143-cm-museum-metropolitan-museum-of-art-new-york-usa-image212872384.htmlRMPA94W4–Saint Michael. Artist: Copy after Neroccio de' Landi (Italian, before 1907). Dimensions: Overall 23 1/2 x 15 1/2 in. (59.7 x 39.4 cm); central field 10 x 5 5/8 in. (25.4 x 14.3 cm). Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on panel; overall: 23.6 x 15 cm (9 5/16 x 5 7/8 in.) framed: 42.2 x 33.3 x 5.7 cm (16 5/8 x 13 1/8 x 2 1/4 in.); 23 The Flight into Egypt C17511 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-panel-overall-236-x-15-cm-9-516-x-5-78-in-framed-422-x-333-x-57-cm-16-58-x-13-18-x-2-14-in-23-the-flight-into-egypt-c17511-image206562351.htmlRMP01MAR–Painting; oil on panel; overall: 23.6 x 15 cm (9 5/16 x 5 7/8 in.) framed: 42.2 x 33.3 x 5.7 cm (16 5/8 x 13 1/8 x 2 1/4 in.); 23 The Flight into Egypt C17511
![. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo](https://c8.alamy.com/comp/PFE8FW/denkschriften-sterreichische-akademie-der-wissenschaften-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-1-37-71-1-19-21-40-16-59-10-2-56-8-95-34-94-2-57-76-3-23-25-3-3-PFE8FW.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo")
. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/denkschriften-sterreichische-akademie-der-wissenschaften-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-1-37-71-1-19-21-40-16-59-10-2-56-8-95-34-94-2-57-76-3-23-25-3-3-image216058301.htmlRMPFE8FW–. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241496626.htmlRFT0W3BE–Illustration Xray Icon
Art inspired by Bacchante by the Sea, 1865, Oil on wood, 15 1/4 x 23 3/8 in. (38.7 x 59.4 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), This cabinet picture was almost certainly created to satisfy the growing market for Corot’s figure paintings in the 1860s. The figure, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bacchante-by-the-sea-1865-oil-on-wood-15-14-x-23-38-in-387-x-594-cm-paintings-camille-corot-french-paris-17961875-paris-this-cabinet-picture-was-almost-certainly-created-to-satisfy-the-growing-market-for-corots-figure-paintings-in-the-1860s-the-figure-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814497.htmlRF2HTY0H5–Art inspired by Bacchante by the Sea, 1865, Oil on wood, 15 1/4 x 23 3/8 in. (38.7 x 59.4 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), This cabinet picture was almost certainly created to satisfy the growing market for Corot’s figure paintings in the 1860s. The figure, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Aquamanile in the Form of a Lion, ca. 1200, North German, Copper alloy, Overall: 9 1/8 x 8 15/16 x 3 3/4 in. (23.2 x 22.7 x 9.5 cm), Metalwork-Copper alloy, This aquamanile is distinguished by the lion’s turned head, which grasps the neck of the dragon in its jaws. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-aquamanile-in-the-form-of-a-lion-ca-1200-north-german-copper-alloy-overall-9-18-x-8-1516-x-3-34-in-232-x-227-x-95-cm-metalwork-copper-alloy-this-aquamanile-is-distinguished-by-the-lions-turned-head-which-grasps-the-neck-of-the-dragon-in-its-jaws-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836759.htmlRF2HW0107–Art inspired by Aquamanile in the Form of a Lion, ca. 1200, North German, Copper alloy, Overall: 9 1/8 x 8 15/16 x 3 3/4 in. (23.2 x 22.7 x 9.5 cm), Metalwork-Copper alloy, This aquamanile is distinguished by the lion’s turned head, which grasps the neck of the dragon in its jaws. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Group of 23 Stereograph Views of Railroad Bridges, 1850s–1910s, Albumen silver prints, Mounts approximately: 8.2 x 17.1 cm (3 1/4 x 6 3/4 in.) to 10 x 17.8 cm (3 15/16 x 7 in.), Photographs, Littleton View Company (American), Benneville Lloyd Singley (American, Union, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-group-of-23-stereograph-views-of-railroad-bridges-1850s1910s-albumen-silver-prints-mounts-approximately-82-x-171-cm-3-14-x-6-34-in-to-10-x-178-cm-3-1516-x-7-in-photographs-littleton-view-company-american-benneville-lloyd-singley-american-union-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462940794.htmlRF2HW4NKP–Art inspired by Group of 23 Stereograph Views of Railroad Bridges, 1850s–1910s, Albumen silver prints, Mounts approximately: 8.2 x 17.1 cm (3 1/4 x 6 3/4 in.) to 10 x 17.8 cm (3 15/16 x 7 in.), Photographs, Littleton View Company (American), Benneville Lloyd Singley (American, Union, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Compote MET 190431 2217 Maker: William Gale and Son, active ca. 1850?58 and 1863?66, Compote, ca. 1860, Silver, Overall: 9 1/2 x 10 7/16 in. (24.1 x 26.5 cm); 40 oz. 1 dwt. (1245.7 g) Lip: Diam. 9 3/8 in. (23.8 cm) Foot: Diam. 6 1/4 in. (15.9 cm). The Metropolitan Museum of Art, New York. Purchase, Anonymous Gift, 1968 (68.114) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-compote-met-190431-2217-maker-william-gale-and-son-active-ca-185058-168109579.htmlRMKNE1DF–Compote MET 190431 2217 Maker: William Gale and Son, active ca. 1850?58 and 1863?66, Compote, ca. 1860, Silver, Overall: 9 1/2 x 10 7/16 in. (24.1 x 26.5 cm); 40 oz. 1 dwt. (1245.7 g) Lip: Diam. 9 3/8 in. (23.8 cm) Foot: Diam. 6 1/4 in. (15.9 cm). The Metropolitan Museum of Art, New York. Purchase, Anonymous Gift, 1968 (68.114)
Art inspired by The Nativity, Tempera and gold on wood, Overall, with engaged frame, 15 1/4 x 11 1/2 in. (38.7 x 29.2 cm); painted surface 13 x 9 1/8 in. (33 x 23.2 cm), Paintings, Zanobi Strozzi (Italian, Florence 1412–1468 Florence), Although long ascribed to Fra Angelico, this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-nativity-tempera-and-gold-on-wood-overall-with-engaged-frame-15-14-x-11-12-in-387-x-292-cm-painted-surface-13-x-9-18-in-33-x-232-cm-paintings-zanobi-strozzi-italian-florence-14121468-florence-although-long-ascribed-to-fra-angelico-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814043.htmlRF2HTY00Y–Art inspired by The Nativity, Tempera and gold on wood, Overall, with engaged frame, 15 1/4 x 11 1/2 in. (38.7 x 29.2 cm); painted surface 13 x 9 1/8 in. (33 x 23.2 cm), Paintings, Zanobi Strozzi (Italian, Florence 1412–1468 Florence), Although long ascribed to Fra Angelico, this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-92-of-diptera-argentine-1900-diptera-argentine-dipteraargentine01shan-year-1900-r-c-shannon-y-e-del-ponte-721-el-dorado-1-44-varn-2-25-3-23-4-10-5-23-gt-gt-6-32-7-19-gt-8-49-9-17-10-50-mujer-11-25-varn-12-2-i-13-9-14-10-15-12-16-x-17-27-gt-18-10-meses-19-14-aos-20-10-21-31-mujer-22-10-23-12-varn-24-9-gtgt-25-10-1-y2-mes-2-meses-5-aos-3-meses-2-2-2-2-4-4-2-4-4-4-4-2-meses-1-mes-1-2-meses-4-4-aos-3-image242249898.htmlRMT23C62–Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3
Print, The Machine de Marly: Section and Aerial View; After Nicolas de Fer (French, 1646–1720); Print Maker: Charles Inselin (French, b. ca. 1673); France; etching; Platemark: 23.4 x 34.1 cm (9 3/16 x 13 7/16 in. ); sheet 26.4 x 39.1 cm (10 3/8 x 15 3/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-the-machine-de-marly-section-and-aerial-view-after-nicolas-de-fer-french-16461720-print-maker-charles-inselin-french-b-ca-1673-france-etching-platemark-234-x-341-cm-9-316-x-13-716-in-sheet-264-x-391-cm-10-38-x-15-38-in-image546180126.htmlRM2PMGJ92–Print, The Machine de Marly: Section and Aerial View; After Nicolas de Fer (French, 1646–1720); Print Maker: Charles Inselin (French, b. ca. 1673); France; etching; Platemark: 23.4 x 34.1 cm (9 3/16 x 13 7/16 in. ); sheet 26.4 x 39.1 cm (10 3/8 x 15 3/8 in.)
Figurine with Back Rack, 300-900. Mexico, Maya, Jaina style. Molded and modeled pottery with traces of pigment; overall: 23.2 x 10.6 x 7.5 cm (9 1/8 x 4 3/16 x 2 15/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figurine-with-back-rack-300-900-mexico-maya-jaina-style-molded-and-modeled-pottery-with-traces-of-pigment-overall-232-x-106-x-75-cm-9-18-x-4-316-x-2-1516-in-image448104265.htmlRM2H10WFN–Figurine with Back Rack, 300-900. Mexico, Maya, Jaina style. Molded and modeled pottery with traces of pigment; overall: 23.2 x 10.6 x 7.5 cm (9 1/8 x 4 3/16 x 2 15/16 in.).
Entree de Cha-u-Kao, from La Rire, Henri de Toulouse-Lautrec, French, 1864-1901, Photo-lithograph on newsprint, February 15, 1896, 9 1/16 x 7 5/8 in., 23.0 x 19.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entree-de-cha-u-kao-from-la-rire-henri-de-toulouse-lautrec-french-1864-1901-photo-lithograph-on-newsprint-february-15-1896-9-116-x-7-58-in-230-x-194-cm-image454269655.htmlRM2HB1NG7–Entree de Cha-u-Kao, from La Rire, Henri de Toulouse-Lautrec, French, 1864-1901, Photo-lithograph on newsprint, February 15, 1896, 9 1/16 x 7 5/8 in., 23.0 x 19.4 cm
Eliezer and Rebecca. Culture: British. Dimensions: H. 15 3/4 x W. 20 inches (40.0 x 50.8 cm); Framed: H. 20 x W. 23 1/2 x D. 1 1/2 inches (50.8 x 59.7 x 3.8 cm). Date: third quarter 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eliezer-and-rebecca-culture-british-dimensions-h-15-34-x-w-20-inches-400-x-508-cm-framed-h-20-x-w-23-12-x-d-1-12-inches-508-x-597-x-38-cm-date-third-quarter-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213149431.htmlRMPANP7K–Eliezer and Rebecca. Culture: British. Dimensions: H. 15 3/4 x W. 20 inches (40.0 x 50.8 cm); Framed: H. 20 x W. 23 1/2 x D. 1 1/2 inches (50.8 x 59.7 x 3.8 cm). Date: third quarter 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 63.8 x 76 cm (25 1/8 x 29 15/16 in.) framed: 80.7 x 92.7 x 3.8 cm (31 3/4 x 36 1/2 x 1 1/2 in.); 23 The Italian Comedians A13617 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-638-x-76-cm-25-18-x-29-1516-in-framed-807-x-927-x-38-cm-31-34-x-36-12-x-1-12-in-23-the-italian-comedians-a13617-image206562385.htmlRMP01MC1–Painting; oil on canvas; overall: 63.8 x 76 cm (25 1/8 x 29 15/16 in.) framed: 80.7 x 92.7 x 3.8 cm (31 3/4 x 36 1/2 x 1 1/2 in.); 23 The Italian Comedians A13617
Scheherazade, 1901. George Auriol (French, 1863-1938). Color lithograph; sheet: 28.6 x 18.8 cm (11 1/4 x 7 3/8 in.); image: 23.7 x 15.2 cm (9 5/16 x 6 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scheherazade-1901-george-auriol-french-1863-1938-color-lithograph-sheet-286-x-188-cm-11-14-x-7-38-in-image-237-x-152-cm-9-516-x-6-in-image448075413.htmlRM2H0YGN9–Scheherazade, 1901. George Auriol (French, 1863-1938). Color lithograph; sheet: 28.6 x 18.8 cm (11 1/4 x 7 3/8 in.); image: 23.7 x 15.2 cm (9 5/16 x 6 in.).
![. dan bai zhi fen zi ji chu. botany. 表13-2åç§ä½å¾æ³ç¹å¾çæ¯è¾ ä½ H æ¹å¼ æ ç 纵轴4?è· æ¨ª.éIS ^ J ! 41ãå人'1 Km/ä¹ - 1ã" "/[å¹»ã" -11 Kâ Vâ 表13-3ä¹³é ¸è±æ°éå¬åååºé度ä¸ä¸¤åºç©æµåº¦çå ³ç³» "0åâixlQS M X 10" 3 85 6.32 11.3 63.2 1.68 0 508 0.788 1.27 3.23 2.52 0 715 1.10 1.75 4.35 4.17 08 1.61 2.56 5.89 8.34 70 2.50 3.85 8.35 17.20 2 44 3.57 5.26 10.0 55.50 3 45 5.00 7.15 12.5 é度ï¼ä»¥æ¯åéæ¯å åå-é ¶è½¬åä¹³é ¸ 为ä¸é ®é ¸çå åå-æ°è¡¨ç¤ºï¼pH6.80ï¼ 29ãC)[i7]ã æ表13-3æ°æ®å¯ä½å¾13-15 ï¼ ä»å¾13-15å¯è§ï¼å¨æä¸[ã]ãæµåº¦ ä¸ï¼æ¯å¦ï¼1.68 X 10-517æå¾å°çå å¼å¹¶ä¸æ¯çæ-£çååºç©Sç Stock Photo](https://c8.alamy.com/comp/PFJRN5/dan-bai-zhi-fen-zi-ji-chu-botany-13-2-h-4-is-j-!-411-km-1quot-quot-quot-11-k-v-13-3-quot0ixlqs-m-x-10quot-3-85-632-113-632-168-0-508-0788-127-323-252-0-715-110-175-435-417-08-161-256-589-834-70-250-385-835-1720-2-44-357-526-100-5550-3-45-500-715-125-ph680-29c-i7-13-313-15-13-15-168-x-10-517-s-PFJRN5.jpg ". dan bai zhi fen zi ji chu. botany. 表13-2åç§ä½å¾æ³ç¹å¾çæ¯è¾ ä½ H æ¹å¼ æ ç 纵轴4?è· æ¨ª.éIS ^ J ! 41ãå人'1 Km/ä¹ - 1ã" "/[å¹»ã" -11 Kâ Vâ 表13-3ä¹³é ¸è±æ°éå¬åååºé度ä¸ä¸¤åºç©æµåº¦çå ³ç³» "0åâixlQS M X 10" 3 85 6.32 11.3 63.2 1.68 0 508 0.788 1.27 3.23 2.52 0 715 1.10 1.75 4.35 4.17 08 1.61 2.56 5.89 8.34 70 2.50 3.85 8.35 17.20 2 44 3.57 5.26 10.0 55.50 3 45 5.00 7.15 12.5 é度ï¼ä»¥æ¯åéæ¯å åå-é ¶è½¬åä¹³é ¸ 为ä¸é ®é ¸çå åå-æ°è¡¨ç¤ºï¼pH6.80ï¼ 29ãC)[i7]ã æ表13-3æ°æ®å¯ä½å¾13-15 ï¼ ä»å¾13-15å¯è§ï¼å¨æä¸[ã]ãæµåº¦ ä¸ï¼æ¯å¦ï¼1.68 X 10-517æå¾å°çå å¼å¹¶ä¸æ¯çæ-£çååºç©Sç Stock Photo")
. dan bai zhi fen zi ji chu. botany. 表13-2åç§ä½å¾æ³ç¹å¾çæ¯è¾ ä½ H æ¹å¼ æ ç 纵轴4?è· æ¨ª.éIS ^ J ! 41ãå人'1 Km/ä¹ - 1ã" "/[å¹»ã" -11 Kâ Vâ 表13-3ä¹³é ¸è±æ°éå¬åååºé度ä¸ä¸¤åºç©æµåº¦çå ³ç³» "0åâixlQS M X 10" 3 85 6.32 11.3 63.2 1.68 0 508 0.788 1.27 3.23 2.52 0 715 1.10 1.75 4.35 4.17 08 1.61 2.56 5.89 8.34 70 2.50 3.85 8.35 17.20 2 44 3.57 5.26 10.0 55.50 3 45 5.00 7.15 12.5 é度ï¼ä»¥æ¯åéæ¯å åå-é ¶è½¬åä¹³é ¸ 为ä¸é ®é ¸çå åå-æ°è¡¨ç¤ºï¼pH6.80ï¼ 29ãC)[i7]ã æ表13-3æ°æ®å¯ä½å¾13-15 ï¼ ä»å¾13-15å¯è§ï¼å¨æä¸[ã]ãæµåº¦ ä¸ï¼æ¯å¦ï¼1.68 X 10-517æå¾å°çå å¼å¹¶ä¸æ¯çæ-£çååºç©Sç Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dan-bai-zhi-fen-zi-ji-chu-botany-13-2-h-4-is-j-!-411-km-1quot-quot-quot-11-k-v-13-3-quot0ixlqs-m-x-10quot-3-85-632-113-632-168-0-508-0788-127-323-252-0-715-110-175-435-417-08-161-256-589-834-70-250-385-835-1720-2-44-357-526-100-5550-3-45-500-715-125-ph680-29c-i7-13-313-15-13-15-168-x-10-517-s-image216158017.htmlRMPFJRN5–. dan bai zhi fen zi ji chu. botany. 表13-2åç§ä½å¾æ³ç¹å¾çæ¯è¾ ä½ H æ¹å¼ æ ç 纵轴4?è· æ¨ª.éIS ^ J ! 41ãå人'1 Km/ä¹ - 1ã" "/[å¹»ã" -11 Kâ Vâ 表13-3ä¹³é ¸è±æ°éå¬åååºé度ä¸ä¸¤åºç©æµåº¦çå ³ç³» "0åâixlQS M X 10" 3 85 6.32 11.3 63.2 1.68 0 508 0.788 1.27 3.23 2.52 0 715 1.10 1.75 4.35 4.17 08 1.61 2.56 5.89 8.34 70 2.50 3.85 8.35 17.20 2 44 3.57 5.26 10.0 55.50 3 45 5.00 7.15 12.5 é度ï¼ä»¥æ¯åéæ¯å åå-é ¶è½¬åä¹³é ¸ 为ä¸é ®é ¸çå åå-æ°è¡¨ç¤ºï¼pH6.80ï¼ 29ãC)[i7]ã æ表13-3æ°æ®å¯ä½å¾13-15 ï¼ ä»å¾13-15å¯è§ï¼å¨æä¸[ã]ãæµåº¦ ä¸ï¼æ¯å¦ï¼1.68 X 10-517æå¾å°çå å¼å¹¶ä¸æ¯çæ-£çååºç©Sç
Text, Folio 23 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/text-folio-23-verso-from-a-kalpa-sutra-c-14751500-western-india-gujarat-last-quarter-of-the-15th-century-gum-tempera-ink-and-gold-on-paper-overall-125-x-257-cm-4-1516-x-10-18-in-image573087904.htmlRM2T8ABD4–Text, Folio 23 (verso), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.).
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241496505.htmlRFT0W375–Illustration Xray Icon
Help Your Country, Encourage Industry, Labor Vincit Omnia, Paper Hangings and Borders, Manufactured in this City, Of one Entire Sheet, and Warrented, in every respect equal to any ever manufactured in this country MET 0075 380793 Author: Issued by Harris & Winans, New York, NY, Help Your Country, Encourage Industry, Labor Vincit Omnia, Paper Hangings and Borders, Manufactured in this City, Of one Entire Sheet, and Warrented, in every respect equal to any ever manufactured in this country, 1835?37, Commercial process, sheet: 10 5/8 x 8 15/16 in. (27 x 22.7 cm) image: 9 1/4 x 7 5/8 in. (23.5 x 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-help-your-country-encourage-industry-labor-vincit-omnia-paper-hangings-168497464.htmlRMKP3M6G–Help Your Country, Encourage Industry, Labor Vincit Omnia, Paper Hangings and Borders, Manufactured in this City, Of one Entire Sheet, and Warrented, in every respect equal to any ever manufactured in this country MET 0075 380793 Author: Issued by Harris & Winans, New York, NY, Help Your Country, Encourage Industry, Labor Vincit Omnia, Paper Hangings and Borders, Manufactured in this City, Of one Entire Sheet, and Warrented, in every respect equal to any ever manufactured in this country, 1835?37, Commercial process, sheet: 10 5/8 x 8 15/16 in. (27 x 22.7 cm) image: 9 1/4 x 7 5/8 in. (23.5 x 1
Art inspired by Head of a King, ca. 1150–75, French, Limestone, Overall: 18 1/4 x 9 3/8 x 15 1/4 in. (46.4 x 23.8 x 38.7 cm), Sculpture-Stone, A recently discovered photograph taken about 1906–10 seems to confirm earlier speculation that this head comes from Notre-Dame-dela-Couldre in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-head-of-a-king-ca-115075-french-limestone-overall-18-14-x-9-38-x-15-14-in-464-x-238-x-387-cm-sculpture-stone-a-recently-discovered-photograph-taken-about-190610-seems-to-confirm-earlier-speculation-that-this-head-comes-from-notre-dame-dela-couldre-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836296.htmlRF2HW00BM–Art inspired by Head of a King, ca. 1150–75, French, Limestone, Overall: 18 1/4 x 9 3/8 x 15 1/4 in. (46.4 x 23.8 x 38.7 cm), Sculpture-Stone, A recently discovered photograph taken about 1906–10 seems to confirm earlier speculation that this head comes from Notre-Dame-dela-Couldre in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Print, Gralin Place, Nantes; Designed by Antoine Henón; Engraved by Charles Melchoir Descourtis (1753–1820); aquatint engraving on paper; Platemark: 23.4 × 29 cm (9 3/16 × 11 7/16 in.) H x W: 28.2 × 39.6 cm (11 1/8 × 15 9/16 in.); Bequest of Erskine Hewitt; 1938-57-1419 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-gralin-place-nantes-designed-by-antoine-henn-engraved-by-charles-melchoir-descourtis-17531820-aquatint-engraving-on-paper-platemark-234-29-cm-9-316-11-716-in-h-x-w-282-396-cm-11-18-15-916-in-bequest-of-erskine-hewitt-1938-57-1419-image546213435.htmlRM2PMJ4PK–Print, Gralin Place, Nantes; Designed by Antoine Henón; Engraved by Charles Melchoir Descourtis (1753–1820); aquatint engraving on paper; Platemark: 23.4 × 29 cm (9 3/16 × 11 7/16 in.) H x W: 28.2 × 39.6 cm (11 1/8 × 15 9/16 in.); Bequest of Erskine Hewitt; 1938-57-1419
Print, Diferent Ballicons (Different Balconies), in Nouveau Livre de Serrurie (New Book of Ironsmithing); Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 27.8 x 20.2 cm (10 15/16 x 7 15/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-diferent-ballicons-different-balconies-in-nouveau-livre-de-serrurie-new-book-of-ironsmithing-designed-by-daniel-marot-french-active-in-the-netherlands-and-england-16611752-netherlands-etching-and-engraving-on-white-laid-paper-sheet-35-x-235-cm-13-34-x-9-14-in-platemark-278-x-202-cm-10-1516-x-7-1516-in-image546258626.htmlRM2PMM6CJ–Print, Diferent Ballicons (Different Balconies), in Nouveau Livre de Serrurie (New Book of Ironsmithing); Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 27.8 x 20.2 cm (10 15/16 x 7 15/16 in.)
Praetexta, German, ca. 1450–75, Made in Cologne, German, Wool, silk, gold and silver thread, Overall: 5 7/8 x 63 3/8in. (15 x 161cm), with mount and plexi lid: 9 1/8 x 66 1/2 x 2 1/8 in. (23.2 x 168.9 x 5.4 cm), Textiles-Tapestries Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/praetexta-german-ca-145075-made-in-cologne-german-wool-silk-gold-and-silver-thread-overall-5-78-x-63-38in-15-x-161cm-with-mount-and-plexi-lid-9-18-x-66-12-x-2-18-in-232-x-1689-x-54-cm-textiles-tapestries-image344593321.htmlRM2B0HG89–Praetexta, German, ca. 1450–75, Made in Cologne, German, Wool, silk, gold and silver thread, Overall: 5 7/8 x 63 3/8in. (15 x 161cm), with mount and plexi lid: 9 1/8 x 66 1/2 x 2 1/8 in. (23.2 x 168.9 x 5.4 cm), Textiles-Tapestries
No. 1. Prome. General View. Artist: Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822-1902 Devonport). Dimensions: Image: 24.4 x 60.8 cm (9 5/8 x 23 15/16 in.), overall Mount: 45.7 x 108 cm (18 x 42 1/2 in.), overall. Date: August 7, 1855. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/no-1-prome-general-view-artist-linnaeus-tripe-british-devonport-plymouth-dock-1822-1902-devonport-dimensions-image-244-x-608-cm-9-58-x-23-1516-in-overall-mount-457-x-108-cm-18-x-42-12-in-overall-date-august-7-1855-museum-metropolitan-museum-of-art-new-york-usa-image212916734.htmlRMPAB5D2–No. 1. Prome. General View. Artist: Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822-1902 Devonport). Dimensions: Image: 24.4 x 60.8 cm (9 5/8 x 23 15/16 in.), overall Mount: 45.7 x 108 cm (18 x 42 1/2 in.), overall. Date: August 7, 1855. Museum: Metropolitan Museum of Art, New York, USA.
Europe. A Prophecy, Plate 7, 'Now comes the night . . . . ' (Bentley 8), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm), Plate: 9 3/8 x 6 3/4 inches (23.8 x 17.1 cm), and Spine: 15 3/8 inches (39.1 cm), angels, flames, literary theme, men, night, religious and mythological subject, scales, sword, text, wings, women Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/europe-a-prophecy-plate-7-now-comes-the-night-bentley-8-print-made-by-william-blake-17571827-british-1794-color-printed-relief-etching-in-dark-brown-with-pen-and-black-ink-oil-and-watercolor-on-moderately-thick-slightly-textured-cream-wove-paper-sheet-14-34-x-10-12-inches-375-x-267-cm-plate-9-38-x-6-34-inches-238-x-171-cm-and-spine-15-38-inches-391-cm-angels-flames-literary-theme-men-night-religious-and-mythological-subject-scales-sword-text-wings-women-image389749757.htmlRM2DJ2HP5–Europe. A Prophecy, Plate 7, 'Now comes the night . . . . ' (Bentley 8), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm), Plate: 9 3/8 x 6 3/4 inches (23.8 x 17.1 cm), and Spine: 15 3/8 inches (39.1 cm), angels, flames, literary theme, men, night, religious and mythological subject, scales, sword, text, wings, women
Drawing; pen and brown ink with wash over black chalk and graphite on laid paper; laid down; Overall: 33.6 x 23.7 cm (13 1/4 x 9 5/16 in.) support: 39.8 x 29.5 cm (15 11/16 x 11 5/8 in.); 53 Abraham Entertaining the Angels, 1610-1620 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-pen-and-brown-ink-with-wash-over-black-chalk-and-graphite-on-laid-paper-laid-down-overall-336-x-237-cm-13-14-x-9-516-in-support-398-x-295-cm-15-1116-x-11-58-in-53-abraham-entertaining-the-angels-1610-1620-image209992826.htmlRMP5HYYP–Drawing; pen and brown ink with wash over black chalk and graphite on laid paper; laid down; Overall: 33.6 x 23.7 cm (13 1/4 x 9 5/16 in.) support: 39.8 x 29.5 cm (15 11/16 x 11 5/8 in.); 53 Abraham Entertaining the Angels, 1610-1620
Brewster & Co., Design for 4 seat Phaeton, no top, no. 3015a, Brewster & Co. (American, New York), 1874, Pen and black ink, watercolor and gouache, Sheet: 6 3/16 x 9 1/8 in. (15.7 x 23.2 cm), Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brewster-co-design-for-4-seat-phaeton-no-top-no-3015a-brewster-co-american-new-york-1874-pen-and-black-ink-watercolor-and-gouache-sheet-6-316-x-9-18-in-157-x-232-cm-drawings-image344652057.htmlRM2B0M761–Brewster & Co., Design for 4 seat Phaeton, no top, no. 3015a, Brewster & Co. (American, New York), 1874, Pen and black ink, watercolor and gouache, Sheet: 6 3/16 x 9 1/8 in. (15.7 x 23.2 cm), Drawings
Text, Folio 23 (recto), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/text-folio-23-recto-from-a-kalpa-sutra-c-14751500-western-india-gujarat-last-quarter-of-the-15th-century-gum-tempera-ink-and-gold-on-paper-overall-125-x-257-cm-4-1516-x-10-18-in-image573087897.htmlRM2T8ABCW–Text, Folio 23 (recto), from a Kalpa-sutra, c. 1475–1500. Western India, Gujarat, last quarter of the 15th century. Gum tempera, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.).
Drawing, Design for Stained Glass Window: Skylight in Lodge Rooms; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and wash, gouache, graphite on paper mounted on tan illustration board; Image: 19 x 13.3 cm (7 1/2 x 5 1/4 in.) Sheet: 23.4 x 15.6 cm (9 3/16 x 6 1/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-stained-glass-window-skylight-in-lodge-rooms-designed-by-alice-cordelia-morse-american-18631961-usa-brush-and-wash-gouache-graphite-on-paper-mounted-on-tan-illustration-board-image-19-x-133-cm-7-12-x-5-14-in-sheet-234-x-156-cm-9-316-x-6-18-in-image546169223.htmlRM2PMG4BK–Drawing, Design for Stained Glass Window: Skylight in Lodge Rooms; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and wash, gouache, graphite on paper mounted on tan illustration board; Image: 19 x 13.3 cm (7 1/2 x 5 1/4 in.) Sheet: 23.4 x 15.6 cm (9 3/16 x 6 1/8 in.)
Decorative Urn, 1600s. Jean Le Pautre (French, 1618-1682). Etching; sheet: 26.8 x 19.1 cm (10 9/16 x 7 1/2 in.); platemark: 23 x 15.8 cm (9 1/16 x 6 1/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorative-urn-1600s-jean-le-pautre-french-1618-1682-etching-sheet-268-x-191-cm-10-916-x-7-12-in-platemark-23-x-158-cm-9-116-x-6-14-in-image448072065.htmlRM2H0YCDN–Decorative Urn, 1600s. Jean Le Pautre (French, 1618-1682). Etching; sheet: 26.8 x 19.1 cm (10 9/16 x 7 1/2 in.); platemark: 23 x 15.8 cm (9 1/16 x 6 1/4 in.).
. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decapoda-natantia-of-the-coasts-of-ireland-decapoda-crustacea-and-irish-decapoda-natantia-1-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-28-29-30-31-32-33-34-35-36-37-38-39-40-41-42-43-44-45-46-47-48-49-50-51-52-53-54-o-o-3-3-o-o-u-h-lt-lt-lt-j-gt-ce-d-u-1-cs-o-o-o-o-o-o-a-u-a-a-eg-pq-id-ed-s-eft-fcf-9i-a-c8-c-o-m-so-lt11-oi-a-a-09-in-a-et-cn-5-73-2-0-in-d-c3-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-image216094528.htmlRMPFFXNM–. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
Autumn, 1848. Charles François Daubigny (French, 1817-1878). Etching; sheet: 14.9 x 23.1 cm (5 7/8 x 9 1/8 in.); image: 11.7 x 20.1 cm (4 5/8 x 7 15/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/autumn-1848-charles-franois-daubigny-french-1817-1878-etching-sheet-149-x-231-cm-5-78-x-9-18-in-image-117-x-201-cm-4-58-x-7-1516-in-image448125564.htmlRM2H11TMC–Autumn, 1848. Charles François Daubigny (French, 1817-1878). Etching; sheet: 14.9 x 23.1 cm (5 7/8 x 9 1/8 in.); image: 11.7 x 20.1 cm (4 5/8 x 7 15/16 in.).
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241496293.htmlRFT0W2YH–Illustration Xray Icon
Help Your Country, Encourage Industry, Labor Vincit Omnia, Paper Hangings and Borders, Manufactured in this City, Of one Entire Sheet, and Warrented, in every respect equal to any ever manufactured in this country MET 0075 380793 Author: Issued by Harris & Winans, New York, NY, Help Your Country, Encourage Industry, Labor Vincit Omnia, Paper Hangings and Borders, Manufactured in this City, Of one Entire Sheet, and Warrented, in every respect equal to any ever manufactured in this country, 1835?37, Commercial process, sheet: 10 5/8 x 8 15/16 in. (27 x 22.7 cm) image: 9 1/4 x 7 5/8 in. (23.5 x 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-help-your-country-encourage-industry-labor-vincit-omnia-paper-hangings-168354626.htmlRMKNW616–Help Your Country, Encourage Industry, Labor Vincit Omnia, Paper Hangings and Borders, Manufactured in this City, Of one Entire Sheet, and Warrented, in every respect equal to any ever manufactured in this country MET 0075 380793 Author: Issued by Harris & Winans, New York, NY, Help Your Country, Encourage Industry, Labor Vincit Omnia, Paper Hangings and Borders, Manufactured in this City, Of one Entire Sheet, and Warrented, in every respect equal to any ever manufactured in this country, 1835?37, Commercial process, sheet: 10 5/8 x 8 15/16 in. (27 x 22.7 cm) image: 9 1/4 x 7 5/8 in. (23.5 x 1
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