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1475 ca Stock Photos and Images
Artist: Bartolomeo di Giovanni, Italian, active 1475–ca.1500, Penance of Saint Jerome, ca. 1500, Tempera on panel, 94.3 × 58.1 × 1.9 cm (37 1/8 × 22 7/8 × 3/4 in.), Made in Florence, Italy, Italian, Florence, 15th–16th century, Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-bartolomeo-di-giovanni-italian-active-1475ca1500-penance-of-saintjerome-ca1500-tempera-on-panel-943-581-19-cm-37-18-22-78-34in-made-in-florence-italy-italianflorence-15th16thcentury-paintings-image393452904.htmlRM2DT395C–Artist: Bartolomeo di Giovanni, Italian, active 1475–ca.1500, Penance of Saint Jerome, ca. 1500, Tempera on panel, 94.3 × 58.1 × 1.9 cm (37 1/8 × 22 7/8 × 3/4 in.), Made in Florence, Italy, Italian, Florence, 15th–16th century, Paintings
Art inspired by Francesco d'Este (born about 1430, died after 1475), ca. 1460, Oil on wood, Overall 12 1/2 x 8 3/4 in. (31.8 x 22.2 cm): painted surface, each side 11 3/4 x 8 in. (29.8 x 20.3 cm), Paintings, Rogier van der Weyden (Netherlandish, Tournai ca. 1399–1464 Brussels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-francesco-deste-born-about-1430-died-after-1475-ca-1460-oil-on-wood-overall-12-12-x-8-34-in-318-x-222-cm-painted-surface-each-side-11-34-x-8-in-298-x-203-cm-paintings-rogier-van-der-weyden-netherlandish-tournai-ca-13991464-brussels-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463026123.htmlRF2HW8JF7–Art inspired by Francesco d'Este (born about 1430, died after 1475), ca. 1460, Oil on wood, Overall 12 1/2 x 8 3/4 in. (31.8 x 22.2 cm): painted surface, each side 11 3/4 x 8 in. (29.8 x 20.3 cm), Paintings, Rogier van der Weyden (Netherlandish, Tournai ca. 1399–1464 Brussels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Story of Lucretia'. Jörg Breu the Elder (ca 1475-1537) German painter. Pen and black ink on paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-story-of-lucretia-jrg-breu-the-elder-ca-1475-1537-german-painter-57315667.htmlRMD96XM3–The Story of Lucretia'. Jörg Breu the Elder (ca 1475-1537) German painter. Pen and black ink on paper.
Leonardo da Vinci Profile of a Young Woman ca. 1475 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leonardo-da-vinci-profile-of-a-young-woman-ca-1475-image7394343.htmlRMABP2X8–Leonardo da Vinci Profile of a Young Woman ca. 1475
Fiorenzo di Lorenzo - San Sebastiano, inv. 60, 1475 ca. - 1476 ca. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fiorenzo-di-lorenzo-san-sebastiano-inv-60-1475-ca-1476-ca-image329640409.htmlRM2A48BKN–Fiorenzo di Lorenzo - San Sebastiano, inv. 60, 1475 ca. - 1476 ca.
Jan de Beer (ca.1475-ca.1528). Flemish painter. Triptych with Adoration of the Shepherds, ca.1515. Wallraf-Richartz Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-de-beer-ca1475-ca1528-flemish-painter-triptych-with-adoration-of-the-shepherds-ca1515-wallraf-richartz-museum-cologne-germany-image220377166.htmlRMPPF192–Jan de Beer (ca.1475-ca.1528). Flemish painter. Triptych with Adoration of the Shepherds, ca.1515. Wallraf-Richartz Museum. Cologne. Germany.
Jan de Beer (ca.1475-ca.1528). Flemish painter. Triptych with Adoration of the Shepherds, ca.1515. Wallraf-Richartz Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-de-beer-ca1475-ca1528-flemish-painter-triptych-with-adoration-of-the-shepherds-ca1515-wallraf-richartz-museum-cologne-germany-image217495269.htmlRMPHRNC5–Jan de Beer (ca.1475-ca.1528). Flemish painter. Triptych with Adoration of the Shepherds, ca.1515. Wallraf-Richartz Museum. Cologne. Germany.
Engel Engel Object Type : beeldhouwwerk Objectnummer: BK-NM-3317 Manufacturer : Plaats manufacture: Oost-Nederland Dating: ca. 1475 - ca. 1500 Material: eikenhout Dimensions: h 77 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engel-engel-object-type-beeldhouwwerk-objectnummer-bk-nm-3317-manufacturer-plaats-manufacture-oost-nederland-dating-ca-1475-ca-1500-material-eikenhout-dimensions-h-77-cm-image348334211.htmlRM2B6KYRF–Engel Engel Object Type : beeldhouwwerk Objectnummer: BK-NM-3317 Manufacturer : Plaats manufacture: Oost-Nederland Dating: ca. 1475 - ca. 1500 Material: eikenhout Dimensions: h 77 cm.
Penance of Saint Jerome. Artist: Bartolomeo di Giovanni, Italian, active 1475–ca.1500 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/penance-of-saintjerome-artist-bartolomeo-di-giovanni-italian-active-1475ca1500-image463086396.htmlRM2HWBBBT–Penance of Saint Jerome. Artist: Bartolomeo di Giovanni, Italian, active 1475–ca.1500
Francesco d'Este, (born about 1430, died after 1475), ca. 1460, by Rogier van der Weyden, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-francesco-deste-born-about-1430-died-after-1475-ca-1460-by-rogier-35824838.htmlRMC27XXE–Francesco d'Este, (born about 1430, died after 1475), ca. 1460, by Rogier van der Weyden,
Bal des Ardents, ca 1470-1475. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bal-des-ardents-ca-1470-1475-image186212277.htmlRMMPXKJD–Bal des Ardents, ca 1470-1475.
. Execution of Brunehilde. De casibus . Paris, ca. 1475. Workshop of Maitre Francois 134 De casibus 08 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/execution-of-brunehilde-de-casibus-paris-ca-1475-workshop-of-maitre-francois-134-de-casibus-08-image188966593.htmlRMMYC4PW–. Execution of Brunehilde. De casibus . Paris, ca. 1475. Workshop of Maitre Francois 134 De casibus 08
IDEALIZED PORTRAIT OF A LADY (PORTRAIT OF SIMONETTA VESPUCCI AS NYMPH), CA. 1475 SANDRO BOTTICELLI (SANDRO FILIPEPI) 1445 - 1510 Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-idealized-portrait-of-a-lady-portrait-of-simonetta-vespucci-as-nymph-78560885.htmlRMEFPN5W–IDEALIZED PORTRAIT OF A LADY (PORTRAIT OF SIMONETTA VESPUCCI AS NYMPH), CA. 1475 SANDRO BOTTICELLI (SANDRO FILIPEPI) 1445 - 1510 Italy Italian
Burgundy nobles at the court of Charles the Bold, ca 1475, costume with broad shoulders and long outerwear, History of fashion, costume story Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-burgundy-nobles-at-the-court-of-charles-the-bold-ca-1475-costume-with-125634829.htmlRFH8B4E5–Burgundy nobles at the court of Charles the Bold, ca 1475, costume with broad shoulders and long outerwear, History of fashion, costume story
The Pieta ca.1498 Michelangelo Buonarroti (1475-1564 Italian) Marble St. Peters Basilica, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-pieta-ca1498-michelangelo-buonarroti-1475-1564-italian-marble-30432711.htmlRMBNE96F–The Pieta ca.1498 Michelangelo Buonarroti (1475-1564 Italian) Marble St. Peters Basilica, Italy
Explorers, 15th - 16th Century. Francisco Pizarro (Spain, Ca. 1475-1541), Ferdinand Magellan (Portugal, 1480-1521) And Hernando Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-explorers-15th-16th-century-francisco-pizarro-spain-ca-1475-1541-ferdinand-41881300.htmlRMCC3T0M–Explorers, 15th - 16th Century. Francisco Pizarro (Spain, Ca. 1475-1541), Ferdinand Magellan (Portugal, 1480-1521) And Hernando
Kyentse Wangchug. Detail from the portrait of Sachenkung Nyingpo in the right wall of the Tsang khang, Gongkar Chode, ca. 1464 1475. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kyentse-wangchug-detail-from-the-portrait-of-sachenkung-nyingpo-in-140190916.htmlRMJ426XC–Kyentse Wangchug. Detail from the portrait of Sachenkung Nyingpo in the right wall of the Tsang khang, Gongkar Chode, ca. 1464 1475.
Spiegel des menschlichen Lebens. 'Mirror of Life'. (Ausburg, Gunther Zainer, ca. 1475) This woodcut from Rodericus Zamorensis' mirror of human life adorns the cover of 'Forging Brunsema.' A blacksmith is a person who creates objects from wrought iron or s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-spiegel-des-menschlichen-lebens-mirror-of-life-ausburg-gunther-zainer-103998017.htmlRMG15EEW–Spiegel des menschlichen Lebens. 'Mirror of Life'. (Ausburg, Gunther Zainer, ca. 1475) This woodcut from Rodericus Zamorensis' mirror of human life adorns the cover of 'Forging Brunsema.' A blacksmith is a person who creates objects from wrought iron or s
Bouwtekening kloostergang St-Servaaskerk, ca 1475 (RHCL) - 3a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bouwtekening-kloostergang-st-servaaskerk-ca-1475-rhcl-3a-135690671.htmlRMHTN6RB–Bouwtekening kloostergang St-Servaaskerk, ca 1475 (RHCL) - 3a
Dieric Bouts, Portrait of a Man, Dieric Bouts (Netherlandish, Haarlem, active by 1457–died 1475), ca. 1470, Oil on wood, Overall 12 x 8 1/2 in. (30.5 x 21.6 cm); painted surface 11 5/8 x 8 1/8 in. (29.5 x 20.6 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dieric-bouts-portrait-of-a-man-dieric-bouts-netherlandish-haarlem-active-by-1457died-1475-ca-1470-oil-on-wood-overall-12-x-8-12-in-305-x-216-cm-painted-surface-11-58-x-8-18-in-295-x-206-cm-paintings-image344639477.htmlRM2B0KK4N–Dieric Bouts, Portrait of a Man, Dieric Bouts (Netherlandish, Haarlem, active by 1457–died 1475), ca. 1470, Oil on wood, Overall 12 x 8 1/2 in. (30.5 x 21.6 cm); painted surface 11 5/8 x 8 1/8 in. (29.5 x 20.6 cm), Paintings
Art inspired by 明 劉俊 納諫圖 軸, Remonstrating with the emperor, Ming dynasty (1368–1644), late 15th–early 16th century, China, Hanging scroll; ink and color on silk, Image: 65 1/2 x 41 3/4 in. (166.4 x 106 cm), Paintings, Liu Jun (Chinese, active ca. 1475–ca. 1505), Depicting a loyal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-remonstrating-with-the-emperor-ming-dynasty-13681644-late-15thearly-16th-century-china-hanging-scroll-ink-and-color-on-silk-image-65-12-x-41-34-in-1664-x-106-cm-paintings-liu-jun-chinese-active-ca-1475ca-1505-depicting-a-loyal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462908258.htmlRF2HW385P–Art inspired by 明 劉俊 納諫圖 軸, Remonstrating with the emperor, Ming dynasty (1368–1644), late 15th–early 16th century, China, Hanging scroll; ink and color on silk, Image: 65 1/2 x 41 3/4 in. (166.4 x 106 cm), Paintings, Liu Jun (Chinese, active ca. 1475–ca. 1505), Depicting a loyal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924. Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 - 18 February 1564), known simply as Michelangelo, was an Italian sculptor, painter, architect and poet of the High Renaissance. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-for-the-libyan-sibyl-and-a-small-sketch-for-a-seated-figure-verso-ca-1510-11-this-double-sided-sheet-of-closely-observed-life-studies-is-the-most-magnificent-drawing-by-michelangelo-in-north-america-purchased-by-the-metropolitan-museum-of-art-on-august-8-1924-michelangelo-di-lodovico-buonarroti-simoni-6-march-1475-18-february-1564-known-simply-as-michelangelo-was-an-italian-sculptor-painter-architect-and-poet-of-the-high-renaissance-image482199534.htmlRM2K0E2BX–Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924. Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 - 18 February 1564), known simply as Michelangelo, was an Italian sculptor, painter, architect and poet of the High Renaissance.
Leonardo da Vinci Madonna with the Carnation ca. 1475 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leonardo-da-vinci-madonna-with-the-carnation-ca-1475-image7394435.htmlRMABP3M4–Leonardo da Vinci Madonna with the Carnation ca. 1475
Drawing, Sketch of Classical Sculpture of the Venus Pudica Type, ca. 1475 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-sketch-of-classical-sculpture-of-the-venus-pudica-type-ca-1475-image264828704.htmlRMWARYM0–Drawing, Sketch of Classical Sculpture of the Venus Pudica Type, ca. 1475
The Daoist Immortal Han Xiangzi. Artist: Liu Jun (Chinese, active ca. 1475-ca. 1505). Culture: China. Dimensions: Image: 48 in. × 26 3/4 in. (121.9 × 67.9 cm) Framed: 62 1/4 × 39 in. (158.1 × 99.1 cm). Date: undated, late 15th-early 16th century. This painting by the Ming court artist Liu Jun depicts the Daoist immortal Han Xiangzi miraculously treading the surface of a turbulent sea. Unperturbed by the roiling waves beneath his feet or the wind that pulls at his garments, Han casually puts a bamboo flute to his lips to play a tune. His eccentrically rustic clothes mark him as a transcendent Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-daoist-immortal-han-xiangzi-artist-liu-jun-chinese-active-ca-1475-ca-1505-culture-china-dimensions-image-48-in-26-34-in-1219-679-cm-framed-62-14-39-in-1581-991-cm-date-undated-late-15th-early-16th-century-this-painting-by-the-ming-court-artist-liu-jun-depicts-the-daoist-immortal-han-xiangzi-miraculously-treading-the-surface-of-a-turbulent-sea-unperturbed-by-the-roiling-waves-beneath-his-feet-or-the-wind-that-pulls-at-his-garments-han-casually-puts-a-bamboo-flute-to-his-lips-to-play-a-tune-his-eccentrically-rustic-clothes-mark-him-as-a-transcendent-image213317115.htmlRMPB1C4B–The Daoist Immortal Han Xiangzi. Artist: Liu Jun (Chinese, active ca. 1475-ca. 1505). Culture: China. Dimensions: Image: 48 in. × 26 3/4 in. (121.9 × 67.9 cm) Framed: 62 1/4 × 39 in. (158.1 × 99.1 cm). Date: undated, late 15th-early 16th century. This painting by the Ming court artist Liu Jun depicts the Daoist immortal Han Xiangzi miraculously treading the surface of a turbulent sea. Unperturbed by the roiling waves beneath his feet or the wind that pulls at his garments, Han casually puts a bamboo flute to his lips to play a tune. His eccentrically rustic clothes mark him as a transcendent
Bavaria (Munich). Germany. Martyrdom of Saint Sebastian, ca.1475. Wallraf-Richartz Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bavaria-munich-germany-martyrdom-of-saint-sebastian-ca1475-wallraf-richartz-museum-cologne-germany-image217495276.htmlRMPHRNCC–Bavaria (Munich). Germany. Martyrdom of Saint Sebastian, ca.1475. Wallraf-Richartz Museum. Cologne. Germany.
Augustus into Sibyl Augustus en de sibylle Object Type : beeldhouwwerk Objectnummer: BK-NM-11921 Manufacturer : beeldhouwer: Moderno Dating: ca. 1475 - ca. 1499 Material: brons Dimensions: d 5,5 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/augustus-into-sibyl-augustus-en-de-sibylle-object-type-beeldhouwwerk-objectnummer-bk-nm-11921-manufacturer-beeldhouwer-moderno-dating-ca-1475-ca-1499-material-brons-dimensions-d-55-cm-image348151619.htmlRM2B6BJXB–Augustus into Sibyl Augustus en de sibylle Object Type : beeldhouwwerk Objectnummer: BK-NM-11921 Manufacturer : beeldhouwer: Moderno Dating: ca. 1475 - ca. 1499 Material: brons Dimensions: d 5,5 cm.
1564 ca , ITALY : The Italian Renaissance painter and scultor MICHELANGELO BONARROTI ( 1475 - 1564 ). Portrait engraving by Giorgio Ghisi ( aka Gio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1564-ca-italy-the-italian-renaissance-painter-and-scultor-michelangelo-bonarroti-1475-1564-portrait-engraving-by-giorgio-ghisi-aka-gio-image342473378.htmlRF2AW5082–1564 ca , ITALY : The Italian Renaissance painter and scultor MICHELANGELO BONARROTI ( 1475 - 1564 ). Portrait engraving by Giorgio Ghisi ( aka Gio
Impressions from the sepulchral brass of Sir John Smyth, (who died 11th Nov. 1475,) in the chapel belonging to the Hospital at Great Ilford. Map information: Title: Impressions from the sepulchral brass of Sir John Smyth, (who died 11th Nov. 1475,) in the chapel belonging to the Hospital at Great Ilford. 13.41.b. Date of publication: ca. 1660-1825. Item type: Ms. Each 1 f. 3 in. x 7 in. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/impressions-from-the-sepulchral-brass-of-sir-john-smyth-who-died-11th-nov-1475-in-the-chapel-belonging-to-the-hospital-at-great-ilford-map-information-title-impressions-from-the-sepulchral-brass-of-sir-john-smyth-who-died-11th-nov-1475-in-the-chapel-belonging-to-the-hospital-at-great-ilford-1341b-date-of-publication-ca-1660-1825-item-type-ms-each-1-f-3-in-x-7-in-former-owner-george-iii-king-of-great-britain-1738-1820-image401742525.htmlRM2E9GXK9–Impressions from the sepulchral brass of Sir John Smyth, (who died 11th Nov. 1475,) in the chapel belonging to the Hospital at Great Ilford. Map information: Title: Impressions from the sepulchral brass of Sir John Smyth, (who died 11th Nov. 1475,) in the chapel belonging to the Hospital at Great Ilford. 13.41.b. Date of publication: ca. 1660-1825. Item type: Ms. Each 1 f. 3 in. x 7 in. Former owner: George III, King of Great Britain, 1738-1820
Portrait of a Young Woman, ca 1475. Creator: Botticelli, Sandro (1445-1510). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-young-woman-ca-1475-creator-botticelli-sandro-1445-1510-image248906888.htmlRMTCXK7M–Portrait of a Young Woman, ca 1475. Creator: Botticelli, Sandro (1445-1510).
. Execution of Brunehilde. De casibus . Paris, ca. 1475. Workshop of Maitre Francois 155 De casibus 08 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/execution-of-brunehilde-de-casibus-paris-ca-1475-workshop-of-maitre-francois-155-de-casibus-08-image188251868.htmlRMMX7H50–. Execution of Brunehilde. De casibus . Paris, ca. 1475. Workshop of Maitre Francois 155 De casibus 08
The Crucifixion ca. 1475 Gerard David Oudewater 1455-Bruges 1523 Belgian Belgium Dutch Netherlands Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-ca-1475-gerard-david-oudewater-1455-bruges-1523-belgian-image69516090.htmlRME12MDE–The Crucifixion ca. 1475 Gerard David Oudewater 1455-Bruges 1523 Belgian Belgium Dutch Netherlands
Burgundy nobles at the court of Charles the Bold, ca 1475, costume with broad shoulders and long outerwear, History of fashion, costume story / Burgundische Adlige am Hof Karls des Kühnen, um 1475, Kostüm mit breiten Schultern und langer Oberbekleidung, Modegeschichte, Kostümgeschichte, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/burgundy-nobles-at-the-court-of-charles-the-bold-ca-1475-costume-with-broad-shoulders-and-long-outerwear-history-of-fashion-costume-story-burgundische-adlige-am-hof-karls-des-khnen-um-1475-kostm-mit-breiten-schultern-und-langer-oberbekleidung-modegeschichte-kostmgeschichte-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image415601091.htmlRF2F447C3–Burgundy nobles at the court of Charles the Bold, ca 1475, costume with broad shoulders and long outerwear, History of fashion, costume story / Burgundische Adlige am Hof Karls des Kühnen, um 1475, Kostüm mit breiten Schultern und langer Oberbekleidung, Modegeschichte, Kostümgeschichte, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
Letter P with representation of a schoolroom. From Aelius Donatus, de octo partibus orationis; xylographic edition by Karl Dinckmut, ca. 1475, , (cultural history book, 1893), Buchstabe P mit Darstellung einer Schulstube. Aus Aelius Donatus, de octo partibus orationis; xylographische Ausgabe von Karl Dinckmut, um 1475 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/letter-p-with-representation-of-a-schoolroom-from-aelius-donatus-de-octo-partibus-orationis-xylographic-edition-by-karl-dinckmut-ca-1475-cultural-history-book-1893-buchstabe-p-mit-darstellung-einer-schulstube-aus-aelius-donatus-de-octo-partibus-orationis-xylographische-ausgabe-von-karl-dinckmut-um-1475-image453858926.htmlRM2HAB1KA–Letter P with representation of a schoolroom. From Aelius Donatus, de octo partibus orationis; xylographic edition by Karl Dinckmut, ca. 1475, , (cultural history book, 1893), Buchstabe P mit Darstellung einer Schulstube. Aus Aelius Donatus, de octo partibus orationis; xylographische Ausgabe von Karl Dinckmut, um 1475
Florence. Italy. Bronze statue of David (ca.1472-1475) by Verrocchio, Museo Nazionale del Bargello. (Bargello National Museum) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-florence-italy-bronze-statue-of-david-ca1472-1475-by-verrocchio-museo-176915495.htmlRMM7R5EF–Florence. Italy. Bronze statue of David (ca.1472-1475) by Verrocchio, Museo Nazionale del Bargello. (Bargello National Museum)
3 Master of the Devasano Pado. A Monk is Greeted at the Gate of the Coronation Hall Folio from a Kalpasutra Manuscript. ca. 1475. Museum Rietberg, Zurich Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-3-master-of-the-devasano-pado-a-monk-is-greeted-at-the-gate-of-the-139474458.htmlRMJ2WH2J–3 Master of the Devasano Pado. A Monk is Greeted at the Gate of the Coronation Hall Folio from a Kalpasutra Manuscript. ca. 1475. Museum Rietberg, Zurich
Last page of the editio princeps of Rashi's commentary on the Pentateuch, the first Jewish printed work (5235-1475). From the collection of the Parma Public Library. Illustration from Brockhaus and Efron Jewish Encyclopedia ca. before 1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/last-page-of-the-editio-princeps-of-rashis-commentary-on-the-pentateuch-the-first-jewish-printed-work-5235-1475-from-the-collection-of-the-parma-public-library-illustration-from-brockhaus-and-efron-jewish-encyclopedia-ca-before-1906-image504687221.htmlRM2M92DKH–Last page of the editio princeps of Rashi's commentary on the Pentateuch, the first Jewish printed work (5235-1475). From the collection of the Parma Public Library. Illustration from Brockhaus and Efron Jewish Encyclopedia ca. before 1906
Bouwtekening kloostergang St-Servaaskerk, ca 1475 (RHCL) - 2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bouwtekening-kloostergang-st-servaaskerk-ca-1475-rhcl-2-135690072.htmlRMHTN620–Bouwtekening kloostergang St-Servaaskerk, ca 1475 (RHCL) - 2
Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edificij-et-machine-martini-francesco-di-giorgio-1439-1501-brown-ink-and-wash-ca-1475-ca-1480-image220665907.htmlRMPR05H7–Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
Art inspired by The Lamentation, ca. 1475, Engraving, Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-lamentation-ca-1475-engraving-prints-master-iam-of-zwolle-netherlandish-active-ca-147095-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805162.htmlRF2HTXGKP–Art inspired by The Lamentation, ca. 1475, Engraving, Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rome. Italy. Portrait bust of Michelangelo Bunarroti (1475-1564), after the original by Daniele da Volterra, (1509-1566), Capitoline Museums. Musei Ca Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rome-italy-portrait-bust-of-michelangelo-bunarroti-1475-1564-after-the-original-by-daniele-da-volterra-1509-1566-capitoline-museums-musei-ca-image239310822.htmlRMRW9FB2–Rome. Italy. Portrait bust of Michelangelo Bunarroti (1475-1564), after the original by Daniele da Volterra, (1509-1566), Capitoline Museums. Musei Ca
Grave monument ca 1475 of Engelbert 1 of Nassau in the cathedral in Breda Noord Brabant the Netherlands Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grave-monument-ca-1475-of-engelbert-1-of-nassau-in-the-cathedral-in-image3162854.htmlRMAYG2E7–Grave monument ca 1475 of Engelbert 1 of Nassau in the cathedral in Breda Noord Brabant the Netherlands
Giovanni-bellini-crucifixion-ca-1475. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-bellini-crucifixion-ca-1475-image349460762.htmlRM2B8F8NE–Giovanni-bellini-crucifixion-ca-1475.
Crucifixion Group. Artist: Attributed to an associate of Hans Wydytz I (German, Strasbourg ca. 1475-ca. 1516 Strasbourg). Culture: German. Dimensions: Overall (with framing elements): 37 × 27 1/4 × 9 in. (94 × 69.2 × 22.9 cm) Overall (without framing elements): 34 3/4 × 26 × 5 7/8 in. (88.3 × 66 × 14.9 cm). Date: 1490-1510. The carving of this animated Crucifixion scene closely relates to that on known works by the Upper Rhenish sculptor Hans Wydytz. This scene was probably the central tableau of a small private altarpiece or devotional shrine. A stylistically related work representing the M Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crucifixion-group-artist-attributed-to-an-associate-of-hans-wydytz-i-german-strasbourg-ca-1475-ca-1516-strasbourg-culture-german-dimensions-overall-with-framing-elements-37-27-14-9-in-94-692-229-cm-overall-without-framing-elements-34-34-26-5-78-in-883-66-149-cm-date-1490-1510-the-carving-of-this-animated-crucifixion-scene-closely-relates-to-that-on-known-works-by-the-upper-rhenish-sculptor-hans-wydytz-this-scene-was-probably-the-central-tableau-of-a-small-private-altarpiece-or-devotional-shrine-a-stylistically-related-work-representing-the-m-image212882718.htmlRMPA9J26–Crucifixion Group. Artist: Attributed to an associate of Hans Wydytz I (German, Strasbourg ca. 1475-ca. 1516 Strasbourg). Culture: German. Dimensions: Overall (with framing elements): 37 × 27 1/4 × 9 in. (94 × 69.2 × 22.9 cm) Overall (without framing elements): 34 3/4 × 26 × 5 7/8 in. (88.3 × 66 × 14.9 cm). Date: 1490-1510. The carving of this animated Crucifixion scene closely relates to that on known works by the Upper Rhenish sculptor Hans Wydytz. This scene was probably the central tableau of a small private altarpiece or devotional shrine. A stylistically related work representing the M
Annunciation. Ca. 1473-1475. Altar wings. Tempera on hardboard. Kamienica, Poland. Silesian Museum. Katowice. Poland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-annunciation-ca-1473-1475-altar-wings-tempera-on-hardboard-kamienica-165753288.htmlRMKHJM08–Annunciation. Ca. 1473-1475. Altar wings. Tempera on hardboard. Kamienica, Poland. Silesian Museum. Katowice. Poland.
Kaarsenhouder en vetvanger van messing Afgebroken kaarsenhouder van de wandarm. Manufacturer : geelgieter: anoniemPlaats manufacture: Zuidelijke Nederlanden Dating: ca. 1475 - ca. 1500 Material: messing Techniek: gieten Dimensions: h 25 cm. × d 15 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kaarsenhouder-en-vetvanger-van-messing-afgebroken-kaarsenhouder-van-de-wandarm-manufacturer-geelgieter-anoniemplaats-manufacture-zuidelijke-nederlanden-dating-ca-1475-ca-1500-material-messing-techniek-gieten-dimensions-h-25-cm-d-15-cm-image348478958.htmlRM2B6XGD2–Kaarsenhouder en vetvanger van messing Afgebroken kaarsenhouder van de wandarm. Manufacturer : geelgieter: anoniemPlaats manufacture: Zuidelijke Nederlanden Dating: ca. 1475 - ca. 1500 Material: messing Techniek: gieten Dimensions: h 25 cm. × d 15 cm.
1555 ca , ITALY : Portrait of Italian Renaissance painter and scultor MICHELANGELO BONARROTI ( 1475 - 1564 ). French engraving from XVIII century . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1555-ca-italy-portrait-of-italian-renaissance-painter-and-scultor-michelangelo-bonarroti-1475-1564-french-engraving-from-xviii-century-image342475820.htmlRF2AW53B8–1555 ca , ITALY : Portrait of Italian Renaissance painter and scultor MICHELANGELO BONARROTI ( 1475 - 1564 ). French engraving from XVIII century .
Figure photography:Michelangelo (1475-1564) - reproduction, Raimondi, Marcantonio (Ca 1470/1482 -Ca 1527/1534) - reproduction, photography of a work of art (artist) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-photographymichelangelo-1475-1564-reproduction-raimondi-marcantonio-ca-14701482-ca-15271534-reproduction-photography-of-a-work-of-art-artist-image598791102.htmlRM2WP584E–Figure photography:Michelangelo (1475-1564) - reproduction, Raimondi, Marcantonio (Ca 1470/1482 -Ca 1527/1534) - reproduction, photography of a work of art (artist)
Lady with a Bouquet , ca 1475. Creator: Verrocchio, Andrea del (1437-1488). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-with-a-bouquet-ca-1475-creator-verrocchio-andrea-del-1437-1488-image248906468.htmlRMTCXJMM–Lady with a Bouquet , ca 1475. Creator: Verrocchio, Andrea del (1437-1488).
. Execution of Brunehilde. De casibus . Paris, ca. 1475. Workshop of Maitre Francois 155 De casibus 08 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/execution-of-brunehilde-de-casibus-paris-ca-1475-workshop-of-maitre-francois-155-de-casibus-08-image187718570.htmlRMMWB8XJ–. Execution of Brunehilde. De casibus . Paris, ca. 1475. Workshop of Maitre Francois 155 De casibus 08
Daniele da Volterra (1509-1566) Roma ca 1550-1553 by Michelangelo ( Michelangelo di Lodovico Buonarroti Simoni ) 1475 –1564 Florentine sculptor, painter, architect, and poet of the High Renaissance . Florence Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/daniele-da-volterra-1509-1566-roma-ca-1550-1553-by-michelangelo-michelangelo-di-lodovico-buonarroti-simoni-1475-1564-florentine-sculptor-painter-architect-and-poet-of-the-high-renaissance-florence-italy-italian-image456378509.htmlRM2HEDRCD–Daniele da Volterra (1509-1566) Roma ca 1550-1553 by Michelangelo ( Michelangelo di Lodovico Buonarroti Simoni ) 1475 –1564 Florentine sculptor, painter, architect, and poet of the High Renaissance . Florence Italy Italian
Kardinal Thomas Wolsey, ca. 1475-1530. Kardinal und Staatsmann, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kardinal-thomas-wolsey-ca-1475-1530-kardinal-und-staatsmann-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593335895.htmlRF2WD8NYK–Kardinal Thomas Wolsey, ca. 1475-1530. Kardinal und Staatsmann, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Francisco Pizarro's (ca 1475-1541) troops capturing the Inca Emperor Atahualpa during the Battle of Cajamarca, November 16, 1532, Peru, engraving from Peregrinationes, by Theodor de Bry (1528-1598). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-pizarros-ca-1475-1541-troops-capturing-the-inca-emperor-atahualpa-during-the-battle-of-cajamarca-november-16-1532-peru-engraving-from-peregrinationes-by-theodor-de-bry-1528-1598-image500938506.htmlRM2M2YM4X–Francisco Pizarro's (ca 1475-1541) troops capturing the Inca Emperor Atahualpa during the Battle of Cajamarca, November 16, 1532, Peru, engraving from Peregrinationes, by Theodor de Bry (1528-1598).
Florence. Italy. Bronze statue of David (ca.1472-1475) by Verrocchio, Museo Nazionale del Bargello. (Bargello National Museum) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-florence-italy-bronze-statue-of-david-ca1472-1475-by-verrocchio-museo-177034215.htmlRMM80GXF–Florence. Italy. Bronze statue of David (ca.1472-1475) by Verrocchio, Museo Nazionale del Bargello. (Bargello National Museum)
Albert Cornelis (ca.1475-1532) Magdalena in een landschap - National Gallery Londen 5-3-2015 11-13-23 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-albert-cornelis-ca1475-1532-magdalena-in-een-landschap-national-gallery-147396669.htmlRMJFPDXN–Albert Cornelis (ca.1475-1532) Magdalena in een landschap - National Gallery Londen 5-3-2015 11-13-23
Portrait of a Boy. Glazed terracotta bust by Italian Renaissance sculptor Andrea della Robbia (ca. 1475-1480) on display in the Bargello Museum (Museo Nazionale del Bargello) in Florence, Tuscany, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-boy-glazed-terracotta-bust-by-italian-renaissance-sculptor-andrea-della-robbia-ca-1475-1480-on-display-in-the-bargello-museum-museo-nazionale-del-bargello-in-florence-tuscany-italy-image212520238.htmlRMP9N3ME–Portrait of a Boy. Glazed terracotta bust by Italian Renaissance sculptor Andrea della Robbia (ca. 1475-1480) on display in the Bargello Museum (Museo Nazionale del Bargello) in Florence, Tuscany, Italy.
Bouwtekening kloostergang St-Servaaskerk, ca 1475 (RHCL) - 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bouwtekening-kloostergang-st-servaaskerk-ca-1475-rhcl-1-135690070.htmlRMHTN61X–Bouwtekening kloostergang St-Servaaskerk, ca 1475 (RHCL) - 1
Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edificij-et-machine-martini-francesco-di-giorgio-1439-1501-brown-ink-and-wash-ca-1475-ca-1480-image220665964.htmlRMPR05K8–Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
Art inspired by St. Barbara, late 15th century, Engraving, Prints, Master FVB (Netherlandish, active ca. 1475–1500, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-st-barbara-late-15th-century-engraving-prints-master-fvb-netherlandish-active-ca-14751500-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805157.htmlRF2HTXGKH–Art inspired by St. Barbara, late 15th century, Engraving, Prints, Master FVB (Netherlandish, active ca. 1475–1500, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rome. Italy. Portrait bust of Michelangelo Bunarroti (1475-1564), after the original by Daniele da Volterra, (1509-1566), Capitoline Museums. Musei Ca Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rome-italy-portrait-bust-of-michelangelo-bunarroti-1475-1564-after-the-original-by-daniele-da-volterra-1509-1566-capitoline-museums-musei-ca-image239310825.htmlRMRW9FB5–Rome. Italy. Portrait bust of Michelangelo Bunarroti (1475-1564), after the original by Daniele da Volterra, (1509-1566), Capitoline Museums. Musei Ca
Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood. National Museum of Ca Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gothic-catalan-altarpiece-of-saint-peter-enthroned-by-roderic-dorsona-176387625.htmlRFM6Y461–Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood. National Museum of Ca
Albert Cornelis (ca.1475–1532) Magdalena in een landschap - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albert-cornelis-ca14751532-magdalena-in-een-landschap-image261177763.htmlRMW4WJW7–Albert Cornelis (ca.1475–1532) Magdalena in een landschap -
François I (1494-1547), King of France. Culture: French. Dimensions: Overall (confirmed): 26 × 26 × 12 1/2 in., 83 lb. (66 × 66 × 31.8 cm, 37.6 kg). Maker: Girolamo della Robbia (Italian, 1488-1566) , or; Luca della Robbia ('Young Luca') (Italian, 1475-ca. 1548). Date: 1529. Portrayed here at age thirty-five, François I sports a faint smile and a beard, which he is said to have adopted a few years earlier to hide scars from an accident. The king also wears a shirt adorned with double knots shaped like figure eights--an emblem of the House of Savoie, from which he descended through his mother, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franois-i-1494-1547-king-of-france-culture-french-dimensions-overall-confirmed-26-26-12-12-in-83-lb-66-66-318-cm-376-kg-maker-girolamo-della-robbia-italian-1488-1566-or-luca-della-robbia-young-luca-italian-1475-ca-1548-date-1529-portrayed-here-at-age-thirty-five-franois-i-sports-a-faint-smile-and-a-beard-which-he-is-said-to-have-adopted-a-few-years-earlier-to-hide-scars-from-an-accident-the-king-also-wears-a-shirt-adorned-with-double-knots-shaped-like-figure-eights-an-emblem-of-the-house-of-savoie-from-which-he-descended-through-his-mother-image212880730.htmlRMPA9FF6–François I (1494-1547), King of France. Culture: French. Dimensions: Overall (confirmed): 26 × 26 × 12 1/2 in., 83 lb. (66 × 66 × 31.8 cm, 37.6 kg). Maker: Girolamo della Robbia (Italian, 1488-1566) , or; Luca della Robbia ('Young Luca') (Italian, 1475-ca. 1548). Date: 1529. Portrayed here at age thirty-five, François I sports a faint smile and a beard, which he is said to have adopted a few years earlier to hide scars from an accident. The king also wears a shirt adorned with double knots shaped like figure eights--an emblem of the House of Savoie, from which he descended through his mother,
Lower Rhine. Coronation of Mary with the Twenty-Four Elders, ca.1450-1475. Wallraf-Richartz Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lower-rhine-coronation-of-mary-with-the-twenty-four-elders-ca1450-1475-wallraf-richartz-museum-cologne-germany-image217042571.htmlRMPH340B–Lower Rhine. Coronation of Mary with the Twenty-Four Elders, ca.1450-1475. Wallraf-Richartz Museum. Cologne. Germany.
The Holy Kinship (antependium) Antependium van tapisserie-weefsel met de H. Maagd en haar familie. Manufacturer : vervaardiger: anoniemPlaats manufacture: Midden-Rijn Dating: ca. 1475 - ca. 1500 Material: ketting: linnen inslag: wol inslag: metaaldraad Techniek: tapijtwerk Dimensions: h 76 cm. × b 183 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-holy-kinship-antependium-antependium-van-tapisserie-weefsel-met-de-h-maagd-en-haar-familie-manufacturer-vervaardiger-anoniemplaats-manufacture-midden-rijn-dating-ca-1475-ca-1500-material-ketting-linnen-inslag-wol-inslag-metaaldraad-techniek-tapijtwerk-dimensions-h-76-cm-b-183-cm-image348291117.htmlRM2B6J0TD–The Holy Kinship (antependium) Antependium van tapisserie-weefsel met de H. Maagd en haar familie. Manufacturer : vervaardiger: anoniemPlaats manufacture: Midden-Rijn Dating: ca. 1475 - ca. 1500 Material: ketting: linnen inslag: wol inslag: metaaldraad Techniek: tapijtwerk Dimensions: h 76 cm. × b 183 cm.
1520 ca , ROMA , ITALY : The Pope LEONE X de MEDICI ( 1475 - 1521 ) born Giovanni di Lorenzo de' Medici . Portrait engraved in XIX century from Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1520-ca-roma-italy-the-pope-leone-x-de-medici-1475-1521-born-giovanni-di-lorenzo-de-medici-portrait-engraved-in-xix-century-from-image342474306.htmlRF2AW51D6–1520 ca , ROMA , ITALY : The Pope LEONE X de MEDICI ( 1475 - 1521 ) born Giovanni di Lorenzo de' Medici . Portrait engraved in XIX century from
The Chess Players. Liberale da Verona. ca. 1475. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-chess-players-liberale-da-verona-ca-1475-image487801765.htmlRM2K9H83H–The Chess Players. Liberale da Verona. ca. 1475.
The Birth of the Virgin. Artist: De Beer, Jan (ca 1475-1528) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-birth-of-the-virgin-artist-de-beer-jan-ca-1475-1528-74097746.htmlRME8FCC2–The Birth of the Virgin. Artist: De Beer, Jan (ca 1475-1528)
. The murder of son of Marcus Antonius. De casibus . Paris, ca. 1475. Workshop of Maitre Francois 134 De casibus 10 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-murder-of-son-of-marcus-antonius-de-casibus-paris-ca-1475-workshop-of-maitre-francois-134-de-casibus-10-image188966601.htmlRMMYC4R5–. The murder of son of Marcus Antonius. De casibus . Paris, ca. 1475. Workshop of Maitre Francois 134 De casibus 10
Daniele da Volterra (1509-1566) Roma ca 1550-1553 by Michelangelo ( Michelangelo di Lodovico Buonarroti Simoni ) 1475 –1564 Florentine sculptor, painter, architect, and poet of the High Renaissance . Florence Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/daniele-da-volterra-1509-1566-roma-ca-1550-1553-by-michelangelo-michelangelo-di-lodovico-buonarroti-simoni-1475-1564-florentine-sculptor-painter-architect-and-poet-of-the-high-renaissance-florence-italy-italian-image456378513.htmlRM2HEDRCH–Daniele da Volterra (1509-1566) Roma ca 1550-1553 by Michelangelo ( Michelangelo di Lodovico Buonarroti Simoni ) 1475 –1564 Florentine sculptor, painter, architect, and poet of the High Renaissance . Florence Italy Italian
Thomas Wolsey (ca. 1475-1530). Englischer Kardinal und Staatsmann. Aus dem Buch Lodge's British Portraits erschienen in London 1823., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-wolsey-ca-1475-1530-englischer-kardinal-und-staatsmann-aus-dem-buch-lodges-british-portraits-erschienen-in-london-1823-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593320114.htmlRF2WD81T2–Thomas Wolsey (ca. 1475-1530). Englischer Kardinal und Staatsmann. Aus dem Buch Lodge's British Portraits erschienen in London 1823., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Portrait of a Man at Prayer with Saint John the Baptist ca. 1475 (Early Modern) by Hugo van der Goes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-at-prayer-with-saint-john-the-baptist-ca-1475-early-modern-by-hugo-van-der-goes-image545384613.htmlRM2PK8BHW–Portrait of a Man at Prayer with Saint John the Baptist ca. 1475 (Early Modern) by Hugo van der Goes
Florence. Italy. Bronze statue of David (ca.1472-1475) by Verrocchio, Museo Nazionale del Bargello. (Bargello National Museum) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-florence-italy-bronze-statue-of-david-ca1472-1475-by-verrocchio-museo-176915526.htmlRMM7R5FJ–Florence. Italy. Bronze statue of David (ca.1472-1475) by Verrocchio, Museo Nazionale del Bargello. (Bargello National Museum)
Michel-Ange Sculptant La Statue de la Nuit; Cattier (Paris; Litographic Plant; Fl. Ca 1831-1850), Société des Artistes Français. Salon (1663-), Thomas de Barbarin, Emmanuel Henri François (1821-1892); 1847 (1847-00-00-1847-00-00);Buonarroti, Michelangelo (1475-1564), Night (personification), Seweryn (1850-1920)-collection, Smolikowski, Dar (provenance), portraits of artists, male portraits, men's portraits, artists' studios, sculptors, sculptures, art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/michel-ange-sculptant-la-statue-de-la-nuit-cattier-paris-litographic-plant-fl-ca-1831-1850-socit-des-artistes-franais-salon-1663-thomas-de-barbarin-emmanuel-henri-franois-1821-1892-1847-1847-00-00-1847-00-00buonarroti-michelangelo-1475-1564-night-personification-seweryn-1850-1920-collection-smolikowski-dar-provenance-portraits-of-artists-male-portraits-mens-portraits-artists-studios-sculptors-sculptures-art-image598957063.htmlRM2WPCRRK–Michel-Ange Sculptant La Statue de la Nuit; Cattier (Paris; Litographic Plant; Fl. Ca 1831-1850), Société des Artistes Français. Salon (1663-), Thomas de Barbarin, Emmanuel Henri François (1821-1892); 1847 (1847-00-00-1847-00-00);Buonarroti, Michelangelo (1475-1564), Night (personification), Seweryn (1850-1920)-collection, Smolikowski, Dar (provenance), portraits of artists, male portraits, men's portraits, artists' studios, sculptors, sculptures, art
Ride of the Kings. Right wing of the Late Gothic altarpiece 'Adoration of the Kings' (ca. 1475) by an anonymous Swiss painter known as the Master of the Lamentation of Sarnen (Maitre de la Deploration de Sarnen) from the Chapel of the Kings in Baden, Switzerland, now on display in the Musee des Beaux-Arts de Dijon (Museum of Fine Arts) in Dijon, Burgundy, France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ride-of-the-kings-right-wing-of-the-late-gothic-altarpiece-adoration-139638401.htmlRMJ3525N–Ride of the Kings. Right wing of the Late Gothic altarpiece 'Adoration of the Kings' (ca. 1475) by an anonymous Swiss painter known as the Master of the Lamentation of Sarnen (Maitre de la Deploration de Sarnen) from the Chapel of the Kings in Baden, Switzerland, now on display in the Musee des Beaux-Arts de Dijon (Museum of Fine Arts) in Dijon, Burgundy, France.
Hans memling, angelo con ramo d'olivo, 1475-80 ca. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hans-memling-angelo-con-ramo-dolivo-1475-80-ca-133431183.htmlRMHN28RB–Hans memling, angelo con ramo d'olivo, 1475-80 ca.
Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edificij-et-machine-martini-francesco-di-giorgio-1439-1501-brown-ink-and-wash-ca-1475-ca-1480-image220665962.htmlRMPR05K6–Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
Art inspired by Ars Moriendi, ca. 1475, Woodcuts, Overall: 11 x 7 7/8 x 1/4 in. (28 x 20 x 0.6 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ars-moriendi-ca-1475-woodcuts-overall-11-x-7-78-x-14-in-28-x-20-x-06-cm-books-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462802801.htmlRF2HTXDKD–Art inspired by Ars Moriendi, ca. 1475, Woodcuts, Overall: 11 x 7 7/8 x 1/4 in. (28 x 20 x 0.6 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rome. Italy. Sculpture of Moses on the Tomb of Pope Julius II, ca. 1513-1516, by Michelangelo Buonarroti (1475-1564), Basilica di San Pietro in Vincol Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rome-italy-sculpture-of-moses-on-the-tomb-of-pope-julius-ii-ca-1513-143051910.htmlRMJ8MG4P–Rome. Italy. Sculpture of Moses on the Tomb of Pope Julius II, ca. 1513-1516, by Michelangelo Buonarroti (1475-1564), Basilica di San Pietro in Vincol
Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood. National Museum of Ca Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gothic-catalan-altarpiece-of-saint-peter-enthroned-by-roderic-dorsona-176387605.htmlRFM6Y459–Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood. National Museum of Ca
Giambattista-Tiepolo-Il-giudizio-finale-1730-1735-ca-Olio-su-tela-1475-x-198-cm.-Collezione-Intesa-Sanpaolo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giambattista-tiepolo-il-giudizio-finale-1730-1735-ca-olio-su-tela-1475-x-198-cm-collezione-intesa-sanpaolo-image348745746.htmlRM2B7AMN6–Giambattista-Tiepolo-Il-giudizio-finale-1730-1735-ca-Olio-su-tela-1475-x-198-cm.-Collezione-Intesa-Sanpaolo.
The Lamentation. Artist: Master IAM of Zwolle (Netherlandish, active ca. 1470-95). Date: ca. 1475. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lamentation-artist-master-iam-of-zwolle-netherlandish-active-ca-1470-95-date-ca-1475-museum-metropolitan-museum-of-art-new-york-usa-image212877050.htmlRMPA9ARP–The Lamentation. Artist: Master IAM of Zwolle (Netherlandish, active ca. 1470-95). Date: ca. 1475. Museum: Metropolitan Museum of Art, New York, USA.
Unknown Netherlandish Master. The Marriage of the Virgin, ca.1475-1500. Oil on oak panel. National Museum of Ancient Art. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-netherlandish-master-the-marriage-of-the-virgin-ca1475-1500-oil-on-oak-panel-national-museum-of-ancient-art-lisbon-portugal-image457404758.htmlRM2HG4GC6–Unknown Netherlandish Master. The Marriage of the Virgin, ca.1475-1500. Oil on oak panel. National Museum of Ancient Art. Lisbon, Portugal.
Fragment van een aurifries, met borduurwerk van zijde en goudraad Fragment van een aurifries, met borduurwerk. Manufacturer : vervaardiger: anoniemPlaats manufacture: Duitsland (mogelijk) Dating: ca. 1475 - ca. 1500 Material: zijde gouddraad Techniek: borduren Dimensions: h 142,0 cm. × b 9,0 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-van-een-aurifries-met-borduurwerk-van-zijde-en-goudraad-fragment-van-een-aurifries-met-borduurwerk-manufacturer-vervaardiger-anoniemplaats-manufacture-duitsland-mogelijk-dating-ca-1475-ca-1500-material-zijde-gouddraad-techniek-borduren-dimensions-h-1420-cm-b-90-cm-image348363133.htmlRM2B6N8MD–Fragment van een aurifries, met borduurwerk van zijde en goudraad Fragment van een aurifries, met borduurwerk. Manufacturer : vervaardiger: anoniemPlaats manufacture: Duitsland (mogelijk) Dating: ca. 1475 - ca. 1500 Material: zijde gouddraad Techniek: borduren Dimensions: h 142,0 cm. × b 9,0 cm.
1470 ca , Bergamo , ITALY : The italian Condottiero BARTOLOMEO COLLEONI ( 1395 - 1475 ). Engraved portrait from XVI Century . - CONDOTTIERO - PORTRAIT - RITRATTO - ITALIA - Capitano di Ventura - Generale - ritratto - incisione - illustrazione - illustration - profilo - profile - RINASCIMENTO - RENAISSANCE - armure - armatura - HISTORY - FOTO STORICHE --- Archivio GBB Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1470-ca-bergamo-italy-the-italian-condottiero-bartolomeo-colleoni-1395-1475-engraved-portrait-from-xvi-century-condottiero-portrait-ritratto-italia-capitano-di-ventura-generale-ritratto-incisione-illustrazione-illustration-profilo-profile-rinascimento-renaissance-armure-armatura-history-foto-storiche-archivio-gbb-image552136212.htmlRM2R27YAC–1470 ca , Bergamo , ITALY : The italian Condottiero BARTOLOMEO COLLEONI ( 1395 - 1475 ). Engraved portrait from XVI Century . - CONDOTTIERO - PORTRAIT - RITRATTO - ITALIA - Capitano di Ventura - Generale - ritratto - incisione - illustrazione - illustration - profilo - profile - RINASCIMENTO - RENAISSANCE - armure - armatura - HISTORY - FOTO STORICHE --- Archivio GBB
Portrait of an Old Man. Hans Memling. ca. 1475 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-an-old-man-hans-memling-ca-1475-image573023726.htmlRM2T87DH2–Portrait of an Old Man. Hans Memling. ca. 1475
Allegory of Chastity, ca 1475. Creator: Memling, Hans (1433/40-1494). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegory-of-chastity-ca-1475-creator-memling-hans-143340-1494-image248906241.htmlRMTCXJCH–Allegory of Chastity, ca 1475. Creator: Memling, Hans (1433/40-1494).
. Francesco Petrarca appears to Boccaccio. De casibus . Paris, ca. 1475. Workshop of Maitre Francois 155 De casibus 11 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-petrarca-appears-to-boccaccio-de-casibus-paris-ca-1475-workshop-of-maitre-francois-155-de-casibus-11-image188251888.htmlRMMX7H5M–. Francesco Petrarca appears to Boccaccio. De casibus . Paris, ca. 1475. Workshop of Maitre Francois 155 De casibus 11
Matteo Lappoli 1450-1504, Madonna and Child between two angels holding a curtain, ca. 1475-80, near Church of Agostino Arezzo 14th-15th Century, Fine Art Museum, Italy, Italian, Fresco. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matteo-lappoli-1450-1504-madonna-and-child-between-two-angels-holding-a-curtain-ca-1475-80-near-church-of-agostino-arezzo-14th-15th-century-fine-art-museum-italy-italian-fresco-image523010289.htmlRM2NAW4XW–Matteo Lappoli 1450-1504, Madonna and Child between two angels holding a curtain, ca. 1475-80, near Church of Agostino Arezzo 14th-15th Century, Fine Art Museum, Italy, Italian, Fresco.
Jan de Beer (ca. 1475-1536), The Annunciation, ca. 1520. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jan-de-beer-ca-1475-1536-the-annunciation-ca-1520-123961706.htmlRMH5JXBP–Jan de Beer (ca. 1475-1536), The Annunciation, ca. 1520.
Portrait of an Old Man, ca. 1475, by Hans Memling, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-an-old-man-ca-1475-by-hans-memling-35127143.htmlRMC1450R–Portrait of an Old Man, ca. 1475, by Hans Memling,
Florence. Italy. Bronze portrait bust of Michelangelo Buonarroti (1475-1564) by Daniele da Volterra (ca. 1509-1566) in the Galleria dell'Accademia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-florence-italy-bronze-portrait-bust-of-michelangelo-buonarroti-1475-124209592.htmlRMH626GT–Florence. Italy. Bronze portrait bust of Michelangelo Buonarroti (1475-1564) by Daniele da Volterra (ca. 1509-1566) in the Galleria dell'Accademia.
MOSES (ca. 1513-15), MICHELANGELO BUONARROTI (1475-1564), SAN PIETRO IN VINCOLI, ROME Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-moses-ca-1513-15-michelangelo-buonarroti-1475-1564-san-pietro-in-vincoli-51253597.htmlRMCYAPDH–MOSES (ca. 1513-15), MICHELANGELO BUONARROTI (1475-1564), SAN PIETRO IN VINCOLI, ROME
The Adoration of the Magi Justus of Ghent ca. 1475 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-magi-justus-of-ghent-ca-1475-image595275764.htmlRF2WGD48M–The Adoration of the Magi Justus of Ghent ca. 1475
Maestro della leggenda di santa lucia, virgo inter virgines, 1475-1500 ca. (bruges) 01 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maestro-della-leggenda-di-santa-lucia-virgo-inter-virgines-1475-1500-133434315.htmlRMHN2CR7–Maestro della leggenda di santa lucia, virgo inter virgines, 1475-1500 ca. (bruges) 01
Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edificij-et-machine-martini-francesco-di-giorgio-1439-1501-brown-ink-and-wash-ca-1475-ca-1480-image220665921.htmlRMPR05HN–Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480
Art inspired by Charger, ca. 1475–1500, German, Copper alloy, Overall: 3 x 21 1/2 in. (7.6 x 54.6 cm), Metalwork-Copper alloy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-charger-ca-14751500-german-copper-alloy-overall-3-x-21-12-in-76-x-546-cm-metalwork-copper-alloy-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462837162.htmlRF2HW01EJ–Art inspired by Charger, ca. 1475–1500, German, Copper alloy, Overall: 3 x 21 1/2 in. (7.6 x 54.6 cm), Metalwork-Copper alloy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Michelangelo Buonarroti (1475-1564), Italian Renaissance painter, sculptor and architect. 19th century engraving by Jean Louis Potrelle after Michelangelo self portrait of ca. 1530. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-michelangelo-buonarroti-1475-1564-italian-renaissance-painter-sculptor-32391280.htmlRMBTKFBC–Michelangelo Buonarroti (1475-1564), Italian Renaissance painter, sculptor and architect. 19th century engraving by Jean Louis Potrelle after Michelangelo self portrait of ca. 1530.
Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood. National Museum of Ca Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gothic-catalan-altarpiece-of-saint-peter-enthroned-by-roderic-dorsona-176387616.htmlRFM6Y45M–Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood. National Museum of Ca
'Madonna and Child', tempera and gold on panel painting by Bartolomeo Vivarini, ca. 1475. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-tempera-and-gold-on-panel-painting-by-bartolomeo-vivarini-ca-1475-image207104541.htmlRMP0XBXN–'Madonna and Child', tempera and gold on panel painting by Bartolomeo Vivarini, ca. 1475.
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