RM2A2KAG3–Mace, 1470/1500, German, Germany, Iron and brass, L. 50.8 cm (20 in
RMWHB8N4–The entombment - The Lamentation over the Dead Christ by Master of the Virgo inter Virgines (fl.1470-1500) .
RF2HTYDC0–Art inspired by Armorial jug (boccale), ca. 1470–1500, Italian, Faenza or Florence, Maiolica (tin-glazed earthenware), Height: 7 3/8 in. (18.7cm), Ceramics-Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMP9Y8B–De H. Clemens . op de voorzijde: de opstanding . 1470-1500. 849 Manner or circle of the Master of the Virgo inter Virgines 001
RMPBBCW9–Maestro de la Leyenda de Santa Catalina / 'The Betrothal of the Virgin / Cristo Patiens'. 1470 - 1500. Oil on panel. Museum: Museo del Prado, Madrid, España.
RME56R8R–Saint Catherine and the Philosophers by Master of the View of St Gudule 1470 - 1500
RM2B01GFF–Greece/Venice: The 1480 Siege of Rhodes. Ships of the Hospitallers in the forefront, and Turkish camp in the background (Ottoman-Venetian Wars). Illumination by Master of the Cardinal de Bourbon (fl. 1470-1500), c. 1483. On 23 May 1480 an Ottoman fleet of 160 ships appeared before Rhodes, at the gulf of Trianda, along with an army of 70,000 men under the command of Gedik Ahmed Pasha or Mesih Pasha. The Knights Hospitaller garrison was led by Grand Master Pierre d'Aubusson. The Knights were reinforced from France by 500 knights and 2,000 soldiers under d'Aubusson's brother Antoine.
RMT1NCH2–Master of the View of St Gudule 1470 - 1500 cathedral of St Gudule in Brussels Belgium The Pastoral Sermon St Géry Preaching
RM2E8RCEX–Mistrz Dyptyku Bońskiego (fl. ca. 1470-1500) - God the Father and Choir of Angels - M.Ob.10
RMHYEBTX–After The Master of the Housebook (German, active about 1470 1500) Design for a Quatrefoil with a Castle, Two Lovers, a Maiden Tempted by a Fool, a Couple Seated by a ... Google Art Project
RM2E4PTR3–Meester van de Catharinalegende (ca.1470-1500) Episoden uit het leven van de H. Catharina
RMT1A4KR–religion, Christianity, Annunciation of the Blessed Virgin Mary, painting, by the Master of the Virgo inter Virgines, 1470 - 1500, oil on panel, 57.4 x 47.2 cm, Museum Boijmans Van Beuningen, Rotterdam, Artist's Copyright has not to be cleared
RMAJ7PJ4–St Elizabeth of Hungary, St Catherine of Alexandria and St Rosalie of Padua, 1470-1500. Artist: Master of Saint Gudule
RM2T9MX5G–Madonna with Child and Two Angels 1470-1500 by Matteo Di Giovanni
RM2AE51T4–Portrait of a Man; c. 1470/1500 Ferrarese 15th Century, Portrait of a Man, c 1470-1500
RM2F5P4YA–Studies of Christ's Loincloth (recto); Studies of Bookbindings and of Christ's Loincloth (verso). Master of the Coburg Roundels (German, active about 1470 - 1500)
RMHYCN6H–The Annunciation, Master of the Virgin among Virgins, 1470-1500, Boijmans van Beuningen Museum, Rotterdam, Netherlands, Europe
RM2WPK2YD–Maestro de la Leyenda de santa Ursula (Activo en Brujas, hacia 1470-1500), The Virgin and Child with Two Angels, Hacia 1480
RMR7W7GJ–Tile showing the Warriors of Mara 1470-1500 Glazed stoneware Burma (Pegu) Possibly from the Shwegugyi temple
RM2DCBKME–German 15th Century, (artist), Saint Anne with the Madonna and Child, 1470/1500, woodcut, hand-colored in yellow, green, red
RM2WRX8GR–Maestro de Palanquinos, ¿ Pedro de Mayorga ?, active in León, c. 1470 - 1500, Saint Paul and Isaiah (table from the predella of the Santa Marina Altar
RMRY5A8X–Female Bust, c. 1470-1500. Austria, 15th century. Painted and gilded lindenwood; overall: 52.7 cm (20 3/4 in
RF2HTYADG–Art inspired by Four Captive Demons, 1470–1500, Attributed to Iran or Central Asia, Watercolor and gold on silk, H. 13 3/8 in. (34 cm), Codices, This exceptional painting on silk portrays four demonlike figures rendered in exacting, fantastic detail. A series of similar paintings have, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMP8KR8–The resurrection of Christ.[1] Alternative title(s): De opstanding (op de achterzijde: de H. Clemens).[2] 1470-1500. 849 Manner or circle of the Master of the Virgo inter Virgines 001 front
RF2HTYJBP–Art inspired by Dish with Heraldic Shield, 1470–1500, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 17 1/8 x 2 3/4 in. (43.5 x 7 cm), Ceramics, Toward the end of the fifteenth century, Valencian potters created new forms, modeled after, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA9C7X–Armorial jug (boccale). Culture: Italian, Faenza or Florence. Dimensions: Height: 7 3/8 in. (18.7cm). Date: ca. 1470-1500. Museum: Metropolitan Museum of Art, New York, USA.
RF2HTW6YN–Art inspired by Pharmacy bottle, ca. 1470–1500, Italian, probably Pesaro, Maiolica (tin-glazed earthenware), Overall (confirmed): 12 1/8 × 7 9/16 × 7 9/16 in. (30.8 × 19.2 × 19.2 cm), Ceramics-Pottery, Vessels of this shape, with long, narrow necks, were designed to hold liquid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMT1NCGF–Master of the View of St Gudule 1470 - 1500 cathedral of St Gudule in Brussels Belgium The Pastoral Sermon St Géry Preaching
RMJE7CBJ–After The Master of the Housebook (German, active about 1470 - 1500) - Design for a Quatrefoil with a Castle, Two Lovers, a Maiden Tempted by a Fool, a Couple Seated by a ... -
RMEBAE95–Virgin Medieval Gothic Art Sculpture1500 Gil de Siloé Burgos 1470-1500 Spain Spanish Polychrome wood carving with gold leaf
RF2HW51ED–Art inspired by Christ Appearing to Mary Magdalen, ca. 1490, Pen and brown ink, brush and brown wash, and black chalk, 9 7/8 x 6 5/8 in. (25.1 x 16.8 cm), Drawings, Master of the Drapery Studies (German, Strasbourg, ca. 1470–1500), Although the artist nicknamed the 'Master of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMH7F09F–The Master of Affligem or Master of the Joseph Sequence 1470–1500 South Netherlands school Brussels Belgian Belgium
RM2T9MRP0–St Ursula Protecting the Eleven Thousand Virgins with Her Cloak 1470-1500 by Master Of The Legend Of Saint Barbara
RM2AE51TC–Portrait of a Woman; c. 1470/1500 Ferrarese 15th Century, Portrait of a Woman, c 1470-1500
RM2F5F31H–Design for a Quatrefoil with a Castle, Two Lovers, a Maiden Tempted by a Fool, a Couple Seated by a Trough, and a Knight and His Lover Mounted on a Horse. After the Master of the Housebook (German, active about 1470 - 1500)
RMWX0YT7–Ivory tryptich, 1470-1500, (1881). Etching of a small small portable altar of carved ivory, made in France in the late 15th century. The three hinged wings are decorated with fleurs-de-lis, with the central panel depicting two standing angels holding a large disc, recessed from the back, which is now open. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and Rivington, London, 1881]
RM2F75HFM–The Annunciation, Master of the Virgin among Virgins, 1470-1500, Boijmans van Beuningen Museum, Rotterdam, Netherlands, Europe
RMR5J7AD–‘Kurisht’ (a child’s game of tipcat in which short and long sticks are used). Two children playing as if on hobby-horses. Miftah al-Fuzala by Muhammad ibn Da'ud ibn Muhammad ibn Mahmud Shadiyabadi, a glossary of rare words and proper names occurring in ancient Persian poetry. Mandu (Shadiabad), 1470 - 1500. Opaque watercolour. Style: Sultanate style Topics:. Source: Or.3299, folio 220v detail. Author: SHADIYABADI, MUHAMMAD IBN DA'UD. ANON.
RMWX6FG0–House from 1470
RM2GPPT76–Mace, Germany, 1470/1500.
RMRY5514–Female Bust, c. 1470-1500. Austria, 15th century. Painted and gilded lindenwood; without base: 47 cm (18 1/2 in
RMKNKCXE–Dish with Heraldic Shield, 1470–1500, Spanish, Made in probably Manises, Valencia, Spain, Medium: Tin-glazed earthenware
RMPPXPXX–Peacock-Pattern Dish, Piatto, Deruta, probably, Italy; about 1470 - 1500; Tin-glazed earthenware; 6.4 × 39.1 cm
RMMPAHKT–Master of the Joseph Sequence (Netherlandish, active 1470-1500). 'The Martyrdom of St. Barbara,' 1470-1500. oil on wood. Walters Art Museum (37.778): Acquired by Henry Walters with the Massarenti Collection, 1902. 37.778 872 Master of the Joseph Sequence - The Martyrdom of St Barbara - Walters 37778
RMRY5517–Female Bust, c. 1470-1500. Austria, 15th century. Painted and gilded lindenwood; without base: 44.2 cm (17 3/8 in
RM2X00G8F–Maestro de Palanquinos, ¿ Pedro de Mayorga ?, active in León, c. 1470 - 1500, Saint Paul and Isaiah (table from the predella of the Santa Marina Altarpiece), c. 1500, Fine Arts Museum, Museo Bellas Artes, Oviedo, Asturias, Spain.
RMKCD12J–Armorial jug (boccale), ca. 1470–1500, Italian, Faenza or Florence, Maiolica (tin-glazed earthenware), Height: 7 3/8 in. (18.7cm
RF2HW64FR–Art inspired by Frieze with Neptune and Tritons, ca. 1500–1530, Engraving, Sheet: 4 9/16 × 12 11/16 in. (11.6 × 32.3 cm), Prints, Girolamo Mocetto (Italian, ca. 1470–1531, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCDB0G–Dish with Heraldic Shield, 1470–1500, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 17 1
RM2WH1CPH–Elizabeth Woodville (circa 1437-1492) later, Dame Elizabeth Grey, was Queen Consort of England 1464-1470 and again in 1471-1483 as wife of King Edward IV, portrait painting in oil on panel, after 1500
RM2DCFAB6–Wenzel von Olmutz, (artist), German, active 1481/1497, Master of the Housebook, (artist after), German, active c. 1470 - 1500, The Lovers, c. 1490, engraving
RMH7F090–The Master of Affligem or Master of the Joseph Sequence 1470–1500 South Netherlands school Brussels Belgian Belgium
RMKC7B1H–Four Captive Demons, 1470–1500, Attributed to Iran or Central Asia, Watercolor and gold on silk, H. 13 3/8 in. (34 cm), Codices
RM2AE6304–Saint Anne with the Madonna and Child; 1470/1500 German 15th Century, Saint Anne with the Madonna and Child, 1470-1500
RM2DC7923–Wenzel von Olmutz, (artist), German, active 1481/1497, Master of the Housebook, (artist after), German, active c. 1470 - 1500, Farmer and Wife with Goose, c. 1490, engraving
RM2J2Y9YK–The Deposition by Master of the Saint Bartholomew Altarpiece (active, c. 1470-1510), oil on oak, c. 1500-05
RM2JANMFJ–Dormition of the Mother of God Szat Master (open 1465/1470 1500)
RM2CNHR9G–Four Captive Demons, 1470-1500.
RM2T7WR1E–Florentinisch breite Manier um 1470 - 1500 The Last Judgement. Copper engraving print zwischen 1470 und 1490
RMKNKCXA–Dish with Heraldic Shield, 1470–1500, Spanish, Made in probably Manises, Valencia, Spain, Medium: Tin-glazed earthenware
RM2J007YB–Soldiers Carrying Trophies. Mantegna, Andrea (Italy, Isola di Cartura, 1431-1506). Italy, 1470-1500. Prints; engravings. Engraving
RMMPAHKX–Master of the Joseph Sequence (Netherlandish, active 1470-1500). 'St. Barbara Directing the Construction of a Third Window in Her Tower,' 1470-1500. oil on wood. Walters Art Museum (37.777): Acquired by Henry Walters with the Massarenti Collection, 1902. 37.777 872 Master of the Joseph Sequence - St Barbara Directing the Construction of a Third Window in Her Tower - Walters 37777
RM2H115EB–Female Bust, c. 1470-1500. Austria, 15th century. Painted and gilded lindenwood; overall: 52.7 cm (20 3/4 in.).
RMPAXW00–Four Captive Demons. Dimensions: H. 13 3/8 in. (34 cm) W. 7 15/16 in. (20.2 cm). Date: 1470-1500. This exceptional painting on silk portrays four demonlike figures rendered in exacting, fantastic detail. A series of similar paintings have been preserved within albums in Istanbul's Topkapi Palace Library. Some of these display inscriptions, attributing the works to an artist called 'Muhammad Siyah Qalam.' While much of the material found in these albums may be attributable to late fifteenth-century Iran, the use of silk as a support for painting was rare in the region, suggesting these enigma
RM2HM5CE3–The Presentation in the Temple by Master of the Prado Adoration of the Magi (active between c. 1475 and 1500), oil on panel, c. 1470-80
RF2HW64F5–Art inspired by Saint John the Baptist, 1500–1506, Engraving; second state, Sheet: 13 5/16 × 8 11/16 in. (33.8 × 22 cm) trimmed, Prints, Girolamo Mocetto (Italian, ca. 1470–1531, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMBHBKW–Juan de Borgoña (ca.1470-1530). Renaissance painter. Birth of Jesus, 1500-1504. Part of the Altarpiece of the Convent of Santa Cruz of Carboneras de Guadazaon, Spain. Diocesan Museum of Cuenca, Castile-La Mancha, Spain.
RMB2J5ND–astronomy, measuring instruments, astrolabe with instructions, Nuremberg, circa 1500, glove of as knight's armour, South Germany, circa 1470, Bavarian NationalMuseum, Munich, knights, science, Bavaria, Germany, 15th/16th century, historic, historical, middle ages,
RM2WT3XB7–1500 c., Venice , ITALY : The italian painter and engraver JACOPO DE' BARBARI ( Iacopo - François Jacob , 1470 c.- 1516 ). Portrait engraved by french artist Rudolph Varin , Paris , 1879 . - HISTORY - FOTO STORICHE - VENEZIA - ITALIA - ARTS - ARTI VISIVE - ARTE - PORTRAIT - RITRATTO - INCISORE - PITTORE - hat - cappello - profilo - profile - de Barbari de Barberi Barbaro Barberino Barbarigo o Barberigo - RINASCIMENTO - RENAISSANCE --- Archivio GBB
RMH7F08G–The Master of Affligem or Master of the Joseph Sequence 1470–1500 South Netherlands school Brussels Belgian Belgium
RM2RKB8G5–The Annunciation Between 1470 and 1500 by Master of the Virgo inter Virgines
RM2AECN60–Saint Anne with the Madonna and Child; 1470/1500 German 15th Century, Saint Anne with the Madonna and Child, 1470-1500
RM2DCBMEF–Israhel van Meckenem, (artist), German, c. 1445 - 1503, Master of the Housebook, (artist after), German, active c. 1470 - 1500, Saint Christopher, c. 1480/1490, engraving
RM2DA0YX0–Master of the Legend of Saint Lucy, Netherlandish (active Bruges), active c. 1470-c. 1500 -- Saint Catherine of Alexandria.
RF2K73EX8–Andrea Mantegna - Portrait of a Man, c. 1470 - Tempera on hardboard
RM2A2K9PM–Hand Pavise, 1470/1500, German, Nuremberg. possibly Bohemian, Nuremberg, Wood, canvas, leather, paint, and gesso, 65.9 x 43.2 cm (26 x 17 in
RM2GPPTA6–Hand Pavise, Nuremberg, 1470/1500.
RMKNKCXF–Dish with Heraldic Shield, 1470–1500, Spanish, Made in probably Manises, Valencia, Spain, Medium: Tin-glazed earthenware
RMBD6D58–Fine Arts, Bramantino (um 1470 - um 1535) , (Bartolommeo Suardi), Italian artist and architect, painting ' Jupiter and Mercury
RMP08KK2–. Design for a Quatrefoil with a Castle, Two Lovers, a Maiden Tempted by a Fool, a Couple Seated by a Trough, and a Knight and His Lover Mounted on a Horse . about 1475 - 1490 271 After The Master of the Housebook (German, active about 1470 - 1500) - Design for a Quatrefoil with a Castle, Two Lovers, a Maiden Tempted by a Fool, a Couple Seated by a ... - Google Art Project
RM2H115EA–Female Bust, c. 1470-1500. Austria, 15th century. Painted and gilded lindenwood; without base: 47 cm (18 1/2 in.).
RMPAM170–Das ist der Spiegel der menschen behaltnis mit den evangelien und mit epistelen nach der zyt des iars. Artist: Attributed to Erhard Reuwich (German, Utrecht ca. 1455-ca. 1490 Mainz); Attributed to Housebook Master (German, active Middle Rhineland, ca. 1470-1500). Dimensions: Overall: 13 3/8 x 9 1/4 x 2 9/16 in. (34 x 23.5 x 6.5 cm). Printer: Printed by Peter Drach the Younger (German, 1477-1504). Date: 1479-81. Museum: Metropolitan Museum of Art, New York, USA.
RMA3YAWT–'fine arts, Strigel, Bernhard (circa 1465 / 1470 - 1528), painting, 'procession of the three Magi', wing of three Magi altar,
RF2HW64FB–Art inspired by Judith and her maidservant with the head of Holofernes, 1500–1530, Engraving, Sheet: 13 3/16 × 8 7/16 in. (33.5 × 21.5 cm) trimmed, Prints, Girolamo Mocetto (Italian, ca. 1470–1531), After Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RME1G4N1–Jan Eerstensz van Schayck (c.1470-1527). Panels from an organ case in the Church of Saint Vitus (Naarden). Utrecht, 1510-1520.
RFRAE5HE–Peacock-Pattern Dish (Piatto), Deruta (probably), Italy, about 1470 - 1500, Tin-glazed earthenware, 6.4 × 39.1 cm (2 reimagined
RM2WT5MM5–1500 c., Venice , ITALY : The italian painter and engraver JACOPO DE' BARBARI ( Iacopo - François Jacob , 1470 c.- 1516 ). Portrait engraved by french artist Rudolph Varin , Paris , 1879 . - HISTORY - FOTO STORICHE - VENEZIA - ITALIA - ARTS - ARTI VISIVE - ARTE - PORTRAIT - RITRATTO - INCISORE - PITTORE - hat - cappello - profilo - profile - de Barbari de Barberi Barbaro Barberino Barbarigo o Barberigo - RINASCIMENTO - RENAISSANCE --- Archivio GBB
RMH7F08J–The Master of Affligem or Master of the Joseph Sequence 1470–1500 South Netherlands school Brussels Belgian Belgium
RM2RN7MYK–The Martyrdom of St. Barbara between 1470 and 1500 (Late Medieval) by Master of Affligem
RM2AE51RP–Portrait of a Man; c. 1470/1500 Ferrarese 15th Century, Portrait of a Man, c 1470-1500
RM2AGAFNE–. Appendix to the Journals of the Senate and Assembly of the ... session of the Legislature of the State of California. with an average value of $3.60 per ton. Workhas been opened up through two vertical shafts, main working shaftbeing the Cross shaft with a depth of 1470 feet; 1100 feet north ofCross shaft on 1400-foot level winze 700 feet deep to 2100-foot level; CALAVERAS COUNTY. Ill 1600-foot crosscut from 1500-foot level connects Utica workings withGold Cliff workings on 2400-foot level. The Stickles shaft, which hasa depth of 1000 feet, is used only for lowering timbers; also as ^nemerge
RF2K73F2E–Andrea Mantegna - The Entombment, c. 1470/1475 - engraving on laid paper
RM2DCG9EW–Israhel van Meckenem, (artist), German, c. 1445 - 1503, Master of the Housebook, (artist after), German, active c. 1470 - 1500, Coat of Arms with Tumbling Boy, c. 1480/1490, engraving
RM2FN90EP–Portrait of a Woman, c. 1470/1500.
RMMPAHYF–The Annunciation Between 1470 and 1500. 872 Master of the Virgin Among Virgins, Virgo inter Virgines - The Annunciation - Google Art Project
RM2T7WR1M–Florentinisch breite Manier um 1470 - 1500 Saint Mark and the works of grace. Copper engraving print zwischen 1474 und 1490, (gedruckt 1632)
RMPA9DCF–Christ Appearing to Mary Magdalen. Artist: Master of the Drapery Studies (German, Strasbourg, ca. 1470-1500). Dimensions: 9 7/8 x 6 5/8 in. (25.1 x 16.8 cm). Former Attribution: Formerly attributed to Anonymous, German. Date: ca. 1490. Although the artist nicknamed the 'Master of the Coburg Roundels' has not yet been identified by name, it is clear from his surviving stained-glass windows and drawings that he was a critical figure in Upper Rhenish art during the last quarter of the fifteenth century and in the history of early German drawing in general. He was active in Strasbourg, where he
RF2B8YKGC–Mace, 1470/1500, German, Germany, Iron and brass, L. 50.8 cm (20 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
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